Posts tagged with "spotify"

Meduza illustration by Heather Skovlund for 360 Magazine

Meduza × Museum Fiasco

Electronic Group, Meduza, to Release Single as Audio-Visual Immersive Experience in Partnership with Playmodes Studio at Museum Fiasco in Las Vegas

Single Debut will be First Major Music Launch at a Contemporary Museum

Electronic music artists, Meduza, in collaboration with Playmodes Studio and Insomniac Records, will release an immersive song launch and experience as the first music launch in a contemporary museum at Museum Fiasco, located inside AREA15 at 3215 S. Rancho Dr. The award-wining trio will be on-site for the launch event starting at 10 p.m. on Friday, May 14.

The track, titled “Headrush,” will play in sync with a lightshow produced by Playmodes Studio, the group behind the concept and audiovisual contents of Museum Fiasco’s current Cluster exhibitions, “Kernel,” “Railwave” and “Stellar.” The “Headrush” experience will play from 10 p.m. – midnight from Friday, May 14 through Sunday, May 30. “The debut of this incredible track from Meduza will serve as the first time a single has been released in a contemporary art museum as part of its launch,” said Ryan Doherty, museum curator.

Grammy 2020 nominees for “Best Dance Music Recording,” for their 2019 release ‘Piece of your Heart’, Meduza has spent the last two years leading the charge in returning house music to daytime radio. Meduza is the “Most Listened to” Italian artist on Apple Music and Spotify in history and the fastest growing Italian artists on YouTube, with over one million subscribers. Their debut release, “Piece of Your Heart,” featuring Goodboys, has over two billion streams globally, reaching the top 10 charts in more than 20 countries. In late 2020, Meduza released their third single “Paradise,” featuring Dermot Kennedy, which has accumulated over 500 million streams. The track entered the “Global Top 50” playlist on Spotify and has remained there for 15 weeks straight.

“We’re thrilled to have Meduza and Playmodes collaborate to make music and art accessible and interchangeable at Museum Fiasco,” said Doherty. “The music interacting with the sound and light features creates an unforgettable experience, and we can’t wait to welcome the public to this unprecedented show.”

“As techno music lovers, we feel inspired by the rhythms and sounds of Meduza’s new song, “Headrush,” said Eloi Maduell and Santi Villanova, founders of Playmodes Studio. “It is visual and emotive music which will shine at its best with the perfect companion of light, and we’re passionate to premiere this new experience for the Museum Fiasco and AREA15 audience.”

Museum Fiasco is located on the mezzanine of AREA15, the new immersive art, event and entertainment district. Conceptualized and designed by Doherty, the 5,000-square-foot gallery showcases futuristic exhibits, audio-visual experiences and immersive mixed media in a space that fosters a sense of connectivity.

Museum Fiasco is open Monday to Thursday from 3 p.m. to 10 p.m., Friday from 3 p.m. to midnight, Saturday from 10 a.m. to midnight, and Sunday from 10 a.m. to 10 p.m. Advance reservations are highly encouraged. Tickets for the “Headrush” experience are available at Museum Fiasco. More information is available on the website, and on FacebookInstagram and Twitter.

Located in the heart of Las Vegas and minutes from the Strip, AREA15 offers immersive activations, monumental art installations, socially distanced events, extraordinary design elements, unique retail, groundbreaking technology, bars, eateries and much more. The complex also offers nearly 40,000 square feet of indoor and outdoor event space.

AREA15 follows the latest recommendations of leading health experts and government authorities, including the World Health Organization and Centers for Disease Control and Prevention. And true to the insatiable hunger for all things inventive and groundbreaking, AREA15 is using cutting-edge, state-of-the-art technology to help implement these recommendations, including an AI-driven thermal scanning platform that screens temperature accurately and non-invasively, detects the absence of a mask, and alerts staff when social distancing thresholds are not being met. 

