Posts tagged with "broadcast"

Music via 360 Magazine by 360 Magazine

AUSTIN CITY LIMITS-CIMAFUNK & THE TRIBE Premieres

AUSTIN CITY LIMITS-CIMAFUNK & THE TRIBE Premieres NOV. 12 (PBS) -“Afro-Cuban Funk Sensations Thrill in Ecstatic Hour”

“a churning cyclone of sound …an ecstatic blur of hard funk, island rhythms and copious swagger. one of the most euphoric sets in “ACL” history. a performance that cements Cimafunk’s status as a rising global phenom”  Austin Statesman

Austin City Limits (ACL) fans will be on their feet for a supercharged hour showcasing Afro-Cuban funk sensation Cimafunk. Hailing from Havana Cuba, the celebrated showman and his eight-piece powerhouse band, The Tribe, make a thrilling ACL debut with standouts from Cimafunk’s acclaimed album El Alimento. The new installment rounds out the first half of ACL’s Season 48 and premieres November 12 at 8pm CT/9pm ET. The complete line-up for the full broadcast season will be announced shortly, with new episodes premiering beginning January 7, 2023. The program, recorded live at ACL’s studio home in Austin, Texas, continues its run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.  The show’s official hashtag is #acltv.

In a remarkable ACL debut, Cimafunk & The Tribe deliver an electric, unique blend of high-energy funk, Caribbean rhythms and Afrobeat. Cimafunk and his band are earning raves for their incredible live performances tearing up stages across the globe. The freewheeling set explodes with a spectacular James Brown-influenced rhythm for the blazing “Relajao,” with Cimafunk flexing his dazzling vocals and radiant starpower alongside dance moves from percussionists Big Happy and Machete, a finger-busting bass solo from Caramelo, horns (and backing vocals) from Hilaria and Katy Cacao, and a merciless groove from drummer Dr. Zapa. “Put your hands up!” Cimafunk exclaims as he introduces “Funk Aspirin,” the band’s collaboration with funk legend George Clinton which opens 2021’s widely-hailed El Alimento. “Never forget,” the sweat-soaked Cimafunk laughs as the set reaches a fever pitch, “Shake that booty!” They close with “Me Voy,” the 2018 hit that made Cimafunk a household name in Cuba, bringing lucky audience members onstage and taking the groove to the next level.

“Cimafunk’s ACL debut was breathtaking,” says ACL executive producer Terry Lickona “He barely took a breath himself, and for that matter neither did the crowd, which was too busy dancing and screaming themselves. It was one of those rare shows where the performer and audience literally came together as one.”

“Austin is starting to feel like home away from home, and I wanted to bring the energy to Austin City Limits,” says Cimafunk. “It got really funky and sweaty in there with a lot of groove!”

Cimafunk & The Tribe

LA PAPA

SALVAJE

SE ACABO

BEAT CON FLOW

APRETADO

RELAJAO

FUNK ASPIRIN

ME VOY

Watch live on PBS, or stream anytime. The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date.  The series will continue to air fan-favorite encore episodes through the end of 2022. Viewers can visit acltv.com for news regarding episode schedules, future tapings and select live stream updates or by following ACL on FacebookTwitter and IGFans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.   

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

Polestar 3 by Polestar Press via 360 Magazine

Polestar 3 Premieres on October 12

The SUV for the Electric Age – Polestar 3 Premieres on October 12

Polestar cars (Nasdaq: PSNY) will premiere its first SUV, Polestar 3, at a launch event on October 12, 2022, in Copenhagen, Denmark. Featuring Polestar CEO, Thomas Ingenlath, and Polestar Head of Design, Maximilian Missoni, the event will be live-streamed globally beginning at 1 p.m. EST, allowing consumers a glimpse at the brand’s debut in the SUV market. For those who want to tune in, the live broadcast will be available at https://youtu.be/oga1XJAX8ms.

Polestar 3 is a powerful, design-led electric performance SUV that appeals to the senses with a distinct shape while providing excellent driving dynamics. “We had to ask ourselves: ‘what should a modern SUV look like?’ Polestar 3 defines the SUV for the electric age, and in designing it we addressed some of the fundamentals of the archetype: proportions, stance, and aerodynamics,” says Thomas Ingenlath, Polestar CEO.

Built on a new all-electric technology base, Polestar 3 also features the latest in high-tech components. This includes a centralized core processor from NVIDIA, and a long list of advanced safety systems from Volvo Cars and leading industry suppliers such as Zenseact, Luminar and Smart Eye.

At Polestar, performance means more than straight-line acceleration. At launch, each version of the Polestar 3 will feature a rear-biased dual motor powertrain and torque vectoring via a dual-clutch system on the rear electric motor. Delivered as standard, adaptive dual-chamber air suspension, and active dampers will allow Polestar 3 to switch between comfort and firm suspension dynamics while adjusting to the road conditions once every two milliseconds (500 Hz).

