Posts tagged with "author"

Art by Heather Skovlund of 360 Magazine for use by 360 Magazine

Moving – The Atlantic

In this first volume of Remember the Internet, a series that tells a complete history of the Internet, one book at a time, journalist Ana Valens introduces us to the erotic gifs, hashtag fetish fan art, and sex worker resource blogs that combined to transform Tumblr into the vanguard of a user-generated sexual revolution. As she tells the story of her own online sexual and political awakening, Valens investigates how Tumblr’s technical architecture made it a convenient laboratory for social justice and sexual freedom, one that would ultimately clash with the government’s crackdown on sexuality online. 2021.

In the second Volume, Not just anyone can join the most elite Tori Amos tape trading webring of 1998. In a world before “search” and “social media,” teenage Megan Milks has what it takes, negotiating two-to-one trades of rare concert audio with some of the most intense “ears with feet” in the Toriverse, using their living room computer to navigate fandom friendships haunted with nascent queer meaning. In this new volume of Remember the Internet, Milks leads us through a world of bootleg concert recording on DATs and USEnet meetups, a world still inventing the rules for being with one another online: bring references, bring blanks.

Available September 21, 2021

In the third volume, Google Glass was supposed to replace phones and PCs, becoming the peripheral that turned the internet itself into a bodily function, making the instant overlay of real-time information into a new organic language. Where did everything go wrong? Was it the unchecked hubris of Big Tech, which had become addicted to solving problems that didn’t exist using grandiose solutions with prohibitive price tags? Was it a tone deaf marketing campaign that failed to take into account the secret loathing of Silicon Valley’s haughty elites? Or was it simply too early, a product before its time like the Palm Pilot or disco? Journalist Quinn Myers gets the inventors, users, developers, detractors, lovers, haters, models, and members all on the record in this slim new entry in the Remember the Internet series. NOT AVAILABLE FOR GOOGLE GLASS.

Available November 16, 2021

In the fourth volume, On Myspace, Noor al-Sibai is a scene queen: artfully curated and presented to rise to the top of the top 8. Off of it, she’s a teenager: dealing with trauma both personal and political, bad relationships, and understanding the ways in which the new world of social media is changing her relationship to each of these. In this new installment of Remember the Internet, Noor al-Sibai tells the story of growing up on Myspace as part of the first generation to come of age online.

Available Spring 2022

Tracy Sugarman’s Works Offered at Auction

“AND ALL THAT JAZZ”! WORKS BY TRACY SUGARMAN – ARTIST TO THE MUSIC INDUSTRY, TO BE OFFERED AT AUCTION

September 2021. Artworks by the American illustrator, Tracy Sugarman (1921-2013), who documented some of the most momentous events in American history, such as Mississippi’s Freedom Summer of 1964 (a milestone in the civil rights movement in America) and images of World War II, will be offered in Dreweatts Modern and Contemporary Art sale on October 12, 2021.

As well as encapsulating historical moments in a unique way, Sugarman illustrated hundreds of books and record covers in a career spanning 50 years. The group of works coming up for auction spotlights Sugarman’s work for the music industry. Between 1954 and 1959 he produced more than a hundred album covers for the record labels Grand Award and Waldorf Music Hall Records. These were later reissued on CDS.

His illustrations were published in hundreds of magazines and books, as well being shown as on TV (PBS, ABC TV, NBC TV, and CBS TV). He was in high demand as a multi-talented artist, scriptwriter, producer, and author and won numerous awards from the Society of Illustrators in New York and the Art Directors Club in Washington, D.C. He was also a civil rights activist, something he also captured in his artworks.

While carrying out his commissions for the music industry he was given complete artistic freedom to create the works as he wished. Commenting he said: “I had been able to explore every medium from scratch-board to oils, from pastels to watercolors and seen them reproduced. I had captured Mahalia Jackson singing gospel and Knuckles O’Toole playing ragtime piano.” A work in 2007 marked the beginning of a lifelong love affair with jazz and the works in this sale show how he creatively captures the spirit and energy of Jazz.

In the Studio (lot 301) in its bright red hues, communicates the passion and vibrancy of Jazz and music in general. Dark lines contrast the colour, creating the shapes of the figures, resulting in a simple, but powerful piece. It carries an estimate of £400-£600. Portrait of a Trumpet Player (lot 299) by Tracy Sugarman captures a trumpet player in full flow. Created in wax crayon, the raw image brings the paper to life. It is estimated to fetch £400-£600. The Thinker (Lot 300) in wax crayon and watercolor shows the creative process and thinking behind the creation of music. In rough strokes Sugarman conveys all of this in a minimal way, creating the impact by its very simplicity.  The work is estimated to fetch £400-£600.

