Posts tagged with "nyc"

IKUE NEWSON

Ikue Newson was born in Indiana of African, Indian and European ancestry. Growing up as the youngest of six children, she always reached maturity and speed in her life decisions. Ikue obtained a BA in Philosophy from Indiana University, and quickly after moving to Los Angeles to pursue a career in modeling. Modeling has been an outlet for Ikue’s unique fashion sense. Ranging from athleisure to advant garde, Ikue revels in a multitude of editorial and lifestyle campaigns. In addition to modeling, she loves creative writing, horseriding and spending time with her standard poodle, Ghost. After gaining status as a notable model, she aspires to attend law school.

height: 5’8.5″
hair color: brown
eyes: honey
bust: 32″
waist: 23″
hips: 33″
shoes: 7

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Ikue Newson makes an appearance inside 360 MAGAZINE.
Ikue Newson with cornrows in 360 MAGAZINE.
Ikue Newson in 360 Magazine.
Ikue Newson models Finish Line.
Ikue Newson in Sultra Beauty.

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For The Love of Comic Con 

By: Rodney Ramlochan × Elle Grant × Vaughn Lowery

New York City’s Comic Con is a key annual fan event dedicated to Western comics, graphic novels, anime, manga, video games, movies, television and more. First held in 2006, this classic event was canceled last year due to the Covid-19 pandemic, devastating fans who look forward to this mainstay of popular culture. Yet this year, Comic Con made its triumphant return, though it looked a little different in the attendance of both its exhibitors and fans. 360 MAGAZINE got the full scoop from well-versed fan Rodney Ramlochan on how this event has changed. He offers comments on the good, the bad, the Covid, and the in between for 360 readers. Read Ramlochan’s full testimony below:

To say that I love New York Comic Con is an understatement. For over a decade, as a pop-culture geek, I’ve enjoyed the fantastic guests, panels, original art, unique exhibitors, industry merchants, and one-of-kind exclusives. It has always been one of my favorite events to cover, and as a die-hard fan, I was deeply disappointed that the pandemic caused last year’s convention to go virtual. However, I was thrilled to hear that the event was coming back in person this year. Since much had changed over the past eighteen months, I thought it would be cool to experience the event as a fan rather than cover it as press. I also wanted to test-drive ReedPop’s Metaverse membership for ordering in-person tickets and focus on the overall fan experience, including Covid safety precautions and notable differences between this year and cons from yesteryear. Here are my post-Comic Con impressions. 

I purchased tickets a few months ago in July using the MetaVerse presale process. Of course, this was before the uptick caused by the Delta variant strain. I didn’t expect any issues with purchasing online as I’ve never really had a problem buying 4-day or single-day passes in the past. Still, I was interested in trying out the new Metaverse Membership that gives you first access to NYCC badges, photo ops & autographing tickets. My mission this year was to get both an autograph and photograph with William Shatner, epic space captain of the Starship Enterprise and now a real-life astronaut. In addition to getting first dibs on NYCC in-person tickets, the Superfan membership allows you to buy MCM Comic Con, Emerald City Comic Con, and C2E2 tickets. You can also get paid digital experiences, exclusive access to video content and celebrity panels, access to exclusive NYCC merchandise online. 

The Superfan Membership process was relatively seamless. I signed up at the end of June using the Metaverse Membership email and bought tickets using a dedicated link on my profile page within a few days. I purchased single day passes for each day of the convention, and I was contacted for the opportunity to purchase photo ops and autographs in addition at the end of September. Overall, I’d say the membership was worth it. It’s perfect for the fan who would rather have a more significant window of time to purchase tickets. Outside of remembering to click on the notification reminder emails and follow the presale, photo ops, and autographs links, ordering is straightforward.  There are no worries about getting tickets for the exact days you want to attend. If you are good with the allotted time frame afforded by the standard ordering process, then paying for the Superfan membership may not be beneficial at this time. However, I do wonder what the future holds for purchasing tickets in the future. Suppose the Superfan method of buying in-person tickets becomes more popular. Will it impact the standard order process and make it more challenging to obtain single-day passes post-pandemic?  Only time will tell. 

As far as Covid safety protocols, enforcement, and logistics, the ReedPop and the Javitz Center team did a great job managing this. Before attending, I was uncertain why New York Comic Con needed a partnership with CLEAR Health Pass. Especially since vaccination proof was a requirement for attending and could be validated using vaccine cards and existing apps like the NY Excelsior Pass. In hindsight, standardizing the application that everyone uses for admission was a smart move. At the very least, it streamlined the process and expedited entry for most. I picked up my green ReedPop vaccine wristband at the Javitz Crystal Palace a few nights before opening. It took me less than 5 minutes to show the CLEAR app and retrieve the band, and in many ways, this process foreshadowed the overall feel and attendance for the convention. NYC began requiring proof of vaccinations in early September, and the event was following suit. The mandate may have impacted attendance, as I read many social media comments from individuals that stated they wanted to return or sell their tickets because they didn’t know the vaccine would be mandated before purchasing. But, as a whole, most people in attendance complied with the requirements. I was there all four days and only encountered two individuals not wearing masks on the main floor. I didn’t notice security enforcing the mask mandate, but I did hear that a vendor and few individuals had been removed from the showroom floor for not following the rules.  At my William Shatner autograph and photo ops sessions, plexiglass partitions protected Shatner and the fans. Partitions were used at all reserved signings and photo op sessions. According to ReedPop, 150,000 paid in-person attendees were at the event this past weekend compared to 250,000 in previous years. Even with 100,00 fewer people, this was the largest indoor in-person event held in New York since 2019, showing a great evolution from where things were at the start of the pandemic. It was good to see that all of the proper safety protocols were in place. 

