Posts tagged with "artwork"

Def Jam Recordings × Marvel Comics – Black Panther

Def Jam Recordings and Marvel Comics – two iconic brands who have left an indelible stamp on popular culture the world over – today announce a special collaboration designed to integrate the voices of young Black creatives with one of the most transformative characters and storylines in graphic arts history: Black Panther. Three of Def Jam’s rising stars – Saint Bodhi, Bobby Sessions, and Kaash Paige – will each contribute character-driven short stories in Black Panther #23, #24, and #25, the last three issues of the “Intergalactic Empire” saga from the acclaimed creative team featuring writer Ta-Nehisi Coates and artist Daniel Acuna.

Black PIn celebration of Black History Month, arriving February 24th, Black Panther #23 will see buzzing South-Central-LA singer/songwriter Saint Bodhi share her take on Storm for an emotional story grounded in tragedy and acceptance.  One month later in issue #24, Dallas-native, revolutionary rapper Bobby Sessions will tell a story about the King of Wakanda Black Panther himself.  And in the series finale issue #25 in April, “Toxic R&B” breakout star Kaash Paige will forge a tale about Wakandan Princess Shuri and the power of knowledge. Aligned with the Def Jam Forward initiative to promote social, economic, and educational equality, each three-page story will also feature an exclusive one-page Def Jam artist profile.

“Bringing these two logos together was a dream,” said Def Jam partnerships consultant Jonathan Rheingold. “There was a mutual desire to unite these two great brands for a mission and a cause — leveraging Def Jam’s rising stars and the legendary Marvel characters to tell powerful stories that would make an emotional connection with fans of both cultures.”

Bodhi, Sessions and Paige are stepping into comics for the first time within these highly anticipated issues, but each of the Def Jam artists have a long-standing passion for Marvel and the world of comics and graphic arts in general. And like the inspirations behind their latest albums, the challenges faced by Marvel’s heroes are not so far removed from their own. “My album Mad World is a raw, honest, and very personal journey into my life and upbringing in South Central L.A.,” Saint Bodhi writes. “I grew up with a not-so-normal past.  I say the things people are afraid to say. I let you experience the ‘mad world’ that is my life.”

Similarly, “Teenage Fever is my debut album and it was important for me to capture my last year of being a teen through my music,” says 20-year old Kaash. “This chapter of my life is coming to an end so I wanted to put all my experiences into a document that will live forever.”

“My album Manifest is a guide for people to transform into the greatest version of themselves,” Sessions concludes.  “A body of work that will lead people to find their inner super hero!”

Bodhi, Sessions, and Paige will bring their short stories to life alongside some of Marvel’s most talented comic book writers and artists. Kicking off with her Storm story in Black Panther #23, Bodhi will be joined by co-writer Danny Lore, artist Alitha Martinez, and colorist Rachelle Rosenberg. Don’t miss this iconic new issue of Black Panther and Bodhi’s Marvel Comics debut, on stands in comic shops everywhere February 24th! As a bonus, Bodhi’s debut story will also be included in Marvel’s Voices: Legacy #1, a celebration of Black voices and artists, on sale the same day.

Over the next week, fans can tune in to Marvel’s podcasts on SiriusXM including This Week in Marvel, Women of Marvel, and Marvel’s Pull List to hear from these artists making their Marvel debuts. More information about Sessions and Paige’s stories will be released in the coming weeks.

About Def Jam Recordings

Founded in 1984, Def Jam Recordings has represented the cutting-edge in hip-hop music for more than 35 years. Def Jam began as a maverick independent label inspired by downtown New York City’s vibrant street culture and the emerging sound of hip-hop, pioneered by iconic stars like LL Cool J, Slick Rick, The Beastie Boys and Public Enemy. Over the following two decades, Def Jam established its dominance with superstar acts like Jay-Z, DMX, Ja Rule, Method Man & Redman, Ludacris, Rihanna, Jeezy, and the inimitable Kanye West. Now in its fourth decade, Def Jam’s music and lifestyle has grown into a global brand – synonymous with creativity, quality and authenticity – encompassing a diverse roster of marquee and emerging stars like West, Justin Bieber, Alessia Cara, Logic, Pusha T, Jadakiss, Vince Staples, Jeremih, Big Sean, YG, 2 Chainz, Dave East, and Jhene Aiko, among others. Today, Def Jam has reaffirmed its passion for and commitment to hip-hop culture, and has expanded its global brand reach to become the most-followed major label on all major social media platforms.

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.

For more information visit marvel.com.

© 2021 MARVEL

About Def Jam Forward

Def Jam Forward is a task force committed to fostering a community that values, promotes and demands respect, freedom, equal opportunity and justice for Black lives.

Our goal is social, economic and educational equality for every Black person in our community, starting with our own artists, staff and colleagues. Our commitment to equality means we will examine and amend our internal practices, as well as support organizations on the frontlines of the fight for change.

As a company, we are uniquely positioned to be a thought leader within the music industry and the world at large. As members of this task force, and ambassadors of its message, it is imperative that we embody and implement a roadmap to lasting and meaningful change.

MarvelXDefJam – Storm

Kaelen Felix Self Portrait for 360 Magazine

Artist Kaelen Felix

As a native of St. Louis, Missouri, Kaelen Felix is a graduate of Memphis College of Art with a Bachelor of Fine Art in Illustration (2018). When she was an undergraduate, she interned for Jabberblabber Earth Family Magazine, a monthly magazine with over 100,000 readers in the tri-state area. In October 2017, her illustration of their Jabberblabber character was featured on the front cover of the grandparent issue. That publication is an achievement for Kaelen as an undergraduate while looking back; she couldn’t be more thrilled to be a part of it. The experience allowed her to define her artistic skills and to pursue a career in publishing.

Ms. Felix began her career as an artist when she was two years old! Six months later, Kaelen discovered her calling is to pursue art in illustration for books. As a child, art came naturally to Kaelen. Her tenacious desire allowed Kaelen to use her artistic ability to create storytelling book scenes from her imagination. She would often pay attention to how the light was casting on dolls and toys. She would create still-life and draw from observation for hours. Kaelen’s desire to spend a whole day on art made her heart complete as it showed her passion for capturing the light source and balancing the shadows became evident she could do it! Her favorite artist from the impression period, Vincent Van Gogh, inspired her whimsical style. The intricate details in her woodwork and water show her forte for a whimsy pattern.

