Posts tagged with "England"

Joy Crookes' Skin via Epic Records for use by 360 Magazine

Joy Crookes – Skin

BRIT Award nominated singer/songwriter Joy Crookes releases her highly anticipated debut album, Skin.  The 13 track body of work includes previously releases singles, “Feet Don’t Fail Me Now,” “When You Were Mine,” “Skin,” and the newest, “Trouble.” Get it HERE via Epic Records/Insanity.

With Crookes credited as an executive producer on the album, alongside the formidable Blue May (Blood Orange), Skin is a hugely personal, game-changing body of work from one of the UK’s boldest and brightest young talents. A collection of songs built and honed throughout her adolescence and into her early twenties, and finished last year within the most turbulent of circumstances, Skin touches on topics such as mental health, relationships, and politics all with grace and sensitivity. Crookes has created a truly special body of work that is both perfectly of the moment, and entirely timeless. Skin’s album artwork is shot by Carlota Guerrero, who has previously worked with Arca, Chloe x Halle, and Solange for all of her imagery for A Seat At The Table.

Already, the album has garnered Crookes a massive amount of acclaim worldwide. British Vogue has dubbed her, “undoubtedly one of the most exciting artists to emerge in the music scene this year,” while The Guardian has praised her “effortlessly nuanced and individual melodic sensibility.” I-D has praised her music as “powerful” while Complex has noted her “soul-stirring vocals,” and Billboard has similarly highlighted her “unfaltering vocal performance.”  The New York Times in a recent profile may have summed up Skin best:  “Crookes offers listeners a nuanced and candid exploration of her multiracial identity. At a time when many conversations about race in the arts and calls for change have only recently begun, Crookes’ commitment to vulnerability in her storytelling has helped her connect with a growing—and loyal—fan base.” 

Up next, Joy Crookes will tour the UK later this year in celebration of the new album; the run kicks off in November in Brighton and extends into next year when she will take the tour to Europe. Full list of dates below.

UK Dates

11/6/21 Brighton, England Concorde 2 SOLD OUT

11/7/21 Bristol, England The Trinity Centre SOLD OUT

11/8/21 London, England O2 Forum Kentish Town SOLD OUT

11/9/21 London, England O2 Forum Kentish Town SOLD OUT

11/11/21 Dublin, Republic of Ireland The Academy SOLD OUT

11/15/21 Glasgow, Scotland St Luke’s SOLD OUT

11/17/21 Leeds, England Leeds University Stylus

11/18/21 Birmingham, England The O2 Institute

 

European Dates

2/10/22 Paris, France La Gaîté Lyrique SOLD OUT

2/11/22 Amsterdam, Netherlands Melkweg SOLD OUT

2/12/22 Brussels, Belgium Ancienne Belgique SOLD OUT

2/14/22 Cologne, Germany Gebaude 9

2/15/22 Munich, Germany Strom

2/17/22 Berlin, Germany Heimathafen Neukoelln

2/18/22 Hamburg, Germany The Stage Club

2/20/22 Copenhagen, Denmark Pumpehuset

2/21/22 Helsinki, Finland Tavastia Club

2/22/22 Oslo, Norway Parkteatret

2/23/22 Stockholm, Sweden Nalen Klubb

2/25/22 Warsaw, Poland Hybrydy

2/26/22 Zurich, Switzerland Exil Club

Elton: Jewel Box

Elton John announces the forthcoming release of Elton: Jewel Box. Released on November 13th via UMe / EMI, Elton: Jewel Box is an unrivaled collection containing 148 songs spanning 1965 to 2019 on 8CD, 4LP, 3LP, 2LP, digital download, and streaming formats.

The ultimate exploration into Elton’s extensive back catalog, Elton: Jewel Box covers deep cuts, rarities from the earliest stages of his and Bernie Taupin’s musical journey, B-side spanning 30 years, and songs discussed in his best-selling, critically acclaimed 2019 memoir Me. The 8 CD boxset of buried treasures comes in a beautiful hardcover book with the discs housed in the back, all wrapped in an outer slipcase. Each section comes accompanied by extensive notes, including a track-by-track commentary by Elton for Deep Cuts. Three different LP collections are also available to pre-order now – a 4LP gatefold black vinyl set of Deep Cuts (curated by Elton himself), a 3LP gatefold black vinyl set of Rarities and B-side highlights, and a 2LP gatefold black vinyl set “And This Is Me…”. All audio was mastered at Abbey Road Studios by GRAMMY-winning mastering engineer Sean Magee. With an unprecedented number of previously unheard and unreleased tracks painstakingly excavated from deep within the UMG archives, this is the ultimate treasure trove for Elton John fans.

As a first taster of some of the many gems gathered within Elton: Jewel Box, “Sing Me No Sad Songs” is today unveiled for the very first time. Listen here. Previously unreleased, the track was written and recorded as a band demo in 1969. “Sing Me No Sad Songs” is a fascinating first taste of what was to come from Elton and lyricist Bernie Taupin, and one that mentions not one, but two, future smashes in its lyrics – “Sad Songs (Say So Much)” from 1984’s Breaking Heartsalbum and Elton’s first UK chart-topping single “Don’t Go Breaking My Heart” from 1976.