One of the most significant differences between this year’s Comic Con and past shows was the notable absence of large exhibitors like Disney, Marvel, DC, Image, Sony, Amazon, SYFY, and distributors like Funko and Midtown Comics. Of course, it didn’t come as a surprise, as we had been receiving no-show notices practically every week leading up to the event. I’m sure it deterred some folks from attending, but I think it helped provide a unique experience for those who did. It minimized the crowd and offered other smaller exhibitors an opportunity to showcase their properties and spend more time with fans. As a result, I spent a lot more time than I would typically have at smaller booths. For example, I met the great folks at Plunderlings, a boutique toy line presenting a fresh take on fantasy universes from a Caribbean perspective. Although some of the major players weren’t present, there was an excellent turnout for anime fans from Toei Animation, Funimation, VIZ Media, and Tamashii Nations. Without having to compete for floor space, it seemed as if their exhibits doubled in size. If you were a fan of these companies, it was probably the first time in years that you could casually stroll through their exhibits without waiting in line. Although it was less crowded, the show floor did not feel empty. As expected, Saturday and Sunday saw an increase in volume of attendees, but nothing compared to the previous years. 

One of the most extraordinary changes this year was the unveiling of the new Javits Center expansion project. It took a few minutes to figure out exactly where floors 4 and 5 were, but once you found them in the building adjacent to the old center, you were treated to the fantastic skyline and river views on the way up to the panel rooms and the new Empire Stage. There were a few blockbuster live panels, including Ghostbuster and The Boys; however, many panels like Sandman Act II and Wheel of Time were pre-recorded videos. I did sit in on the Sandman panel, but post-viewing, I felt a bit underwhelmed – watching a video of writer Neil Gaiman, audiobook director Dirk Maggs, actor James McCoy (who voices the title character), and actor/filmmaker Kevin Smith (who voices Merv Pumpkinhead) was not the same as seeing them in person. In addition, ReedPop introduced a new reservation system for the larger panels instead of the “badge tap-in” process used in the past. I have mixed feelings about this, as it didn’t appear that anyone’s reservations for the panels were being checked. It may have been because there was excess capacity remaining at the events I attended. However, I will note that the folks at the Tamashii Nations booth to purchase their exclusive Super Saiyan God Super Saiyan Son Goku figure did check for reservations. 

Overall, expanding the panels to the new venue resulted in two significant outcomes. First, it allowed more space to return to smaller fan-focused panels, which featured creators interacting with their fandom instead of pitching major studio events.  Second, moving the panels out of the main building allowed for Artist Alley to take back a prominent role I felt it had lost over the past few years. This year, the Alley was front and center, featuring principal mainstays like Fabian Nicieza, Chris Claremont, Rob Leifeld, and Scott Synder amongst many others. I especially enjoyed chatting with Ben Bishop, one of the key artists on TMNT’s The Last Ronin. 

Undoubtedly, many of this year’s Comic Con changes resulted from how best to host an event during a pandemic, but many of the changes also focused on improving the fan experience. As a result, NYCC 2021 felt more like the NYCC of 2011, but with a few notable improvements. Creators were able to connect more with their fandoms, fans were able to stop and appreciate exhibitors and artists more, and ReedPop unveiled a few new processes to streamline crowd control and help fans maximize their time at the event. It wasn’t perfect, but as a fan, it exceeded my expectations, and I’m even more looking forward to a pandemic-free NYCC next year. 

360 MAGAZINE covers NYCC
360 MAGAZINE covers NYCC
360 MAGAZINE covers NYCC.
Rodney Ramlochan attends NYCC on behalf of 360 MAGAZINE and meets William Shatner.

LOS ANGELES TOURISM KICKS OFF MEGA SPORTING EVENTS

LOS ANGELES TOURISM & CONVENTION BOARD CELEBRATES LA’S COMEBACK, KICKS OFF THE DESTINATION’S HISTORIC DECADE OF MEGA SPORTING EVENTS WITH SERIES OF EVENTS IN NEW YORK INCLUDING A LOS ANGELES-THEMED TAILGATE OPEN TO THE PUBLIC

For its first client, media and consumer events since the beginning of the pandemic, Los Angeles Tourism & Convention Board (Los Angeles Tourism) set its sights on New York, LA’s largest domestic visitor market. Aligned with the timing of the Rams vs. Giants game taking place at MetLife Stadium on Sunday, October 17, Los Angeles Tourism is hosting four days of activity beginning this Friday, October 15, with a preview of the Los Angeles-themed tailgate experience that is open to the public on October 16 and 17 and concluding on October 18 with an intimate luncheon for key sales clients.

Serving as a kickoff to the decade of mega sporting events LA is hosting beginning with Super Bowl LVI in February 2022, Los Angeles Tourism officials will visit with key clients and media to share information on the destination’s safe and responsible reopening and LA’s seemingly endless supply of new hotels, restaurants, venues and cultural exhibitions.

“New York is an important market for us, both in terms of leisure and group business, so when the time was right to host our first mission since the pandemic, we knew it had to be in the Big Apple,” stated Adam Burke, the President & CEO for Los Angeles Tourism. “While technology has been instrumental in keeping us connected during these challenging times, I think we can all agree there is no replacement for meeting in person. We are elated to see our industry colleagues and share all that’s new in the destination as LA continues its comeback.”

On Saturday, October 16, and Sunday, October 17, Los Angeles Tourism is hosting an “LA Tailgate,” which is open to the public, at the aptly named TailGate Outdoor Sports Bar in Brooklyn. The experience features tacos from Enrique Olvera’s new LA taqueria, Ditroit; beer and wine from LA brands Golden Road Brewing and Angeleno Wine Co.; LA trivia hosted by dumbfoundead; major trip giveaways including round-trip air transportation to LA courtesy of American Airlines; and a limited-edition merch drop from LA Tourism x Obey Clothing by House Industries and Studio Number One.

