Posts tagged with "artists"

Glastress illustration done by Kaelen Felix for 360 MAGAZINE

2021 U.S. Premiere of Glasstress

Some of the world’s leading contemporary artists are invited to breathe new life into centuries-old glassmaking in Venice ― maestros of glassblowing from the legendary Berengo Studio residency help artists manifest their visions.

Among the 34 artists: Ai Weiwei, Fred Wilson, Joyce J. Scott, Jimmie Durham, Ugo Rondinone, Fiona Banner, Vik Muniz, Monica Bonvicini, Jake & Dinos Chapman, Laure Prouvost, Renate Bertlmann, Thomas Schütte, Loris Gréaud, and Erwin Wurm.

  • There is every reason this year to have a world view,” says Irvin Lippman, the Boca Raton Museum of Art’s Executive Director, as South Florida boldly ushers in the new year with the national premiere of Glasstress 2021 Boca Raton.
  • Three years in the making, with 2020 being such a challenging year to coordinate an international exhibition of this size and scope, the effort serves as an important reassurance that art is an essential and enduring part of humanity.”
  • “This is also a tribute to the resilience of Venice’s surviving the floods and continuing to make art through the pandemic,” adds Irvin Lippman.

The new exhibition runs January 27 through September 5, 2021 and the Museum will feature online initiatives for virtual viewing. Watch the video here featuring interviews with some of the artists in the new exhibition. The 34 artists in this new, never before seen edition of Glasstress were all invited by Adriano Berengo to work alongside his master glass artisans at the Berengo Studio on the island of Murano in the Venetian lagoon. Most of these works in glass have never been seen elsewhere, and were handpicked by Kathleen Goncharov, the Museum’s Senior Curator who traveled to Italy in 2019.

With incredible energy, the Studio has brought a new vision on how to stimulate today’s leading artists into thinking how the medium of glass can be made into dramatic and provocative works of contemporary art. Most of these artists have, during their careers, been invited to participate in the Venice Biennale. Some of the works were created during the pandemic lockdowns, with artists collaborating remotely via Zoom with their glass artisan partners after initial on-site work at the studio in Venice.

“Unlike the past and the present, what comes next for our world presents itself as constant possibility, always transforming as we move forward in time,” says Adriano Berengo. This concept of transformation has always held an affinity with glass, a medium which – as the name Glasstress suggests – exists in a state of constant tension. Life needs tension, it needs energy, and a vibrant exchange of ideas.”

The exhibition presents 34 new works that explore some of today’s pressing subjects, including human rights, climate change, racial justice, gender issues and politics. The Boca Raton Museum of Art has dedicated more than 6,500 square feet of exhibition space to this collection. A fully illustrated catalogue is also available.

The mission of Glasstress is to restore the visibility and reputation of Murano glass, after decades of closures of ancient, centuries-old glass furnaces. Instead of creating decorative objects with glass, these artists are invited to create original works, often on a massive scale. They collaborate with glass masters whose expertise has been developed over generations in Venice. Most of these artists have never worked with glass, so they unite their artistic ideas with the technical expertise of their skilled collaborators.

The results are breathtaking. The first installation visitors to the Museum will encounter is Sala Longhi by Fred Wilson. He created this series at Berengo Studio after the Biennale exhibited his work about Black residents of Venice from the Renaissance to the present. This installation features an ornate white chandelier with 29 glass panels that mirror 18th-century Venetian artist Pietro Longhi’s paintings. Instead of canvases, Wilson shows the viewer only the whites of the eyes of his Black subjects through cutouts in black reflective glass.

“We have brought Glasstress to countries around the world for ten years, seeking to expand and enliven international awareness of the variety and richness of contemporary artists using glass in their creative practices,” adds Adriano Berengo. “In the past, its place in the art world might have seemed uncertain. But now in this latest edition of Glasstress, the first after a global pandemic, one thing we know for certain: glass endures. Life is fragile, just as glass is fragile, yet in this fragility there is also strength.”

“It is in this spirit of experimentation that Glasstress Boca Raton 2021 explores the limitless potential of glassblowing. “We realize how far we have come as we approach the 60th anniversary of the American studio glass movement that launched in 1962 through the efforts of Harvey Littleton and Dominick Labino,” adds Irvin Lippman. “This presentation of Glasstress is also a tribute to them.”

This show also unveils the Museum’s new acquisition for its collection, created in the Berengo Studio – Glass Big Brother, a sculpture by Song Dong, one of contemporary Chinese art’s leading figures. The large-scale ceiling installation is 11 feet long and reaches all the way to the floor. Thirty surveillance cameras are ensconced from top to bottom, looking out at all directions around the chandelier.

The installation Rosemarie’s Divorce, by Renate Bertlmann, unites aspects from Rosemarie’s Baby (1983), her multi-part installation about the ambivalent relationship between mother and child, and Discordo Ergo Sum, a field of knife-roses she exhibited at the Venice Biennale in 2019. The monstrously enlarged glass pacifier is an image she has used since the mid-1970s referencing sexuality and motherhood. It is flanked by two knife-roses made of deep black glass.

