Posts tagged with "apple music"

Alex Henry Foster illustration by Heather Skovlund for 360 Magazine

Alex Henry Foster

ALEX HENRY FOSTER’S STANDING UNDER BRIGHT LIGHTS IMPACTS BILLBOARD SALES CHARTS WORLDWIDE AMIDST GLOBAL ACCLAIM

Triple-Vinyl / Double-CD, Concert Film Hits No. 4 In Canada,

No. 6 In Australia, No. 13 In The UK, No. 18 Emerging Artists

Rolling Stone, American Songwriter, Montreal Gazette,

Vancouver Sun, Glide Magazine More Praise Album

Alternative, post-rock’s Alex Henry Foster impacts album sales charts worldwide with his live triple-vinyl / double-CD and concert film Standing Under Bright Lights following its release April 16. In its first week available at digital and streaming outlets everywhere from Hopeful Tragedy Records, the recording hit No. 4 in Canada (No. 1 iTunes Top Albums), debuted at No. 6 in Australia and reached No. 13 in the UK. The album also landed at No. 18 on Billboard’s Emerging Artists and No. 31 on its Current Album Sales charts while fans also quickly depleted the vinyl collector’s boxes available at his label’s store.

From Montreal and now residing in the highlands of Virginia, Foster’s full production, 11-piece band concert Standing Under Bright Lights was recorded live in front of a sold out Club Soda (July 2019) while Foster headlined the Montreal International Jazz Festival. The concert was named one of the top five events not to be missed by Canada’s national TV/Radio broadcaster CBC. Originally set to release October 8, 2020, which would have been his late father’s birthday, Foster decided to utilize the extra time the worldwide pandemic would give him to produce the recording and concert film.

With Rolling Stone labeling the album’s lead single, “The Son of Hannah,” “simply fascinating,” and the Montreal Gazette hearing “a remarkable buzz around the world with his challenging alternative rock,” Foster’s Standing Under Bright Lights has garnered acclaim across the globe. Along with an NRT Now “Next Big Thing” podcast interview, Foster has been recently featured by Prog MagazineICI Premiere (CBC), Louder Than WarBrooklynVeganBetween The Grooves, PAN M 360FYI Music NewsTVKRebel NoiseAll RockMr. Vinyl and many more.

  • “[Standing Under Bright Lights] captivated concert-goers every second with improv, emotions, darkness, poetry laden lyrics, spoken word vocals and experimental music that transported everyone in attendance to a different plane.” – American Songwriter
  • “This is the kind of live album that used to establish artists…” – Vancouver Sun
  • “An Intimate, Impassioned, Astonishing record.” – Metro UK
  • ★★★★★ – “Standing Under Bright Lights is a deeply spiritual hymn to the warmth and light that burns inside us all.” – 3 Songs & Out
  • ★★★★ 1/2 – “Think Pink Floyd visiting Radiohead…” – Le Devoir
  • ★★★★ 1/2 “…an avalanche of progressive alternative rock music… feverish poetry and progressive impetus which defends our spirit at each listening.” – ARP Media
  • Standing Under Bright Lights is…a mesmerizing experience. …the event feels vibrant, it grips you even…”– Le Soleil
  • “Alex Henry Foster has earned his due and has helped transcend post-rock into a realm of prog possibilities encompassing the world where Steven Wilson and Porcupine Tree meet Godspeed You! Black Emperor.” – Glide Magazine
  • “…this is a release of such absolute quality, such exquisite poise…It is an absolute statement piece that, if there is any justice, will place Alex Foster Henry into a place where he will be rightfully regarded amongst the creme of emerging talent on the world stage.” – Uber Rock
  • “…one of the most dedicated and passionate works of art from a musician in recent memory.” – Interview Under Fire
  • “Just like the crescendo of the song ‘The Son of Hannah,’ there is a raw, cathartic release of tension that is born of anger, but released as hope.” – Montreal Rocks
  • “Rarely are we presented with such raw emotion in music or performance.” – Sound Vapors

