Posts tagged with "exhibition"

Paolo Canevari, ThANKS (2009) e J.M.B. (2007), installation view at Cardi Gallery London for use by 360 Magazine

PAOLO CANEVARI SELF-PORTRAIT

PAOLO CANEVARI
SELF-PORTRAIT / AUTORITRATTO

22nd February – 17th April, 2021

While the London venue is currently under lockdown in keeping with current government regulations, we recommend you the video tours of Paolo Canevari’s exhibition.

Cardi Gallery London

22 Grafton Street | London W1S 4EX

Italian contemporary artist Paolo Canevari is best known for transforming everyday materials and icons into large-scale sculptures that confront his audience with stark, political and philosophical commentary. Throughout his career, Canevari has worked in a variety of media, most notably tyres and inner tubes, painting, drawing, performance, animation and film.

The provocative nature of his works, his connections to contemporary scene, and his active role within the art scene in New York–where he lived and worked for many years–has kept Canevari in the spotlight of both American and Italian media.

Cardi Gallery is proud to present the first major solo show of Canevari’s work in the UK, an extensive survey exploring thirty years of the artist’s practice, the culmination of a decades-long collaboration with the gallery. A museum-scale exhibition occupying four floors at Cardi London in Mayfair, ‘Self-portrait / Autoritratto’ brings together over 30 works including sculptures, drawings and installation that range from the artist’s notorious 1990s rubber sculptures through to his most recent ongoing series ‘Monuments of the Memory: Landscape’ and ‘Constellations’. Many of the exhibits are shown here for the first time.

‘Self-portrait / Autoritratto’ aims to illustrate Canevari’s worldview through the artist’s deeply introspective creative process. It brings to the fore not only a reflection on the self but also, in the artist’s words “…a political reading of making art, intended to measure what Pasolini had defined “the injustice of the world”.

“Art is a democratic, progressive force, so it should ideally serve society, not the powers that be. In my work, the use of icons, symbols, and forms from various cultures is a way of drawing attention to their true meaning, tied to dogmas or other forms of power; they’re a way to open up a dialogue with the viewer and stimulate a reaction.
[…] The “political” character of my work is just one of many possible interpretations of what I do.”

“What I wish to express is a radical, subversive attitude towards art and the idea of art as it has been conceived and conveyed by globalised consumeristic society, therefore raising the level of moral and ethical perception of the world.”

The ambiguity of Canevari’s artworks, suspended in their brutalist aesthetic between irony and disquiet, is a successful result of both conceptual and formal transformation of industrial materials. Oil and its applications (synthetic rubber, exhaust motor oil, etc) are at the heart of his vocabulary; in his hands they become ambiguous symbols of the systemic violence that permeates today’s declining world where the threat of war–whether in the name of spiritual or monetary values–is constant, and humankind’s memory is tragically too short.

“To me, an artwork is profoundly important when it does not recoil into a one-way structure­–whether ideological or technical–but when it opens up to different perspectives for the viewer, therefore broadening their thought.”
-Paolo Canevari

“Cardi Gallery believes that art and culture are key for a healthy society and a ray of hope in these tragic times. I am absolutely delighted to bring to London these incredible works by Paolo Canevari, opening an exciting exhibition season for the gallery.”
-Nicolo Cardi

The exhibition is accompanied by a catalogue with an essay by the eminent American curator Robert Storr; an interview with Iranian artist Shirin Neshat and a homage to Canevari by the acclaimed Italian novelist, Andrea Camilleri. A series of artist talks, and exhibition tours will be held in conjunction with the show.

Open: Monday – Friday 10am – 6pm & Saturday 11am – 5pm

Road Trip by Mina Tocalini.png

Taby Launches The Digital Street Exhibition

The traditionally physical medium comes to an online platform, featuring cutting edge artists from around the world.

Taby, a powerful new digital player in the art gallery scene, is proud to announce the launch of its second exhibition, The Digital Street. Conceived with the pandemic as a backdrop, Taby’s curator Emerson Radisich has carefully selected works from an international group of artists that are vibrant representations of our times. The new exhibition touches on several themes: the emotional reflections of dealing with the post-COVID era, the blending of our everyday lives with the digital realm, and thoughtful geo-political commentary, to name a few surface points.

The Digital Street engages the viewer on several levels, whether it’s the symbols of the collective unconscious tapped into by Polish artist Karifurava, representing our inner world, or the brutal honesty of Judy Rhum’s quarantine series, demonstrating the outward reality of how the structure of our daily lives has changed.

In keeping with Taby’s tradition of exhibitions benefiting charities associated with the theme of each show, CEO Mo Al Khater has selected Street Art For Mankind (SAM) as this exhibit’s recipient. SAM produces large murals, interactive exhibitions and live performances to support human rights and bond communities across the planet. The charity primarily focuses on fighting against child labour & trafficking, funding raid and rescue programs through the Kailash Satyarthi Children’s Foundation.

