Posts tagged with "HBO"

Of Monsters and Men – New Album

Marking an important milestone, multiplatinum Icelandic collective Of Monsters and Men announce My Head Is An Animal (10th Anniversary Edition) to be released on October 29th.

To celebrate a decade since the arrival of their platinum-certified debut My Head Is An Animal, the group is releasing a version of the album as it was when it was released in Iceland in 2011. This version has a total of four tracks that were not on the 2012 US release, including two never-before-released songs: “Phantom” and “Sugar In A Bowl.” The anniversary album will also be accompanied by commemorative merchandise and a limited-edition vinyl as a special thank you for fans.

Pre-order/Pre-save My Head Is An Animal (10th Anniversary Edition) album and view exclusive merchandise—HERE.

Watch the trailer for new single “Phantom” HERE.

Regarding this moment, the band commented: “It’s been 10 years since the original edition of MHIAA was released in Iceland and because of that we wanted to do something special so we’re releasing a 10th anniversary edition of the album as well as performing some fun live, intimate anniversary shows from Iceland from the venue where we played our first album release party ever. 

The track list matches the one from that first edition of the album that came out in Iceland in 2011 plus two unreleased bonus tracks that sort of got left behind when making the record.

This album is how most of you got to know us and how we got to know you and for that we are forever grateful. 

Thank you to everyone that listened to and supported us this past decade.

Here is to another 10 years!

Love, OMAM”

While “Phantom” and “Sugar In A Bowl” are newly recorded songs, they are not new to the band. “Phantom” was first performed by Of Monsters and Men in 2010 at the renowned Músíktilraunir music competition. It was one of the two songs performed when they took home first place in the competition helping to jumpstart their career. The album features another unreleased track entitled “Sugar In A Bowl”—also composed and conceptualized over decade ago but never recorded.

Continuing the celebration of their anniversary the band also announce their first and only live shows of 2021: Of Monsters and Men: The 10 Year Anniversary Celebration of My Head Is An Animal where they will be performing two intimate shows at Gamla Bíó (the venue where they held the album release party for the album in 2011) on November 9th and 10th. The band will play the album in its entirety as well as other OMAM favorites both older and newer. Pre-sale for Of Monsters and Men: The 10 Year Anniversary Celebration of My Head Is An Animal  starts October 13th at 10am GMT and general on sale begins on October 14th at 10am GMT. Fans can head to http://ofmonstersandmen.com for more details.

Upon release in 2011, My Head Is An Animal scaled the Billboard Top 200, bowing at #6. It also boasted the quintuple-platinum “Little Talks,” which became “the first song by an Icelandic band to cross 1 billion streams on Spotify,” and the gold-selling “Dirty Paws.” To date the album has been streamed nearly 5 billion times globally and was the starting point for the band’s long career.

Since the start of the pandemic, the band has been keeping busy in Iceland. They released a cover of Post Malone’s “Circles,” in April 2020 that the band performed on The Ellen DeGeneres Show (see performance here). Last Fall they released new original track “Visitor,” which generated over 14 million streams worldwide and performed on The Tonight Show with Jimmy Fallon. The performance was shot in Iceland in the landmark theater IÐNO in central Reykjavik. See the incredible performance here. The track was also remixed by indie darlings MUNA who gave new life to the track (listen here).

In 2019, the group welcomed listeners into the embrace of their critically acclaimed third full-length album, FEVER DREAM. Not only did the record tally 80 million-plus total streams to date, but it also attracted acclaim from BillboardNPRThe Line of Best FitIndependentPaste, and more. Clash Magazine claimed, “The songs also have an emotional content to them that is hard to ignore.” Q Magazine praised it as “a dizzying rush of exuberance and emotion…their transformation into an arena-ready pop beast is complete.” Notably, the single “Alligator” made history by completing “their quickest climb to #1 on the Adult Alternative Songs Airplay Chart, as reported by Billboard. In addition to selling out dates coast-to-coast on the FEVER DREAM Tour, the group delivered rapturous television performances on Jimmy Kimmel LIVE! ,The Tonight Show Starring Jimmy Fallon, and Ellen.

OF MONSTERS AND MEN went from the talk of Iceland to the top of the global conversation on their 2011 debut, My Head Is An Animal which landed the band a performance on Saturday Night Live. The group appeared on official soundtracks for franchises such as The Hunger GamesThe Walking Dead, and Beat Bugs, to name a few. In addition to performing at festivals such as Coachella, Lollapalooza, Firefly, and beyond, they supported Florence + the Machine on a high-profile arena tour. In the midst of this rapid rise, 2015’s Beneath The Skin bowed in the Top 3 of the Billboard Top 200 and the band had a coveted cameo in an episode of HBO’s Game of Thrones in the same year.