More works by Sugarman can be seen in the online catalogue, follow the link here

Image by Ivory Nguyen for use by 360 Magazine

KO Média – ELLE DECORATION CANADA

KO Média is excited to unveil the fall issue of ELLE Decoration Canada featuring a new way of imagining your dream home by designer Nicholas Ancerl. Crestwood, described as “a dramatic home among the treetops” of Barrie, Ontario, has yet to be built. Instead, it has been brought to life with 23 photo-realistic renders. “The contemporary interiors will have a rustic touch and a neutral colour palette,” Ancerl explains. “We want the colours of nature, seen through the expansive windows, to dominate the interiors.” When asked about setting expectations too high for homeowners with such stunning renders, the designer assures: “Nothing can take away from the experience of actually stepping into a real space.”

This edition is imbued with a desire to create bright, airy living spaces that are both functional and serene. Included are Toronto-based architect Anya Moryoussef’s transformation of a single-car garage into a modern workspace inspired by traditional Italian studiolos; a prefabricated house reimagined by architect Alain Carle to capture the natural play of light and shade throughout the day; an architectural firm’s ingenious use of every nook and cranny in a tiny Vancouver home brimming with joie de vivre; and wood-and-glass containers fashioned by a Montreal couple to give their Old Port loft structure without sacrificing any natural light.

In the spirit of the season, Athena Calderone, author of Cook Beautiful, shares recipes that capture the tones, textures and tastes of fall and tips for creating the ultimate autumn table settings. Readers will also find a curated list of outdoor armchairs, loungers and swings from which to soak up the sun, and patio heaters in all shapes and sizes for the chilly months to come.

We caught up with Quebec native Philippe Malouin, creator of the Hanger chair, to find out how he continues to keep things simple after being listed among the world’s 100 top designers by Architectural Digest. Designer Montana Labelle offers advice for combining elegance and simplicity from her newly opened Lifestyle Studio in Toronto; and Quebecer Danielle Carignan, a pioneer in the personal organizer profession, shares tips to declutter your space and your life.

And for those seeking an escape, this issue has everything from top coffee makers for a meditative morning routine; to a seaside hospitality complex in Iran that blends seamlessly into the blazing red, yellow and orange rock formations of Hormuz Island.

The fall issue of ELLE Decoration Canada will hit stands and Apple News+ today.

Art by Heather Skovlund of 360 Magazine for use by 360 Magazine

The Town Hall × The Boys

The Town Hall has announced a special evening with brothers Ron Howard and Clint Howard as they reflect on their new book The Boys. The live evening, moderated by Malcolm Gladwell will take place on October 12 at 7PM at The Town Hall  the same day The Boys is released.

What was it like to grow up on TV? is not a question most of us know the answer to, but Academy Award-winning filmmaker Ron Howard and fan-favorite actor Clint Howard do. The brothers rose to fame on popular shows of the 1960s and 70s like Happy Days, The Andy Griffith Show, and Gentle Ben. At The Town Hall, they chat about their new dual memoir The Boys, in which they reflect on the importance of family and share memories of their extraordinary childhood spent on sound stages, hanging out with Hollywood legends like Andy Griffith, and working with trained bears. Theyߣll also dig deeper, examining the industry with the perspective of life experience behind them.

Tickets prices, which include a copy of The Boys are $47-$52 and are available at 

The evening is presented in partnership with Strand Bookstore and is also providing copies of The Boys.

After the last year and a half of working on this book, I am really looking forward to sitting with Clint and Malcolm at Town Hall to dive into our life experiences, as well as share all that we have learned throughout this process, said Ron Howard.

Clint Howard agreed. Writing a memoir with my brother has been an awesome experience and kicking off our book tour in New York City is a dream come true.

We are excited to welcome Ron and Clint Howard to The Town Hall to discuss their book The Boys, said Artistic Director Melay Araya. This is an exciting opportunity for audiences to get a peek behind the scenes of Hollywood from two these two prolific men and to see that while their family’s circumstances may have been different, they have gone through some of the same struggles and triumphs that many families do. Our goal at The Town Hall is to welcome important voices commenting on the American experience, and we know this evening will be fun and enlightening.

With the perspective of time and success Ron as a filmmaker, producer, and Hollywood A-lister, Clint as a busy character actor the Howard brothers delve deep into an upbringing that seemed normal to them yet was anything but. Their Midwestern parents, Rance and Jean, moved to California to pursue their own showbiz dreams. But it was their young sons who found steady employment as actors. Rance put aside his ego and ambition to become Ron and Clint’s teacher, sage, and moral compass. Jean became their loving protector sometimes over-protector from the snares and traps of Hollywood.

