The Underline has officially opened Phase 1 of its planned 10-mile project in the Brickell neighborhood of Miami.
Opening in phases through 2025, The Underline is transforming the land below Miami’s Metrorail into a 10-mile linear park, urban trail, and public art destination. Once completed, The Underline will span an estimated 120 acres from downtown to South Miami and will feature butterfly gardens, dog parks, exercise equipment, basketball courts, mini-soccer pitch, performance areas, bioswales, and temporary and permanent art. To serve visitors of all ages, The Underline will feature numerous health and wellness, cultural, educational, and environmental programs.
The opening for Phase 1, known as Brickell Backyard, marks a milestone for the fastest-moving project of its size in the country––as the project has now secured over $120 million of the total construction cost.
In 2013, Friends of The Underline founder, Meg Daly, broke both of her arms when she was riding her bike with her daughter. Since she could not drive herself to physical therapy, Meg decided to take the Metrorail near her home, and then walk the rest of the way to her destination underneath the train tracks. As she walked each week, she noticed how wide the corridor was, how cool she felt beneath the shade of the tracks, even in July, and that she was the only person using the space.
With the support of the community’s input and world-class design by James Corner Field Operations, a vision developed to transform this unused land into a public park and gathering space. And so, The Underline was born.
Friends of The Underline’s mission is to create a safer, healthier, more connected, mobile, and engaged community by creating open-access public space that will:
- Physically connect communities through a mobility corridor that integrates public transit, car, bicycle, and pedestrian traffic
- Improve pedestrian and bicyclist safety
- Encourage healthy lifestyles by providing access to public exercise facilities
- Provide a 10-mile canvas for artistic expression
- Generate a significant economic impact for Miami-Dade County
- And more
Friends of The Underline Founder Meg Daly says: “I am inspired by our many supporters and believers who are committed to building a better community while improving connectivity and equitable access to parks and green spaces throughout Miami-Dade County.”
Notable funding sources include Miami-Dade County; US DOT, the State of Florida; FDOT; the cities of Miami, Coral Gables, and South Miami; the John S. and James L. Knight Foundation; Swire Properties; Baptist Health South Florida; Florida Power and Light the Miami Foundation; and the Health Foundation of South Florida.
Friends of The Underline and The Underline Conservancy are 501(c)3 non-profit organizations. To make a donation of any amount or learn about corporate and individual sponsorships, click here. For more Underline information, visit their website here.
ALL-STAR COLLABORATION ARRIVES ALONGSIDE OFFICIAL MUSIC VIDEO STARRING THE ARTISTS SHOT IN MIAMI + CALIFORNIA.
Acclaimed indie-pop duo Electric Guest have teamed up with Puerto Rican reggaeton artist Darell and Jamaican producer Rvssian for today’s release of “Freestyle (feat. Darell & Rvssian)” – listen HERE.
The high-energy collaboration finds the Latin superstars lending their signature reggaeton spin to the track, originally featured on Electric Guest’s 2019 album KIN. The new version of “Freestyle” also arrives with a brand-new music video featuring the artists in their respective cities of Miami and Los Angeles – watch HERE.
The origins of the collaboration stem in large part from lead singer Asa Taccone’s desire to dive deeper into his Puerto Rican roots (courtesy of his father). While Puerto Rican culture and their heritage has always been celebrated by his family, Asa has long wanted to embrace this more within his music.
In the months before the pandemic, Asa’s father – who was directing John Leguizamo’s Broadway show ‘Latin History for Morons’ – came to an Electric Guest show in New York, bringing Leguizamo with him. They talked afterwards and encouraged him to explore the culture more.
Around that time, Electric Guest was looking to revisit album track “Freestyle” and considering releasing a new version with an added verse from a featured artist.
As Asa explains: “Freestyle was the last song we wrote for the album. It took us forever because we couldn’t figure out the chorus melody. We ended up doing a session with Ne-Yo at a studio in L.A. We sat down and played him the instrumental and he immediately started humming… after about 10 minutes we had the chorus that had eluded me for months.
But the song kind of slipped under the radar. We had always wanted to do a video for it and possibly get a feature, but Covid hit while we were on tour and like the rest of the world, our cycle ground to a halt and we never really got around to it.”