Kaelen’s illustration career officially started in 2018. After completing undergrad, Kaelen collaborated with a remote author to illustrate a 32-page children’s book, A Colorful Balloon Ride (2018). At 23, Kaelen became a published illustrator and then collaborated with another children’s book author and created a 60-page book, Freddy the Foster Frog: Finds a Friendly Family (2020).

Currently, Kaelen is working on several collaborative projects, illustrating book 2 of the Freddy the Foster Frog series and acting as an illustrative editor for a soon to be published children’s book. In December 2020, Kaelen became an award-winning Best Book Illustrator for Freddy the Foster Frog from the SABA (Sound Advice Book Awards) in England!

Kaelen is a current intern for 360 Magazine (remotely), which is an edgy and fashion-forward company located in downtown Los Angeles, California. She illustrates topics such as celebrities, food, culture, and present news topics that coincide with political and other climate-changing current news. She thrives on creative and innovative illustrations that create a stylized and pop-art feel similar to Andy Warhol. Kaelen loves taking on any new challenge while being an intern at 360 Magazine as she embraced their well-known publications, print magazine, and brand identity.

Kaelen has a wide range of experience from illustrating magazine work to illustrating and designing two children’s books. Ms. Felix strongly believes collaboration is the key to creating a cohesive portfolio of work illustration or design. When illustrating the books, she always has a process of starting with reading the manuscript story, then it becomes a matter of how many illustrations need to be done in a timely or monthly manner. Finally, it comes down to a deadline and meeting that goal to be proficient in the business world. The process for all her commissioned pieces starts with brainstorming an idea from imagination and putting that idea on paper. She converses back and forth with clients to ensure their goals and visions are met! If she gets the final approval then, she applies the small thumbnail sketch onto the larger paper or digital platform.

Her inspiration as a kid also came from animals living in eco-friendly environments and creating characters with child-like style in my whimsical way. As far as the digital designs go, those vary in terms of how the style and vision come about from the client. Especially for 360 magazine, it’s a matter of not overthinking the process and trusting her instincts to create a work the magazine’s audience would be attracted to.

Ms. Felix works in areas from traditional illustrative mediums to digital graphics and print production art materials. Her areas of expertise include production art, illustration, print production art, and graphic art/design; she has over a couple of years of experience in those fields as she continues to work on fine-tuning her craft. Ms. Felix hopes to continue her illustration work while learning more about graphic design, brand identity, and the print packaging experience in a creative field from five to ten years down the line. Someday, she too is hoping to publish her own children’s book from her animal illustrations on her website! It’s always been a long-term goal to become a published illustrator and designer, and the Memphis College of Art, coupled with 360 Magazine allows her to follow her dream since the day she knew it could happen.

For more information on her upcoming publications, illustration, designs, and more: check out her Twitter, Instagram and LinkedIn.

Artwork for 360 Magazine

GRAPHIC ART TRENDS FOR 2021

Artwork is often the center of a home and brings life and character to a space. As time progresses, artwork trends change and as the new season approaches new art trends are arising. 

With the start of a new year, Desino is excited to present the graphic art trending this spring! Abstract art is at the forefront for the coming season, with organic shapes, arches and geometric lines adding an artsy element to our walls. Check out the latest graphic prints created by our very own Design Studio.

ARCHED DESIGNS

The rounded arch can be spotted through architectural history, and this year the classic curved shape is leading the way in the interior world. Arched furniture, doorways and home accessories are being spotted everywhere! This spring we’ll be decorating our walls with arched designs that bring a classic and stylish feel to our homes. Many people have used the arched design as a makeshift headboard, a DIY that blends in with the trends. 

ORGANIC SHAPES

For abstract art lovers, the organic shapes coming this spring are the perfect addition to your walls! Featuring warm, earthy tones, this graphic art featuring soft shapes and curves will bring a fresh feel to your gallery wall. These pair perfectly with less abstract pieces of art and tie together any gallery wall. 

FIGURATIVE FUTURE

In contrast to the abstract art trending right now, figurative art is coming on strong this season. With a more simplistic approach to this art style, we’re loving these simple portrait drawings honoring our human shapes. These pieces of art encapsulate the beauty of human features. 

GEOMETRIC STRIPES

Monochrome art complements all kinds of interior styles and this season we’re embracing these geometric patterns in black and white. A great choice if you want a modern accent piece for your wall, these graphic prints will look great in minimalist and colorful homes alike. Pairing these with silhouettes, as seen in the gallery wall below, instantly creates a beautiful contemporary wall. 

Visit desenio.com for more graphic gallery walls and inspiration.

Artwork for 360 Magazine
Artwork for 360 Magazine
Artwork for 360 Magazine

Immersive Van Gogh To Continue Through Sept. 6 in Chicago

Lighthouse ArtSpace Chicago, a new venue within Chicago’s recently renovated landmark Germania Club Building, today announced that due to popular demand the U.S. premiere of the blockbuster art experience Immersive Van Gogh Exhibit will extend its dates through Labor Day after having sold out the initial block of tickets. The Exhibit will open one hour earlier at 9 a.m. and will offer Saturday afternoon VIP and Premium tickets in February and March. Tickets go on sale Saturday, Jan. 30 at 9 a.m. at vangoghchicago.com and by phone at 844-307-4644.

Lighthouse ArtSpace Chicago, a three-story facility located at 108 W. Germania Place, is dedicated to immersive art presentations, merging the boundaries between entertainment and culture to give visitors the sense that they are encountering art as never before. Utilizing the building’s Victorian Era architectural details, 35-foot-tall walls and multiple levels (including balconies), the venue will present vibrant immersive art exhibitions that surround the viewer on all sides.

The venue’s first presentation, Immersive Van Gogh, is a visually spectacular digital art exhibition that recently received widespread critical acclaim during its debut in Toronto. Immersive Van Gogh invites audiences to “step inside” the iconic works of post-Impressionist artist Vincent van Gogh, evoking his highly emotional and chaotic inner consciousness through art, light, music, movement and imagination. The Italian creative team who pioneered digital experiences in Paris will create a custom design to fit the gracious Neo-Classical architecture of the exhibition’s Chicago home.

The hour-long, walk-through experience has been designed with health and safety as a priority. Capacity will be limited in accordance with the City of Chicago’s safety protocols.  Additional safety precautions include touchless ticket-taking, temperature checks upon arrival, hand sanitizer stations, social distancing markers throughout the venue, and digitally projected social distancing circles on the gallery floors to ensure appropriate spacing. All guests must wear a face covering at all times during their visit to Lighthouse ArtSpace Chicago.