By turns confessional, nostalgic, heartwarming, and harrowing, The Boys is a dual narrative that lifts the lid on the Howard brothers’ closely held lives. It’s the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived child-actor syndrome to become fulfilled adults.

Hobamine: The Game Changing Discovery for a Long Life

By: Greg Macpherson, biotechnologist, author, “Harnessing the Nine Hallmarks of Aging.”

Free radicals are much-maligned molecules, blamed for causing many of the diseases we suffer from and even the aging process itself. We are regularly reminded of this in the fruit and vegetable isle at the supermarket and by supplement brands promoting antioxidants to counter the effect of free radicals. 

But dig a little deeper and you will discover that free radicals have an interesting little secret. It turns out that we need free radicals to be healthy. Free radicals are harnessed by our cells to send messages around the cell and between cells. Our immune system uses free radicals as part of its initial immune process (imagine free radical “bullets” being fired at an intruder) to slow the bugs down while the rest of our immune system jumps into action to fight off the infection.  

It turns out, for optimal health that we need to live in a “free radical goldilocks zone.”  Too many free radicals and we shift into something called oxidative stress and if that persists for too long then we are on track to get a disease.  But, if we have too few free radicals then it is equally harmful as our body loses the ability to mount a healthy immune response or to transmit messages that might notify the cell that something has gone wrong triggering a process where the cell removes itself for the health of the tissues that surround it.  

However, science is now telling us to go a little easy on antioxidants and not over do it. The clues have been there for a long time. A large study many years ago found that smokers, who create a burden of oxidative stress in their body with every puff, that took a vitamin E supplement had an increased risk of death. In another study, older adults that took antioxidants alongside exercise didn’t get the same level of muscle growth as their peers who went to the gym without taking antioxidants. In each case the antioxidants interfered with the healthy free radical signalling process creating a problem larger than the one it was aiming to solve. 

So how do we deal with the challenge of reducing oxidative stress whilst not over doing it and causing ourselves a serious health problem? Two strategies are coming to the fore. First, if you are going to take an antioxidant then take natural antioxidants that are derived from our diet such as curcumin, fisetin or pterostilbene. These bioactive molecules support the natural levels of antioxidants that our cells make to balance the levels of free radicals in our cells to keep us in the “goldilocks zone” and also have secondary health benefits, such ascurcumin, which is well known to reduce inflammation; fisetin, which is becoming well known as a senolytic, a molecule that helps remove senescent cells from the body; and pterostilbene, a molecule that activates key genes responsible for cellular repair and energy generation.  

The second strategy and is one of the most promising I have seen for a long time is taking a molecule called Hobamine (also known as 2-HOBA). Hobamine is an extract from the humble Himalayan Tartary buckwheat. It is an interesting molecule that protects our cells from the downstream effects of free radicals whilst leaving the healthy free radicals alone to do their work. How Hobamine delivers its health benefits is fascinating. It is a member of a new class of natural molecules called reactive carbonyl scavengers. While that is a bit of a mouthful you could also call it an antioxidant 3.0 or a smart antioxidant. It is so cutting edge that it is hard to find in most supplements. In fact, my company SRW is only the second company in the world to offer it in our Cel1 Stability supplement.

Hobamine works to mitigate the damage that free radicals cause in our cells. If you remember from grade school, free radicals are molecules that are unstable and all they want to find and react with is another molecule to becomestable. They damage our cells because in the process of getting stable they steal a molecule from a part of our cell. Free radicals are not picky and damage whatever is closest to them: our DNA, our delicate cellular machinery, or our cell membranes. In the process the free radical becomes stable but whatever they damage becomes radicalised and reactive. Because we are carbon based the most common downstream effect of free radical damage is the formation of reactive carbonyl species. These molecules are highly reactive and only persist for fractions of a second. They are so short lived that you can’t measure them, but you can measure the result of the damage they cause. 

Reactive carbonyl species bind with proteins, DNA and cell membranes affecting their function and, in some cases, interfere with the cells ability to remove the damage. Over time this is where the real damage from free radicals and oxidative stress is occurring within our cells and what is exciting is that Hobamine gives you a way, for the first time to slow the damage down. Hobamine neutralises the reactive carbonyl species before they have a chance to cause damage to the delicate cellular machinery, membranes and our DNA. 

What makes this doubly interesting is that researchers have discovered that the immune system is activated by the end molecules that result from the process between reactive carbonyl species and our cell membranes and this may be part of the reason that we experience increasing levels of inflammation as we age. 