Asa has long been a fan of Darell and Rvssian’s music, so having them featured on a new version of the track felt like the perfect way to dip his toes into the Latin sound. After sending the song their way with the hopes of just a verse, he and bandmate Matthew Compton were sent back a fully-formed, almost entirely new version of the track that the Puerto Rican rapper and Jamaican producer had recorded in Miami.
“It was a totally different format… really their own take on it,” Asa shared. “I think everyone felt the same which was like, ‘Well that is… kind of a better version!’”
Speaking on their collaboration, Rvssian shares: “Remixing the song was fun because I had changed the production from one genre to another. And having Darell add his Latin touch on the vocals… this created a nice fusion.”
Darell adds: “When Rvssian hit me up to participate in this collab, I wasn’t sure what to expect. The end result I feel gives great vibes. For me, it’s always a pleasure to keep growing the culture and blending musical worlds together.”
On the making of the video, Asa shared: “The crew came up from Miami and – even though we were in masks – it was definitely a party on set. I think that vibe translated into the video… riding that horse was equal parts terrifying and fun.”
Electric Guest’s third album KIN was released in 2019, featuring standout tracks, “Dollar,” “Play With Me,” and “More.” The LP was met with critical acclaim, with Associated Press declaring “KIN is a breezy confection of fiendishly clever pop hooks augmented by some computer wizardry.” Uproxx also praised the project as “a masterclass in modern pop that’s anchored by real, genuine emotion.”
The band supported the album with a massive run throughout Europe and the United States, including back-to-back sold-out New York shows at Webster Hall and Music Hall of Williamsburg – with the latter added by overwhelming popular demand.
TIME included “More” in their ‘5 Best Songs of the Week,’ proclaiming it “a retro-inflected electro-pop tune that rings sweet and sincere.” The high-energy music video for the track was directed by Joe Weil (Kendrick Lamar, YG, Khalid) and premiered on People. In the exclusive premiere of the video for fan favorite, “Play With Me,” PAPER declared the visual: “part R&B music video parody + part fantasia — more music videos should tread this fine line, honestly.”
“Dollar” came accompanied by an equally feel-good music video, directed by The Lonely Island’s Jorma Taccone and co-starring a fully operational hovercraft DeLorean. That visual had its exclusive debut via Complex, which wrote, “[‘Dollar’] is representative of the duo’s goal of entering this latest era with a desire to make straight up, unapologetic pop.”
BUY/STREAM “FREESTYLE” (FEAT. DARELL & RVSSIAN): HERE
WATCH OFFICIAL MUSIC VIDEO: HERE
Move Like Water × Be Fluid
By Katrina Tiktinsky
Vaughn Lowery, founder and publisher of 360 MAGAZINE, is set to release his first book this month. Move Like Water × Be Fluid is a stunning memoir documenting the author’s journey from a childhood in the Detroit projects to a successful career in fashion and media. The arc of this remarkable passage twists and turns in surprising ways, ensuring readers will believe in the concept that this life truly is what you make it. The text will debut as an exclusive multi-volume installation within 360 MAGAZINE and marks the inception of the brand’s foray into publishing.
This provocative coming-of-age story explores the power of branding strategy, a technique the writer developed at an early age and carried with him throughout his lifetime. Lowery, from the time he was a young child, is able to comprehend that one’s innate, individual self is their greatest commodity in life. Through the highs and lows that inform his experience, he stays true to that ideal. Lowery puts forward a raw and compelling narrative of a child, and later a man, who repeatedly picks himself up, reimagines his life, and finds innovative ways to move forward. The self-empowerment so emblematic in Lowery’s character and story promotes readers to adopt the author’s tactics in their own lives.
The influence of prominent civil rights leader Joseph Lowery, the writer’s grandfather, is prevalent in this work. A beacon for both hope and progress during the Civil Rights Movement, the legacy of Joseph Lowery weighs heavily on the narrator. This, along with his upbringing and existence as a black man in America, make Lowery both introspective and contextually aware when it comes to race. Moreover, draws parallels between the movement his grandfather championed and led, and the Black Lives Matter movement of today, exposing the failures of our system and calling for meaningful, systemic change. Both Joseph and Vaughn Lowery are members of the first intercollegiate historically African American organization Alpha Phi Alpha. Lowery simultaneously considers the work he can do, as a singular human being, to forward social justice causes in his day-to-day life and interactions with others.