Along with lead singles “The Son of Hannah” and “Winter Is Coming In” that have received hundreds of thousands of plays across numerous playlists, Standing Under Bright Lights features every song from Foster’s debut solo album, Windows in the Sky, which hit No. 1 multiple times on the Billboard Canadian Albums chart, staying in the Top 40 on the chart for a full year after its release. The songs from this celebrated album were re-invented for the live recording as the band performed along with a movie projection produced by Foster. Almost 2 hours and 30 minutes long, the concert at which Standing Under Bright Lights was recorded is now considered among the best concerts throughout the 40 years of the Montreal International Jazz Festival.

Playing the new music and fan favorites on tour, Foster and his band are preparing to tour internationally with 23 dates in Europe set to begin next month, pandemic allowing.

For all the latest Alex Henry Foster tour, music news and more, go to WebsiteFacebookYouTubeInstagramTwitterSpotifyApple MusicBandcamp and Hopeful Tragedy Records Store.

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

LaJune illustration by Heather Skovlund for 360 Magazine

LaJune Performs LIVE!

*360 MAGAZINE Presents @IamLaJune ‘Mind’ LIVE Performance via 360TV on YouTube

Hip-Hop songstress LaJune resurrects with new music YA, off her new project Insecure. Available now at iamlajune.com and all streaming platforms. The follow up to Go girl off her debut EP entitled Body. June’s new track is reminiscent of iconic Timbaland and Neptunes tracks. Ears aroused from the beginning, base transitions crescendo in the background of the melodic hook. A true “Party & Bullshit” vibe, witty and wise with her pen combined with textured tones proves she’s far from insecure.

The title of her 2nd EP takes a glimpse at the structure, mind and soul this new artist is comfortable with exploring. Taking her artistry to the next degree, the first female established into 106 & Park Freestyle Friday hall of fame. No stranger to the stage, showcasing her talents opening for R&B legend Joe, Touch ME Tease ME Case and Grammy-winning singer Chrisette Michele.

Set to release her third EP Mind at the top of the New Year. The follow-up to her Insure EP released summer of 2020. A trilogy of transparency reflecting the mind, body and soul expected of a budding artist. Timing is everything, and at 12:21 am Lajune will release her 2nd video to date entitled “What you got”. 

To commemorate the conjunction of the two largest planets Jupiter X Saturn; in Aquarius on 12/21 which seemingly occurs every 200 years. A representation of the planets appearing to touch. Instigating a new cycle, a shift in power and alignment. A befitting release is relevant to an artist who is aware of herself and her destiny. The visual treatment takes you on a  journey of consciousness and self-reflection. If 2020 ironically hasn’t questioned us what you got? 

Cinematography by Tukes productions and directed by Ameer Copper the visual journey depicts the conflict of the higher and lower self. The duality portrayed with care but not to shy away from the harsh realities. Far from second-guessing, Lajune exudes confidence and strength. The opening scene draws you into Lajune’s environment, digesting the recent televised injustices of African Americans. Sporting custom designs of AOHSOA derived from stylist/designer Armon and beauty provided by Tykima

Her performance scene allows a glimpse of the artist’s personality, overflowing with animation. “Life is for the lesson” is an understatement considering the year, LaJune challenges her audience to be equipped with awareness; encouraging mental health and celebratory culture. Therefore the leap to a higher vibration through her thought-provoking in-your-face lyrical content proves this arises toes no lines. 

Challenging social norms without judgment, the Vh100 podcast host exhibits her acting chops in the interrogation scene with actor Jim Shearer. Be sure to check out the BTS of “What you got “ by Amenze Victor for a closer look at the highly anticipated project and artist who needs no explanation.

About LaJune

Currently, she is the Co-host to VH1’s podcast V100 devoted to discussing Pop culture and more. Stick shifting her career, LaJune navigates the release of a new project and motherhood. A year in the making, time only knows the length it takes a Rose to bloom.

