Posts tagged with "art exhibition"

Graffiti and art article illustrated by Gabrielle Archuleta for 360 magazine

Guggenheim Presents José Manuel Ballester

The Guggenheim Museum Bilbao presents José Manuel Ballester [2020/03/15], which will be open to the public over the next three months. The project consists of a series of photographs taken by the artist around the deserted streets of locked-down Bilbao last spring, exhibited alongside About the Guernica, 2009/2020 by Ballester, an emptied-out version of Picasso’s painting that conveys a contemporary perspective on the historical event and human tragedy.

This project as a whole offers a reflection on the consequences of serious events such as wars or pandemics. Thus, the dialogue between the ‘emptied out’ Guernica and the photographs of the apparently uninhabited city presents the viewer with an interesting and open reflection.

This project bears witness to the period of lockdown through a selection of large-scale photographs that reflect the deserted streets and spaces of Bilbao such as La Salve Bridge, Elcano, the Metro and Calle Bailén, casting an almost unreal image that could represent the current situation anywhere in the world.

In the words of Ballester, “The human absence on the streets created unusual images of totally empty roads, avenues, and squares, but the most disturbing part was knowing that all the inhabitants were there, that they were just a few meters from me, protected within the walls of their homes. Despite being so close, silence reigned supreme.”

This portrait of the uninhabited city has many parallels with the artistic vision José Manuel Ballester has been developing for years through his impressive series of works called Hidden Spaces, in which he reinterprets key paintings in the history of art devoid of their characters, giving them a new artistic and human sense.

About the Guernica is a photographic reproduction printed on linen, the same size as Picasso’s original canvas, digitally treated to empty the space of all its human characters. Thus, the architectural interior, with its interplay of light and shadow, remains a silent witness to the bombing of Gernika in 1937. Ballester shifts Picasso’s chosen time sequence to a later time, in which all of the protagonists have disappeared, but in which, in the artist’s words, “the signs of the inhuman remain, as do the flames of the fire that still burns, like the flower that blossoms from the sword”.

The experience provided within the museum itself is complemented by a digital project that develops the concept of emptiness so strongly present in Ballester’s work, accessible from the Museum’s website. In addition, a book has been published that includes the series of twenty photographs taken by the artist in the streets of Bilbao alongside his reinterpretation of Picasso’s work, with comments by Carlos del Amor.

A Collaborative Project

This project is presented to the public in a time of restrictions. After the lockdown and the Museum’s temporary closure last spring, current mobility constraints and economic difficulties make it hard for initiatives to move forward. It is in these challenging times when collaborations and the sum of efforts acquire new value, working together to make a project became a reality.

[2020/03/15] José Manuel Ballester would have been impossible without the generous collaboration of three companies: Estudios Durero has been responsible for the production of the large-scale photographic reproductions with special high-quality printing solutions, in addition to the creation and publication of a homonymous book; Giroa-Veolia has carried out the installation and lighting of the works in the special context that we are going through, and LIN3S has developed the digital experience that, for the first time in the Museum, shows in an innovative way not only the pieces presented in the Museum space but also some others by the artist that complete his project for the Guggenheim Museum Bilbao.

 Hidden Spaces in the Museum Collection

José Manuel Ballester’s intervention on Guernica and on the other works included in the Hidden Spaces series is, in his own words “an attempt to bring into the present moment the events that motivated the creation of these works and to equate them with the current conflicts that exist in the world. These are events that scandalize and move us, but, at the same time, they fade away in our consciousness when they are far away.”

“When you strip paintings of their characters, you’re faced with a desolate, absurd landscape that brings out the horror in the wake of human savagery,” said Ballester.

Three works by José Manuel Ballester belonging to the Hidden Spaces series are present in the Guggenheim Museum Bilbao Collection: The Third of May (2008), The Royal Palace (2009) and The Raft of the Medusa(2010). These works are reinterpretations, respectively, of The 3rd of May 1808 (1814) by Francisco de Goya, Las Meninas (1656) by Diego Velázquez, and The Raft of the Medusa (1818–19) by Théodore Géricault.