Immersive Van Gogh was designed by creative director and Italian film producer Massimiliano Siccardi, with original, mood-setting music by Italian multimedia composer Luca Longobardi, who provided a score that combines experimental electronic music with pure, ethereal and simple-seeming piano. Vittorio Guidotti is the Art Director. Siccardi and Longobardi are both pioneers of immersive digital art experiences in Paris, where they were part of the team that created the world-renownedVan Gogh, Starry Night exhibition, among others. With more than 70 projectors illuminating over 15,000 square-feet, visitors to Immersive Van Gogh will be encircled from head-to-toe in Van Gogh’s brushstrokes and colors, including animated details from works such as Self Portrait with Felt Hat (1888), The Bedroom in Arles (1889), Irises (1889) and The Starry Night (1889).

Immersive Van Gogh is a new way of encountering art, as it quite literally surrounds viewers on all sides with the brilliant work of one of the greatest painters of all time,” said Immersive Art Space Co-Producer Corey Ross. “Both connoisseurs and new admirers of Van Gogh’s work are guaranteed a breathtaking perspective on the influential artist’s oeuvre. Merging state-of-the-art technology, theatrical storytelling, animation and some of the finest works of art ever created, Immersive Van Gogh is a uniquely mesmerizing experience that seemingly transports the viewer into the artist’s mind to see these timeless works as never before.”

“Despite being unknown throughout his life, Van Gogh’s artwork has created a lasting impact through its emotional richness and simple beauty,” said Massimiliano Siccardi, Immersive Van Gogh designer. “Both myself and Luca Longobardi are very excited to visit Chicago and once again bring Van Gogh’s legacy to life in a way that is unique to the beautiful architecture of the Germania Club Building.”

The premiere of Immersive Van Gogh, which opened in Toronto this past July, has already received rave reviews from critics around the world. The Toronto Sun pronounced it, “intense and emotional, cathartic and liberating” and Debra Yeo of the Toronto Star reflected, “I wondered: could projections of paintings on walls and floors be thrilling? The answer is yes.” Called “dazzling” by Lonely Planet and a “blockbuster digital experience that has taken the art world by storm” by artnet news, the exhibition can be summed up by CTV’s description, “a completely new way of encountering art.” Immersive Van Gogh has already been enjoyed by more than 180,000 guests since its debut in Toronto during the pandemic in July 2020. During July and August 2020, according to Ticketmaster, it has surpassed worldwide ticket sales for any of the ticketing platform’s live cultural events.

Lighthouse ArtSpace Chicago is operated by Immersive Art Space LP, a partnership between co-producers Corey Ross, Svetlana Dvoretsky, Maria Shclover and Irina Shabshis. The venue also will feature a merchandise/gift shop and café. Future plans include additional immersive art shows as well as live performances.

Ticket prices start at $39.99 for adults ($24.99 for children 16 or younger) with untimed and flexible ticket options available. Beginning Saturday, Jan. 30, tickets will be on sale Feb. 11 through Sept. 6, 2021. The venue is easily accessible by public transportation and has ample parking in the nearby James House parking garage. For more information aboutImmersive Van Gogh, visit vangoghchicago.com or call 844-307-4644.  Follow the exhibition on social media at @vangoghchicago onFacebook, Instagram and Twitter.

ABOUT THE PRODUCERS AND CREATIVE TEAM

MASSIMILIANO SICCARDI, Artistic Creator

Massimiliano studied at the London School of Contemporary Dance of London. But in 1990, he left the world of dance to begin a new journey in the world of video art. Massimiliano quickly became the artistic force behind several visual mise-en-scène for choreographers around the world. He also created video scenographies for numerous prestigious festivals and galas around the world. He also re-constructed the video mapping of the Basilica di Giotto and for the Teatro Petruzzelli of Bari, where one of his permanent installation’s virtually reconstruct the frescoes of the Cupola. Massimiliano is also a celebrated photographer and has had photo exhibitions in Spoleto and Rome, to name a few. He is professor of digital image elaboration at the Accademia di Comunicazione e Immagine of Rome. In 2012 Massimiliano received the prestigious International Award “Romaindanza” for his talent in the visual work of dance theatre. Since 2012, he has been artist in residence at the Carrières de Lumières – Atelier des Lumières where he authored the mise-en-scène of numerous immersive shows. He is currently creating projects within Italy as well as New York, Berlin, Leipzig and Rome.

LUCA LONGOBARDI, Composer

Italian composer and pianist Luca Longobardi is a classically trained musician who incorporates the contemporary electronic music into his pieces. Born in 1976, Longobardi studied classical music in Italy and New York and went on to earn his doctorate in digital audio restoration in Rome in 2011. His works reveal a strong interaction between classical and contemporary music. The experience he has gained as a theatre musician has increased his interest in the relationship between sounds and spectacle; he has composed music for ballets and films and accompanied installations and experimental art productions (Atelier de Lumières – Paris,Carrière des Lumières – Baux-de-Provence, Kunstkraftwerk – Leipzig). At his multimedia performances and in his recordings, strong experimental electronic music meets pure, ethereal and simple-seeming piano playing that nevertheless relays deep emotions.

COREY ROSS, Co-Producer

Founded in Toronto in 2003 by Corey Ross, Starvox Entertainment has ranked in Profit Magazine’s Fastest growing Canadian companies for 5 years in a row. Starvox produces, manages, represents and promotes cross-over performing arts shows and exhibitions that tour Canada, the United States and internationally. Ross has produced multiple theatrical shows in Chicago including the Harry Potter parody Potted Potter, Evil Dead The Musical, Champions of Magic and Sherlock Holmes. In Las Vegas, Ross produces three shows for Caesars Entertainment—Wow, Extravaganza and Potted Potter.  In the world of art exhibitions, Ross produces the Art of Banksy in London, Canada, the USA and Taiwan, as well as Immersive Van Gogh and Illusionarium in Toronto.