As of late, LaJune teamed up with Armon Hayes for creative direction and visuals shot by artist Tony Anderson. Inspired by her love for the hit HBO series Insecure now in its 4th season staring and created by Issa Rae. Join LaJune on her musical journey, an independent artist who’s talent refuses to be shut-in.

LaJune,   360 magazine
TT The Artist illustration by Heather Skovlund for 360 Magazine

TT the Artist × Netflix

TT THE ARTIST’S GROUNDBREAKING DOCUMENTARY

“DARK CITY BENEATH THE BEAT “

LANDS AT NETFLIX

Tedra Wilson A.K.A. TT The Artist Directorial Debut Produced by ColorCreative

Netflix has licensed multi-hyphenate director, Tedra Wilson a.k.a. TT The Artist’s, critically acclaimed debut documentary musical, DARK CITY BENEATH THE BEAT.  Winner of the Bushwick Film Festival for Best Feature Documentary 2020, the doc takes you on a journey about the rising Baltimore club music and dance culture.

The film is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all-original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate to its creative LGBTQ community and showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence. 

The film is a noted love letter to Baltimore that uplifts the narrative of the city and is produced by Issa Rae and Deniese Davis through their management production company ColorCreative. In addition to the Netflix premiere, TT will also be dropping its soundtrack through Issa Rae’s Raedio

The soundtrack, titled, Dark City Beneath The Beat Original Motion Picture Soundtrack is a fusion of Baltimore club music intermixed with poetry, hip hop, house, and soul. Executive produced by TT The Artist and Baltimore club music hero Mighty Mark, the eighteen track project features local artists on the rise from the “Charm City.”  The soundtrack is available on all digital streaming music platforms including Apple Music, Spotify, Tidal among others. The documentary feature will premiere on Netflix April 15, 2021.  

About TT The Artist:

TT The Artist is a multi-hyphenate filmmaker whose work is an intersection of music, art, fashion, and film. Her bold and colorful visual storytelling is influenced by her love for black cinema and narratives that expand the representation of women of color and LGBTQ stories on screen. TT The Artist has worked with influential DJs and producers in the music industry such as Grammy award winning producer Diplo. TT The Artist’s musical success in the television and the film sync world has secured her placements on The Chi, Twenties, Netflix’s Nappily Ever After, HBO’s hit series Insecure, and more. Stepping out of the recording studio and into the director’s chair, TT The Artist was selected as a shadow director for Insecure’ s highly anticipated season 4. TT has directed many of her own videos such as CENTER OF ATTENTIONPAYROLLBLACK HERSTORY, and WOAH. TT The Artist is also a participant in Powderkeg’s 2020 FUSE Program, founded by Paul Feig. Most recently, TT shot WHEW CHILE for Dai Burger, which debuted on Paper Magazine.

TT The Artist is represented by ColorCreative management and the law firm of Del, Shaw, Moonves, Tanaka, Finkelstein & Lezcano.

Tedra Wilson a.k.a. TT The Artist
Gwen Stefani and Saweetie illustration by Heather Skovlund (Photo Credit Meeno Peluce) for 360 Magazine

Gwen Stefani × Saweetie

GWEN STEFANI AND SAWEETIE TEAM UP ON EMPOWERING “SLOW CLAP”

Watch the video for “Slow Clap” HERE 

Global superstar Gwen Stefani adds yet another iconic pop collaboration to her catalog with the release of Slow Clap” featuring the multi-platinum rap star Saweetie. The empowering track, Stefani’s first single of 2021, is inspired by a mash up of sounds with Saweetie’s unabashed verses. “Slow Clap” featuring Saweetie is available now at all digital retailers via Interscope Records.

The “Slow Clap” video was directed by Sophie Muller, a long-time Stefani collaborator who also helmed the memorable clips for No Doubt’s “Don’t Speak” and Gwen’s solo track “Wind It Up.” Watch the energetic video HERE.

