The Daniel Ricciardo Edition 720S takes inspiration from the McLaren Formula 1 Driver, Daniel Ricciardo himself. The commissioned sports car was produced in a joint venture with the McLaren Sydney and corresponding Melbourne retailers.
George Biggs, the Commercial Executive Director of McLaren Automotive, raved about the uniqueness of the 720S, stating, “We’re delighted to see the first of this exclusive series arrive in Australia, as at home on the tarmac around Albert Park as its namesake Daniel Ricciardo. Complete with the Australian flag adorning the front haunches, this special edition model is the perfect celebration of our Perth-born racer – we’re excited to see it out on Australian roads.”
The creation of the 720S’ operates as a celebration of Ricciardo and his prized individualism. The limited series of three models aids reference to Ricciardo’s racing number, “3.” Color scheme for the 720s, too, reflects that of the McLaren Formula 1 2021 MCL35M race car, showcasing hues of Papaya spark and Burton blue.
Ricciardo spoke on the experience of driving for McLaren, saying, “One of the great privileges of driving for McLaren is getting behind the wheel of many of the marque’s exhilarating supercars and while each offers something unique, the 720S is the absolute benchmark.”
Other notable Ricciardo racing characteristics consist of the Carbon Fibre sills engraved with his signature, ‘One of Three’ devotion plates and his racing number “3” stamped onto the 720S dihedral doors.
About McLaren Automotive
Standing as pioneers and inventors of the world’s most pristine, high-performance sports cars, McLaren Automotive launched their corporation in 2010, now the largest section of the McLaren Group. The company generates each vehicle at the McLaren Production Centre (MPC) out of Woking, Surrey, England. Known for the esteemed selection of GT, supercar, Motorsport and Ultimate models, their designs span all around 85 retailers in 40 markets across the globe.
Rolls-Royce recently announced their latest inspirational piece, the Rolls-Royce Phantom Orchid. Designed specifically with Singapore in mind, the Phantom is extremely rare as just one singular model has been produced. Looking to the orchid for motivation, the team chose this reference to serve as a representation of beauty and strength. Serving as a withstanding focal point in the history of art, this marks the first instance of an orchid being incorporated into a Rolls-Royce commission. Exemplifying the attributes of elegance and glamour with a light but edgy flow comes to Rolls-Royce Phantom Orchid.
The new commission comes as a partnership with the Bespoke Collective and the withstanding Rolls-Royce team. This imperative duo saw the likes of top designers and artists coming together to create a work of art.
Michael Bryden, Lead Designer, Rolls-Royce Bespoke, spoke on the Phantom and how it came to its full loveliness. He stated, “[the] Phantom Extended, our pinnacle motor car, was chosen to be the ‘blank canvas’ for this commission. Our concept envisaged a balanced yet progressive design, which echoes the values of the Singapore region. The orchid is seen in many facets of Asian life, a reminder that the resilient adapt and thrive regardless of the evolving environment. Phantom is the only motor car in the world to feature the Gallery, a space that enables one to exhibit art, sculptures, or objects of self-expression in the sanctuary of Phantom’s interior. For Phantom Orchid, we collaborated with award-winning artist Helen Amy Murray to create a unique, hand-sculpted silk artwork. The delicate materials and techniques that were deployed in the creation of this piece are protected behind an application of pure glass, that runs uninterrupted across the fascia of Phantom. Finished in an elegant blend of Grace White, Havana and Smoke Grey with Dark Olive stitching, the interior evokes the calm and serene nature which is inherent to the character of Phantom.”
Through the association with Helen Amy Murray and her team, a new wave of work with Phantom’s Gallery has been generated. Their fresh and innovative design transformed the interpretation of a motor car’s presence.
Helen found creativity from the orchid, often referencing the Singapore Orchid, hence as to why the commission was constructed with the location as muse. She worked around the clock, totaling over 200 hours of subtlety refining her designs with her team of six.
The design came to initially through Helen’s hand drawings and sketches, before moving to a digital media that would ensure the success of the piece. Through the virtual enhancements, the team was able to print the art directly onto the silk crepe satin. More handwork came into play for the final part of the layout process, where they hand-molded the flowers to stimulate a 3D force.