Speaking of the release, Elton says, “To delve back through every period of my career in such detail for Jewel Box” has been an absolute pleasure. Hearing these long lost tracks again, I find it hard to comprehend just how prolific Bernie and I were during the early days. The songs just poured out of us, and the band were just unbelievable in the studio. I always want to push forward with everything I do and look to the future, but having time during lockdown to take stock and pull these moments from my memory from each era has been a joy. As a devout record collector myself, this project has really excited me, and I couldn’t be happier with the level of craft involved in such a carefully curated, lovingly constructed boxset. I’m sure my fans will enjoy it as much as I have.”

Available to pre-order hereElton: Jewel Box compromises of the below formats:

Disc Guide

Discs 1 & 2: Deep Cuts – A selection of personal favorites, curated by Elton. The box set book includes a track-by-track commentary by Elton.

Discs 3, 4, and 5: Rarities 1965 -1971 – Elton’s much sought-after 1960s and early 1970s demos and music that cemented the foundations of the iconic Elton John / Bernie Taupin writing partnership. The compelling, previously unreleased, missing piece in his illustrious career. Daryl Easlea narrates this fascinating story with contributions from those who were there at the time. These discs encompass 65 songs, all but a few of which have been stored in the vaults for more than 50 years. Most of these demos were recorded during sessions before Elton was signed to a recording contract or released his first album. Also included are the first song ever written by Elton and his debut appearance on a record (both “Come Back Baby” – 1965), Elton and Bernie’s first composition (“Scarecrow” – 1967), and newly-unearthed piano/vocal demos of some of Elton’s most acclaimed songs from his early albums. The packaging appropriately contains rare archival artwork and select original lyric sheets.

Discs 6 & 7: B-Sides 1976-2005 – Non-LP tracks and flipsides, never before compiled together. 36 gems that are now given another chance to sparkle – 17 previously only available on vinyl, resulting in all of Elton’s studio B-sides now being offered digitally for the first time in his career.

Disc 8: And This Is Me . . . – To coincide with the release of the updated paperback edition of Me, the final collection celebrates the songs mentioned by name by Elton in his acclaimed autobiography, closing Jewel Box with the 2020 Academy Award-winning duet with Taron Egerton, “(I’m Gonna) Love Me Again.”

Elton: Jewel Box is yet another marker in an incredible few years for the world’s favorite singer-songwriter. Since the release of the ultimate greatest hits album Diamonds in 2017, Elton has undertaken a breathtaking 3 years of activity that are unmatched in their ambition, reach and impact across generations of music fans. Elton announced his record-breaking Farewell Yellow Brick Road tour at New York’s Gotham Hall in January 2018, with a typically forward-looking virtual reality spectacular. Encompassing 5 continents and over 300 dates, this 3-year-long tour started in September 2018 and marks his retirement from touring after more than 50 years on the road. August 2018 saw Elton named as the most successful male solo artist in Billboard Hot 100 chart history. In 2019, the Farewell Tour was named Billboard’s Top Rock Tour and Pollstar’s Major Tour Of The Year. 2019 also saw the release of Elton’s critically acclaimed global bestselling autobiography, Me. The 2019 epic fantasy musical motion picture of Elton’s life, Rocketman, has been a commercial and critical hit, taking over $200m at the box office. It has won an Oscar, 2 Golden Globe Awards, and a Critics’ Choice Award, and garnered BAFTA nominations. Its soundtrack was also nominated for a GRAMMY Award. 2019 also saw Elton awarded the Légion d’ honneur, France’s highest award, for his lifetime contribution to the arts and the fight against HIV/AIDS.  He was also honored with both a Royal Mail stamp collection and Royal Mint coin collection. Diamonds, the ultimate greatest hits package of Elton and Bernie, has spent a staggering 148 consecutive weeks in the UK album charts, including 29 weeks in the Top 20 in 2020 alone, selling over a million copies worldwide in the process and recently reaching double-platinum status in the UK.

An unparalleled career that has forever changed the cultural landscape, Elton John’s collaborations with Bernie Taupin and others continue to shape the cultural landscape, break records, top charts, and win new fans across the generations. We’ve had the book, the film, the farewell tour, the fashion collections, and the greatest hits. And now, with Elton: Jewel Box, fans finally have the treasure trove of previously unheard and unreleased tracks they have been waiting for from the world’s favorite singer-songwriter.

About Elton John:

Elton’s career achievements to date are unsurpassed in their breadth and longevity. Elton is one of the top-selling solo artists of all time, with 1 diamond, 40 platinum or multi-platinum, 23 gold albums, over 50 Top 40 hits, and he has sold more than 300 million records worldwide.

He holds the record for the biggest-selling single of all time, “Candle in the Wind 1997,” which sold over 33 million copies. Diamonds, the Ultimate Greatest Hits album, reached the Top 5 of the UK album charts on its release in November 2017, becoming Elton’s 40th UK Top 40 album in the process. This release celebrated 50 years of his songwriting partnership with Bernie Taupin. August 2018 saw Elton named as the most successful male solo artist in Billboard Hot 100 chart history, having logged 67 entries, including nine No. 1 singles and 27 Top 10s.

Among the many awards and honors bestowed upon him are six GRAMMYs, including a GRAMMY Legend Award, a Tony and two Oscars, a Best British Male Artist BRIT Award, induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame, the Kennedy Center Honor, Legend of Live Award, 13 Ivor Novello Awards between 1973 and 2001, and a knighthood from HM Queen Elizabeth II for “services to music and charitable services.”