Reactive carbonyl species and how to mitigate damage from them is now an active area of research and medical researchers have identified the link between reactive carbonyl species damage and diseases like Alzheimer’s, autoimmune, heart disease and high blood pressure. The list will continue to grow, and it is looking like the discovery of this new class of bioactive molecules could potentially reduce the burden of damage across our cells that we all accumulate as we age and potentially lead to helping protect ourselves from a wide range of conditions or better, get ahead of the damage and slow the aging process itself down. Hobamine is an exciting new tool in the fight to extend our health-spans so that we all get the opportunity to be healthier for longer. 

Biography:

Greg Macpherson is a pharmacist, biotechnologist, cellular health expert and author of, “Harnessing the Nine Hallmarks of Aging: to live your healthiest life.” For more than a decade, he has been working in the biotechnology sector, specifically focusing on the aging process at the cellular level. This work led him to discover ways to harness the nine identified, scientific hallmarks of aging, which is the premise of his book that addresses the natural aging process, how to age more favorably and simple strategies to slow the aging process and build a functional healthspan. Beyond theory and concept, Macpherson has used his entrepreneurial spirit to further develop solutions to this new paradigm of aging, described in his book, by launching SRW Laboratories, a science and research based company that curates the latest biotechnology research to formulate natural products designed to help slow the onset of aging and disease, and develop evidence based solutions for those who are experiencing age-related health concerns or who want to improve their healthspan. SRW, which stands for Science, Research and Wellness, is Macpherson’s natural world laboratory that will develop the preventative formulas for cellular health from nature required to slow down the aging process based on the nine hallmarks of aging, which include mitochondrial dysfunction, telomere attrition and cellular senescence, to name a few. With aging being the single biggest risk factor for developing disease, Macpherson’s mission to slow the aging process at a cellular level could help millions of people delay the onset of diseases associated with advanced aging like Alzheimer’s and heart disease and increase healthspan.

Ballerina by Mina Tocalini for use by 360 Magazine

Bombazo Caribbean Skirts Featured at New York Fashion Week

By: Javier Pedroza 

Milteri Tucker Concepción is a busy and multi-talented Afro Boricua who holds degrees in Biology, Chemistry and a master’s in Dance Education. She is an author, a mother and was casted in Lin Manuel Miranda’s In the Heights the movie. As we approach #NYFW2021, Milteri puts on another hat, as designer.

Milteri is the founder of BOMBAZO and the artistic director of Bombazo Dance Co. The Puerto Rican-Bronx based non-profit dance organization’s focus is to educate, advocate, preserve and perform Bomba Puertorriqueña. As an author, educator and master Bomba dancer, she lectures across the United States and the world. I sat with Milteri and we spoke about Bomba, fashion and Puerto Rico.

Milteri, tell our readers, who is Milteri Tucker Concepción? 

Well, I was born and raised in Puerto Rico and grew up with a passion for dance since I was 5 years old. I  recall dancing in “la Sala”(the living room) with three of the most influential women in my life: my grandmother, mother and aunt. As part of my upbringing I remember dancing, planting and assisting my elders in the kitchen. I also vividly recall shopping for fabrics with my aunt and watching my grandmother Abuela Teresa, warmly referred to as “Mama” sewing. My aunt “Titi” Maria Concepción was a designer who attended FIT and designed clothes for top actors in Puerto Rico. I was blessed to have been raised in a household full of  love, and love for my culture!

As a teenager, I studied dance in La Escuela de Bellas Artes in Ponce, PR. At 17, [I] moved to NYC to pursue careers in dance and science. In 2006, I graduated with a dual major of Dance and Biology with a minor in Chemistry from Hunter College. I currently hold a masters degree in Dance Education from NYU Steinhardt. Today I am a renowned Bomba master dancer, choreographer, scholar, dance educator and author. [I wrote] the first bilingual Bomba children’s book, titled “Bomba Puertorriqueña” and illustrated by Boricua artist, Mia Roman.

I’ve had the privilege to perform in multiple venues across NYC and the world – from the prestigious Lincoln Center, Madison Square Garden, City Center, Summerstage, Pregones Theater, BAAD, The Latin Billboards Awards, dancing for Don Omar with choreography by Maria Torres O’Connor, to amazing community centers.

I am a cultural warrior (guerrera cultural) who safeguards our traditions of Bomba Puertorriquenas, via [my] 501c3 non-profit dance organization: Bombazo Dance Co, Inc and international brand of Caribbean dance skirts: Bombazo Wear-Bomba & Caribbean Dance Skirts®. I was recently  featured in Lin Manuel Miranda’s movie, In The Heights, as the Bomba representation.

How was your experience filming ‘In the Heights’?

Being invited to dance Bomba for In the Heights was a surreal experience and a dream come true! It was an honor to represent our African heritage through our traditional dances. However, one of my favorite memories came after the movie premiered…. I had the opportunity to open the 2021 Virtual National Puerto Rican Day Parade in NYC, where Lin and I danced Bomba together.