Rolls-Royce Bespoke Designer Yohan Benchetrit worked his magic on the interior of the Phantom. He started with an orchid-motivated Picnic Table Inlay through the rear of the suite. Moving on, Bespoke treadplates were an addition that mimicked a like theme sans text to all who hopped into the motor car. Natural colors finished out the interior of the Phantom, adding to the luxurious experience imitated.
To add to the exclusivity of this Phantom, a distinct paint was crafted using advanced, modern paint technology. The color started with a base of Arctic White with a light tint of violet was laid over, motivated by the main inspiration for the piece, orchids. The addition of fine glass particles within the paint color establishes a dazzling aura.
2021 proved a record-breaking year for Rolls-Royce. The clientele of the long-time luxury brand grew even greater this past year, indicating the continued craftsmanship and extravagance of this beloved automaker.
Chief Executive of Rolls-Royce Motor Cars, Torsten Müller-Ötvös, reflected positively on the achievement of the brand in 2021. Müller-Ötvös stated, “In what has been an unprecedented and unpredictable year, the House of Rolls-Royce has delivered the highest-ever annual sales results in the marque’s 117-year history. In 2021, we delivered 5,586 motor cars to clients around the world, having worked closely with clients to further expand the boundaries of creativity within our Bespoke Collective. This has resulted in some truly remarkable commissions.
“Rolls-Royce has once again demonstrated an innate understanding of craftsmanship, honing progressive and proprietary techniques amongst our highly skilled and talented team. Artisans continue to further the realm of Bespoke feasibility; precious and rare materials are used with ingenuity to create world-class examples of excellence in their field.”
With this powerful indicator of Rolls-Royce on the rise, 360 Magazine recaps the 2021 Bespoke highlights for Rolls-Royce.
The final collection of Wraith Kryptos was seen this past year, showcasing intricate and hidden ciphers throughout each car. Emphasis on hidden, each Wraith Kryptos is equipped with secret ciphers only a Rolls-Royce client could decipher, reminiscent of a rewarding puzzle.
These so-called “puzzles” found throughout the model were dreamt up and sent to the home of Rolls-Royce in Goodwood for review. Ultimately, sections of these riddles have been deciphered by cipher fanatics and Rolls-Royce clientele, but the final resolution remains unsolved.
Together, Rolls-Royce and Kengo Kuma combined the realms of extravagant automobiles and awe-inducing architecture to produce the Bespoke Rolls-Royce Dawn. This singular motor car emulates the feelings of glamour and opulence, much like the inspiration for the car of The Kita building in central Tokyo.
The overall design and aesthetic of Dawn will have drivers feeling as opulent as ever. With an exterior in the shade of Silver Haze, a silver-gray color, it mimics the appearance of The Kita’s structure. The shade of the exterior shifts when positioned in direct sunlight, illuminating a rich bronze shine. The outer style of the car comes complete with a silver hood and black coach line. Merging the interior and exterior is the open-pore royal walnut paneling showcased on the rear deck. This enhancement references the walnut paneling seen on ‘The Kita’s’ entrance lobby. The construction in this collaboration speaks to both companies’ eye towards detail.
Renowned for its purely lavish design philosophy, the Ghost Extended has a unique Bespoke trek. The Ghost Extended Urban Sanctuary prioritizes top material construction rather than aiming to make a bold statement. Inspiration for the automobile comes from a particular building within Shanghai’s Yu Yuan Gardens. The building has a unique ‘cracked ice’ effect on its wooden window shutters, emulated in the Ghost Extended through stitched panels in the seat inserts.
Regarding the detailed design intricacies of the Ghost Extended, the interior showcases a deep Navy Blue and Cashmere Grey color story. The colorway draws a distinctive and rare story whether one is driving themselves around or are being chauffeured. This chauffeur storyline continues through the reclinable Serenity Seating in the Urban Sanctuary. The easily reclinable seats make it seem as though one is taking a ride on a private jet.
Finishing off design elements, the Urban Sanctuary exterior is cast in gunmetal and jubilee silver, offset by a bold lime green coach line and wheel pinstripe. The edgy lime green color is showcased to mimic Shanghai’s nighttime neon lights.
