Posts tagged with "museum"

Harley created by Kaelen from 360 Magazine use by 360 Magazine

Harley-Davidson Museum this October

The Harley-Davidson Museum has been an anchor of the Menomonee Valley neighborhood since its opening back in 2008. The H-D Museum is also a proud sponsor of Valley Week, which aims to showcase some of the fantastic ways to experience nature, destinations, and the Menomonee River Valley’s fascinating history in the heart of Milwaukee. As a part of the festivities, the Harley-Davidson Museum is thrilled to present an outdoor movie night on Friday, Oct. 1.

Bring the whole family down to the H-D Museum for a screening of Trolls World Tour for the Valley Week finale. Pack a blanket or chairs to get cozy under the night sky. Come early to have the kids take a spin on an H-D® IRONe™ electric balance bike, nab a (temporary) tattoo or grab a bite from MOTOR® Bar & Restaurant.

But the family-friendly fun doesn’t stop there. Beginning Saturday, Oct. 16, the ever-popular engineering merit badge program returns for in-person, hands-on experiences. And don’t fret, the virtual program remains a popular option for scouts from around the country on Saturday mornings and Tuesday evenings. 360 Magazine is thrilled to see these events in reality during the spooky season.

And just in time for Halloween, Milwaukee’s favorite haunt, MOTOR, brings back Skulloween on Oct. 28. The night will feature live music, raffles for Harley-Davidson® gear, and more shenanigans for ghouls who just want to have fun! Dress up to win the costume contest and go home with a $250 Harley-Davidson Museum Campus gift card! Don’t miss out!

PROGRAMMING / EVENTS

Valley Week Outdoor Movie Night

Friday, Oct. 1, 6 – 8:30 p.m.

Bring the whole family down to the Harley-Davidson Museum in the Valley for an outdoor screening of Trolls World Tour and more fun activities as we celebrate another successful Valley Week!

Grab some dinner, drinks, or snacks from MOTOR® Bar & Restaurant for dine-in or carry-out to pair with the movie or check out the refreshments available outside. Enjoy kids’ activities prior to the film, including H-D® IRONe™ Ebike demos and airbrush tattoos.

Skulloween

Thursday, Oct. 28, 5 – 9 p.m.

Head to one of Milwaukee’s most popular haunts, MOTOR® Bar & Restaurant, for a celebration of all things black and orange! In addition to food and drink specials from MOTOR, Skulloween Bike Night will feature live music and raffles for Harley-Davidson® gear. Those who dress to impress will have a chance to win bragging rights in our costume contest. The costume with the most votes at the end of the night will win a $250 Harley-Davidson Museum Campus gift card!

Annual Pass

Looking for interesting things to do and ways to fully enjoy our programs and exhibits? The Harley-Davidson Museum’s new Annual Pass offers individual, family, and VIP levels to fit your lifestyle. Just some of the perks of the new Annual Pass include admission discounts, free admission for children under age 18, merchandise discounts at The Shop, dining discounts at MOTOR® Bar & Restaurant, and more.

Plus, if you purchase an Annual Pass in 2021, those pass holder perks can be enjoyed all of 2021 and 2022. Visit H-D Museum.com to see complete ticket details for exclusions and other terms and conditions.

Engineering Merit Badge (Saturdays at 11 a.m. and 1:30 p.m.)

All scouts are welcome to come to earn their Engineering Merit Badge at the Harley-Davidson Museum! This experience will be partially facilitated as scouts explore the history of Harley-Davidson as well as the engineering of motorcycles as they complete the nine merit badge requirements. Advance registration is required. Program registration closes one week prior to the scheduled program date. The ticket includes a Downloadable activity booklet used for the program, a partially facilitated program, a blue card signed by the facilitator (one blue card per scout registration), and an exclusive H-D Museum® patch.

Scout Virtual Engineering Merit Badge (Saturdays at 8:30 a.m. and Tuesdays at 6:30 p.m.)

This new 90-minute online program is open to scouts from all over the country. Our program facilitator will guide the troops and explore the role an engineer plays while creating a Harley-Davidson® Motorcycle. Nine requirements for the Engineering Merit Badge will be discussed during this virtual, interactive program. Advance registration is required. Program Fee: $20 per Scout, which includes an activity booklet used during the program and a special H-D® patch upon completion of the program.

MUST-SEE EXHIBITS AND INSTALLATIONS

Revolution Max Engine (on display now)

The brand-new Revolution® Max 1250cc engine powers a new generation of Harley-Davidson motorcycles. See the liquid-cooled, 60-degree V-Twin that delivers for the Pan America™ adventure touring model and the performance cruiser Sportster® S motorcycle. On view in the Museum lobby.

Clubs & Competition (on display now)

In the early part of the 20th century, motorcycle culture was a homegrown phenomenon. It grew out of the passion of riders for their evolving sport. The camaraderie that developed around riding and attending competitive events led to the formation of motorcycle clubs that hosted destination rides, family picnics with motorcycle games, and other riding competitions.

The newly reinstalled display case in the Clubs & Competition gallery highlights clothing from club members from primarily the 1930s and 1940s. The clothing selections on view include full dress uniforms, shirts, sweaters, jackets, and caps, customized by the owners with their club name and logo, and pins or patches indicating membership in the American Motorcyclist Association. The H-D Archives™’ collection includes Motorclothes® apparel sold in H-D® product catalogs but also non-H-D produced clothing items that have been proudly customized by riders.

Experience Gallery: Model Year 2021 Harley-Davidson motorcycles (on display now)

Always a favorite photo opportunity for riders and non-riders alike, the H-D Museum’s Experience Gallery has been refreshed with five 2021 Harley-Davidson motorcycles –including the all-new Pan America™ and the Sportster S!

Harley Fox (on display now)

Gail Anderson’s 1986 Softail® Custom motorcycle, “Harley Fox,” built by her partner Bob Burrows, took top prize at the first Ladies of Harley® (LOH) ride-in show during Daytona Beach Bike Week in 1987. With her custom bike and themed riding gear, Anderson presented a striking image that fit the growing visibility and exciting new options for women riders in the 1980s.