Sean and Myra Anderson illustration by Heather Skovlund for 360 Magazine

Big Sean × Myra Anderson

BIG SEAN & HIS MOTHER MYRA ANDERSON LAUNCH WELLNESS VIDEO SERIES PRESENTED BY THE SEAN ANDERSON FOUNDATION TO COMMEMORATE MENTAL HEALTH AWARENESS MONTH

Today, multi-platinum artist, entrepreneur and philanthropist, Big Sean, and his mother, Myra Anderson, have announced the launch of their wellness video series presented by their non-profit, the Sean Anderson Foundation. Beginning May 1st, a new video will be released every Saturday during the month of May at 12pm EST/9am PST to commemorate Mental Health Awareness Month. The videos will live on the Sean Anderson Foundation’s IGTV HERE and will also be featured on the Sean Anderson Foundation website HERE.

In each episode, Sean and Myra will have a 10 – 15-minute candid conversation surrounding a specific area of wellness. Topics include mindset, sleep/circadian rhythms, meditation, diet/exercise and the emotional freedom technique (EFT).

“I feel that Mental Health Awareness Month is the perfect time to talk with my mom about some of the things I have learned from her that have helped me along the way, and I hope will help others,” says Big Sean.

“Sean and I wanted to share some of the no or low-cost techniques that we have used over the years to help us attain and maintain emotional balance. In the future, we may do a deeper dive into some of these techniques and other tools that we use,” says Myra Anderson.

The Sean Anderson Foundation is committed to improving the quality of life for underserved youth and their families. Previously, the foundation hosted a Mental Health Awareness panel, which explored the narrative and stigma around mental health in the Black community. Throughout the past year, Sean and the foundation have engaged in a variety of initiatives to help those in need during these unprecedented times. Sean hosted virtual fundraisers to benefit COVID-19 response efforts, as well as partnered with McDonalds for their Black & Positively Golden Mentors Program. The Detroit native was recently appointed Creative Director of Innovation for the Detroit Pistons, where he and the foundation work with the team to create opportunities and programs in the Detroit area.

About the Sean Anderson Foundation


The mission of the Sean Anderson Foundation is to assist in the education, health, safety and well-being of school aged youth in underserved communities across the country.

Sean is a living example of what can be accomplished through focus, determination and hard work. He strives to serve as an instrument of encouragement for us to help support ourselves and to support one another.

The Sean Anderson Foundation’s signature program is “Mogul Prep”, a digital and live event curriculum that focuses on developing entrepreneurial skills, preparing students for college and/or the workforce, and ultimately for a successful life. In addition, the Foundation partners with a number of existing charitable programs whose objectives are consistent with the objectives of the Foundation. 

For more information about SAF, visit the Sean Anderson Foundation.

FOLLOW BIG SEAN:
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Alex Henry Foster illustration by Heather Skovlund for 360 Magazine

Alex Henry Foster

ALEX HENRY FOSTER’S STANDING UNDER BRIGHT LIGHTS IMPACTS BILLBOARD SALES CHARTS WORLDWIDE AMIDST GLOBAL ACCLAIM

Triple-Vinyl / Double-CD, Concert Film Hits No. 4 In Canada,

No. 6 In Australia, No. 13 In The UK, No. 18 Emerging Artists

Rolling Stone, American Songwriter, Montreal Gazette,

Vancouver Sun, Glide Magazine More Praise Album

Alternative, post-rock’s Alex Henry Foster impacts album sales charts worldwide with his live triple-vinyl / double-CD and concert film Standing Under Bright Lights following its release April 16. In its first week available at digital and streaming outlets everywhere from Hopeful Tragedy Records, the recording hit No. 4 in Canada (No. 1 iTunes Top Albums), debuted at No. 6 in Australia and reached No. 13 in the UK. The album also landed at No. 18 on Billboard’s Emerging Artists and No. 31 on its Current Album Sales charts while fans also quickly depleted the vinyl collector’s boxes available at his label’s store.

From Montreal and now residing in the highlands of Virginia, Foster’s full production, 11-piece band concert Standing Under Bright Lights was recorded live in front of a sold out Club Soda (July 2019) while Foster headlined the Montreal International Jazz Festival. The concert was named one of the top five events not to be missed by Canada’s national TV/Radio broadcaster CBC. Originally set to release October 8, 2020, which would have been his late father’s birthday, Foster decided to utilize the extra time the worldwide pandemic would give him to produce the recording and concert film.