My Head Is An Animal (10th Anniversary Edition) Tracklist:
1.) Dirty Paws
2.) King and Lionheart
3.) Numb Bears
4.) Sloom
5.) Little Talks
6.) From Finner
7.) Six Weeks
8.) Love Love Love
9.) Your Bones
10.) Lakehouse
11.) Yellow Light
12.) Sinking Man
13.) Phantom*
14.) Sugar In A Bowl*
*Never before released song

Illustration by Alex Bogdan for use for 360 Magazine

Halsey × HBO

Halsey’s If I Can’t Have Love, I Want Power Film Experience will debut on Thursday, October 7, on HBO Max in the U.S. as a MAX ORIGINAL film. HBO Max has acquired the film after a limited theatrical run in IMAX theaters, which broke nearly $1M at the box office after selling out in 70+ theaters globally. Halsey and the filmmakers were represented by WME and Endeavor Content in the distribution deal.

Set to the music of Halsey’s fourth studio album, this one-of-a-kind film experience stars the two-time GRAMMY nominee as the young and pregnant Queen Lila. After a shocking event, Lila unlocks a paranormal power within and discovers her ability to create life (and end it). Offering a stunning visual treat for fans, this evocative, horror-tinged fairytale explores the labyrinth of sexuality and birth. If I Can’t Have Love, I Want Power was written by Halsey and directed by Colin Tilley. The album was produced by Trent Reznor and Atticus Ross. The film was produced by Halsey, Jamee Ranta and Anthony Li.

This Saturday, October 9, Halsey will make their fourth appearance as musical guest on  Saturday Night Live. If I Can’t Have Love, I Want Power recently debuted at No. 1 on Billboard’s Top Current Albums chart their third consecutive release to top the tally. Hailed as Halsey’s best album yet by Vulture, If I Can’t Have Love, I Want Power also topped Billboard’s Alternative Albums, Vinyl Albums and Tastemaker Albums charts and claimed the #01 position on the Spotify Top 10 Global Album Debuts chart.

In a four-star review, NME praised the album as “an intricate and an endlessly compelling artistic statement that only Halsey could have made.”Pitchfork observed, Halsey lets horror of the body, of the mind, of mortality radiate outward. The result is alluring and spectral. It’s their best work yet. SPIN said,  Halsey is not a woman, they’re a rock God. And IICHLIWP proves she’s earned the title.

Dodgr by Amandla Baraka from Kasturi Shan, Interscope Records for use by 360 Magazine

THE LAST ARTFUL, DODGR – Lightwork

Undoubtedly one of music’s favorite enigmas, The Last Artful, Dodgr, has been quietly putting in the work catching the attention of music greats like Mark Ronson, Aminé, Anderson .Paak as well as syncs on shows like HBO’s “Euphoria.” Today, the Grammy winning songwriter releases a brand new song called, “Lightwork.” And as the title suggests, creating hook friendly pop music comes effortlessly to Dodgr and it’s no different on this new track. “Lightwork” is groovy in nature and reminiscent of early 80s, new romantics production that is bound to have listeners bouncing in their seats. “Get in… get in… get in a groove” with Dodgr.

Listen to “Lightwork” by The Last Artful, Dodgr here.

About The Last Artful, Dodgr

Born and raised in LA, the genre-bending talent didn’t fully discover her artistic voice until attending Humboldt State University (CA). After graduating from Humboldt, Dodgr took yet another step further into the “fish out of water” mentality, moving to Portland in pursuit of music despite the city’s known reluctance to hip-hop. Noticing a local scene beginning to grow, she quickly developed a loyal following whom she compares to the love of an “adoptive” family. Offering refreshing, genre-agnostic music, she became one of the city’s premiere talents, and eventually met fellow Portland artist Aminé, who invited her to accompany him as a background vocalist during his first late night television performance in 2016. Since then, Dodgr has grown her loyal audience exponentially, even boasting collaborations with Mark Ronson, Anderson .Paak and Portugal. The Man, among others. Now signed to Interscope Records and at work on her debut album, she dares to be different in the age of immediacy — a prideful testament to her resolute character and even more so, a reflection of Dodgr’s artistic integrity.

Keep Up with Dodgr on:

Instagram | Twitter

image from Kalie Tomlinson for use by 360 Magazine

LANA LOVE — “EGO GO”

Upcoming alt-pop sensation Lana Love has shared her newest single and music video “Ego Go.” Backed by only a piano and strings, the new single highlights the intangible pursuit of perfection and the inevitable struggle of having to come to terms with your faults. Fans can check out the music video for “Ego Go” premiering exclusively on PopWrapped HERE. “Ego Go” is also available to stream HERE.

“It’s an internal dialogue between my Ego and my Self,” Lana expresses on the new single. “An honest, hard look in the mirror at the fears and flaws that make me human. I’m scared I’m not the woman I want to be, but I can’t let my ego go.”

“’Ego Go’” is the first track I played keys on myself. The song was written in a 10 min free-flow, sitting in a puddle of tears on my bedroom floor. There’s something unrefined about it, unlike the restraints of classical technique I grew up in. Simple and raw—I wanted the track to feel the way it did at conception: an earthquake of emotion.”

Lana Love’s self-titled EP is set to be released on October 1. Completely self-owned, the EP tells the story of Lana’s tremulous journey within the music industry. More information to come HERE.