Alfonso Sotomayor’s 1957 Model FL (on display now)

The Harley-Davidson Museum is proud to announce its collection has recently grown with the addition of a 1957 Model FL that was ridden by famed Mexican stunt rider and racer Alfonso Sotomayor Canales.

Harley-Davidson’s history in Mexico dates back to at least 1913. In the 1920s, the brand was more frequently spotted throughout Mexico City as the motorcycles proved popular with the local traffic police who would also perform stunts with their Harley-Davidson® bikes. After racing from the 1930s into the 1960s, Sotomayor launched his own stunt riding career by performing the famed “Salto de la Muerte” or Jump of Death. Learn more about Sotomayor’s feats of derring-do and Harley-Davidson’s early entry into Mexico with this new display located in the Custom Culture area.

“Off-Road Harley-Davidson” (on display now)

In the decades before America paved its highways, early riders had to be prepared for all sorts of terrain: sand, clay, or dirt – and wandering those makeshift byways were Harley-Davidson® motorcycles. Today, it’s called off-road or adventure touring; back then it was just called riding. Since 1903, Harley-Davidson motorcycles proved their toughness by riding over wooded hills, through stone-choked creek beds, and up mountainsides. “Off-Road Harley-Davidson,” tells the history of motorcycles designed for rough roads, the people who rode them, and the adventures they shared.

“Building a Milwaukee Icon: Harley-Davidson’s Juneau Avenue Factory” (on display now)

A recently recovered cache of architectural drawings includes plans for the original Juneau Avenue facility. The pencil drawings, along with archival photographs, demonstrate the whirlwind pace of the company’s early growth. While building an international business—going from producing just over 1,000 motorcycles in 1909 to manufacturing 27,000 motorcycles in 1920—the company’s Milwaukee factory experienced near-constant expansion. Construction through this relatively brief period created the buildings that today, a century later, are still the proud home of Harley-Davidson.

“Building a Milwaukee Icon” provides a snapshot of Harley-Davidson’s formative years and illustrates a chapter of Milwaukee history when the city was known as the “Machine Shop to the World.”

Google Arts & Culture, “An Amphibious Sidecar Tour of the Salton Sea” (on display now)

100 years ago, John Edwin Hogg and Phillip Johnston visited the Salton Sea. Their exploits earned detailed coverage in the September 1921 issue of “The Harley-Davidson Enthusiast™” magazine due to the unexpected role their Harley-Davidson® motorcycles played in the adventure.

MOTOR® BAR & RESTAURANT

MOTOR® Bar and Restaurant are now open seven days a week – including dinner service on Thursdays, Fridays, and Saturdays! Whether you’re hankering for an authentic all-you-can-eat Wisconsin Friday fish fry or just want to reconnect with your “virtual” colleagues, MOTOR provides the perfect backdrop to toast great food and good times. Plus, October’s bands for Saturday’s BBQ & Blues are scorchers.

10/2/2021 No BBQ & Blues (private event)

10/9/2021 Steve Cohen

10/16/2021 Craig Baumann

10/23/2021 Robert Allen Jr. Band

10/30/2021 Blue Highway Duo

Tree illustration done by Mina Tocalini of 360 MAGAZINE.

California – New State Parks Program

California State Parks, First Partner Jennifer Siebel Newsom and the Natural Resources Agency today announced the opportunity for fourth graders to apply for a free California State Parks Adventure Pass. Effective today, they can apply for the pass that will give them the opportunity to explore 19 select state parks free for a full year.

“The California State Park Adventure Pass is an incredible new program that will help promote a healthier, more equitable California for all—a California where every child has the opportunity to explore, learn and benefit from our state’s natural wonders,” said First Partner Jennifer Siebel Newsom.

Championed by the First Partner, whose California for All Kids initiatives support children’s physical, mental and social-emotional well-being, the California State Park Adventure Pass Program expands the opportunity for fourth graders and their families to enjoy the benefits of connecting with nature, with each other and with their communities.

Applying for the free pass online is simple. All that is needed is a name, address, phone number and an email address. For individuals who do not have access to a smartphone, computer or printer, and/or do not have an email address to use when applying online, they can still apply for a pass by visiting a State Parks Pass Sales Office—click here for a list of locations—or by calling (800) 444-7275. For detailed information on the program and the list of participating park units, please visit parks.ca.gov/AdventurePass.

Assembly Bill 148, signed by Governor Newsom in July, established the California State Park Adventure Pass Program, a three-year pilot program that waives day-use entrance fees to 19 state parks for fourth graders and their families for a full year. Earlier this year, the governor also signed Senate Bill 129, legislation that includes $5.6 million to fund the new Pass program. 

When determining which park units would be selected to participate in the pilot program, State Parks reviewed several factors including a diverse list of park units that span the state geographically. By spreading the park units throughout the state, the department will be able to maximize participation by limiting the distance that would need to be traveled to the nearest participating park. State Parks was also mindful of including a diverse collection of park units in terms of park features. The final list includes beaches, museums, redwoods, off-highway vehicle recreation, hiking trails and important cultural history.

The State of California believes in the right of all Californians to have access to recreational opportunities and enjoy the cultural, historic and natural resources found across the state. Too many Californians cannot access the state’s parks, beaches and outdoor spaces, nor the state’s array of museums and cultural and historical sites. Given this, the California Natural Resources Agency and California State Parks are prioritizing efforts to expand all Californians’ access to park, open space, nature and cultural amenities. This priority requires reshaping funding and programs to expand opportunities to enjoy these places. Doing so advances Governor Gavin Newsom’s strong personal commitment to building a “California for All.”

Green Car by Mina Tocalini

Newport Car Museum Named Travelers’ Choice

Tripadvisor®, the world’s largest travel platform, has recognized the Newport Car Museum in Portsmouth, R.I. as a Travelers’ Choice™ Award winner for a second consecutive year and further distinguished the Museum as ranking among the top 10% of attractions worldwide in 2021.