The Italian artist Monica Bonvicini’s deeply psychological work addresses themes of sexuality, power, and relationships in male-oriented domains. Her visits to sadomasochist nightclubs with Gay male friends are the inspiration for Bonded. She won the prestigious Golden Lion award at the 1999 Venice Biennale. DNA HAS NO COLOR is a new statement from Nancy Burson that is a powerful work about the illegitimacy of racism. This is a continuation of the project that Zaha Hadid commissioned Burson to develop for the London Millennium Dome. Burson is known for biology-related work, including her use of cutting edge facial morphing technology for art that shows what individuals would look like as a different race.

The Pandemic Oculus, (2020), by Tim Tate, whose work explores the worlds of loss, memory, recovery, and hope. As an HIV-positive man, he lived through the worst of the AIDS epidemic during the 1980s and 1990s, and now through the current pandemic. In the Museum’s exhibition catalogue, the artist states that Pandemic Oculus also honors the many unsung heroes around the world: nurses, teachers, essential employees, grandparents caring for children so that parents can work, and so many more. Tate is the co-founder of the Washington Glass Studio in Washington, DC. He is also the co-moderator, along with William Warmus, of the 21st Century Glass group on Facebook, which has shared and discussed over 10,000 images of sculptural glass from around the world.

Erwin Wurm’s wry sense of humor permeates his most famous works and has served him well in creating a poignant cultural commentary throughout his career. Wurm produced this triad in cold hard glass at the Berengo Studio. They are smaller versions of the massive bronze sculpture of a hot water bottle with legs, Big Mutter, that he created for the Venice Biennale in 2020. In the exhibition catalogue, the show’s curator Kathleen Goncharov describes these “mothers” as neither warm nor comforting . . . their stubby little legs imply flight when called upon to be caregivers.

At the Berengo Studio, Jimmie Durham created a series of eight giant cougar heads suspended on metal armatures. Caught in suspension as they gaze at one another, their collective roar remains frozen between them. The cougar is one of the most sacred animals in Cherokee mythology, and the influence of Native-American culture vs. Western rationalism is evident in his work. The artist’s long trajectory includes his work during the civil rights movement and as a political organizer for the American Indian Movement. In 2019, Durham was the recipient of the Golden Lion for Lifetime Achievement award at the 58th Venice Biennale.

In the Museum’s exhibition catalogue, curator Kathleen Goncharov describes Prune Nourry as no stranger to illness . . . her work always dealing with science and bioethics from a feminist perspective, a focus that has intensified since her breast cancer diagnosis in 2018. At the Berengo Studio, she created River Woman, a transparent skeletal sculpture based on an anatomical drawing of the human vascular system. While its form may be human, the arteries resemble rivers, streams and trees that suffer in their own way too, from human abuse rather than disease.

Ugo Rondinone represented his home country in the Swiss Pavilion at the 52nd Venice Biennale (2007). In this work, the twelve glass horses cast in beautiful shades of blue all face different directions, creating delicate light games with their reflections and shadows in continuous motion. In the context of this installation, the reappearing motif of a horse (which has a long tradition in the history of art), evokes alienation and a subversive twist emblematic of Rondinone’s works.

Ai Weiwei's

DNA HAS NO COLOR, Nancy Burson (2019) for 360 Magazine

Purchase our Glasstress issue HERE.

Artwork for 360 Magazine

GRAPHIC ART TRENDS FOR 2021

Artwork is often the center of a home and brings life and character to a space. As time progresses, artwork trends change and as the new season approaches new art trends are arising. 

With the start of a new year, Desino is excited to present the graphic art trending this spring! Abstract art is at the forefront for the coming season, with organic shapes, arches and geometric lines adding an artsy element to our walls. Check out the latest graphic prints created by our very own Design Studio.

ARCHED DESIGNS

The rounded arch can be spotted through architectural history, and this year the classic curved shape is leading the way in the interior world. Arched furniture, doorways and home accessories are being spotted everywhere! This spring we’ll be decorating our walls with arched designs that bring a classic and stylish feel to our homes. Many people have used the arched design as a makeshift headboard, a DIY that blends in with the trends. 

ORGANIC SHAPES

For abstract art lovers, the organic shapes coming this spring are the perfect addition to your walls! Featuring warm, earthy tones, this graphic art featuring soft shapes and curves will bring a fresh feel to your gallery wall. These pair perfectly with less abstract pieces of art and tie together any gallery wall. 

FIGURATIVE FUTURE

In contrast to the abstract art trending right now, figurative art is coming on strong this season. With a more simplistic approach to this art style, we’re loving these simple portrait drawings honoring our human shapes. These pieces of art encapsulate the beauty of human features. 

GEOMETRIC STRIPES

Monochrome art complements all kinds of interior styles and this season we’re embracing these geometric patterns in black and white. A great choice if you want a modern accent piece for your wall, these graphic prints will look great in minimalist and colorful homes alike. Pairing these with silhouettes, as seen in the gallery wall below, instantly creates a beautiful contemporary wall. 