Over the next decade, Los Angeles plays host to an historic line up of sporting events including the 2022 Super Bowl LVI; 2022 MLB All-Star Game; 2023 College Football Playoff National Championship; 123rd U.S. Open Championship at LA Country Club; 2024 NCAA Division I Men’s Basketball West Region Championship; and, the 2028 Olympic and Paralympic Games.

To learn more, visit @discoverla on TwitterInstagram or Facebook. Visitors are encouraged to #TravelResponsibly and follow all guidance from Los Angeles County Public Health.

ABOUT LOS ANGELES & LOS ANGELES TOURISM

Los Angeles Tourism & Convention Board (Los Angeles Tourism) is the non-profit destination marketing and sales organization for the Los Angeles tourism industry and the ultimate resource for where to stay and play in the L.A. area.

Los Angeles is a dynamic, ever-evolving destination – where diversity thrives, and everyone is welcome. Discover the true L.A. by exploring its more than 30 culturally rich neighborhoods, each one offering a distinct vibe. L.A. is home to more than 300 days of warm sunshine, 75 miles of idyllic shoreline, more museums and performing arts venues than any other U.S. city, and an innovative culinary scene led by influential tastemakers. A global creative capital and the epicenter of the sports universe, L.A. presents limitless possibilities for visitors from around the world. For more information, visit discoverlosangeles.com, follow at facebook.com/DiscoverLosAngeles, or @discoverLA on TwitterInstagram and Pinterest.

Lamborghini Huracán STO

“Can perform a corner without losing its speed, there is no secret, only a matter of overall balance.” Andrea Caldarelli 

By: Conan Zhang, Elle Grant × Vaughn Lowery  

The Lamborghini Huracán first debuted at the 2014 Geneva auto show, and it is nearing 17,500 sales nationally, making the Huracán of the most popular cars in the United States. In the year 2022, This legendary model displays its prowess in a powerful performance! The “Super Trofeo Omologato,” in short as STO, is making its name in the Lamborghini Huracán family.

The Huracán STO is the most powerful Huracán ever made, created with only one goal: to deliver the most genuine feeling of a track car in the body of a road-legal machine. The car is inspired by the racing heritage of Lamborghini Squadra Corse’s one-make race series, featuring the Super Trofeo EVO and also GT3 EVO model, which won 3 times at the  24 hours Daytona and twice at the 12 hour Sebring race. In this car model, drivers are provided with the opportunity to enjoy the ultimate race experience every time they take to the road. 

Once again, 360 Magazine is excited to be invited to the exclusive Lamborghini Lounge NYC; the opening of this site coincides with the debut of Huracán STO! This private space is located at 533 W 26th Street in the heart of the Chelsea district. The space was designed in an extravagant way offering us and other users the most luxurious experiences. The sound system in the room provided by Bang & Olufsen brings forth a progressive listening experience, maximizing the atmosphere of rallies and parties that can be held in the space. All the rooms here feature Italian furniture by Living Divani, while the kitchen is furnished by La Dolce Vita, allowing all the guests to not only enjoy driving Italian but also living Italian. Most excitingly, 360 had the chance to see and drive the 2022 Lamborghini Huracán STO with the guide with a Formula 1 Racer from the Lounge.  

Design 

The exterior is designed to achieve the balance of being both powerful and functional. It inherits the appearance of the Huracán Super Trofeo EVO while being even more aggressive! The usage of carbon fiber in the model makes up 75% of the body panels, which means every part viewable to the consumer’s eye is made of carbon fiber. This unique configuration makes the car 88 pounds lighter than the Performante model. 

The one thing extraordinarily unique about the design is in the front of the car. It is called the “Cofango” – a specially designed body component that incorporates the front hood and fender. It looks like a stylish clamshell made purely of carbon fiber resting on the head of the car and it can be lifted as a whole. 

When we move our sight to the back of the car, there is an exaggerated double-profile rear race wing that can be adjusted into 3 positions. It will provide 714-925 pounds of downforce, equivalent to the weight of a highland cow! On top of the car is a central shark-fin along with several air scoops that helps drag optimization and an ideal aerodynamic performance. Compared with the Performante model, this vehicle is 37% more aerodynamic efficient. 

Compared with the 2021 Lamborghini Huracan EVO RWD Spyder, which 360 had the opportunity to test drive last month, the drag coefficient is much better on the STO model, as the EVO is a Spyder version where the drag force is extremely high with the top down. 

Performance 

The rear-wheel-drive not only contributes to making this car’s ability to drift and turn in a more sophisticated way but also assists in making the car lighter than the AWD models. It is equipped with rear steering that makes handling even more precise. With a V10 naturally aspirated 640 hp (470 kW) power plant, it produces a torque of 565 Nm, at 6,500 rpm. These components combined provide an acceleration of 0-62 mph in 3.0 seconds, 0-124 mph in 9.0 seconds, and a top speed of 192 mph. 

The brakes on this car absolutely provide us with a race evocative adrenaline! The CCMR Braking System, which is directly derived from F1, is now built into the carbon-ceramic brakes that help stop this speed monster in 3 seconds when driving at 62 mph. 

Technology 

When we settle into the driver’s seat, there features a delicate touch screen on the center of the console. New Human Machine Interface (HMI) is equipped on the car, which helps the users to control the drive mode, monitor tire pressures, and tracks brake temperatures. The car is exactly what is needed to be a champion on the track day on the weekend without sacrificing the high-end features of a technologically advanced model. What is more satisfying is that the STO Connected Telemetry System will record a splendid performance which drivers can use to check our phones anytime and everywhere. 

There are 3 driving modes that one can choose on the steering wheel – STO mode which is for daily driving, Trofeo mode which is for a fast and furious track driving experience, and Pioggia mode that adds huge traction designed expressly for driving on the wet surface.

Besides those technical features that help monitor the Huracán’s day-to-day performance, this car also features more classic modern features such as Apple Car Play and USB cables for convenience on the daily commute!