 

Show Description

Graffiti and street art is an ever-expanding and increasingly popular genre of artmaking that has found an increased role and dedicated significance during the coronavirus pandemic. It is a practice that has evolved entirely within the public realm, and often comes with the capacity to challenge, critique and contort both public places and public knowledge. At a time where museums, galleries and institutions have closed their doors, street artists have remained steadfast in their craft, and many artists from other genres have migrated to the medium to be able to continue to share work publicly.

Muralism today has seeped into many services throughout the art world; significant institutions regularly exhibit street art and graffiti shows, with artists such Banksy and KAWS now household names who routinely break sales records at auction houses, and the aesthetic of graffiti is embedded in our society and spans advertising through to technical inclusions in fine artist’s practices, a process often referred to as Post-Graffiti.

Digital artmaking is no exception – several highly stylized comics, illustrators, designers and artists have appropriated the specific aesthetic qualities of graffiti and mark making, as well as the pursuit’s capacity to critique and challenge norms. The Digital Street seeks to examine these qualities through the works of artists globally. It presents an array of artmaking which utilizes digital reproduction in a graffiti-influenced style, and demonstrates a range of artists who openly critique the world around them within this particular practice – ultimately showcasing the beauty and necessity for graffiti in today’s climate.

 

The Digital Street features 18 works from 6 artists working around the globe:

 

  • Karifurava, Poland: is a Polish graphic designer, illustrator and fine artist currently based in Warsaw. Influenced by contemporary Eastern graphic designers and illustrators such as Keiichi Tanaami, his bold and colorful works explore mysticism, neo-religion and the magical. Karifurava has exhibited extensively across the globe at galleries including Backwoods Gallery, Australia, and venues including VIKTAC, Poland.

 

  • Judy Rhum, Milan: a graffiti artist, illustrator and lecturer currently based in Milan. Her works are lucid and ludic, combining a playful and illustrative feel into the monumental platform that is graffiti. They are slick: graffiti with layered breakdowns, expanded geometric shapes and purposeful abstraction. Rhum is also the co-founder of Drinchendro, a Milan-based arts program.

 

  • Tom Gerrard, Australia: a graphic designer cum fine artist currently based in Melbourne, Australia. His unique practice involves the painting of simple characters, architecture and nature through a minimal color palette, where his works are often inspired by people he has met and places he has visited. Gerrard has exhibited work extensively across the globe at galleries including Stolen Space, London, RVCA, Tokyo and 1xRUN, Detroit.

 

  • Morris Vogel, Switzerland: a self-taught fine artist and illustrator currently based in Basel, Switzerland. Vogel examines surreal manifestations of politics, existentialism, awareness and human nature through a highly stylized black and white drawing style. His works have been exhibited at Kunsthallekleinbasel, Switzerland, Cvijeta Zuzorić Art Pavillion, Serbia and YOPE project space, Mexico.

 

  • Indie184 is a New York-based artist who has been active in graffiti culture for over 2 decades. Influenced by abstract expressionism and pop art, her paintings are raptures of color and textures. Fused with her original graffiti and street art, imagery, and designs juxtaposed with personal messages, Indie’s art has been exhibited in galleries and museums worldwide, including El Museo del Barrio, New York and Völklingen Ironworks Museum, Saarbrücken, Germany.

 

  • Nini Sum is a mixed-media artist based in Shanghai, China. Her work depicts urban scenery and characters from everyday life in a captivating and surreal setting, which is strongly influenced by modern city life and eastern philosophy. The form of Nini’s work varies from silkscreen prints and mural paintings, to collage on canvas and album art. She is also the founder of IdleBeats, China’s first independent screen-printing studio.

 

About Taby

Taby is a premium digital art gallery specializing in contemporary art. We provide several rolling digital exhibitions throughout the year which bring together hand-selected quality artworks under a specific curatorial theme. Taby only exhibits exclusive, limited edition artworks, shipped to your door, which are designed and manufactured to the highest quality. Our objective is to provide every customer with an exceptional piece of art that is ready to hang as soon as it is unpacked. Alongside every digital exhibition, Taby also selects a charity related to the theme of that exhibition, which then receives a portion of our revenue.

Taby is a global team. We are artists, curators and seasoned collectors who have developed exhibitions and worked with galleries all over the world. Our mission is to make choosing and collecting contemporary art as simple as possible; this is why we provide ready to hang artworks through our premium printing, stretching and framing service, offering bespoke curatorial services so that every client is able to find an artist and artwork to match their collection, and partner with a range of specialists to select the best artists for each theme and series. We look forward to serving you.

 

 

Artwork by Paul Gervais-8437-2

Paul Gervais – Faces and Forms

Leaning In to Reveal the Personal and the Imagined

On View through May 30 at the Boca Raton Museum of Art

 

The Museum premiere of these new paintings by Paul Gervais features portraits with a tenderness that urges the viewer to lean in closely, to really study them. All of the subjects in the portraits are personal, from the life he has shared for 46 years with his husband Gil, of whom there are several paintings. The exhibition is curated by Kathleen Goncharov, the Senior Curator of the Boca Raton Museum of Art. She chose to accompany the 14 portraits with a series of 13 paintings by Gervais of imagined objects. The exhibition is on view through May 30, and features an exclusive online conversation with Paul Gervais as part of the Museum’s Collectors Forum Series for Members. This virtual visit to the artist’s studio will also be made available free to the public later on, as part of the #BocaMuseumatHome series sponsored by Art Bridges Foundation and PNC.