SVETLANA DVORETSKY, Co-Producer

Toronto’s Show One Productions was founded in 2004 by the enterprising Russian born impresario Svetlana Dvoretsky. Initially focused on classical music, the company has since expanded greatly and is now a leading presenter of high-profile International artists, symphony orchestras, theatre and dance companies and special projects. The company is especially proud of its presentations of Mikhail Baryshnikov, John Malkovich, Michel Legrand, Slava’s Snow Show, Valery Gergiev and the Mariinsky Orchestra, Vladimir Spivakov and the Moscow Virtuosi, Eifman Ballet, the Vakhtangov Theatre, opera stars sopranos Sondra Radvanovsky and Hibla Gerzmava, and the late baritone Dmitri Hvorostovsky. Trio Magnifico Opera Gala – the historic union and once-in-a-lifetime event at The Four Seasons Opera House of soprano Anna Netrebko and tenor Yusif Eyvazov in their Toronto debuts, with Hvorostovsky in his last Toronto appearance – remains an exceptional musical memory in the history of the performing arts in Canada. Dvoretsky is a proud recipient of the Order of York by the Government of Canada for “an outstanding contribution in art and culture.”

MARIA SHCLOVER and IRINA SHABSHIS, Co-Producers

New York-based Maestro Immersive Arts is the latest creative venture by Maria Shclover and Irina Shabshis, in partnership with Lighthouse Immersive (Canada) to introduce the immersive art genre in major markets across the United States.

Shclover is a classically trained pianist who later became a finance and international business professional, after graduating from NYU Stern School of Business. With extensive finance experience under her belt, Shclover founded Maestro Artist Management in 2004 that initially concentrated on presenting classical music and special events.

Shabshis joined Maestro Artist Management in 2005, with a classical music background and vast computer science experience. Maestro Artist Management focused on providing a bespoke experience to international artists and over the years became one of the leading boutique artist management companies that presented international tours of such legendary classical musicians as Yuri Bashmet, Olga Kern, Denis Matsuev, Mischa Maysky, Vadim Repin, Vladimir Spivakov and Dmitri Hvorostovsky. Together, the company presented more than 1,000 events and sold more than 700,000 tickets, working with international stars such as Michel Legrand, John Malkovich, Mikhail Baryshnikov and many others. As a presenter of some of the world’s best talent in the international performing arts, the company closely collaborated and partnered with some of the most prestigious art organizations, such as Carnegie Hall, Lincoln Center, Kennedy Center, The Metropolitan Opera and various Broadway productions.

In 2012, Shclover and Shabshis formed a non-profit organization, Cherry Orchard Festival Foundation, to introduce international theatrical projects and acclaimed performers to American audiences. Festival has been a summer staple in New York and beyond, and received rave reviews from critics and audiences, welcoming such prominent international companies and projects as Gesher Theatre (Israel), John Malkovich and the international cast of Giacomo Variations (Austria), The Theatre of Nations (Russia), Vakhtangov State Theatre (Russia), Jaunais Rīgas Teātris (Latvia), Tango Fire Dance Company (Argentina), Rafael Amargo Flamenco Company (Spain), The Moscow Virtuosi Chamber Orchestra (Russia), Max Raabe & Palast Orchester (Germany), Theatre-Atelier Piotr Fomenko (Russia) and many more. In 2018, Shclover and Shabshis founded yet another venture, the Russian Film Week USA, an annual showcase of both independent and artistic films that represent the dynamic landscape of Russian filmmaking today. The festival received a resounding welcome from critics and audiences, and is continuing through January 29, 2021.

ABOUT VINCENT VAN GOGH

Legendary Dutch painter Vincent van Gogh (1853 – 1890) is recognized as one of the world’s greatest and best loved artists. He was born in the Netherlands to his father, Theodorus van Gogh, and his mother, Anna Cornelia Carbentus, a moody artist whose love of nature, drawing and watercolors was passed on to her son. He worked at his uncle Cornelis’ art dealership when he had already been fluent in French, German and English, as well as his native Dutch. He fell in love with English culture when he was transferred to the Groupil Gallery in London in 1873.

During his short life he painted more than 2,000 artworks ranging from ordinary household items and self-portraits to surreal landscapes that inspire awe. Van Gogh was a post-Impressionist painter whose work — notable for its beauty, emotion and color — highly influenced expressionism in 20th-century art. He struggled with mental illness and remained poor and virtually unknown throughout his life.

He was tragically admitted to a psychiatric hospital after offering his severed ear to a woman at a local brothel. For hope, he turned to painting and nature, until one day when he went out to paint in the morning with a loaded pistol in his hand and reportedly shot himself in the chest. In his 37 years alive, Van Gogh only sold one painting, The Red Vineyards, to his brother Theo.

Couple at Immersive Vincent Van Gogh exhibit.

Immersive Van Gogh Exhibit

Alliances By Alisa Art Licensing

When engaged couple Alisa Picerno and Alan Giana first met, they soon realized that they shared a common foundation of business savvy, faith, and creativity.  Now, the pair has melded their similar drive and determination for success to become partners in a new venture, an art licensing agency called Alliances By Alisa Art Licensing. The agency already boasts an impressive roster of award-winning, international artists and fine art photographers. It markets their artwork to prominent print, puzzle, publishing, greeting card and textile companies.

“The idea for us to combine our professional experiences and launch the company came as the coronavirus pandemic immediately impacted my other business,” explained Picerno. “Like most owners of small companies, I needed to pivot in order to stay afloat.”

Picerno is referring to her successful public relations firm, Alliances By Alisa Media Relations, that she founded in 2000. The media marketing agency has represented businesses of all sizes and across all industries. Her clients have been featured in major media outlets such as the New York Times, NBC Nightly News, TODAY, Buzzfeed, Extra, The Doctors, Oprah Magazine, People Magazine and CNN. When lockdowns started in March 2020, contracts were cancelled as companies cut budgets.

“When Alan introduced himself, he wanted me to know immediately that he was not a stereotypical starving artist,” shared Alisa about their meeting in 2018 after a weekday Mass. “He said ‘I’m an artist but I’m not weird and I’m not poor’. I quickly learned how accurate that statement was!”

Giana began licensing his artwork to manufacturers around the world in the late 1990’s and have appeared on puzzles, calendars, checks, Christmas cards, gift bags, gift boxes, tins, mugs, canvas prints, placemats, note cards, list pads, coasters, magnets, clocks, music boxes, cross-stitch kits, and much more. These products are sold in stores both large and small, from mass-market retailers to independent gift shops and on the QVC television network. As a result, Giana’s in-demand landscape prints have led him to becoming a best-selling artist.

In fact, due to the current COVID pandemic, Giana’s popular imagery has reached new heights within the jigsaw puzzle industry as more families are staying home and constructing puzzles as a primary form of entertainment.

