Posts tagged with "gallery"

Immersive Van Gogh Exhibit via Carol Fox and Associates Public Relations for use by 360 Magazine

Immersive Van Gogh’s New Creative Director

IMMERSIVE VAN GOGH AND DESIGNER DAVID KORINS (HAMILTON) JOIN FORCES TO CREATE THE LARGEST AND MOST ELABORATE ITERATION OF THE EXHIBIT

Slated to be Seen in 19 Cities Across North America in 2021, Immersive Van Gogh Brings the Artist’s Masterpieces to Life Via 500,000 Cubic Feet of Projections Indoors in New York  

Hailed as “Mind-Blowing” (Toronto Star) and “Undeniably Impressive” (–Time Out Chicago)

Immersive Van Gogh, the highly-anticipated immersive art installation coming to New York this summer, announced today that Emmy Award-winning and Tony Award-nominated designer David Korins, known for his set designs featured in numerous Broadway hits including Hamilton and Dear Evan Hansen, will serve as Creative Director New York for the installation. Scheduled to open on June 10, a new block of tickets will go on sale to the public Saturday, April 24 at 10 a.m. ET. The New York location and further details, including a preview of David Korins’ designs, will be revealed at a virtual press event on Friday, April 23 at 10 am ET.

As the Official Card Sponsor of Immersive Van Gogh in New York, American Express® Card Members have exclusive pre-sale access to the new block of tickets before the general public beginning Monday, April 19 at 10 a.m. ET through Wednesday, April 21 at 9:59 a.m. ET here.

Korins will join creative team for Immersive Van Gogh, the original North American immersive celebration of Van Gogh’s art. The team includes Creator Massimiliano Siccardi; Composer Luca Longobardi and Art Director Vittorio Guidotti. This winning team will make Immersive Van Gogh the most impressive staging to date and the most expansive in the world, having already opened to tremendous acclaim in Toronto, Chicago and San Francisco, with additional openings scheduled for 16 cities across North America, including Los Angeles, Dallas, Denver, Las Vegas and more. Since its North American premiere in July 2020, more than 1 million tickets have been sold to Immersive Van Gogh, making it the most popular attraction currently in North America.

Immersive Van Gogh invites audiences to “step inside” the iconic works of post-Impressionist artist Vincent van Gogh, evoking his highly emotional and chaotic inner consciousness through art, light, music, movement and imagination. The gallery space offers patrons more than 500,000 cubic feet of animated projections. Renowned Creative Director Korins will create a custom design to fit the architecture of the exhibition’s New York home, adding elements to the gallery space as well as adjacent auxiliary elements. Korins will create numerous New York-specific installations, viewing platforms and high-tech, experiential and interactive elements previously unseen in any other venue.

Immersive Van Gogh has been hailed as an entirely new way of encountering art and has been enthusiastically embraced by press and patrons in every city in which it currently is being presented,” said Producer Corey Ross. “Our New York exhibition will be by far our most ambitious. Not only do we have the talents of our ingenious Italian creative team, we also have David Korins bringing his distinct creative vision to the project to provide an unsurpassed guest experience.”

“This will be an event that New Yorkers and visitors can enjoy safely, quite literally surrounding themselves with the work of Vincent van Gogh, one of the greatest artists who ever lived,” added Producer Svetlana Dvoretsky.

“I am thrilled to be collaborating with the creative minds behind the Immersive Van Gogh exhibit to create a truly unique experience for the city of New York to enjoy and be inspired by,” said David Korins, Creative Director New York. “I have always been deeply moved when looking at Van Gogh’s paintings, which are universally beloved for their color and unique use of texture, or his transcendent ink drawings, and I’m humbled by the opportunity to develop an experience that will enhance the viewers’ time spent with his powerful art.”

It is expected that Immersive Van Gogh will be the first event of its magnitude since the start of the COVID-19 pandemic. “We have a track record of producing this event safely in numerous cities throughout North America,” said Co-Producer Irina Shabshis. “We hope that this will lift the spirits of so many New Yorkers, who have not had the opportunity to experience cultural attractions for the past year, with first-rate production values that will make this one of the top events in the city this summer,” added Co-Producer Maria Shclover.

“David Korins is a very experienced and creative; he is giving his professional and artistic contributions to the implementation of the New York venue that will host my creation Immersive Van Gogh“, said Creator Massimiliano Siccardi, “I have enormous respect for his creativity, and I feel that his vision will be able to excellently enhance the audience experience, priming their minds as they enter and exit our exhibit, and also creating architectural enhancements that will provide unique vantage points from which they can observe my work. Most of all, I know that David shares a deep appreciation of and respect for the work of Vincent van Gogh, and that he, like me, wants to pay homage to the brilliance of his body of work, a legacy that influenced us all in our individual development as artists.”

Immersive Van Gogh has received rave reviews from critics and patrons. The Chicago Tribune exclaimed “entire rooms pulse with imagery and emotional resonance.” The Toronto Sun declared, “the mind-blowing imagery, brings Van Gogh’s best work to life — including SunflowerIrises, and The Starry Night — for a cathartic and liberating experience.” “Immersive Van Gogh ups the emotional ante,” Toronto Star stated, “I wondered: could projections of paintings on walls and floors be thrilling? The answer is ‘yes.’” Called a “completely new way of encountering art” by CTV and a “blockbuster digital experience that has taken the art world by storm” by Artnet News, the exhibit “cleverly embraces creativity,” according to Washington Post. The San Francisco Chronicle summed it up saying “It’s one hell of a way to wake up from our long pandemic art nap.”

The hour-long walk-through installation has been designed with health and safety as a priority. Admissions will be limited according to New York City’s capacity guidelines with touchless ticket-taking; temperature checks upon arrival; hand sanitizer stations and social distancing markers prominent throughout the venue; and digitally projected social distancing circles on the gallery floors to ensure appropriate spacing. All guests must wear a face covering at all times during their visit to Immersive Van Gogh.

Immersive Van Gogh was designed by Creator and Italian film producer Massimiliano Siccardi, with original, mood-setting music, both original and curated, by Italian multimedia Composer Luca Longobardi, who provided a score that combines experimental electronic music with pure, ethereal and simple-seeming piano. Vittorio Guidotti is the Art Director. Siccardi and Longobardi are both pioneers of immersive digital art installations in Europe, where they created the world-renowned Van GoghStarry Night exhibition, among others. With approximately 100 state-of-the-art projectors illuminating over the exhibit space, visitors to Immersive Van Gogh will be encircled from head-to-toe in Van Gogh’s brushstrokes and colors, including animated details from works such as Self Portrait with Felt Hat (1888), The Bed-room in Arles (1889), Irises (1889) and The Starry Night (1889).

Tickets for the exhibition are on-sale now online and by phone. Tickets range in price from $29.99 for kids to $99.99 for VIP Flex tickets, which comes with priority access, flexible admission, a limited-edition poster, a souvenir laminate and a van Gogh cushion. Basic timed tickets are $49.99. The New York location will be revealed at a virtual press event on Friday, April 23 at 10 am ET. To RSVP and receive a link to the press event, click here.

The new block of tickets will go on sale to the public Saturday, April 24 at 10 a.m. ET.

For more information about Immersive Van Gogh, visit this website or call. Follow the exhibition on social media at @goghnyc on FacebookInstagram or Twitter.

About Vincent van Gogh

Legendary Dutch painter Vincent van Gogh (1853 – 1890) is recognized as one of the world’s greatest and best loved artists. He was born in the Netherlands to his father, Theodorus van Gogh, and his mother, Anna Cornelia Carbentus, a moody artist whose love of nature, drawing and watercolors was passed on to her son. He worked at his uncle Cornelis’ art dealership when he had already been fluent in French, German and English, as well as his native Dutch. He fell in love with English culture when he was transferred to the Groupil Gallery in London in 1873.

