Posts tagged with "Entertainment Weekly"

Lizzo "RUMORS" Album press image uploaded by Tiana Timmerberg via Ashley Kalmanowitz, shot by JORA FRANTZIS via Nice Life Recording Company/Atlantic Records for use by 360 Magazine

LIZZO – RUMORS

LIZZO ANNOUNCES HER HIGHLY-ANTICIPATED RETURN

PLATINUM-SELLING, GRAMMY AWARD-WINNING SUPERSTAR TO RELEASE “RUMORS” ON AUGUST 13 

PRE-SAVE “RUMORS” NOW

3x Grammy award-winning, Platinum-selling superstar Lizzo has announced her highly-anticipated return. With anthemic smash hits like the 7x Platinum “Truth Hurts,” the 3x Platinum “Good As Hell,” the 2x Platinum “Juice,” and the Platinum “Tempo (Feat. Missy Elliott)” already under her belt, Lizzo is set for yet another smash with the upcoming “Rumors.” “Rumors” is out on August 13, and pre-saves are available now HERE.

Along with her first new music of the year, Lizzo is making her comeback even stronger with a number of festival appearances. The songstress makes history as the first woman to ever headline Bonnaroo Music & Arts Festival. As well as her September 4 appearance at Bonnaroo, Lizzo will also perform for Global Citizen Live on September 25, Firefly Music Festival on September 26, the New Orleans Jazz and Heritage Festival on October 10, and Outside Lands on October 30. Lizzo will also make her eagerly awaited return to her home state of Minnesota for a headline show at Welch, MN’s Treasure Island Amphitheater on September 11. For more details, visit HERE.

Lizzo has become a household name with well over 5 billion global streams and a Platinum selling debut album to date. Lizzo released her Nice Life Recording Company/Atlantic Records debut album CUZ I LOVE YOU on April 19, 2019, debuting at #6 on the Billboard Top 200 Albums chart and spending 24 consecutive weeks in the chart’s Top 10. “Truth Hurts” also became the longest running #1 by a solo female rap artist in history after spending seven weeks atop the charts.

Since the release of the meteoric CUZ I LOVE YOU, Lizzo has been named both TIME Magazine and Entertainment Weekly‘s 2019 Entertainer of the Year, as well as gracing the covers of Rolling Stone, Billboard’s GRAMMY Preview Issue, British Vogue, Elle’s Women In Music Issue, and many others.  Additionally, Lizzo kicked off 2020 with a showstopping opening performance at the 62 Annual GRAMMY awards and took home three big wins, in addition to being the most-nominated artist of the year. 2020 also saw her win the awards for Best Female R&B/Pop Artist at the 2020 B.E.T Awards and both “Entertainer of the Year” and “Outstanding Video” at the 2020 NAACP Awards.  Her list of high-profile TV performances also include the 2019 American Music Awards, VMAs, B.E.T Awards and Saturday Night Live, in addition to in depth profiles on CBS This Morning’s GRAMMY primetime special and CBS Sunday Morning.

*Photo Credit: Jora Frantzis

St. Vincent DOWN AND OUT DOWNTOWN album cover from BB GUN PRESS for use by 360 Magazine

St. Vincent – Down And Out Downtown – Live Stream Concert

Today, St. Vincent has officially announced Down And Out Downtown, the GRAMMY-award winning artist’s full length live streamed concert debut. Airing exclusively via the premium digital live platform Moment House on Wednesday, August 4th and Thursday, August 5th (depending on territory). Down And Out Downtown will showcase the live premieres of several new tracks from St. Vincent’s acclaimed new album Daddy’s Home in addition to new arrangements of hits and deep cuts from her illustrious catalogue, all performed alongside her top shelf Down And Out Downtown Band comprised of Justin Meldal-Johnsen (bass), Jason Falkner (guitar), Rachel Eckroth (keys), Mark Guiliana (drums), and backing vocalists Nayanna Holley, Sy Smith and Neka Hamilton. 

Directed by Bill Benz (Portlandia), who also directed the forthcoming film The Nowhere Inn co-written by and starring St. VincentDown And Out Downtown is a sepia toned tour de force of gritty grooves, hungover glamour and spellbinding musicality. From rollicking full band rave-ups to delicate acoustic interludes, Down And Out Downtown brings the 70s-inspired sensibilities of Daddy’s Home to life in a celebration of unforgettable songs and peerless musicians.