“Whether real or imagined, all the paintings in this exhibition are a reflection of Gervais’s life and perceptions,” says Irvin Lippman, the Executive Director of the Boca Raton Museum of Art. “The intimate scale of these works forces the viewer to move in closer in order to see each painting’s fine details, and in the case of the portraits – to more closely read each subject’s personality,” adds Lippman.

Always Seeking the True Likeness

The artist was driven to explore portraiture for the first time by two events in early 2020 that left an indelible mark on Paul Gervais: after he saw the exhibition Lucian Freud: Self-Portraits at London’s Royal Academy of Arts; and after reading The Lives of Lucian Freud by William Feaver. “All of a sudden one day at home I came down to breakfast and there was my husband Gil, and it all clicked: in a flash I took his photo and rushed to my studio to paint my very first portrait,” says Gervais. The intimate, smaller scale of these paintings was inspired by Freud’s smaller works, especially Freud’s petite portrait of Queen Elizabeth. “To me, when I observe Lucian Freud’s body of work, his portraits come across as a kind of autobiography. When viewing them I feel as though I could fill in the blanks of his life, and the history of art in that place in time.”

Also an acclaimed author, his first novel was a finalist for the prestigious PEN/Faulkner Award for Fiction in 1991. Presciently, the title of Gervais’s first book was Extraordinary People, foreshadowing his focus today on painting people who are extraordinary because they stand out in his life. “When I’m painting a portrait, I’m thinking about that person all the time. A true likeness is what I am looking for most of all,” says Gervais, who always paints his subjects from a photograph. “I prefer to catch them while they are in a reflective moment,” he says. “I don’t usually want them looking at the camera. I prefer they never pose nor aim to please, to show a more intimate look at the person.”

 

“The Abstracts are also a Portrayal of Something that is Me”

Although the forms referred to in the title of the exhibition are imaginary, they reflect Gervais’s sensibility and experience, and are closely linked to his portraits. Gervais refers to these forms and figures as “all-time, from throughout all cultures of human history.” These abstractions have personal relevance for Gervais, such as Sculpture and a Pool – an homage to David Hockney, who Gervais met when he was a student at the San Francisco Art Institute in the 1970s, when Hockney was a guest lecturer. Hockney became friends with Paul and Gil. He pictured the couple in one of his Composite Polaroid works during that period, and they have remained friends ever since.

 

“The abstracts are also very much a portrayal of something that is me,” says Gervais. Some are imagined interiors, such as the hybrid style of Enfilade, a cross between a minimalist home and a contemporary art gallery. In some of these interiors, Gervais includes depictions of paintings behind the forms as nods to iconic abstract expressionist works. In some of his other abstracts, Gervais projects tones inspired by 18th-century neo-classical colors. Others show forms with oxidized copper hues that give heed to the Statue of Liberty, with a horizon line of pale blue sky.

 

More About the Artist

The work of Paul Gervais is in the collections of several institutions, including: the Museum of the Legion of Honor in San Francisco; the Bank of America Collection; the San Francisco Museum of Modern Art; and the Hall Collection in New York. In 1980, he earned his MFA from the San Francisco Art Institute. Gervais also earned a B.A. in English Literature at Saint Michael’s College in Vermont in 1969. At San Francisco State University, Gervais studied poetry with Robert Creeley and Phillip Lamantia.

His work has been exhibited in solo and group exhibitions throughout the U.S. and Europe, including: The Achenbach Foundation for Graphic Arts/The Museum of the Legion of Honor; Sunne Savage Gallery (Boston); Leah Levy Gallery (San Francisco); Fritz Gallery (Palm Beach); Bagni di Lucca Art Festival (Italy); and Gavlak Gallery (Palm Beach).

In addition to his literary success with the PEN/Faulkner Award Finalist nomination, other short fiction and articles by Gervais have been published in anthologies and periodicals including The Los Angeles Times. “My lifelong devotion to art, both visual art and writing, are my two passions. I believe that both art and writing come from the same place in the artist. They are just different disciplines,” says Paul Gervais.

Gervais met Gil Cohen in 1974, and the artist credits their shared life of more than four decades as being instrumental in his art. They now live in London and Palm Beach County. In 1982, the couple became internationally famous for the garden at their celebrated home in Lucca, Italy where they lived for 34 years before moving to London in 2016. The 60-acre estate, Villa Massei, was built in 1500 by the Counts Sinibaldi. Hundreds of garden lovers and botanical clubs visited their garden. It captured the attention of Prince Charles, who invited Paul and Gil to his Highgrove Royal Gardens. Many notables visited the garden and stayed at the villa, including: David Hockney; the Queen of Norway; Princess Maria Pia of Bourbon-Parma (the daughter of Italy’s last king); Hubert de Givenchy; James Lord; Edmund White; Kathleen Turner; and Michelle Phillips, among others. His book, A Garden in Lucca, is a personal memoir recalling the author’s journey of self-discovery after caring for the extensive garden.