During his short life he painted more than 2,000 artworks ranging from ordinary household items and self-portraits to surreal landscapes that inspire awe. Van Gogh was a post-Impressionist painter whose work — notable for its beauty, emotion and color — highly influenced expressionism in 20th-century art. He struggled with mental illness and remained poor and virtually unknown throughout his life.

He was tragically admitted to a psychiatric hospital after offering his severed ear to a woman at a local brothel. For hope, he turned to painting and nature, until one day when he went out to paint in the morning with a loaded pistol in his hand and reportedly shot himself in the chest. In his 37 years alive, Van Gogh only sold one painting, The Red Vineyards, to his brother Theo.

About the Creative Team

DAVID KORINS, Creative Director New York

David Korins is the award-winning Creative Director, Designer and Founder of his eponymous New York City based creative studio. In his two decades of creating omnidirectional experiences, he has, along with his expert team, reached hundreds of millions of people all over the world while helping the most influential brands, companies and individuals bring their stories to life. From stage to screen, museums to hospitality, experiential design to singular live events, Korins has traversed the landscape of world building and storytelling through almost every medium available. Korins created the worlds for the Tony Award-winning musicals HamiltonDear Evan Hansen and Beetlejuice: The Musical. He has also designed the set for the musical Mrs. Doubtfire as well as over 20 additional Broadway shows. Among numerous TV credits, Korins is the Production Designer for the 91st Annual Academy Awards and Grease: Live!, for which he received an Emmy Award.

Collaborators include Bruno Mars, Elton John, Lady Gaga, Kanye West, Mariah Carey, Andrea Bocelli, Sia, and Takashi Murakami, and presented at venues such as Madison Square Garden, Coachella, Gagosian, Lollapalooza, SXSW, and Sotheby’s. Brand partnerships include the NFL, Twitter, Google, Spotify, YouTube, and Microsoft. As the Creative Director for the USC Shoah Foundation, he has led the organization’s rebranding efforts, the creation of several new experiences, and state of the art testimonials. In 2019, through an ongoing collaboration with Sotheby’s, Korins unveiled a unique exhibit at their New York City headquarters in celebration of the company’s 275th Anniversary. In addition, he designed the Time Square restaurant Bond 45. His work has earned him an Emmy Award, three Tony nominations, Drama Desk, Lortel Awards, three Henry Hewes Design Awards, and an Obie Award for Sustained Excellence in Design.

MASSIMILIANO SICCARDI, Creator

Massimiliano Siccardi studied at the London School of Contemporary Dance of London. But in 1990, he left the world of dance to begin a new journey in the world of video art. Siccardi quickly became the artistic force behind several visual mise-en-scène for choreographers around the world. He also created video scenographies for numerous prestigious festivals and galas around the world. He also re-constructed the video mapping of the Basilica di Giotto and for the Teatro Petruzzelli of Bari, where one of his permanent installation’s virtually reconstruct the frescoes of the Cupola. Siccardi is also a celebrated photographer and has had photo ex-hibitions in Spoleto and Rome, to name a few. He is professor of digital image elaboration at the Accademia di Comunicazione e Immagine of Rome. In 2012, Siccardi received the prestigious International Award “Romaindanza” for his talent in the visual work of dance theatre. Since 2012, he has been artist in residence at the Carrières de Lumières – Atelier des Lumières where he authored the mise-en-scène of numerous immersive shows. He is currently creating projects within Italy as well as New York, Berlin, Leipzig and Rome.

LUCA LONGOBARDI, Composer

Italian composer and pianist Luca Longobardi is a classically trained musician who incorporates the contemporary electronic music into his pieces. Born in 1976, Longobardi studied classical music in Italy and New York and went on to earn his doctorate in digital audio resto-ration in Rome in 2011. His works reveal a strong interaction between classical and contemporary music. The experience he has gained as a theatre musician has increased his interest in the relationship between sounds and spectacle; he has composed music for ballets and films and accompanied installations and experimental art productions (Atelier de Lumières – Paris, Carrière does Lumières – Baux-de-Provence, Kunstkraftwerk – Leipzig). At his multimedia performances and in his recordings, strong experimental electronic music meets pure, ethereal and simple-seeming piano playing that nevertheless relays deep emotions.

About the Producing Team
The producers of Immersive Van Gogh New York are Corey Ross and Svetlana Dvoretsky, working with Co-Producers Maria Shclover and Irina Shabshis. Together they founded Immersive ArtSpace NY, LP to bring Immersive Van Gogh to New York.

Corey Ross is the founder of Starvox Entertainment which has ranked in Profit Magazine’s Fastest growing Canadian companies for 5 years in a row. The company produces and man-ages cross-over performing arts shows and exhibition including the Art of Banksy in London, Canada, the USA, Taiwan, and Japan. He is also a co-founder at Lighthouse Immersive – a company producing the Immersive Van Gogh in 19 North American cities and Illusionarium in Toronto.

Svetlana Dvoretsky is the founder of Toronto’s Show One Productions and a proud recipient of the Order of York by the Government of Canada for her “significant role in arts and culture.” Show One Productions is leading presenter of high-profile international artists in classical music, theater and dance. She is a co-founder of Lighthouse Immersive and co-producer of Immersive Van Gogh.

Maria Shclover and Irina Shabshis are the co-founders of Maestro Immersive Art. Shclover founded Maestro Artist Management in 2004, Shabshis in 2005 and together they have presented more than 1,000 theatrical and classical music performances across the United States, including projects with Michel Legrand, Mikhail Baryshnikov, John Malkovich and more. In 2012, Shclover and Shabshis formed a non-profit organization, Cherry Orchard Festival Foundation, presenting an annual international theatrical festival to audiences in New York City and beyond.

Victoria Selbach for UNRAVELED Confronting The Fabric of Fiber Art. For use by 360 Magazine

UNRAVELED: Confronting The Fabric of Fiber Art

A Group Show Curated by Indira Cesarine

OPENING RECEPTION: April 17, 2021

VIP Preview 1pm – 3pm // Opening Reception 3pm – 8pm

EXHIBITION ON VIEW: April 17 – May 28, 2021

45 Lispenard Street, NYC 10013

The Untitled Space is pleased to present “UNRAVELED: Confronting The Fabric of Fiber Art” group show opening on April 17 and on view through May 28, 2021. Curated by Indira Cesarine, the exhibition will feature textile and fiber-based artworks by 40 contemporary women artists. “UNRAVELED: Confronting The Fabric of Fiber Art” explores in depth the themes and techniques of the medium through the works of female-identifying artists working with natural and synthetic fiber, fabric, and yarn. The exhibition presents figurative and abstract works that address our lived experience and history through the lens of women weaving, knotting, twining, plaiting, coiling, pleating, lashing, and interlacing. Narratives of self-identification, race, religion, gen­­der, sexuality, our shared experience, as well as protest and the patriarchy are literally “unraveled” through embroidery, felt, woven and hooked rugs, braided and sewn hair, sewn fabrics, discarded clothing, cross-stitching, repurposed materials and more.

Exhibiting Artists: Amber Doe, Carol Scavotto, Caroline Wayne, Christy O’Connor, Daniela Puliti, Delaney Conner, Dominique Vitali, Elise Drake, Elizabeth Miller, Hera Haesoo Kim, Indira Cesarine, Jamia Weir, Jody MacDonald, Julia Brandão, Kathy Sirico, Katie Cercone, Katie Commodore, Katrina Majkut, Katy Itter, Kelly Boehmer, Linda Friedman Schmidt, Lisa Federici, Marianne Fairbanks, Mary Tooley Parker, Melanie Fischer, Melissa Zexter, Mychaelyn Michalec, Mz Icar, Orly Cogan, Robin Kang, Rosemary Meza-DesPlas, Ruta Naujalyte, Sally Hewett, Sarah Blanchette, Sooo-z Mastopietro, Sophie Boggis-Rolfe, Stacy Isenbarger, Stephanie Eche, Victoria Selbach, and Winnie van der Rijn.