“We have our incredible staff and docents to thank for this,” said Newport Car Museum Founder Gunther Buerman, “and of course we thank our fans from around the globe for spreading the word about their positive experiences here. If there is an overriding theme in the reviews, it’s that this is a happy place where everyone is welcome. The Museum’s design appeals to all, not just automobile enthusiasts; it’s an art gallery, not a spruced-up parking garage.”

“I know the past year has been extremely challenging for tourism businesses. The Travelers’ Choice Awards highlight the places that are consistently excellent–delivering quality experiences time and time again even while navigating changing customer expectations and new ways of working,” said Tripadvisor’s Chief Commercial Officer Kanika Soni. 

The Newport Car Museum first opened its doors in 2017 and won almost immediate recognition from USA Today as one of America’s 10 Best New Attractions. The count for the Museum’s private collection of rare and coveted cars has grown to over 85, and the visual art galleries for these now number six: one each for World Cars, Corvettes, Ford/Shelby, Fin Cars, Mopars, and American Muscle Cars. In addition, visitors enjoy an equally fascinating Gift Shop, sometimes referred to as “the Seventh Gallery,” and a recently added Pop-Up Porsche Exhibit in the Museum’s Thunderbird Ballroom.

Fall Events 

Upcoming at the Newport Car Museum’s iconic “Big Red Building”: Hoods Up Weekend (September 11-12, October 9-10, November 13-14), where engines on all the Museum’s cars are revealed for inspection; AutoFest 2021 (Sunday, October 3), with over 500 show cars, vendors, food trucks, music, valve cover racing, and more; German Car Weekend (October 9-10), where those showing their German car keys at the door receive admission discounts; and various car club visits, where the public is invited to join gatherings of like-minded car lovers in the Museum’s massive parking lot (where parking is free).

All events are posted on their website and on Facebook and Instagram.

art illustration by Gabrielle Marchan for use by 360 magazine

THE MOAD PRESENTS THREE NEW EXHIBITION

MUSEUM OF ART AND DESIGN AT MDC PRESENTS

THREE NEW EXHIBITIONS FOR FALL 2021

Museum of Art and Design (MOAD) at Miami Dade College (MDC) presents three one-person exhibitions for the Fall 2021 season. Exhibitions by the Icelandic artist Hreinn Fridfinnsson, Cuban American Jorge Pardo, and Miami-based Venezuelan American Loriel Beltrán offer viewers comprehensive looks at the practices of three of the most compelling artists—both local and international—working today. The exhibitions will be on view from Nov. 6, 2021, through May 1, 2022.

Hreinn Fridfinnsson: For the Time Being, the first American museum exhibition of the influential Icelandic artist spans six decades and highlights his use of minimal gestures to transform everyday materials into poetic, allusive, and revelatory works of art. Born and raised in Iceland, Fridfinnsson moved to Amsterdam in 1971 and began exhibiting his work in museums and galleries across Europe. His early works align with contemporaneous cutting-edge art movements, such as land art and photo conceptualism, but still suggest the distinctively romantic, lyrical, and wry sensibility that continues to define his practice.

A kind of poetic restraint characterizes many other Fridfinnsson works, which take ordinary materials and objects as their starting point. With a light touch, the artist minimally intervenes to alchemically transmute pedestrian things into allusive and enigmatic artworks—what we might call, in Duchampian terms, “slightly assisted readymades.” Sometimes these works carry a tacit mystical or spiritual charge, such as Sanctuary, 1992–2010, a regular cardboard carton with a sheet of fluorescent paper placed inside. Upended and mounted on the wall, the splayed box makes a cruciform shape and unearthly light seems to emanate from within.

Fridfinnsson’s art is often dependent on vagaries of atmosphere and perception for its effect. Most of his major exhibitions, including this one at MOAD, gather works from across the multiple decades of his career, without regard for chronology or ideas of artistic development. For the Time Being marks a provisional summation of the artist’s achievement, less a traditional retrospective than an assembly of instantiations of his unique sensibility.

Jorge Pardo: Mongrel, a site-specific installation, features a new series of quasi-abstract drawings along with modernist chairs, custom-fabricated chandeliers, and a carpet designed by the artist in MOAD’s expansive Skylight Gallery. The immersive exhibition poetically conjures the artist’s own history and biography, including his childhood memories as a Cuban refugee, processed with his family at MDC’s Historic Landmark Freedom Tower, which now houses the museum.

An untitled series of 25 new drawings created expressly for this exhibition meld a wide variety of images into arresting abstractions of pulsing color and form, while still occasionally revealing their representational sources. The artist emigrated to the United States as a child, passing through the Freedom Tower, which then served as a processing center for Cuban refugees. His memories of the welcoming architectural landmark intertwine with those of displacement, trauma, and loss caused in part by the Cuban regime’s confiscation of the emigrants’ family photographs and documents. Pardo’s drawings use family photos—his own and others’—as their starting point, along with historic photos of the Freedom Tower. He combines these with a vast array of other images, including many artworks crucial to his development as an artist and others meant to evoke the cultural milieu of his formative years.

The artist manipulates his source materials on the computer, resizing, superimposing, colorizing, and otherwise transforming images that recall personal and cultural memories into dazzlingly hued, intricately textured near-abstractions. Pardo translates these into vector graphics, which are then printed on cotton Guarro paper and brilliantly tinted by hand with colored pencils. Pardo has compared the montage and assimilation of source images into the provisionally unified whole of his drawings to the process of assimilation undergone by any immigrant to a new land, including himself. He views his reconstruction of an image from recognizable fragments into a new, often unfamiliar, mixed configuration as analogous to his own hybrid or “mongrel” condition, existing between cultural, ethnic, or racial identities.