What is the history of Bomba?

Bomba is Puerto Rico’s oldest musical genre, dating back to the 17th century and created by the African enslaved and free people of color from the Caribbean. This was one of the ways they communicated in our coastal sugarcane and coffee plantations.  It is a secular practice, where the community gathers to sing, dance and drum.

Why did you create Bombazo Dance Company?

I founded Bombazo Dance Company to show the world that Puerto Rico has rich African ancestry, and that our traditions are very much alive. As a Bomba dance company, we communicate through dance and drumming. [This is] reflected in our traditional folk art dancers. It is also important to create a safe space to fuse Bomba with other forms of dance – such as ballet, contemporary, social dances and dances of the African and Caribbean diaspora.

What inspired you to create Bombazo dance wear? 

At the same time I started Bombazo Dance Company, I was teaching Bomba classes to the community and needed skirts. Believe it or not, it was hard to find a seamstress who could make Caribbean skirts or a location to purchase them. I wanted to create skirts that fit all Caribbean dance styles, because I am that dancer. And voilà – Bombazo Wear Bomba Caribbean Skirts was born! My mother, Dr. Margarita Concepción, and I are the CEOs and we sew the [skirts] too. Our skirts are handmade, custom[ized] and tailored to each client. A part of the funds go to aid families affected by the earthquakes in Southern Puerto Rico.

How does it feel to be invited to NYFW 2021 / Harlem Fashion Week?

It is an honor to have been invited to showcase for a second time in HFM! The organizers are truly showcasing diversity within their shows and providing  opportunities for designers of color to present their designs to the world. It’s important to me – as a woman of color, a Latina and AfroBoricua – [that] they understand my vision of dance as fashion. And my skirts have fashion written all over them!

Tell us about your upcoming collection “Resistencia y Libertá!” (Resistance and Freedom)

I am the creator of the Puerto Rican Bomba Flag Skirt®. A flag; its colors, represents a collective orgullo – pride for its people. Our flag was conceived and designed here in NYC. It was prohibited to fly The Puerto Rican flag in both Puerto Rico and New York at one time. Its pride is back after Hurricane Maria, [now] you see our colors in every town’s building and rinconcito (corner) in both Puerto Rico and the diaspora! Therefore, my new collection for 2021 is titled: “Resistencia y Libertá!” Where each skirt in the collection represents a social cause affecting Puerto Rico – such as the cultural resistencia by the people, No al Feminicidio, Boricua hasta en la Luna, Afroboricuaness, LGBTQ+ representation and support in the Bomba Community, ect. It is important to note that this is a brand and line designed and sewn by a Bomba dancer, a person from the community. These are skirts [are designed] with a mission. Part of the funds go to help families affected by the earthquakes in the South of Puerto Rico and organizations/community ensembles continuing the labor of safeguarding Bomba traditions in the island.

Any advice for the youth who want to connect and immerse themselves with their African roots and Culture?

Learn about all parts of you! That makes you unique and special. Speak to your elders: abuelas, abuelos, tias, tios and elders from your community. They have a lot of wisdom and years of experience you can learn from. Always connect to your culture, to your African roots! There is an African proverb I love : “Sankofa– in order to move forward you must know your past!” Know who you are, where you come from, so that you can pass the knowledge to your next generation! Ubuntu! (an African Proverb [that] means “I am because we ALL are!”)

For more information and to view images, please visit HERE.

WHY I LOVE HEMINGWAY

My interest in Hemingway was piqued when I was 19. On a whim, I picked up Aaron Hochner’s book Papa Hemingway and never looked back. The anecdotes, the gusto for life that Hemingway showed, the jokes, and the intensity of the man captured me completely. After that, I read every biography published starting with Princeton scholar Carlos Baker’s seminal work, and then went on to the original sources: the short stories, the novels and the letters.

People invariably express surprise when they find that I, a woman, am deep into Hemingway lore and literature. The most common reaction is, “Oh God, he hated women, didn’t he? And he loved bull fighting and hunting. How can you stand him?” After 35 years of reading Hemingway, here’s what I’ve concluded about why I am such a fan and why I find him so relatable.

1.    Hemingway was complex. There is the surface and there is more. Just as his simple short sentences belie deeper messages, Hemingway’s persona of a bellicose he-man obscures the multi-faceted shy man beneath the facade. He was a macho icon and yet was far ahead of his time in writing about gender fluidity, women’s rights, and women as leaders. His character Pilar, a mountain woman, is a strong secondary heroine in For Whom the Bell Tolls. The 1927 short story, Hills Like White Elephants, deals with the issue of abortion with compassion and directness all without once mentioning the word and with Hemingway’s sympathies clearly resting with the woman. And in his exploratory The Garden of Eden, Hemingway wrote of gender identity and role changing, all unmentionable in his era. He was a brilliant, insecure, depressed alcoholic with mother issues, all of which made for a rich if not easy emotional stew. The man was full of contradictions and nuance—like all of us.