Curatorial Statement:

unravel [ uhn-rav-uhl ] to separate or disentangle the threads of (a woven or knitted fabric, a rope, etc.). to free from complication or difficulty; make plain or clear; solve: to unravel a situation; to unravel a mystery.

“UNRAVELED: Confronting the Fabric of Fiber Art” investigates the narratives of contemporary fiber artists. The exhibition brings together a diverse group of artists who each address through their own personal vision, materials, and methods, works that are deeply rooted in the history of feminism, in the intersection of art and craft, addressing our living experiences and personal languages. We live in a world of extremes – on one hand, the pandemic has brought forth an intensity on digital and online programming peaking with the emergence of NFT art, and on the opposite end of the spectrum we are seeing a return to the comforts of the home and along with it a renaissance of organic and handmade artworks that embody that spirit. The laborious and repetitive methods required to create one work of fiber art can take hundreds of hours, yet equally the creation process is often referred to as a mediative act of healing, allowing for an expressive personal and cultural interrogation.

Fibers have been an integral part of human civilization for thousands of years. Textile art is one of the oldest art forms, dating back to prehistoric times. Despite early works of textiles such as embroideries and tapestries having been made by both men and women, the tradition of textiles and needlework evolved into that of “women’s work” and was not only dismissed as not “important” but was literally banned from the high art world by the Royal Academy in the 18th century (circa 1769). With the rise of the women’s movement as well as technological advances, women reclaimed the medium, subverted its history as a lesser art form, and transformed it into a tool of expression, of protest, of personality. From early suffrage movement embroidered banners to the groundbreaking exhibitions and works of female pioneers such as Bauhaus weaver Anni Alber’s momentous solo show at the Museum of Modern Art in 1949, Lenore Tawney’s exhibition at the Staten Island Museum in 1961 to Judy Chicago’s groundbreaking 1979 work “The Dinner Party”, we have seen the medium evolve and inspire new generations of fiber artists.

“UNRAVELED: Confronting the Fabric of Fiber Art” explores this new wave of female-identifying artists who are using materials ranging from thread and yarn to human hair, fabrics, and discarded clothing, among a range of other components to unravel the “language of thread” with works that provoke and interrogate. Whether drawn from a deeply personal narrative, or rooted in political motivation, each artist weaves, spins, sews, and hooks the viewer with their detailed and intricate textures that communicate and empower. The exhibition presents two and three-dimensional pieces that explore with gravity and humor our contemporary culture, its beauty, flaws, and idiosyncrasies through murals, assemblages, fragile and gestural threads, meditative, and metaphorical fibers. “UNRAVELED: Confronting the Fabric of Fiber Art” pushes the boundaries, investigates ancient as well as new materials and techniques, and presents a contemporary universe of the language of women and their interwoven, progressive vocabulary.”– Curator Indira Cesarine

“To know the history of embroidery is to know the history of women.” – Rozsika Parker author of “The Subversive Stitch” (1984)

“I am a multimedia artist who uses sculpture and performance to bear witness to the experiences of black women even as American society aims to render us and our lives as invisible and meaningless. Despite the prevalent “urban black” narrative, my experience is tied to the natural world, and I use materials that reference my desert environment and my lived experience as a black woman with Indigenous roots.” – Artist Amber Doe

“I mix subversion with flirtation, humor with power, and intimacy with frivolity. My subject matter is frank and provocative, dealing with issues of fertility, sexuality, self-image, isolation, vulnerability, indulgence, and beauty in the mundane, which are designed to challenge social stereotypes embedded within childhood fairytales. My work explores the many flavors of feminism.” – Artist Orly Cogan

“I pull from my autobiography to illustrate stories of trauma, sexuality, intimacy, and growth. Detailed beading and cyclical patterning emphasize the consistent labor in the repetitive motion of handsewing, that which mirrors the emotional and psychic labor expended in order to manage the suffering a body can accumulate over time. My sculptures translate the life experience of a survivor of complex trauma through the lens of glittering beadwork in order to recount deeply traumatic stories for the same cultural collective that due to repression, denial, censorship and deliberate silencing…” –Artist Caroline Wayne

“This body of work scrutinizes the amalgamation of victim shaming tropes that men and women are taught throughout their lives, both passively and actively, through social norms, pop culture, our educational and legal systems, religious establishments, and familial influences and upbringing.” – Artist Christy O’Connor

“My work focuses on my personal experience living within the confines of a female body, exploring sexuality, religion, and body image. The shared narratives of childbirth, menstruation, dysmorphia, sexual violation, and societal scrutiny all come into play and find connections with the viewers in their shared commonality.” – Artist Dominique Vitali

“My textile works are hand-sewn, fabric based sculptural pieces made from recycled materials that have multiple uses as ritual talismans, wearables, ecstatic birth blankets, dreamcatchers and traveling altars”. – Artist Katie Cercone

“Discarded clothing is my paint. I give second chances to the worn, the damaged, the mistreated, the abandoned, the unwanted, and to myself. My emotional narrative portraits and figurative artworks examine the human condition through my own lived experience. The violence of cutting and deconstruction make way for the reconstruction and refashioning of a broken past.” – Artist Linda Friedman Schmidt

“We are drawn to the grand gesture, the loud assured voice, the bold move, the aggressive brush stroke. I celebrate the opposite: the small moments in our lives – the unremarkable… as Covid-19 took over, some of the things I was celebrating became even more pertinent; toilet paper, soap, hand sanitizer. These objects became signs of hope, of safety, of comfort.” – Artist Melanie Fischer

ABOUT THE UNTITLED SPACE

The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2015 by artist Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary-pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committing to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of women in art. Since launching The Untitled Space gallery, Cesarine has curated over 40 exhibitions and has exhibited artwork by more than 450 artists. Her curatorial for The Untitled Space includes solo shows for artists Sarah Maple, Rebecca Leveille, Alison Jackson, Fahren Feingold, Jessica Lichtenstein, Tom Smith, Loren Erdrich, Kat Toronto aka Miss Meatface, Katie Commodore, and Jeanette Hayes among many others. Notable group shows include “Art4Equality x Life, Liberty & The Pursuit of Happiness” public art exhibition and group show presented in collaboration with Save Art Space, “IRL: Investigating Reality,” “BODY BEAUTIFUL,” “SHE INSPIRES,” Special Projects “EDEN” and “(HOTEL) XX” at SPRING/BREAK Art Show, and internationally celebrated group shows “UPRISE/ANGRY WOMEN,” and “ONE YEAR OF RESISTANCE” responding to the political climate in America, as well as numerous other critically-acclaimed exhibitions. Recent press on Indira Cesarine & The Untitled Space includes Vogue (US), Vogue Italia, CNN, Forbes, Newsweek, W Magazine, Harper’s Bazaar, Teen Vogue, New York Magazine, i-D Magazine, Dazed and Confused, and The New York Times among many others.

*Featured image artwork by Victoria Selbach for UNRAVELED: Confronting The Fabric of Fiber Art. 

artwork by  Elise Drake, UNRAVELED Confronting The Fabric of Fiber Art. For use by 360 Magazine

Artwork by Elise Drake, UNRAVELED Confronting The Fabric of Fiber Art.

artwork by Indira Cesarine, for UNRAVELED Confronting The Fabric of Fiber Art. For use by 360 Magazine

Artwork by Mary Tooley Parker, UNRAVELED Confronting The Fabric of Fiber Art.

Immersive Van Gogh Chicago 9 - Photo Credit Michael Brosilow.

Lighthouse ArtSpace Chicago Extends Immersive Van Gogh Exhibit 

DUE TO POPULAR DEMAND, LIGHTHOUSE ARTSPACE CHICAGO ANNOUNCES EXTENSION FOR IMMERSIVE VAN GOGH EXHIBIT THROUGH NOV. 28

Initial Block of Tickets Sold Out; New Block of Tickets on Sale Wednesday, April 7 at 10 a.m.