“It’s this instant ability to transform from a comfortable cruiser to a sharp, agile performance car in less than the blink of an eye that makes Polestar 3 special as an electric performance SUV,” continued Ingenlath. “It also benefits from a low center of gravity and wide track for ultimate stability, and an exciting feeling behind the wheel.”

The optional Performance Pack provides the Polestar 3 with 517 hp and 671 lb.-ft. of torque, along with Polestar Engineered chassis tuning for the active dampers and air suspension. Polestar’s signature Swedish gold details are also added, including valve caps, seat belts and a laser-etched interior light strip.

Additional information regarding Polestar 3 will be shared throughout the event on October 12. Join the live stream to learn more about the brand’s SUV for the electric age.

About Polestar 

Polestar Automotive Holding UK PLC (Nasdaq: PSNY) (“Polestar”) is a Swedish premium electric vehicle manufacturer. Founded by Volvo Car AB (publ.) (together with its subsidiaries, “Volvo Cars”) and Zhejiang Geely Holding Group Co., Ltd (“Geely”), in 2017,  Polestar enjoys specific technological and engineering synergies with Volvo Cars and benefits from significant economies of scale as a result.  

Polestar is headquartered in Gothenburg, Sweden, and its vehicles are currently available and on the road in markets across Europe, North America, China, and the Asia Pacific. By 2023, the company plans that its cars will be available in an aggregate of 30 markets. Polestar cars are currently manufactured in two facilities in China, with additional future manufacturing planned in the USA. 

In the US, the local Polestar office is located in the New York metro area, in Mahwah, New Jersey. Polestar Spaces have been opened in Los Angeles, the San Francisco Bay Area, and Orange County, Calif.; New York City; Denver, Colorado; Boston; Central and Southern New Jersey; Dallas and Austin, Texas; Detroit; Minneapolis; Phoenix; Seattle; Atlanta; Charlotte, North Carolina; Connecticut; South Florida; and Washington D.C., with more to follow in Central California, the Pacific Northwest, and Hawaii. 

Polestar has produced two electric performance cars. The Polestar 1 was built between 2019 and 2021 as a low-volume electric performance hybrid GT with a carbon fiber body, 619 hp, 738 lb-ft of torque, and an electric-only range of 52 miles (EPA) – the longest of any hybrid car in the world.  

The Polestar 2 electric performance fastback is the company’s first fully electric, high-volume car. The Polestar 2 model range includes three variants with a combination of long- and standard-range batteries as large as 78 kWh, and dual- and single-motor powertrains with as much as 476 hp and 502 lb-ft of torque. 

From 2022, Polestar plans to launch one new electric vehicle per year, starting with Polestar 3 – the company’s first electric performance SUV which is expected to debut in October 2022. Polestar 4 is expected to follow in 2023, a smaller electric performance SUV coupe.  

In 2024, the Polestar 5 electric performance 4-door GT is planned to be launched as the production evolution of Polestar Precept – the manifesto concept car that Polestar released in 2020 that showcases the brand’s future vision in terms of design, technology, and sustainability. As the company seeks to reduce its climate impact with every new model, Polestar aims to produce a truly climate-neutral car by 2030. 

In March 2022, Polestar revealed its second concept car, an electric performance roadster which builds on the design, technology and sustainability ambitions laid out by Precept and showcases the brand’s vision for future sports cars. The hard-top convertible presents an evolution of the unique design language first shown by Precept and emphasizes a dynamic driving experience. The concept further develops the focus on sustainability and technology, aiming towards greater circularity. Polestar confirmed in August 2022 that a version of the concept will be produced as the Polestar 6 electric performance roadster, with launch expected in 2026. 

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Que Triste by Warner Music Latina via 360 Magazine

“QUE TRISTE” by PISO 21 & CARÍN LEÓN

Piso 21 releases new single ”QUE TRISTE” with Carín León. The Colombian supergroup gears up to perform at the 2022 Latin Billboard Awards on September 29

“QUE TRISTE” Available HERE

One of the Latin music industry’s most prolific and versatile groups, Piso 21, unites with regional Mexican singer and songwriter, Carín León, for the release of their latest song, “Que Triste”. The song and its official music video are available to stream on all digital platforms today.

Intentionally crafted to create the perfect fusion between two very different worlds of music, this newest hit pushes past creative barriers as Piso 21 makes a meticulous decision to produce something that further solidifies their versatility as artists. A play of references, the meaning of “Que Triste” is evident in its ties to its melancholic and wistful melodies over a slower tempo. Molded perfectly to highlight the essence of all of the artists, Piso 21’s dynamic and multifaceted vocals intertwine seamlessly with Carín León’s rhythmic and signature vocalization as they weave a story of the sadness that comes with not being valued by their female protagonists as she walks out of their lives.

In the video, directed by Juan Felipe Zuleta, we find ourselves on an intimate journey as the main protagonist, Manu Fajardo, embodies the raw and heartfelt emotions brought forth by “Que Triste” through an emotional and isolated performance. The video sees Piso 21 and Carín León perform their verses throughout a series of snippets, effortlessly capturing the essence and story behind the song.