2.    Hemingway’s subject matter moves me. I hate bullfighting, war, hunting, boxing—staples of Hemingway plots—but those are not what I see when I read his works. A Farewell to Arms is about war, but it also is about friendship, love, sacrifice, and coping with grief when all is hopeless. And while For Whom the Bell Tolls is about the Spanish Civil War, it also is about two young lovers who for one snapshot in time have it all. For one moment, they have a beauty that can never be taken from them. Hemingway created images in crafted strokes and phrases, many of which have become clichés to the point of parody because they were that good at defining a feeling and were completely fresh when penned. “Did thee feel the earth move?” “The world breaks everyone and afterward, some are stronger in the broken places.” “Never mistake motion for action.” “Grace under pressure.” At bottom, Hemingway wrote about healing, devotion to a person or cause no matter the cost, loss, and love. The ending of For Whom the Bell Tolls slays me every time.

3.    Reading Hemingway reminds me that everything is about context. I mentioned bullfighting and hunting big game. Most of us hate both and view them as barbaric. However, as my history professor always said, you have to see behaviors in the context of their time. Those activities were not anathema in 1930. Eighty years from now, the consensus may be that killing animals for food is brutal, and that not having subsidized medical care for all is byzantine, and to not permit assisted suicide is cruel. Different sensibilities frame what we find unacceptable. Context is key, and Hemingway both shaped and was a product of his time like all of us.

4.    And finally, all of our heroes have failings and Hemingway had his share of bad behavior—perhaps more than his share. He was jealous of his rivals due to his own insecurities. He could be a boring part-time bully, particularly when drinking. He was an inconstant husband and a mercurial father. He discarded people who helped him on the way up. And yet–-he was generous to selected friends and writers. He was kind to his animals whom he treated like family members. He was gentle and supportive personally and financially to employees of his Cuban household. He was a mimic and story-teller who presented life in technicolor to his sons. He was truly brave in both wars. He was committed to his craft and even when suffering health ravages including the after effects of two plane crashes, seven or eight serious concussions, and alcoholism, he sat down to work almost every day to write something of value, something new that had never been attempted. There is a nobility in that. Like all heroes from John F. Kennedy to Martin Luther King to Mahatma Gandhi to Winston Churchill, the warts are there along-side the accomplishments. The international braggart jostles for position next to the mid-western artist, alone and unassuming in his writing studio. The serious thinker morphs into a silly prankster in his letters to family and friends. The mean-spirited diva twists into a gracious and humble supporter of others to his own detriment in a sudden pivot. As Hemingway wrote in For Whom the Bell Tolls, “I know now there is no one thing that is true. It is all true.” It is the combination of the dark and the light of the same man that molded the whole. Hemingway was a shapeshifter, like we all are to some degree.

Archibald MacLeish once said that he only knew two men in his life who could empty the air from a room simply by entering it—Franklin Delano Roosevelt and Ernest Hemingway. He added, “Hemingway simply could not stop people from talking about him.” That continues to be true today and is part of why I love Hemingway. The well of getting to know him never runs dry.

Christine M. Whitehead

Lawyer and author of the novel Hemingway’s Daughter

Visit Christine’s official site.

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Stephen Gilles image via Daphne Diluce at Roar Creative Media for use by 360 Magazine

Stephen Gillen Q×A

By: Emily Bunn

Stephen Gillen is an bestselling author and established entrepreneur who has gained success with his biopic “The Monkey Puzzle Tree,” alongside various business, media, and film projects. Looking towards the future, Gillen is soon to release his highly-anticipated book, “In Justice, Love, & Honour.” He also recently signed a worldwide TV deal with Film Volt, in which his The Stephen Gillen Crime Files channel will be broadcast on all major platforms. 360 Magazine sat down with the author to discuss the creation of his latest text and other upcoming projects.

What has working with someone so closely related to in the historic incident, namely Joseph Loney?

It was great working with Joseph to get a real human feel behind this story of what the real-life fallout and struggles translated to for everyone involved. It can be the small or big things, it’s all relevant in such a massive, emotional, historic and trauma-driven story. I want to know, feel and understand what it was really like, and to pinpoint the details and exclusive parts of the story not known or perhaps published. That [way] I can not [only] do justice to everyone involved and the victims, but [also] translate it authentically and with the right information and emotion for my readers. For me, having a real expert experience of what it is to live lives like this and what these characters would have been feeling, was a fascinating expose of everything that went on. I understood the ‘humanness, challenges and fears’ of the people behind this unbelievable story. It was always a great privilege and each had an amazing story in their own right.