Visit desenio.com for more graphic gallery walls and inspiration.

Artwork for 360 Magazine
Artwork for 360 Magazine
Artwork for 360 Magazine
Graffiti and art article illustrated by Gabrielle Archuleta for 360 magazine

Imagination in Motion Youth Art Contest Winners

WonderWorks Myrtle Beach announces its youth art contest winners. ART-OLINA: Youth Art Gallery of the Carolinas, located inside WonderWorks Myrtle Beach, will display the winning pieces for a year. The winners also each receive four complimentary tickets to WonderWorks to visit the art gallery and see their work on display. The winners of this year’s art contest are:

Dawson, 12th Grade, Socastee High School, Art Title: COVID19 Self Portrait

Rori, 8th Grade, Loris Middle School, Art Title: The Dream

Erin, 7th Grade, Bob Jones Academy, Art Title: Free to Dream

Corbin, 8th Grade, Black Water Middle School, Art Title: Right and Left State of Mind

Addysyn, 6th Grade, Bryson Middle School, Art Title: Mind on Me

Anna, 5th Grade, Waccamaw Elementary School, Art Title: Light through the Dark

Kaylee, 6th Grade, St. James Intermediate School, Art Title: Thinking About Art in Space

Weston, 3rd Grade, Aynor Elementary School, Art Title: In the Wild

Adayln, 1st Grade, Carolina Forest Elementary School, Art Title: Thinking

“We received a lot of great artwork from the youth in our community,” explains Robert Stinnett, general manager at WonderWorks Myrtle Beach. “We are happy to be able to have some of it on display for the next year. This is a great way to honor our young artists and to inspire others.”

Submissions for the art contest were accepted through December 18, 2020, with the winning submissions going on display January 22, 2021. The theme for this year’s contest was “Time to Think,” which encouraged young artists to think and express their thoughts through art. All of the artwork focused on being unique in concept, design, and execution. All winning artwork will help expand the illusion art gallery in a special section created to highlight local area youth art.

Encouraging youth to engage in art comes with many benefits. According to the National Endowment for the Arts, youth that engage in arts do better in school, are more optimistic, less likely to try drugs, and have higher school attachment. Additionally, youth who engage in art tend to have a higher quality of life, reduced stress and make them feel more involved in the community.

“Art is one of the things that we focus on here at WonderWorks Myrtle Beach,” added Stinnett. “We are happy to offer the area’s young artists a chance to have their artwork on display. Combine that with all the other family fun we offer, and it’s a winning combination.”

WonderWorks Myrtle Beach programs include the WonderWorks WonderKids event,  ART-OLINA Young Artist’s Gallery of the Carolinas, online science worksheets, sensory days, group rates, birthday parties and a homeschool program.

WonderWorks Myrtle Beach offers a variety of STEM- related activities, including virtual learning labs, science fair partnerships, on-site exhibits, activities and more. To learn more about the program, visit the site here. To learn more about the most recent career highlight, visit the site.

WonderWorks Myrtle Beach has COVID-19 safety measures in place. They include reduced hours, enhanced cleaning, spatial distancing protocols, employee health screenings and employee personal protective equipment (PPE).

About WonderWorks

WonderWorks, a science-focused indoor amusement park, combines education and entertainment. With over 100 hands-on exhibits, there is something unique and challenging for all ages. Feel the power of 84-mph hurricane-force winds in the Hurricane Shack. Make huge, life-sized bubbles in the Bubble Lab. Get the NASA treatment in our Astronaut Training Gyro and experience zero gravity. Nail it by lying on the death-defying Bed of Nails. Conquer your fear of heights on our indoor Glow-In-The-Dark Ropes Course. WonderWorks is open 365 days a year and hosts birthday parties and special events.

Headshot of Lumane for 360 Magazine

Rising Star, Lumane

Switzerland native Lumane is not your typical pop artist. Much of her inspiration stems from her mother playing “Moonlight Sonata” by Beethoven on the piano when she was just a toddler. At four-years-old, Lumane put her foot forward to be like her mom learning to play different instruments throughout the years to come. In the mix of that was learning to use her vocal gift in hopes of expressing her creative side.

Lumane had the opportunity to audition her talents at the age of 13 in front of superstar judges in Germany on a show called “Das Supertalent”, which is similar to America’s Got Talent. She sang her heart out only to be left with no invitation back. Lumane was determined to grow. Years later with thousands of hours put into vocal lessons and practice, she auditioned for The Voice in Switzerland making her way through 3 rounds. This progress wasn’t enough for Lumane. 

Lumane did not give up. With the support of her family, she pushed further to achieve her dreams. She bought a plane ticket to New York to continue her studies in the city that never sleeps. While being in school 6 days a week to study Musical Theatre and Acting for Film & TV she continued writing and producing her own songs on the side. After finishing the two-year program she realized that songwriting and pop music was her true passion, not musical theatre. This lead her to audition for the Berklee College of Music in Boston and started her studies there only a couple of months later. Being surrounded by like-minded musicians was exactly the inspiration Lumane needed. After only two semesters at Berklee, an opportunity to finally take the first steps in using her talents to professionally create and record her first set of songs presented itself. 