In 1920, his grandmother, Agnes Christine Moore Lowery (the little girl in the blue dress, also a member of Alpha Kappa Alpha), came with her grandmother to become the first black to vote in Tennessee. The kids’ book, The Big Day, depicts their journey the day she voted, now available on Amazon here.
360 Magazine is also now selling one of a kind home goods via Chairish, a curated marketplace for the best in vintage and contemporary furniture, decor and art. Check out this piece designed by 360’s founder Vaughn Lowery.
In the year 2020, which has been afflicted with an overwhelming amount of change, there has never been a timelier moment for insight from a man like Lowery. As mentioned, Lowery’s deep ties and connections to racial justice in America feels incredibly relevant, as do his thoughts on digital media, something Lowery pioneered years before COVID-19 forced the world hurriedly online. Constantly at the forefront of social change, Move Like Water × Be Fluid offers an understanding of the current moment, yet looks forward to the possibility of an evolved, cosmopolitan world. One that Lowery aspires to through all his works, including this installation and 360 MAGAZINE.
As we follow the author through grade school, high school and on through Cornell University, we collect advice from a myriad of powerful secondary characters. From all walks of life, these secondary support systems offer Lowery the push he needs to continue on striving towards something better. We watch Lowery model the work ethic of his admired older sister, gain confidence from an encouraging teacher, change the trajectory of his life due to a neighborhood mentor, and learn from the critique of a Residential Advisor. This self-help-book stands apart for never failing to appreciate the importance of an individual’s support system. Fittingly, while the book catalogues Lowery’s journey to success, it inspires and encourages readers in the same way Lowery’s community uplifted him – to take action towards a meaningful life.
Comparable titles to Move Like Water × Be Fluid include other stories of individuals who later turned to publishing their experiences in self-help books. Numerous celebrity examples include Becoming by Michelle Obama, Shoe Dog by Phil Knight, or The Path Made Clear by Oprah Winfrey. These titles, as well as Lowery’s first book, all feature introspection and explanations regarding the course of the authors’ lives.
The following descriptions outlines the chapter-by-chapter journey within Move Like Water × Be Fluid.
Chapter 1: The beginning of Lowery’s journey is marked by his complicated childhood in Detroit, distinctly connected to his sense of place and community. Financial struggles and surroundings reminiscent of the song “Gangsta’s Paradise,” as well as the author’s early experience with assault contextualize the course of Lowery’s life.
Chapter 2: A childhood mood, coupled with the realization of his intelligence, swiftly changed the direction of Lowery’s life. Following a move to New Jersey to live with his older sister, Lowery’s early experiences of racism shine a light on his passion for racial justice today. The opportunity to participate in an honored education program again changes the trajectory Lowery follows.
Chapter 3: This chapter offers insight into the ups and downs of high school, a narrative many are familiar with. Yet, Lowery’s poised observations throughout the chapter reflect his early understanding of the world.
Chapter 4: After a remarkable yet complex journey through high school, Lowery achieves the first of many dreams by gaining the chance to attend Cornell University in New York. At Cornell, he is able to expand his understanding of self and what he hopes to accomplish.
Chapter 5: Saks Fifth Avenue recruits Lowery to work in their corporate office, marking Lowery’s first foray into the world of economics and fashion. The advice he gains from mentors in the field prompts him to shift towards a career in acting and modeling, supplemented by working in the Medicare Department of U.S. Healthcare.
Chapter 6: New York, in all its hectic nature, pointed Lowery west towards California where he could further capitalize on his talents in the entertainment industry.
Chapter 7: This chapter details one of the events in Lowery’s life for which he is best known: his commercials as “Joe Boxer Guy” that overwhelmed the nation. Following ups and downs in Los Angeles, this success cemented Lowery’s understanding of his own talents as well as his ties to L.A.
Chapter 8: Following an offensive home invasion, Lowery pivots to continue embracing what life throws at him with appearances on NBC’s “Scrubs” and “America’s Next Top Model.”
Chapter 9: With plenty of capital and the space to complement his next steps, Lowery founded 360 MAGAZINE in 2008, powering through the tidal wave that was the recession all due to his own brains and the belief in his product and brand.