Regarding this new pairing of his portraits alongside the paintings of imagined forms, Gervais states: “I am thrilled the Museum is showing them together, because they are linked. Faces and Forms takes a closer look at figuration in art. The abstract forms are positioned like actors on a stage, interacting with light and shadow and with each other. This show could be seen as people in my portraits contemplating the mysteries of abstraction, their faces surrounded by their inner artistic conundrums. Also, could this pairing be seen as an affirmation that all painting is simply portraiture, whatever the subject. This brings to mind a quote by Jamie Wyeth: Everything I paint is a portrait, whatever the subject.”

 

About the Boca Raton Museum of Art

Kicking off its eighth decade in 2021, the Boca Raton Museum of Art encompasses a creative campus that includes the Museum in Mizner Park and the Art School. As one of South Florida’s cultural landmarks, the Museum has provided cultural and artistic service to the community, and to many visitors from around the world, since it was founded by artists in 1950. Visit their website to enjoy the Museum’s current online content, including video tours and digital gallery guides. Support for #BocaMuseumatHome and #KeepKidsSmartwithArt virtual programming is provided by Art Bridges Foundation and PNC. Museum hours, admission prices and more visitor information available at the museum’s website.

Artwrk by Paul Gervais-8439-2

Manuel Cirauqui, curator; Alex Reynols, artist ana Juan Ignacio Vidarte, Director General of the Guggenheim Museum Bilbao ©FMGB, Guggenheim Bilbao Museoa, Bilbao 2021 for 360 Magazine

New Exhibition From Alex Reynolds

Dates: February 19–June 13, 2021

Curator: Manuel Cirauqui

Film & Video gallery (103)

Alex Reynolds – There is a Law, There is a Hand, There is a Song.

From February 19 to June 13, 2021, the Guggenheim Museum Bilbao will be presenting Alex Reynolds. There is a Law, There is a Hand, There is a Song, the first exhibition of 2021 in the Film & Video gallery, a space that the Museum reserves for key works in video art, film, and the artistic languages associated with the moving image.

This time, three recent works by Alex Reynolds (b. 1978, Bilbao) will be featured. Reynolds is known for her constant exploration of our modes of relation and affection, especially in their manifestations through cinematic language. The work The Hand that Sings (2021), recently co-produced by the Guggenheim Museum Bilbao, will be shown in an international premiere in the main gallery as part of this exhibition.

Created by Reynolds in collaboration with Swedish choreographer Alma Södeberg, The Hand that Sings builds a web of connecting gestures, voices, and images in time. These elements seem to mimic each other in open sequences and chain reactions: from the almost ritual-like extraction of oak bark in Extremadura during the annual cork harvest, to the act of peeling an orange before a small fire or the act of washing someone’s hand; from the tremor of leaves to the trembling of a voice, along with the flapping of a bird’s wings in the distance, or again, the feedback loop between the performer’s chant and hand movements. Words in Spanish and English are traded on a rooftop as we get a glimpse of the Palace of Justice in the Brussels skyline. The Hand that Sings is an evocative, sensorial work that focuses on details and contemplation. Bodies, the landscape, and the camera act in reciprocal harmony.

Alex Reynolds Alma SOderberg La mano que cant for use by 360 Magazine

lex Reynolds Alma SOderberg La mano que canta for use by 360 Magazine

3 Alex Reynolds Alma SOderberg La mano que canta for use by 360 Magazine

Immersive Van Gogh

Lighthouse ArtSpace Chicago, a brand new venue in Chicago’s Germania Club will open Feb. of 2021.

The recently renovated building will open to the U.S. premiere of Immersive Van Gogh. The building’s Victorian Era, 35-foot-tall walls will show off art exhibitions that completely encapsulate an audience, blurring the lines between entertainment and culture, art and blockbuster creation.

Immersive Van Gogh received rave reviews from critics and a wide array of audiences in Toronto, as it allowed them to step inside the iconic, emotional, imaginative artist Vincent Van Gogh.

The Toronto Sun called Immersive Van Gogh “intense and emotional, cathartic and liberating” while Debra Yeo of the Toronto Star said,  “I wondered: could projections of paintings on walls and floors be thrilling? The answer is yes.”

More than 180,000 guests were able to see the exhibition in July 2020, and it passed worldwide ticket sales for any of Ticketmaster’s live cultural events.

Tickets will be available beginning Nov. 23 at 11 a.m. CST. You can find them by clicking right here, or you can call (844) 307-4644. Admission begins at $39.99, or $24.99 for children 16 years old or younger.

The tickets will be for viewings from Feb. 11 to May 2, and parking is available at the James House parking garage, conveniently located nearby.