Loriel Beltrán: Constructed Color presents recent works by the artist, innovative abstract paintings of dazzling opticality and metaphorical density made by affixing slabs of layered pigment, sliced from blocks hardened in boxlike molds, to panels. Beltrán’s panels appear as stacked structures, assemblages, or objects. But the optical mixing of the colors perceived by viewers also makes the paintings seem somewhat intangible. This contradiction between object and opticality constitutes only one of the works’ paradoxes. Beltrán uses such contradictions to create a tension-filled space within which he explores possible modes for contemporary painting.

Beltrán’s exhibition inaugurates MOAD Projects, a new series of exhibitions that features work by Miami-based artists, including distinguished MDC and New World School of the Arts alumni and faculty. MOAD Projects provides a platform for local artists to realize new projects or exhibit recent bodies of work, as well as for investigations of understudied historical developments in Miami’s cultural past. MOAD Projects expands upon the swing/SPACE/Miami alumni exhibition series that began in 2013.

“We are thrilled to present solo shows by three fascinating artists this fall,” says Rina Carvajal, MOAD’s Executive Director and Chief Curator, who organized all three projects. “Introducing Hreinn Fridfinnsson’s intelligent and poetic work to America is a great honor. And we are proud to host Jorge Pardo’s engrossing semi-autobiographical installation, which engages his own artistic development in tandem with the history of exile, of Miami, and of the Freedom Tower itself. These two projects, combined with the rigorous and brilliant paintings of Loriel Beltrán, produced here in Miami by an alumnus of the New World School of the Arts, give our audiences a view of the vast range of contemporary art’s possibilities.”

Hreinn Fridfinnsson: For the Time Being is curated by Rina Carvajal, MOAD’s Executive Director and Chief Curator, with the assistance of Isabela Villanueva, Consulting Assistant Curator. Jorge Pardo: Mongrel and Loriel Beltran: Constructed Color are curated by Rina Carvajal. All three exhibitions are made possible by the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners; and the State of Florida, Department of State, Division of Arts and Culture, and the Florida Council on Arts and Culture. For their generous assistance in realizing the exhibition of Hreinn Fridfinnsson, MOAD wishes to thank Hrafnhildur Helgadóttir; Claes Nordenhake and Nadia Heinsohn of Galerie Nordenhake; Börkur Arnarson and Bryndís Erla Hjálmarsdóttir of i8 Gallery; and Elba Benítez and Pamela Cañizo of Galería Elba Benitez. For invaluable assistance in his research, Jorge Pardo wishes to thank the Cuban Heritage Collection and the Cuban Refugee Center Records, both at the University of Miami Libraries, Coral Gables; the Research Center at HistoryMiami Museum; and the Florida International University dPanther Digital Repository.

"My Friends are Picking Flowers" by Salvador Gomez, Jiminez and Wendy Ewald via Ramsey Hoey of Carol Fox Associates for use by 360 Magazine

Weinberg/Newton Gallery Features MacArthur Fellows

WEINBERG/NEWTON GALLERY PRESENTS MACARTHUR FELLOWS WENDY EWALD AND AMALIA MESA-BAINS IN TOWARD COMMON CAUSE, A COLLABORATION WITH THE SMART MUSEUM OF ART  

Weinberg/Newton Gallery (688 N. Milwaukee Ave.), a non-commercial gallery dedicated to promoting social justice causes, announced a collaboration with the Smart Museum of Art at the University of Chicago as an exhibiting gallery for a multi-venue exhibition taking place throughout 2021. Featuring the work of 29 MacArthur FellowsToward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40 is centered on the idea of art as a catalyst for social change. Through speculation, reflection and action, Toward Common Cause explores our current socio-political moment, in which questions of inclusion, exclusion, ownership and rights of access are constantly challenged. Extending from the exhibition’s main venue at the Smart Museum, Weinberg/Newton will present work by MacArthur fellows Wendy Ewald and Amalia Mesa-Bains, whose projects focus on Latinx migration in Chicago. Weinberg/Newton’s participation in the exhibition will run from Sept. 24 through Dec. 18.

Wendy Ewald, a collaborative photographer known for weighing questions of identity and cultural differences, will feature a newly commissioned project that explores the personal challenges facing refugees and immigrants from Mexico. Together with teaching artists from the Smart Museum and Diane Dammeyer Initiative, Ewald conducted a series of photographic workshops with youth at Centro Romero, a community-based organization that serves the refugee immigrant population on the northeast side of Chicago. The students created photographs and writings that express their inner lives, dreams and concerns about contemporary immigration. Ewald will incorporate these works into the exhibition, along with a series of photographs and a film made in Chiapas, Mexico in 1991.

Amalia Mesa-Bains, a multi-media installation artist and cultural critic, weaves together intricate stories of her Mexican heritage and Chicana identity at the intersection of art, science and history. At Weinberg/Newton, Mesa-Bains will present Dos Mundos, a personal and historical meditation on migration to Chicago through the lens of her own family that makes visible the countless vital contributions the Mexican community has made to the building of Chicago. Dos Mundos is composed of maps, digital prints, shadow boxes, folding books and ofrendas to celebrate this history through imagery and stories collected by Mesa-Bains.

Additionally, The Circle of Ancestors, an ofrenda from Amalia Mesa-Bains, will be featured at another Toward Common Cause venue: the National Museum of Mexican Art (NMMA), in the exhibition Día de Muertos – A Time to Grieve & Remember. The installation at the NMMA honors the Cornejo family of Mesa-Bains’ mother, while her work at Weinberg/Newton Gallery presents the archival and public record of the larger Mexican community in Chicago.

Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40 is presented in conjunction with the 40th anniversary of the MacArthur Fellows Program and connects more than two dozen exhibitions, programs and research partner organizations across Chicago, allowing artists to present new and re-contextualized work. The organizing principle of “the commons” is a concept defined in MacArthur Fellow Lewis Hyde’s Common as Air: Revolution, Art, and Ownership, as “a social regime for managing a common resource.” This comprehensive presentation considers the extent to which resources including air, land, water and culture can be held in common. Each venue will create a space to raise questions about inclusion, exclusion, ownership and rights of access. Toward Common Cause considers art’s pivotal role in society as a call to vigilance, a way to bear witness and a potential act of resistance.

About Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40

Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40 is organized by the Smart Museum of Art at the University of Chicago in collaboration with exhibition, programmatic and research partners across Chicago. It is supported by the John D. and Catherine T. MacArthur Foundation. Toward Common Cause is curated by Abigail Winograd, MacArthur Fellows Program Fortieth Anniversary Exhibition Curator, Smart Museum of Art, The University of Chicago. The full curatorial statement can be read HERE.

Additional support for individual projects has been provided by Allstate; the Terra Foundation for American Art; the National Endowment for the Arts; The Joyce Foundation; David Zwirner; Hauser & Wirth; a Mellon Collaborative Fellowship in Arts Practice and Scholarship at the Richard and Mary L. Gray Center for Arts and Inquiry; the Visiting Fellows Program at the Neubauer Collegium for Culture and Society; and the Smart Museum’s SmartPartners. In-kind support is provided by S.O.U.R.C.E. Studio, F.J. Kerrigan Plumbing Co. and JCDecaux.

About Wendy Ewald
Originally from Detroit, Wendy Ewald collaborated on photography projects for more than 50 years with children, families, women, workers and teachers. Engaging with communities internationally, she has been drawn into the lives of those with whom she works in the United States, Labrador, Colombia, India, South Africa, Saudi Arabia, Holland, Mexico and Tanzania. Ewald’s practice encourages individuals to utilize cameras to photograph their lives, families and communities and to create images of their fantasies and dreams. In addition, she asks her collaborators to alter their images by drawing or writing to engage questions concerning individual authorship, power and identity. Ewald describes her conceptual work as expanding the role of esthetic discourse in pedagogy, challenging the viewer to see beneath the surface of relationships. She Is the 2010 recipient of the MacArthur Fellowship Award.

About Amalia Mesa-Bains
Amalia Mesa-Bains is a multimedia artist who contemplates the meanings of multiculturalism and demographic shifts in today’s climate within the United States, while drawing from the experiences of her Mexican heritage. She holds a Ph.D. in clinical psychology, in which she focused her doctoral dissertation on the influence of contemporary culture and climate on the personal development of 10 Chicana artists. Her scholarly research established her role as a cultural critic, and her clinical work has pushed her to investigate the psychological effects of colonial artifacts. This work has been at the core of her approach to making art a cultural process, deconstructing these stereotypes about non-European heritage and establishing new dialogue about Chicana culture. Mesa-Bains is the 1992 recipient of the MacArthur Fellowship Award.

About Weinberg/Newton Gallery
Weinberg/Newton Gallery is a non-commercial gallery with a mission to collaborate with nonprofit organizations and artists to educate and engage the public on social justice issues. Through artwork and programming, the gallery provides a vital space for open discourse on critical contemporary issues facing our communities. Connecting artists with social justice organizations, we work to drive change and cultivate a culture of consciousness.

History of Weinberg/Newton Gallery
In 2016, David Weinberg Photography became Weinberg/Newton Gallery. The change reflected the values of The Weinberg/Newton Gallery Family Foundation, which has been led jointly by David Weinberg and Jerry Newton since 2009.

Image of Telescope via Gabrielle Archulleta for Use by 360 Magazine

WonderWorks Panama City × The Force Of Air

Air is something we all need to survive, but most of us don’t know much about it. WonderWorks Panama City Beach is opening a new exhibit that sheds light on this essential gas to give guests a better understanding of what it is and how it moves. The attraction’s new exhibit will open on August 13, 2021, and it will be included in the regular admission price. This is just one of many exhibits WonderWorks features that helps guests learn about science in a fun and hands-on way.

“Families are going to really find this exhibit fun and interesting at the same time,” said Michael Walsingham, general manager of WonderWorks Panama City Beach. “It’s a great exhibit that will help people see how air moves around, and the kids are going to enjoy the interaction.”

The new exhibit brings to life the concept of how air moves – something many guests have never thought about. It features a maze of tubes hanging from the walls and ceiling that guests can send colorful pieces of material — dubbed “poofs” — through to observe how the force of air moves through the maze.

In addition to giving guests a visual demonstration of how air moves, the exhibit’s room is filled with fun facts about the air so everyone comes away learning something new. Guests will learn about what air is, how it moves, how it holds water, what sort of living organisms it contains,  why there is no air in outer space, what gusts and bioaerosols are, and much more.

This new exhibit is one of the many STEAM (science, technology, engineering, art, and math) focused exhibits at WonderWorks Panama City Beach. STEAM-related exhibits are a focus at WonderWorks, as its mascot Professor Wonders hopes to provide guests with a fun and interactive way to learn more about science.

“We invite people to check out this new exhibit and learn something new about the very thing that keeps them alive,” added Walsingham. “We love to help people learn, and we aim to also keep it interesting!”

WonderWorks Panama City Beach offers many STEM-focused exhibits and activities all year long. There are also demonstrations, activities, virtual learning labs, science fair partnerships, homeschool days, and more. To get more information about the WonderWorks STEM programs, visit the website HERE.

The interactive indoor amusement park offers STEM-focused activities for all ages. There are over 100 hands-on activities, including the bubble lab, an interactive sandbox, the illusion art gallery, and Xtreme 360 bikes. For more information on WonderWorks, visit the site HERE.

Kristin Poole image via Krista Detwiler at The Sun Valley Museum of Art

Sun Valley Museum of Art Q×A

By: Emily Bunn

 A keystone of Ketchum’s community, the iconic Sun Valley Museum of Art (SVMoA) is celebrating its 50th anniversary this year. The museum is inviting the public to experience the joy of music and the arts to celebrate the momentous occasion. In past years, SVMoA has hosted 52 Grammy-Award winning artists, featured notable lecturers and visual artists, and awarded over $1 million in arts scholarships to local students and teachers. SVMoA’s Artistic Director, Kris Poole, sat down with 360 Magazine to talk about upcoming summer classes at the museum, the current BIG IDEA exhibition, and future plans for expansion. 