Chapter 10: After another painful reminder of the inadequacies of the justice system in America due to an unjust prison stay, Lowery’s comprehension of what is truly important is once again realigned. Despite his negative experiences, his magazine is able to be on the cutting edge of the Los Angeles scene.
Chapter 11: The number 360 is ubiquitous to Lowery – one embodies the other. His appreciation for both his own capabilities and expertise, as well as the ones of others, assures his magazine and brand are constantly evolving.
Chapter 12: Thinking on the future following the tragic death of a friend, Lowery is nowhere near finished and is more than ready to continue is many metamorphoses. He now exists in a space where he strives to empower others, all around the world. 360.
Move Like Water x Be Fluid, by Vaughn Lowery, is available this month exclusively on the 360 MAGAZINE’s website. 360 MAGAZINE has received numerous accolades, and has recently been featured on Dancing with the Stars. Stay in touch by following both Lowery (@vaughnlowery) and 360 (@360magazine)
Additionally Vaughn has an audio book titled, “Say Uncle: The Story of Vaughn Lowery” which loosely based on his childhood. It is available for here on Amazon Music. For additional info on Vaughn Lowery visit Wikipedia and IMDb.
Louis Vuitton’s Spring-Summer 2021 Men’s Collection debuts in North America as part of a multi-faceted installation in Miami’s Design District on December 4th. The Temporary Residency showcases the collection within the lively universe of The Adventures of Zoooom with Friends, a fantastical crew of characters conceptualized by Men’s Artistic Director Virgil Abloh, on a raucous international voyage representing the fundamental belief in inclusivity at the core of the House’s approach to Menswear.
First introduced at the 2020 Digital Fashion Week in Paris, Zoooom with Friends took the establishment by storm with their joyfully animated escapades throughout the city. Soon reborn in Shanghai and Tokyo as gigantic balloons, Zoooom with Friends has now embarked on a global adventure, celebrating the House’s spirit of travel. Miami is their first-ever stop in North America. Guests at Jungle Plaza will navigate an engaging outdoor environment featuring the Zoooomies’ larger-than-life balloon figures positioned amongst their bespoke shipping containers, alongside delightfully irreverent sculptures.
The Louis Vuitton Men’s Temporary Residency at Miami Design District will also feature a custom Augmented Reality experience. Quick Response codes displayed on the containers will activate via SnapChat, allowing guests to interact with the Zoooomies’ animated incarnations, while generating their own unique and shareable content.
Making its first-ever appearance in North American at Louis Vuitton Men’s Temporary Residency at Miami Design District, the Spring-Summer 2021 Men’s Collection is founded in four methods of upcycling: new looks made from recycled material, looks repeated from the Fall-Winter 2020 collection, looks freely created by the studio during the lockdown using recycled material, and new looks created from existing ideas.
The Temporary Residency will offer clients the opportunity to pre-order the designs in advance of the launch in Louis Vuitton stores worldwide. In addition to the Spring-Summer 2021 Men’s Collection preview, guests will discover a full suite of menswear moments from Men’s Artistic Director Virgil Abloh, including the second LV2054 Capsule Collection—a performance-inspired technical line-—making its international debut. This season, LV2054 clarifies its message and extends its reach in a multi-climactic collection derived from methods used in professional skiwear.
It is perhaps deliberately that this has been framed as a loaded question, is graffiti art considered to be art? But this takes us directly to the heart of the matter, what constitutes something being art is very truly on the eye of the beholder. But some serious debates are surrounding this topic.
The term graffiti itself is problematic. Consider this article about prominent Chicago artist Dont Fret, he is referred to as a street artist. This distinction offers a more constructive spin on the entire artform, as street art is a more creative and acceptable term. You can see how celebrated the artist is from the article as he is lauded by a city official.
Should we be considering graffiti, or street art, a crime? Well, technically it is, but only in some circumstances. The crux of the matter comes down to permission. If you paint, draw, or write anything on a surface without permission of the property owner, then by the letter of the law, it would be considered illegal vandalism. Would this result in prosecution in reality? This mainly depends on the owners’ attitude since much of the art is done either with permission or in abandoned spaces, the level of prosecution these days seems to be low in most areas. What of art on publicly owned buildings? This is a subject of hot debate as it brings politics into it (more on that later).