The couple realized this was the ideal time to combine business forces.  “I always knew that Alisa would make the perfect art licensing agent with her years of marketing experience and her warm, outgoing personality.  She is the perfect conduit between representing artistic talent and presenting their work to numerous industry manufacturers for their product lines.”

Giana’s extensive connections in the art licensing arena have proven invaluable in both attracting new artists, as well as getting the attention of a variety of product companies.  Currently, Alliances By Alisa Art Licensing proudly represents the work of the below innovative artists, textile and pattern designers and photographers in the U.S. and around the world, including, Austria, India, Italy, Poland and Canada:

  • Alan Giana – scenic landscape prints
  • Catherine M. Elliot – contemporary impressionism prints
  • Joseph Elliot – luminous landscape photographs
  • Brandon Dowling – artistic humanity and nature photographs
  • Karen Burke – whimsical art of nature and human prints
  • Fineapple Pair – hand-painted clip art prints
  • Jesse David Harris – object and architectural photographs
  • Steven Bove – fantasy cartoon prints
  • Sue C. Brown – textile design prints
  • Patrizia Donaera – children’s book illustration prints
  • Christine Reichow – watercolor fine art prints
  • Jody Wheeler – children’s book watercolor prints
  • Lacy Tatum – hand-painted clip art prints
  • Sandra Hutter – design illustration prints
  • Marcin Poludniak – lively children’s illustrations
  • Stacey Lokey – Stained glass inspired designs and patterns
  • Monica Kapur – textile pattern prints

Thus far, the agency has secured licensing agreements with such notable manufacturers as Manual Woodworkers and Weavers, Ravensburger Puzzles, Evergreen Enterprises, Masterpieces Puzzles and Willowcreek Press with artwork being feature on greeting cards, calendars, fabric, puzzles, pillows, wall canvases, flags, and many other product lines.

“We are excited about this new venture and hope to become the go-to art licensing agency in the industry for artists as well as manufacturers,” concluded Picerno.

ABOUT ALLIANCES BY ALISA ART LICENSING

Alliances By Alisa Art Licensing is an energetic, international art licensing agency that represents some of the most innovative artists, surface designers and fine art photographers within the licensing industry today. Client creations have appeared on a variety of product lines for prominent print, puzzle, publishing, greeting card and textile companies. Visit www.alliancesbyalisaartlicensing.com for more information.

PHOTO: Engaged couple Alan Giana and Alisa Picerno are partners in love and livelihood with the launch of their new art licensing agency Alliances By Alisa Art Licensing, an international art licensing agency that represents some of the most innovative artists, surface designers and fine art photographers.

Graffiti and art article illustrated by Gabrielle Archuleta for 360 magazine

Guggenheim Presents José Manuel Ballester

The Guggenheim Museum Bilbao presents José Manuel Ballester [2020/03/15], which will be open to the public over the next three months. The project consists of a series of photographs taken by the artist around the deserted streets of locked-down Bilbao last spring, exhibited alongside About the Guernica, 2009/2020 by Ballester, an emptied-out version of Picasso’s painting that conveys a contemporary perspective on the historical event and human tragedy.

This project as a whole offers a reflection on the consequences of serious events such as wars or pandemics. Thus, the dialogue between the ‘emptied out’ Guernica and the photographs of the apparently uninhabited city presents the viewer with an interesting and open reflection.

This project bears witness to the period of lockdown through a selection of large-scale photographs that reflect the deserted streets and spaces of Bilbao such as La Salve Bridge, Elcano, the Metro and Calle Bailén, casting an almost unreal image that could represent the current situation anywhere in the world.

In the words of Ballester, “The human absence on the streets created unusual images of totally empty roads, avenues, and squares, but the most disturbing part was knowing that all the inhabitants were there, that they were just a few meters from me, protected within the walls of their homes. Despite being so close, silence reigned supreme.”

This portrait of the uninhabited city has many parallels with the artistic vision José Manuel Ballester has been developing for years through his impressive series of works called Hidden Spaces, in which he reinterprets key paintings in the history of art devoid of their characters, giving them a new artistic and human sense.

About the Guernica is a photographic reproduction printed on linen, the same size as Picasso’s original canvas, digitally treated to empty the space of all its human characters. Thus, the architectural interior, with its interplay of light and shadow, remains a silent witness to the bombing of Gernika in 1937. Ballester shifts Picasso’s chosen time sequence to a later time, in which all of the protagonists have disappeared, but in which, in the artist’s words, “the signs of the inhuman remain, as do the flames of the fire that still burns, like the flower that blossoms from the sword”.

The experience provided within the museum itself is complemented by a digital project that develops the concept of emptiness so strongly present in Ballester’s work, accessible from the Museum’s website. In addition, a book has been published that includes the series of twenty photographs taken by the artist in the streets of Bilbao alongside his reinterpretation of Picasso’s work, with comments by Carlos del Amor.

A Collaborative Project

This project is presented to the public in a time of restrictions. After the lockdown and the Museum’s temporary closure last spring, current mobility constraints and economic difficulties make it hard for initiatives to move forward. It is in these challenging times when collaborations and the sum of efforts acquire new value, working together to make a project became a reality.

[2020/03/15] José Manuel Ballester would have been impossible without the generous collaboration of three companies: Estudios Durero has been responsible for the production of the large-scale photographic reproductions with special high-quality printing solutions, in addition to the creation and publication of a homonymous book; Giroa-Veolia has carried out the installation and lighting of the works in the special context that we are going through, and LIN3S has developed the digital experience that, for the first time in the Museum, shows in an innovative way not only the pieces presented in the Museum space but also some others by the artist that complete his project for the Guggenheim Museum Bilbao.

 Hidden Spaces in the Museum Collection

José Manuel Ballester’s intervention on Guernica and on the other works included in the Hidden Spaces series is, in his own words “an attempt to bring into the present moment the events that motivated the creation of these works and to equate them with the current conflicts that exist in the world. These are events that scandalize and move us, but, at the same time, they fade away in our consciousness when they are far away.”

“When you strip paintings of their characters, you’re faced with a desolate, absurd landscape that brings out the horror in the wake of human savagery,” said Ballester.