Every once in a blue moon an artist emerges with an undeniable arsenal of talents and embarrassment of riches, and such is the case with contemporary pop artist Lana Love. The Atlanta-born juggernaut fully embodies the spirit of being multi-faceted as a singer, songwriter, classically trained pianist/musician, trained dancer, actor and burgeoning entrepreneur.

The genesis for Lana’s musical journey started in Naples, Florida as a precocious 4-year old who was obsessed with Andrew Lloyd Weber’s iconic “Phantom of The Opera” and started playing the song, “Music of the Night,” by ear on piano in her living room. From that auspicious beginning, Lana has been immersed in honing and expressing her artistry in every medium available. By age 7, she had written her first song. She later studied music at the University of Florida and the American Music Theater and Dramatic Academy in New York.

In her late teens, she was featured in several musical productions as a singer/actor/dancer produced by Disney and Nickelodeon that were presented internationally in over 20 countries throughout Europe. Back in the US she has amassed a number of television credits on programs that were broadcast by HBO, Warner Brothers, Discovery Channel, YouTube and Telemundo. She has also opened for mega rappers like Snoop Dogg and Wu Tang Clan, among other, dabbled in EDM and been a featured guest artist on RaF MC’s Latin dance track, “Baila.”

Currently, Lana is the epitome of a female entrepreneur in a male-dominated field. Between finally owning 100% of her masters and joining the ranks alongside the few women that have broken the digital currency barrier with an NFT venture on the horizon, Lana is a lyricist for the upcoming Netflix documentary “Malinche,” written by Nacho Cano and orchestrated by Hans Zimmer.

An entrepreneur and businesswoman at heart, Lana Love’s story continues to exponentially blossom. She is spreading the one message she holds most dearly…everything, absolutely everything is LOVE.

image from Nina Lee for use by 360 Magazine

UPSAHL — “TIME OF MY LIFE”

“An artist who’s as great at writing a hook as she is at singing one” —BILLBOARD

“Bold and brash, she holds nothing back” —SPIN

“Exudes an infectious sense of confidence that provides an aura of empowerment for her listeners” —V MAGAZINE

“If you aren’t already a full-time UPSAHL stan, firstly: What’s wrong with you?” —COSMOPOLITAN

Today, critically acclaimed trailblazer UPSAHL releases her new single “Time of my Life,” an introspective anthem off of her debut album due out this October on Arista Records. The pensive track’s melodic hook and punchy chorus put UPSAHL’s addictive sound and songwriting prowess front and center.

Directed by George Gallardo Kattah, the playful video juxtaposes present-day UPSAHL with a younger version of herself, allowing moments of childhood nostalgia to manifest in the now. Raw and vulnerable, UPSAHL invites viewers to tag along as she wonders, “How come all the worst days are in the time of my life?”

Of the song, UPSAHL explains, “I wrote ‘Time of my Life’ about being the happiest I’ve ever been, while simultaneously being the saddest I’ve ever been. I’m at a place in my life where I feel like the highs are really really high, but on the flip side, it makes the impact of the lows even lower. The day we wrote this song, I had the line: ‘How come all the worst days are in the time of my life?’ dancing around in my head. So we ended up making that the chorus and building the rest of the song around it.”

Of the video, she added, “For the music video, George, the director, and I really wanted to emphasize the nostalgia that this song sparks. Personally, I feel like some of my most reflective moments are in the shower, so we wanted the video to take place there, while flashing back to some of the best and worst moments of my life. We wanted it to feel very dramatic and introspective, so we shot the video on a high speed camera at 60-1000 frames per second to make it all look like it’s moving in slow motion.”

You can listen to and watch “Time of My Life” HERE.

“Time of my Life” follows on the heels of UPSAHL’s recent single “Melatonin,” a “bright, buoyant” (Billboard) track exemplifying the iconoclast’s musical depth and creating another important stop in the journey to her upcoming debut album.

You can watch the “Melatonin” music video HERE.

In just a few short years, UPSAHL has penned numerous hits spanning various genres such as Dua Lipa’s “Good in Bed,” Madison Beer’s fiery single “BOYSHIT,” and “Happy Endings” with Mike Shinoda and iann dior. Most recently, UPSAHL collaborated with Anne-Marie and Little Mix and co-wrote
“Kiss My (Uh Oh),” released last week. UPSAHL’s track “Stop” was also featured on episode 3 of HBO’s new Gossip Girl revival.

UPSAHL will perform a run of fall dates across the U.S. opening for Olivia O’Brien kicking off August 30th at The Observatory in Santa Ana, CA. She will also make her first-ever headline show debut at the Courtyard Theatre in London this fall on October 12th.