In 1992, Elton established the Elton John AIDS Foundation, which today is one of the leading non-profit HIV/AIDS organizations and has raised over $450 million to date in the global fight against HIV/AIDS. In June 2019, President Emmanuel Macron presented Elton the Légion d’ honneur, France’s highest award, for his lifetime contribution to the arts and the fight against HIV/AIDS. Elton was awarded the Companion of Honour in the 2020 New Year Honours list. The highest acknowledgment in the list, Elton, became one of only 64 people to hold the honor. September 2019 saw The Royal Mail issue a set of 12 stamps as a tribute to Elton being one of the most popular and enduring music artists of all time. Elton is one of only two individual music artists to be featured in a dedicated stamp issue. In July 2020, the Royal Mint released an Elton John commemorative coin, the second in their music legends series, to celebrate “one of the most successful and enduring artists of all time.”

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Oh Wonder Illustration by Reb Czukoski for use by 360 Magazine

Oh Wonder Surprise Album and Video Release

Oh Wonder, the English alt-pop duo, has today released their beautiful, surprise new album, 22 Break, alongside a stunning short film accompanying the record in full. The album features their newest single, “Rollercoaster Baby,” released yesterday.

The band has also confirmed a now sold-out, global, online broadcast of their recent London show at The Albany, taking place on their YouTube on October 14th at 1pm EST. A 52-date world tour for 2022 is on sale now, following an eventful period for the unique London duo, who just scored back-to-back top 10s with 2020’s No One Else Can Wear Your Crown album, on top of 2.7 billion streams and 1.7 million adjusted album sales.

22 Break is the soundtrack to a band, and couple, almost broken – but ultimately made – by the pandemic. It’s a personal, powerfully honest account of those universal breakup themes like loneliness, inadequacy, resentment, and fears for the future, as heightened by making music from your shed in lockdown. In the pandemic’s early phases, Anthony and Josephine worked hard to fill the void created by 2020. Anthony decided to open a coffee shop in Peckham called Nola, which soon saw round-the-block queues and put many of their touring crew back in work. As they started working on new music, however, all the unspoken tensions between a pair who’d never really known a relationship outside of the band tumbled out. Ultimately, though, the album that almost ended Oh Wonder proved to be the making of them: 22 Break is a cathartic, quietly hopeful project, the light at the end of the tunnel that was Oh Wonder’s quite particular pandemic.

Not many bands can make a break-up album that culminates in them tying the knot – but then again, Oh Wonder have never been like other bands. Coming out of 22 Break and all the soul-searching that it forced them to do, Josephine and Anthony got married in August this year. Whilst their relationship now has its own space to exist outside of Nola and Oh Wonder, the duo’s crossroads period has accidentally resulted in their most profound work to date. Opening up to their fans and each other, the ‘Make or Break?’ poised by 22 Break is not so much a question as an active choice – to be as honest as possible, to move forward, and to begin a brand new chapter in the story of Oh Wonder.

OH WONDER – 2022 NORTH AMERICAN TOUR DATES:
MAY 08 2022 // HISTORY, TORONTO, ON
MAY 10 2022 // MTELUS, MONTREAL, QC
MAY 11 2022 // HOUSE OF BLUES, BOSTON, MA
MAY 13 2022 // 9.30 CLUB, WASHINGTON, D.C.
MAY 14 2022 // THEATRE OF LIVING ARTS (TLA), PHILADELPHIA, PA
MAY 15 2022 // BROOKLYN STEEL, BROOKLYN, NY
MAY 17 2022 // THE VIC THEATRE, CHICAGO, IL
MAY 18 2022 // FIRST THEATRE, MINNEAPOLIS, MN
MAY 20 2022 // OGDEN THEATRE, DENVER, CO
MAY 21 2022 // THE DEPOT, SALT LAKE CITY, UT
MAY 23 2022 // SHOWBOX SODO, SEATTLE, WA
MAY 24 2022 // VOGUE THEATER, VANCOUVER, BC
MAY 25 2022 // ROSELAND THEATER, PORTLAND, OR
MAY 28 2022 // FOX THEATER, OAKLAND, CA
MAY 29 2022 // HOUSE OF BLUES, ANAHEIM, CA
MAY 31 2022 // THE WILTERN, LOS ANGELES, CA

art illustration by Gabrielle Marchan for use by 360 Magazine

Giovanni Battista Tiepolo Drawing Rediscovered

An important Old Master Drawing by one of the greatest decorative painters of the eighteenth century, the Italian artist Giovanni Battista Tiepolo (1696-1770), has been discovered in a country house in England. The work was found by the famous literary family, the Sitwells while clearing out the family seat of more than 300 years, Weston Hall in Northamptonshire.

Speaking about the find, Henrietta Sitwell, one of the current generations of the Sitwells, said: “The drawing was purchased by my great uncle Osbert Sitwell in the great Henry Oppenheimer sale at Christies in 1936. No one seemed to know where it was, or even give it a second thought until one day last year when we were sorting through the many attics of Weston. We found it wrapped in bubble wrap, leaning against the wall. As I peeled back the wrapping, I instantly recognized it as something special (having studied history of art at university). This Tiepolo drawing is one of many exciting discoveries made in the attics of Weston Hall and it was thrilling to think that such a captivating and important work of art by such a revered Old Master was just lying there gathering dust over the years”.

The work features Punchinello, the hook-nosed, humpbacked clowns who were one of the stock characters taken from the Commedia dell’ Arte, an early form of professional theater, which began in Italy in the 16th century and became popular across Europe.