Ghost Extended is the spitting image of the first-ever personalized Illuminated Fascia. This first-of-its-kind request came from the South Florida luxury collector, David Bartosiak. Mr. Bartosiak had a vision for his personal automobile, calling upon the Rolls-Royce Bespoke Collective. His request entailed the Illuminated Fascia to say ‘DREAM’ instead of ‘GHOST.’
He declared, “This wish speaks of the dream I had as a young boy, born under that beautiful night sky in 1983 in Vero Beach, Florida, the dream I instill in those around me every day, and the dream I hope my spirit carries on to the world when I’m gone.”
This incredible one-of-a-kind Starlight Headliner of Mr. Bartosiak’s features an astronomical alignment of the stars in the interior. The alignment references the sky over Vero Beach, Florida, on the day of his birth in 1983, as illustrated in 1,236 single fiber optic lights.
BESPOKE WRAITH IN PEBBLE PARADISO
Another specific commission came from a client based in Shanghai; she requested a rare Bespoke Wraith in the Pebble Paradiso blue color. The client referred to the automobile as her own “Shanghai seaside-inspired paradise.” The car features a hand-painted coachline in a Seashell hue, with a delicate orchid motif. This further exemplifies the client’s desire for sophistication combined with uniqueness.
The interior of the automobile showcases why the car is a true piece of artwork; a baby girl’s footprints are shown on the Piano White monitor lid. This enhancement references the client’s beloved, cherished daughter. The interior, too, has a two-tone design of Charles blue and seashell in natural grain leather.
A rare Cullinan was produced in 2021 to celebrate the United Arab Emirates’ (UAE) historic Golden Jubilee. The exterior of the car is polished to perfection in crystal over artic white, with a hand-painted double coachline, the upper line in hotspur red, the lower in fame green. The power of style was continued with a gold bullion coach line motif, the national flag in hotspur red, fame green, and black on the C-Pillar Motif, showcasing a unique double wheel-center pinstripe.
The interior illustrates treadplates that read ‘50th.’ The interior design mimics that of the exterior, with arctic white, black, and hotspur red leather, in contrast to a fame green contrast stitch of the UAE’s emblem upon each headrest. The showpiece of the car is the gold 50th-anniversary motif decked in the fascia, rear waterfall, and picnic tabletops.
CULLINNAN IN PIKES PEAK BLUE
Car enthusiasts Ben and Christine Sloss were in search of a Bespoke Rolls-Royce Black Badge Cullinan from Rolls-Royce Motor Cars Los Gatos.
A colorway typically not shown in Bespoke of pikes peak blue, the color references the Colorado hill-climb, a beloved experience of the clients. Pops of forge yellow spice up the color story in the hand-painted coachline, wheel-center pinstripes, and brake calipers, the Black Badge Cullinan showcases the use of the colors in the flag of Modena. The doors of the Black Badge Cullinan are embellished with Mrs. Sloss’ racing logo – a formal stiletto.
A once-in-a-lifetime collaboration saw Rolls-Royce and the House of Hermès come together to create a Bespoke Phantom for Japanese entrepreneur Yusaku Maezawa. Phantom Oribe is a motor car named mimicking the client’s world-class collection of ancient Japanese ceramics, Oribe ware. The client’s private jet was able to showcase the use of Rolls-Royce paint to create a matched set with the Phantom.
The interior is finished in Hermès Enea green leather. A first for Rolls-Royce, the door armrests, center, rear consoles and, most particularly, the signature headliner is equipped with the famed Hermès ‘Toile H’ canvas.
The Phantom Tempus Collection narrowed to 20 examples of Rolls-Royce Phantoms. A new edition of the Phantom notes the concept of time – how it goes and how it can ostensibly stand still.
The aesthetic of the design for this project hints at themes of time and the cosmos. One key theory imposed into the design comes from the pulsar, a mysterious astronomical phenomenon found only in the deepest sections of the galaxy. The pulsar is essentially a complex, white-hot star that sends electromagnetic radiation in pulses, hence making it a common suggestion of precise clocks through the universe.
The exterior of the Phantom Tempus Collection is dripping in a new Bespoke paint of kairos blue. The rich color symbolizes the uncertainty and deepness of space. To further the cosmos inspiration, the paint features jewel-like blue mica flakes that glint when caught by the light.