She packed her bags, returned her apartment keys, bought a plane ticket to Nashville, TN to start actively working on her dream instead of just learning about it in class and books. Lumane finished her degree from Berklee online while writing songs with award-winning producers and writers. This first true experience in the music industry left her thirsty for more.

In her music, Lumane wants to tell her story and experiences – moving to a different continent at 18 years young by herself, being an immigrant in the US and meeting the love of her life, as well as empower people to stand up for themselves and for what they believe is right. All of this comes wrapped in powerful vocals and beautiful melodies, accompanied by explosive beats and heartbreaking piano parts.

Lumane worked with a Grammy-nominated producer on songs like “Taboo”, “Letters”, and “White Lies” which are three recent releases from this electro-pop artist. Her next song titled “Poison” is a story we all have – the feeling you get when you find the right person for you after only meeting toxic people and seeing right through them. Sounds like a good song, right? You can hear for yourself on all streaming platforms.

Black Pink illustration by Kaelen Felix for 360 MAGAZINE

BLACKPINK Postpones ‘The Show’

BLACKPINK shared today that their highly anticipated global livestream experience THE SHOW will be postponed from December 27 to January 31, 2021 at 12 a.m. EST / 2 p.m. KST, due to safety precautions and current restrictions pertaining to COVID-19 in South Korea.

BLACKPINK said, “We can’t wait to meet our BLINKS as soon as possible, but in order to comply with the South Korean COVID-19 prevention guidelines and to ensure a safe performance, we have unfortunately made the decision to postpone THE SHOW from December 27 to January 31 of next year. Through our concert, we wanted to give you some sort of comfort during these difficult times, but the health and safety of everyone taking part in THE SHOW is our top priority, so, in order to make sure that we prepare for the concert in a safe environment, we have decided to postpone THE SHOW.”

Automatic Refund Details

Everyone who purchased access to BLACKPINK’s THE SHOW via channel memberships will be automatically and fully refunded to their original form of payment starting today and can expect the following:

Fans who already purchased access to THE SHOW will receive emails from YouTube confirming the cancellation and refund. Shortly after these fans receive email notifications from YouTube confirming their refund, the “JOIN” button will reappear on BLACKPINK’s Official YouTube Channel and fans will be able to re-purchase the new channel membership.

How to Buy Access to a NEW Channel Membership

The good news is that Blinks from around the world can NOW buy access to a new channel membership. Fans have two purchase options, both of which include access to the online concert experience on January 31 and additional membership perks. Details on how to purchase and membership options are included below:

Fans can buy access to THE SHOW via the channel membership offer page on desktop and mobile devices, or by visiting BLACKPINK’s Official YouTube Channel and clicking “JOIN” membership on the YouTube website or the YouTube Android app.

Fans can choose from a Standard or Plus channel membership which include the following:

STANDARD: 36,000 KRW / $29.98 USD: THE SHOW livestream, rebroadcast and custom emojis

PLUS: 48,000 KRW / $39.98 USD: THE SHOW livestream, rebroadcast, custom emojis and behind-the-scenes content

Safety is of the utmost importance to BLACKPINK, YG Entertainment and YouTube so we hope fans understand and will join us to celebrate THE SHOW in just a few weeks’ time on January 31, 2021!

Visit BLACKPINK’s BLACKPINK’s Official YouTube Channel for the most up-to-date information on THE SHOW.

music Ivory Rowen illustration for 360 Magazine.

5 Strategies for Success as an Independent Artist

Being an independent artist is not easy. You have to handle most of the work yourself, and usually, pay for everything out of your own pocket. However, this also means that you can fully express your artistic vision and won’t be forced into engagements.

This is a great option for those who want to be artists for a living without becoming a commodity. This is also a good option for those who feel like they might have an audience already and don’t need to have a machine behind them, allowing them to bypass the middlemen and get better percentages. But to get there, you have to have a clear roadmap and strategy. Let’s take a look at a few strategies independent artists can use to become successful.

Network

This is probably one of the most important skills you’ll need to master as a new independent artist. And, unfortunately, this is an aspect many neglect. The music business is very much about who you know, and the more people you know, the more opportunities you might open yourself up to. Also, you never know who the right connection could be. It could be a shop or restaurant owner that would like you to perform at a certain event or a student friend of yours that wants you to perform at a party. These are all the types of interactions that could allow you to get the little bit of initial traction that you need. If you’re good enough, word will start to spread about you. The rest is about you being consistent with your efforts and cultivating your audience.

Start from the Bottom

If you want to make yourself known, you will have to be ready to work yourself up from the bottom, even if it means busking. You’d be surprised at how many major artists either started or were discovered while busking. Also, there’s the chance that you could end up on YouTube, and people love discovering obscure talent online. If you look on YouTube, there are plenty of videos of buskers getting millions of views, and if your talent is exceptional, you will get some attention. The best outcome here will be organic and inexpensive.