Conclusion 

This stunning beast of a vehicle starts at USD 327,838, which is surely more expensive than the RWD Huracán EVO. People may doubt whether it is worthwhile spending more on a car that is both a daily vehicle and born for the track. The answer, from experience, is this STO model is a supercar of its kind and features peak performance qualities across the board – the STO stands in a class of its own. In a look towards the future, Lamborghini has announced that they will go completely hybrid on all model lines beginning in 2024. Despite this development, we are glad to still be living in an era where the STO still shines on stage, or rather, the track. 

Pre-order now.

Photos by: Anthony Marotta

Edited by: Jeff Langlois

Marathon by Reb Czukoski for use by 360 Magazine

THE BLUE CARD TEAM

RUNNING THE NYC MARATHON–AND OTHER GLOBAL RACES–TO RAISE MILLIONS FOR HOLOCAUST SURVIVORS

For the 50th anniversary of the running of the NYC Marathon, The Blue Card, a national non-profit organization dedicated to aiding over 3,000 needy Holocaust survivors households is thrilled to be partnering with the race for the eleventh consecutive year. The TCS New York City Marathon is one of the largest marathons in the world, 26.2 miles, running through the five boroughs of NYC, and hosting runners from more than 100 countries.

“The New York City Marathon showcases the resilience and the fortitude of this great city,” states The Blue Card’s Executive Director, Masha Pearl. “We’re thrilled to have Team Blue Card running among athletes from around the world once again, and the ability to use this great gathering to raise much needed awareness and funds for holocaust survivors.”

The Blue Card has partnered with the NYC Marathon for this initiative since 2009 as ‘Team Blue Card.’ These 50 runners use their training, platform, and the event to raise funds and awareness for The Blue Card, aiding the organization’s mission of helping holocaust survivors in need. Historically, ‘Team Blue Card’ has raised a grand total of $2 Million through their combined efforts over the last 11 years, fundraising through social media, crowdfunding, employer gift matching, sponsorships, as well as through family and friends.

Team Blue Card’s efforts extend beyond the NYC Marathon. The Blue Card has been an Official Charity Partner of the Miami Half/Full Marathon since 2011, the TD 5 Borough Bike Tour in New York City since 2011, and team members have also participated in the  NYC Panasonic Lifetime Triathlon as well as numerous other national and international events including Germany, Tel-Aviv and Jerusalem, Israel, and Italy. Our endurance team participants come from around the world, including Argentina, Austria, France, Israel, Italy, Mexico, and South Africa.

There is still opportunity to run with Team Blue Card—or to support from the sidelines. More details can be found here: https://bluecardfund.org/become-involved/team-blue-card/.

Funds raised go toward providing Holocaust survivors with the following services daily:

  • Education & Outreach Programs:
    • Person-Centered, Trauma-Informed (PCTI) training for dental and medical professionals working with Holocaust survivors
    • The Blue Card-Lissner Hospital Visitation Program – Volunteer visits to hospitalized Holocaust survivors.
    • Nutrition guidance
  • Jewish Holiday – Provides financial support for the High Holidays, Hannukah, and for Passover, giving survivors the financial means for a better holiday season.
  • Mazel Tov Birthday – Provides survivors with a card and a check on their birthday. This is particularly meaningful for holocaust survivors who lost their entire family during the war.
  • FreeStyle Libre Glucose Monitoring: The Freestyle Libre 2 system continuously measures glucose data with customizable, optional real time alarms The unit gives people with diabetes excellent accuracy and actionable information to better manage their condition.
  • Grant assistance for emergency needs, including:
    • Housing and related costs to prevent eviction, homelessness, or utility shut-off
    • Emergency relocation
    • Food purchase
    • Medical and dental care, including medical equipment not covered by insurance
    • Emergency relocation
    • Essential clothing and footwear
    • Purchase and repair or essential major and minor appliance
  • Aid to survivors battling cancer through the Siggi B. Wilzig Fighting Cancer Together program
  • Emergency Prevention Programs, including
    • Monthly stipend for poverty-stricken survivors
    • Telephone emergency response system

The Blue Card, established in 1934 in Germany and organized in the U.S. in 1939, is the only organization whose sole mission is to provide critical financial aid for emergency medical, dental, housing and food needs to survivors of Nazi persecution. While the Holocaust seems like a long ago nightmare, for survivors it is a continuing one. Of the 75,000 Holocaust survivors in the U.S., one-third live at or below the federal poverty level. For many, the losses they experienced decades ago are compounded by their current struggles to subsist on meager incomes and threadbare or nonexistent support systems.  Studies show that Holocaust survivors have higher incidences of mental illness, cancer, and other debilitating diseases.

You can donate to The Blue Card Fund here: https://bluecardfund.org/become-involved/donate/

About The Blue Card

Established in Germany in 1934 as a grassroots effort and re-established in the United States in 1939 to aid refugees resettling in America, The Blue Card continues today to provide direct financial assistance to needy Holocaust survivors who live at or near the poverty line. As this population ages, with many now living into their 80s and 90s, their needs have drastically increased and changed, giving rise to the need for funding of essential needs. Funds raised are used to finance many diverse programs including stipendiary, medical/dental, cancer, vitamin/nutrition and holiday as well as other initiatives for this frail and often neglected population.

The Blue Card has distributed over $46 million to date, with 100 percent of individual donations going directly to survivors. For more information on The Blue Card, please visit www.bluecardfund.org.

Pandemic Mental Health with Dr. Friedberg

On Saturday, September 25, Dr. Ahron Friedberg, distinguished Manhattan and Sag Harbor psychiatrist and resident, held a reading and discussion of his book, Through a Screen Darkly: Psychoanalytic Reflections During the Pandemic, in the home of renowned fellow psychiatrist and Hamptons resident, Dr. Mirjana Blokar. Attendees and discussion participants included prestigious neuroscientist, Dr. Heather Berlin, among numerous Mount Sinai colleagues and friends.