The debut of “Que Triste” comes at an exciting time for Piso 21 as they get ready to take the stage at the 2022 Latin Billboard Awards. The supergroup was also nominated at this year’s Latin Billboard Awards under the “Latin Rhythm Artist of the Year, Duo or Group” category. The ceremony will be broadcast live from the Watsco Center in Miami, FL on Thursday, September 29 at 7pm EST on Telemundo.

“Que Triste” follows in the footsteps of their current hit, “Los Cachos,” alongside Manuel Turizo. “Los Cachos” sees Piso 21 and Turizo join forces again for the first time since their 2018 classic, “Dejala Que Vuelva,” which remains a career-defining hit single for both artists. To date, “Los Cachos” has garnered over 60 million combined streams and over 24 million views on YouTube.

Piso 21 has continuously delivered hit after hit this year – after the release of their multi-platinum 2021 album, El Amor En Los Tiempos Del Perreo, they have released a steady stream of singles and features with Blessd, Ovy On The Drums, Santa Fe Klan, Dimelo Flow, Boza, Mau y Ricky, Prince Royce, Gerardo Ortiz, Khea, amongst others. Currently, Piso 21 is on the road touring internationally through LATAM and beyond as they gear up for the highly anticipated release of their album, “777.”

WATCH “QUE TRISTE” HERE

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HISPANIC HERITAGE AWARDS by John Reilly via 360 Magazine

THE 35th HISPANIC HERITAGE AWARDS

Complete Talent Lineup Now Set For The Friday, September 30th Broadcast On PBS

Host & Performers announced for the 35th Hispanic Heritage Awards:

The Already Announced 2022 Honorees Are:

 The Hispanic Heritage Foundation (HHF) today announces this year’s host, and performers for the 35thth Annual Hispanic Heritage Awards –  to be broadcast Friday, September 30th, on PBS Stations. The historic program, which was created by the White House to commemorate the establishment of Hispanic Heritage Month in America, is among the highest honors by Latinos for Latinos and supported by 40 national Hispanic-serving institutions. (An announcement about HHF’s in-person Hispanic heritage celebration in Washington, DC, is forthcoming.)

Modeled on the same format which set new ratings records for the broadcast across the last two years, this year’s presentation will once again feature intimately filmed segments captured on location across the United States and Latin America. In addition to the exclusive honoree profiles (detailed again below), the show will be hosted by actress Stephanie Beatriz – widely known for voicing the character of Mirabel Madrigal in Disney’s Oscar-winning 2021 film Encanto, as well as her portrayal of Carla  in the motion picture adaption of In The Heights, and as Detective Rosa Diaz in the action-comedy tv series Brooklyn Nine-Nine.

 Continuing the Hispanic Heritage Awards’ long-running tradition of also celebrating the richness and stylistic diversity of Hispanic music and culture, the 35th anniversary broadcast will once again spotlight special musical guests spanning from established superstars to the introduction of essential new voices that will carry the communities’ music well into the future.  This year, that collection features multi-GRAMMY and/or LATIN GRAMMY winners such as Colombian Vallenato champion and previous Hispanic Heritage Award honoree Carlos Vives, beloved Mexican singer-songwriter Julieta Venegas, and one of Cuba’s leading Timba/tropical music ambassadors Aymée Nuviola.  Standouts of a new generation are also represented by already Platinum certified Panamanian Urban singer-songwriter Boza,, Interscope signed rising Puerto Rican star Robi (who will perform a heartfelt tribute to LEGEND honoree Daddy Yankee), and the first national TV performance of Cuban raised, and now Nashville based captivating rock guitarist and singer Hector Tellez Jr,  – whose prowess already finds him backed by Rock and Roll Hall of Fame member Peter Buck, and Seattle Rock Scene veterans Barrett Martin (producer & drums) and bassist Dune Butler.

“We are thrilled to honor yet another inspirational class of Hispanic Heritage Awardees, and to pay tribute to them through these amazing performers and entertainers on the PBS broadcast,” said Jose Antonio Tijerino, president and CEO of HHF.  “Thanks to PBS and our corporate partners we will be able to share our celebration of cultural pride, accomplishment, and vision with all of America during Hispanic Heritage Month and year-round.  Stay tuned for our announcement for the in-person celebration.”

 Presented by TARGET with Official Broadcast Sponsorship by Nationwide, and hosted by Google, the 35th Annual Hispanic Heritage Awards will air Friday, September 30th on PBS stations and stream on Public Broadcasting Service and the PBS Video app.  This year’s deserving honorees spotlighted throughout the broadcast and announced over the past two months are trailblazing Reggaeton superstar Daddy Yankee, Marvel Studios executive producer Victoria Alonso, Oscar Winner Ariana Debose, multiple GRAMMY winners Los Lobos, aviation pioneer Olga Custodio and ‘Back To The Roots’ co-founders Alejandro Velez & Nikhil Arora. They join the ranks of  HHA winners across the last 35 years, that includes Rita Moreno, Celia Cruz, Tito Puente, Gloria Estefan, Justice Sonia Sotomayor, Martin Sheen, Ricky Martin, Rubén Blades, Fania All-Stars, José Feliciano, Los Tigres Del Norte, Anthony Quinn, Juanes, Diego Luna, Juan Luis Guerra, and right up to the continued relevancy of recent winners such as Carlos Santana, Linda Ronstadt, Bad Bunny, Ivy Queen, Zoe Saldana, Residente, Selena Gomez and more inspiring figures ranging from essential farmworkers to pioneering NASA engineers.