With Rolling Stone labeling the album’s lead single, “The Son of Hannah,” “simply fascinating,” and the Montreal Gazette hearing “a remarkable buzz around the world with his challenging alternative rock,” Foster’s Standing Under Bright Lights has garnered acclaim across the globe. Along with an NRT Now “Next Big Thing” podcast interview, Foster has been recently featured by Prog MagazineICI Premiere (CBC), Louder Than WarBrooklynVeganBetween The Grooves, PAN M 360FYI Music NewsTVKRebel NoiseAll RockMr. Vinyl and many more.

  • “[Standing Under Bright Lights] captivated concert-goers every second with improv, emotions, darkness, poetry laden lyrics, spoken word vocals and experimental music that transported everyone in attendance to a different plane.” – American Songwriter
  • “This is the kind of live album that used to establish artists…” – Vancouver Sun
  • “An Intimate, Impassioned, Astonishing record.” – Metro UK
  • ★★★★★ – “Standing Under Bright Lights is a deeply spiritual hymn to the warmth and light that burns inside us all.” – 3 Songs & Out
  • ★★★★ 1/2 – “Think Pink Floyd visiting Radiohead…” – Le Devoir
  • ★★★★ 1/2 “…an avalanche of progressive alternative rock music… feverish poetry and progressive impetus which defends our spirit at each listening.” – ARP Media
  • Standing Under Bright Lights is…a mesmerizing experience. …the event feels vibrant, it grips you even…”– Le Soleil
  • “Alex Henry Foster has earned his due and has helped transcend post-rock into a realm of prog possibilities encompassing the world where Steven Wilson and Porcupine Tree meet Godspeed You! Black Emperor.” – Glide Magazine
  • “…this is a release of such absolute quality, such exquisite poise…It is an absolute statement piece that, if there is any justice, will place Alex Foster Henry into a place where he will be rightfully regarded amongst the creme of emerging talent on the world stage.” – Uber Rock
  • “…one of the most dedicated and passionate works of art from a musician in recent memory.” – Interview Under Fire
  • “Just like the crescendo of the song ‘The Son of Hannah,’ there is a raw, cathartic release of tension that is born of anger, but released as hope.” – Montreal Rocks
  • “Rarely are we presented with such raw emotion in music or performance.” – Sound Vapors

Along with lead singles “The Son of Hannah” and “Winter Is Coming In” that have received hundreds of thousands of plays across numerous playlists, Standing Under Bright Lights features every song from Foster’s debut solo album, Windows in the Sky, which hit No. 1 multiple times on the Billboard Canadian Albums chart, staying in the Top 40 on the chart for a full year after its release. The songs from this celebrated album were re-invented for the live recording as the band performed along with a movie projection produced by Foster. Almost 2 hours and 30 minutes long, the concert at which Standing Under Bright Lights was recorded is now considered among the best concerts throughout the 40 years of the Montreal International Jazz Festival.

Playing the new music and fan favorites on tour, Foster and his band are preparing to tour internationally with 23 dates in Europe set to begin next month, pandemic allowing.

For all the latest Alex Henry Foster tour, music news and more, go to WebsiteFacebookYouTubeInstagramTwitterSpotifyApple MusicBandcamp and Hopeful Tragedy Records Store.

Gorgan City illustration by Heather Skovlund for 360 Magazine

Gorgon City × New Music

Gorgon City “Tell Me It’s True” Single Release + Olympia Album Announced April 21

Gorgon City “Tell Me It’s True” Video Release April 23

Listen to “Tell Me It’s True” HERE

Pre-Order/Pre-Save Olympia HERE

Renowned British production duo Gorgon City have announced their third album Olympia, due June 25th, 2021, via Astralwerks. Alongside the announcement of the new album, the duo has shared the latest track from the album “Tell Me It’s True.” Listen to “Tell Me It’s True” HERE and pre-order/pre-save Olympia HERE.

Boasting euphoric house-piano, seamless vocal chops, and an ever-evolving bassline, “Tell Me It’s True” is the perfect introduction to their latest body of work. With Kye now residing in the birthplace of house music, Chicago, and Matt remaining in London, the creation of Olympia marked a career first for the duo, having produced the project from entirely separate continents.