The character fascinated Tiepolo and he returned to the subject throughout his long career, depicting them gluttonous, preparing food, overeating, drinking, passing out from inebriation and suffering the digestive consequences of excessive consumption. They were inspired by the Venerdì Gnocolar, a tradition in Verona on the last Friday of Carnival, where gnocchi, wine and polenta is given out to the crowds in the main square by ‘Papà del Gnoco’.

Joe Robinson, Head of House Sales and Private Collections, said: “The re-discovery of the work by Tiepolo has probably been the most important find of the auction and we are delighted to be offering it for sale for the first time in over 80 yrs.  Walking through the attics was like uncovering an Egyptian tomb, with wonderful things emerging from layers of dust. It is so rare for a collection with such history and breadth to come to the market and I feel privileged to be involved in the unveiling of a true piece of forgotten history”.

The work will be offered in the two day sale titled Weston Hall and the Sitwells: A Family Legacy at  Dreweatts on Tuesday 16th and Wednesday 17th November, 2021. It has been given a conservative estimate of £150,000-£250,000 but due to the popularity of Tiepolo’s Punchinello works and the global interest in Tiepolo as an artist, it is expected to far exceed this.

Illustration by Alex Bogdan for use by 360 Magazine

PSF Returns Post-Covid

This summer Pennsylvania Shakespeare Festival became one of the first professional theatres to open its doors since the coronavirus pandemic closed venues nationwide more than a year ago. The Festival celebrated its 30th Anniversary season welcoming patrons back to in-person performances indoors at the Labuda Center for the Performing Arts and outdoors at the new Air Products Open Air Theatre on the campus of DeSales University.

As one of the few active professional theatres in the nation this summer, and despite reduced seating capacity due to COVID restrictions, the Festival successfully produced seven productions and events this season. PSF reached its attendance goals welcoming nearly 10,000 audience members to 64 performances in just four weeks, in contrast to a nine and a half week season in a typical year.

With state, local, and union rules shifting repeatedly in the months leading up to the season, PSF developed multiple scenarios for the summer season, ultimately selecting the scenario that allowed for the highest-level audience experience with the most productions.

“From Shakespeare to August Wilson, from intimate solo performances to large-cast celebrations on a new stage, from indoors, to outdoors, to virtual offerings, this was a season to remember,” says Producing Artistic Director Patrick Mulcahy. “And neither the occasional rain, heat, nor hot air balloon landing adjacent to an outdoor performance could quell the enthusiasm of our patrons in their return to the theatre. Kudos to our staff, our artists, our donors and our patrons for helping us to pull this particular rabbit out of this particular hat.”

When the state announced it would expand attendance capacity for outdoor gatherings the Festival designed a new outdoor space to accommodate additional attendees. With the support of DeSales University, PSF prepared the mall adjacent to the Labuda Center and built the new Air Products Open Air Theatre on the lawn just a few weeks in advance of opening A Midsummer Night’s Dream, marking a memorable debut as PSF’s first-ever outdoor Shakespeare production.

Safety protocols kept patrons, staff and artists safe. In-person productions ran 90-minutes with no intermission and seating capacity was tailored to smaller socially distanced audiences. The Festival programmed the indoor Main Stage theatre for 22% of capacity, where ticketed patrons sat socially distanced and masked. Attendees of the Air Products Open Air Theatre venue were socially distanced but not masked.

Artists quarantined upon arrival, weekly testing began immediately, the summer staff was nearly fully vaccinated, and actors and technicians generally worked in “bubbles.” Careful observance of these protocols helped the Festival achieve a COVID-free summer of performances.

Prior to the season launch the Festival held its Luminosity Gala outdoors under a tent, the first fundraiser held in-person by a major Lehigh Valley arts nonprofit after the pandemic shutdown. Attendance was 252 and the event raised more than $120,000 to help support PSF’s educational and artistic programs. The combination of community, foundation, and government support PSF received, including pandemic rescue dollars, proved crucial to the Festival’s financial strength and continued success in fulfilling its mission.

The Festival is now completing the planning process for summer 2022, and expects to open both indoor theatres to full capacity next summer. A season announcement will be made in October. “We are eager to return to a few of the plays we didn’t get to produce in 2020, and round out the season with a diversity of enriching offerings for an unforgettable summer,” says Mulcahy.   

Pennsylvania Shakespeare Festival features acclaimed actors from Broadway, television, and film, and is traditionally the summer home to more than 200 artists from around the country, including winners and nominees of the Tony, Obie, Emmy, Drama Desk, Outer Critics Circle, Jefferson, and Barrymore awards. 

About Pennsylvania Shakespeare Festival

Pennsylvania Shakespeare Festival, under the leadership of Producing Artistic Director Patrick Mulcahy, is the only professional Equity theatre of its scope and scale within a 50-mile radius. PSF is one of only a handful of theatres on the continent producing Shakespeare, musicals, classics, and contemporary plays, all of which can normally be seen in rep and in multiple spaces within a few visits in a single summer season. Similarly, PSF was among just a handful of theatres on the continent in recent summers to produce three Shakespeare plays in a single summer season.  A patron would have to travel seven to nine hours from PSF to find a comparable range of offerings at a single theatre within a few weeks’ time.