For one night only, St. Vincent’s moment will be broadcast to various territories around the world including North and South America, Asia, Australia & New Zealand, and the UK, Europe and Africa. Tickets are now on sale here.

LIVESTREAM DATES/TIMES BY TERRITORY:

North + South America

August 4th, 6 PM PDT

Australia & New Zealand

August 5th, 7 PM AEST

Asia

August 5th, 8 PM JST

Europe, UK & Africa

August 5th, 6 PM BST

Out now via Loma Vista Recordings, Daddy’s Home was produced by Annie Clark and Jack Antonoff, recorded by Laura Sisk, mixed by Cian Riordan, and mastered by Chris Gehringer. The music was performed by Annie, Jack, Cian, Thomas, Evan Smith, Sam KS, Greg Leisz, Daniel Hart, Michael Leonhart, Lynne Fiddmont and Kenya Hathaway.

ABOUT ST. VINCENT

Annie Clark made her recorded debut as St. Vincent in 2007 with Marry Me, quickly becoming regarded as one of the most innovative and fascinating presences in modern music. Each of St. Vincent’s subsequent albums has met with critical acclaim and commercial success eclipsing that of its predecessor. These albums would include Actor (2009), Strange Mercy (2011), and her self-titled fourth album and winner of the 2014 GRAMMY for Best Alternative Album, making her only the second female artist ever to win in that category. In addition to these solo works, St. Vincent joined with David Byrne to record and release the collaborative album Love This Giant in 2012, and performed with Dave Grohl, Krist Novoselic and Pat Smear of Nirvana at the band’s 2014 induction into the Rock and Roll Hall of Fame. In 2017, working with co-producer Jack Antonoff, St. Vincent created a defining statement with MASSEDUCTION. The album broke St. Vincent into the U.S. and UK top 10s while landing atop Best of 2017 lists of The New York Times, The Guardian, AV Club, Billboard, Entertainment Weekly, NME, Q, USA Today, and more, not to mention winning two GRAMMYs (Best Rock Song for its title track, and Best Recording Package). Most recently, St. Vincent channeled the hungover glamor and gritty sepia-toned soundtrack of 1970s downtown NYC into the triumphant Daddy’s Home, released in May 2021 to near universal acclaim. In a glowing five-star review of the album, Mojo Magazine said “It’s masterful stuff: a full conceptual realization, filled with great melodies, deep grooves, colourful characterisations, and some sonic detail that reveals itself over repeated plays.” Outside of recording and performing, St. Vincent has directed the short horror film The Birthday Party, and co-written and starred as a fictionalized version of herself in the upcoming film The Nowhere Inn.

ABOUT MOMENT HOUSE

Moment House is the premium digital live platform that connects artists and their core fans for global, elevated ticketed experiences – called Moments. With a mission to bring people together through art and technology, Moment House is uniquely crafted with a focus on artist-friendliness, elegant design, user experience, and support for seamless merchandise integrations, global payments, and more.

Founded in 2019 out of the Jimmy Iovine & Dr. Dre Academy for Innovation at USC, Moment House has hosted “Moments” by a range of artists including Tame Impala, Halsey, Kygo, Kaytranada, Brockhampton, MARINA, Charlotte Lawrence, Ruel, Yungblud, Grouplove, Bryson Tiller, the My Brother, My Brother and Me podcast, Omar Apollo and more. They also hosted the live stream for both nights of Clive Davis’ Grammy gala this year. Coming up, Moment House will continue presenting moments with some of the most exciting names in entertainment including the Tiny Meat Gang podcast, KSI and more. The company is backed by leading investors across Silicon Valley and the entertainment industry, including: Troy Carter, Scooter Braun, Jared Leto, Forerunner, former TikTok CEO Kevin Mayer, Google Ventures CEO David Krane, Box CEO Aaron Levie, Patreon CEO Jack Conte and Palm Tree Crew Investments (Kygo and Myles Shear). For more information on Moment House, visit here.

Connect With St. Vincent:

Website | Instagram | Facebook | Twitter

Connect With Moment House:

Facebook | Twitter | Instagram

music Ivory Rowen illustration for 360 Magazine.

JON BATISTE NEW MUSIC VIDEO – FREEDOM

Today, Academy Award, BAFTA, Golden Globe winning musician Jon Batiste releases a vibrant new music video for his single “FREEDOM,” a celebration of Black joy, independence and New Orleans culture and energy. Watch here.