Three works by José Manuel Ballester belonging to the Hidden Spaces series are present in the Guggenheim Museum Bilbao Collection: The Third of May (2008), The Royal Palace (2009) and The Raft of the Medusa(2010). These works are reinterpretations, respectively, of The 3rd of May 1808 (1814) by Francisco de Goya, Las Meninas (1656) by Diego Velázquez, and The Raft of the Medusa (1818–19) by Théodore Géricault.

RELATED ACTIVITIES
Session of bertsos Hustuari Hitzak (Words about Emptying Out)
Renowned bertsolaris Andoni Egaña and Maialen Lujanbio will offer a session of bertsos from the Museum gallery that houses the work About the Guernica and José Manuel Ballester’s images of uninhabited spaces. This session will be accessible via streaming.

A Conversation- January 14
Artist José Manuel Ballester, curator Petra Joos, and journalist Carlos del Amor will discuss the most relevant aspects of this unique project in a talk that can be followed both in person at the Museum Auditorium and via streaming. The experience can be found here.

ICM Virtual Fundraising Banquet

International Care Ministries’ Virtual Fundraising Banquet

Raises US$1.72 million for the Ultra-poor in the Philippines

ICM’s Banquet Proved to be “More than a Dream” as it Exceeded Expectations

International Care Ministries (ICM), a non-profit organization that brings transformation to the ultra-poor, held their annual fundraising banquet in Hong Kong to resounding success. The internationally streamed gala, entitled “More than a Dream” raised HK$13.3 million or US$1.72 million, exceeding the amount raised the year before.

In a normal year, ICM’s much anticipated banquet gathers hundreds of Hong Kong’s top executives. But, with COVID-19 putting restrictions on in-person events, ICM’s 2020 banquet went virtual, streaming live from Hong Kong to the world.. The silver lining of online gatherings is that they are open to all; 1600 well-dressed guests from 16 countries participated, including Hong Kong, the Philippines, United States, United Kingdom, Australia, Uganda, and Guatemala. 

With restrictions easing slightly in Hong Kong in early October, several hundred guests were also able to gather at the Aberdeen Marina Club (AMC) to watch the live stream together. In compliance with strict social distancing protocols in Hong Kong, the four-person tables were socially distanced and spread out over multiple rooms within the venue. 

The program, broadcast live from a closed room in the AMC, included the highlights that introduced ICM’s work to those who are only learning about it for the first time—but long-time ICM supporters have come to look forward to every year.

“In the midst of crisis, heroes are everywhere.”

ICM’s CEO David Sutherland began his keynote by acknowledging the impact of the virus on ICM’s many plans for 2020 such as opening a dozen new locations across the Philippines and launching ICM’s first international expansion in Uganda. Just as the pandemic had done across the world, it forced ICM to put aside those plans in the face of a more urgent need as ICM pivoted from development to relief operations almost overnight. 

“For the first time in 30 years, the world is going on the wrong direction in the fight against poverty,” Sutherland said.  The World Bank predicted that an extra 150 million people will fall into poverty because of the pandemic.” ICM’s focus is on the ultra-poor and this has been a devastating year for them. Under lockdowns, many had no work, which meant no money, and no food.

Through personal stories, Sutherland showed the need for the people ICM has been reaching. ICM has identified five million specific Filipinos who were in serious need, and has delivered goods to four million so far. Among other relief goods, ICM has distributed 14 million meals, over 200 million seeds, gave two months’ worth of ready-to-eat-food to 18,000 children suffering from malnutrition.

“We are well aware that virtual is much less engaging than live,” Sutherland admitted. “But the poor can’t wait until we gather again. There is more need now than ever before, and we can’t bring solutions without you. So today we are going to ask you to continue your faithfulness, even when we are virtual.”

A Big Moment of Giving

The silent-auction was also conducted online through OpenHeart’s silent auction and pledge system. Registered guests made their bids on beautiful Filipino and international artwork, jewelry, unique travel packages, and experiences. Despite not being able to include travel prizes this year, the auction still raised HK$1.3 million or over US$166,000.

The Moment of Giving, one of the most thrilling highlights of every ICM banquet was, as before, presided over by US national champion auctioneer Kristine Duininck, who logged on from her home in Minnesota. While she was unable to fly to Hong Kong for this year’s banquet, Duininck’s passion and energy was felt around the world. With her encouragement, donors pledged as much as HK$800,000 online, instantly acknowledged and thanked by Duininck as their bidder numbers flashed on screen. 

The pledges made in these few minutes poured in from all over the world, leaving guests at the AMC and online awestruck by the extravagant display of generosity. Twenty-five donors pledged to give HK$80,000 (US$10,000), and their gifts will be “double-matched” by Find Us Faithful, which unlocks HK$3.9 million (US$500,000) of matching funds. 

The COVID-19 pandemic may have forced people to keep their distance from each other, but this shared global experience has brought humanity closer. In a year of great need, many have risen to the occasion to help their fellow human beings, be it to someone as close as a neighbor or to as far as a family living in ultra-poverty on the other side of the world. ICM’s first-ever virtual fundraising banquet was a testament to that. 

The amount raised that evening surpassed expectations. The banquet has provided ICM with 20% of the funds needed to meet its annual budget, and reach hundreds of thousands of people living in ultra-poverty. “Our team will need to build on this fantastic start during the remainder of our year,” Sutherland said.

ICM’s work continues as the world transitions to the new normal.

To donate and to learn more about ICM’s work, please log on towww.caremin.com

For videos from the event, you can watch them all on YouTube: 

Countdown Show: https://youtu.be/5JWpTnSJI9I

Banquet: https://youtu.be/MT-0mByKkG4

More than a dream song: https://youtu.be/CKefXqviEsc

Disneyland illustrated by Mina Tocalini for 360 MAGAZINE.

Van Eaton Gallery – Disney Auction

The 65th anniversary of Disneyland theme park in Anaheim, California is this month. It is a one for millions of fans worldwide, and an important milestone in the history of American pop culture. With Disney theme parks closed across the globe due to the pandemic, Van Eaton Galleries will celebrate the anniversary of Disneyland with an exciting free exhibition and auction. The auction event Disneyland: The First 65 Years will take place at Van Eaton Galleries over two days, Saturday, August 15th, 2020 and Sunday, August 16th, 2020 beginning at 10:00 a.m. each day.

The on-site auction will follow all COVID-19 guidelines. The auction house will also stream the auction live and bidders can participate by phone or online.