Should we Encourage it?
Is it an art form that should be encouraged? You could encourage young people to use it to express themselves. Take an art class, equip them with some Dang Paint and find an area to let them give it a go. Many art schools and colleges have whole courses on graffiti art as a legitimate medium. Reputation still holds it back for some more conservative folks, but it is steadily gaining momentum as a serious and respected medium.
Part of the City
In many places, grafitti art has become a defining feature of the city and its culture. High-quality street art can be stunningly beautiful and show much of the culture and history of a place when done well. Take the series of stunning murals in Glasgow, Scotland that is now a famous feature that residents and visitors to the city rightly marvel at.
Politics often, but not always, plays a big part in street art or graffiti art. Take the world-famous Banksy, no-one even knows who he or she is, but many of the pieces are political, showing a real flavor of social commentary. These pieces have sparked more social debate in the last couple of decades than any traditional artform as they reach ordinary people who would never have considered visiting an art gallery. Other more overtly political examples can be seen in communities with a much more overt political struggle, the murals on display in Northern Irish communities, on both sides, are excellent examples.
By Hannah DiPilato
With the holiday season quickly approaching, Covid cases are skyrocketing all over the country and officials are advising people to social distance this holiday season.
According to CNN, more than 12 million people in the United States have been infected with the coronavirus and over 260,000 people have died. With those that are elderly or immune-compromised, the risk of complications due to COVID-19 is higher.
The U.S. Centers for Disease Control and Prevention has updated the safety guidelines for traveling. “CDC is recommending against travel during the Thanksgiving Day period,” Dr. Henry Walke, Covid-19 incident manager for the CDC, said in a conference call.
“Right now, especially as we are seeing exponential growth in cases and the opportunity to translocate disease or infection from one part of the country to another leads to our recommendation to avoid travel at this time,” Walke continued.
The CDC has also recommended people stay in their immediate households for the holiday season. Even without traveling across the country, seeing those you don’t usually see can lead to a breakout of coronavirus.
Walke said he does not plan to visit his own family for the holiday season. “I haven’t seen my parents since January. I’m staying home and that’s been difficult as I have older parents who would like to see me and who would like to see my children as well,” he said.
“It’s been a long outbreak, almost 11 months now, and people are tired. And we understand that and people want to see their relatives and their friends in the way they’ve always done it,” he continued, “But this year, particularly, we’re asking people to be as safe as possible and limit their travel.”
If you plan to gather with those outside of your immediate household, there are important precautions to take to prevent the spread of coronavirus. First, keep gatherings as small as possible. Many states have restrictions in place which limit the number of people allowed to gather inside. Check your local and state regulations to ensure your gathering is following the laws.
The CDC’s Dr. Erin Sauber-Schatz said, “The safest way to celebrate Thanksgiving this year is at home with the people in your household.”
If possible, move your Thanksgiving dinner outside. Coronavirus is less likely to spread outside where there is better ventilation than indoors. Although many places are getting cold, tell your guests to load up with blankets and winter gear. If it’s too cold for an outside gathering, keep the windows open to ventilate the area.
One of the most important and simplest things you can do to stop the spread of Covid is to wear a mask. In many states, masks are required in public places and Thanksgiving dinner should be no exception. Keep your mask on unless eating and remain six feet away from other guests.
It is also recommended that guests handle making their own food and bringing their own utensils to Thanksgiving dinner this year. This prevents the spread of germs as well as cross-contamination between households. Remember to frequently wash your hands when cooking, eating and generally to stop the spread of germs.
Covid cases are rising in communities as well as healthcare networks which is making the virus even harder to handle. Many more people are becoming hospitalized due to the virus and healthcare workings are at risk.
According to the Associated Press, 905 staff members at The Mayo Clinic Health System have been infected with coronavirus in the last two weeks. The Mayo Clinic Health System is a network of clinics and hospitals in the midwest that are run by Mayo Clinic.
Executive dean of Mayo Clinic Practice, Dr. Amy Williams, said that most cases came from exposure within the community and not from work. “It shows how widely spread this is in our communities and how easy it is to get COVID-19 in the communities here in the Midwest,” she said.