RELATED ACTIVITIES
Session of bertsos Hustuari Hitzak (Words about Emptying Out)
Renowned bertsolaris Andoni Egaña and Maialen Lujanbio will offer a session of bertsos from the Museum gallery that houses the work About the Guernica and José Manuel Ballester’s images of uninhabited spaces. This session will be accessible via streaming.

A Conversation- January 14
Artist José Manuel Ballester, curator Petra Joos, and journalist Carlos del Amor will discuss the most relevant aspects of this unique project in a talk that can be followed both in person at the Museum Auditorium and via streaming. The experience can be found here.

Gaggenau Impossible Skies illustration by Mina Tocalini

Gaggenau Exhibition

From 9 July to 22 September, the luxury design brand Gaggenau and Cramum present in Milan the solo exhibition Impossible Skies by Davide Tranchina, curated by Sabino Maria Frassà. The works on display are mostly unpublished and are made with the off-camera technique for which the artist is famous.

The “distance” is the key concept to get closer to understanding the world of Davide Tranchina. Human beings have always been driven to look from the earth to the sky and the horizon. From such contemplation arise unsolvable ontological doubts that move mankind to act for better or for worse. But what the viewer sees, as often in Tranchina’s work, in reality does not exist and has never existed, so what we see today are deliberately “Impossible Skies”. The artist triggers a sensory short-circuit between perceived figuration and recorded reality that provokes a vertigo not only because of the distance between us and the sky, but also because of the ambiguity of the image itself. For Tranchina, art and photography do not record what we perceive, but rather an ontological reality, that is, they provide the elements to see what the human eye – a mere organ – alone cannot grasp.

Exhibition Information

Monday – Friday 10 am – 7pm

Gaggenau Hub, Corso Magenta 2, Milan

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Paradigm Gallery Presents “Obsolescence”

Paradigm Gallery + Studio (746 S 4th St) is pleased to present Obsolescence, a solo exhibition by Sweden-based artist Ulla-Stina Wikander, open October 25 – November 23, 2019. The artist’s first solo exhibition in the United States, Obsolescence, features new works from Wikander’s well-known series of household objects covered in colorful, vintage embroideries. Obsolescence will have a public opening reception on October 25 from 5:30 – 10:00pm.

Wikander began collecting vintage embroideries 15 years ago in antique stores and flea markets, initially attracted to the intricate designs of needlework textiles. Although Wikander was traditionally trained as a painter and sculptor, the unknown histories of the women who made the embroideries interested her and she began experimenting with her new collection. Wikander’s earliest experimentation with textile began with covering a broken vacuum cleaner she had laying around in her home. Through a meticulous process of deconstruction and reassembly, she transformed the anachronistic tool into something visually absorbing and entirely new, giving the vacuum a new reason to exist. Although not all of the objects Wikander covers are broken, they’re all out-dated. Through Wikander’s process, these retro items are transformed and recycled into fully contemporary sculptures.

On her practice Wikander says, “It is rather new for me to be a part of the textile community because I have always regarded myself as a painter and sculptor. While I do not embroider myself, I am always very meticulous when I choose my patterns.  Embroidery is very hard to find nowadays, so I often travel to small towns in Sweden to find them. I have a big collection with hundreds of embroideries, organized into boxes by motif. I do not know if it is accepted among textile artists, to cut embroideries into pieces, but I think my work is a bit different. I always have a bad feeling that I am destroying a beautiful embroidery that someone else has made, but the recycling of something forgotten also feels current and good”.

The latest artworks included in Wikander’s Obsolescence exhibition are suffused with humor and critical explorations of feminism, domesticity, and upcycling. Her intricate textile constructions are shaped by the forms that lie underneath – including irons, blow dryers, shoes, bags, lamps, books, and phones. Freshly adorned in coverings of flowers, animals, and pastoral scenes, the items transcend their former functionality and are simultaneously revelatory and recognizable. Wikander’s vibrant re-appropriations are evocative formal studies that defy categorization and illicit equal parts dissonance and delight.
About Ulla-Stina Wikander
Ulla-Stina Wikander was born 1957 in Kungälv. She is currently living in Stockholm/Kullavik, Sweden and has been working as an artist since 1986. Wikander has shown extensively around the world in solo and group exhibitions including shows in the United States, Sweden and the UK.
About Paradigm 
Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. To this day the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.
Jackson Hole Fine Art Fair, JHAF, 360 MAGAZINE, Image Courtesy of Lucas Ayoub

Jackson Hole Fine Art Fair

Jackson Hole Fine Art Fair (JHFAF) closed its first edition on Sunday, September 15, 2019, with strong sales and high attendance. Over the four-day event, JHFAF reports about 2,000 visitors with $2 million in sales. JHFAF brought out some of Jackson Hole’s most prominent locals, as well as new visitors, all excited to see the museum-quality fair presented within Jackson Hole’s thriving arts community.