SVMoA is celebrating its 50th anniversary this summer! Are any special performances lined up to commemorate this momentous occasion? 

Clay, Silver, Ink: Sun Valley Center at 50, was on exhibit at The Museum from May through July.

The exhibition is guest-curated by artists Jim Romberg, Sun Valley Center for the Arts’ Director of Ceramics from 1973 to 1986, and Peter de Lory, who began teaching in 1974 and was Director of Photography from 1976 to 1979 and during the summers of 1982 and 1983.

Clay, Silver, Ink features artwork by 60 photographers, ceramic artists and printmakers, as well as several painters, who led classes and workshops at the Sun Valley Center for the Arts during the organization’s first 15 years. Many of the labels will include quotes from the artists that reflect on their experience at The Museum. A slide show of student work and snapshots from the era was also included in the exhibition.

SVMoA’s 50th Celebration & Birthday Concert will take place on August 26 and feature Pink Martini with China Forbes.

Pink Martini is led by the dynamic and hyperenergetic Thomas Lauderdale. The group’s repertoire is inspired by music from around the world and crosses genres of classical, jazz and old-fashioned pop. With 12 musicians onstage and songs performed in 25 languages, Pink Martini has crisscrossed the globe and has played with more than 70 orchestras.

Lauderdale’s co-conspirator in the band is his Harvard classmate, China Forbes. A year after starting the band, Lauderdale invited Forbes to join Pink Martini, and they began penning songs together. Since then, Forbes and Lauderdale have co-written many of Pink Martini’s most beloved songs, including “Sympathique,” “Lilly,” “Clementine,” and “Let’s Never Stop Falling in Love.” Forbes’ original song “Hey Eugene” is the title track of Pink Martini’s third album, and many of her songs can also be heard on television and film.

The concert will be a special one, starting with a look back at the Sun Valley Center for the Arts’ 50 years and a look ahead to SVMoA’s next 50. SVMoA will share memories and birthday cupcakes and asks everyone to come dressed for a party.

Is SVMoA offering any summer workshops or adult classes?

Yes! We offered 22 adult classes last year, and we plan to expand that programming throughout 2021 and into 2022. Classes range from one-night craft series workshops to creative jump-ins and week-long master class intensives. This summer, we offered the following courses:

Craft Series Workshop:

THREE COLOR REDUCTION PRINTS

Craft Series Workshop

CERAMIC TRANSFORMATION VESSELS

Writing Class

A THOUSAND WORDS: Guided Writing about the Art You See

Creative Jump-In

POCKET SKETCHING

Craft Series Workshop

CAPTURING THE BEST PHOTOS ON YOUR IPHONE

Creative Jump-In

NO-WASTE LEATHER BAG

Creative Jump-In

BEGINNING DRAWING

Creative Jump-In

SUN VALLEY STONES: Oil painting

Creative Jump-In

BUILDING LAYERS WITH OIL AND COLD WAX 

How many students are currently in SVMoA’s art education program and k-12 education program this year?

SVMoA serves nearly 4,000 students through four unique arts education programs over the course of a year, reaching every child in Blaine County. Some programs happen in school classrooms, others in the museum space or performance halls. SVMoA’s student participants come from every public and private school in the Wood River Valley.

SVMoA features “BIG IDEA” projects. What does the BIG IDEA represent?

The BIG IDEA was designed to allow our community to enter into the conversation through a variety of avenues. If you are interested in going to see a film, or listening to a lecture, we hope the program content piques your curiosity enough to get you to visit the exhibition in The Museum or take a class that will allow you to go deeper into the subject. BIG IDEAs run the gamut from serious subjects like Refugees and/or Gender in the 21st century, to lighter fare that explores subjects, like the important role that bees or bicycles play in our world. Artists make art about the world they live in, and more often than not, what is on their minds is a topic we should be paying attention to as well.  We have the opportunity to use the BIG IDEA model to engage people in ideas that matter. The art on exhibition, the music, films, lectures, discussions are all fodder for some pretty interesting conversations.

Why did SVMoA choose to display “Untrammeled: At Wilderness’ Edge” as the museum’s current big idea project?

As part of our 50th Anniversary celebration, we wanted to explore a BIG IDEA that had specific resonance with our local community. Because Sun Valley is a mountain resort town whose very existence owes its debt to the wilderness, we felt reexamining the premise of the 1964 Wilderness Act was an important effort.

At the time that we began talking with artists we had no idea that at this moment the topic would hold particular urgency. Our community, like many others in the mountain west, is experiencing an explosion of tourism and new residents. The exhibition and BIG IDEA grapple with what it means to live on the edge of and with wild places—how do we respect people’s need to be in the wilderness with our need to preserve and protect that very space? How should our idea of “managing” wilderness change/evolve?

We are so pleased to be engaged in the discussion through the work of 4 powerful artists, all of whom have international reputations, and two of whom we commissioned to do new work for this project. Adding talks by journalist Kevin Fedarko and curator Jock Reynolds only enriches the conversation. 

Who is the next speaker in the museum’s lecture series? Why was this speaker chosen? 

As part of the next BIG IDEA project Untrammeled: At Wilderness’ Edge, SVMoA will welcome ​​journalist Kevin Fedarko, award-winning author of “The Emerald Mile” as our first speaker of the 2021/2022 fall/winter season. Fedarko’s book on the The Emerald Mile, with the subtitle The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon, chronicles both the complex story of the Canyon’s environmental history, as well as the compelling story of how a couple river and wilderness junkies took the fastest boat ride ever down the Colorado River during the legendary flood of 1983. At this moment in 2021 when we are grappling how best to live on the edge of wilderness, this book and Fedarko’s tale beautifully illustrates the complicated nature of our relationship with wild places.