There is no better time for Jon Batiste’s song of the summer “FREEDOM,” a funk-driven 70s-pop banger that Entertainment Weekly called an “exhilarating, horn-heavy celebration of independence.”

In this electrifying love letter to his hometown of New Orleans, Batiste leads the ultimate second line through the streets, linking with the legendary St. Augustine High School Marching 100 (Batiste’s alma mater), the Joyful Choir of New Orleans, Queen Tahj of the Golden Eagles Mardi Grass Indian Tribe, dancers, musicians, and residents alike.

Jon Batiste has had a good year. The Academy Award, Golden Globe, BAFTA winning musician’s hit song “I NEED YOU” reached #1 on the AAA Radio Charts, his album WE ARE debuted in the Billboard Top R&B Charts, Top Album Charts, and Top 200, his “I NEED YOU” music video surpassed 10MM views, he’s appeared on American Idol,  Live with Kelly and RyanThe Today ShowThe Late Late Show with James CordenCBS This Morning as guest and co-host, and of course the Late Show with Stephen Colbert.

“We Are represents a vivid turn from straight jazz to joyful, danceable pop and neo-soul… a bold declaration of conscience…” –Vanity Fair

On WE ARE, Batiste presents a captivating musical experience to the world rooted in catharsis, joy, freedom, contemplation and sensuality. It’s a love letter to his southern roots and the heritage of Black Music with guest appearances by Mavis StaplesQuincy JonesZadie SmithPJ MortonTrombone Shorty, St. Augustine Marching 100, his father Michael Batiste, grandfather David Gauthier and many more. It is a meditation steeped in the sounds of the times with collaborators including POMO (Anderson.Paak), Ricky Reed (Lizzo), Jahaan Sweet (Drake, Eminem) and others.

“I’m publicly known for some things already,” says Batiste. “But there’s so much more to know about me. It’s always been there. Now is the time to show the world my full artistry.”

Batiste continues, “WE ARE is a message of love for humanity, of humble reverence for our past, and of a hopeful future, in which we are the ones who can save us. The art reveals its motive to you. You just have to wait for the Spirit to tell you what it wants.”

A special thanks to Coach for dressing members of the cast of the “FREEDOM” video.

About Jon Batiste
One of the best-known musicians of his generation, virtuoso pianist, singer, bandleader, educator and television personality Jon Batiste has spent his career bringing that music back to where it started — that is, with the people. From his days at Juilliard, where he established his Stay Human band by playing around New York City’s subways and in street performances he called “love riots,” to his work since 2015 as the bandleader and musical director of The Late Show With Stephen Colbert, the Kenner, Louisiana native has consistently channeled his superb technical skill and deep knowledge of jazz tradition towards a specific, intentional purpose: making people’s lives better and brighter, one harmonaboard (that’s harmonica and keyboard, combined) solo at a time.

Born into Louisiana’s legendarily musical Batiste family, Jon has performed and recorded widely since his teens. His flexibility as an artist, his fluency in jazz as well as popular music of all stripes, has allowed him to collaborate with legends from Wynton Marsalis, a mentor since his Juilliard days, to Prince — as well as many of the widely-varied artists who appear on the Late Show.

Batiste’s marquee performances have ranged from the Grammy’s, to the Kennedy Center Honors, to the US Open and the NBA All-Star Game — in 2015, Batiste and the Stay Human Band became the first group to play the main stage at both the Newport Jazz and Folk festivals.

Batiste played himself on the HBO series Treme and appeared in director Spike Lee’s Red Hook Summer — most recently, his music was featured in the 2020 Disney/Pixar film Soul. Batiste won a Golden Globe and Critic’s Choice Award for his participation in the soundtrack alongside Trent Reznor and Atticus Ross, and the trio are currently nominated for an Oscar and BAFTA for Best Soundtrack.

He’s been awarded the American Jazz Museum Lifetime Achievement Award, the Harry Chapin ASCAP Humanitarian Award and appeared on Forbes’ 30 Under 30 list; Batiste also currently serves as the Music Director of The Atlantic and the Co-Artistic Director of the National Jazz Museum in Harlem.