If a virtual gathering isn’t in your Thanksgiving plans this year and you will be seeing people outside of your family in person, consider isolating yourself beforehand. Since the incubation period of the virus is 14 days, a negative test result doesn’t necessarily mean a person does not carry the virus. Although a negative test result for coronavirus isn’t a sure sign of safety, it is an extra precaution everyone should add before mingling this holiday season.
Besides getting a coronavirus test, people should also consider a 14-day quarantine before seeing loved ones, or afterward. Isolating before seeing family will decrease the risk of spreading the disease within your holiday circle. If you plan on traveling for the holiday, consider isolating yourself after returning to prevent the spread of covid in your community.
The CDC has predicted this will be a dark winter and although a vaccine is in the works, it likely won’t be ready for mass distribution for a few more weeks. The holiday season will only lead to more cases with an increase in travel and group gatherings. As the weather in many places gets colder, inside gatherings are more likely to occur.
The CDC also recommends everyone get their flu shot for the upcoming flu season. By protecting yourself from the flu, you can help the healthcare system more easily manage the large influx of people going to the hospital.
In all states except Hawaii, Maine and Vermont, there is an active or imminent outbreak of coronavirus according to Covid Act Now. Even these three states are at risk for an outbreak. Currently, North Dakota has the highest number of new daily cases per 100,000 people with 159.6 cases. Wyoming and New Mexico follow closely behind.
Many states have separated their cities and counties into different zones depending on the number of Covid cases present. The restrictions in place for these areas are then determined by the number of cases.
New York City is starting to enforce tighter restrictions as cases start to rise. “In the next week or two we should see some substantial restrictions,” said Mayor, Bill de Blasio. “I think indoor dining will be closed, gyms will be closed. I’m not happy about it. No one is happy about it but that’s what’s coming.” There is currently a 10 person gathering limit and a curfew for nonessential businesses between 10 p.m. and 5 a.m.
Similarly, in Boston, Governor Charlie Baker has released a stay-at-home advisory for the same time frame. People are urged to only go out between these hours for essentials. Indoor gatherings are limited to 10 people while outdoor gatherings should be capped at 25 people.
Things on the west coast seem just as bleak. According to the Los Angeles Department of Public Health, restaurants, bars, wineries and breweries will be closed for dine-in services for at least three weeks. People in Los Angeles are being advised to stay home and have a similar curfew to Boston and New York City.
In some cities where cases are skyrocketing, restrictions are not being put in place as heavily as in California and New York. In Miami, restaurants are able to be open to 100% capacity and seat 10 people per table. Most things in Miami are reopened, but with restrictions such as requiring masks.
It is crucial for everyone to work together to bring covid cases back down over the coming weeks. As cases spike, it is important to remember that each state has precautions in place for a reason. Although many states won’t fully shut down, you can decide to continue social distancing and only going out for essentials.
Carmen DeLeon is joined by acclaimed Colombian artist FEID on her new single, “Juegas,” a playful, romantic ode to the start of a new relationship.
View “Juegas” Official Video HERE
Paired with a pop-infused beat, the song’s lyrics evoke the “butterflies in the stomach” deeling that are a hallmark of infatuation. Listen to “Juegas,” which was released today by Capitol Music Group and Universal Music Latin Entertainment, HERE.
Earlier this month, FEID received TWO 2020 LATIN GRAMMY nominations for BEST REGGAETON PERFORMANCE and BEST URBAN MUSIC ALBUM, both recognizing the success of his collaboration with Justin Quiles on PORFA and his breakthrough album, FERXXO (VOL. 1: M.O.R.).
“Juegas” is the follow-up to “Volver,” the summer 2020 single that launched Carmen DeLeon’s career. She and FEID wrote the new song with Maxium, Mista Bombo, Leon Yamil and Jonathan Tobas. It was produced by Maxium, Mista Bombo and Leon Yamil.
“Juegas” is as authentic as it comes, especially when DeLeon describes what she draws inspiration from and how she puts pen to paper.
Carmen DeLeon says, “I wrote “Juegas” one night in Miami around one a.m. with one of my best friends. I wanted to write a love song that focused on the need to give and receive in a relationship. To me, that’s the best part of living life with a partner. I hope that people feel inspired when they hear this song and understand the importance of giving and receiving.”