The Festival’s award-winning company of many world-class artists includes Broadway, film, and television veterans, and winners and nominees of the Tony, Emmy, Obie, Outer Critics Circle, Drama Desk, Jefferson, Hayes, Lortel, and Barrymore awards. A leading Shakespeare theatre with a national reputation for excellence, PSF has received coverage in The Washington Post, NPR, American Theatre Magazine, Playbill.com, The Philadelphia Inquirer, and in recent seasons The New York Times has identified PSF as one of the leading summer theatre festivals in the nation. “A world-class theater experience on a par with the top Bard fests,” is how one New York Drama Desk reviewer characterized PSF. 

Founded in 1992 and the Official Shakespeare Festival of the Commonwealth of Pennsylvania, PSF’s mission is to enrich, inspire, engage, and entertain the widest possible audience through first-rate productions of classical and contemporary plays, with a core commitment to Shakespeare and other master dramatists, and through an array of education and mentorship programs. A not-for-profit theatre, PSF receives significant support from its host, DeSales University, from the Pennsylvania Council on the Arts, and the National Endowment for the Arts. Traditionally, with 150 performances of seven productions, the Festival attracts patrons each summer from 30+ states. In 30 years, PSF has offered 200+ total productions (82 Shakespeare), and entertained 1,000,000+ patrons from 50 states, now averaging 34,000-40,000 in attendance each summer season, plus another 13,000 students each year through its WillPower Tour to schools. PSF is a multi-year recipient of awards from the National Endowment for the Arts: Shakespeare in American Communities, and is a constituent of Theatre Communications Group, and the Shakespeare Theatre Association (STA). In 2013, leaders of the world’s premier Shakespeare theatres gathered at PSF as the Festival hosted the international STA Conference.

Jaguar E-Type via Concours of Elegance for use by 360 Magazine

Concours of Elegance Features Jaguar E-Type

The Concours of Elegance–famed for gathering together the rarest cars ever created–will showcase some of the world’s most exemplary Jaguar E-types in celebration of the car’s 60th anniversary at Hampton Court Palace in this year’s ‘Main Concours’ display. Taking place from September 3-5, the event is renowned as one of the top three Concours D’Elegance events in the world for the quality of cars it attracts; nowhere else in the UK can the public see such a high standard of rare historic vehicles.

The Jaguar E-type’s launch ranks among the most dramatic automotive unveilings of all time. Jaguar’s then PR Manager Bob Berry drove from Coventry to the Geneva Motor Show in one of the show-stand E-types, to arrive just 20 minutes before it was due to be unveiled. He arrived to an overwhelming demand for the car, and subsequently had to call upon legendary test-driver Norman Dewis to deliver another E-type overnight. Dewis drove from Coventry to Geneva in 11 hours averaging 68mph–man and machine pushed to their limits.

Among the cars on display at the Concours of Elegance is one of the most renowned racing E-types. The car is an E-type Roadster known as ‘ECD 400’. It was the first of seven vehicles prepared by the factory for racing. Its first event was at Oulton Park in 1961, where it won, in the hands of Graham Hill, followed by second at the Spa 500km, second again at Crystal Palace and, later on, a win at Snetterton, driven by Mike Parkes.

The next car is an early flat-floor, outside-bonnet-lock Series 1 model in highly original condition. Chassis 050062 is a very early example of the breed, one of the first 54 right-hand-drive examples built and destined for the Rossleigh Jaguar dealership in Edinburgh. As such, it is among just 92 right-hand-drive Roadsters with externally mounted bonnet locks and a flat floor. In 2017, under the custodianship of TV’s Steve Coogan, the car underwent a root-and-branch restoration, at specialists XK Engineering which took two years to complete.

Next is a 1969 Series 2 Roadster ‘XUC 673H’ which is owned by the grandson of Jaguar founder Sir William Lyons. It was originally supplied by Henlys of Hendon. When the current custodian inherited the car, it required a full restoration which was carried out partly through his own work at RA Creamer & Son Jaguar Main Dealer in Kensington, with the assistance of RS Panels of Nuneaton who repaired, painted, and reassembled the body. Following the car’s restoration in 1996 the car has covered some 18,000 miles including trips to Le Mans and Scotland and has appeared in various books, magazines, adverts and  concours events.

Also on display is a 1973 Series 3 2+2, recently restored by marque specialist E-type UK. The job was not only to restore but to upgrade the car to the highest standard. The metal work was all been repaired to original specification, a bespoke aluminium bonnet was fabricated to reduce front-end weight, and the car was resprayed to Concours standard in Opalescent Gunmetal paint. The interior of the 2+2 was fully re-trimmed in Oxblood Red, and now benefits from a 15-inch wooden steering wheel, classically-styled inertia reel seat belts, an LED dash light conversion and a period-look stereo system with Bluetooth capability.

These are just some of the stunning E-types that will be on display and form just a small part of the additional content that makes up the near-1,000 cars on display during the Concours of Elegance, also including a collection of 95 British cars gathered to celebrate Her Majesty The Queen’s 95th birthday, and a 30UNDER30 Concours aimed at inspiring the next-generation of classic car enthusiast.

Special features for 2021 will also gather together a line-up of Future Classics, representing the potential Concours D’Elegance stars of the next 50 years, the Junior Concours and a Veteran Car Run display, gathering the pre-1905 motoring pioneers that each year make their pilgrimage from London to Brighton.