Dr. Friedberg explains, “The book shows that, of necessity, people can learn to adapt, even in the most difficult circumstances. Even though we can only see “darkly” we can call on resources we do have, in addition to those we can acquire to retain our sense of dignity and purpose. Through a Screen Darkly is a time capsule of how we struggled – and are continuing to navigate – a disease we do not fully understand.”

The book addresses the pandemic in phases, including I) Pandemic, II) Venturing Out, III) The New Normal, and IV) Life Simplified. The essays provide perspective on several subjects relating to mental health, including parenting, elder care, work life (losing jobs, finding jobs, choosing new work, commuting), loneliness, children, and dating. Through a Screen Darkly offers practical examples of how patients coped with these conditions and (in many cases) found the resilience to get past them.

“The ultimate goal is to bolster your resilience,” states Dr. Friedberg. “In my experience counseling patients through the pandemic, I found that they had greater capacity for resilience than they realized. Deploying this resilience was their pathway to successfully managing their mental health.”

In addition to Through a Screen Darkly, Dr. Friedberg has also written Flashing Seven: Seven Essential Skills for Living and Leading, co-authored with Dr. Jack Hischowitz, Clinical Professor at Mount Sinai, Between Us, A Father and Son Speak, co-authored with his father, Dr. Eugene Friedberg, and Psychotherapy and Personal Change; Two Minds in a Mirror, also written with Dr. Sandra Sherman.
Through a Screen Darkly is available for purchase at amazon.com.

About Dr. Ahron Friedberg
Dr. Ahron Friedberg, M.D. is a Clinical Professor of Psychiatry at Icahn School of Medicine at Mount Sinai. He is a practicing psychiatrist and psychoanalyst in Manhattan. At Mount Sinai, Dr. Friedberg served as Co-Chair of the Psychiatry Advisory Board and has helped develop and lead several academic and teaching initiatives including their Innovations in Psychiatry Symposium. Dr. Friedberg also directs the ‘Symposium’, a national meeting held annually at Mount Sinai. He has participated in clinical research as part of the Department’s Mood

and Anxiety Program, which focuses on translational neuroscience and understanding resilience.
Dr. Friedberg has served twice as national President of the American Society of Psychoanalytic Physicians. He was named first Executive Editor of International Psychoanalysis.net, a highly regarded online psychoanalytic resource. In addition, he is an Acquisitions Editor of International Psychoanalytic Books, Book Editor of Psychodynamic Psychiatry, Editor of the American Academy of Psychodynamic Psychiatry and Psychoanalysis Academy Forum, elected chair of the International Council of Editors, Psychanalytic Journals, as well as a regular contributor to Psychology Today.

His research has been published in numerous peer-reviewed journals, including The Psychoanalytic Review, The American Journal of Psychoanalysis, Neuro-psychoanalysis, and Psychodynamic Psychiatry. Dr. Friedberg’s writing focuses on the treatment of anxiety and trauma, clinical technique, and the concepts of resilience, consciousness, and desire in psychoanalysis. He has received awards for excellence in writing, in addition to originality and scholarship.

Optimistic Vivacity via Tim Tadder for use by 360 Magazine

Interview with Tim Tadder

If you have ever seen photos of an Olympic athlete, you have no doubt seen Tim Tadder‘s work. As a photographer, he has captured the likes of Michael Phelps and Simone Biles. Recently, Tadder hosted an exhibition at Avant Gallery in New York City. 360 was given the opportunity to ask him about his artistic inspirations and his style.

How did you get into art? Was there a moment you realized you wanted to do art professionally?

I’ve always been involved in some capacity with art as a major thematic in my life. It was always what I most enjoyed in school, as a hobby, & just overall being creative. I left a career as a teacher and pursued photography as a craft and a creative expression form when I was 27, after realizing I needed to enjoy my occupation and creating was a massive part of that. 

When did you realize art was the career choice for you? Was there a moment when you realized you were gaining recognition and success in the art world?

People see me as a highly creative photographer and artist. The way that I see the world has a particular point of view that is sought after. I think embracing that as who you are and what you do and how you perceive and see has value and therefore is a viable career once you can monetize that vision. Everything else falls into place from there. 

People will collect and want to own a piece of your vision and hang it on a wall, which ultimately empowers you as an artist to continue to create and explore your vision knowing that you have the financial support in order to do so. 

When ‘Nothing to See’ first was shared as large format prints, the response was overwhelming. It was at that point that I knew there was serious traction in a new marketplace, one that I had always dreamed of being a part of and was fortunate that this particular series of images was embraced by collectors and galleries. 

How does knowing a multitude of art mediums help you with your artwork?

I come from a background of 20 years of creating advertising campaigns for the world’s biggest brands and our job is to create on demand art that sells a product. And in doing so, you learn to use all the tools at your disposal to make the most powerful image for that purpose. I have been able to use all of that skill and knowledge and channel it into my personal fine art work to create images that convey messages that are important to me and that should be heard around the world. 

What do you look at to get inspiration to create?

Pre-COVID I attended a lot of art fairs and contemporary museums to look at trends, masters, & to find inspiration on how people explore visual presentation. I found that going to those events and seeing the art in person really helped me refine my message and refine my voice. In a COVID world, I try to follow artists on IG and Twitter who I’m inspired by and keep abreast of their new work and from there I try to find my own lane to blend out, be distinct, and be noticeable. Right now there’s so many rabbit holes that one can go down to find inspiration, whether it’s instagram or twitter or the NFT space.

You use bright and vibrant color schemes in your artwork, when and how did that start? What’s your process when deciding about the colors you will use?  

I’ve always been attracted to bold use of color. It’s been a monochord in my commercial work since my career began. For me that’s an instinctual choice. To use bold colors to help story tell. In choosing, a lot of it comes from instinct and a lot comes from what those colors represent. For ‘Nothing to See,’ I chose the bed, black, & white hues because they were historically represented of fascist banners and that collection was born out of a desire to create iconic, anti-fascist imagery. 