Given the world’s current state of affairs, the experience also makes health and safety a priority, as admissions will align with Chicago’s capacity guidelines.

Tickets will also be taken contact-free, temperatures will be taken upon arrival and hand sanitizer stations will be open. Markers throughout the exhibit will also remind guests to socially distant as they get sucked into the world of Van Gogh. Face masks will be required.

The same Italian creative team that pioneered Atelier des Lumières will create a design custom to the exhibition’s home in Chicago.

The exhibition was designed by Massimiliano Siccardi, an Italian film producer, with help from composer Luca Longobardi, who delivers a score that combines electronic music with piano, blending modern and classic tones to evoke the perfect tone for the experience. Vittorio Guidotti is the art director.

Siccardi and Longobardi created the Van Gogh, Starry Night exhibition together, setting them up for Immersive Van Gogh, which features more than 50 projectors that cover more than 14,000 square-feet.

Siccardi said Van Gogh has created a lasting emotional impact despite going relatively unknown while he was alive.

“Both myself and Luca Longobardi are very excited to visit Chicago and once again bring Van Gogh’s legacy to life in a way that is unique to the beautiful architecture of the Germania Club Building,” Siccardi said.

Some of the most notable pieces featured include Self Portrait with Felt Hat, The Bedroom in Arles, Irises and The Starry Night.

Corey Ross, the co-producer of Immersive Art Space, said Immersive Van Gogh is a new way to consume art from all directions.

“Both connoisseurs and new admirers of Van Gogh’s work are guaranteed a breathtaking perspective on the influential artist’s oeuvre,” Ross said. “Merging state-of-the-art technology, theatrical storytelling, animation and some of the finest works of art ever created, Immersive Van Gogh is a uniquely mesmerizing experience that seemingly transports the viewer into the artist’s mind to see these timeless works as never before.

For more information, you can click right here.

AREA15’s Gallerie 360

GALLERIE 360 LIGHT, SOUND EXHIBITION AT AREA15, OFFERS LAS VEGAS’
NEWEST, MOST IMAGINATIVE DRINKS EXPERIENCE

AREA15 invites the curious to immerse themselves in a space where audio and visual experiences collide by entering QuantumPlate by Gallerie 360. Located inside The Portal—AREA15’s 360-degree, 3D projection-mapped room—this nightly, 30-minute light and sound exhibition by world-renowned digital artists Darpan and Max Cooper merges art and technology inside 7,500 square feet of transformative space. Open to guests of all ages, Gallerie 360 provides the perfect setting for individuals or groups seeking to transport into a new dimension while sipping on handcrafted cocktails or non-alcoholic beverages.

Tickets are $20, which includes the 30-minute immersive projection-mapped show, entry into AREA15, and a beverage from the bar. Guests age 3 and younger enter for free, and alcoholic beverages will only be served with valid identification. Gallerie 360 is open each night unless otherwise noted.

Gallerie 360 is the first immersive experience to debut inside The Portal, which can also accommodate viewing parties, immersive dining experiences, as well as corporate and private events.

Also featured inside The Portal is Football 360, the Las Vegas home team viewing party that literally positions guests in the middle of the action. The viewing party features special half-time surprises, trivia contests, swag giveaways, and socially distanced, lounge-style seating with tableside service. Food and drink offerings include a crave-worthy menu crafted by culinary superstar Todd English. Guests can reserve a table of two to four people with a food and beverage minimum starting at $150.

While AREA15 is free to enter, pre-registration and masks are required at this time to manage capacities and ensure a safe environment for all guests. Additional tickets are released daily, so visitors are encouraged to check the website regularly for updated availability.

AREA15 will follow the latest recommendations of leading health experts and government authorities, including the World Health Organization and Centers for Disease Control and Prevention. And true to the insatiable hunger for all things inventive and groundbreaking, AREA15 will be using cutting-edge, state-of-the-art technology to help implement these recommendations, including an AI-driven thermal scanning platform that screens temperature accurately and non-invasively, detects the absence of a mask, and alerts staff when social distancing thresholds are not being met.

ABOUT AREA15
AREA15, located minutes from the Las Vegas Strip, is the world’s first purpose-built experiential entertainment complex offering live events, immersive activations, monumental art installations, extraordinary design elements, unique retail, ground-breaking technology, bars and eateries, and much more. With a growing collection of dynamic destinations including Emporium, Oddwood, Dueling Axes, Lost Spirits Distillery, Wink World, Museum Fiasco, Rocket Fizz, Five Iron Golf, The Beast Food Hall by Todd English and its anchor experience, Meow Wolf Las Vegas, AREA15 represents a collaborative venture between real estate development firm Fisher Brothers and creative agency Beneville Studios, both of New York. For more information visit www.AREA15.com.

SOCIAL MEDIA LINKS:
Facebook: AREA15LasVegas
Twitter: @AREA15Official
Instagram: @AREA15Official
YouTube: AREA15

Twist Out Cancer

Twist Out Cancer will host its Brushes With Cancer program Sept. 25.