The collection to be offered includes over 1,100 rare artifacts which trace the history of the iconic theme parks and Walt Disney’s vision from their inception to present day. Many of the items are coming to public display and auction for the very first time. The items include some of the earliest documents and conceptual pieces representing Walt’s visions for Disneyland and Walt Disney World, as well as extraordinary theme park props, ride vehicles, audio-animatronic figures, hand-painted attraction pieces, very rare early documents, remarkable memorabilia, signs, and more.

Walt Disney theme parks have welcomed over 200 million visitors since they opened and Walt Disney park-related memorabilia remains one of the hottest collectibles of the last several decades, with prices increasing more than 500% on many items over the last five years. The vast array of items to be offered at auction will surprise even the most avid collectors. Several iconic pieces in the collection date back to 1954, a full year before Disneyland opened. The collection also includes ephemera, stage-worn articles, artwork, programs, souvenirs, and more. Also featured in the Disneyland: The First 65 Years’ auction will be several items from Walt Disney World, Disneyland Paris, Disneyland Tokyo and Hong Kong Disneyland. An unusual item in the auction is a very rare sign for Don DeFore’s original Silver Banjo Barbeque. DeFore was a famous actor in the 1950s and 1960s and was a close friend of Walt’s. He opened a restaurant called Don DeFore’s Silver Banjo Barbeque and it was the only place in Disneyland that had the name of a living person on it other than Walt Disney. They are featured in the book Growing Up Disneyland and have never gone up for auction before.

Highlights include stage and screen star Don DeFore’s original signage for his Silver Banjo Barbeque restaurant in Frontierland (Estimate: $60,000-$80,000), this sign represents the only person other than Walt Disney that had his name on a sign in Disneyland; a unique 1955 Disneyland Plot Plan created as part of an engineering report (Estimate: $3,000-$5,000); an extremely rare Gold VIP ticket to the park’s opening day (Estimate $3,000-$5,000); a collection of never-before-seen 16mm films taken by Disney Legend Milt Albright that showcase locations on Main Street as they appeared when the park first opened (Estimate: $500-$800); an original hand-painted Stretch Painting from the Haunted Mansion at Walt Disney World (Estimate $60,000-$80,000); an original Space Mountain Ride Vehicle from Disneyland (Estimate $40,000-$60,000); original Attraction Posters from Disneyland (Estimates $8,000-$15,000); a Walt Disney Signed Disneyland Guidebook (Estimate $4,000-$6,000); a park used It’s a Small World Attraction Poster (Estimate: $2,000-$4,000); an original Haunted Mansion Tombstone Prop (Estimate ($8,000-$10,000), and hundreds of other items.

Walt Disney’s words from the dedication of Disneyland on July 17, 1955, have never been truer than they are today: Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America; with the hope that it will be a source of joy and inspiration to all the world.

Other highlights include an original Eyvind Earle concept painting for the Sleeping Beauty Castle walk-through (Estimate: $10,000-$15,000);  a rare Shooting Gallery rifle from the Main Street Shooting Gallery (Estimate: $3,000-$5,000); a hand-painted Fountain Shield prop from the Enchanted Tiki Room (Estimate: $3,000-$5,000); an It’s a Small World Animatronic Doll (Estimate: $15,000-$20,000); a Dumbo the Flying Elephant prop (Estimate: $1,000-$2,000); original paintings by Imagineer Walt Peregoy from the park’s opening year (Estimates: $2,000-$4,000); early Club 33 artwork (Estimate: $600-$800); a Haunted Mansion Ghost Maquette (Estimate: $1,000-$2,000); an original hand-drawn mock-up of the Pirates of the Caribbean souvenir guidebook (Estimate: $3,000-$5,000); a 1954 original concept drawing of Tomorrowland (Estimate: $8,000-$10,000); an original Epcot Center overview prepared for President Jimmy Carter (Estimate: $3,000-$5,000); and much, much more.

Our Disneyland: The First 65 Years auction showcases the history of Walt Disney’s original vision for his park, and its growth to today. This collection brings together a massive and varied array of artwork, props, original paintings and drawings, memorabilia, and collectibles from the most famous family of theme parks in the world. The auction offers the excitement of very rare items never sold before at auction, but also evokes a sense of nostalgia and sentimentality for those artists and performers whose work helped shape and define our popular culture. We are honored to be able to offer such remarkable items to fans and collectors around the globe and to be able to offer this collection during the 65th anniversary of Walt Disney’s original theme park, Disneyland.

The Disneyland: The First 65 Years; auction covers decades of Disney history, from the 1950s through today. The extraordinary collection has taken years to amass and comes from ex-employees of the park and their families, as well as from avid collectors and enthusiasts around the globe. Van Eaton Galleries will conduct the two-day auction on-site, online, and by phone. Interested bidders are encouraged to register early. Media interested in covering the event is requested to email or call the press contact listed below.

DISNEYLAND: THE FIRST 65 YEARS LOCATION

Van Eaton Galleries, 13613 Ventura Blvd, Sherman Oaks, California 91423

LIVE AND ONLINE AUCTION

Session 1: Saturday, August 15th, 2020 (10:00 A.M. Pacific Time)

Session 2: Sunday, August 16th, 2020 (10:00 A.M. Pacific Time)

EXCLUSIVE MEDIA PREVIEW ON DISNEYLAND’S 65TH BIRTHDAY!

Friday July 24th, 2020 10 AM to 6 PM

FREE PUBLIC EXHIBITION

Saturday, July 25th – Friday, August 14th, 2020

Tuesdays through Saturdays 10:00 a.m. – 6:00 p.m.

Sundays 12 p.m.- 4:00 p.m. PT

EXHIBITION IS BY RESERVATION ONLY AND LIMITED AS TO COVID-19 GUIDELINES

Van Eaton Galleries is one of the world’s premier original animation art and collectibles galleries. The Gallery is located in Sherman Oaks, California and specializes in unique original animation artwork. Established in 1994, the gallery offers distinct collections from the world of animation and special exhibits and events for collectors, fans and guests from around the globe. The gallery is open Tuesday through Saturday from 10am to 6pm. Van Eaton Galleries has offered such collections as That’s from Disneyland, The Story of Disneyland, The Secret Art of Dr. Seuss, and animation artwork from Disney, Warner Bros., DreamWorks, Hanna-Barbera, Don Bluth, and many others. For more information, please visit www.vegalleries.com.