Work with the Right People

You also have to make sure that you have the right people in your corner. You will need to find yourself an accountant, a manager, a lawyer, and a road manager. The road manager will be essential for organizing logistics on the ground while the manager will be finding gigs and other opportunities for you. Working with a booking agency will also help.

Subsequently, you need to have good staff with you in the studio. Some artists will regularly rotate their sound engineers, but it’s also good to have a relationship with someone who understands your vision and wants to work with you. You want them to like your music too. This way they’ll be more involved in the project and will make more inspired recommendations.

It would also be a good time to start looking at studios. If you want something that will be easy to book and will have everything you need to start recording, we suggest you explore Pirate.com. They have studios in some of the world’s greatest cities, like their Hamburg recording studio or those in New York and Los Angeles. They offer affordable rates and give you a lot of free space to work. This is a great place for any indie act or group.

Hire Someone for Promotion

It would also be a good idea if you hired someone instead of trying to handle all the promotion yourself. Yes, you can interact with your fans on social media, but it would be better if you concentrated on the musical side and let a professional team work on the rest. You can hire someone to manage your social media for you; however, make sure that they sound in-character so that the voice can stay on brand. And, while much of the marketing is done online nowadays, you can’t neglect other traditional options. A professional could help you purchase media space, for instance, or help you gauge if the price would be worth it in terms of exposure.

Give and You Shall Receive

Giving material for free is also one of the best ways to get an audience. Even if it’s a free EP, know that it could pay back in the end. Just because the project was free, doesn’t mean that you can’t make money with it on the back end with performances or licensing, for instance.

These are all strategies that you can use to market yourself as an independent act and thrive in the industry without the backing of a major label. Understand that it’s still a business at the end of the day, and you’ll have to treat it as such if you want to be able to make a living from your art.

Graffiti and art article illustrated by Gabrielle Archuleta for 360 magazine

The Most Scandalous Cases of Plagiarism in Art

By Judy Nelson

Art is generally connected to creativity and original work. The ability to design something that has not been seen before is the driving force behind most artistic minds. Unfortunately, some people choose to take advantage of the creativity of others rather than come up with their own content. 

To make matters worse, these people also fail to give credit where it’s due, instead trying to pass these reproductions off as their own. Plagiarism has become a growing problem in the pop art world, with many emerging artists having their work stolen by others looking to make a quick buck. Some of the more scandalous incidents that have happened in this genre include:

Andy Warhol vs. Patricia Caulfield 

Andy Warhol is considered one of the founding fathers of pop art culture. His works offered new forms of expression that connected art with the advertisement industry and celebrity culture. Because of his prominent position in the industry, the discovery of his plagiarism came as a shock to the world. 

In 1964, the artist released a new series known as “Flowers,” which took the industry by storm. The work consisted of a beautiful floral design printed on various silkscreens. It was soon discovered, however, that instead of creating an original portrait of flowers, 

Warhol had used a photograph by artist Patricia Caulfield –which had been published in a 1964 issue of Modern Photography. This shortcut led to Warhol’s first lawsuit, as Patricia lodged an official complaint in 1966. Any such situation leads to disgrace and as a student, you are also recommended professional plagiarism checker for students in the UK. It ensures 100% unique work and this instills confidence in you that you are writing plagiarism-free and then submit the academic work.

Zara vs. Tuesday Bassen 

In 2016, Zara, a prominent fast-fashion retail brand from Spain, clashed with Los Angeles based independent artist Tuesday Bassen. The dispute arose because of the global brand’s use of the illustrator’s pin designs without her consent. 

The designs had been added to a new line of Zara’s products, with Bassen only finding out when her fans contacted her after noticing the similarities. Zara showed no remorse for their actions, refusing to acknowledge any wrongdoing. 

The retail brand even pointed out that complaints related to the similarities in design were insignificant compared to the overall traffic that the company attracted. This callous response caused uproar within the artistic community. It also highlighted the struggles endured by independent brands and artists in the industry when going up against big corporations. 

Lili Chin vs. Kohl

In 2016, Lili Chin, another independent artist from Los Angeles, filed a complaint against mega retail store Kohl for the use of her work without permission. The lawsuits consisted of copyright infringement and unfair competition charges. 

Lili demanded damages that could have reached up to $1 million. The complaint was based on the retailer marketing her drawings of “Boogie the Boston terrier” on socks and t-shirts sold in their stores. The drawings were based on a 2011 poster designed by the illustrator, showing the dog in various poses. 

Lili Chin pointed out that she sold similar merchandise with the same designs on them. She also mentioned that part of her proceeds went to dog rescue organizations, with Kohl’s actions reducing the amount of charity she was able to give to this worthy cause. In the end, the two parties settled out of court. 

Modern Dog vs. Disney/Target  

Another dog-based design was at the forefront of artwork plagiarism in 2013, when Modern Dog sued commercial giants Disney and Target over the use of an image that had featured in one of their books. Unauthorized copies of the picture had been printed on t-shirts and sold by the two major corporations. 