Did you always have an interest in history, or did something about the incident concerning Fredrick Sewell and his band of robbers particularly pique your interest in the subject?

The story actually came to me through Joseph Loney, who contacted me because of his great love of the story I wrote about my life, “The Monkey Puzzle Tree.” We started talking over time and the more I understood about his journey and his father’s journey linked with Fredrick Sewell and the history surrounding it, I began to see what a massive narrative it was. Not just because of the historic angle and what actually happened, but [also] how the journeys of the main characters were incredibly linked in paradoxical and emotional ways. There were unbelievable links in this story – like Fredrick Sewell, Joseph Loney Senior, and Gerald Richardson (the policeman killed) were all the same age, but [each] ended up in a way you would never imagine. Fact really is stranger than fiction, and as I crafted this story, I cared very much about [what] all the characters went through and how they all ended up. This is one of the many elements that makes it an un-put-down-able read, which at the moment is being highly desired by the world’s top publishers.

What has it been like signing with Global Aggregate Film Volt for your channel?

It was a great moment. We have always worked so hard, and I have such wonderful people around me, like Daphne, my partner, and the rest of the team. It was good to then be invited in to do the awesome work … together at Film Volt. Mark is a cool guy, well respected, and very influential in the industry. He has a very strong and talented work ethic. We’re very similar in ways, so for all of us involved in the partnership with such a connected and influential worldwide distributor, it offers us great opportunities for the future to do the fantastic work we are all focused on together.

I have a very unique history, skill set and experience/profile, so [I] am [an] individual in this space and for what we are shaping on the Crime Channel. My crime channel, called ‘The Stephen Gillen Crime Files,’ is now in the process of being on all major TV platforms around the world. We aim to consistently deliver raw, highly produced and coveted content that will really add value and make the difference to audiences and people’s lives around the world. We have a world class team behind us now to make that happen and [are] committed to really raising the bar in content creation. With such a massive reach to such vast audiences, the future is very exciting.

What do you plan to discuss on your worldwide crime channel? Are there any specific cases you want to shed more light on?

We have many great and riveting formats under development, [that are] really out of this world and well-formatted. I’ll be continuing interviewing my YouTube model ‘The Big Shift,’ which interviews big name global crimes [and] many high-ranking organized crime figures and mobsters. But, we have other out of the box enthralling shows [too]. They are being released very soon so can’t say too much. But what I can say is [that] they are very professional throughout and crafted to entertain a wide scope of audiences in the genre, [the show is] very gripping and appealing to all. Most are really emotionally charged, which will really pull in, shock, and excite audiences. Other are focused on redemption and atonement, real hard-hitting, true stories that are amazing. [These stories] aim to be targeted, [and] to bring light, learning, closure and information to people so [that] these awful events may not happen again and there is improvement [for the] next generations. Other formats will be cliff hangers and work with viewers ‘outside the box,’ in the way this genre usually works. We want to thrill, shock, inform, improve and entertain as much as possible, focusing on the unbelievable stories that people really want to watch and hear about. It’s going to be content not to miss, I promise you.

How long did the process of researching for “In Justice, Love & Honour” take?

Research for ‘In Justice, Love & Honour’ took around six months to research, but possibly longer as even when I was writing, there was other important bits of information I needed. It was a real emotional journey… My family tell[s] me [that] when I’m writing not only do they not see me, but [also they] can’t talk to me I’m just so immersed in the characters, story arcs, plots and narrative. It’s how I write and why the writing is always so powerful, it’s a[n] emotion process that is finely woven and really burned, translated and detailed in a masterful and human way on the page. I also feel a lot of responsibility, and really work tirelessly for it to be as cleverly-crafted as possible for my audience and readers.

What do you anticipate reader’s reaction to “In Justice, Love & Honour” will be like?

I know they’ll be blown away by the detail of the characters, the emotion, the masterful weaving and moving plots, the descriptive and well written writing structures and the burning humaneness carv[ing] right through it. It is not just a massively historic, true story, but an amazing and riveting character study as you are emotionally gripped by these unbelievable characters that jump from the page. Part of the allure and uniqueness of this book is, of course, I live deep in this world and [have] travelled through most of the things these characters did from a very deep angle. So, I have great value as experience [in] the internal things going on as a person goes through these unbelievably crazy and breathtaking events. It certainly is a path less trodden and my main goal was to go to the heart of it in a way no other author could as we can only go as deep as we have been before. This certainly adds a massive uniqueness to everything in this unbelievable story. The world’s top publishers seem to think so too, as they are excited and pushing hard for the chance to be the one to publish and bring it to mass audiences. It is a great privilege to do it and I’m sure it will be a roller-coaster ride for all.