2021 OLIVIA O’BRIEN TOUR SUPPORT DATES:

*Headlining date

8.30 — Santa Ana, CA — Observatory OC

8.31 — San Diego, CA — Observatory North Park

9.1 — Los Angeles, CA — The Fonda Theater

10.12 — London, UK — Courtyard Theatre*

11.2 — Tempe, AZ — Marquee Theatre

11.3 — Santa Fe, NM — Meow Wolf

11.5 — Houston, TX — Warehouse Live

11.7 — Austin, TX — Scoot Inn

11.9 — Atlanta, GA — Variety Playhouse

11.11 — Nashville, TN — Cannery Ballroom

11.13 — New York, NY — Webster Hall

11.14 — New York, NY — Webster Hall

11.16 — Philadelphia, PA — Union Transfer

11.17 — Boston, MA — Royale

11.19 — Washington DC — Fillmore

11.20 — Detroit, MI — Saint Andrew’s Hall

11.23 — Denver, CO — Gothic Theatre

11.24 — Salt Lake City, UT — Complex — Grand Room

11.26 — Portland, OR — Hawthorne Theatre

11.27 — Vancouver, BC — The Biltmore

11.28 — Seattle, WA — The Showbox

music Ivory Rowen illustration for 360 Magazine.

JON BATISTE NEW MUSIC VIDEO – FREEDOM

Today, Academy Award, BAFTA, Golden Globe winning musician Jon Batiste releases a vibrant new music video for his single “FREEDOM,” a celebration of Black joy, independence and New Orleans culture and energy. Watch here.

There is no better time for Jon Batiste’s song of the summer “FREEDOM,” a funk-driven 70s-pop banger that Entertainment Weekly called an “exhilarating, horn-heavy celebration of independence.”

In this electrifying love letter to his hometown of New Orleans, Batiste leads the ultimate second line through the streets, linking with the legendary St. Augustine High School Marching 100 (Batiste’s alma mater), the Joyful Choir of New Orleans, Queen Tahj of the Golden Eagles Mardi Grass Indian Tribe, dancers, musicians, and residents alike.

Jon Batiste has had a good year. The Academy Award, Golden Globe, BAFTA winning musician’s hit song “I NEED YOU” reached #1 on the AAA Radio Charts, his album WE ARE debuted in the Billboard Top R&B Charts, Top Album Charts, and Top 200, his “I NEED YOU” music video surpassed 10MM views, he’s appeared on American Idol,  Live with Kelly and RyanThe Today ShowThe Late Late Show with James CordenCBS This Morning as guest and co-host, and of course the Late Show with Stephen Colbert.

“We Are represents a vivid turn from straight jazz to joyful, danceable pop and neo-soul… a bold declaration of conscience…” –Vanity Fair

On WE ARE, Batiste presents a captivating musical experience to the world rooted in catharsis, joy, freedom, contemplation and sensuality. It’s a love letter to his southern roots and the heritage of Black Music with guest appearances by Mavis StaplesQuincy JonesZadie SmithPJ MortonTrombone Shorty, St. Augustine Marching 100, his father Michael Batiste, grandfather David Gauthier and many more. It is a meditation steeped in the sounds of the times with collaborators including POMO (Anderson.Paak), Ricky Reed (Lizzo), Jahaan Sweet (Drake, Eminem) and others.

“I’m publicly known for some things already,” says Batiste. “But there’s so much more to know about me. It’s always been there. Now is the time to show the world my full artistry.”

Batiste continues, “WE ARE is a message of love for humanity, of humble reverence for our past, and of a hopeful future, in which we are the ones who can save us. The art reveals its motive to you. You just have to wait for the Spirit to tell you what it wants.”

A special thanks to Coach for dressing members of the cast of the “FREEDOM” video.

About Jon Batiste
One of the best-known musicians of his generation, virtuoso pianist, singer, bandleader, educator and television personality Jon Batiste has spent his career bringing that music back to where it started — that is, with the people. From his days at Juilliard, where he established his Stay Human band by playing around New York City’s subways and in street performances he called “love riots,” to his work since 2015 as the bandleader and musical director of The Late Show With Stephen Colbert, the Kenner, Louisiana native has consistently channeled his superb technical skill and deep knowledge of jazz tradition towards a specific, intentional purpose: making people’s lives better and brighter, one harmonaboard (that’s harmonica and keyboard, combined) solo at a time.

Born into Louisiana’s legendarily musical Batiste family, Jon has performed and recorded widely since his teens. His flexibility as an artist, his fluency in jazz as well as popular music of all stripes, has allowed him to collaborate with legends from Wynton Marsalis, a mentor since his Juilliard days, to Prince — as well as many of the widely-varied artists who appear on the Late Show.

Batiste’s marquee performances have ranged from the Grammy’s, to the Kennedy Center Honors, to the US Open and the NBA All-Star Game — in 2015, Batiste and the Stay Human Band became the first group to play the main stage at both the Newport Jazz and Folk festivals.

Batiste played himself on the HBO series Treme and appeared in director Spike Lee’s Red Hook Summer — most recently, his music was featured in the 2020 Disney/Pixar film Soul. Batiste won a Golden Globe and Critic’s Choice Award for his participation in the soundtrack alongside Trent Reznor and Atticus Ross, and the trio are currently nominated for an Oscar and BAFTA for Best Soundtrack.