The companies’ online plagiarism checker was found at fault when they tried to argue that the illustrations involved fell under a technical rather than creative category. The image in question was a collection of sketches of different small dog faces. 

In the summary hearing, the court ruled in favor of the complainant and awarded Modern Dog with broad copyright protection for all 26 drawings. 

Forever 21 vs. Valfré 

Ilse Valfré is the third Los Angeles-based artist to suffer plagiarism at the hands of a major corporation. In 2016, the Mexican-born designer created a cartoon-based design of a rainbow featuring pastel colors and white puffy clouds. Less than a year later, fashion giant Forever 21 released a similar design. 

Both emblems featured matching colors and were branded on the back of iPhone cases. Further investigations by the complainant found that Rue 21, another major retail corporation, had also plagiarized three other designs from Valfré – in the production of their stereo earbuds. 

Conclusion

These examples of plagiarism highlight the need for strict regulation policies when it comes to the protection of copyrighted work. Independent artists deserve recognition for their productions, and, unfortunately, some major companies would rather try and plagiarize these designs than pay the artists for their work. Luckily, the growing influence of social media has made it harder for companies to get away with this act. 

Author Bio:

Judy Nelson works for an NGO based in East Africa, where it runs programs to spread awareness about education for all. She is their lead content writer and editor and also works part-time as a thesis and dissertation writer for an online academic writing service. In her free time, she plays with her pets, drives to the countryside and learns caricature drawing. 

Graffiti and art article illustrated by Gabrielle Archuleta for 360 magazine

Guggenheim Presents José Manuel Ballester

The Guggenheim Museum Bilbao presents José Manuel Ballester [2020/03/15], which will be open to the public over the next three months. The project consists of a series of photographs taken by the artist around the deserted streets of locked-down Bilbao last spring, exhibited alongside About the Guernica, 2009/2020 by Ballester, an emptied-out version of Picasso’s painting that conveys a contemporary perspective on the historical event and human tragedy.

This project as a whole offers a reflection on the consequences of serious events such as wars or pandemics. Thus, the dialogue between the ‘emptied out’ Guernica and the photographs of the apparently uninhabited city presents the viewer with an interesting and open reflection.

This project bears witness to the period of lockdown through a selection of large-scale photographs that reflect the deserted streets and spaces of Bilbao such as La Salve Bridge, Elcano, the Metro and Calle Bailén, casting an almost unreal image that could represent the current situation anywhere in the world.

In the words of Ballester, “The human absence on the streets created unusual images of totally empty roads, avenues, and squares, but the most disturbing part was knowing that all the inhabitants were there, that they were just a few meters from me, protected within the walls of their homes. Despite being so close, silence reigned supreme.”

This portrait of the uninhabited city has many parallels with the artistic vision José Manuel Ballester has been developing for years through his impressive series of works called Hidden Spaces, in which he reinterprets key paintings in the history of art devoid of their characters, giving them a new artistic and human sense.

About the Guernica is a photographic reproduction printed on linen, the same size as Picasso’s original canvas, digitally treated to empty the space of all its human characters. Thus, the architectural interior, with its interplay of light and shadow, remains a silent witness to the bombing of Gernika in 1937. Ballester shifts Picasso’s chosen time sequence to a later time, in which all of the protagonists have disappeared, but in which, in the artist’s words, “the signs of the inhuman remain, as do the flames of the fire that still burns, like the flower that blossoms from the sword”.

The experience provided within the museum itself is complemented by a digital project that develops the concept of emptiness so strongly present in Ballester’s work, accessible from the Museum’s website. In addition, a book has been published that includes the series of twenty photographs taken by the artist in the streets of Bilbao alongside his reinterpretation of Picasso’s work, with comments by Carlos del Amor.

A Collaborative Project

This project is presented to the public in a time of restrictions. After the lockdown and the Museum’s temporary closure last spring, current mobility constraints and economic difficulties make it hard for initiatives to move forward. It is in these challenging times when collaborations and the sum of efforts acquire new value, working together to make a project became a reality.

[2020/03/15] José Manuel Ballester would have been impossible without the generous collaboration of three companies: Estudios Durero has been responsible for the production of the large-scale photographic reproductions with special high-quality printing solutions, in addition to the creation and publication of a homonymous book; Giroa-Veolia has carried out the installation and lighting of the works in the special context that we are going through, and LIN3S has developed the digital experience that, for the first time in the Museum, shows in an innovative way not only the pieces presented in the Museum space but also some others by the artist that complete his project for the Guggenheim Museum Bilbao.

 Hidden Spaces in the Museum Collection

José Manuel Ballester’s intervention on Guernica and on the other works included in the Hidden Spaces series is, in his own words “an attempt to bring into the present moment the events that motivated the creation of these works and to equate them with the current conflicts that exist in the world. These are events that scandalize and move us, but, at the same time, they fade away in our consciousness when they are far away.”

“When you strip paintings of their characters, you’re faced with a desolate, absurd landscape that brings out the horror in the wake of human savagery,” said Ballester.