Jock Reynolds is a nationally respected curator and artist who served as the Director of the Yale University Art Gallery from 1998 to 2018.  He has worked closely with Mark Klett, one of the artists in the Untrammeled exhibition, and is keenly interested in the role that art plays in shaping our national discussions. Jock will be in conversation with Mark Klett and Laura McPhee about their commissioned artworks.

Sandra Cisneros is one of the United States most important poets and writers.  She is best known for her evocation of Mexican American life in Chicago. “The House on Mango Street,” written in 1983, continues to be taught in classrooms throughout the country. Cisneros has been invited to participate in SVMoA’s lecture series to speak to the value and richness of cross-cultural experiences.  As a woman and a writer Cisneros beautifully explores the experience of being connected to both the US and to Mexico.  There are so many members of our community and so many people in our country who share this relationship. We look forward to welcoming Cisneros to this community at this moment of growth and transition.

How do the three SVMoA spaces– The Museum, The Liberty Theatre, and the Hailey House and Classroom – each operate? What is each space’s function?

The Museum

Sun Valley Museum of Art is non-collecting museum that is accredited by the American Alliance of Museums (one of only five institutions in Idaho). SVMoA offers free admission and is open to the public throughout the year. Its downtown Ketchum location allows stop-by visitors as well as event and exhibition attendees to explore and experience art firsthand—both through visual art exhibitions and hands-on immersive education opportunities.

The Liberty Theatre

The former home of the Company of Fools, the historic The Liberty Theatre is centrally located on Main Street in Hailey, Idaho.  The theatre is currently closed, awaiting some needed renovations.

The Hailey House and Classroom

The historic Hailey House, birthplace of American poet Ezra Pound, is open to visitors by appointment and during scheduled events. The house is frequently used to house visiting artists, teachers and musicians. The Hailey Classroom is open for adult, teen and youth classes and workshops during scheduled programs.

The museum is in the process of constructing a new building as well. How does SVMoA plan to use their new space?

Sun Valley Museum of Art needs expanded facilities. Currently we are not able to meet the community need for everything from classes to lectures to exhibition tours so we are actively seeking the right opportunity to build or renovate a new space. The community deserves to have a museum that can be a point of pride and meets the needs of today’s families and students as well as our growing and diverse community. As the cornerstone of Wood River Valley’s rich and diverse arts and culture scene, SVMoA is eager to develop a state-of-the-art facility that will engage more people on a deeper level, create more immersive experiences, and ensure accessibility for everyone in our community.

SVMoA operates as an arts education nonprofit. How can interested patrons support the arts? 

SVMoA’s annual programs are supported in large part by its more than 1,200 members. When you join as a SVMoA member, you don’t just support your own arts experience; you support arts access for all. Your membership fee pays it forward so your fellow community members can experience the arts—the joy, the wonder, the inspiration, and the healing.

SVMoA’s annual Wine Auction welcomes friends, families, arts supporters, vintners and chefs to celebrate and support the arts each summer. The 2021 Wine Auction wrapped in mid-July and raised more than $1 million for arts education with the help of more than 350 attendees.

BIG IDEAS and major program support comes from memberships, individual donations, private foundations and public and private grants. 

Regarding COVID-19, does the museum require guests to purchase tickets in advance online, or can visitors purchase tickets upon arrival? 

SVMoA’s museum space is free and open to the public. SVMoA classes and events typically require advance registration and/or ticket purchase (as events can sell-out), but SVMoA will in general welcome walk-up attendees and participants if space allows. 

At The Museum walk-in visitors are always welcome! If you’d like to learn more about the artwork in the exhibition, we invite families and small groups for private tours with The Museum’s curators. To schedule a tour please contact us at 208.726.9491 or at information@svmoa.org. 

*Featured artwork by Laura McPhee

Companion Species - WSU via Krista Detwiler at the Sun Valley Museum of Art for use by 360 Magazine
Companion Species by Jordan Schnitzer
Mark Klett - Inside ice cavern via Krista Detwiler at the Sun Valley Museum of Art for use by 360 Magazine
Inside Ice Cavern by Mark Klett
Laura McPhee artwork via Krista Detwiler at the Sun Valley Museum of Art for use by 360 Magazine
Laura McPhee
art illustration by Gabrielle Marchan for use by 360 Magazine

Roosevelt Collection Shops Announce Boxed Experience

The interactive Boxed Experience is set to open in the Roosevelt Collection shops from August 14 – September 30.

Roosevelt Collection Shops is thrilled to announce Boxed Experience, the latest activation soon to open within their new exhibit space, 150 West. Opening August 14 and running through September 30, the interactive theatrical experience will amaze visitors through map projections and hyper-realistic rooms as guests investigate and decide the fate of a man being accused of a horrible crime. In each room, clues and evidence will alter thoughts on guilt and innocence through intriguing visuals, mind-bending sensories, and a storyline that will leave attendees speechless. Tickets range from $35-55.

 

“We are always searching for cutting edge activations to engage and entertain our visitors,” said Shannon Ridgeway, General Manager at Roosevelt Collection Shops. “Boxed Experience will be a one-of-a-kind way to dig deep into social issues and raise our collective consciousness in an interactive, fun way as a community.”

 

Live actors will bring characters in the story to life, interacting with guests along the way. Created to shed light on the various barriers among different cultures, ethnicities, and social issues, the exhibit aims to shift mindsets and take visitors’ thought patterns to new heights.