Away from the automotive displays, Concours of Elegance remains an occasion of pure luxury, with champagne provided by Charles Heidsieck, picnics by Fortnum & Mason, live stage interviews with Chubb Insurance, hosted by Jodie Kidd, and a collection of art, jewellery and fashion displays. Presenting Partner, A. Lange & Söhne, recently confirmed to support the event for a further three years, will continue to showcase some of its most intricate timepieces. New long-term partners joining the event in 2021 include The Peninsula London Hotel and Residences, Gooding & Co and McLaren.

Tickets to the Concours of Elegance 2021 are available now from £45 for an adult day admission entry. Tickets can be bought HERE.

Wet Leg- Chaise Longue illustration by Anh Hoang use by 360 Magazine

Wet Leg-Chaise Longue

New UK band WET LEG is receiving a *huge* response to their debut single “  from the New York TimesNPR, etc., and is currently enjoying an enormous surge in radio play here in their native UK, Europe, and down under! If you haven’t heard it yet, here it is: “Chaise Longue”.  It is the sneakiest, most fun-loving, earworm of the summer. The song is being added at radio stations all around the country.

The band –  Rhian Teasdale and Hester Chambers – come from the Isle Of Wight, a sparsely populated island off the south coast of England accessible only by boat. They are old friends who share a penchant for French disco, effervescent imaginations, and a shared love of The Ronettes and Jane Birkin, through to Ty Segall and Bjork. Their recent UK live debut shows went with a huge bang and we’re hoping to have some information on their first US shows VERY SOON INDEED!

“They’re one of those new bands whose sound and aesthetic seem to have arrived fully formed, promising exciting if totally unpredictable things to come.” – New York Times   

“Immensely charming…The end result lands somewhere between Dry Cleaning’s wry, sardonic post-punk and Sports Team’s Pavement-obsessed alt-rock crowd-pleasers — though you can certainly hear stated influences such as the Ronettes, Jane Birkin, Ty Segall, and Björk in there too if you squint” – Stereogum

“The debut single from U.K. rock duo Wet Leg is a doozy…the ear-grabbing track is an undeniable introduction to Wet Leg.” – Paste

“by the time they double down on the earworm hook “on the chaise longue all day long,” you feel about ready to collapse onto titular seat and unload all your stresses.” – Beats Per Minute

“a real corker…There’s a coy wit here and, when the guitars kick in, the song recalls the heyday of Franz Ferdinand, The Futureheads and The Rakes. “Chaise Lounge” is even better when watched with its video that features excellent dancing from Chambers, as well as some high kicks.” Brooklyn Vegan

“Fueled by chugging drums and a boisterous guitar riff, the tongue-in-cheek track is whimsical and blithe, channeling the unfettered radiance of an island’s sun. It just might be your poolside song of the summer.” – Consequence Of Sound

1970 Porsche 917K via Concours of Elegance for use by 360 Magazine

Concours of Elegance 1970s Period Race Cars

The Concours of Elegance–famed for gathering together the rarest cars ever created–will showcase some of the world’s finest examples of 1970s period race cars wearing the iconic Gulf and Martini racing liveries at Hampton Court Palace in this year’s ‘Main Concours’ display. Taking place from 3-5 September, the event is renowned as one of the top three concours d’elegance events in the world for the quality of cars it attracts; nowhere else in the UK can the public see such a high standard of rare historic vehicles.

The Gulf livery came about thanks to Grady Davis, vice-president of Gulf Oil, who in 1966 bought himself a Ford GT40, after which he formed a lasting friendship with preeminent automobile racing engineer and team manager John Wyer. From this friendship was spawned a commercial partnership and a very successful racing livery. The livery was immediately recognizable by its distinctive vivid orange and blue colours.

Martini racing was the race team sponsored by the Italian company Martini & Rossi, a distillery producing Martini vermouth in Turin. Martini’s race sponsorship program began in 1958. The livery is also easily recognizable by the distinctive dark blue, light blue and red stripes on white, red or silver cars.

The Martini cars start with one of the most famously liveried and important Porsche 911s of all time–the 1973 Targa Florio-winning Martini Racing Porsche 911 Carrera RSR prototype. This car is chassis #911 360 0588, otherwise known as R6 by the internal numbering system used within the Porsche Racing Department at Weissach–the car started life in Group 4 spec, and after having been modified to Group 5 spec for later seasons, was restored to its original 1973 Targa Florio-winning specification, in which it remains today.

Alongside it sits a later 1974 911 Carrera RSR Turbo–immediately recognizable due to its huge rear wing and flared rear arches. The RSR Turbo helped Porsche’s reinforce its reputation for turbocharging in motorsport, and became necessary due to new rules and in the early 1970s which limited engine displacement and required improved fuel economy. To use turbocharging in the 3-litre class Porsche had to have a 2.1-litre engine size. This was calculated by the World sportscar Championship’s governing body, the FIA, that calculated a coefficient of 1.5 for turbocharged cars to level the field against non-turbo cars, hence the 2.1-litre engine capacity. Chassis number R13, is the most successful of all the RSR 2.1s having finished second overall at the 1974 Le Mans 24 Hours.

Rounding up the Martini-liveried cars is the 1977 Le Mans winning Porsche 936. Constructed in 1976, the 936 was created to compete in Group 6 of the World Sportscar Championship. The new car had a hard task to continue the winning path of its predecessors, the 917 and 908, and was actually made of many elements of the 917 and 908 cars. The car won the 1977 Le Mans, after an impressive comeback, with a margin to the second-placed Renault of 11 laps thanks to the superlative driving of Jacky Ickx. This car is currently being restored back to its 1977 LM specification and Martini livery, and will make its ‘post-restoration’ debut at the 2021 Concours of Elegance.