You photograph both still-lives (mostly mannequins) and people. Is there one you prefer to photograph? What led to you choosing a humanoid inanimate object as your main subject in many photos/series? 

I choose to use real people and not mannequins. I select models that have very androgynous, mannequin-esque features because I want my images to represent humankind and not just a type of individual, which sometimes comes from casting talent with defining characteristics. It’s not a picture of someone, it’s a picture of something

You edit with high contrast, high-saturation as your signature style. What drew you to this editing style?

Instinctive choices. It’s how I see, it’s how I visualize, it’s what I as an artist feel is beautiful. It wasn’t a choice to follow a trend, it was my own visual aesthetic.

Elena Brody "Rock Steady" image via Jon Bleicher for use by 360 Magazine

Elana Brody Q×A

By: Emily Bunn

Celebrating the beauty of human experience and the universality of dance, Elana Brody enchants fans with her exhilarating dance-pop music. Her most recent single, “Rock Steady,” showcases the singer’s joyous choreography and passionate songwriting ability. The “Rock Steady” music video can be viewed HERE. The bold, emotional ballad was produced by Max Martin protégé, Dominic Fallacaro. Brody spoke with 360 Magazine about the spirituality that courses through her songs, her music production process, and upcoming releases.

Your recent material was written during the pandemic. How did you manage to find inspiration during lockdown?

As a songwriter, lockdown – with all its grief and deep, life-changing themes- was a very fertile time for me. For one, I retreated from NYC to my childhood homestead in Virginia – in one of the most remote places East of the Mississippi. While there in the Appalachian Mountains of Virginia, with the music world at a stand-still, I found myself with very little to do but be in nature and play music. My then-partner had come with me, and we spent much of our time playing music together. I also felt called to offer musical prayer services online for those who needed inspiration and connection to Spirit. Because of this, I began by writing new prayer music – which felt right for the time. But, after my partner decided to split with me, as you can imagine – the folk songs started pouring out. This break-up, combined with being my original creative habitat, the pandemic, the Black Lives Matter uprising, the political election-year insanity, and a life far from community, took me the deepest I’ve been in my writing for a long time – especially as a lyricist. I think some of the lyrics you will hear on my upcoming EP are possibly my best yet.

What does your songwriting process look like?

It depends on the song. Sometimes snippets of lyrics, with a bit of their melody, come first. Sometimes a really awesome piano hook comes first. Over the last many years, I have found my songwriting process to be mostly a long-winded jam session where I sing out my heart for hours, creating spontaneous free-style lyrics. Many of those lyrics disappear forever, but at least a few of them make the cut! Once I get a sense of the general narrative of the song, I think about phrases that will help move the story along, and then build new lyrics around the original “spontaneous-gems” to flesh it out. Over the pandemic, lyrics were everything – and I found myself caring more about them than the music. The music could have been 3 chords, and I’d be totally okay with that, as long as the lyrics were telling the story. But, in other phases of my life as a writer, I would basically compose a piano concerto! And then, lyrics come in afterwards. I love and live music. And honestly, I don’t have to work hard to have music flow through me. I have found the best music and lyrics that I have written, have written themselves. It’s actually that simple. “Rock Steady” was a bit like that.

Are you still looking to release your EP eventually, or have you decided to shelve it in favor of tracks like “Rock Steady”?

Yes, to the EP! If all works out with piecing it together (because it was recorded in many different settings over the pandemic) then I would really like to release it in the late fall. But! Because “Rock Steady” is such a banger and I want to make more songs like that, I decided to quickly write and record a new song called “Quicksand,” which is another pop-influenced song, to release as a follow up – before I transition into my folk music.

Why did you choose Costa Rica as the location for the “Rock Steady” music video?

It chose me! My friend lives there and she invited me to come out to visit. I said I would, but under the one condition – that we film a music video! She is a great networker and knows so many people to reach out to and work with. She also happens to be an ecstatic dance facilitator and DJ and was planning a dance on the weekend of my visit. So, naturally, we organized to film the dance party at an already scheduled and high-vibe (to use a very Costa Rican term) dance party! It couldn’t have been more perfect. We also did all our beach filming at a beach called Roca Beach – aka Rock (Steady) beach!

How does your spirituality factor into the way you create music?

Once, after I auditioned for the first season of USA’s XFactor, I left the stage (a story for another time!) and was interviewed by a faceless producer speaking to me from behind a black curtain. This producer asked me, “When you sing, it seems as if you are connecting to some higher power. Is this true for you? And what is that higher power?” At the time, I wouldn’t have considered myself a prayer-leader or religious at all, but I knew the answer to that right away. I said, “Yes. God.”

God can bring up a lot for people. And for me too. Growing up in rural Virginia, the idea of “God” sometimes felt like some kind of angry, repressive, overpowering righteousness. But – in my family – and in my own experience – God was gentler than that. The spirit between things. As a youth, I was surrounded by the most beautiful, untouched nature – and witness to the seasons in their full force. With below-zero cold and windy winters, slow-to-pop springs, abundant green summers with my folks’ organic gardens in full bloom, and then the rainbows of colorful Appalachian autumns – I knew what Spirit had to offer us humans. And music had always been my human way to offer Spirit back to Spirit, if that makes sense. It’s a giving and receiving from the big, wild wonders of creation, and then music is my way to return it back. Now that I have dived into my Jewish roots, and studied the traditions, I would say that song is the modern equivalent of sending burnt offerings up to the Creator. Instead of smoke, we let our voices rise. And I don’t see prayer music and pop music as all that different. Different themes, different stories, but ultimately, what we sing or speak is all prayer. And, especially now that I am very involved in prayer-leadership, as I create more songs, I do think about that in my writing.

What do you anticipate the reaction to “Rock Steady” will be like?