Find out more about Stephen’s story and the opportunity to get a signed copy of his book HERE.

*Photos and book cover design: Daphne Diluce

MLWXBF chapter 4 illustration via Alison Christenson for use by 360 Magazine

Ivy League BLM Courses

By: Emily Bunn

Ivy League Schools to Begin Teaching “Black Lives Matter” Courses

Proving their commitment to diversity and understanding, several Ivy League colleges will begin offering courses on the Black Lives Matter Movement. Whereas other Ivy League schools, such as Cornell, have created Africana Departments that focus on the centrality of Africa and the African Diaspora to the modern world, BlackLivesMatter classes are situated in a specific cultural moment. Though, of course, the Black Lives Matter falls under the umbrella of contemporary African history, it is positioned in a more concentrated, modern application. Princeton and Dartmouth are the two first schools to begin accrediting this intersectional coursework. While Princeton most recently enacted their BLM coursework, Dartmouth has been pioneering this change since 2015.

Dartmouth’s Black Lives Matter course discusses topics such as The Ivory Tower, understanding St. Louis and its racial history, race and class, racial violence, and systemic and unconscious racism, among other topics. Part of Dartmouth’s course description reads, “though the academy can never lay claim to social movements, this course seeks in part to answer the call of students and young activists around the country to take the opportunity to raise questions about, offer studied reflection upon, and allocate dedicated institutional space to the failures of democracy, capitalism, and leadership and to make #BlackLivesMatter. Developed through a group effort, this course brings to bear collective thinking, teaching, research, and focus on questions around race, structural inequality, and violence.” The course is taught by a wide variety of professors from different academic disciplines and social backgrounds. Taught for ten weeks by close to 20 different professors, Dartmouth’s Black Lives Matter coursework stands as a comprehensive example of a cross-disciplinary concentration that recognizes and situates history in a contemporary, American context.

Princeton’s #BlackLivesMatter class looks to examine the “historical roots and growth of the Black Lives Matter social movement,” and is “committed to resisting, unveiling, and undoing histories of state sanctioned violence against Black and Brown bodies.” Princeton’s #BlackLivesMatter’s course description reads as such: “This seminar traces the historical roots and growth of the Black Lives Matter social movement in the United States and comparative global contexts. The movement and course are committed to resisting, unveiling, and undoing histories of state sanctioned violence against Black and Brown bodies. The course seeks to document the forms of dispossession that Black Americans face and offers a critical examination of the prison industrial complex, police brutality, urban poverty, and white supremacy in the US.” The course’ sample reading list includes selections from Angela Davis, Claudia Rankin, and Keeanga-Yamahtta Taylor.

Princeton’s course will be taught by Professor Hanna Garth, who has previously taught “Race and Racisms,” “Postcolonial and Decolonial Theory,” and “Theories of Social Justice.” Garth’s self-defined interest in “the ways in which people struggle to overcome structural violence” and past experience has well-prepared her for teaching this class. Garth remarks, “All of my research, teaching, and mentoring is designed around my commitment to feminist methodologies and critical race theory.”

While some have aggressively asserted that Princeton’s course readings are from a former communist party leader who once made it on the FBI’s Most Wanted List, their negativity further highlights the necessity of this course. While these assertions may be true, it is telling that certain critics commonly overlook the individual’s many (more recent) accomplishments. The author in question is Angela Davis – a revered, respected, and well-educated civil rights activist, philosopher, academic, and author. By painting Davis as an unpatriotic, dangerous criminal, it distracts from the important lessons that are to be learned from this influential leader. Similarly, Fox News’ article on Princeton’s new course links their mention of the “Black Lives Matter” movement not to an explanation of what the movement is, but instead to a page on US protests. As opposed to creating an educational resource for what the BLM Movement is, conservative critics are quick to jump to claims of Black violence and riots.

Especially in 2021, as the United States grapples with the fight for racial and civil justice, discussions surround race, policing, prison reform, and politics are more pertinent than ever. It is absolutely essential that our nation’s college students are exposed to critical race theory and critical thinking. By shielding America’s youth from the necessary history of this country – which is still being experienced today – we are only putting them in a position of increased vulnerability and ignorance. Knowledge is power and educating oneself on society’s issues is the only way to efficient work towards progressive social change. Hopefully, as the most prestigious academic institutions begin to model examples of intersectional and anti-racist coursework, other colleges and universities will soon follow suit.

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