The fair presented 50 exhibitors who brought works that they felt matched the personal aesthetics of the Jackson Hole community. Works ranged in genre and price from world-renowned artists like Maynard Dixon, Ed Mell, Billy Schenck, Eanger Irving Couse, Thomas Hart Benton, Andy Warhol, Alexander Calder, Ed Ruscha and Sam Francis. 

Fair Director Rick Friedman said, “Because JHFAF was the first international fine art fair in town, I think both collectors and exhibitors did not know what to expect. I’m so happy to report that all attendees I spoke to said it was far beyond their expectations. We heard the repeated comments, ‘loved it, fantastic, and terrific’ by fairgoers as they left the fair. We produced a multi-genre fair, with works within the Contemporary, Modern, Native American and Wildlife genres, with many of the early to mid 20th century pieces finding new homes. I see this as a breakthrough event that presented world-class and museum quality offerings across all of our showcased genres and I think the sales prove that. It was the wealthiest collectors as a percentage of the attendance of any of my fairs ever, over 10 years. ” 

Exhibitors reported strong sales with  Redfern Gallery, Nieto Fine Art, Mark Sublette Medicine Man Gallery, Montana Trails and Mongerson Gallery reporting mostly sold out booths. 

Throughout the weekend, guests were treated to special programs and events including artist Q&A’s with Barbara Van Cleve, Donald Martiny, Larry Pirnie and Sarah Winkler. During the fair, JHFAF also produced a silent auction, which raised money for its institutional partner, The National Museum of Wildlife Art. 

JHFAF presented several awards throughout the weekend including the 2019 Lifetime Achievement Award to the late John Nieto and the 2019 Art Collectors of the Year Award to Anne Phillip, the 2019 Sculptor of the Year award to Bart Walter and the Contemporary Artist of the Year award to Paul Villinski. Quotes from Galleries:

Local dealer, Miriam Diehl of Diehl Gallery said, “It’s been incredibly exciting to see an art fair of this caliber in Jackson Hole. It’s been wonderful to have so many like-minded dealers and the camaraderie among them has been amazing and encouraging. It’s been tremendously successful for us and we look forward to the second edition.”

John Nieto Gallery who was awarded the 2019 Lifetime Achievement Award for the late John Nieto said, “The visitors have been very quality. They know the work and the artist’s history. We’ve even had a lot of collectors who own Nieto’s work come by. There have been many great conversations about art.” 

Rey Redfern of Redfern Gallery said, “The show has been much more than I expected. I’ve met a lot of people and I’ve sold a lot of paintings. They’ve been paintings I’ve had tucked away for a long time, but they’re high quality and that’s why they sold.” 

Brenda Linscott from Endeavor Fine Art said, “We had a chance to bond with our space and develop a sampling of five of our artists who we’ve worked with for many years. It’s been so nice for us to see our artists in a visual conversation with other artists at the fair. To walk through the show and see what everyone else brought has been really incredible too. There really is room for everyone.” 

Thomas Paul of Thomas Paul Fine Art said, “JHFAF did a great job putting this  fair together with such an excellent variety of artists on display. It was so nice to see such a powerful exhibition of contemporary art  brought to Jackson Hole.” 