Lighthouse ArtSpace Chicago, a new venue within Chicago’s recently renovated landmark Germania Club Building, today announced that due to popular demand the U.S. premiere of the blockbuster art experience Immersive Van Gogh Exhibit will extend its dates to November 28, 2021 after having sold out the current block of tickets. Tickets go on sale Wednesday, April 7 online and by phone at 844-307-4644.

Lighthouse ArtSpace Chicago, a three-story facility located at 108 W. Germania Place, is dedicated to immersive art presentations, merging the boundaries between entertainment and culture to give visitors the sense that they are encountering art as never before. Utilizing the building’s Victorian Era architectural details, 35-foot-tall walls and multiple levels (including balconies), the venue will present vibrant immersive art exhibitions that surround the viewer on all sides.

The venue’s first presentation,Immersive Van Gogh, is a visually spectacular digital art exhibition that has received widespread critical acclaim. Immersive Van Gogh invites audiences to “step inside” the iconic works of post-Impressionist artist Vincent van Gogh, evoking his highly emotional and chaotic inner consciousness through art, light, music, movement and imagination. The Italian creative team who pioneered digital experiences in Paris has created a custom design to fit the gracious Neo-Classical architecture of the exhibition’s Chicago home.

The hour-long, walk-through experience has been designed with health and safety as a priority. Capacity will be limited in accordance with the City of Chicago’s safety protocols. Additional safety precautions include touchless ticket-taking, temperature checks upon arrival, hand sanitizer stations, social distancing markers throughout the venue, and digitally projected social distancing circles on the gallery floors to ensure appropriate spacing. All guests must wear a face covering at all times during their visit to Lighthouse ArtSpace Chicago.

Immersive Van Gogh was designed by creative director and Italian film producer Massimiliano Siccardi, with original, mood-setting music by Italian multimedia composer Luca Longobardi,who provided a score that combines experimental electronic music with pure, ethereal and simple-seeming piano.Vittorio Guidottiis the Art Director. Siccardi and Longobardi are both pioneers of immersive digital art experiences in Paris, where they were part of the team that created the world-renowned Van Gogh, Starry Night exhibition, among others. With more than 70 projectors illuminating over 15,000 square-feet, visitors to Immersive Van Gogh are encircled from head-to-toe in Van Gogh’s brushstrokes and colors, including animated details from works such as Self Portrait with Felt Hat (1888), The Bedroom in Arles (1889), Irises (1889) and The Starry Night (1889).

Immersive Van Gogh is a new way of encountering art, as it quite literally surrounds viewers on all sides with the brilliant work of one of the greatest painters of all time,” said Immersive Art Space Co-Producer Corey Ross. “Both connoisseurs and new admirers of Van Gogh’s work are guaranteed a breathtaking perspective on the influential artist’s oeuvre. Merging state-of-the-art technology, theatrical storytelling, animation and some of the finest works of art ever created, Immersive Van Gogh is a uniquely mesmerizing experience that seemingly transports the viewer into the artist’s mind to see these timeless works as never before.”

“Despite being unknown throughout his life, Van Gogh’s artwork has created a lasting impact through its emotional richness and simple beauty,” said Massimiliano Siccardi, Immersive Van Gogh designer. “Both myself and Luca Longobardi are very excited to once again bring Van Gogh’s legacy to life in a way that is unique to the beautiful architecture of the Germania Club Building.”

The premiere of Immersive Van Gogh in Chicago was described as “a feast for your eyes” by WTTW Chicago and “impressive…(with) clever touches (and) emotional resonance” by the Chicago Tribune.  The Daily Herald said the exhibit “reimagines masterpieces for a digital age” and TimeOut Chicago called it “a visual spectacle… the future of experiential art.”

Lighthouse ArtSpace Chicago is operated by Immersive Art Space LP, a partnership between co-producers Corey Ross, Svetlana Dvoretsky, Maria Shclover and Irina Shabshis. The venue also features a merchandise/gift shop. Future plans include additional immersive art shows as well as live performances.

Ticket prices start at $39.99 for adults ($24.99 for children 16 or younger) with untimed and flexible ticket options available. The venue is easily accessible by public transportation and has ample parking in the nearby James House parking garage. For more information about Immersive Van Gogh, visit this website or call 844-307-4644.  Follow the exhibition on social media on Facebook, Instagram and Twitter.

About Vincent van Gogh

Legendary Dutch painter Vincent van Gogh (1853 – 1890) is recognized as one of the world’s greatest and best loved artists. He was born in the Netherlands to his father, Theodorus van Gogh, and his mother, Anna Cornelia Carbentus, a moody artist whose love of nature, drawing and watercolors was passed on to her son. He worked at his uncle Cornelis’ art dealership when he had already been fluent in French, German and English, as well as his native Dutch. He fell in love with English culture when he was transferred to the Groupil Gallery in London in 1873.

During his short life he painted more than 2,000 artworks ranging from ordinary household items and self-portraits to surreal landscapes that inspire awe. Van Gogh was a post-Impressionist painter whose work — notable for its beauty, emotion and color — highly influenced expressionism in 20th-century art. He struggled with mental illness and remained poor and virtually unknown throughout his life.

He was tragically admitted to a psychiatric hospital after offering his severed ear to a woman at a local brothel. For hope, he turned to painting and nature, until one day when he went out to paint in the morning with a loaded pistol in his hand and reportedly shot himself in the chest. In his 37 years alive, Van Gogh only sold one painting, The Red Vineyards, to his brother Theo.

Award illustration by Heather Skovlund for 360 Magazine

NYC Scholastic Art × Writing Awards

New York City Scholastic Art & Writing Awards Exhibition

Now on View at The Met

Art and Writing by 2021 Gold Key Winners on Display in The Met’s Ruth and Harold D. Uris Center for Education

The nonprofit Alliance for Young Artists & Writers and The Metropolitan Museum of Art have announced the opening of the seventh annual Scholastic Art & Writing Awards: New York City Regional Exhibition at The Met’s Ruth and Harold D. Uris Center for Education. This special exhibition is now on view and is free to the public through May 21, 2021.

The exhibition features more than 200 works of art and writing by New York City based Gold Key recipients participating in the 2021 Scholastic Art & Writing Awards, the country’s longest-running and most prestigious award and recognition program for creative teens. This year, students from all five boroughs in grades 7-12 submitted more than 10,000 works in 28 categories to the New York City regional program of the Awards, representing more than 300 schools.

Education has been at the heart of The Metropolitan Museum of Art’s mission since our founding in 1870, said Heidi Holder, the Frederick P. and Sandra P. Rose Chair of Education at The Met. Now, more than ever, we are committed to investing in education and supporting the creativity of New York City’s young people. It is an honor to present the 2021 Scholastic Art & Writing Awards: New York City Regional Exhibition in partnership with the Alliance for Young Artists & Writers. This annual exhibition demonstrates the power of art to transform, uplift, and challenge us.

All works were blindly adjudicated by accomplished creative and literary professionals based on originality, technical skill, and the emergence of a personal vision or voice. This year, the exhibition will present framed prints of students’ work, due to ongoing restrictions related to the COVID-19 pandemic and to ensure equitable access for all the student artists.

The artworks on display at The Met received top regional awards and were eligible to receive national honors through a second round of judging, which can open further opportunities for exhibition and publication, as well as access to scholarships. The Awards have honored distinguished artists since 1923, including Andy Warhol, Cy Twombly, Kay WalkingStick, John Baldessari, Luis Jimenez, and Catherine Murphy, whose works are in The Met collection.

Chris Wisniewski, Executive Director, Alliance for Young Artists & Writers, said: The creativity of our city’s teens has continued to flourish despite a year of unprecedented challenges. It has never been more important to celebrate diverse student voices and encourage the artistic expression of a generation of rising leaders. The Alliance for Young Artists & Writers is thrilled to partner with The Met to showcase the exceptional young winners of the 2021 New York City Scholastic Awards.