Three works by José Manuel Ballester belonging to the Hidden Spaces series are present in the Guggenheim Museum Bilbao Collection: The Third of May (2008), The Royal Palace (2009) and The Raft of the Medusa(2010). These works are reinterpretations, respectively, of The 3rd of May 1808 (1814) by Francisco de Goya, Las Meninas (1656) by Diego Velázquez, and The Raft of the Medusa (1818–19) by Théodore Géricault.

RELATED ACTIVITIES
Session of bertsos Hustuari Hitzak (Words about Emptying Out)
Renowned bertsolaris Andoni Egaña and Maialen Lujanbio will offer a session of bertsos from the Museum gallery that houses the work About the Guernica and José Manuel Ballester’s images of uninhabited spaces. This session will be accessible via streaming.

A Conversation- January 14
Artist José Manuel Ballester, curator Petra Joos, and journalist Carlos del Amor will discuss the most relevant aspects of this unique project in a talk that can be followed both in person at the Museum Auditorium and via streaming. The experience can be found here.

Alicia Keys illustration by Kaelen Felix for 360 Magazine MasterClass article.

Alicia Keys MasterClass

MasterClass, the streaming platform where anyone can learn from the world’s best across a wide range of subjects, today announced that 15-time Grammy Award®-winning artist Alicia Keys will teach a class on songwriting and producing. For the first time ever, Keys will not only reveal her complete approach to songwriting but also share her inspiring philosophies on how to unlock authenticity, empathy and vulnerability. Keys’ class is now available exclusively on MasterClass, where subscribers get unlimited access to all 90+ instructors with an annual membership.

“Alicia is simply a legend,” said David Rogier, founder and CEO of MasterClass. “She appeals to and unites her audience with empathy and empowerment. In her MasterClass, Alicia not only breaks down her creative process, but deconstructs her most influential songs. She inspires all of us to control our power and purpose.”

Designed for artists of all levels, Keys’ MasterClass will share her rare and valuable insight into songwriting with soul. Within the intimate setting of her personal studio, Keys will take members through her entire process, starting with developing lyrics at the piano in the Live Room, recording and layering vocals in the Iso Booth, and finally, arranging sonics in the Control Room. Breaking down the anatomy of her many anthemic tracks, she explains the various influences and elements that come together to create her signature authentic and retro-futuristic sound, including how she harnesses the power of specific vocal arrangements and experiments with instruments and software. Fans will appreciate her rare deconstruction of the creative process behind one of her most iconic hits, “Fallin’.” Keys will also go beyond her technical skills to discuss her take on inequalities in the music industry and how she’s creating more space at the table for those whose voices are silenced. Offering a rare look at the wealth of knowledge and experience behind her monumental career, her class will empower members to define their purpose, channel their empathy and find their authentic rhythm.

“I cannot stress enough the power you have when you’re truly confident in yourself,” said Keys. “In my MasterClass, I’m excited to connect on a different level. We’re gonna talk about what I’ve learned, my process and how to access what’s inside of you, so you can connect and get it out into the world.”

A talented performer from a young age, Keys scored her first No. 1 hit in 2001 with “Fallin’,” which was featured on her debut album, Songs in A Minor, and landed her her first five Grammy Awards, including those for Song of the Year and Best New Artist. She’s released six more critically acclaimed studio albums since her debut: The Diary of Alicia Keys (2003), As I Am (2007), The Element of Freedom (2009), Girl on Fire(2012), Here (2016) and, most recently, Alicia (2020). As one of the most influential songwriter-performers of the last two decades, Keys has been honored with countless awards, including 15 Grammy Awards, 17 NAACP Image Awards, nine Billboard Music Awards, five American Music Awards and seven BET Awards, as well as the Starlight Award by the Songwriters Hall of Fame. In addition to her singing career, Keys is also acclaimed for her humanitarian work, philanthropy and activism. At just 22 years old, she co-founded and serves as the global ambassador of the nonprofit HIV/AIDS-fighting organization Keep a Child Alive; she launched the We Are Here Movement, a petition to demand racial justice and equality; and in 2018, Keys formed She Is the Music, a music-industry group for female advancement.

Image courtesy of MasterClass

RUN DMC × 12on12 - limited edition vinyl

RUN DMC × 12on12 – limited edition vinyl

Following their acclaimed project with Travis Scott and fashion house Saint Laurent, 12on12 announced their latest collaboration with cultural icons and hip-hop legends RUN DMC.

The pioneering New York group have curated an exclusive limited edition 12″ vinyl-only compilation with bespoke artwork by rising LA artist Reena Tolentino, aka ‘RT’. 12on12 RUN DMC limited edition vinyl will be released on the 8th December by 12on12.

The 12on12 deluxe, double disc package is limited to 500 hand-numbered editions and embodies the story of RUN-DMC’s legacy within the handpicked iconic track-listing, featuring songs that inspired, affected and changed the ground-breaking group’s music.

The first release in celebration of the 35th anniversary of seminal 1986 album Raising Hell, RUN DMC pay tribute to their late bandmate Jam Master Jay and dedicate this project in his honour.