The Gulf liveried cars begin with the legend that is the Porsche 917K – the car on display being the 1970 car most notably campaigned by Jo Siffert and Derek Bell at Sebring and Richard Attwood and Herbert Müller at Le Mans, where it finished second. The result of an FIA loophole, the 917 used a mammoth 5-litre flat-12 engine and boasted a coupé body, which was 15ft 6in in length for high speed stability.

Also in Gulf livery is the 917’s smaller sibling, a 1971 Porsche 308/3. This car worked in conjunction with the 917 during the 1971 season where the ultra-lightweight 908/3 was used for winding courses such as the Nürburgring and the Targa Florio while the 917 was used at power circuits such as Monza. The 908 chassis was little changed from the 907 but evolved rapidly over the next two years, while new rules for 1969 allowed open (Spyder) cars and removed the minimum weight limit, allowing Porsche to build a car which was a lighter version of the 908, the 908 Spyder. This car won Porsche’s first world championship.

The final Gulf car on display is a 1975 Gulf Mirage GR8. A much more aerodynamically efficient design than its predecessor the GR7, the GR8 featured the well-known Ford DFV V8 engine. This car marked Gulf’s best chance of victory since the 1971 Le Mans 24-hour race, and in 1975 the GR8s did not disappoint, with the GR8/801 of Derek Bell and Jacky Ickx further adding to the team’s existing tally of outright victories, and the GR8/802 of Vern Schuppan and Jean-Pierre Jaussaud following home in a fine third place. GR8/801 contested Le Mans a further three times afterwards, and was ultimately returned to its Gulf color scheme in which it remains.

Alongside the Gulf cars, also on display will be the original Mercedes-Benz transporter. This vehicle has lived as colorful a life as the cars, having at one time worn a Gulf livery and later a Martini livery. By far the largest liveried vehicle in the display, this transporter was the transporter for the Gulf-JW Automotive team in 1971–and was the vehicle that carried the Gulf-JWA Porsche 917s to Le Mans that year–including chassis ‘026’ which is also on display at the show. The transporter went on to be re-liveried in Martini, Essex and Rothmans colors and used right through to the 962 era. It has since been restored to its Gulf Livery–at which point the various color schemes were re-discovered under the layers of old paint. There will also be a period correct Martini-liveried Mercedes transporter present at the show.

Outside of the main display of vehicles, the Concours of Elegance will gather a total of around 1,000 cars in a number of special features and displays, including a display of unique or bespoke modern rarities in the Future Classics class and a line-up of the finest coachbuilt Rolls-Royces. New for 2021 is a collection of 95 British cars gathered to celebrate Her Majesty The Queen’s 95th birthday, and a 30UNDER30 Concours aimed at inspiring the next-generation of classic car enthusiasts.

Away from the automotive displays, Concours of Elegance remains an occasion of pure luxury, with champagne provided by Charles Heidsieck, picnics by Fortnum & Mason, live stage interviews with Chubb Insurance, hosted by Jodie Kidd, and a collection of art, jewellery and fashion displays. Presenting Partner, A. Lange & Söhne, recently confirmed to support the event for a further three years, will continue to showcase some of its most intricate timepieces.

CoE Gooding via Influence Associates for use by 360 Magazine

Concours of Elegance Gains New Partner

The Concours of Elegance has underlined its reputation as a gathering of the world’s rarest cars and finest global brands with an all-new long-term relationship with the world’s leading automotive auction house, Gooding & Company.

Gooding & Company returns to the Concours of Elegance for the start of the new sponsorship in 2021, having hosted a record-breaking auction at the event last year. In 2020, the ‘Passion of a Lifetime’ auction presented for viewing a selection of automotive masterpieces from a revered private collection. These vehicles represented a meticulous commitment to bringing together the most coveted and valuable examples of European sports and racing automobiles of the 20th century.

David Gooding, President and Founder, Gooding & Company, said: “We are elated to announce our new, multi-year sponsorship of the Concours of Elegance and broaden our reach as an international auction house. We are proud to partner with James Brooks-Ward and his team, and following last year’s highly successful inaugural auction at the Hampton Court Palace, we are confident in the long-term trajectory of this joint endeavor.”

James Brooks-Ward, Concours of Elegance CEO, said: “From our venue to our cars to our partners, we hand-pick each and every aspect of the Concours of Elegance. Gooding & Company share the same dedication to the rarest cars in the world as us. David Gooding has been a great supporter and we’re delighted to align our two businesses even more closely, further building the stature of the Concours of Elegance among the world of elite global automotive events.” 

As ever, the Concours of Elegance is focused on gathering a collection of cars so spectacularly rare that visitors won’t be able to see them anywhere else in the world. In fact, some of the cars will never have been seen in the UK before, marking a once-in-a-lifetime opportunity for many visitors. In total, around 1,000 cars will be on display in a number of special features, including a Gulf vs. Martini celebration, a display of unique or bespoke modern rarities in the Future Classics class and a line-up of the finest coachbuilt Rolls-Royces. New for 2021 is a collection of 95 British cars gathered to celebrate Her Majesty The Queen’s 95th birthday, and a 30UNDER30 Concours aimed at inspiring the next-generation of classic car enthusiasts.