Jon Batiste is devoted to the education and mentorship of young musicians. He has led his own Social Music Residency and Mentoring Program sponsored by Chase, as well as master classes throughout the world. He has also led several cultural exchanges, beginning in 2006, while still a teen, with the Netherlands Trust, which brought students from the USA and Holland to perform with him at the Royal Concertgebouw and Carnegie Hall.

Batiste balances a demanding performance schedule with public speaking engagements, masterclasses, brand partnerships, community activism and acting roles. His composing and songwriting will be featured in his large-scale, genre-melding symphonic work “American Symphony,” set to premiere at Carnegie Hall in 2021 and he has been developing a Broadway musical about the life of famed painter Jean-Michel Basquiat.

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Julia Michaels illustration by Heather Skovlund (photo credit Danielle Gonzalez) for 360 Magazine

Julia Michaels

GRAMMY NOMINATED SINGER AND SONGWRITER JULIA MICHAELS REVEALS NEW DETAILS FOR HIGHLY ANTICIPATED DEBUT ALBUM
 
NOT IN CHRONOLOGICAL ORDER ARRIVING APRIL 30
 
NEW SONG “LOVE IS WEIRD” DROPS WITH ALBUM PRE-ORDER LAUNCH TODAY
 
COVERS EUPHORIA MAGAZINE
 
LISTEN TO “LOVE IS WEIRD” HERE
WATCH “LOVE IS WEIRD” LYRIC VIDEO HERE
PRE-ORDER NOT IN CHRONOLOGICAL ORDER HERE

Grammy Award-nominated multiplatinum singer and songwriter JULIA MICHAELS reveals the title and track listing to her long-awaited debut album, Not In Chronological Orderwhich arrives April 30th.  To accompany the announce, she shared a new song from the album, “Love Is Weird,” with the launch of the album pre-order via Republic Records
 
Listen to “Love Is Weird”HERE.
Pre-order Not In Chronological Order — HERE
 
In support of the release, JULIA spoke with Zane Lowe on Apple Music 1 Radio’s New Music Daily Show
 
Offering another glimpse into what fans can expect from the upcoming album, “Love Is Weird,” weaves together airy production and soft acoustic guitar, while she delicately likens relationships to “Playing Operation trying to put me back together, before candidly admitting, “Love is weird. Don’t know how I wound up here…It shows up and disappears. This honest and hypnotic melody highlights her uncanny ability to tune into raw emotion and unfiltered lyricism, with her signature vocal tone and delivery.
 
The new song sets the stage for the release of her anxiously awaited full-length debut album, Not In Chronological Order, out on April 30, 2021.  Presenting a full 360-degree perspective on the critically acclaimed songstress, it examines every facet of her life emotionally and spiritually in a 10-song body of work that finds Julia piecing together the chapters of her life in one place work – pre-order Not In Chronological Order HERE.
 
“When I was looking at the tracklisting, it literally was not in chronological order of the events that it took place in my life,” she says. “The way that I saw the tracklisting in my head, a lot of the heartbreak came in the middle, and finding new love came at the end. That’s the arc of this album: I’m not bitter about love anymore. I know what functional love is like and being in love and being hesitant about that love because it feels so perfect.”
 
JULIA’S current single “All Your Exes” arrived at critical acclaim upon its release. Co-written with Grammy nominated singer and songwriter JP Saxe“All Your Exes,” Entertainment Weekly hailed it “a deliciously wicked delight,” with The New York Times praising it as “harsh, funny, sad and relatably petty.  FLOOD Magazine called it “a prime example of a vulnerable pop-punk banger,” while Billboard noted “Michaels has a tendency to throttle her listeners with her pen — and on the muscular, virtuosic “All Your Exes,” she makes sure that your attention is focused entirely on her seething jealousy.”  Meanwhile, V Magazine summarized, “There’s something to ditching fairytale notions of love that Julia Michaels fully gets as she returns to the front of the stage once again.”  
 
JULIA currently features on the cover of Euphoria Magazine where she talks more about the album HERE.
 