With lyrics about embracing resilience and staying confident despite feeling like an underdog, “Slow Clap” is classic Gwen: “Been the champion, rang the bell / Rocked the bottom, been through hell,” she sings. “Climbed the mountain, now I’m well / I just feel like coming back for the belt.”  Saweetie, whose forthcoming debut album featuring recent drops with Doja Cat (“Best Friend”) and Demi Lovato (“My Girlfriends Are My Boyfriend”), reinforces this confidence with bold and unapologetic lines: “My favorite position is CEO check the stats / Me and Gwen Stefani snatchin’ wigs on the track.”

“Slow Clap” builds on the momentum of “Let Me Reintroduce Myself,”which reached No. 1 on the iTunes chart upon its release. In 2020, Stefani also had two No. 1 hits on Billboard‘s Hot Country Songs chart with fiancé Blake Shelton, “Nobody but You” and “Happy Anywhere,” and reissued her holiday album, You Make It Feel Like Christmas, with two new songs, including “Here This Christmas” co-written with Ryan Tedder.

A three-time GRAMMY Award winner, Stefani has achieved global success as a performer, songwriter, and frontwoman of No Doubt, and a multi-platinum solo artist, among other accomplishments. To date, she’s sold more than 50 million units worldwide. Her 2015 solo album, This Is What the Truth Feels Like, debuted at No. 1 on the Billboard 200. She also spent five seasons as a coach on the Emmy-winning NBC series The Voice where she led contestant Carter Rubin to be crowned the season 19 winner. The classic warmth of “Slow Clap” sets the tone for what fans can expect from Stefani as she plans to release more music this year.  

Gwen Stefani – “Slow Clap feat. Saweetie”
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Photo credit: Meeno Peluce

Piso 21 illustration by Heather Skovlund for 360 Magazine

Piso 21

“From Colombia to the world. I think we are in such a beautiful time that Colombia is shining for good reasons… Maluma, J Balvin, Karol G, Camilo, Greeicy, Us… it is an example of what we represent.”Lorduy

@Piso21 covers @360Magazine – exclusive interview at 7 PM EST
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Rose - BlackPink - illustration by Heather Skovlund for 360 Magazine

ROSÉ OF BLACKPINK

SHARES DEBUT SOLO PROJECT ‘R’

SINGLE ALBUM FEATURES LONG-AWAITED TRACKS

“ON THE GROUND” & “GONE”

LATE NIGHT TV SOLO DEBUT ON THE TONIGHT SHOW STARRING JIMMY FALLON ON 3/16

Rosé of BLACKPINK shares her massively anticipated debut solo project, R. Released via YG Entertainment/Interscope Records, the single album consists of two unforgettably vulnerable tracks co-written by the K-pop icon: “On the Ground” and “Gone.”

Watch the video HERE

Go HERE to stream/download R by Rosé now.

Produced by frequent BLACKPINK collaborator TEDDY, acclaimed songwriter/producer/artist Jon Bellion (Katy Perry, Miley Cyrus), Jorgen Odegard (Justin Bieber, P!nk), Ojivolta (Selena Gomez, Halsey), and 24, “On the Ground” is an intimate look at the cost of ambition and chasing your dreams, with Rosé bringing her stunning vocal work to a gorgeous backdrop of soulful guitar tones and radiant beats. In creating the raw and reflective track, Rosé co-wrote with Bellion as well as heavy-hitters Amy Allen (Sam Smith, Zara Larsson) and Raul Cubina (Playboi Carti, Christina Aguilera).

On “Gone,” Rosé matches the pure emotional depth of “On the Ground,” this time offering up a stripped-back breakup ballad produced by Brian Lee (BLACKPINK, Post Malone, Camila Cabello). Accompanied by little more than the track’s hypnotic guitar work, her voice turns heartbreakingly tender as she delivers her confessional lyrics (“Now I’m all alone, crying ugly/You broke my heart just for fun/Took my love and just left me numb”).

Along with “On the Ground” and “Gone,” the CD and vinyl editions of R include instrumental versions of both tracks. Rosé is now the second member of BLACKPINK to release solo material, with singer/rapper Jennie having shared her single “SOLO” in November 2018.