An album shrouded in Greek mythology, Olympia is an eclectic and euphoric mix of past and present, it’s a celebration of musical worlds coming together, with 90’s house blending seamlessly with 2020’s finest pop. Olympia is a collaborative piece of work showcasing Gorgon City’s strength in discovering and developing vocal talents that are genre-spanning and varied. There are features from an incredible roll call of exciting new talent in the form of Rose Grey & Aura James, alongside past collaborators Josh Barry, Sofi Tukker and DRAMA. See below for the full track listing.

Talking about Olympia, Gorgon City say, “With this record we’ve definitely gone more clubby and have been inspired by the big shows that we played before lockdown. It’s a bigger sound and lyrically it’s different for us”

This album celebrates themes of escapism and exploration, as social freedom finally feels like a reality. Olympia is a collection of the duo’s work over the last few years, while digging deeper into the sounds, experiences and emotions that have influenced their lives and work. The breadth of music they’ve been exposed to while touring pre-covid informs Olympia’s massive sonic palette.

Formed in 2012, Gorgon City have sold over 10 million singles and clocked up over 1.5 billion streams. While the duo are no strangers to chart success with hits such as “Ready For Your Love,” their sound is rooted deep in club culture and made for live shows. Many songs get road tested in clubs before being put onto an album. The live setting is where the duo truly thrives – 2019 saw amazing sets around the world including Coachella, EDC Vegas and Israel’s Get Lost Festival, as well as sold-out shows from iconic UK venues such as Printworks, Warehouse Project and Tobacco Dock.

With the release of Olympia on the horizon, live dates in the diary and further exciting news to come, the future is becoming an increasingly exciting prospect for one of dance music’s most celebrated duos.

Olympia Tracklist:

1. Tell Me It’s True

2. Oxygen (with Aura James)

3. You’ve Done Enough (with DRAMA)

4. Dreams (with Jem Cooke)

5. Body Language (with Cami)

6. When You’re Gone

7. House Arrest (with Soffi Tukker)

8. Never Let Me Down (with Hayley May)

9. Sweet Temptation

10. Nobody (with DRAMA)

11. Lost Feelings (with Rose Grey)

12. Tears (with Grace Grundy)

13. Waiting For The Right Time

14. Ecstasy (with Jem Cooke)

15. Foolproof (with Hayden James & Nat Dunn)

16. Burning (with Evan Giia)

17. Thoughts

18. Freedom (with Josh Barry)

Connect with Gorgon City:

Website I Instagram I Twitter I Facebook I YouTube  I Spotify

Gorgon City Album Cover
Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

LaJune illustration by Heather Skovlund for 360 Magazine

LaJune Performs LIVE!

*360 MAGAZINE Presents @IamLaJune ‘Mind’ LIVE Performance via 360TV on YouTube

Hip-Hop songstress LaJune resurrects with new music YA, off her new project Insecure. Available now at iamlajune.com and all streaming platforms. The follow up to Go girl off her debut EP entitled Body. June’s new track is reminiscent of iconic Timbaland and Neptunes tracks. Ears aroused from the beginning, base transitions crescendo in the background of the melodic hook. A true “Party & Bullshit” vibe, witty and wise with her pen combined with textured tones proves she’s far from insecure.

The title of her 2nd EP takes a glimpse at the structure, mind and soul this new artist is comfortable with exploring. Taking her artistry to the next degree, the first female established into 106 & Park Freestyle Friday hall of fame. No stranger to the stage, showcasing her talents opening for R&B legend Joe, Touch ME Tease ME Case and Grammy-winning singer Chrisette Michele.

Set to release her third EP Mind at the top of the New Year. The follow-up to her Insure EP released summer of 2020. A trilogy of transparency reflecting the mind, body and soul expected of a budding artist. Timing is everything, and at 12:21 am Lajune will release her 2nd video to date entitled “What you got”. 

To commemorate the conjunction of the two largest planets Jupiter X Saturn; in Aquarius on 12/21 which seemingly occurs every 200 years. A representation of the planets appearing to touch. Instigating a new cycle, a shift in power and alignment. A befitting release is relevant to an artist who is aware of herself and her destiny. The visual treatment takes you on a  journey of consciousness and self-reflection. If 2020 ironically hasn’t questioned us what you got? 