Directed and produced by Gian Rivera (aka “Death of Gian”), who helmed Feid‘a video for “PORFA (Remix),” the official video for “Juegas” was shot in Miami and is infused with the kind of energy and enthusiasm that is characteristic of DeLeon’s style and artistic sensibility. Much like the theme of reciprocity that DeLeon highlights, the song’s combination of vibrant beat, melody and lyrics remind listeners that music is the ultimate antidote. Watch the video HERE.
“Volver,” Carmen DeLeon’s debut single, has already amassed more than 800,000 combined global streams. It was produced by Tainy, the Puerto Rican mastermind who’s been responsible for some of the biggest hits in reggaeton and trap. In a few short months, DeLeon has grown a considerable following on her social channels, with 30,000 monthly listeners on Spotify and more than two million views on her YouTube channel. Born in Venezuela, she is now based in Miami.
Euphoria said, “Carmen DeLeon commands the world as her stage with fiery gusto and an undeniable sense of positivity. Further proving her right as music’s next breath of fresh air, the spry 19-year-old artist masters the microphone with “Volver,” a fiery ode to budding passion and power.”
Wonderland noted, “Sharing her struggles with anxiety, the highs and lows of these uncertain times and how it’s okay not to be okay, DeLeon brings her Latin roots to the fore on the laid-back tune, reminding us all exactly why she’s a force to be reckoned with.”
Praising the sing-along banger, Idolator declared, “Carmen DeLeon needs to be on your pop radar.”
Follow Carmen DeLeon:
By: Gabrielle Archuleta
With Covid-19 making an impact on businesses, the live music industry has been among those hit the hardest. The loss in revenue is estimated to be $8.9 billion, along with the comedy and performing arts entertainment. More than 90% of independent venues are at risk of being permanently shut down. The National Independent Venue Association (NIVA) is working hard to get emergency relief funds out to these venues in dire need. With the help of YouTube, NIVA and Save Our Stages created a virtual concert to help raise money, which will benefit these independent venues. The list of venues is on their website. Artists from around the country have joined together in an effort to raise awareness and save the stages they once performed in.
These venues have supported many big artists and have even launched careers for many. Not only are the artists feeling the impact, but the employees behind the scenes are as well. From the sound to the stage crew, many of them are left without a job and fear what will come next. Fans are left with tickets to be refunded and the uncertainty of future shows to come. This leaves the music industry shaken when it comes to the revenue that concerts bring. Concerts generate more money than streaming music on popular platforms such as Spotify, Apple music and Pandora. Popular artists such as Drake have made $23.7 million in one year from streaming, yet his last tour, Summer Sixteen featuring Future, grossed $85 million. Save our stages is the saving platform for artists, fans and lovers of music to support the venues we know and love and keep the live music alive.
Kicking off their first ever virtual event, an exclusive trailer narrated by Neil Young released footage featuring various iconic artists performing in these at-risk venues and some of the earliest known footage of Neil Young performing at the American Shakespeare Theatre in Stratford, CT. This 3-day virtual event lasted from October 16th-18th. Day one started out with Alec Benjamin performing at Hotel Café in Los Angeles, CA. There was no audience, just the performers. Some talked of past show experiences and selling out venues. Following him was Billie Eilish’s brother, Finneas who is breaking out on his own, releasing his first single called Can’t Wait To Be Dead. Other artists for day one included, Sebastian Yatra, Dizzy Fae, Macklemore, YG, and Dillon Francis. Marshmellow and Demi Lovato hit the stage at the Troubadour in Los Angeles, CA. They performed their hit single together It’s Okay Not To Be Okay, as well as talked about their experiences in independent venues they’ve played in and seen other artists play in. Macklemore performed in Seattle, WA singing hits that included Ten Thousand Hours, Glorious, Good Old Days and a few others during his thirty-minute set. While G-Eazy took pieces of his hits and performed over a dozen songs in his set at The Independent in San Francisco, CA.