R arrives just months after BLACKPINK dropped their debut full-length effort THE ALBUM. Released on October 2, the record-breaking project debuted at #2 on the Billboard 200, marking the biggest chart debut by an all-female group in over 12 years. With guest spots from fellow superstars Selena Gomez and Cardi B, THE ALBUM also smashed the record for highest first-week sales for a debut album from a K-pop group in all of music history. That same month, BLACKPINK premiered Light Up The Sky, an all-access Netflix documentary detailing the hard-fought journey behind the group’s meteoric rise.

ABOUT BLACKPINK:

Since bursting onto the scene in 2016, BLACKPINK have redefined the possibilities of K-pop, transcending all categorization and ascending to global stardom. With their unstoppably catchy single “DDU-DU DDU-DU,” the South Korean quartet broke the record for highest-charting Billboard Hot 100 debut by an all-female K-pop act, while its head-turning video surpassed 10 million views in just six hours and racked up 36.2 million views in one day.

Discovered by YG Entertainment, BLACKPINK is comprised of JISOO, JENNIE, ROSÉ and LISA: four immensely charismatic vocalists, dancers, and burgeoning fashion icons. Released in 2016, their debut “SQUARE ONE” quickly proved their crossover power; in 2018, “SQUARE UP” climbed to #40 on the Billboard 200 and #1 on the Billboard World Albums chart. Several months after “SQUARE UP” hit the charts, YG Entertainment and Interscope Records announced a global partnership for BLACKPINK, paving the way for the group’s international breakthrough. With their EP Kill This Love arriving in April 2019, BLACKPINK further boosted their popularity by successfully completing a world tour and becoming the first K-pop girl group to perform at Coachella, the largest music festival in the U.S.

Rosé of BLACKPINK Interscope Records for 360 MAGAZINE

Photo courtesy of YG Entertainment.

Joshua Bassett of Warner Records release debut ep on 360 MAGAZINE

JOSHUA BASSETT

JOSHUA BASSETT RELEASES SELF-TITLED DEBUT EP AND MUSIC VIDEO FOR NEW SINGLE “TELLING MYSELF” – WATCH HERE  

NOMINATED AND PRESENTING AT THE NICKELODEON KIDS’ CHOICE AWARDS

PERFORMING ON THE ELLEN DEGENERES SHOW ON MARCH 24TH

ANNOUNCES “A NIGHT WITH JOSHUA BASSETT: A ONE NIGHT ONLY VIRTUAL CONCERT EXPERIENCE” ON APRIL 16TH

After building feverish anticipation and emerging as one of 2021’s most exciting artists to watch, singer-songwriter, multi-instrumentalist, and actor Joshua Bassett releases his anxiously awaited self-titled debut EP on Warner Records—available HERE.   To celebrate the release, he just shared the music video for new single “Telling Myself ” – watch it HERE.

In addition to releasing the EP this week, Joshua will make an appearance at the 2021 Nickelodeon Kids’ Choice Awards tomorrow, March 13th, where he is nominated for Favorite Male TV Star.  Joshua will also perform a song from his EP on The Ellen DeGeneres Show on March 24th.  Furthermore, Joshua will treat fans to his first ever virtual show, “A Night With Joshua Bassett: A One Night Only Virtual Concert Experience,” on April 16th at 9:00 PM ET / 6:00 PM PT. Performing his songs for the first time with a band, Joshua will showcase his multi-instrumentalist and songwriting prowess. Tickets are on sale now at joshuabassettmerch.com

About the EP, Joshua said, “My debut EP is a rollercoaster of stories and emotions. It was written over the span of two years, so every song represents a different chapter of my life recently. It’s all about the messiness of relationships, the back and forth of falling into and falling out of love, and how those stories somehow come together into a cohesive chaos.”