He’s been awarded the American Jazz Museum Lifetime Achievement Award, the Harry Chapin ASCAP Humanitarian Award and appeared on Forbes’ 30 Under 30 list; Batiste also currently serves as the Music Director of The Atlantic and the Co-Artistic Director of the National Jazz Museum in Harlem.

Jon Batiste is devoted to the education and mentorship of young musicians. He has led his own Social Music Residency and Mentoring Program sponsored by Chase, as well as master classes throughout the world. He has also led several cultural exchanges, beginning in 2006, while still a teen, with the Netherlands Trust, which brought students from the USA and Holland to perform with him at the Royal Concertgebouw and Carnegie Hall.

Batiste balances a demanding performance schedule with public speaking engagements, masterclasses, brand partnerships, community activism and acting roles. His composing and songwriting will be featured in his large-scale, genre-melding symphonic work “American Symphony,” set to premiere at Carnegie Hall in 2021 and he has been developing a Broadway musical about the life of famed painter Jean-Michel Basquiat.

Page Kennedy illustration by Heather Skovlund for 360 Magazine

Q×A with Page Kennedy

ACTOR & RAPPER PAGE KENNEDY JOINS 360 MAGAZINE FOR SOME Q&A

By: Heather Skovlund-Reibsamen

Page Kennedy is well known as a rapper and actor within our entertainment industry. Kennedy’s recent acting skills brought him to play “Duck” on Netflix’s “The Upshaws”, one of their newest series to hit streaming platforms starring alongside Kim Fields (Regina Upshaw), Mike Epps (Bennie Upshaw), and Wanda Skyes (Lucretia). He is also known for his roles in “Blue Mountain State”, “Weeds” and his comedic genius skits shared on Instagram and TikTok.

Kennedy’s self-titled album ‘Page’ was released in February 2021 featuring heavyweight rappers Xzibit and Method Man is available now on all streaming platforms – make sure you go check it out!

360 Magazine had the pleasure of interviewing Page Kennedy where we discussed “The Upshaws”, his character ‘Duck’, music, and his fitness journey. We had an amazing conversation about his media roles, the love for Eminem, and also found out that we both favor Cardi B because of the way she represents herself: “Cardi B makes me feel like I know her”, said Kennedy.

Read on to hear about our conversation with Page!

Your Netflix series, “The Upshaws”, came out today- how do you feel about working with it?

PK: I love it, you know I was a part of it, and I still watch the series multiple times. I can’t get tired of it. I can just go to any episode and watch it- it has so many great jokes and the characters are diverse, and they bring their own style, energy and creativity. I think it’s the funniest show on TV.

How is it working with the cast?

PK: Working with the cast is great. You know, you got legends there. You’ve got Kim Fields, the ultimate foremost legend, Mike Epps who is a comic genius, Wanda Skyes- comic genius. They are good people, and everybody is happy to be here, so it makes it fun.

Do you feel that you have any similar traits to your character Duck within yourself?

PK: I’ve been asked that question and, let me see, I look at Duck as a different character than what I typically play. The only similarity that I see between me and Duck is his loyalty. He is loyal to a fault. You know, he spent 7-10 years in jail where he could have gotten less time where he could have ratted out his friend who could have been his co-defendant, but he just took it. I think I have a loyalty like Duck. Other than that, he’s a little different than me.

Let’s talk about your latest album. How did you feel about the creative direction within the videos for “Fear” and “Safe”? How did you work through the process of such a real and raw album?

PK: I wanted to make use of all of my talents to create an art- that was my goal. My goal was to take the amalgamation of talents that I have to coalesce to create art that could be ubiquitous forever. You know, that’s what I feel I accomplished because things are great 20 years from now and it’s still going to be great. You can still listen to Biggie because it’s incredible, it’s timeless and that’s what I wanted to do. I feel like I accomplished that.

Can you tell us about the song “Shine”?

PK: I think that the album needed some respite because it’s very heavy and after you listen to Fear and Safe, it’s so cumbersome that you need some respite. And so that’s what Shine provides. It still takes a look at how difficult 2019 was personally for me and then 2020 was for everyone. The face of darkness, there is light after, and I wanted to show that the Devil will not take that light away. We will shine.

Can you tell us about your album cover?

PK: The cover of the album is confluence of tragic incident of black Americans who have had their lives taken from them at the hands of police brutality. That confluence is to show that they are me. You know, they all make up me; I am the same as them and so I wanted to, through me, show them. Wait until you get to the song “Flowers”, that is my favorite song on the album.

At the end of some of your videos, there is mention of voting- what are you trying to show viewers?

PK: So, creating Fear was so I could galvanize the troops to go vote because we can’t just yell from the rafters “We are being disrespected”, “We are being overlooked”. We have to actually get in the dirt and, you know, do things that cause change. Our biggest voice was our vote. The virality of those videos was to have the embolism of to vote throughout the video. To help people want to get out and vote after they see the deleterious effects of what fear can do on both sides so that’s why you see that throughout the videos.

Let’s talk about your fitness journey. What motivated you to get started?