Watch the video for the new single “ALL YOUR EXES” HERE
 
Get ready to experience Julia Michaels Not In Chronological Order
 
Not In Chronological Order Tracklist:

  1. All Your Exes
  2. Love Is Weird
  3. Pessimist
  4. Little Did I Know
  5. Orange Magic
  6. Lie Like This
  7. Wrap Around
  8. History
  9. Undertone
  10. That’s The Kind Of Woman

 
ABOUT JULIA MICHAELS
Over the past few years, no songwriter has had more of an impact on reshaping pop music than Grammy nominated and multi-platinum selling artist Julia Michaels, whose razor-sharp perspective on love, loss, and the wide spectrum of the human experience has deservedly catapulted her to the forefront of her industry. Lauded for her work on hit singles by artists like Justin Bieber, Selena Gomez, Niall Horan, Dua Lipa, Janelle Monáe, Shawn Mendes, P!NK, Ed Sheeran, Britney Spears, Gwen Stefani, Hailee Steinfeld, The Chicks, Keith Urban, Jessie Ware, and more, Julia has spent the last decade honing her craft and delivering fans some of the most evocative music of a generation.
 
In 2017, Julia embarked on a solo career separate from her work synthesizing the stories of the stars around her with “Issues,” her 5x-platinum selling debut single. A year later, her peers recognized her stunning work with Grammy nominations for “Best New Artist” and “Song of the Year.” Committing to her solo work, Julia released a series of critically acclaimed EPs, including 2017’s fan-favorite Nervous System and 2019’s critically acclaimed Inner Monologue Part 1 and Inner Monologue Part 2. She also embarked on The Inner Monologue Tour, which marked her first-ever headline tour throughout the U.S. following an enviable run touring the world with an incredible array of artists including Maroon 5, Keith Urban, Shawn Mendes, Niall Horan, and P!NK.
 
In 2020, she received her third Grammy nomination, and second in the prestigious “Song Of The Year” category, for her collaboration with JP Saxe on “If The World Was Ending,” in addition to earning her second #1 as a songwriter on the Billboard Hot 100 for Selena Gomez’ “Lose You To Love Me.” 
 
SOCIALS: OFFICIAL // FACEBOOK // TWITTER // INSTAGRAM

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Julia Michaels 
Photo owner: Danielle Gonzalez
Photo owner: Danielle Gonzalez
Julia Michaels :All Your Exes" Artwork shot by Vince Aung for use by 360 Magazine

JULIA MICHAELS – ALL YOUR EXES

EXES BEWARE GRAMMY® NOMINATED SINGER & SONGWRITER JULIA MICHAELS CHANNELS PYSCHO KILLER IN NEW VIDEO FOR  “ALL YOUR EXES” OUT NOW

FULL-LENGTH ALBUM DEBUT COMING APRIL 30TH

Watch the music video for “All Your Exes”—HERE.
Listen to “All Your Exes”—HERE.

Grammy® Award-nominated multiplatinum singer and songwriter Julia Michaels has unleashed the clever and campy music video for her latest single “All Your Exes.”

In the visual directed by Blythe Thomas, she quite literally brings the song to life in bloody good fashion. Nodding to cult classics such as Serial Mom and American Psycho, Julia invites her boyfriend’s exes over for “dinner.” What follows is brutally hilarious as there’s no chance anybody will ever bring up her significant other’s past trysts ever again.

Consider yourself warned…

“I think this is the most fun I’ve ever had making a music video,” she commented.  “I’ve never really played a character before, so it was fun to let loose and show a side of me that fans haven’t seen,” she says.  “I feel like we all have those moments in relationships where our minds go to ridiculous places- like clearly I don’t want to kill your exes, but that doesn’t mean I haven’t thought about it,” she laughs.  “This album shows another side of me, because for the first time I’ve experienced a new kind of love, one that has been happy and healthy, and the songs reflect that. Oh wow, that sounds gross hearing myself say that,” she laughs “but I’m still excited to share them,” she adds.

A clip of the video premiered yesterday on YouTube Originals weekly music show, “RELEASED,” which premieres every Thursday night at 11:45pm ET in the moments before the world’s top artists drop their new music, only on YouTube.

Last week, Julia unveiled “All Your Exes.” Co-written with Grammy nominated singer and songwriter JP Saxe, the track immediately garnered critical acclaim. Entertainment Weekly hailed it “a deliciously wicked delight,” with The New York Times praising it as “harsh, funny, sad and relatably petty.”  FLOOD Magazine called it “a prime example of a vulnerable pop-punk banger,” while Billboard noted “Michaels has a tendency to throttle her listeners with her pen — and on the muscular, virtuosic “All Your Exes,” she makes sure that your attention is focused entirely on her seething jealousy.”  Meanwhile, V Magazine summarized “There’s something to ditching fairytale notions of love that Julia Michaels fully gets as she returns to the front of the stage once again.”