About the Hispanic Heritage Foundation  

The Hispanic Heritage Awards serve as a launch of HHF’s year-round mission focused on education, workforce, social impact and culture through the lens of leadership.  HHF is a 501(c)(3) nonprofit organization. 

For more information, visit www.hispanicheritage.org and follow the Hispanic Heritage Foundation on InstagramFacebookTwitter, and TikTok.

OXYGEN’S 911 CRISIS CENTER RETURNS

Oxygen True Crime, the home of high-quality true crime programming, returns to Chagrin Valley Dispatch in Ohio for the second season of “911 Crisis Center.” The second season premieres Saturday, Sept. 3 at 9:30 p.m. ET/PT with new episodes airing at 9 p.m. beginning Sept. 10.

The compelling series offers fly-on-the-wall coverage of the community’s most intense moments as it takes viewers inside the call center and brings them along to experience the fast-paced action where dispatchers and supervisors skillfully navigate life-threatening situations.

For a sneak peek, please click here.

For key art, please click here.

In the back-to-back premiere episodes, the crisis center focuses on peril surrounding some of the youngest members of the Chagrin Valley community. 

Season two begins with the episode “Mama Bear to Grizzly Bear.” Supervisor Charline Polk, the Mama Bear of Chagrin Valley Dispatch, takes a 911 call from a concerned grandfather looking for his missing 2-week-old grandchild. Charline and the team combine forces to unravel the mystery.

In the second episode that airs immediately after, “Matt on the Move,” Matt Reinke has learned the ins and outs of dispatching and is ready for the next step. Before he decides to apply for supervisor, however, he must help a young girl threatened with a knife and a panicked caller with a baby struggling to breathe.

Throughout the season, episodes will feature dispatchers and supervisors calmly taking charge, extracting information to relay to law enforcement and first responders, all the while helping confused and frightened callers on the other end of the line. Viewers will see the team tested as a couple is heard screaming over an open line; when a welfare check spirals into a pursuit; when a caller must be coached into performing CPR before it’s too late; and a neighbor who pulls a gun on a caller and her family. The season includes many impactful stories driven by the dispatchers and supervisors who are largely unseen in the community, yet make a huge impact.    

From Warner Brothers Unscripted Television, “911 Crisis Center” is produced by Shed Media in association with Green Lakes Productions. Dan Peirson, Lisa Shannon, Adam Kassen, Dena Waxman and Shannon O’Rourke executive produce.

ABOUT OXYGEN TRUE CRIME

Oxygen True Crime is a multiplatform crime destination for women.  Oxygen True Crime remains one of the fastest-growing cable entertainment networks with popular original programming, including the flagship “Snapped” franchise, “Cold Justice,” “Injustice with Nancy Grace” and breakout event series such as “Catching a Serial Killer: Sam Little,” “Kim Kardashian: The Justice Project” and “Aaron Hernandez Uncovered.” The network’s digital platform continues to reign as the #1 website dedicated to true crime. Oxygen True Crime’s over-the-air platform recently launched in select US markets. Oxygen True Crime is part of NBCUniversal Television and Streaming’s Entertainment portfolio, which includes NBC, Bravo, E!, Oxygen True Crime, SYFY, Universal Kids, USA Network and Peacock. For more information, visit oxygen.com

ABOUT WARNER BROS. UNSCRIPTED TELEVISION  

Warner Bros. Unscripted Television is the leading unscripted studio in America, currently producing over 50 series and documentaries, totaling nearly 2,000 hours of programming annually across broadcast, cable, streaming, digital, first-run syndication and podcasts. Led by studio president Mike Darnell, the division is comprised of Warner Horizon, Shed Media and Telepictures and produces leading and award-winning series and franchises such as “The Bachelor,” “The Bachelorette,” “The Voice,” “Extra,” “Paris in Love,” “The Real Housewives of New York City,” “911 Crisis Center,” and “The Bradshaw Bunch,” as well as “Friends: The Reunion” and “Harry Potter 20th Anniversary: Return to Hogwarts,” among others. Upcoming projects include “The Wheel,” and “The Jennifer Hudson Show.” 

Ariana Grande illustration by Heather Skovlund for 360 Magazine

Ariana Grande × The Voice

Multi-platinum global recording artist, Grammy Award winner, and talented actress Ariana Grande will join the upcoming Fall 2021 cycle of NBC’s “The Voice” as a coach.

Grande, a powerhouse vocalist whose international fan base of “Arianators” has enabled her to rapidly become one of the biggest pop superstars of our generation, will be joined by returning iconic coaches Kelly Clarkson, John Legend, and Blake Shelton, along with host Carson Daly, on the four-time Emmy Award-winning musical competition series.