PK: I got tired of looking at myself in movies and TV fat as hell and I was more attractive in my head than I was externally, so I wanted to match that.

So, there’s a lot of excuses that I think many people use such as “I can’t afford to go to the gym” or “I hurt too much to do this”. How did you push past your own excuses?

PK: I have an additive personality so once I get into something, I’m locked in and I got my mind right and ready. I had help, a tool to help me out with the point of why I was overweight which was my addiction to food. And so, I got gastro sleeve surgery which made my stomach smaller so that I couldn’t overeat. That helped. That was like the catalyst to help me and the working out thing- I already had that down. I had challenges where I would workout 100 straight days and another challenge where I went a straight year of working out without missing any days. My mind was already set to go to the gym, I just needed to get the food stuff right.

Do you still workout consistently?

PK: Yep, I’m still in it. Even when the gyms were closed, I found a way to get the workout in.

What advice would you offer somebody as far as starting out on their journey? If they were with you and undecided about their journey because of lack of motivation.

PK: I would say to make it something that is a part of your daily life that you don’t have a choice of. You don’t have a choice if you need to go to the bathroom or not, you don’t have a choice whether you like eating or not. These are things that must happen regardless of what you want or not. So, if you make the gym or workout a part of that, you take the lack of motivation away. We can have things taken away for us and see how resilient we could be. If you’re in jail or in a weight loss camp or anywhere that caused your free will to be taken away and you are forced to do something, you can do it because you have to. So why have to be in a situation where some other exterior force forces you to when you have a mind and brain that is going to be the thing to make you do it anyway.

Do you have a specific meal plan?

PK: Sometimes, yes. I go in spurts. Some weeks I have no carbs and no sugar. Then some weeks I am a little looser. I just try to be moderate because I could easily go really far one way or really far the other way. It’s not until I’m actually preparing for something that I go super crazy. Other than that, I just try and stay in striking range.

Do you allow yourself to have treats?

PK: Yep, probably more than I should.

What kind of workouts do you do?

PK: Well, when I get off the phone with you, I have a trainer, so I am going to the gym. Wednesday is leg day, which sucks. I work out with a trainer 3-4 days a week and then two other days I have an Oculus virtual reality thing that I do a supernatural workout on or I ride my bike for 20 miles to the beach on Tuesdays and Thursdays.

Is there anything else that you’d like to talk about or anything that you’d like to share with our readers?

PK: I just want them to the importance of the album “Page” and how it’s important to everyone in the world right to be aware of everything that happening right now and everything that’s going on. And that if this album was released by a bigger artist, it would be a Grammy-nominated type of album – that’s how important this album is. I just implore everyone to continue to listen to it and check it out because I think it’s necessary. That’s the main thing that I want- and watch “The Upshaws” on Netflix streaming now.

Rock & Roll Hall of Fame illustration by Heather Skovlund for 360 Magazine

Rock & Roll Hall of Fame

ROCK & ROLL HALL OF FAME ANNOUNCES 2021 INDUCTEES

36th Annual Rock & Roll Hall of Fame Induction Ceremony to take place October 30 in Cleveland, Ohio – Tickets on sale in July 

The Rock & Roll Hall of Fame reveals its 2021 Inductees, celebrating the most diverse list of Inductees in the history of the organization. They are:

Performer Category:

  • The Go-Go’s
  • Tina Turner
  • Carole King
  • JAY-Z
  • Foo Fighters
  • Todd Rundgren

Early Influence Award:

  • Kraftwerk
  • Charley Patton
  • Gil Scott-Heron

Musical Excellence Award:

  • LL Cool J
  • Billy Preston
  • Randy Rhoads

Ahmet Ertegun Award:

  • Clarence Avant

“This diverse class of talented Inductees reflects the Rock Hall’s ongoing commitment to honor artists whose music created the sound of youth culture”, said John Sykes, Chairman of the Rock & Roll Hall of Fame Foundation. “It will make for an unforgettable live celebration of music in October at this year’s Induction Ceremony in Cleveland.” 

To be eligible, artists are required to have released their first record 25 years prior to induction. Two-time Inductees include Carole King, previously inducted with Gerry Goffin in 1990, and Tina Turner, previously inducted with Ike and Tina Turner in 1991. The Foo FightersThe Go-Go’s, and JAY-Z were on the ballot for the first time. Dave Grohl (Foo Fighters) will become a two-time Inductee having previously been Inducted with Nirvana in 2014.

The 36th Annual Rock & Roll Hall of Fame Induction Ceremony will take place on Saturday, October 30, 2021 at 8 p.m. ET at Rocket Mortgage Fieldhouse in Cleveland, Ohio with a radio simulcast on SiriusXM’s Rock & Roll Hall of Fame Radio channel 310. The Induction Ceremony will air at a later date on HBO and stream on HBO Max.