Cinematography by Tukes productions and directed by Ameer Copper the visual journey depicts the conflict of the higher and lower self. The duality portrayed with care but not to shy away from the harsh realities. Far from second-guessing, Lajune exudes confidence and strength. The opening scene draws you into Lajune’s environment, digesting the recent televised injustices of African Americans. Sporting custom designs of AOHSOA derived from stylist/designer Armon and beauty provided by Tykima

Her performance scene allows a glimpse of the artist’s personality, overflowing with animation. “Life is for the lesson” is an understatement considering the year, LaJune challenges her audience to be equipped with awareness; encouraging mental health and celebratory culture. Therefore the leap to a higher vibration through her thought-provoking in-your-face lyrical content proves this arises toes no lines. 

Challenging social norms without judgment, the Vh100 podcast host exhibits her acting chops in the interrogation scene with actor Jim Shearer. Be sure to check out the BTS of “What you got “ by Amenze Victor for a closer look at the highly anticipated project and artist who needs no explanation.

About LaJune

Currently, she is the Co-host to VH1’s podcast V100 devoted to discussing Pop culture and more. Stick shifting her career, LaJune navigates the release of a new project and motherhood. A year in the making, time only knows the length it takes a Rose to bloom.

As of late, LaJune teamed up with Armon Hayes for creative direction and visuals shot by artist Tony Anderson. Inspired by her love for the hit HBO series Insecure now in its 4th season staring and created by Issa Rae. Join LaJune on her musical journey, an independent artist who’s talent refuses to be shut-in.

LaJune,   360 magazine
TT The Artist illustration by Heather Skovlund for 360 Magazine

TT the Artist × Netflix

TT THE ARTIST’S GROUNDBREAKING DOCUMENTARY

“DARK CITY BENEATH THE BEAT “

LANDS AT NETFLIX

Tedra Wilson A.K.A. TT The Artist Directorial Debut Produced by ColorCreative

Netflix has licensed multi-hyphenate director, Tedra Wilson a.k.a. TT The Artist’s, critically acclaimed debut documentary musical, DARK CITY BENEATH THE BEAT.  Winner of the Bushwick Film Festival for Best Feature Documentary 2020, the doc takes you on a journey about the rising Baltimore club music and dance culture.

The film is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all-original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate to its creative LGBTQ community and showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence. 

The film is a noted love letter to Baltimore that uplifts the narrative of the city and is produced by Issa Rae and Deniese Davis through their management production company ColorCreative. In addition to the Netflix premiere, TT will also be dropping its soundtrack through Issa Rae’s Raedio

The soundtrack, titled, Dark City Beneath The Beat Original Motion Picture Soundtrack is a fusion of Baltimore club music intermixed with poetry, hip hop, house, and soul. Executive produced by TT The Artist and Baltimore club music hero Mighty Mark, the eighteen track project features local artists on the rise from the “Charm City.”  The soundtrack is available on all digital streaming music platforms including Apple Music, Spotify, Tidal among others. The documentary feature will premiere on Netflix April 15, 2021.  

About TT The Artist:

TT The Artist is a multi-hyphenate filmmaker whose work is an intersection of music, art, fashion, and film. Her bold and colorful visual storytelling is influenced by her love for black cinema and narratives that expand the representation of women of color and LGBTQ stories on screen. TT The Artist has worked with influential DJs and producers in the music industry such as Grammy award winning producer Diplo. TT The Artist’s musical success in the television and the film sync world has secured her placements on The Chi, Twenties, Netflix’s Nappily Ever After, HBO’s hit series Insecure, and more. Stepping out of the recording studio and into the director’s chair, TT The Artist was selected as a shadow director for Insecure’ s highly anticipated season 4. TT has directed many of her own videos such as CENTER OF ATTENTIONPAYROLLBLACK HERSTORY, and WOAH. TT The Artist is also a participant in Powderkeg’s 2020 FUSE Program, founded by Paul Feig. Most recently, TT shot WHEW CHILE for Dai Burger, which debuted on Paper Magazine.

TT The Artist is represented by ColorCreative management and the law firm of Del, Shaw, Moonves, Tanaka, Finkelstein & Lezcano.