With her most recent album, “Positions,” recently breaking the record for most songs to debut at #1 on the Billboard Hot 100 and cementing her as Spotify’s most-streamed female artist of the past decade, Grande, a self-proclaimed fan of “The Voice,” claims a red chair at a pivotal point in her career.

“As an undeniable force in pop music, Ariana’s inimitable success in the music industry is extraordinary,” said Jenny Groom, Executive Vice President of Unscripted Content for NBCUniversal Television and Streaming. “We were thrilled to learn that she is a true fan of ‘The Voice’ and know that this enthusiasm will add to her impact as a dynamic coach. Ariana is a visionary with over a decade of experience in the music industry. Her unmatched vocal skills, creativity, and unique expertise on all facets of the industry will make her an invaluable coach to the next generation of artists.”

Said Grande, “I’m so honored and excited to join ‘The Voice’ family! I have been a huge fan of the show for such a long time. I can’t wait to go head-to-head with the incredible coaches, get to know these new artists, and help to take their craft to the next level.”

A Grammy-winning, multi-platinum recording artist and international superstar, Ariana Grande was the first artist to hold the top three Billboard Hot 100 spots since the Beatles in 1964 with “7 Rings,” “Break Up with Your Girlfriend, I’m Bored,” and “Thank U, Next.” In 2020, she became the first and only artist to have five singles debuts at #1 in the chart’s history. At age 27, she has delivered five platinum-selling albums and surpassed 35 billion streams – she’s Spotify’s most-streamed female artist of the past decade – while rapidly becoming one of the biggest pop stars of our generation with her powerhouse vocals and unmatched presence both on stage and with her fans. She recently won a Grammy for Best Pop Duo/Group Performance for “Rain on Me” with Lady Gaga.

The Battle Rounds for Season 20 of “The Voice,” with current coaches Kelly Clarkson, Nick Jonas, John Legend, and Blake Shelton, continue Monday, April 5 and April 12 at 8 p.m. ET/PT on NBC.

For the 2020-21 season-to-date, “The Voice” is the #1 alternative series among total viewers. The show has ranked among the top 5 most-watched alternative series for each of its 11 broadcast seasons on the air.

Season 20 marks the 10-year anniversary of “The Voice.”

“The Voice” is a presentation of MGM Television, Warner Bros. Unscripted Television in association with Warner Horizon, and ITV Studios The Voice USA, Inc. The series was created by John de Mol, who serves as an executive producer along with Mark Burnett, Audrey Morrissey, Amanda Zucker, Kyra Thompson, and Adam H. Sher.

Sceenic illustration by Heather Skovlund for 360 Magazine

Sports Innovation Lab × Sceenic

Sceenic, a leading software solutions provider for real-time experiences, has been named a Game Changer in the growing Co-Watch trend in the latest Sports Innovation Lab Power Play Index.

Sports Innovation Lab’s Power Play Index for the Fluid Fan Behavior of Co-Watch identifies those companies that are best positioned to create immersive viewing experiences for fans at home. Sceenic is the only Game Changer in the index, which charts the top 10 technology providers that offer co-watch solutions in the market.

The Power Play Index ranks companies in two categories: 

  • Technology Alignment: determined through a company’s signal score as it relates to watch parties, video chat, and voice chat.
  • Market Validation: determined through a company’s signal score as it relates to leagues, venues, people, and partners.

“When we publish a Power Play Index, we let the data do the talking. Our methodology identifies companies with both the market validation and technology depth that allows them to enable the Fluid Fan,” said Josh Walker, Co-founder and President of Sports Innovation Lab. “Sceenic is our Co-Watching Game Changer for 2020, proving that powerful co-watching technology isn’t the future, but the present.”

Sceenic is identified as the highest-ranking company for each measure due to the seamless turnkey nature of its offering for video, OTT, IPTV or STB providers, and the ease of integration for the Sceenic Watch Together SDKs and APIs into existing platforms with customization. The report also noted Sceenic’s partners and the experiences that they power in the market for clients such as BT Sport (UK), NPO (NL), ScreenHits TV (EU and US), LaLiga (ES), among others.

Key facts:

  • Sports Innovation Lab focused their recent fan behavior research on “Co-watch” presented in the Power Play Index. Getting fans to watch sports content – a live game, a recorded stream, or highlights – is simply getting them to show up. To keep Fluid Fans hooked, to get them coming back more frequently, and for longer periods of time, sports organizations must enable them to learn more about the sport and the athletes. When fans learn, they dive deeper into storylines, get invested in matchups, and come back again and again because they have a greater appreciation for the sport. When fans watch more, revenue opportunities from sponsorships, as well as ancillary behaviors like shopping merchandise or betting, increase
  • Sceenic is a leader in proving co-watch solutions to enhance the fan experience inside their clients’ platforms. Sceenic created the Watch Together software solution in 2013 to provide Broadcast, Telcos and Media companies with an engaging experience inside their platforms. The technology is available to be quickly deployed for video, OTT, IPTV or STB providers to integrate into their existing platforms
  • Sceenic was the first company, in 2019, to showcase and offer the Watch Together software solution on 5G
  • EE (the UK Telco) launched Matchday Experience on the BT Sport app in October 2020, with all BT Sport customers able to access the service from January 2021
  • BT Sport’s Watch Together is available on all broadcast content, 24/7 and on all devices (mobile, tablets, TV)
  • Powered by Sceenic during the 2020 Tour de France, NPO, the Netherlands Public Broadcaster enabled their users to meet the former cyclist Michael Boogerd inside their NPO Start web platform to share insights, answer questions and take online selfies with fans. 