The Induction categories and criteria for selection: 

  • Performers: honoring bands and solo artists who, in their careers, have created music whose originality, impact and influence has changed the course of rock & roll.
  • Ahmet Ertegun Award: given to non performing industry professionals who, through their dedicated belief and support of artists and their music have had a major influence on the creative development and growth of rock & roll and music that has impacted youth culture.  
  • Musical Excellence Award: given to artists, musicians, songwriters and producers whose originality and influence creating music have had a dramatic impact on music. 
  • Early Influence Award: given to a performing artist or group whose music and performance style have directly influenced and helped inspire and evolve rock & roll and music that has impacted youth culture. 

To learn more about past recipients, click here.

Ballots were sent to an international voting body of more than 1,200 artists, including current living Inductees, historians and members of the music industry. Factors such as an artist’s musical influence on other artists, length and depth of career and the body of work, innovation and superiority in style and technique are taken into consideration. 

Three out of the top five on the “Fans’ Ballot” are being Inducted, including Tina Turner (winning the fan vote), The Go-Go’s, and Foo Fighters. 5 million votes were cast. 

The Inductees were announced on Rock Hall’s social channels and live on SiriusXM’s Volume channel and the morning show “Feedback,” hosted by Nik Carter and Lori Majewski, featuring special guest, Joel Peresman, CEO, Rock & Roll Hall of Fame Foundation.

Tickets go on sale to the public and members in July.

Select Rock Hall donors and members get exclusive Induction ticket opportunities. Donate or join by June 30, 2021 to be eligible. Visit Rock Hall to learn more.

The Rock & Roll Hall of Fame’s 2021 Inductee exhibit celebrating this year’s class opens at the Museum in Cleveland on July 1. The Museum is open daily with advance tickets required at Rock Hall.

Rock & Roll Hall of Fame 2021 Inductee Bios

THE GO-GO’S 

As the most successful all-woman rock band of all time, the Go-Go’s performed catchy, well-crafted songs that formed a bridge between the brash urgency of L.A. punk and the dark melodies of new wave pop.  

Formed out of the diverse and egalitarian punk scene in Los Angeles in 1978 with Belinda Carlisle on lead vocals and Jane Wiedlin on rhythm guitar and vocals, the core lineup of the band solidified over the next few years with the additions of lead guitarist and keyboardist Charlotte Caffey, drummer Gina Schock, and bassist Kathy Valentine. Known for their raw and energetic live shows, the Go-Go’s circumvented record label sexism and signed with IRS Records in 1981. Their debut album Beauty and the Beat was released later that year and became the first (and, to date, only) album by an all-woman band that played its own instruments and wrote its own songs to top the Billboard albums chart.  

Despite a shift toward a more melodic new wave sound, the band’s D.I.Y. punk roots remain evident in hits like “We Got the Beat” and “Our Lips Are Sealed.” The group’s second and third studio albums, Vacation (1982) and Talk Show (1984), furthered their success with the singles “Vacation” and “Head Over Heels.” In heavy rotation on MTV, their songs (primarily composed by Caffey, Wiedlin, and Valentine) had weighty lyrics belied by their sunny melodies and a timelessness that set the band apart from many of their 1980s counterparts.  

Though the band broke up in 1985, the Go-Go’s have reunited periodically since 1990 to record and tour. In recent years, the band’s music has been celebrated with the Broadway musical Head Over Heels and chronicled in the Showtime documentary The Go-Go’s (2020). For the documentary’s soundtrack, the band reconvened virtually to record their first new song in 19 years, “Club Zero.” The Go-Go’s influence is seen in countless artists, including Bikini Kill, Green Day, and Nirvana. 

Selected discography:
“Screaming” (Live, 1979) • “Blades” (Live, 1980) • “We Got the Beat” (Stiff Records single version, 1980) • “Our Lips Are Sealed,” Beauty and the Beat (1981) • “Vacation,” Vacation (1982) • “Head Over Heels,” Talk Show (1984) • “The Whole World Lost Its Head,” Return to the Valley of the Go-Go’s (1994) • “Unforgiven,” God Bless the Go-Go’s (2001) • “Club Zero,” Beatnik Beach Summer (2020) 

Inductees: Charlotte Caffey, Belinda Carlisle, Gina Schock, Kathy Valentine, Jane Wiedlin

Influences: Beach Boys, Germs, Buzzcocks

Legacies: Green Day, Nirvana, Bikini Kill

Photo of Tasha Smith courtesy of True Public Relations for use by 360 Magazine

Tasha Smith Directs Fox Pilot

Tasha Smith Tapped as Director for Pilot Episode of Upcoming FOX Series “Our Kind of People” From Producers Karin Gist and Lee Daniels 

Multihyphenate actress, director, producer and coach, Tasha Smith, has been brought on to direct the pilot and second episode of the upcoming Fox drama, “Our Kind of People,” inspired by the book by Laurence Otis Graham and produced by Karin Gist (Star, Mixed-ish) and Lee Daniels (Star, Empire.)  

Magic is something you create, and Showrunner Karin Gist has given new life to the special story that is Our Kind of People,” says Smith. “I am honored and thrilled to bring Karin’s work to life alongside Executive Producer Lee Daniels, who is a wonderful producer and mentor to me.” 