Tedra Wilson a.k.a. TT The Artist
KyleYouMadeThat illustration by Heather Skovlund (Photo Credit: Amaiya Davis) for 360 Magazine

KyleYouMadeThat New Single

KYLEYOUMADETHAT RELEASES NEW SINGLE AND VISUALIZER “ALL ABOUT CAKE” WITH COI LERAY & KAASH PAIGE

Increasing his momentum, rising Toronto artist and producer KyleYouMadeThat joins forces with Coi Leray and Kaash Paige on his high-energy new track “All About Cake” today.

Listen to “All About Cake:” HERE

The track is the soundtrack to one of this year’s biggest TikTok dance trends yet. With over one million TikTok dance videos created to the song by some of pop culture’s biggest talent including LizzoCharli D’amelio and more, KyleYouMadeThat added budding pop star Coi Leray and the buzzing R&B singer Kaash Paige to the track to trade bag chasing bars on the beat.

In the visualizer, a bikini-clad girl gang armed with super soakers wilds out by a pool, chowing down on cake and, inevitably, getting into a confectionary ingredient everywhere. You need to see it to believe it.

Watch “All About Cake:” HERE

It arrives hot on the heels of HOOPLA—the collaboration between KyleYouMadeThat and NLE Choppa, It has already racked up over 1.3 million streams and earned critical acclaim. HotNewHipHop enthusiastically described it as “a bouncy banger.

“HOOPLA” initially exploded on Tik Tok when KyleYouMadeThat shared nothing more than the beat on his page. Dance influencer Karaleigh Cannella shared a viral dance soundtracked by the production, and Seventeen praised it among “The Hottest TikTok Dances You Can’t Stop Doing.

KyleYouMadeThat already moved the internet, and now he’s set to move the culture. Soundtracking 16 million-plus videos on Tik Tok and generating views in the billions by 2021, the Toronto-born artist, producer, and creative cooks up genre-defiant anthems and curates’ viral moods. After years producing for the likes of Trey SongzRyan Leslie, and Tinashe, he found himself stuck at home at the onset of the Global Pandemic. He leveled up all-around, becoming more proficient at graphic design, photo editing, and video editing. He also studied Tik Tok and pledged to “get a viral hit. He didn’t just go viral; he practically broke the platform. “Crystal Dolphin” incited videos by dozens of influencers such as Charli D’Amelio [102 million followers], Addison Rae [71 million followers], SpencerX [50 million followers], and Loren Gray [50 million followers] as well as superstar Jason Derulo. Not to mention, the success translated to other platforms with 56 million streams on Spotify. Meanwhile, “All About Cake” inspired videos by everyone Kimberlyloazia [31.8 million followers] and Tony Lopez [23 million] to three posts from Lizzo. It would be his off-kilter sonic sensibility that shined through the loudest though, defining a whole wave in the process under the radar. Now, he asserts himself as both a trend architect and precise hitmaker on a series of 2021 singles for The Heavy Group/Republic Records, tipped off by “HOOPLA” with NLE Choppa.

Photo Credit: Amaiya Davis
Gwen Stefani and Saweetie illustration by Heather Skovlund (Photo Credit Meeno Peluce) for 360 Magazine

Gwen Stefani × Saweetie

GWEN STEFANI AND SAWEETIE TEAM UP ON EMPOWERING “SLOW CLAP”

Watch the video for “Slow Clap” HERE 

Global superstar Gwen Stefani adds yet another iconic pop collaboration to her catalog with the release of Slow Clap” featuring the multi-platinum rap star Saweetie. The empowering track, Stefani’s first single of 2021, is inspired by a mash up of sounds with Saweetie’s unabashed verses. “Slow Clap” featuring Saweetie is available now at all digital retailers via Interscope Records.

The “Slow Clap” video was directed by Sophie Muller, a long-time Stefani collaborator who also helmed the memorable clips for No Doubt’s “Don’t Speak” and Gwen’s solo track “Wind It Up.” Watch the energetic video HERE.