A fun one! Hopefully one that makes people dance and dance some more! Because I haven’t released much of my other music yet on the bigger platforms, most people won’t know the difference. Like, how did that happen? All of a sudden, I’m a pop star! The truth is, I’ve always been a pop star. Christina Aguilera and Celine Dion were my first vocal idols, and all of the first music I ever wrote sounded like it could have been in a Disney Channel original movie. Anyhow, I had this thought that I should go about my career in the opposite way of other folk artists, a la Jewel circa “Intuition,” and drop in with the fun and danceable stuff first. I don’t see myself ever being too genre-confined, anyway. Life is too short not to write whatever you feel and whatever is coming through you! I did think, “oh, maybe I should sell this song to Rhianna or another artist who could do it amazingly.” But honestly, this route of self-producing is very fun, and maybe even better. Now I get to be heard singing like a pop star too!

What other artists, musicians, or bands serve as inspirations for your music?

It’s a long list…

Joni Mitchell is my in-utero and post-utero,songwriting teacher. I used to call her my piano teacher, because I learned to play by playing so many of her songs. Several other musicians of my parents’ 60s/70s era also come in close as primary inspirations – including Paul Simon, Bob Dylan, Carole King, and the Beatles. They have shaped what a well-written song could be for me.

It’s hard to decipher what is an influence now because it’s just one big, long-cooked stew or spicy mole at this point.

I have always liked lyric-forward music, with bands like Of Montreal (his candidness in writing was life-changing for me!) and Death Cab for Cutie (the simple metaphors and speaking-style of his writing) and the Decemberists (storytelling, bard-like songs.) And the orchestral and lyrical artistry of the Fleet Foxes is stellar.

I have also always liked some good classic, chunky, Rock’n’roll and music that gets ya’ dancing, like Led Zeppelin and CCR. And the blues, especially blues piano music, has played a role in my music education since early childhood.

Then, there’s the eternal list of female influences. My most listened to, other than Joni, from the beginning are Ani DiFranco and Sarah McLachlan. Then: Jesca Hoop, My Brightest Diamond, Regina Spektor and Kate Bush. And now: artists like Gillian Welch, Brandi Carlile, Sylvan Esso, and Sarah Jarosz have taken up a lot of my listening time. Sarah Jarosz’s album World on the Ground was really powerful to listen to last year during the pandemic. I hope that I can achieve that level of presence and intelligence in the instrumentation when I go to make my full-length album next year!

I also derive a LOT of influence from pop music. I can’t help it. I definitely fell in love with Ariana Grande’s album positions this year, and right now I am going down a Dua Lipa rabbit hole. I would say Rhianna is my number one, though. And I finally fell in love with Lady Gaga after seeing A Star is Born and listening to Joanne. Her belt has inspired me a lot. And I love vocalists in general. I have spent a lot of time really listening to vocalists like Ella Fitzgerald, Billie Holiday, Judy Collins, Barbra Streisand. These days, Elvis is my number one!

I will also never not want to listen to albums of bands like Nickel Creek, the [Dixie] Chicks, Bela Fleck, Mandolin Orange/Watchhouse, or the band Solas, to bring me the feeling of my early mountain roots and make me feel good.

I am truly a world music fan. I love to listen to the magic of music across the world. I am really inspired to hear virtuosity, no matter what genre. I love vocal virtuosos and am listening right now to the artist Nusrat Fateh Ali Khan. I am curious as to when I’ll be able to imitate him. (I’m really good at imitating!) Bobby McFerrin has also been a teacher in real life. He inspires me to become more accurate in my improvisations.

I also listen to prayer music, but mostly of the Sikh or Kundalini yoga genre. Sometimes you’ll find me jamming out to Jewish artists (many of them friends of mine) or Gospel music. Anita Wilson, a modern gospel singer, has been a vocal inspiration for me because she really sings with the lows of her range.

Musical theater music is also a major influence. That Roger and Hammerstein stuff pours out of me like it were an extension of my soul! Lastly, at this point, after spending time at Berklee College of Music, I have been greatly inspired by jazz and R&B.

Besides “Rock Steady” and the EP, can fans look forward to any other releases to come in 2021-2022?

Yes! I mentioned that I am wanting to get cracking on my full-length album that will be mostly in the Americana, New Orleans blues, Rock-and-Roll, and folk pop styles. I am really, really excited about it. But I’m not sure yet who I will work with on it. An exciting unknown. I imagine it will end up feeling like a magnum opus when it is finished because I’ve been with these songs for so long. Nothing will be more amazing than when they are out in the world surrounded by strings, the right instrumentation and arrangements. I also would like to produce my song “City of Man” in a big vaudevillian, brassy style. [I want to] make a little music-video theater piece out of it. I have also been sitting on this one for a long time. It sort of harkens to the fall of capitalism…that is going on in our world and the post-Trump era– it’s due time that I get that one out. Look out for it all!

Death of Classical - PUBLIQuartet Freedom & Faith, credit Kevin Condon 6 via Olivia Rainoff at Unison Media for use by 360 Magazine

PUBLIQuartet Freedom and Faith Performance

Death of Classical will continue its third season of The Angel’s Share this August, with the innovative PUBLIQuartet performing in the Catacombs of The Green-Wood Cemetery on August 4, 6, and 7. The Angel’s Share is the Death of Classical’s second concert series, curated by the creator, curator, and leader of the series, Andrew Ousley, in partnership with Green-Wood. The perform will take place in the Catacombs of The Green-Wood Cemetary in Brooklyn, New York City.

The quartet will perform a program inspired by its GRAMMY-nominated 2019 album Freedom and Faith, featuring works that celebrate women composers through the ages, and explore ideas of spirituality, resilience, and inspiration.

Performances of Freedom and Faith will take place over the course of three evenings, with two performances per night, and include music by Nina Simone, Ella Fitzgerald, Jessie Montgomery, Hildegard von Bingen, as well as original MIND THE GAP compositions by PUBLIQuartet.