“Seven years in development and refinement, our Watch Together technology stack is proving its worth in large scale deployments with BT Sport, T-Mobile Germany, NPO – Tour de France and others,” said Paul Bojarski, CEO, Sceenic. “What is now exciting is seeing how Watch Together actively supports our customers’ business objectives: the organic multiplier effect it brings to subscriber acquisition and retention, the powerful compliment of C2C word of mouth recommendations to machine learning, and the emergence of wholly original in-room interactive marketing/advertising opportunities.”

About Sceenic

Sceenic is an innovator and leader in understanding today’s customer behaviors and their expectations. In 2013, the company created the Watch Together software solution, adding value to fan-engagement and keeping the conversation within their clients’ platforms: BT Sport, T-Mobile Germany (Deutsche Telekom), NPO, ScreenHits TV, LaLiga, Virgin Connect, WeLoveGaming eSports, FIFAe, among others. You can read more about Sceenic here.

About Sports Innovation Lab 

Sports Innovation Lab is leading a sports research revolution. Sports Innovation Lab exists to educate clients on the technological possibilities for their brand and how to ultimately drive value to the end consumer: The Fluid Fans. Sports Innovation Lab inspires brands to create breakthrough fan experiences through data-driven technology insights and industry-leading research. You can learn more about Sports Innovation Lab here.

Streaming, tv, film, Nielsen story illustration by Kaelen Felix for 360 MAGAZINE

STREAMING PLATFORMS LEADING THE WAY 

IN ON-SCREEN DIVERSE REPRESENTATION

Diversity at all-time high due to growing television landscape but notable disparities persist

The explosion of new television platforms across broadcast, streaming and cable has led to an increase in on-screen representation of diverse identity groups, according to Nielsen’s latest Diverse Intelligence Series report: Being Seen on Screen: Diverse Representation and Inclusion on TV. 

Among the 300 most-viewed programs in 2019, 92% had some level of diversity in the cast (i.e. women, people of color or LGBTQ+). Whites, African Americans and LGBTQ+ had the largest overall share of screen while Women, Hispanics, Asians and Native Americans were underrepresented relative to their population estimates. The report uncovers notable differences in identity group representation across different platforms; with streaming over-indexing on representation for certain identity groups versus traditional broadcast and cable.

In this report, Being Seen on Screen: Diverse Representation and Inclusion on TV, Nielsen reports on scripted, reality, variety and news programming on key metrics: 

  • Share of Screen (SOS): composition of the top 10 recurring cast members in a program
  • Inclusion Opportunity Index (IOI): compares the SOS of an identity group (e.g. women) to their representation in population estimates
  • Inclusion Audience Index (IAI): compares the SOS of an identity group to their representation in a program’s audience.

The report is powered by Gracenote Inclusion Analytics, a new solution delivering cutting-edge metrics created from Gracenote content metadata and Nielsen audience measurement data, providing the industry with consistent and reliable measurement of granular viewing. The report also leverages Gracenote Video Descriptors, metadata relating to story, mood, character, theme and scenario in each program. 

Key insights from the report include:

Overall, representation of diverse identity groups in on-screen programming is low across all media platforms. Streaming fares better for inclusion followed by broadcast and cable. Viewing audiences are increasingly seeking content that tells their stories. As a result, people are migrating to platforms that have broad and more diverse content offerings. 

  • Representation by platform (Broadcast, Cable, Streaming): Nearly one-third of the content on cable doesn’t have parity representation of Indigenous, People of Color (Black, Native American, Asian & Pacific islander, Hispanic/Latinx, Middle eastern/ North African, Multiracial), Women or LGBTQ talent. 
  • Subscription video on demand (SVOD) programming represents several identity groups e.g. Blacks, Hispanic and Asians well, helping us understand, in part, why more diverse audiences are subscribing to streaming services than the general population.
  • Representation of identity groups by genre (e.g. comedy, drama, news): 
    • While women are not well represented in any single genre, the highest representation for women is in science fiction, drama, comedy and horror. 
    • Women have the lowest representation in news. 
    • People of color representation is at parity in music and drama, followed by science fiction and action and adventure.  
    • People of color have least relative representation in news. 
    • News does prominently feature LGBTQ talent on-screen. 
    • Reality and horror programming also prominently feature LGBTQ talent. 

All audiences, regardless of how they identify, like to see diversity in the content they view on TV. Programs that represent multiple identity groups evenly yield higher overall audience ratings for all viewers when compared to shows that have a significant over or under representation of any one identity group.  