Another first for Rolls-Royce comes with the Phantom Koa – it is the first Rolls- Royce Phantom to use Koa wood. Koa wood is a unique species of tree only found growing in the Hawaiian soil. Inspired by car enthusiast Jack Boyd Smith, Jr. and his wife Laura, the car captures the essence of the tenderness and character of Koa.
Koa is guarded by state and national parks, and it only grows in Hawaii. The only way to harvest the wood is from private agricultural land, making it as rare as you can get. A Rolls-Royce Wood Specialist refers to the ability to find Koa as a ‘one in a million chance.’
Mr. Smith’s Bespoke commission took almost three years of cooperation to generate, but it is now a part of his collection of motor cars in the JBS Collection Museum.
Another limited collection, the Landspeed Collection consists of 25 examples of Black Badge Dawn and 35 of Black Badge Wraith. The creativity for the collection came from George Eyston’s noteworthy life and accomplishments. Hints of the landscape of the Bonneville Salt Flats, where Thunderbolt made himself the fastest man on Earth, are incorporated into the collection as well.
Throughout George Eyston’s life, he was awarded three major honors: the Military Cross, the Chevalier of the Légion d’honneur, and the Order of the British Empire (OBE). Each of these honors is prominent in the Black Badge Wraith and Dawn Landspeed. Clever easter eggs that reference the original medal ribbons are placed throughout the cars in the driver’s door, as it was made from the same Grosgrain weave silk of the medals.
Imagined with the essence of Moscow at night comes the design of the Black Badge Cullinan ‘Black and Bright’ by Rolls-Royce Motor Cars Moscow. The 2021 model of the Black Badge Wraith ‘Black and Bright’ was an elevated design of the model popular two years ago.
Found only at the Muscovite dealership, this narrow collection showcases five Black Badge Cullinans. Each car is available in edgy color combos of magma red, orange metallic, twilight purple, forge yellow, and turchese. Black Badge Cullinan’s Technical Carbon veneer is individualized to a corresponding color inlay design, while starlight headliner matches the exterior and interior highlights.
Coachbuilding is promised as a long-lasting feature of Rolls-Royce after the production of three Boat Tails amidst the contemporary coachbuilding development.
The process of coachbuilding is an extremely refined tactic of Rolls-Royce Bespoke, set aside for those who are looking to push the boundaries and seek change.
Boat Tail is a handcrafted creation, where bodywork and interior are produced with the client’s eye to exact requirements. A Boat Tail tells the story of Rolls-Royce’s deep history, while still offering a new, modern design.
The first of the three Boat Tails were exhibited at Concorso d’Eleganza Villa d’Este in October, 2021. The second will make its first appearance at Villa d’Este 2022.
“AND ALL THAT JAZZ”! WORKS BY TRACY SUGARMAN – ARTIST TO THE MUSIC INDUSTRY,TO BE OFFERED AT AUCTION
September 2021. Artworks by the American illustrator, Tracy Sugarman (1921-2013), who documented some of the most momentous events in American history, such as Mississippi’s Freedom Summer of 1964 (a milestone in the civil rights movement in America) and images of World War II, will be offered in Dreweatts Modern and Contemporary Art sale on October 12, 2021.
As well as encapsulating historical moments in a unique way, Sugarman illustrated hundreds of books and record covers in a career spanning 50 years. The group of works coming up for auction spotlights Sugarman’s work for the music industry. Between 1954 and 1959 he produced more than a hundred album covers for the record labels Grand Award and Waldorf Music Hall Records. These were later reissued on CDS.
His illustrations were published in hundreds of magazines and books, as well being shown as on TV (PBS, ABC TV, NBC TV, and CBS TV). He was in high demand as a multi-talented artist, scriptwriter, producer, and author and won numerous awards from the Society of Illustrators in New York and the Art Directors Club in Washington, D.C. He was also a civil rights activist, something he also captured in his artworks.
While carrying out his commissions for the music industry he was given complete artistic freedom to create the works as he wished. Commenting he said: “I had been able to explore every medium from scratch-board to oils, from pastels to watercolors and seen them reproduced. I had captured Mahalia Jackson singing gospel and Knuckles O’Toole playing ragtime piano.” A work in 2007 marked the beginning of a lifelong love affair with jazz and the works in this sale show how he creatively captures the spirit and energy of Jazz.