The innovative, barrier-breaking string quartet performs a program inspired by its GRAMMY-nominated album Freedom and Faith, featuring music that celebrates women composers through the ages, and explores ideas of spirituality, resilience, and inspiration.

The ensemble is innovating the performance of classic music and opera by incorporating free-flowing improvisational instrumentation and group compositions into their exhibitions. Death of Classical represents a modern take on timeless classic compositions by giving a voice to emerging performers and underrepresented composers. While many people say “Classical Music is Dead,” this group’s revitalized take on classical music allows for the group’s performances to reach new, younger, unexpected audiences then ever before. With their innovative and exciting twist on the performing arts, Death of Classic is reviving a passion for the genre.

Concerts feature works by Nina Simone, Ella Fitzgerald, Jessie Montgomery, Hildegard von Bingen, and original MIND THE GAP compositions by PUBLIQuartet.

Each performance includes a pre-concert reception with a whiskey tasting overlooking the Manhattan skyline and harbor at sunset, with distilleries including Madre Mezcal, Appalachian Gap Distillery, Ume Plum Liqueur, and more

The Angel’s Share series takes its name from the distiller’s term for whiskey that evaporates while maturing in the barrel, thus going to the angels. Accordingly, the live concert events on August 4, 6, and 7 will open with a spirits tasting, with distilleries including Madre MezcalAppalachian Gap DistilleryUme Plum Liqueur, and more. The Angel’s Share is curated by Andrew Ousley and co-presented by Death of Classical and The Green-Wood Historic Fund.

Listing Info

August 4, 6 & 7, 2021 at 6:00PM and 7:30PM
PUBLIQuartet: “Freedom and Faith
Live at The Green-Wood Cemetery

JESSICA MEYER: Get into the Now (2017)
The Pull
Years of In Me
Go Big or Go Home

MIND | THE | GAP: Sancta Femina *
HILDEGARD VON BINGEN: O ignee Spiritus
FRANCESCA CACCINI: Regina caeli laetare Alleluia
CHIARA MARGARITA COZZOLANI: O quam suavis est Domine spiritus tuus

MIND | THE | GAP: Ella! & Nina! *
VAN ALEXANDER: A Tisket a Tasket
NINA SIMONE/HERB SACKER : Blackbird
LESLIE BRICUSSE/ANTHONY NEWLEY:  Feelin’ Good
NINA SIMONE/WELDON IRVINE: Young Gifted and Black
NINA SIMONE: Mississippi Goddam

‍*Arr. Gookin, Norpoth, Revel, Stewart 2017-2018

Performers:

PUBLIQuartet
Curtis Stewart, violin
Jannina Norpoth, violin
Nick Revel, viola
Hamilton Berry, cello

About PUBLIQuartet

Applauded by The Washington Post as “a perfect encapsulation of today’s trends in chamber music,” and by The New Yorker as “independent-minded,” the GRAMMY nominated PUBLIQuartet’s modern interpretation of chamber music makes them one of the most dynamic artists of their generation.  Dedicated to presenting new works for string quartet, PUBLIQuartet rose on the music scene as winner of the 2013 Concert Artists Guild’s New Music/New Places award, and in 2019 garnered Chamber Music America’s prestigious Visionary Award for outstanding and innovative approaches to contemporary classical, jazz, and world chamber music.  PQ’s genre-bending programs range from 20th century masterworks to newly commissioned pieces, alongside re-imaginations of classical works featuring open-form improvisations that expand the techniques and aesthetic of the traditional string quartet.

Death of Classical - PUBLIQuartet Freedom & Faith, credit Kevin Condon 6 via Olivia Rainoff at Unison Media for use by 360 Magazine

Missing JP Ramirez

Very esteemed make-up artist, JP Ramirez (42 year old Chicago native), who has worked with many people in the entertainment industry, including 360 Magazine, was found dead a few days ago.

Ramirez was last seen in Hell’s Kitchen this past week.

Recently, family and friends held an evening vigil in his loving memory. If anyone has information relating to his disappearance or death, please contact the authorities.

360 Latinx Editor, Javier Pedroza says, “To know JP is to love JP! Juan Pablo was one of the most sweetest and creative souls that I had the honor of knowing and create magic with. Growing up in New York City as young adults, we were discussing our future and how we would help humanity. JP had a sense of community and was always there for anyone who needed him. I will miss dancing ferocious salsa, styling together and laughter with our friend, but we will never forget his heart and soul. Rest in power amigo and thanks. Love you.”

“He was a beacon of hope, with a positive spirit that penetrated the room. We met JP on a special music presentation for our agency as a makeup artist, featuring LaJune. He will be missed but not forgotten,” says Vaughn Lowery (President of 360).

Newly appointed 360 Creative Director, Armon Hayes says, “Having had the pleasure of working with you [Ramirez] … his openness and willingness to collaborate on short notice was unparalleled. I knew I was seeing somebody special. Talent beyond what the eye can see, we’re really going to miss you and you made an impact on me.”

According to the 360 brand ambassador LaJune says,” JP was a brilliant light, his energy was exhilarating and soothing at sight! He was really talented yet very humble. I am so fortunate to have had to opportunity to meet and work with him! Losing JP is a reminder to enjoy every beautiful soul you encounter. Pray to turn the page and send light and positive vibes to your loved ones.”

Find out more about JP Ramirez and his talents from a recent interview.

A celebration of JP Ramirez’ life will be held at 7pm on Friday, August 6, 2021. The ceremony will start at 7:30pm and take place at Tito Murphy’s (346 W 46th St, New York, New York 10036.) Guests are invited to come dressed as you are, as JP loved for you. The celebration of JP’s life will include both a bar and DJ.

Juan Pablo celebration poster image via Vaughn Lowery for use by 360 Magazine