Day two kicked off with an even bigger list of performers. Sixteen artists each in their own independent venue to perform in. Jason Mraz was the first up, singing the best of his songs from I’m Yours to I Won’t Give Up out of the Belly Up Tavern in San Diego, CA. Rise Against brought the rock style back to the stage singing six of their hits from the Metro in Chicago,IL. Miley Cyrus played at the Whiskey-Go-Go in Los Angeles, CA wearing all black Rockstar attire. Though she had a short playlist, it was filled with fun energy. Also playing out of Los Angles from Troubadour, the Foo Fighters. Dave Grohl talks about his first experience at the Toubadour and meeting Bret Michaels for the first time. They start out with Skin and Bones continue with My Hero, These Days, Times Like These and end it with everyone’s favorite Everlong. The Roots performed a longer set list that lasted a little over an hour at the Apollo Theater in New York, NY. Wrapping up day two was Major Lazor performing out of Gramps in Miami, FL. He had a setlist similar to length of The Roots lasting a little over an hour and promoting Save Our Stages throughout his set. To many of these artists, the venues that are at stake are not only where they got their start in the music world but also where they discovered music. Demi Lovato mentions one of her first concerts was at an independent venue where she had seen Paramore.
The final day came with some big names. Little Big Town plays at the Exit/In in Nashville, TN. They talk about their first show and replayed one of their classic songs, Boondocks as an encore. The last song is a fan favorite, Girl Crush. Dave Matthews performs solo at the Jefferson Theater in Charlottesville, VA. His setlist includes a new song that is played for the first-time live called the Ocean and the Butterfly. The Lumineers wrap up this event, taking it back home to Colorado at the Boulder Theatre in Boulder, CO. Reminiscing on the songs they’ve played in small independent venues and how great songs such as Ophelia came from those experiences and performing them.
Save our stages is not just important to the artists, but to the fans and music lovers all over the nation. There are over 2,000 venues that have joined the National Independent Venue Association to help save theses venues and keep not only the jobs that come with it but the live music experience we love and miss. Though this virtual event is over, the fight is not. Save our venues has raised over $1,000,000 and has a set goal of $5,000,000. The funds will be administered by the Giving Back Fund, a non-profit organization. The money will go to the venues in dire need and in fear of being shut down. With the help of all the artists who participated along with Youtube, NIVA and every person who donated, we can only hope that enough money is raised to save these venues.
Platinum-selling artist Trippie Redd releases a six-part collection of Spooky Sounds, available now all DSPs via 10K Projects/Caroline. A Halloween-themed companion to his highly anticipated album Pegasus, out 10/30, Spooky Sounds is Trippie’s final teaser for fans before the release of the record. The Spooky Sounds will be added onto Pegasus upon its release on 10/30. Earlier this week, Trippie made a guest appearance on Dixie D’Amelio’s The Early Late Show, the YouTube talk-show series from the young TikTok star, featuring a guest appearance from her sister, Charli D’Amelio.
To celebrate the release of Pegasus, Trippie will be hosting a series of socially distanced, drive-in movie screenings in Miami, Los Angeles, Atlanta, and New York City on the evening of the project’s release. Each location will be showing Candyman (1992), one of the artist’s favorite Halloween films, and there will be exclusive merch available for purchase. While release parties have been put on hold due to COVID-19, Trippie wanted to find a unique way to connect and celebrate with his fans for the drop of his long-awaited LP, Pegasus. “I really just miss seeing my fans,” Trippie said, “I figured these events would be a good way to celebrate Pegasus with them.”
Trippie will be stopping by the Miami screening to introduce the event and show his appreciate to his fans from a safe distance. The Miami screening will also feature a special double feature of Candyman (1992) followed by Jeepers Creepers (2001). See below for locations and times.
His first full-length project since his Billboard #1 album A Love Letter To You 4, Pegasus is an ambitious 26-track project, featuring previously released singles like “Excitement” with PARTYNEXTDOOR and “I Got You” with Busta Rhymes. The album also includes features from Lil Wayne, Young Thug, Future, Quavo and more.
LISTEN TO SPOOKY SOUNDS HERE
WATCH HIS INTERVIEW WITH DIXIE D’AMELIO HERE
PRE-ORDER PEGASUS HERE
PRE-ORDER PEGASUS (TARGET EXCLUSIVE CD) HERE
PURCHASE TICKETS FOR DRIVE-IN HERE
Location: Carflix Cinema
Date: October 30, 8:00 PM EST
Location: Archlight Drive-In
Date: October 30, 8:00 PM PST
Location: The Springs Cinema & Taphouse
Date: October 30, 8:00 PM EST
New York City
Location: Brooklyn Army Terminal
Date: October 30, 8:00 PM EST