The EP opens on the dreamy piano of “Sorry” as twinkling keys give way to his show-stopping delivery. Bass-y piano shuffles underneath the chantable hook, “She said, ‘You’ll be sorry when you left me, cause I’m the best thing that you aren’t ever gonna get again’.” Elsewhere, delicate fingerpicking carries the tender ballad “Do It All Again.” It culminates on the gorgeous “Heaven Is You” where he ignites one last uplifting refrain.

Joshua paved the way for the EP with “Lie Lie Lie” and “Only A Matter of Time” which received wide acclaim and established him as a breakthrough star. Teen Vogue raved, “‘Lie Lie Lie’ has a 2000s boy band feel in the best way – fun, acoustic, guitar-driven pop,” Elite Daily dubbed it “a total #mood,” and Billboard praised his “pop-rock talent, and ability not to mince words in his music.” The New York Times touted it on “The Playlist,” and Pop Sugar captured the excitement best with the admission, “I can’t wait to hear what other pop hits he has in store for his upcoming EP.”

Taking a moment to give back in a big way, Joshua recently pledged 100% of the proceeds from his merch store to the charity of the buyer’s choosing. Fans who pick up merchandise may pick one of five charities for their money to go to, all of which focus on youth-led movements or organizations led by next generation leaders, including A Long Walk Home, Jack, Teen Line, The Sunrise Movement, and The Young Feminist.  Joshua is also donating 100% of the proceeds of sales of his “Franklin” Build-A-Bear furry friend available at his online merch store to CASA of Los Angeles (CASA/LA). CASA mobilizes community volunteers to advocate for children and youth who have experienced abuse and neglect.  You can learn more about CASA/LA at casala.org.

Joshua Bassett may sing, write, act, and play multiple instruments, but he humbly identifies himself as “just a kid from San Diego who loves music.” Long before starring in the Disney+ original series High School Musical: The Musical: The Series, generating millions of streams, and garnering widespread acclaim, he grew up surrounded by music in the suburb of Oceanside, CA. Described by many as an “old soul,” he played drums in church, taught himself ukulele, guitar, and piano, and wrote his first song for his homecoming date at 15. In addition to being homeschooled alongside his five sisters, he was able to strengthen his voice as a singer and actor in local theater productions. After various television parts on Dirty John, Grey’s Anatomy and more, he landed the lead role of Ricky in High School Musical: The Musical: The Series which premiered in November 2019. Simultaneously, he feverishly wrote music. Inking a deal with Warner Records, he unveiled his solo debut “Common Sense” and follow-up “Anyone Else” in 2020, laying the foundation for his debut EP out now.

Follow Joshua on TikTok.

Video Premiere Page.

Headphones illustration by Heather Skovlund for 360 Magazine

Music Streaming Revenues Jump

Music Streaming Revenues to Hit $23B in 2021:

A 50% Jump Compared to pre-COVID-19 Figures

Like many other sectors, the music industry has been significantly affected by COVID-19, with the massive cancelation of live events and huge ticket sales revenue drops amid the lockdown. With earnings from live music events shrunk to the lowest level in history, artists increasingly rely on income from streaming platforms. According to data presented by BuyShares.co.nz, music streaming revenues are expected to hit $23bn in 2021, a 50% increase compared to pre-COVID-19 figures.

Revenues to Jump by $3.3bn in a Year, Number of Users to hit 620 Million

Even before the pandemic, the music streaming industry witnessed impressive growth, with revenues rising by a CARG of 20% year-over-year. Statista survey showed that in 2017, the unified market was worth $10.5bn. In the next two years, this figure jumped to $15.2bn. However, last year, music streaming platforms witnessed the biggest annual revenue growth, as COVID-19 halted live events. Statistics show that revenues surged by almost 30% year-over-year and hit $19.7bn in 2020. The ongoing lockdown is expected to continue driving a rise in music streaming consumption, with revenues growing by another $3.3bn this year. By 2025, the entire market is forecast to hit a $33.3bn value. The Statista survey showed the number of people using music streaming platforms also surged amid the pandemic and jumped from 425.6 million in 2019 to 626.2 million in 2021. More than 900 million people worldwide are expected to use music streaming services in the next four years.