2019 Galleries: 917 Fine Arts (Miami Beach), Abend Gallery (Denver), Addison Rowe Fine Art (Santa Fe), NM Andrew Smith Gallery (Tucson), Bill Hester Fine Art (Santa Fe) Bonhams (LA, NYC, London), Calabi Gallery (Santa Rosa) Childs Gallery (Boston), Diehl Gallery (Jackson), The Directed Art Modern Gallery (Miami), Elizabeth Gordon Gallery (Santa Barbara), Endeavor Fine Art (Nashville), Faust II (Santa Fe, Scottsdale),Gail Severn Gallery (Ketchum), Gallery 1261 (Denver), Gary Snyder Fine Art (NYC, Bozeman),GF Contemporary (Santa Fe), Green River Stone Company (Logan), HG Contemporary Art (Flushing), ILIAD (New York), Imago Galleries (Palm Desert), J Klein Gallery (Scottsdale), James Compton Gallery (Santa Fe), K Contemporary (Denver), Kiechel Fine Art (Lincoln), L.A. Design (Missoula), Legend Nano Gallery (Carlsbad), Mai Wyn Fine Art (Denver), Mark Sublette Medicine Man Gallery (Tucson), Matthew Rowe Fine Art (Santa Fe), Maynard Dixon Museum (Tucson), Melissa Morgan Fine Art (Palm Desert) Mike Clark Fine Art (Billings), Nieto Fine Art (Rockwall), Patricia Qualls Contemporary Art (Carmel Valley), Peace Waters Collective (San Diego), Prescott Gallery & Sculpture Garden (Santa Fe), Redfern Gallery (Laguna Beach), Rehs Contemporary Galleries, Inc., (New York), Seagrave Gallery (Santa Cruz), Steidel Contemporary (Lake Worth), Stevens Fine Art (Phoenix), Studio Greytak (Missoula),T.H. Brennen Fine Art (Scottsdale), Tayloe Piggott Gallery (Jackson), Thomas Paul Fine Art  (West Hollywood),Timothy Yarger Fine Art (Los Angeles), Waddell Gallery (Scottsdale), Walker Fine Art, LTD (New York), Wilde Meyer Gallery (Scottsdale), Woolff Gallery (London).2019 Sponsors: American Art Collector, artnet,​ Art Collector’s Athenaeum, Bonhams Auction House, Family Management Corporation, George B. Stroer Foundation, Grand Teton National Park,  Jackson Hole Community Radio, Jackson Hole Conservation Alliance, Jackson Hole Public Art, Montanya Distillers, Mountain Living, 96.9 The Mountain KMTN Radio, The National Museum of Wildlife Art, Snow King Hotel, Teton Distillery, Wyoming Arts Council, Young’s Market  
Venue: Snow King Sports and Events Center (100 E Snow King Ave)

About Jackson Hole Fine Art Fair
The Jackson Hole Fine Art Fair is the latest addition to the luxury, regional fairs produced under the leadership of Fair Director, Rick Friedman. Other fairs produced by Friedman include: the Hamptons, Aspen, Houston, San Francisco, Palm Springs, Silicon Valley and Philadelphia. JHFAF is excited to contribute to Jackson Hole’s vibrant arts community. 2019 Sponsors: American Art Collector, artnet,​ Art Collector’s Athenaeum, Bonhams Auction House, Family Management Corporation, George B. Stroer Foundation, Grand Teton National Park,  Jackson Hole Community Radio, Jackson Hole Conservation Alliance, Jackson Hole Public Art, Montanya Distillers, Mountain Living, 96.9 The Mountain KMTN Radio, The National Museum of Wildlife Art, Snow King Hotel, Teton Distillery, Wyoming Arts Council, Young’s Market 

Image Courtesy of Lucas Ayoub. 

New Summer Experiences at Toscana Resort Castelfalfi in Tuscany

 Toscana Resort astelfalfi, one of Europe’s finest eco-sustainable retreats in the heart of Tuscany, is pleased to announce its summer calendar of engaging events and immersive experiences. Including a new spa collaboration with LAJATICA featuring a range of innovative wine-based treatments; the second edition of OltreColle, a food, crafts and music festival; and an art exhibition showcasing works from the region’s own acclaimed sculptor Franco Mauro Franchi, the resort further demonstrates its connection to the landscape and resident community through the following exciting roster of activities.