The release offers a fascinating insight into RUN DMC, one of the most influential groups of all time. Alongside tracks by early rap trailblazers The Sugarhill Gang and Afrika Bambaataa, the group have also highlighted songs that helped form the sonic foundations of the nascent hip hop sound as it emerged and evolved in New York in the early 1980s, including the breaks-goldmine of MFSB’s Love Is The Message and Kraftwerk’s game-changing Trans-Europe Express, a song rarely licensed for any compilation.

The unique work of art for the record has been designed by one of the most exciting names on the LA art scene, Reena Tolentino. A visual artist and actor, RT’s work rose to prominence after her acclaimed mural of late basketball icon Kobe Bryant. In addition to providing artwork and portraits of RUN DMC for the project she has also reinterpreted one of the most iconic hip-hop logo’s of all time with a rework of the classic RUN DMC logo.

The release continues to cement 12on12’s reputation for unique ‘vinylworks’ and bespoke collectors’ editions that live at the intersection of music, art and pop culture, providing a unique canvas for cultural icons to curate the soundtracks to their lives.

With global trends growing around nostalgia and legacy artists dominating consumption both within rising vinyl sales and across streaming platforms, 12on12 continue to prove themselves an exciting creative brand capturing an incresingly powerful part of the zeitgeist.

BTS ARTWORK CREATION : 

https://www.youtube.com/watch?v=9ll2QJACpMg

For more information on 12on12 visit:

TWITTER @12on12vinyl​

INSTAGRAM @12on12vinyl 

FACEBOOK @12on12vinyl

YOUTUBE – @12on12vinyl

 TRACKLISTING 

Side A

Superrappin’ by Grandmaster Flash & The Furious Five

Seven Minutes of Funk by The Whole Darn Family

Side B

Planet Rock by Afrika Bambaataa & Soul Sonic Force

Trans Europe Express by Kraftwerk

Walk This Way by Aerosmith

Rock Box by RUN DMC

Side C

Apache (Jump On It) by The Sugarhill Gang

Brand Nubian by Brand Nubian

Good Times by Chic

Side D

Love Is the Message by MFSB

The Look Of Love by Kenny G

You Bring Me Joy by Anita Baker

ABOUT RUN DMC​​

INNOVATORS. ORIGINATORS. RUN DMC’s influence on the music of the new millennium goes every bit as deep as that of Elvis Presley or The Beatles. With a career that has spanned over 30 years and 30 million record sales, the trio set the stage not only for themselves, but for an industry, for a generation and for generations to come.

Joseph “DJ Run” Simmons, Darryl “DMC” McDaniels, and the late great Jason “Jam Master Jay” Mizell roared out of Hollis, Queens with 1983’s “It’s Like That”/”Sucker MCs”, transforming R&B party funk with a new combination of sparse beats and hard production textures. Within a year, they took another giant step by combining rock guitar with hip-hop in the single “Rock Box.”

The huge popularity of RUN DMC produced rap’s first gold album (RUN-DMC, 1984) and its first platinum album (King of Rock, 1985). RUN DMC’s 1986 album ”Raising Hell” caused an even greater cross-cultural explosion with their hard-core hip-hop classic “My Adidas” and collaboration with Aerosmith on “Walk This Way” – a track that redefined genre boundaries and put rap in the Billboard Pop Top 10 for the first time ever.

RUN DMC have always been trailblazers, the first rappers to appear on MTV, American Bandstand, Saturday Night Live and the cover of Rolling Stone magazine. They were the first rap act nominated for a Grammy Award (Best R&B Vocal Performance by a Group, 1986 for Raising Hell). Tragedy struck the group when Jam Master Jay was murdered in his recording studio on October 30, 2002. Shocked and saddened by the loss of their band mate Run and DMC went their separate ways. As they told the media, “We lost our drummer, we’re not RUN DMC without Jay.”

In 2009 RUN DMC were inducted into the Rock n Roll Hall of Fame and in 2011 Rolling Stone named them one of the 50 Greatest Artists of All Time. Rev Run and DMC started performing together again at select shows to help bring attention and funding to the Jam Master Jay Foundation, continuing to inspire new generations of fans with the same verve they showed over three decades

ABOUT 12on12

12on12 is a music brand living at the intersection of Music, Fashion, Sport, Art, Visual Media and Pop Culture. Drawing on decades of experience in product ideation and creative execution, 12on12 invites notable figures in culture to select 12 songs that have had an influence on their life and collaborate with sought-after brands and visual artists to produce limited edition vinyl. Successful collaborations include creating records with burlesque superstar Dita Von Teese; Travis Scott x Saint Laurent and with Complex featuring artwork by Takashi Murakami.

www.12on12.com 

ABOUT RT

Reena Tolentino AKA “RT” is an American-Filipino Artist based out of Los Angeles. RT’s signature “stencil” style is hand painted in layers. Her vibrant and colorful palette explores narratives that include the symbolic and the reflective, while employing the duality between the negative and positive dynamism that brings life into each piece of work; each subject matter having a historical and contemporary cultural relevance. Learn more @reenatolentino.