Quality of representation matters too. The themes and narratives depicted on-screen can contribute to identity formation and social perceptions. As the industry seeks to improve diversity on-screen, content creators and publishers should consider the context in which women, people of color, and LGBTQ+ talent are presented. Equally important is investing in marketing those diverse programs so that they are watched.

  • Women insights
    • Comprise 52% of the U.S. population; show up on screen only 38% of the time
    • Women 50+ years old 
      • 60% less likely to see themselves in programming than in the general population, and 2x the representation of men 50+
      • Women 50+ comprise 20% of the population and 20% of all TV viewers, but have a SOS of less than 8%
      • Men 50+ years old are 17% of the total population and have SOS of 14%
  • LGBTQ+ insights
    • 1 out of 4 top performing programs across cable, broadcast and streaming have relative representation of LGBTQ+ cast members 
    • Total SOS for LGBTQ was 7%. LGBTQ people are 4.5% of the population so across all platforms we see fair representation
    • The highest level of representation is on SVOD (8% SOS), followed by cable (7%) then broadcast (5%). 

Aligning representative casting and content themes is an area of opportunity. In the programming where identity groups see themselves represented at parity, these are the themes that are most present: 

  • Latinas: dysfunction, emotional, suspenseful, melodramatic, police stations
  • Black women: emotional, personal relationships, sons, investigation, rivalry
  • Black men: investigation, thrilling, streets, pursuit, teamwork, discovery
  • East Asians: challenge, courage and bravery, justice, sons, discovery
  • South/Southeast Asian males: thrilling, awakening, offices, courtrooms
  • White women: friendship, family, love, husbands, daughters

Nielsen’s findings aim to show media owners the degree to which their programming is inclusive, coupled with the diversity of the audience they draw. Additionally, brands and agencies will now be able to measure their advertising investment and alignment to inclusive content. The identity groups measured included: Female, Male & Expansive Gender Identities, Black/African American, Hispanic, Asian & Pacific Islander, Middle Eastern/North African, Multiracial, White, Native American/Native Alaskan, and Sexual Orientation. The data, which was both intersectional and granular, enables Nielsen to look at specific identity subsegments like Afro-Latino or Southeast Asian. 

“At Nielsen, we believe that the audience is everything and that inclusion is a prerequisite of a healthy media ecosystem, ensuring all communities and individuals are heard and seen,” stated Tina Wilson, Nielsen EVP, Media Analytics and Marketing Outcomes. “The call for inclusive programming that breaks traditional stereotypes and gives a voice to underrepresented groups has never been louder.”

“This work underscores the essential importance of on-screen representation in an increasingly diverse audience landscape,” said Sandra Sims-Williams, Nielsen SVP, Diversity, Equity and Inclusion. “Not only is the business case for inclusion made but it also provides practical recommendations on how media companies can address inclusion gaps. This is a must-read for any media professional who wants to be part of the change that today’s television viewers demand.”

For more details and insights, download Being Seen On Screen: Diverse Representation & Inclusion on TV. Please visit nielsen.com/inclusionanalytics to learn more. Join the discussion on Facebook (Nielsen Community) and follow us on Twitter (@NielsenKnows).

ABOUT NIELSEN 

Nielsen Holdings plc (NYSE: NLSN) is a global measurement and data analytics company that provides the most complete and trusted view available of consumers and markets worldwide. Our approach marries proprietary Nielsen data with other data sources to help clients around the world understand what’s happening now, what’s happening next, and how to best act on this knowledge. For more than 90 years Nielsen has provided data and analytics based on scientific rigor and innovation, continually developing new ways to answer the most important questions facing the media, advertising, retail and fast-moving consumer goods industries. An S&P 500 company, Nielsen has operations in over 100 countries, covering more than 90% of the world’s population. For more information, visit www.nielsen.com.

ferris wheel, 360 MAGAZINE

“When We All Vote” Festival

This Saturday, in partnership with Michelle Obama’s national, nonpartisan nonprofit organization, When We All Vote, The Roots are launching the 13th Annual Roots Picnic as a virtual broadcast experience exclusively on YouTube at 8 pm ET/5 pm PT HERE. Announced today, there will also be a pre-show executive produced and curated by The Bridge (Tina Farris and Suede) at 5:45 PM ET broadcasting exclusively on The Roots YouTube Channel and featuring performances and special content by several heavy-hitting newcomers.