NEW SPA COLLABORATION WITH LAJATICA FEATURES GRAPE-BASED TREATMENTS

  • Housed in Il Castelfalfi, the resort’s five-star hotel, La Spa extends a range of soothing treatments made from local, organic ingredients and provides an idyllic place to find calm, in keeping with the hotel’s dedication to holistic wellbeing. An 11,000 square-foot rejuvenating sanitarium, La Spa boasts a wide range of spiritual treatments and nature-inspired beauty rituals, indoor and outdoor pools, Finnish and bio saunas, sensory showers and relaxation areas. From this month, the spa is collaborating with Bocelli Wines to offer guests an organic, grape-based range of facial and body treatments, furthering the resort’s ongoing efforts to lead Italy’s green movement from within the hospitality industry. Created locally in Tuscany, the LAJATICA vinotherapy products are made entirely from the by-products of wine produced at the Bocelli family vineyards and blended with Tuscan plants and essential oils. Helping to reduce the signs of aging, boost circulation, and promote brighter skin, these products can be enjoyed by guests during indulging treatments on the property or by purchasing to use at home.

CASTELFALFI CELEBRATES RICH TUSCAN CULTURE WITH SECOND ANNUAL OLTRECOLLE FESTIVAL

  • After a successful first edition, the second OltreColle festival is scheduled to take place in Castelfalfi from June 29 – 30, 2019. The two-day festival will feature live acoustic, jazz and blues concerts, contemporary and street art installations, theater performances, colorful parades, vintage flea markets, and Italian street food – all overlooking the Tuscan countryside. A collective exhibition of artists, musicians, and sculptors from all over Tuscany, OltreColle extends the opportunity for guests to mix and mingle with dozens of unique Italian artisans and purveyors over the course of the weekend. Access to the festival is complimentary for hotel guests and Castelfalfi property owners.

INAUGURAL ART EXHIBITION OPENS UP THE CELLARS OF CASTELFALFI CASTLE

  • Paying homage to the rich history of Castelfalfi, guests of Toscana Resort Castelfalfi can now experience a new GEA art exhibition over the summer months curated by Alberto Bartalini. A celebration of life and rebirth, the exhibit embodies the renaissance of Toscana Resort Castelfalfi through the work of Italian sculptor Franco Mauro Franchi and will run through January 6, 2020. Dotted across various locales, part of the exhibition will be displayed within the cellars of Castelfalfi Castle, a space that has been hidden to the public for decades. Originally used as prison cells at the turn of the nineteenth century, the vaults gradually transitioned their purpose over the years, to become wine cellars and then a backdrop for the classic children’s film Pinocchio by Roberto Benigni. A hugely significant piece in the history of Castelfalfi, the official unveiling of the Castle Cellars is a noteworthy event for the estate. Now, for the first time ever, guests and the local community can experience the cellars first-hand.

Visitors looking to experience this summer’s guest programming can take advantage of the Castelfalfi You & Me offer, which includes two nights of accommodations at Il Castelfalfi – TUI BLUE SELECTION, a member of the Preferred Hotels & Resorts L.V.X. Collection; one dinner for two at La Via del Sale; and one spa treatment for two at La Spa, starting at US$952 for two persons, for two nights. To book, please visit www.castelfalfi.com. For more information on news and events, sign up for the Toscana Resort Castelfalfi newsletter at www.castelfalfi.com/en/newsletter.

About Toscana Resort Castelfalfi:

Situated in the heart of the medieval village of Castelfalfi, Toscana Resort Castelfalfi – a member of the Preferred Hotels & Resorts L.V.X. Collection – sits amidst 2,700 acres of protected vineyards, olive groves, lakes, and a wildlife reserve. Since its launch in 2007 by TUI Group, one of the world’s leading tourism companies, the resort is committed to providing an authentic and luxurious Tuscan experience that promotes eco-sustainability and supports the local community through luxury hospitality and organic wine and olive oil production. Comprising luxury apartments, villas, and farmhouses to purchase and rent, Hotel Il Castelfalfi – TUI BLUE SELECTION, Hotel La Tabaccaia, the region’s largest championship golf course, a deluxe spa, restaurants, and bars, Toscana Resort Castelfalfi welcomes travelers and those seeking real estate opportunities to explore, experience, and dwell in its spectacular natural setting.

Kevin Bourgeois: Wall Of Sound

Olsen Gruin announces Wall of Sound, an exhibition featuring music-inspired multimedia works by Kevin Bourgeois. The anticipated show comprises a curated selection of collage and acrylic compositions on wood panel.