The program will be held in Warren, Michigan, at GM‘s Design Center and will kick off with a virtual art exhibition. Brushes With Cancer takes cancer survivors, battlers and caretakers and pairs them with artists who are able to depict the struggles, emotionally and physically, faced by those with cancer.

For the 2020 event, all 25 people affected by cancer and all 23 artists are employed by GM Design, and their story-inspired art will be on display virtually.

After the event, the art will remain on display until Oct. 30 and will then be auctioned off to the highest bidder with proceeds going right back to Twist Out Cancer to provide psychosocial support to those in a face-to-face fight with cancer.

Jenna Benn Shersher, the CEO of Twist Out Cancer, said 2019’s event was a smash success and that Twist Out Cancer was honored to be working with GM Design for the 2020 program.

“We have worked hand-in-hand with employees at GM Design during this unprecedented time to continue our program virtually, which is offering our Inspirations and Artists the same transformational experience our participants have come to expect over the past eight years,” Shersher said. “As Twist Out Cancer has grown, we continue to bring our impactful programming to new cities and new audiences around the world and are thrilled with the start of this new program.”

Virtual events will also be held in Austin Oct. 25 and in Chicago Nov. 14. Twist Out Cancer also encourages anyone to bring an event to their hometown by contacting Amelia Hanrahan at amelia@twistoutcancer.org.

To purchase tickets for the event on Sept. 25, you can click right here.

Disneyland illustrated by Mina Tocalini for 360 MAGAZINE.

Van Eaton Gallery – Disney Auction

The 65th anniversary of Disneyland theme park in Anaheim, California is this month. It is a one for millions of fans worldwide, and an important milestone in the history of American pop culture. With Disney theme parks closed across the globe due to the pandemic, Van Eaton Galleries will celebrate the anniversary of Disneyland with an exciting free exhibition and auction. The auction event Disneyland: The First 65 Years will take place at Van Eaton Galleries over two days, Saturday, August 15th, 2020 and Sunday, August 16th, 2020 beginning at 10:00 a.m. each day.

The on-site auction will follow all COVID-19 guidelines. The auction house will also stream the auction live and bidders can participate by phone or online.

The collection to be offered includes over 1,100 rare artifacts which trace the history of the iconic theme parks and Walt Disney’s vision from their inception to present day. Many of the items are coming to public display and auction for the very first time. The items include some of the earliest documents and conceptual pieces representing Walt’s visions for Disneyland and Walt Disney World, as well as extraordinary theme park props, ride vehicles, audio-animatronic figures, hand-painted attraction pieces, very rare early documents, remarkable memorabilia, signs, and more.

Walt Disney theme parks have welcomed over 200 million visitors since they opened and Walt Disney park-related memorabilia remains one of the hottest collectibles of the last several decades, with prices increasing more than 500% on many items over the last five years. The vast array of items to be offered at auction will surprise even the most avid collectors. Several iconic pieces in the collection date back to 1954, a full year before Disneyland opened. The collection also includes ephemera, stage-worn articles, artwork, programs, souvenirs, and more. Also featured in the Disneyland: The First 65 Years’ auction will be several items from Walt Disney World, Disneyland Paris, Disneyland Tokyo and Hong Kong Disneyland. An unusual item in the auction is a very rare sign for Don DeFore’s original Silver Banjo Barbeque. DeFore was a famous actor in the 1950s and 1960s and was a close friend of Walt’s. He opened a restaurant called Don DeFore’s Silver Banjo Barbeque and it was the only place in Disneyland that had the name of a living person on it other than Walt Disney. They are featured in the book Growing Up Disneyland and have never gone up for auction before.

Highlights include stage and screen star Don DeFore’s original signage for his Silver Banjo Barbeque restaurant in Frontierland (Estimate: $60,000-$80,000), this sign represents the only person other than Walt Disney that had his name on a sign in Disneyland; a unique 1955 Disneyland Plot Plan created as part of an engineering report (Estimate: $3,000-$5,000); an extremely rare Gold VIP ticket to the park’s opening day (Estimate $3,000-$5,000); a collection of never-before-seen 16mm films taken by Disney Legend Milt Albright that showcase locations on Main Street as they appeared when the park first opened (Estimate: $500-$800); an original hand-painted Stretch Painting from the Haunted Mansion at Walt Disney World (Estimate $60,000-$80,000); an original Space Mountain Ride Vehicle from Disneyland (Estimate $40,000-$60,000); original Attraction Posters from Disneyland (Estimates $8,000-$15,000); a Walt Disney Signed Disneyland Guidebook (Estimate $4,000-$6,000); a park used It’s a Small World Attraction Poster (Estimate: $2,000-$4,000); an original Haunted Mansion Tombstone Prop (Estimate ($8,000-$10,000), and hundreds of other items.

Walt Disney’s words from the dedication of Disneyland on July 17, 1955, have never been truer than they are today: Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America; with the hope that it will be a source of joy and inspiration to all the world.