Spotify hit 155 Million Premium Subscribers in 2020, Double than Apple Music

As the world’s largest music streaming market, the United States is expected to reach 100.7 million users and $8.7bn in revenue in 2021, a 16.6% increase in a year. The Chinese market, the second-largest market globally, is forecast to grow by 20% YoY and hit $2.2bn value this year, almost four times less than the leading US. Nevertheless, with 177.7 million users in 2021, the country has the largest number of people using music streaming services globally. According to Hootsuite’s Digital 2021 Report, more than 81% of surveyed internet users in China reported listening to music streaming services last year. The United Kingdom ranked as the third-largest music streaming market with $1.4bn in revenue this year.

As the biggest music streaming service globally, Spotify (NYSE: SPOT) hit 345 million monthly active users and 155 million premium subscribers in December 2020, a 25% jump in a year. While Apple (AAPL: NASDAQ) hasn’t publicly commented on its subscriber count since reaching 60 million in June 2019, estimates from MIDiA Research put Apple Music subscribers at 72 million in 2020, or half the Spotify count.

 

The full story can be read here.

Spotify illustration for RADAR by Heather Skovlund for 360 MAGAZINE

Spotify Announces girl in red as Its Next RADAR Artist

Today, Spotify’s global emerging artist development program, RADAR, has announced its latest artist partnership for the US: the Oslo-based pop sensation, girl in red, aka Marie Ulven.
girl in red has also just announced her debut album, if i could make it go quiet, out April 30th, and released its accompanying first single, “Serotonin.”  The result of a collaboration with FINNEAS and a huge pop anthem that speaks to Ulven’s struggles with mental health, the arena-ready tune can be heard HERE

Following her breakout single, “i wanna be your girlfriend,” which has been streamed over 150 Million times on Spotify, girl in red’s music has adorned some of Spotify’s most popular playlists including New Music Friday, LOREM, Oyster, Ultimate Indie, Out Now, and many more — 364 playlists, to be exact! Her cover of Maggie Rogers’s “Say it” for Spotify’s Studio Oyster has been beloved by media and fans around the world, as well as by Rogers herself. With 7 Million monthly listeners on Spotify, her music has also been celebrated by press outlets around the world like The New York Times, Paper Magazine, NME, DAZED, Rolling Stone, Pigeons & Planes and more. 

Today’s announcement is accompanied by new RADAR photos of girl in red located HERE and a blog post on Spotify’s For The Record newsroom blog HERE that includes a full rundown of the program, and a Q&A with the artist, which you should feel free to use for your own coverage.  
girl in red’s appointment to the RADAR program will include features in the RADAR playlist, a Spotify Singles recording, promotional support for her upcoming releases, a full suite of out-of-home advertising and on-platform marketing, and social promotion. girl in red’s RADAR campaign will also include a forthcoming mini-documentary to premiere later this year.
Says Ned Monahan, Spotify’s Head of Global Hits: “We’ve been closely watching girl in red’s steady ascent over the past few years — she’s built a tight-knit community of devoted fans in a remarkably organic way, based on her self-assured songwriting and deeply personal lyrics — all as an independent artist.  We’re beyond excited for her debut full-length, and look forward to helping with her global ascent via RADAR.”

When asked what she looks forward to about being a RADAR artist, girl in red says: “Taking over the world! That’s what I’m looking forward to. Having my music in people’s ears— that’s like the coolest thing ever. RADAR, then world domination!”

girl in red’s appointment as the fifth US RADAR artist follows the success of Spotify’s previous US RADAR artists Alaina Castillo, J.I The Prince of N.Y, The Kid LAROI, and Flo Milli, all joining 175 RADAR-affiliated emerging artists around the world. Last fall, Spotify celebrated the program’s six month anniversary with the launch of its global RADAR hub on-platform.

The program has propelled the success of artists around the globe like Rina Sawayama, Young T & Bugsey,Zoe Wees, Lous and the Yakuza, and more.