Be on the lookout for additional details on her forthcoming album, arriving April 30.

ABOUT JULIA MICHAELS

Over the past few years, no songwriter has had more of an impact on reshaping pop music than Grammy nominated and multi-platinum selling artist Julia Michaels, whose razor-sharp perspective on love, loss, and the wide spectrum of the human experience has deservedly catapulted her to the forefront of her industry. Lauded for her work on hit singles by artists like Justin Bieber, Selena Gomez, Niall Horan, Dua Lipa, Janelle Monáe, Shawn Mendes, P!NK, Ed Sheeran, Britney Spears, Gwen Stefani, Hailee Steinfeld, The Chicks, Keith Urban, Jessie Ware, and more, Julia has spent the last decade honing her craft and delivering fans some of the most evocative music of a generation.

In 2017, Julia embarked on a solo career separate from her work synthesizing the stories of the stars around her with “Issues,” her 5x-platinum selling debut single. A year later, her peers recognized her stunning work with Grammy nominations for “Best New Artist” and “Song of the Year.” Committing to her solo work, Julia released a series of critically acclaimed EPs, including 2017’s fan-favorite Nervous System and 2019’s critically acclaimed Inner Monologue Part 1 and Inner Monologue Part 2. She also embarked on The Inner Monologue Tour, which marked her first-ever headline tour throughout the U.S. following an enviable run touring the world with an incredible array of artists including Maroon 5, Keith Urban, Shawn Mendes, Niall Horan, and P!NK.

In 2020, she received her third Grammy nomination, and second in the prestigious “Song Of The Year” category, for her collaboration with JP Saxe on “If The World Was Ending,” in addition to earning her second #1 as a songwriter on the Billboard Hot 100 for Selena Gomez’ “Lose You To Love Me.”

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Lewis Capaldi – Before You Go

Lewis Capaldi‘s hit song “Before You Go” finally hit No. 1 Monday on Mediabase‘s Top 40 and Billboard‘s Pop Songs and All Format Radio Songs charts.

Its 36-week climb to the top of Mediabase’s Top 40 and 37-week climb to the top of Billboard’s Pop Songs chart are the longest of both respective lists. The previous record was a 31-week climb up the Billboard Pop Chart set by “Eastside,” the 2018 hit from Benny Blanco, Halsey and Khalid.

Capaldi also joins Mariah Carey, Beyonce and Bruno Mars as the only artists to reach No. 1 with each of their first two entries, as “Someone You Loved” reached No. 1 in Dec. 2019.

“Before You Go” was first released Nov. 2019 on the extended version of Capaldi’s album “Divinely Uninspired to a Hellish Extent.” Since then it has done nothing but grow and spread, even cracking a billion streams.

Capaldi said “Before You Go” is about his aunt who died of suicide, also calling it the most honest and personal song he has ever written.

“It’s about loss, regrets and the fear that we sometimes never understand what someone is going through despite our best want to be everything that person needs,” Capaldi said.

Capaldi picked up a GRAMMY nomination for his song “Someone You Loved” and performed “Before You Go” at the 2020 MTV Video Music Awards where he was nominated for PUSH Best New Artist.

Instead of taking time to sit back and enjoy praise from outlets like Rolling Stone, The New York Times, Los Angeles Times and Entertainment Weekly, the Glasgow-born singer-songwriter is now working on his second album.

EARTHGANG & Bon Iver Reimagine Brittany Howard

Today, ATO Records released a pair of remixes of songs from Brittany Howard’s acclaimed debut solo album, Jaime. Atlanta-based hip hop duo EARTHGANG reimagines Goat Head and Bon Iver brings fresh textures to Short and Sweet. The tracks are the first to be revealed from an upcoming collection of remixes from Jaime. Since its release last September, the album has won widespread praise from critics, earning placement on “best of” lists by The New York Times, NPR, Rolling Stone, Entertainment Weekly, Pitchfork and many others, plus fans and fellow artists.

With the addition of two new verses, EARTHGANG take Goat Head, Howard’s highly personal account of growing up as a mixed-race child in a small Southern town at the turn of the 21st century and turn it into a bold anthem for 2020’s social justice movement. Listen HERE.