With lyrics about embracing resilience and staying confident despite feeling like an underdog, “Slow Clap” is classic Gwen: “Been the champion, rang the bell / Rocked the bottom, been through hell,” she sings. “Climbed the mountain, now I’m well / I just feel like coming back for the belt.”  Saweetie, whose forthcoming debut album featuring recent drops with Doja Cat (“Best Friend”) and Demi Lovato (“My Girlfriends Are My Boyfriend”), reinforces this confidence with bold and unapologetic lines: “My favorite position is CEO check the stats / Me and Gwen Stefani snatchin’ wigs on the track.”

“Slow Clap” builds on the momentum of “Let Me Reintroduce Myself,”which reached No. 1 on the iTunes chart upon its release. In 2020, Stefani also had two No. 1 hits on Billboard‘s Hot Country Songs chart with fiancé Blake Shelton, “Nobody but You” and “Happy Anywhere,” and reissued her holiday album, You Make It Feel Like Christmas, with two new songs, including “Here This Christmas” co-written with Ryan Tedder.

A three-time GRAMMY Award winner, Stefani has achieved global success as a performer, songwriter, and frontwoman of No Doubt, and a multi-platinum solo artist, among other accomplishments. To date, she’s sold more than 50 million units worldwide. Her 2015 solo album, This Is What the Truth Feels Like, debuted at No. 1 on the Billboard 200. She also spent five seasons as a coach on the Emmy-winning NBC series The Voice where she led contestant Carter Rubin to be crowned the season 19 winner. The classic warmth of “Slow Clap” sets the tone for what fans can expect from Stefani as she plans to release more music this year.  

Gwen Stefani – “Slow Clap feat. Saweetie”
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Photo credit: Meeno Peluce

Wes Nelson illustration by Heather Skovlund for 360 Magazine

Wes Nelson New Single

WES NELSON RELEASES NEW SINGLE “NICE TO MEET YA” FEAT. YXNG BANE

FOLLOWS THE GOLD CERTIFIED TOP 3 DEBUT SINGLE “SEE NOBODY”

Following his massive breakthrough debut single last year, Wes Nelson returns with another monster hit “Nice To Meet Ya” featuring Yxng Bane.

Listen and watch “Nice To Meet Ya”

With its moody blend of Afrobeats, smooth R&B production and Wes’ infectious melodies, “Nice To Meet Ya” feels like an instant classic; confident, effortless and ridiculously catchy. Written by Wes and produced once again by rising beatmaker, Ayo Beatz (Fredo, Young M.A.), the track delivers on Wes’s promise both as a talented songwriter and vocalist. Featuring Yxng Bane, the East London star had written and recorded his parts within a day of hearing the track.
 
Wes says, “I wanted people to sing ‘Nice To Meet Ya’ and just feel good about themselves, like 3 minutes of escapism! Especially with lockdowns, we’re all feeling a bit trapped, and people are down, I just want people to get up and feel good.”
 
One of 2020’s biggest singles, “See Nobody” was written and produced during lockdown from Wes’ makeshift bedroom studio. A Gold-certified hit in the UK and double Platinum in Ireland, the top 3 debut single has accumulated over 70 million streams globally, with over 38 million streams on Spotify and over 13 million video views. It also became an instant favorite amongst cultural commentators, musicians and attracted notable fans such as the likes of Anthony Joshua, Idris Elba, Stevo The Madman, Chip, Krept & Konan, Jay1, S1mba, Jae5, SL and many more.
 
A former undefeated champion Muay Thai kickboxer, semi-professional footballer and Nuclear System Design Engineer, music has always been Wes’ first love and his greatest ambition. After being gifted with a red plastic karaoke machine at age 3, he would perform for his family every Friday night and sing along to the Top of The Pops’ hits of the day. As he grew into his teen years, he lacked the confidence to be open about his passion for music and instead focused on other interests. Last year, quarantine became an opportunity for Wes to return to his artistic craving: while others baked banana bread and binge-watched Selling Sunset, he took the discipline he learned from Muay Thai and applied it to music.
 
With his focus now fully on music, who knows where the next chapter could lead. He has the desire – and potential to be one of the UK’s most successful R&B/Pop artists. Wes not only has the talent, but the focus, drive and discipline that such ambition takes.
 
“I know it’s not going to happen overnight, but consistency is key. The best artists are the ones who stay true to themselves; authenticity is everything to me and that’’s what will take me all the way.”
 
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