Away from the automotive displays is a collection of more of the Concours of Elegance’s world-leading luxury partners, with champagne provided by Charles Heidsieck, picnics by Fortnum & Mason, live stage interviews with Chubb Insurance, hosted by Jodie Kidd, and a collection of art, jewellery and fashion displays.  Presenting Partner, A. Lange & Söhne, recently confirmed their support for a long term partnership and will continue to showcase some of its most intricate timepieces.

Tickets to the Concours of Elegance 2021 are available now, with full three-course hospitality packages from £288. Tickets can be bought HERE.

About the Annual Concours of Elegance

Established in 2012, the inaugural Concours of Elegance was held within Windsor Castle to mark the diamond jubilee of Her Majesty The Queen’s reign. Organised by Thorough Events, the first Concours of Elegance set a new global benchmark for a classic car concours; winning prestigious awards in the process; unheard of for a ‘start-up’ event in its first year. The second Concours of Elegance was held in 2013 to equal fanfare at the historic Royal Palace of St James in London, with the widely acclaimed third Concours set in the stunning grounds of Hampton Court Palace in September 2014, before heading to the Palace of Holyroodhouse in 2015. Only cars of the highest calibre are invited to the Concours of Elegance, from all over the world, painstakingly selected by the Concours Steering Committee; a respected team of authoritative historic car experts. A key objective of the annual Concours of Elegance is to raise significant sums for charity.

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ENGLAND HECKFIELD PLACE

ENGLAND’S HECKFIELD PLACE GEARS UP TO WELCOME AMERICANS

Heckfield Place, the award-winning Georgian manor estate turned luxury hotel in Hampshire, England, has announced an Autumn Equinox celebration this September to allow guests to reconnect with nature on the bucolic estate. The events are perfectly timed following the UK’s reopening to vaccinated American travelers, who can enter without quarantine as of this week.

Set in its own 438-acre estate of ancient woods, lakes, working farmland and gardens, the 18th-century property located just an hour outside London is the ideal oasis to embrace nature. Earlier this year, Heckfield Place’s Market Garden achieved 100% biodynamic certification, becoming the very first hotel in the United Kingdom to receive this designation. Heckfield’s fully organic Home Farm now provides in myriad ways for the hotel: from flowers, to rotating arable crops and organic produce that inspire the seasonal menus at the hotel’s restaurants Hearth and Marle, led by Culinary Director Skye Gyngell, who champions a root-to-plate ethos.

This September, Heckfield Place has planned a number of events to celebrate the Autumn Equinox as part of its Assembly program to help guests reconnect with the natural elements that surround them. Highlights of Heckfield Place’s Autumn Equinox weekend include the following:

September 17
Watercolor class: Artist Mary Ellen Taylor’s autumn botanical workshop
Guests can reconnect with nature to create a watercolor drawing with the help of renown botanical artist Mary Ellen Taylor. The experience is paired with a three-course lunch.

September 18
The Art of Preservation by Heckfield Kitchen: Heckfield’s Development Chef Dor Harel will demonstrate how to make creations such as chutney, kimchi and preserves using ingredients from the Heckfield orchard, the biodynamic Market Garden and around the estate.

Foraging: The hunt for mushrooms and wild food with Fergus the forager
Professional forager Fergus Drennan will take guests through the Heckfield Estate to search for the season’s pick of wild autumn foods, while learning to safely identify and gather fungi, as well as hedgerow leaves, fruits, nuts and roots.

September 19
Wild swimming talk and dip with Dip Advisor’s Ella Foote: Ella Foote, a swim instructor, explorer and editor, will share stories behind “wild swimming” and lead guests on a dip in the Lower Lake on the Heckfield Estate. The event will finish with a three-course set menu, using the freshest ingredients of the day, in Heckfield’s farm-to-table Marle Restaurant.

Other activities perfect in the autumn include guided walks around the estate, hiking around the nearby Bramshill Forest, biking to one of the local country pubs, bird watching in the woods and a forest bathing excursion. Local excursions that the Heckfield Place team can arrange include horseback riding at the Duke of Wellington’s estate, a round of golf at Bearwood Lakes Golf club, and wine tasting at the eco-friendly Hattingley Valley winery, which specializes in sparkling wines. Guests looking to challenge themselves can try out Heckfield’s Farm Fit circuit-based training using equipment found on the farmland, such as tyres, weighted milk churns, ropes, hay bales, logs and sandbags.

ABOUT HECKFIELD PLACE:
A Georgian family home dating to the 1700s, Heckfield Place has been lovingly restored to its classic origins and rewoven into its surrounding 400 acres of farmland, ancient heather and woodlands. The estate’s farm, two walled gardens and orchards nourish renowned chef Skye Gyngell’s epicurean cuisine, bringing the outside gloriously into the property’s three restaurants–Marle, with its outdoor balcony overlooking the property, the Sun House, a unique space for up to 30 guests in the Upper Walled Garden, and the open-flamed Hearth. Aiming to be as sustainable as possible, the estate has a biomass energy center to power hotel water and central heating; an aerobic digester to process all recyclable waste and provide compost for the garden and pellets for the biomass energy center; harvests rainwater and captures spring water. As part of the Assembly, the hotel’s event rooms can host up to 120 guests and the new state-of-the-art, Dolby Atmos surround sound cinema can accommodate 67 viewers. There is also an extensive wine cellar and tasting room, as well as the full service Little Bothy Spa.