The Alliance partners with Parsons School of Design at The New School and Eugene Lang College of Liberal Arts at The New School to present the regional New York City Scholastic Art & Writing Awards. The 2021 Scholastic Art & Writing Awards: New York City Regional Exhibition at The Met is presented with generous support from The New York Times, the New York City Department of Cultural Affairs, The Maurice R. Robinson Fund, and Scholastic Inc.

To learn more about the Scholastic Art & Writing Awards, visit the Scholastic Media Room online.

About the Alliance for Young Artists & Writers

The Alliance for Young Artists & Writers, a 501(c)(3) nonprofit organization, identifies teenagers with exceptional creative talent and brings their remarkable work to a national audience through the Scholastic Art & Writing Awards. Founded in 1923, the Awards program is the longest-running, most prestigious initiative of its kind, having fostered the creativity and talent of millions of students through recognition, exhibition, publication, and scholarships.

About The Met

The Metropolitan Museum of Art was founded in 1870 by a group of American citizens, businessmen and financiers as well as leading artists and thinkers of the day, who wanted to create a museum to bring art and art education to the American people. Today, The Met displays tens of thousands of objects covering 5,000 years of art from around the world for everyone to experience and enjoy. The Museum lives in two iconic sites in New York City: The Met Fifth Avenue and The Met Cloisters. Millions of people also take part in The Met experience online. Since its founding, The Met has always aspired to be more than a treasury of rare and beautiful objects. Every day, art comes alive in the Museum’s galleries and through its exhibitions and events, revealing both new ideas and unexpected connections across time and across cultures.

Art Exhibition illustration by Heather Skovlund for 360 Magazine

Loribelle Spirovski Exhibition

In what is set to be the highlight of their Summer 2021 calendar, HOFA Gallery, London, will host ‘Coronation‘, a solo exhibition by prolific contemporary figurative painter Loribelle Spirovski, between the 2– 16 June this year. The upcoming exhibition, comprised entirely of new artworks created during the 2020 lockdown, delves into the effects of recent international epoch-making events on private life as distilled through the lens of the artist’s mind.         

‘Coronation’ builds on many of the themes and motifs audiences have seen in her past critically acclaimed collections like ‘Hommes’ and ‘Memento Mori’. It is also a potent play on words whose double meaning points to the Covid-19 pandemic as well as the political power shifts and significant moments occurring simultaneously which continue to exert mammoth influences on the external and internal lives of people everywhere. 

In her new collection, Loribelle explores familiar and poignant themes with an urgency that speaks to the moment, employing her signature line technique to delineate eyes, faces and human forms entangled and abstracted into the minimalist geometric background which represents the room of the mind. She notes that “With the pandemic reducing the worlds of many to the confines of their phone screen, [the] ‘room’ motif seems more pertinent than ever…as a metaphor for the mind and the characters and scenes inhabiting it, signifying the external world filtered into the subconscious.”

The tenuousness of a reality mediated by technology and social media distortions is yet another strong theme of ‘Coronation’. However, the overarching theme is undoubtedly the inescapable reckoning all must face with history. As power shifts in the US reverberate around the world, ‘Coronation’ compels viewers to interrogate the things that hold sovereign power in their lives, prefaced on the recognition that there is need for a re-orientation, repudiation, or re-affirmation of individual commitments.

By her own account, Loribelle was no stranger to the emotional turmoil many experienced during lockdown. The pressures of living with restricted access to family, friends, and the outdoors while news of Covid-19 casualties trickled in forced the artist to take a stand against looming mortality by rediscovering and reaffirming the purpose of her art as a medium for self-expression and for exhuming the hidden contentions of the mind. ‘Coronation’ is an outcome of this defiance and the show will run at HOFA’s flagship gallery in Mayfair for 2 weeks from 2 to 16 as both an in-gallery show and a virtual exhibition, for all to enjoy.

Coronation‘ opens at HOFA Gallery, London on 2 June and runs for two weeks until 16 June 2021. 

A parallel virtual show will also be accessible to all online via a secure weblink.

In compliance with Covid-19 safety protocols, all visits to the gallery will be strictly on RSVP basis.

HOFA Gallery Website

Instagram

Photo courtesy of artist
Photo courtesy of artist
Quantum Mirror by Adrian Stein Rendering courtesy of Carol Fox and Associates Public Relations for use by 360 Magazine

Adrian Stein – Quantum Mirror

World’s First Physical NFT Installation, “Quantum Mirror” by Adrian Stein, Debuts in Chicago. 

The Immersive Work Contextualizes the Nature of NFT Art in the Real World.

As NFTs Have the Capability to be Infinitely Reproduced, “Quantum Mirror” Explores the Concept of Infinite Consciousness in the Digital Era.

In recent months, Non-fungible tokens (NFTs) have rushed the cryptocurrency scene and taken the art world by storm. This new way of buying and selling digital art using blockchain technology has disrupted the art market and created overnight sensations out of formerly obscure artists such as Mike Winkelmann, also known as Beeple, who recently sold a collage of his digital works for the staggering sum of $69.3 million. Another rising artist in the new media art world, Adrian Stein, is unveiling what he describes as the world’s first immersive NFT installation in Chicago’s contemporary art gallery ARTSPACE 8.

“Quantum Mirror,” a 300-square-foot immersive installation, is an environment where the digital and physical worlds of art merge and multiply in a kaleidoscopic array created by over 150 mirrored surfaces. In-person visitors can see their own reflection infinitely juxtaposed alongside Stein’s digital works of human figures, which will be screened within the mirrored installation and accompanied by resonate soundtracks.

Stein’s digital art, available as NFTs that can be acquired via online marketplace Mintable, are displayed on screens in the center of the installation, representing the original copy of each NFT. These images are then reproduced within the geometrically mirrored walls, representing how NFTs exist online: they commonly have a single “original” with the ability to be infinitely duplicated. The installation acts as a physical representation of our virtual environment, using light and reflections to visualize how human consciousness and the economy have become entangled in a network of blockchains and social media.

Speaking to humanity’s deep dependence on technology, the installation lays inactive without its virtual core, in the same way as modern consciousness would be paralyzed without virtual connection – representing how everyday human life has crossed over to become a spectrum between raw humanity and cyborg consciousness.

“This work is meant to continue the conversation that Yayoi Kuzama began with her infinity rooms, by recontextualizing it into the digital world of artists like Beeple” said artist Adrian Stein. “As Kuzama’s work encourages the viewer to contemplate their place in the never-ending cosmos, “Quantum Mirror” encourages the viewer to contemplate their digital existence within the never-ending world online.”

The installation is viewable at ARTSPACE 8 on the third floor of 900 N. Michigan, starting March 20 through late April and viewable Monday through Saturday from 12:30 – 5:30pm at no charge. Online registration is required through this website, allowing ten people in the gallery at a time while following COVID-19 safety guidelines. More of Stein’s artwork can be viewed on Instagram.

ABOUT ADRIAN STEIN

Guatemalan-born, Chicago-based new media artist Adrian Stein seeks to understand how humans view themselves through the many mirrors viewed in everyday life which reveal the borders, glass walls, and masks built between one another in the process.

By representing the human form as a prismatic lens in constant shift, dynamically morphed and affected by the medium it is inhabiting, Stein’s work engages the concept that different states of consciousness give rise to different views of the self, elaborating on how perceived identities can create a hybrid existence that merges both virtual and physical personas.

Through the use of colloquial digital languages and visual commonalities, he seeks to create an aesthetic medium to reveal how his own duality as a Guatemalan-born American has given rise to a hybrid identity, forcing him to exist in both places at the same time.

ABOUT ARTSPACE 8

The 14,000 square foot gallery is located in Chicago’s Gold Coast neighborhood, specializing in contemporary fine art showing a number of paintings, prints, sculpture, and works on paper from emerging and established artists, based both locally and abroad. ARTSPACE 8 prides itself on taking a democratic approach to its affluent surroundings, engaging experienced collectors and the masses alike in the viewing and collecting of intriguing artworks through highly-curated exhibitions and events.

Quantum Mirror by Adrian Stein Rendering courtesy of Carol Fox and Associates Public Relations for use by 360 Magazine Quantum Mirror by Adrian Stein Rendering courtesy of Carol Fox and Associates Public Relations for use by 360 Magazine

 

 

Nairy Baghramian, "Jumbled Alphabet" shot by Nick Ash, Courtesy the artist and Marian Goodman Gallery, for 360 Magazine

NAIRY BAGHRAMIAN – MISFITS

FURLA SERIES #03
NAIRY BAGHRAMIAN. Misfits
Curated by Bruna Roccasalva

Promoted by Fondazione Furla and GAM – Galleria d’Arte Moderna, Milan

GAM – Galleria d’Arte Moderna, Milan
NEW DATES: May 26 – September 26, 2021

From May 26 to September 26, 2021, Fondazione Furla and GAM – Galleria d’Arte Moderna, Milan, will present Misfits, the first solo exhibition in an Italian institution by Nairy Baghramian, curated by Bruna Roccasalva.

Part of the Furla Series program, Misfits is a project conceived specifically for the GAM spaces that explores some key themes of the artist’s research: from her interest in intervening in spaces that mark a boundary to the relationship between the artwork and its institutional context.

Misfits began with the specific urban setting of the GAM, that is, a garden open to adults only when accompanied by children. A series of large-scale sculptures will inhabit both the museum’s interior and exterior spaces, combining the idea of play with a reflection on the aesthetic experience of inadequacy and imperfection.

Furla Series #03 – Nairy Baghramian. Misfits is the outgrowth of a partnership between Fondazione Furla and GAM – Galleria d’Arte Moderna, Milan, with the generous contribution of Fondazione Henraux for the production of the works in marble.

NYBG KUSAMA PRESENTATION

360 Magazine is live at the NYBG KUSAMA Cosmic Nature Media Preview featuring Japanese artist Yayoi Kusama. The KUSAMA Garden and Gallery Pass include access to all of the outdoor and indoor installations (1-9), Haupt Conservatory, Everett Children’s Adventure Garden, Tram Tour, and Garden grounds. The installations include:

  • Pumpkins Screaming About Love Beyond Infinity
  • Flower Obsession
  • Mertz Library Building Gallery
    • Paintings, collages, early sketches, other works
  • Walking Piece
  • Haupt Conservatory Galleries
    • Horticultural displays, tropical and desert collections
    • Hymn of Life – Tulips
    • My Soul Blooms Forever

KUSAMA Garden Pass includes access to all outdoor installations (6-9), Everett Children’s Adventure Garden, and Garden grounds:

  • I Want to Fly to the Universe
  • Narcissus Garden
  • Ascension of Polka Dots on the Trees
  • Dancing Pumpkin

In addition, Infinity Mirrored Room – Illusion Inside the Heart: Exterior now on view to all ticket holders; interior access planned to begin this summer; separate timed-entry ticket required for interior access. More information is available on the NYBG website.

Garden Navigator – Explore the one million plants across NYBG’s 250 acres and find what you want to see. Visit the website for the navigation tool.

Forest Bathing: A meditative audio experience – Be fully present on this self-guided tour. Bathe your senses in the sights, smells, sounds, and sensations of the Thain Forest.

Audio Tours – Look for signs with instructions at stops throughout the Garden to learn about specific plants, gardens, and collections.

My Day At The Garden: Family Guide – Embark on an adventure with their kids and family activity guide, available at any ticket window or on the website.

Spring For Nature – 10 a.m. – 5:30 p.m. Kids of all ages can take a closer look at the wonders of plants and animals across the Everett Children’s Adventure Garden.

Bloomberg Connect App – Featuring audio tours, detailed plant images, and more; there’s something for everyone to enjoy. Free download available here.

Tickets Go on Sale to the Public on March 16, 2021, for The New York Botanical Garden’s Exclusive Presentation of KUSAMA: Cosmic Nature Featuring New Work by Celebrated Artist Yayoi Kusama

The exhibition, related programs, and accompanying publication reveal Kusama’s lifelong fascination with the natural world and its countless manifestations beginning in her childhood spent in the greenhouses and fields of her family’s seed nursery in Matsumoto, Japan. The exhibition includes works from throughout Kusama’s prolific career and multifaceted practice. By integrating seasonal horticultural displays, KUSAMA: Cosmic Nature further illuminates the power of nature that pervades the artist’s practice and dynamic body of work.

Multiple outdoor installations, including monumental sculptures of flora transform the Garden’s 250-acre landscape and the visitor experience. Her signature polka-dotted organic forms and mesmerizing paintings of plants and flowers are also represented. Recent vivid observations of nature, shown alongside earlier works that have never been publicly exhibited and those that are presented for the first time in the United States, trace Kusama’s connection to the natural world throughout her career.

Among the works created for and debuting in the exhibition are:

  • Flower Obsession (2017/2021), Kusama’s first-ever obliteration greenhouse.
  • Dancing Pumpkin (2020), a monumental sculpture presented on the Haupt Conservatory Lawn.
  • I Want to Fly to the Universe (2020), a 13-foot-high biomorphic form presented in the Visitor Center; and,
  • Infinity Mirrored Room Illusion Inside the Heart(2020), an outdoor installation reflecting its environs.

Spectacular seasonal displays complement the artworks on view, making each visit unique as new plantings, textures, and palettes are introduced. Glorious outdoor displays of tulips and irises in spring give way to dahlias and sunflowers in summer, and masses of pumpkins and autumnal flowers in fall. In and around the Conservatory, Kusama’s plant-inspired polka-dotted sculptures are nestled among meadow grasses, bellflowers, water lilies, and other plantings. Stunning floral presentations bring to life one of Kusama’s paintings on view in the Mertz Library Building through a seasonal progression of violas, salvias, zinnias, and other colorful annuals. In fall, displays of meticulously trained kiku (Japanese for chrysanthemum), one of that country’s most heralded fall-flowering plants) will create a dramatic finale for the Conservatory displays.

KUSAMA: Cosmic Nature guest curator Mika Yoshitake, Ph.D., said, Kusama, cosmic nature is a life force that integrates the terrestrial and celestial orders of the universe from both the micro- and macrocosmic perspectives she investigates in her practice. Her explorations evoke meanings that are both personal and universal. Nature is not only a central source of inspiration, but also integral to the visceral effects of Kusama’s artistic language in which organic growth and the proliferation of life are made ever-present.

In the Garden

On the Conservatory Lawn, visitors encounter the monumental Dancing Pumpkin, a 16-foot-high bronze sculpture painted in black and yellow. Both playful and powerful, it is sited in an immersive landscape of river birches, flowering plants, grasses, and ferns. The setting is inspired by the sculpture itself and the birch forests near Kusama’s childhood home.

Visitors can marvel at the bright, purple-tentacled floral form with a vivid yellow primordial face of I Want to Fly to the Universe in the Visitor Center Reflecting Pool, and then behold Ascension of Polka Dots on the Trees (2002/2021), where soaring trees adorned in vibrant red with white polka dots pop in the landscape along Garden Way.

Narcissus Garden (1966/2021), 1,400 stainless steel spheres each nearly 12 inches in diameter, is installed in the 230-foot-long water feature of the Native Plant Garden. The reflective orbs float on the water’s surface, moved by wind and currents, each mirroring the environment around them to captivating effect.

With interior access planned to begin this summer, Kusama’s new Infinity Mirrored Room will operate per New York State and City guidelines for social distancing and visitor safety. The installation, Infinity Mirrored Room Illusion Inside the Heart (2020), responds to natural light through colored glass throughout the day and seasons. Reflecting the seasonality of NYBGߣs landscape, the exterior will be on view with the opening of the exhibition. A separate timed-entry ticket will be required for limited-capacity access.

In the Galleries

In Flower Obsession, visitors may apply coral-colored floral stickers to the furniture and household objects. Over the course of the exhibition, the accumulating stickers will transform the greenhouse. Through works like this, Kusama employs the repeating patterns and forms of flowers to represent the concepts of obliteration, infinity, and eternity.

Three galleries in the Conservatory feature a horticultural celebration of Kusama’s self-proclaimed biophilia. My Soul Blooms Forever (2019), colossal polka-dotted flowers made of stainless steel and painted in dramatic colors, greet visitors under the recently restored dome of the Palms of the World Gallery.

In the Seasonal Exhibition Galleries, the pink-and-gold mosaic Starry Pumpkin (2015) is featured in a woodland garden of foliage and flowers chosen to harmonize with the sculpture’s pink polka dots. Using Kusama’s vibrant painting Alone, Buried in a Flower Garden (2014) as inspiration, NYBG horticulturists have designed a living work of art to mimic the painting’s bold shapes and colors, with plantings changed seasonally. The patchwork of shapes in the painting reads as garden beds seen from above.

In the Conservatory Courtyard Hardy Pool, the exuberantly colored and patterned sculpture Hymn of Life Tulips (2007) depicting outsized, fiberglass flowers are positioned among water lilies and other seasonal aquatic plantings. The Courtyard also features plantings including an array of tulips in spring and colorful annuals in summer that complement the dynamic sculpture on display.

Pumpkins Screaming About Love Beyond Infinity (2017) comprises a glass cube reflecting an infinity of glowing polka-dotted pumpkins within it. The work, one of Kusama’s signature mirrored environments, is installed in the Visitor Center Gallery. Viewed from the outside, the installation changes over time as pumpkins illuminate and then fade to darkness in a meditative choreography. Kusama has said of pumpkins, My pumpkins, beloved of all the plants in the world. When I see pumpkins, I cannot efface the joy of them being my everything, nor the awe I hold them in.

On display in the Library Building, Kusama’s 1945 sketchbook reveals the 16-year-old artist’s keen eye for detail in some 50 drawings capturing the bloom cycle of tree peonies. This work is an early product of a lifelong connection with the natural world that has inspired her practice across mediums. It also portends avant-garde ideas she developed while living in New York City between 1958 and 1973, as a contemporary of Joseph Cornell, Eva Hesse, Donald Judd, and Claes Oldenburg, and continues to explore rigorously today.

The Library Building presentation also features examples of her botanical drawings, works on paper, biomorphic collages, assemblage boxes, sculptures, and paintings on canvas depicting flora and its limitless variety of patterns.

Kusama’s considerable body of performance works is represented in the Ross Gallery by a projection of Walking Piece (ca. 1966/2021), a performance in which Kusama walked the streets of New York City wearing a bright-pink floral kimono and carrying an umbrella decorated with artificial flowers. Art historians have analyzed Walking Piece as a carefully calculated representation of the artist’s ethnicity and gender, one that was intended to demand attention.

From monumental polka-dotted pumpkin sculptures to abstract paintings that resemble cells magnified thousands of times, Kusama’s works suggest the patterns that can be observed all around us. The self-guided Patterns in Nature Tour, featured on the Bloomberg Connects mobile app, examines the visible and microscopic patterns found in nature. Visitors will discover what the patterns of leaf placement, flower petals, and magnified laboratory specimens reveal about what makes species unique as well as how all living things are connected at the genomic level.

Karen Daubmann, Vice President for Exhibitions and Audience Engagement at the Garden, said, “We are delighted to mount this very special exhibition this year, having postponed it in 2020 due to the pandemic. Yayoi Kusama kindly shared a message with us. On March 6, 2021, she wrote, in part, Dancing through our universe are noble souls whose magnificent forms are saturated with mystery. I invite you to explore the endlessly expanding ode to the beauty of love that is my art. We look forward to sharing her singular vision at the nexus of art, nature, and the cosmos at the Garden site uniquely suited for this once-in-a-lifetime presentation.

Programs and Publication

KUSAMA: Cosmic Nature is accompanied by a roster of public programs for all ages, including pop-up performances by musicians, jugglers, and puppeteers; self-guided Kids Get Cosmic; activities in the Everett Children’s Adventure Garden; and more. Signature exhibition merchandise is available for purchase at NYBG Shop.

Coming in summer 2021, a fully illustrated exhibition catalogue, co-published with Rizzoli Electa, will include essays by KUSAMA: Cosmic Nature guest curator Mika Yoshitake, art historian Jenni Sorkin, curator Alexandra Munroe, and other contributors, including curators and a scientist from NYBG. The publication will focus on Kusama’s lifelong engagement with nature and the ways her interest in nature and plants has formed her career-long investigation of themes of the cosmos and the interconnectedness of all living things. Images of works displayed in The New York Botanical Garden landscape will be featured.

Ticketing

Since reopening July 28, 2020, the Garden has incorporated safety measures based on best practices and guidelines from health authorities and government agencies. Admission to the Garden is currently available through the advance purchase of timed tickets. Visit the website for more information.

KUSAMA: Cosmic Nature has a new, limited, timed-entry ticketing system to stagger visitors arrivals and promote social distancing. Advance purchase of timed tickets is required and will be confirmed by e-mail with the option to print or download a mobile ticket.

The following options are available:

  • KUSAMA Garden & Gallery Pass includes access to all KUSAMA: Cosmic Nature outdoor installations across the grounds and access to the Enid A. Haupt Conservatory, installations in the LuEsther T. Mertz Library Building and Ross Gallery, as well as interior access to Flower Obsession and Pumpkins Screaming About Love Beyond Infinity in the Visitor Center Gallery, plus the Tram Tour and Garden features including the Everett Children’s Adventure Garden and outdoor collections.
  • KUSAMA Garden Pass (Non-NYC Residents) includes access to all KUSAMA: Cosmic Nature outdoor installations across the grounds, plus Garden features including the Everett Children’s Adventure Garden and outdoor collections.
  • KUSAMA Garden Pass (NYC Residents) includes access to all KUSAMA: Cosmic Nature outdoor installations across the grounds, plus Garden features including the Everett Children’s Adventure Garden and outdoor collections.

A separate timed-entry ticket will be required to access the interior of Infinity Mirrored Room Illusion Inside the Heart. More information will be provided as it becomes available.

NYBG welcomes Bronx Health Care Heroes and Bronx Neighbors to KUSAMA: Cosmic Nature with complimentary tickets. Communities in the Bronx are among the most severely impacted by COVID-19 in New York City. Through these community access initiatives, the Garden seeks to acknowledge, with gratitude, the dedication, strength, and resilience of Bronx frontline health care workers and residents. Additional information about these initiatives is available at this website.

Visit NYBG for additional ticketing information and pricing and to sign up for e-mail alerts about the exhibition.

Photo Credit: Vaughn Lowery
Photo Credit: Vaughn Lowery
Photo Credit: Vaughn Lowery
Photo Credit: Vaughn Lowery




Exhibition on view April 10—October 31, 2021. Tickets available at nybg.org/kusama  

http://nybg.orgAdvance, timed tickets go on sale to the public on March 16 for The New York Botanical Garden (NYBG) 2021 exhibition KUSAMA: Cosmic Nature, featuring work by internationally celebrated Japanese artist Yayoi Kusama. NYBG is the exclusive venue for KUSAMA: Cosmic Nature. On view April 10 through October 31, 2021, the exhibition will be installed across the Garden’s 250-acre landscape, in and around the Enid A. Haupt Conservatory, and in the LuEsther T. Mertz Library Building. Highlights include new works made especially for NYBG. Spectacular seasonal horticultural displays will complement the artworks and an array of programs and activities will make each visit unique. Pictured above, Hymn of Life-Tulips, 2007, will be displayed in the Conservatory Courtyard Hardy Pool.



Visit nybg.org/kusama for additional ticketing information and nybg.org for more information about NYBG’s offerings.


About The New York Botanical Garden

Founded in 1891, The New York Botanical Garden is the most comprehensive botanical garden in the world and an integral part of the cultural fabric of New York City, anchored in the Bronx. Visitors come to the Garden to connect with nature for joy, beauty, and respite, and for renowned plant-based exhibitions, music and dance, and poetry and lectures. Innovative children’s education programs promote environmental sustainability and nutrition awareness, graduate programs educate the next generation of botanists, while engaging classes inspire adults to remain lifelong learners. The 250-acre verdant landscape—which includes a 50-acre, old-growth forest—and the landmark Enid A. Haupt Conservatory support living collections of more than one million plants. Unparalleled resources are also held in the LuEsther T. Mertz Library, the world’s most important botanical and horticultural library with 11 million archival items spanning ten centuries, and William and Lynda Steere Herbarium, the largest in the Western Hemisphere with 7.8 million plant and fungal specimens. Committed to protecting the planet’s biodiversity and natural resources, Garden scientists work on-site in cutting-edge molecular labs and in areas worldwide where biodiversity is most at risk.

 

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KUSAMA: Cosmic Nature is presented by:


Major Sponsors: Tom and Janet Montag and MetLife Foundation


Generous support provided by: Citi and Delta Air Lines


Digital experience provided by: Bloomberg Philanthropies


Additional support provided by: Arthur F. and Alice E. Adams Charitable Foundation


This project is supported in part by an award from the National Endowment for the Arts; and The New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature


Exhibitions in the Enid A. Haupt Conservatory are made possible by the Estate of Enid A. Haupt.

 

LuESTHER T. MERTZ CHARITABLE TRUST: Providing leadership support for year-round

programming at NYBG


The New York Botanical Garden is located at 2900 Southern Boulevard, Bronx, New York 10458. For more information, visit nybg.org


The New York Botanical Garden is located on property owned in full by the City of New York, and its operation is made possible in part by public funds provided through the New York City Department of Cultural Affairs. A portion of the Garden’s general operating funds is provided by The New York City Council and The New York State Office of Parks, Recreation, and Historic Preservation. The Bronx Borough President and Bronx elected representatives in the City Council and State Legislature provide leadership funding.

Beyond Van Gogh by Beyond Exhibitions for 360 Magazine

Beyond Van Gogh: An Immersive Experience

This April, “Beyond Van Gogh: An Immersive Experience” is coming to one of Miami’s hottest venues, the Ice Palace. The exhibition, created by French-Canadian Creative Director Mathieu St-Arnaud and his team at Montreal’s world-renowned Normal Studio, features more than 300 of Vincent Van Gogh’s iconic artworks and takes the art lover into a three-dimensional world that exhilarates the senses.

After tremendous successes in Europe, cinematic Van Gogh exhibitions have crossed the ocean to great North American acclaim in recent years. In a rich and unique multimedia experience using cutting-edge projection technology developed by some of the world’s greatest AV designers, Beyond Van Gogh takes on the challenge of breathing new life into Van Gogh’s vast body of work. Using the artist’s own dreams, thoughts, and words to drive the experience as a narrative, guests move along projection-swathed walls wrapped in light and color that swirls, dances, and refocuses into flowers, cafes, and landscapes.

While journeying through Beyond Van Gogh, guests witness over 300 masterpieces, including instantly-recognizable classics such as “The Starry Night”, “Sunflowers”, and “Café Terrace at Night”, now freed from their frames. Van Gogh’s art comes to life by appearing and disappearing, flowing across multiple surfaces, and heightening the senses with their immense detail. Through his own words set to a symphonic score, guests come to a new appreciation of this tortured artist’s stunning work. It’s no surprise that millions of people all over the world credit Van Gogh with enhancing their relationship with art. Beyond Van Gogh will only deepen it further.

About Beyond Exhibitions

Beyond Exhibitions is a company comprised of like-minded individuals who have worked across the globe with some of the greatest entertainers and brands known to man. With Beyond Van Gogh, the team brings their collective understanding of audiences, entertainment, and art together to proudly present Vincent Van Gogh as he has never been seen before.

Tickets Onsale Now – Grand Opening Thursday, April 15th

Ice Palace Studios Miami (1400 N Miami Avenue, Miami, FL 33136)

To purchase tickets or for more information, please visit the museum’s website.

Paolo Canevari, ThANKS (2009) e J.M.B. (2007), installation view at Cardi Gallery London for use by 360 Magazine

PAOLO CANEVARI SELF-PORTRAIT

PAOLO CANEVARI
SELF-PORTRAIT / AUTORITRATTO

22nd February – 17th April, 2021

While the London venue is currently under lockdown in keeping with current government regulations, we recommend you the video tours of Paolo Canevari’s exhibition.

Cardi Gallery London

22 Grafton Street | London W1S 4EX

Italian contemporary artist Paolo Canevari is best known for transforming everyday materials and icons into large-scale sculptures that confront his audience with stark, political and philosophical commentary. Throughout his career, Canevari has worked in a variety of media, most notably tyres and inner tubes, painting, drawing, performance, animation and film.

The provocative nature of his works, his connections to contemporary scene, and his active role within the art scene in New York–where he lived and worked for many years–has kept Canevari in the spotlight of both American and Italian media.

Cardi Gallery is proud to present the first major solo show of Canevari’s work in the UK, an extensive survey exploring thirty years of the artist’s practice, the culmination of a decades-long collaboration with the gallery. A museum-scale exhibition occupying four floors at Cardi London in Mayfair, ‘Self-portrait / Autoritratto’ brings together over 30 works including sculptures, drawings and installation that range from the artist’s notorious 1990s rubber sculptures through to his most recent ongoing series ‘Monuments of the Memory: Landscape’ and ‘Constellations’. Many of the exhibits are shown here for the first time.

‘Self-portrait / Autoritratto’ aims to illustrate Canevari’s worldview through the artist’s deeply introspective creative process. It brings to the fore not only a reflection on the self but also, in the artist’s words “…a political reading of making art, intended to measure what Pasolini had defined “the injustice of the world”.

“Art is a democratic, progressive force, so it should ideally serve society, not the powers that be. In my work, the use of icons, symbols, and forms from various cultures is a way of drawing attention to their true meaning, tied to dogmas or other forms of power; they’re a way to open up a dialogue with the viewer and stimulate a reaction.
[…] The “political” character of my work is just one of many possible interpretations of what I do.”

“What I wish to express is a radical, subversive attitude towards art and the idea of art as it has been conceived and conveyed by globalised consumeristic society, therefore raising the level of moral and ethical perception of the world.”

The ambiguity of Canevari’s artworks, suspended in their brutalist aesthetic between irony and disquiet, is a successful result of both conceptual and formal transformation of industrial materials. Oil and its applications (synthetic rubber, exhaust motor oil, etc) are at the heart of his vocabulary; in his hands they become ambiguous symbols of the systemic violence that permeates today’s declining world where the threat of war–whether in the name of spiritual or monetary values–is constant, and humankind’s memory is tragically too short.

“To me, an artwork is profoundly important when it does not recoil into a one-way structure­–whether ideological or technical–but when it opens up to different perspectives for the viewer, therefore broadening their thought.”
-Paolo Canevari

“Cardi Gallery believes that art and culture are key for a healthy society and a ray of hope in these tragic times. I am absolutely delighted to bring to London these incredible works by Paolo Canevari, opening an exciting exhibition season for the gallery.”
-Nicolo Cardi

The exhibition is accompanied by a catalogue with an essay by the eminent American curator Robert Storr; an interview with Iranian artist Shirin Neshat and a homage to Canevari by the acclaimed Italian novelist, Andrea Camilleri. A series of artist talks, and exhibition tours will be held in conjunction with the show.

Open: Monday – Friday 10am – 6pm & Saturday 11am – 5pm