Music has always been an intrinsic element in Bourgeois’ creative process and daily routine. “I consider it a universal cultural language with many diverse incarnations and forms,” he affirms. Wall of Sound turns its focus toward the visual art that complements the vast lexicon of music.

The phrase “Wall of Sound” was originally devised to describe Phil Spector’s production methods. According to Spector, the aim was “to create a dense aesthetic critical shorthand, mixed well enough that the audience would then perceive each of the different combinations as one distinct sound or form.” This concept mirrors the augmenting process Bourgeois implemented in creating this body of work.

Through collage Bourgeois seeks to transform the literal imagery of each album’s formal narrative. His process of embellishment and jigsaw remixing of multiple record jacket sources results in an alternative visual dialogue and imbues an abstracted or figurative aesthetic to be interpreted by the viewer.

Barthélémy Toguo Exhibition

BARTHÉLÉMY TOGUO

SECRET EVIDENCE

Opening: Friday, 21 September 2018 | 6 – 9 PM
Exhibition continues: 22 September – 30 November 2018

Robert Grunenberg Berlin
Marburger Strasse 3, 10789 Berlin

In his first-ever solo exhibition at a German gallery, this Cameroonian artist undertakes a critical examination of the today’s political climate around the world, as well as the psychological implications of the human condition. The exhibition will include historical key works dating back to 1999, as well as brand new works.

Addressing social and environmental issues, his works are fueled by his personal experiences as an African in Europe. His studies of urgent challenges such as discrimination, alienation, and cross-border relations transcend cultural distinctions. Besides installations encompassing photography, performance, and video art, he integrates enigmatic watercolors into his output that figure as poetic vessels of hope amid the social and political critique his oeuvre articulates. Like his other works, they are based on a probing engagement with cultural realities. Fraught will allegorical significance derived from indigenous myths and rituals, they inquire into the foundations of human existence and dare to envision the body’s inward psyche.

The large-format drawings on paper, many of them mounted on canvas backing, unfold fantasies of a human and vegetative metamorphosis and create a living symbiosis between man and nature. The translucent watercolors convey an expression of vigor as well as fragility, its form spreading graphically across the white and strangely cathartic paper. Proliferating entrails, as vital as they are brutal, grow out of the human body and explode physical as well as mental boundaries. Man’s existence appears grotesque and sublime at once as he is both deformed and enhanced.

360, 360 Magazine, Vaughn Lowery,360, 360 Magazine, Vaughn Lowery,

About the Artist

Barthélémy Toguo was born in 1967 in Cameroon and lives between Paris and Bandjoun. He trained at the École Nationale Supérieure des Beaux-Arts in Abidjan, Ivory Coast; the École Supérieure d’Art in Grenoble, France; and the Kunstakademie, Düsseldorf, Germany. He founded Bandjoun Station, a centre for artistic exchange between local and international artists featuring residencies, an exhibition space, a library and plantations in Bandjoun, Cameroon, in 2007.

Solo shows have taken place at institutions including the Parrish Art Museum, New York; Uppsala Art Museum, Sweden; Musée d’art contemporain de Sainte Etiennne, France; La Verrière by Hermès, Brussels, Belgium and Fundaçao Gulbenkian, Lisbon. Notable group shows include Paris 7th Echigo-Tsumari Art Triennale, Japan (2018); Homo Planta at Fondation Blachère (2018); The Red Hour, the 13th Dakar Biennale (2018); Art/ Afrique, le nouvel atelier at Fondation Louis Vuitton (2017); All The World’s Futures at the Venice Biennale (2015); Body Language at the Studio Museum in Harlem, New York (2013); La Triennale: Intense Proximity, Palais de Tokyo, Paris (2012); the 11th Havana Biennial (2012); A terrible beauty is born, 11th Biennale de Lyon, France; the 18th Sydney Biennale (2011); and Laughing in a Foreign Language, Hayward Gallery, London (2008).

In 2011, Toguo was made a Knight of the Order of Arts and Literature in France. He was shortlisted for the Prix Marcel Duchamp in 2016. His work is in the collections of the Centre Georges Pompidou, Paris; Museum of Modern Art, New York; Studio Museum in Harlem, New York; Musée d’art contemporain, Lyon; Fondation Louis Vuitton; and Kunstsammlung der Stadt, Düsseldorf, among others.