In the Studio (lot 301)in its bright red hues, communicates the passion and vibrancy of Jazz and music in general. Dark lines contrast the colour, creating the shapes of the figures, resulting in a simple, but powerful piece. It carries an estimate of £400-£600. Portrait of a Trumpet Player (lot 299)by Tracy Sugarman captures a trumpet player in full flow. Created in wax crayon, the raw image brings the paper to life. It is estimated to fetch £400-£600. The Thinker (Lot 300) in wax crayon and watercolor shows the creative process and thinking behind the creation of music. In rough strokes Sugarman conveys all of this in a minimal way, creating the impact by its very simplicity. The work is estimated to fetch £400-£600.
More works by Sugarman can be seen in the online catalogue, follow the link here
The Niagara Falls Underground Railroad Heritage Commission (Commission) and the New York State Office of Parks, Recreation, and Historic Preservation (NYSOPRHP) proudly unveiled a Historic Marker designating the former site of the Cataract House at a press conference on Thursday morning at the park area across from Red Coach Inn, 2 Buffalo Ave, Niagara Falls, NY 14303.
The importance of the Cataract House as the center of Underground Railroad activism in Niagara Falls cannot be overestimated. The African American waiters who worked as Underground Railroad agents made this site one of the most important Underground Railroad nodes in the entire nation. Famous cases included a failed rescue attempt in 1847 and the successful escapes of Cecilia Jane Reynolds (1847), a woman named Martha (1853), and waiter Patrick Sneed (1853). John Morrison, head waiter at the Cataract House, often ferried people across the river himself.
The Cataract House burned down in 1945 and was demolished in 1946. The Historic Marker for the former location of the hotel has been funded by a grant from the William G. Pomeroy Foundation.
“This Historic Marker will now designate a location that was important not only to our local heritage, but our national history as well,” said Saladin Allah, Visitor Experience Specialist, and Community Liaison at the Niagara Falls Underground Railroad Heritage Center, operated by the Commission. “Outside of our community, people may not know much about Niagara Falls beyond the Falls themselves. This Marker will help others realize the vital role our region played in the Underground Railroad and the rich history of Niagara Falls’ Black community. We hope that our representation of this site will help us continue to learn from the past so we can work toward a more just, equitable future.”
Congressman Brian Higgins agreed that the Marker represents an important aspect of the history of our city and country.
“The Cataract House was a pivotal station along the Underground Railroad and its story is told beautifully and poignantly through the Niagara Falls Underground Railroad Heritage Center,” he said. “This Historic Marker further shares the story of the powerful network of ‘conductors’ here in Niagara Falls who bravely helped people escape slavery along the road to freedom.”
The event was attended by several community leaders and local political officials, including City of Niagara Falls Mayor Robert Restaino.
“The Cataract House is an important part of the history of our City,” Mayor Restaino said. “It continues to show the significant impact of Niagara Falls in our national story. We appreciate the work of the Commission and NYSOPRHP in designating this Historic Marker for the Cataract House.”
Speakers at the event included:
Visitor Experience Specialist & Community Liaison at Niagara Falls Underground Railroad Heritage Center
Descendant of freedom seeker Josiah Henson
Douglas J. Perrelli, Ph. D., RPA
Chair of NYS Board for Historic Preservation
President, New York Archaeological Council (NYAC)
Director, Archaeological Survey
Clinical Assistant Professor, Anthropology, University at Buffalo
Mark Mistretta, RLA
Western District Director, New York State Office of Parks, Recreation and Historic Preservation
Following the unveiling, visitors were invited to walk in the footsteps of freedom seekers from the hotel site to the brink of the Niagara River. For media files, visit here.
About the Niagara Falls Underground Railroad Heritage Commission
The Niagara Falls Underground Railroad Heritage Commission Center manages the Niagara Falls Underground Railroad Heritage Area, a part of the NYSOPRHP Heritage Area Program. The Commission also operates the Niagara Falls Underground Railroad Heritage Center, an award-winning experiential museum located inside the former 1863 U.S. Custom House attached to the Niagara Falls Amtrak Station. The Commission encourages and fosters the discovery, illumination, and celebration of the rich heritage of the Underground Railroad and the Abolitionist movement throughout the City of Niagara Falls and its environs. The center, which opened in May 2018 after 11 years of planning, is located inside the former 1863 U.S. Custom House attached to the Niagara Falls Amtrak station. The center sits adjacent to the location of the former International Suspension Bridge, a point of crossing for many freedom seekers including Harriet Tubman.