Follow Van Eaton Galleries: Facebook | Instagram | Twitter

Paradigm Gallery Presents “Obsolescence”

Paradigm Gallery + Studio (746 S 4th St) is pleased to present Obsolescence, a solo exhibition by Sweden-based artist Ulla-Stina Wikander, open October 25 – November 23, 2019. The artist’s first solo exhibition in the United States, Obsolescence, features new works from Wikander’s well-known series of household objects covered in colorful, vintage embroideries. Obsolescence will have a public opening reception on October 25 from 5:30 – 10:00pm.

Wikander began collecting vintage embroideries 15 years ago in antique stores and flea markets, initially attracted to the intricate designs of needlework textiles. Although Wikander was traditionally trained as a painter and sculptor, the unknown histories of the women who made the embroideries interested her and she began experimenting with her new collection. Wikander’s earliest experimentation with textile began with covering a broken vacuum cleaner she had laying around in her home. Through a meticulous process of deconstruction and reassembly, she transformed the anachronistic tool into something visually absorbing and entirely new, giving the vacuum a new reason to exist. Although not all of the objects Wikander covers are broken, they’re all out-dated. Through Wikander’s process, these retro items are transformed and recycled into fully contemporary sculptures.

On her practice Wikander says, “It is rather new for me to be a part of the textile community because I have always regarded myself as a painter and sculptor. While I do not embroider myself, I am always very meticulous when I choose my patterns.  Embroidery is very hard to find nowadays, so I often travel to small towns in Sweden to find them. I have a big collection with hundreds of embroideries, organized into boxes by motif. I do not know if it is accepted among textile artists, to cut embroideries into pieces, but I think my work is a bit different. I always have a bad feeling that I am destroying a beautiful embroidery that someone else has made, but the recycling of something forgotten also feels current and good”.

The latest artworks included in Wikander’s Obsolescence exhibition are suffused with humor and critical explorations of feminism, domesticity, and upcycling. Her intricate textile constructions are shaped by the forms that lie underneath – including irons, blow dryers, shoes, bags, lamps, books, and phones. Freshly adorned in coverings of flowers, animals, and pastoral scenes, the items transcend their former functionality and are simultaneously revelatory and recognizable. Wikander’s vibrant re-appropriations are evocative formal studies that defy categorization and illicit equal parts dissonance and delight.
About Ulla-Stina Wikander
Ulla-Stina Wikander was born 1957 in Kungälv. She is currently living in Stockholm/Kullavik, Sweden and has been working as an artist since 1986. Wikander has shown extensively around the world in solo and group exhibitions including shows in the United States, Sweden and the UK.
About Paradigm 
Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. To this day the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.

ROLLS-ROYCE RELEASES WRAITH EAGLE VIII SKETCHES

ROLLS-ROYCE MOTOR CARS RELEASES WRAITH EAGLE VIII SKETCHES ON THE CENTENARY OF THE FIRST NON-STOP TRANSATLANTIC FLIGHT

To mark the centenary of the first non-stop transatlantic flight, Rolls-Royce Motor Cars today releases unseen design sketches of its latest Collection Car, Wraith Eagle VIII. The collection of 50 motor cars tells the epic tale of the pioneering flight of Captain John Alcock and Lieutenant Arthur Brown. The duo conquered unchartered skies to cross the Atlantic Ocean in a Vickers Vimy aircraft, powered by twin Rolls-Royce Eagle VIII engines, exactly 100 years ago.

The sketches, envisioned by the Bespoke Collective of the House of Rolls-Royce, offer a rare and intimate insight into the creative journey undertaken by Rolls-Royce designers as they worked to express an extraordinary act of courage within the palette of a Rolls-Royce motor car.

Torsten Müller-Ötvös, Chief Executive, Rolls-Royce Motor Cars, commented, “The unique skill of our Bespoke Design Collective sees the story of one of the most pivotal moments of the 20th century, the first non-stop transatlantic flight, told using Wraith, a motor car which speaks of power, drama and adventure. Wraith Eagle VIII is a modern masterpiece – these sketches offer an extraordinary insight into its creation.

The designs highlight the remarkable attention to detail of Rolls-Royce Bespoke craftsmanship. The starlight headliner sketch shows cloud embroidery, the halfway point coordinates and the flight path of Alcock and Brown. A further detailed sketch shows the night-time view from above, which is expertly incorporated into Wraith’s fascia, in the form of a gold, silver and copper inlay.

The sketch of the Collection Car’s clock depicts an iced background effect reminiscent of the freezing instrument panels of the adventurers, while the clock’s green night time glow is illustrated – a direct reference to the only light seen by Alcock and Brown as they crossed the Atlantic.

Wraith Eagle VIII, Rolls-Royce Motor Cars’ latest Collection Car will be created for discerning collectors at the Home of Rolls-Royce in Goodwood, West Sussex – a Centre of Global Luxury Manufacturing Excellence.

The first non-stop transatlantic flight

Captain John Alcock and Lieutenant Arthur Brown braved uncharted skies to make the first non-stop transatlantic flight in June, 1919. Contemporaries of Sir Henry Royce, Alcock and Brown flew non-stop from St. John’s, Newfoundland to Clifden, Ireland in a modified First World War Vickers Vimy bomber aircraft. The bi-plane was powered by twin 20.3 litre, 350 bhp, Rolls-Royce Eagle VIII engines. It is from this remarkable engine that this Collection takes its name. Rolls-Royce marks the 100 year anniversary of this feat with a highly contemporary Collection that speaks to today’s adventurers, whilst honouring those who changed the course of history.

I do not know what we should most admire – their audacity, determination, skill, science, their aeroplane, their Rolls-Royce engines – or their good fortune”, commented Sir Winston Churchill, following the perilous journey that brought unfathomable advancement to 20th century society.

Alcock and Brown established a legend and gained a place alongside Sir Donald Campbell in the most select club in the world; those who push beyond previous conceptions of human endeavour to achieve seemingly impossible records on land, water and now, air. Their one binding characteristic? Rolls-Royce power.

The duo suffered every conceivable challenge an aviator could face. The Rolls-Royce Eagle VIII engines were the only components that proved indestructible. The engines propelled the aerial voyage at previously unimagined speeds, averaging 115 mph. Their peril cannot be underestimated. Their radio and navigation instruments failed almost immediately, leaving the pilots flying unaided at night through dense cloud and freezing fog for many hours, sometimes upside down. Eventually they emerged from the cloud and using Brown’s extraordinary skill as a navigator, flew by the stars to the coast of Ireland.