Other highlights include an original Eyvind Earle concept painting for the Sleeping Beauty Castle walk-through (Estimate: $10,000-$15,000);  a rare Shooting Gallery rifle from the Main Street Shooting Gallery (Estimate: $3,000-$5,000); a hand-painted Fountain Shield prop from the Enchanted Tiki Room (Estimate: $3,000-$5,000); an It’s a Small World Animatronic Doll (Estimate: $15,000-$20,000); a Dumbo the Flying Elephant prop (Estimate: $1,000-$2,000); original paintings by Imagineer Walt Peregoy from the park’s opening year (Estimates: $2,000-$4,000); early Club 33 artwork (Estimate: $600-$800); a Haunted Mansion Ghost Maquette (Estimate: $1,000-$2,000); an original hand-drawn mock-up of the Pirates of the Caribbean souvenir guidebook (Estimate: $3,000-$5,000); a 1954 original concept drawing of Tomorrowland (Estimate: $8,000-$10,000); an original Epcot Center overview prepared for President Jimmy Carter (Estimate: $3,000-$5,000); and much, much more.

Our Disneyland: The First 65 Years auction showcases the history of Walt Disney’s original vision for his park, and its growth to today. This collection brings together a massive and varied array of artwork, props, original paintings and drawings, memorabilia, and collectibles from the most famous family of theme parks in the world. The auction offers the excitement of very rare items never sold before at auction, but also evokes a sense of nostalgia and sentimentality for those artists and performers whose work helped shape and define our popular culture. We are honored to be able to offer such remarkable items to fans and collectors around the globe and to be able to offer this collection during the 65th anniversary of Walt Disney’s original theme park, Disneyland.

The Disneyland: The First 65 Years; auction covers decades of Disney history, from the 1950s through today. The extraordinary collection has taken years to amass and comes from ex-employees of the park and their families, as well as from avid collectors and enthusiasts around the globe. Van Eaton Galleries will conduct the two-day auction on-site, online, and by phone. Interested bidders are encouraged to register early. Media interested in covering the event is requested to email or call the press contact listed below.

DISNEYLAND: THE FIRST 65 YEARS LOCATION

Van Eaton Galleries, 13613 Ventura Blvd, Sherman Oaks, California 91423

LIVE AND ONLINE AUCTION

Session 1: Saturday, August 15th, 2020 (10:00 A.M. Pacific Time)

Session 2: Sunday, August 16th, 2020 (10:00 A.M. Pacific Time)

EXCLUSIVE MEDIA PREVIEW ON DISNEYLAND’S 65TH BIRTHDAY!

Friday July 24th, 2020 10 AM to 6 PM

FREE PUBLIC EXHIBITION

Saturday, July 25th – Friday, August 14th, 2020

Tuesdays through Saturdays 10:00 a.m. – 6:00 p.m.

Sundays 12 p.m.- 4:00 p.m. PT

EXHIBITION IS BY RESERVATION ONLY AND LIMITED AS TO COVID-19 GUIDELINES

Van Eaton Galleries is one of the world’s premier original animation art and collectibles galleries. The Gallery is located in Sherman Oaks, California and specializes in unique original animation artwork. Established in 1994, the gallery offers distinct collections from the world of animation and special exhibits and events for collectors, fans and guests from around the globe. The gallery is open Tuesday through Saturday from 10am to 6pm. Van Eaton Galleries has offered such collections as That’s from Disneyland, The Story of Disneyland, The Secret Art of Dr. Seuss, and animation artwork from Disney, Warner Bros., DreamWorks, Hanna-Barbera, Don Bluth, and many others. For more information, please visit www.vegalleries.com.

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Train illustration

Boom: The Fourth Saxon State Exhibition

On Saturday, July 11th, the Fourth Saxon State Exhibition called Boom will open to celebrate 500 years of Saxony’s industrial heritage. The substantial website allows you to also virtually enjoy Saxony’s amazing tribute to its high-quality global brands and industrial culture.

The southwestern region of Saxony was one of the first and most important centers of European industrialization. To this day, Saxons’ self-image still rests on the triad of natural beauty, cultural wealth and a broad industrial base. It is the success of these brands and Saxony’s entrepreneurialism that has allowed Saxony to build its extraordinary musical, artistic and architectural culture.

From July 11 to the end of this year, the Audi Building in Zwickau will host the central exhibition of the Fourth Saxon State Exhibition, Boom, while six other cities in the region will host additional and important parts of the exhibition, including the AutoBoom in the August Horch Museum in Zwickau; the Machine Boom in the Chemnitz Industrial Museum; the Railway Boom in the Chemnitz-Hilbersdorf Railway (outdoors); the Coal Boom in the Mining Museum in the Ore Mountains; the Textile Boom in the Cloth Factory in the Gebr Pfau Grimmitschau in Grimmitschau; and the Silver Boom in the Research and Teaching Mine in Freiberg.

These six topics are fleshed out in important locations where that “Boom” was most evident.