EARTHGANG explains, “We’ve been big fans of Brittany and Alabama Shakes, so this is a dream come true. Songs like these help us make sense of all the craziness in the world at times. Her song Goat Head, dealing with her black experience in America and The World, resonated the loudest at this time. Just thankful to be able to give the world our medicine and heal the people.”

Bon Iver adds rich layers to Short and Sweet a song celebrating a nascent romance that Howard originally recorded alone, accompanying herself on acoustic guitar and imbues it with a twinkling, ethereal vibe that both complements and contrasts its old-time warmth. Listen HERE.

“Brittany is a truly singular artist; so much power and musicality. This album speaks to so many people, including us,” says Justin Vernon, founder of the GRAMMY-winning band Bon Iver. “To have a chance to recreate Short and Sweet in our own image with long-time collaborators Jenn Wassner and CJ Camerieri, was both an honor and almost too much of a privilege.”

Howard will perform on The Late Late Show with James Corden on Tuesday, September 29. She will serve as guest editor of the Oxford Americans 22nd annual Southern Music issue, which will be available on newsstands November 25. Howard is nominated for three 2020 Americana Honors & Awards Album Of The Year, Artist Of The Year and Song Of The Year (Stay High). A four-time GRAMMY winner for her work with Alabama ShakesHoward spoke about women’s equality and finding her voice in the latest episode of Women Who Rock: Music & Mentorship, which aired recently on TODAY. View the interview HERE and watch her performance of Georgia HERE.

Putting Short and Sweet on the playlist she created for GQPhoebe Bridgers said, “[Howard’s] solo record is beyond what I thought was even possible.” Conor Oberst recently told The New York Times, “I’ve also been listening to a lot of the Brittany Howard Jaime record. I’ve always thought highly of Alabama Shakes, but it wasn’t until I heard this record that I realized she’s a national treasure.”

Jaime was awarded four stars by Rolling StoneMOJO and Q and named the Best Album of 2019 by NPR. The track History Repeats received two GRAMMY nominations. Stay High spent three weeks at No. 1 on Billboard’s Adult Alternative Songs chart. It was Public Radio’s Most Popular Song of 2019 and named by Pitchfork and others as of the year’s best songs. Refinery29 said, “This feel-good gem will get you through any rough times and slap a smile back on your face.”

In this feature, The New Yorker praised Jaime as “deep, freaky, and heartfelt,” and said it shares “spiritual DNA with two of the boldest and most stylistically inscrutable releases of the past century: Black Messiah, the third album by the R. & B. singer D’Angelo, and Sly and the Family Stone’s There’s a Riot Goin’ On.” Hailing Jaime as “a candid autobiography in funk,” The New York Times said, “With a voice that can go to the roadhouse, the church or deeply private places, she exorcises troubles with the music’s sheer pleasure”

Photo Credits:

Brittany Howard Image (credit- Bobbi Rich – @mamahotdog)

Bon Iver (credit – Graham Tolbert & Eric Carlson)

PJ Harvey “Dry”

UMe/Island and Beggars today announce
a comprehensive reissue campaign which will see PJ Harvey’s entire back
catalog – plus her two albums in collaboration with John Parish –
released on vinyl over the next 12 months. For the first time, each of
PJ Harvey’s album demos will be available as a stand-alone album on
digital and vinyl.

This catalog project will celebrate every aspect of Harvey’s recording
career and afford a comprehensive and exciting look at the evolution of
one of the most singular and extraordinary artists of modern times.

The first release is DRY, Harvey’s seminal debut album back in print on
vinyl for the first time in 20 years with the Beggars Archive/Too Pure
Records reissue on July 24. Released to worldwide critical acclaim on
March 30, 1992, it was recorded at The Ice House in Yeovil and features
the singles “Dress” and “Sheela-Na-Gig.” DRY saw PJ Harvey burst onto the global stage to begin her unique path.

July 24 also sees the release of the 11 track DRY- Demos, previously released with DRY almost 30 years ago, and now available for the first time as a stand-alone vinyl/CD/digital release.

“Polly dredges these sounds from the pit of her dissected soul and drags them out of her mouth with clenched fists.” – NME (DRY review,1992)

“On her debut [DRY], Polly Jean Harvey matched Patti Smith’s incandescence with Bessie Smith’s lasciviousness, outplayed everyone on the British indie circuit, and became an instant star.” – PITCHFORK

“[DRY] ….an uncompromising work of exhilarating, cauterizing beauty.” –ENTERTAINMENT WEEKLY