Artists confirmed include Bam Marley, Brianna Cash, Daniel Sebastian, Iman Omari, Infinity Song, IV Jay, Jac Ross, Jayla Darden, JD & Domi, Justine Skye, LOONY, Nissi, Raye, Riela, RMR, T.Nava, Sampa the Great, Savanna Christina, Shawn Smith, YelloPain, Victory Boyd, Infinity Song, AquilDawud and SUSU. Additionally, you can check out The Roots Picnic playlist on Spotify. Fans can anticipate performances by The Roots, H.E.R., Lil Baby, Roddy Ricch, SZA, Kirk Franklin, Snoh Aalegra, Earthgang, G Herbo, Polo G, D Nice and Musiq Soulchild (backed by The Roots) and appearances by Michelle Obama, Lin Manuel Miranda, Chris Paul, Common, Liza Koshy, Kerry Washington, Tracee Ellis Ross, Janelle Monáe, and Elaine Welteroth. The event is Executive Produced by Shawn Gee (Live Nation Urban), Ahmir “Questlove” Thompson and Tarik Trotter (Two One Five Entertainment), and Dan Parise (DPS). Hosted by Questlove, Black Thought, and Michelle Obama, the picnic will be filled with amazing performances by a diverse group of young highly popular hip hop, R&B, and gospel artists with the goal of engaging and reaching 500,000 eligible voters.

When We All Vote volunteers will sign up to text voters throughout the show through Outvote, a web and mobile organizing platform used to reach unregistered voters. Volunteers can sign-up to learn how to reach voters before the event here. In addition to music, this event will include pre-recorded segments with musicians, athletes, social media influencers, When We All Vote Co-Chairs and The Roots sharing one simple call to action, register to vote. Fans can subscribe to The Roots Official YouTube Channel and tune into the broadcast stream HERE.

PayPal is proud to power The Roots Picnic Marketplace, a collection of Black-owned businesses from across the United States so fans can meet the owners, shop, and donate throughout the event. PayPal recognizes the critical role that these businesses play in our economy, and this partnership builds upon PayPal’s commitment to support Black-owned businesses and fight economic inequality. Additional sponsors for the event include Cîroc, the official vodka partner, Glossier, the official beauty partner and Lowes, the official home improvement partner. The partnership between The Roots and When We All Vote comes from a shared ethos of wanting to reach the most underrepresented community of people when it comes to voting, black people between the ages of 21-35.

Michelle Obama’s When We All Vote and The Roots have a common goal, to educate and inspire communities to use their voices and vote to make a difference. Right now and continuing throughout the broadcast, there will be a call to action to allow fans to register to vote HERE or by texting ROOTS to 56005.

*Throughout the broadcast, this will be available in the form of a link in the live chat section allowing fans to register to vote in real-time while enjoying the show. Additionally, When We All Vote volunteers will work throughout the day and during the show to text and engage 500,000 eligible voters. *Text 56005 to receive periodic updates from When We All Vote. Text HELP for help, STOP to end. Msg & Data rates may apply.

360 Magazine, Ahmaud Arbery, Politics

So You Want a Career in Journalism?

Journalism is an exciting, fast-paced, and interesting career where no two days are the same. Journalists can work for newspapers, TV stations, websites, magazines and radio stations. Most of the time, the best way to get into a career as a journalist is to earn a relevant degree, although you might be able to get into the field through an apprenticeship. If you’ve decided that a career in journalism is a good fit for you, here’s the experience and qualifications you’ll need to beat the competition. 

Qualifications:

There are two common routes into journalism, which include earning an undergraduate journalism degree, or taking an undergraduate degree in a different subject, followed by a master’s degree in journalism. You can search journalism courses at University Compare; a website where you can look at all the different degree options available, where to study them, and the differences between them. When you choose where to do your degree from this list, make sure that you opt for a course that is NCTJ (National Council for the Training of Journalists) accredited if you want to eventually work for a news organisation based in the UK. You can also choose a degree with an area of specialisation, such as newspaper journalism, multimedia journalism, or broadcast journalism. 

Blogging:

While studying for your degree in journalism, using your spare time to start a blog can be a great way to get relevant experience in your career and make valuable connections that will help you when looking for work in the future. A strong blog and a large Twitter following will help you get noticed by potential employers who are looking for new hires that have a solid understanding of online journalism. And, many postgraduate degree courses will expect applicants to have blogging experience and an active Twitter account with a large following, so this will be extremely helpful if you want to go on to get a master’s in journalism in the future. 

Choosing the Right University:

Most universities in the UK will offer a course in journalism, but not all of them are created equal. Along with making sure that you are only applying to NCTJ accredited courses, you might want to consider other accreditations, such as the BJTC (Broadcast Journalism Training Council) if you are considering a career in radio journalism. You should also look at the facilities, reputation, teaching staff, course content, and where journalism graduates from a particular university go on to study further or work. Bear in mind that journalism graduates who have a wide range of skills tend to have more options in the job market, so it’s worth considering a course that teaches extra skills such as data journalism, financial reporting, or video production. 

Getting Work Experience:

While there will be plenty of opportunities for you to get valuable work experience as you study, the experience that matters the most is that you get after graduating. Typically, your first job will be working as a junior reporter, covering any stories that are allocated to you. Generally, these jobs are long-term contracts rather than short-term, which is great if you’re looking for a position with plenty of security, which isn’t always the case when working in the media. However, starting salaries are low, so you might want to consider freelancing for more than one news organisation, something that will become more accessible to you as you build up your experience and contacts. 

Working as a journalist is a very exciting career choice. Finding the right university and course to study, however, is just the beginning; start focusing on building your network and experience as early as possible.