  • Auto Boom. is located in the August Horch Museum in Zwickau, which is next to the central exhibition in the Audi Building. The Horch museum is where the first models from major global automotive brands, including Horch and Audi, rolled off the assembly and Zwickau later was the birthplace of the legendary Trabant. August Horch was the founder of the company that would become Audi.
  • Machine Boom. is located in the Chemnitz Industrial Museum, where machines (such as the filigree clockwork at Glashütte to the high-tech machine center) have been designed and produced for more than 200 years.
  • Railway Boom. is on the site of the Schauplatz Eisenbahn (Railway Museum Chemnitz-Hilbersdorf) where you can see the industrial networking of people, raw materials and products in an open-air museum between historic steam and diesel locomotives in the sooty atmosphere of a roundhouse.
  • Coal Boom. is shown in the mining museum in Oelsnitz / Erzgebirg or the Ore Mountains where the coal industry, which was fundamental for the economic development of south-west Saxony, takes a look into the future of energy supply.
  • Textile Boom. is located in the originally preserved cloth factory Gebr Pfau in Crimmitschau. The machines and looms, some of which are 100 years old, are presented in a factory that has not changed since the doors were closed.
  • Silver Boom. is located in the research and teaching mine, Silver mine Freiberg, and provides deep insights into the history of ore mining and shows what role current scientific research plays in resource technologies.

In addition to these six geographic locations, the central exhibition in the Audi Building presents Saxony’s 500-year industrial booms in six time periods.It tells of an eventful history of the hard-working people of an early industrialized region with historical documents, objects, technical devices, photographs and through films and valuable works of art and spectacular media installations. The first period of the five hundred years of industrial culture was the Silver Rush (1470-1813) when the discover of silver in the Ore Mountains set off a clamor for mining not only of silver but also tin and copper. It was an unprecedented boom and attracted people from all over Europe. Augustus the Strong used this incredible wealth to build up the coffers of his state, buy art and collect treasures from around the world to build Dresden into one of Europe’s glittering capitals of art and architecture.

The second period from 1763 to 1914 was the emergence of the textile industry and mechanical engineering which drove development in Saxony and around the world. In 1914, Saxony was the most industrialized state in the entire German Reich. There was a third period from 1831 to 1914 when there was a rapid development in technology, science and machines. The fourth period from the eve of WWI to the end of WWII is marked by groundbreaking inventions and unprecedented, industrially shaped and organized violence.

The fifth period from 1945 to 1995 includes the industrial culture of East Germany and the Trabant is a symbol of the East German economic system. It
focuses on the working world and everyday life of people up to the political turn as well as the breaks and opportunities and structural changes that the fall of the wall brought about. The final period from 2020 to the future is all about what is to come and the future of technology in Saxony. Positive developments are emerging from Saxony’s keen entrepreneurial spirit, innovations based on research and knowledge and the ability to constantly change.

It is appropriate that the Saxon state has chosen the Audi Building in Zwickau as the place for the central exhibition as this was an assembly hall of Auto Union AG from 1938. The Auto Union was the coming together of four independent Saxon car manufacturers: Audi, DKW, Horch and Wanderer. Audi’s logo of four interlocking rings represents these original four members of the Auto Union. Audi is actually a Latin derivation of Horch’s name which means hark or Audi in Latin.

The Audi Building as well as the museum for Horch in Zwickau are a worthy one hour and fifteen-minute drive from Leipzig or Dresden. Even if you cannot visit in person in 2020, the museums in each of the towns will always be there and there is a book on the exhibition that you can order online.

Learn more about Boom here.

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cb hoyo, 360 Magazine

DR Gallery × CB Hoyo

GR Gallery is pleased to announce “Fake and Corny”, the first solo exhibition of CB Hoyo with the gallery, after two years of collaboration. The show will reveal, for the first time in a public exhibition, the latest series of artworks that the artist has been working on for months: the “Corny Quotes.” Appositely conceived for this occasion, these new works will irreverently crowd the gallery walls, offsetting the artist signature “fakes” paintings. The show will put together several original pieces executed with different media and in various sizes.

WHEN: Opening reception: Wednesday June 24, 6:00pm – 9:00pm
EXHIBITION DATES: June 25– July 18, 2020
WHERE:  GR Gallery, 255 Bowery (between Houston & Stanton) New York, NY 10002 | info@gr-gallery.com | tel: +1 212 273 2900
WHO: CB Hoyo (Cuba, 1995)

ABOUT THE EXHIBTION:

“Fake and Corny”  is a crucial show for the artist’s career since it will mark the end of, or at least a long break from, the series that characterized CB Hoyo’s artistic image: the “fakes’. For this special occasion all the Fakes exhibited will be inspired to artworks in NYC museums and private collections. At the same time will launch his new project leading toward a new period of his creativity. The exhibition aims to be a sort of liminal space in between two different artistic cycles, showcasing anthological examples of CB up to date vision, through his classical artworks, and overcoming it with the exclusive approach of his new inspiration, that will guide his future production.