Tasha has been taking the helm as director of several television projects including the upcoming Stars series, “Black Mafia Family,” where she also serves as Executive Producer, directing the pilot along with multiple episodes. She has also worked as director on top-rated series such as ABC’s “Big Sky,” Stars hit drama “P-Valley,” several episodes of Fox’s “911,” and The CW’s “Black Lightning.” Her work as an actress and acting coach have served as the foundation for her understanding and vision of what it takes to tell a story not only in front of the camera, but also behind it.  

Tasha’s work as an acting coach, through her TSAW Actor’s Workshop, has been utilized by numerous luminaries including Mary J. Blige (for her Oscar nominated performance in Mudbound) and most recently with Andra Day on her Golden Globe winning and Oscar nominated performance as Billie Holiday in Hulu’s feature film, The United States vs. Billie Holiday. 

Tasha is represented by Sherry Marsh (Marsh Entertainment,) Verve Talent & Literary Agency, and Darrell Miller (Fox Rothschild, LLP.)  

About Tasha Smith

Tasha Smith is a multifaceted actress and director whose work brings style and intensity to the projects she works on, whether in front of or behind the camera. From her roles as “Carol” on Fox’s hit drama Empire, “Brenda” in Netflix’s Running Out of Time, to her critically acclaimed portrayal of the drug-addicted “Ronnie Boyce” in HBO’s Emmy Award winning mini-series The Corner, Tasha embodies her characters and gives them life.

Tasha’s memorable portrayal of “Angela” in Why Did I Get Married? and its sequel Why Did I Get Married, Too? sparked the creation of the spin-off series For Better or Worse on OWN, for which she earned an NAACP Image Award nomination for “Outstanding Actress in a Comedy Series.” Other feature credits include Lionsgate films Addicted and Daddy’s Little Girls (opposite Idris Elba), Sony’s Jumping the Broom, and Universal’s romantic comedy Couples Retreat, among others.

Most recently, Tasha has directed episodes of 9-1-1 for Fox, Black Lightning for The CW, the Untitled Tracy Oliver project for Amazon, Star on Fox, P-Valley on Starz, Tales on BET, as well as her directorial debut feature film for TV1 titled When Love Kills, which was nominated for a NAACP Award.

Tasha Smith’s infectious optimism and enthusiasm command attention in her professional and private lives. She takes time to share her inspirational life story through motivational speaking and mentoring emerging actors through the Tasha Smith Actors Workshop (TSAW).

Make sure to follow Tasha on her Instagram, Twitter, and Facebook

Anthony Ramos of Republic Records "Say Less" Artwork uploaded by Danielle Gonzalez for use by 360 Magazine

ANTHONY RAMOS – SAY LESS

ANTHONY RAMOS HEATS THINGS UP IN MUSIC VIDEO FOR NEW SINGLE “SAY LESS” FEATURING “IN THE HEIGHTS” CO-STAR MELISSA BARRERA

WATCH “SAY LESS” HERE

LISTEN TO “SAY LESS” HERE

Anthony Ramos releases the official music video for his new single “Say Less” today featuring Ramos’ “In The Heights” co-star Melissa Barrera and directed by Bobby Hanaford–watch HERE

“‘Say Less’ is a transition song into this darker world I am exploring in my music,” says Ramos. “This video is a depiction of two people in a fleeting inferno of a relationship–one that can never be stable–but is too amazing to give up in spite of the inevitable outcome,” he adds. “They’re keeping a flame alive that will eventually burn out or explode. Not sure how it’ll end up, but in the meantime ‘Say Less’.”

The latest single represents another major evolution for Ramos as it leans into a sensuous R&B sound and provocative lyrics and paves the way for more to come from the multitalented star.

In addition to releasing new music, Ramos recently starred in Calvin Klein’s new Spring 2021 campaign alongside stars like Megan Thee Stallion and Jacob Elordi. This May, he will also appear in HBO’s reimagining of the Emmy Award-winning series “In Treatment” opposite Uzo Aduba. He will also star in Lin Manuel Miranda’s highly anticipated big screen adaptation of “In The Heights”, which will be released in theaters and available via HBO Max, on June 11.

ABOUT ANTHONY RAMOS

Anthony Ramos was born and raised in Bushwick, Brooklyn and is of Puerto Rican descent. Recently included on TIME 100’s prestigious “Next” list that highlights emerging leaders who are shaping the future, Ramos will soon be seen as the lead in Lin-Manuel Miranda’s highly-anticipated “In the Heights” feature film directed by Jon M. Chu in theatres and streaming on June 18 on HBO Max. This May, he will also appear in HBO’s reimagining of the Emmy Award-winning series In Treatment opposite Uzo Aduba. In 2019, Ramos released his debut album, The Good & The Bad, via Republic Records. The album received extensive critical praise and debuted in the Top 10 on iTunes Pop Albums Chart upon release. His 2020 uplifting single “Stop” spoke to the unprecedented times of the pandemic and social activism. This year, the prolific artist, will release his highly anticipated sophomore album.

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.