 

About Roosevelt Collection Shops  

Managed and leased by Poag Shopping Centers, Roosevelt Collection Shops is Chicago’s premier shopping, dining, and lifestyle destination, situated for travelers and locals alike in the heart of the city’s beloved South Loop neighborhood. Offering impeccable views of the skyline, unique art installations, and more for all to enjoy, the center is a short walk to a variety of community mainstays including school campuses, museums, and sports arenas. Offering a well-balanced mix of retailers and amenities, the center features a dog-friendly plaza, children’s play area, koi pond, fire pit, gorgeous 19,000 square foot open rooftop space, and a public parkand event space. Shops that call the lifestyle center home include The Container Store, Ulta Beauty, H&M, Fleet Feet Sports, and LensCrafters, among many local boutiques including Love Peridot, Divinity 7, Sultry Steps Boutique, and KIDO Chicago. Visitors are welcome to visit for a walk with friends or their furry companions, gather over a great meal, break a sweat at one of the three fitness-focused offerings, or take in a film at Showplace ICON Theatre, all in one convenient hub. 

illustration by Samantha Miduri for use by 360 Magazine

Madame Tussauds Collaborates with Marvel

Madame Tussauds has collaborated with Marvel to create an exclusive new film, “Marvel Universe 4D.” The thrilling all-new 4D film experience invites guests to feel the power of their favorite Marvel Super Heroes in Madame Tussauds New York, Madame Tussauds Hollywood, and Madame Tussauds Las Vegas. Wind-chilling, water-soaking, and face-flinching special effects bring the audience closer than ever before to Captain Marvel, Thor, Black Panther, Rocket, Spider-Man, Ant-Man, and the Wasp as they battle Loki in a bid to save the city from his invasion.

To celebrate the new film, Madame Tussauds is shining a spotlight on strength and hope, the key characteristics of a fictional Super Hero, by recognizing a real-life hero from Make-A-Wish. Jeremiah is an 8-year-old boy from Brooklyn, fighting sickle cell. His wish for an online shopping spree was granted earlier this spring.

“Wish kids like Jeremiah, kids with critical illnesses, are in treatment and going through uncomfortable procedures. It wears them down, taking both a physical and emotional toll. They fight through the pain and strive to just be kids again and part of their family,” said Brittany DiDonato, manager of the alumni program for Make-A-Wish Metro New York. “A hero to look up to gives kids the opportunity to see a hero who models the behavior that they see in themselves, battling against all odds and winning!”

Jeremiah and his family were invited to Madame Tussauds New York for a private viewing party of Marvel Universe 4D, featuring Jeremiah’s favorite Super Hero, Spider-Man. The incredible family received the red-carpet treatment as they arrived at the world’s greatest wax museum. With more than 85,000 square feet of interactive entertainment, the largest Madame Tussauds attraction in the U.S. was reserved exclusively for the family to explore.

On behalf of Merlin’s Magic Wand, Merlin Entertainments children’s charity, Madame Tussauds is also donating tickets to Make-A-Wish to recognize heroes battling a life-threatening illness. To experience Marvel’s most loved heroes, brought to life in multi-sensory interactive themed areas, with wax figures, and a thrilling 4D adventure film book in advance online.

Jewelry story illustration by Nicole Salazar for 360 MAGAZINE

MAD About Jewelry – Virtual Events

Amy Fine Collins, Tiffany Dubin, Lynn Yaeger, and Museum of Arts and Design curator Bryna Pomp are hosting a special series of virtual events with international jewelers EN Jewelry Studio (Malu Byrne and Rick Low), Marie-Hélène de Tailla, and Elie Top. Each style icon is paired with an eminent jeweler in conversation for this series put on by the Museum’s MAD About Jewelry initiative. Fashionistas from all over the world have the opportunity to step inside the jewelers atelier, learn about the makers’ process, and purchase directly from the designers. Last week Dame Zandra Rhodes was paired with longtime friend Andrew Logan.

July 15, 2021 at 5pm ET – Elie Top + Amy Fine Collins

  • Amy Fine Collins will bring her ‘International Best Dressed List’ knowledge to her conversation with Elie Top; best known as the jewelry designer for Lanvin under Alber Elbaz and as the last official assistant of Yves Saint Laurent. Following his desire for self-expression, the Parisian designer conceived a new kind of jewelry, far away from Place Vendome’s classicism. Enter the magical world of Elie Top in which he invents and interprets in his own way a sophisticated galaxy made of spheres, stars and signs of the zodiac, in which woman shines at the center in playful pieces.

August 5, 2021 at 5pm ET – EN Jewelry Studio (Malu Byrne and Rick Low) + Lynn Yaeger

  • Long-standing Vogue Fashion Editor Lynn Yaeger will host EN Jewelry Studio designers Malu Byrne and Rick Van Streain Low. Learn how Malu and Rick started their careers in the industry working with some of the most prodigious artists in the field (Gabriella Kiss and Jill Platner respectively) before finding creative and symbiotic partners within one another. Through the lens of EN, which means “to come together” and “within”, they endeavor to highlight the inherent beauty of material through their use of elemental forms with unexpected connections.

October 7, 2021 – Marie-Hélène de Taillac + Tiffany Dubin 

  • “Vintage Style” author and Sotheby’s jewelry aficionado Tiffany Dubin sits down with Parisian jewelry designer Marie-Hélène de Taillac to chat about her work with semi-precious gems and her signature colorful jewelry. Marie-Hélène will showcase her creations while delving into her inspirations, from whimsical fairy tales to her extensive travels.

About The Museum of Arts and Design
The Museum of Arts and Design (MAD) champions contemporary makers across creative fields and presents the work of artists, designers, and artisans who apply the highest level of ingenuity and skill. Since the Museum’s founding in 1956 by philanthropist Aileen Osborn Webb, MAD has celebrated all facets of making and the creative processes by which materials are transformed, from traditional techniques to cutting-edge technologies. Today, the Museum’s curatorial program builds upon a rich history of exhibitions that emphasize a cross-disciplinary approach to art and design, and reveals the workmanship behind the objects and environments that shape our everyday lives. MAD provides an international platform for practitioners who are influencing the direction of cultural production and driving twenty-first-century innovation, and fosters a participatory setting for visitors to have direct encounters with skilled making and compelling works of art and design. Proceeds from MAD About Jewelry will benefit participating artists and support the museum’s educational programs. For more information, visit MAD Museum.