The Heritage Center preserves the historic role of the people of Niagara Falls in facilitating freedom for the oppressed. The places and stories associated with this network of freedom seekers, free African Americans, and abolitionists evoke powerful themes in American history and celebrate the bravery of the men and women who risked their lives to achieve the most basic rights of liberty. Learn more here.
William G. Pomeroy Foundation
The William G. Pomeroy Foundation is committed to supporting the celebration and preservation of community history; and to raising awareness, supporting research, and improving the quality of care for patients and their families who are facing a blood cancer diagnosis.
My name is Brian Taborda. I am a 24-year-old with an affinity for putting pen to paper and creating magic. Ever since I was a child I’ve always found myself drawn to drawing. As the years went by, I narrowed my artistic focus and began honing my skills as a cartoonist. Growing up, I always admired the artwork when I would watch my favorite cartoons on T.V. I chose to pursue this style because I was attracted to the freedom that this genre of art offered. Cartoons tend to be funny and ironic. Cartoons are one of the oldest forms of animated entertainment and, despite technological advancement, cartoons have maintained the classic and simplistic design elements that have set the style apart from other forms of artistic expression. These last few years, the political and economical climate in my home country of Venezuela has worsened tremendously. The present situation has motivated me to further develop my illustration skills. I know that if I improve, I will be able to achieve whatever I set my mind to. Choosing to focus on my art means working for commission so that I can earn enough money to escape this socialist dictatorship in Venezuela. I’ve been able to work towards fulfilling my dreams because of the the support that I receive from my family, my girlfriend and my friends. I specialize a style of cartoon illustration that was popular in the 1930’s, however, I like to add a bit of an “underground” or “urban” vibe to the final products. I work primarily using Adobe Illustrator. I typically use the brush and pen tools and draw with the mouse. I hope to one day illustrate using more modern tools but, since the economy of my country is so bad, I can’t afford the proper equipment so I have to use what I have. Fans of my art can look forward to seeing my name agin in the future future as I hope to, one day, release my own clothing line, with stickers, skateboards, etc. that will have my illustrations on them. Of course, I would keep on doing commissions of my drawing for clients who ware interested. My goal is to get more people to start loving and appreciating cartoons, especially the older ones that were the pioneers of this timeless genre. They are the base of everything we have now animation wise.
Swizz Beatz celebrates the return of the groundbreaking art platform No Commission to Miami after a two year tour around the world which helped put over $3 million directly into artist pockets.
Taking place from December 7th to 9th, 2017 at SOHO Studios in the Wynwood section in Miami, No Commission returns to its roots after a whirlwind international tour where it has become a global revolution for the future of art and sound. Timed to one of the world’s biggest art fairs, No Commission is more than an art fair: it is a unique three-day cultural experience that celebrates the fusion of sonic and visual art, moulding the new generation of global artistic appreciation. Since its inception in 2015, No Commission has challenged traditional art fair formats by giving artists free exhibition space and total control of sales.
No Commission is the brainchild of Grammy Award-winning artist and producer Swizz Beatz, The Dean Collection and BACARDÍ, and seeks to forge a direct link between the artists, art community and art patrons. A Grammy-winner once dubbed “the best rap producer of all time” by Kanye West, Kasseem “Swizz Beatz” Dean has penned beats for Whitney Houston, Jay Z, Beyoncé and others. Alongside his Wife Alicia Keys, Beatz is a noted fashion designer, painter and art collector. His No Commission platform is uniquely designed to support both new and established artists in a way that breaks down conventional barriers – all artists are given their exhibition space for free and 100% of the sale of each artwork goes directly to the artists.
The Miami event is the sixth in a series of artist support collaborations. Past editions were held in Miami, New York, London, Shanghai and Berlin where artworks were sold and artists retained 100% of sales proceeds. Swizz Beatz, BACARDÍ and The Dean Collection launched NO COMMISSION at Miami Art Basel two years ago. Since then, they’ve put over $3 million directly into artist pockets.
All B Roll footage from the event, including interviews with the artists, general videos of the artworks and of the performances is available free of charge and free of copyright via: