Arlissa, the London-bred singer-songwriter who last year ignited major buzz with a string of critically acclaimed singles, returns with “Healing,” available today via Def Jam Recordings. “Healing” is the newest advance track from Arlissa’s hotly anticipated debut album set to arrive in 2020. “Healing,” co-written by Ryan Williamson and Kameron Alexander, was produced by Rykeyz.
The music video for “Healing,” also out today, “was super inspired by Ayahuasca,” said Arlissa. “It’s something I’ve always wanted to do. It really helps you face your demons and raise your vibration. So with that in mind, the video is all about breaking free from all that binds you; It’s about growth, and rebirth; shedding your skin and becoming the person you were always meant to be.”
Arlissa’s defiant 2019 anthem “We Won’t Move” was included as one of two original compositions on the Def Jam soundtrack for The Hate U Give, the celebrated film adaptation of the Angie Thomas book. The song garnered early buzz when Arlissa debuted it at the movie’s Toronto Film Festival premiere, followed by performances on ABC’s Good Morning America, and Wendy Williams. Arlissa went on to feature on the Ariana Grande helmed soundtrack for last year’s Charlie’s Angels and pen R3HAB and Zayn’s hit song “Flames.”
Arlissa had been piling up a string of independent hits when Brit DJ/producer Jonas Blue’s electronic remix of “Hearts Ain’t Gonna Lie” broke through in early 2018. She debuted the acoustic version of “Hearts Ain’t Gonna Lie” on NBC’s Today Show, as Elvis Duran’s Artist of the Month. The performance sent the song into viral overdrive, virtually tripling the worldwide streams and views of the original.
The London Concours has announced the first of its exceptional special features; a uniquely colourful celebration of one of the most iconic Ferraris of all-time: the Dino. Presented by the UK’s oldest independent Ferrari specialist, Foskers, this privately-owned collection of Dinos will be the headline feature of the capital’s finest automotive garden party.
Not initially badged as a Ferrari, the Dino was developed to honour the memory of Enzo Ferrari’s late son ‘Alfredino’, and has gone to become one of the most cherished models to have ever been produced at Maranello.
At the London Concours 2020, taking place from 10-11 June, a unique line-up of eight Ferrari Dino models will gather – each one in a different factory-produced colour. It’s the flagship feature in a show that will see the rarefied lawns of the Honourable Artillery Company HQ – just a stone’s throw from Bank and Moorgate in the City of London – transformed into motoring nirvana for just two days. Over 100 automotive icons will gather in classes, ranging from ‘The Pursuit of Speed’ to ‘The Era of the Hypercar’.
First introduced in 1967, the Dino 206 GT was the first mid-engined car from Ferrari, and the first to use a V6 at a time when all of its cars were V12-powered. The 2.0-litre V6 engine itself was adapted from one of ‘Alfredino’ Enzo’s racing car designs for road car use. And so, with the release of the new ‘Dino’ brand and the 206 GT, Ferrari stepped into the fray against the all-conquering Porsche 911.
With a lightweight aluminium body, a more compact footprint than existing Ferrari models, perfect weight distribution thanks to the transverse mid-engined layout and advanced independent double wishbone suspension all-round, the Dino was a handling revelation. And just two years after the 206 GT’s introduction came the Dino 246 GT to bolster its success.
With an increase in engine size to 2.4-litres – hence 246 GT – came more power and a slight increase in performance; it could have been more but Ferrari decided to switch back to heavier steel body panels, adding around 50kg to the kerbweight. Nevertheless, the 246 GT was a runaway success, selling more than 3,500 between 1969 and 1974. In total around 3,700 Dino 206 and 246 GT/GTS were built, transforming Ferrari’s business and production numbers.
Showcasing the gamut of outlandish original colours offered to Dino customers, the London Concours will gather examples in Rosso Chiaro red, Grigio Ferro grey, Blu Dino, Nero black, Nuovo Giallo yellow and more. Among them is a rare ‘Chairs and Flares’ version of the Dino, just one-of-five UK-delivered examples with these sought-after additions; wide wheelarches and ‘Daytona’ seats.
Andrew Evans, London Concours Director, said: “Before the Dino, Ferrari was building enormously powerful V12-engined cars in exceedingly small numbers. It’s not an overstatement to say the business was transformed by the popularity of this nimble, beautifully balanced and lightweight sports car. The Dino set a template for a whole range of mid-engined Ferrari models that continues to this day, and includes legends like the 355, 430 and even the latest F8 Tributo. It’s hard to pick just one Maranello icon to honour at London Concours this year, but our car selection committee is in total agreement; the Dino deserves time in the spotlight, and we’re more than happy to oblige.”
2019 saw The Rolls-Royce Bespoke Collective, a team of engineers, designers and craftspeople residing at the Home of Rolls-Royce in Goodwood, England, create more Bespoke motor cars than ever before in the marque’s 116 year history. Unprecedented levels of creativity, craft and imagination have brought the unique visions of the marque’s global patrons to life. Almost every one of the record 5,152 motor cars created in 2019 was respectfully tailored by this Bespoke division.
Torsten Müller-Ötvös, Chief Executive, Rolls-Royce Motor Cars, commented, “I am proud to say that the craftsmen and women of Rolls-Royce Motor Cars have surpassed themselves once again in creating an array of extraordinary motor cars, tailored to the requirements of some of the most influential and discerning individuals in the world. These motor cars become unique works of art and it is an extraordinary feat when you consider that each and every single one of these unique commissions has been created on one production line at the Home of Rolls-Royce in Goodwood, West Sussex – the skills of these individuals knows no bounds.”
What follows is an overview of some of the finest examples of Bespoke design and craftsmanship completed by the luxury house throughout 2019.
THE MILLION STITCH ROLLS-ROYCE
CANVAS: PHANTOM │MEDIUM: EMBROIDERY
A Stockholm-based entrepreneur with a passion for flowers challenged the Rolls-Royce Bespoke Collective to create a car that immersed its occupants in floral decadence. The result was the ‘Rose Phantom’: a vision made with a million embroidered stitches.
The starting point was a rose bred exclusively for Rolls-Royce by Harkness Roses. The Home of Rolls-Royce in Goodwood, England is the only place in the world where this rose is grown.
The Peacock Blue exterior of the Rose Phantom is punctuated with a Charles Blue twinned-coachline that intertwines organically like the stem of a rose, combining to introduce the rose motif.
Inside, the marque’s fabled starlight headliner illuminates the floral scene, with roses interspersed with Peacock and Adonis Blue butterflies. As a centrepiece of the interior, Phantom’s Gallery is adorned by stems of embroidered roses climbing through the glass fronted fascia.
Rolls-Royce Motor Cars marked the close of 10 remarkable years of Ghost by creating a limited edition ‘Zenith Collection’. With just 50 Ghost Zeniths made, the car featured the highest levels of Bespoke ever seen in a Ghost Collection.
The Ghost Zenith drew references from 200EX, the experimental car that introduced the contemporary expression of the Ghost nameplate in 2009. This design was immortalized in a blueprint-inspired artwork, divided into 50 distinct parts, and engraved on the centre console of Ghost Zenith.
A commemorative ingot, made from the original Spirit of Ecstasy of 200EX, was set into the centre console of each of the cars. The Collection’s own Spirit of Ecstasy and clock are engraved with the Zenith name.
Inside, ambient lighting shines through perforated leather, while the rear seats feature embroidery inspired by the seat details of the original 1907 Silver Ghost. The Ghost Zenith Standard Wheelbase also features an extraordinary starlight headliner with a unique Shooting Star configuration. Light trails fire at random across the cabin roof, which consists of over 1,340 individual, hand-finished fibre-optic lights.
BAYSIDE DAWN AERO COWLING
CANVAS: DAWN │MEDIUM: AERO COWLING
Following the arrival of the Dawn Aero Cowling in 2018, Rolls-Royce Motor Cars paid tribute to the sea with the Bayside Dawn Aero Cowling. Commissioned by a customer in Yokohama, Japan, this maritime-themed Bespoke motor car paid homage to their seafaring home city.
This one-off model drew inspiration from yachts and speedboats, combining both technical and natural materials. Open-pore teak Canadel panelling, reminiscent of a yacht’s deck, is matched with cutting-edge technical fibre. The rear deck complements exterior paint and interior leather colours, evoking the blue seas and white sails associated with the finest traditions of Yokohama Bay.
CANVAS: WRAITH│MEDIUM: PAINT, EMBROIDERY
A Wraith in a rich Teal hue adopts the colours of the Arabian Sea. The interior leather colour-way is newly developed to precisely colour-match the exterior, ensuring the patron is cocooned in vibrant, luscious luxury. Contemporary architecture influences a large-scale embroidery positioned on the rear waterfall, with stitches positioned for optimum light refraction to accentuate the geometric motif.
The colourful canvas is offset with chrome controls, interior vents and speaker grilles, darkened with a PVD coating.
The Digital Soul Phantom is a study in contemporary artisanship; a fusion of human endeavour and computer-generated design. At the heart of this Carrara White with Smokey Quartz two-tone Phantom is a Gallery created by Product Designer Thorsten Franck. An individual’s characteristics are interpreted by an algorithm which translates the data into a swathe of 3D-printed stainless steel. This is then hand-polished and plated in 24-carat gold, resulting in a unique artwork that embodies jewellery, sculpture and architecture.
Gold detailing embellishes the interior of the motor car, with Gold inlays set by hand in Smoked Eucalyptus wood and gold-plated speaker grilles concluding the aesthetic.
WRAITH EAGLE VIII COLLECTION
CANVAS: WRAITH │MEDIUM: GOLD VACUUM METALIZED WOOD WITH SILVER AND COPPER INLAYS,
To mark the centenary of the first non-stop transatlantic flight by Alcock and Brown in June 1919, Rolls-Royce created 50 extraordinary Wraiths in the Wraith Eagle VIII Collection.
The story of their perilous night-time journey, propelled by Rolls-Royce Eagle VIII engines, is told using Wraith as a canvas. A unique starlight headliner with 1,183 fibre-optic lights depicts the night time sky at the time of their flight. The flight path and constellations are embroidered in brass thread and the exact moment the pair left the clouds, also illustrated in embroidery, and navigated by the stars is indicated by a red fibre-optic light.
Brass speaker covers depict the estimated 1,880-mile flight distance whilst a brass plaque engraved with Winston Churchill’s stirring quote commending the pair’s remarkable achievement adorns the driver’s door.
The Smoked Eucalyptus fascia, vacuum metalized in gold and inlaid with silver and copper, depicts a birds-eye view of the Earth at night, showing a light map of roads and homes glittering below.
CANVAS: PHANTOM │MEDIUM: STAINLESS STEEL AND GOLD INLAY, COACHLINE
The Horology Phantom is touched with elements redolent of fine timepieces. The car was inspired by a meeting of a Rolls-Royce Motor Cars designer and master horologists from La Chaux-de-Fonds in Switzerland, who convened to explore the complexities and exotic movements of contemporary luxury timepieces.
Set against a Gunmetal and Black two-tone exterior finish, a gold and silver hand-painted twin coachline incorporates an intricate watch-inspired design; the Spirit of Ecstasy is cloaked in 24-carat gold. Inside, the fascia features the largest stainless steel and gold inlay ever made for Phantom. Positioned below a multiple layered stainless-steel Gallery, the inlay depicts an abstract schematic of a watch movement. The Rolls-Royce clock, housed in the Gallery, is set in a solid silver, guilloché case.
The Pastel Collection, showcased at Pebble Beach, drew upon a palette of colours from this year’s ‘wildflower super-bloom’ on California’s Monterey Peninsula. Three unique Black Badge commissions brought new colours to the Rolls-Royce Bespoke palette, reaffirming the notion that a Rolls-Royce Black Badge need not necessarily be black.
The Ghost Black Badge featured a Light Green Solid finish, a pastel shade representing the rebirth of flora on the peninsula after years of drought and fire. The black leather interior features a striking Serenity Green splash, highlighting the technical fibre of the fascia.
The Dawn Black Badge, in Coral Solid, showcases a stunning Bespoke finish only achieved after seven coats of paint and more than nine hours of hand-polishing in the Surface Finish Centre at the Home of Rolls-Royce in Goodwood. The Coral colour carries over to the Aero Cowling, while the interior is finished in Artic White and Sunset, an illustration of northern California’s hills and valleys in bloom.
The third car is a Wraith Black Badge in Semaphore Yellow, a bright and sunny finish for the most powerful member of the Rolls-Royce family, complemented by a Selby Grey and Lemon interior.
CANVAS: WRAITH │MEDIUM: EMBROIDERY, PAINT
The Falcon Wraith features the most detailed single embroidery to ever appear in a Rolls-Royce motor car. An intricate embroidery of a Peregrine Falcon, the fastest bird in the world, is interpreted in photo-realistic detail amongst clouds on Wraith’s headlining. Consisting of nearly 250,000 stitches, the dramatic embroidery took more than one month to develop.
A unique coachline in Arctic White hints at the form of the bird’s wing, with the motif additionally embroidered between the rear seats and painted onto Wraith’s fascia.
The Arabian Gulf Phantom adopts the rich colours and historical narrative of pearl diving in the Middle East. The Turchese exterior hue is evocative of the vibrant local waters, while the Andalusian White upper two-tone recalls the purity of natural pearls, alluding to the story within. An Arctic White coachline introduces a hand-painted Nautilus shell motif that forms the basis for the car’s design.
A sculpted silk appliqué Gallery by British Artist Helen Amy Murray takes centre stage across the motor car’s fascia. Reminiscent of swelling oceans, the Turchese Gallery is punctuated by a Mother of Pearl clock.
The Nautilus shell is embroidered on Phantom’s rear doors, whilst the rear occupants may also enjoy the motif in Mother of Pearl marquetry on the picnic tables’ fascia. Once deployed, the picnic tables present a complex piece of marquetry, incorporating generously applied Mother of Pearl to the picnic table-top.
CANVAS: PHANTOM │MEDIUM: METEORITE, SPACE GRADE ALUMINIUM, GOLD PLATE
Named and crafted to celebrate the feeling of euphoric tranquillity one achieves within Phantom, this unique motor car is a curation of objects and inspirations from worlds beyond earthly bounds.
Tranquillity’s Gallery is inspired by the X-Ray coded aperture masks used on the British Skylark space rocket. The Gallery is made from stainless steel, 24-carat gold plating and space grade aluminium.
For the first time in Rolls-Royce history, meteorite has been incorporated into the interior of a car. Shavings of the Muonionalusta meteorite, which fell to earth in Kiruna, Sweden in 1906, adorn the Volume Controller, with a detailed engraving of the location and date of its discovery.
Inspired by the light and dark sides of the Moon, the interior colourway of Arctic White or Selby Grey leather integrates unique veneer combinations of gloss and satin, both with an exclusive metallic effect. Bespoke Audio speaker frets are finished in yellow gold, complementing the additional gold elements throughout the car.
A Bespoke ‘Technical’ yellow gold, vapour blasted and engraved titanium clock and engineered titanium Spirit of Ecstasy complete the aesthetic.
CULLINAN IN FUX ORANGE
CANVAS: CULLINAN │MEDIUM: PAINT
Rolls-Royce Motor Cars debuted the colourful ‘Cullinan in Fux Orange’ under the summer sun of Pebble Beach last year.
Working with the Bespoke Collective at the Home of Rolls-Royce in Goodwood, West Sussex, a North American patron, Mr. Fux, challenged designers to match the exterior colour to vibrant orange shawl that had caught his eye in South Florida. The shawl was delivered to Rolls-Royce Motor Cars where a colour-matching process began. Working together for nearly a year, the teams created a seven-layer surface, polished by hand for many hours in the Surface Finish Centre.
The interior is decked in hand-crafted Arctic White leather with contrast Orange stitching and Orange Rolls-Royce ‘RR’ headrest monograms. Arctic White is carried over to the box-grain leather fascia, steering-wheel control stems and carpets. ‘Fux Orange’ fascia veneer, rear-view mirror and lambswool floor mats complete the cabin, which showcase the exacting standards brought to bear by Rolls-Royce’s craftspeople.
“These barriers are not going to stop me,” is the opening line of the latest #Adidas×IVYPARK campaign.
The highly anticipated collaboration with Beyoncé and ADIDAS made the world stop this past weekend. Like her music, the lifestyle brand is inclusive, evoking strength and identity. Gender fluid with neutral color pallets for effortless layering during the time of year. On trend. It’s aesthetically pleasing athleisure with the intended functionality backed by the workmanship of an apparel powerhouse.
The collection includes footwear which will entice any sneakerhead. Four sleek vibrant designs starting at $99 coupled with accessories and branded grillz.
360 MAGAZINE teammates rocked the unisex cargo sweat ($85) paired with matching sweatshirt. The Nite Jogger sneakers ($159) were enunciated with a branded key chain.
And, if you were one of the lucky handpicked few, you received a luggage tag alongside of an inserted note from the Queen Bey herself.
With many of the items being SOLD OUT within hours of its online discharge, this launch is sure to be one of the most successful drops in both brand’s histories. Definitely a strong departure from Topshop (originally a partnership with British billionaire Sir Philip Nigel Ross Green, she’s now the sole owner).
As of late, 360 MAGAZINE had an opportunity to glide through the five Burroughs of NYC in an all-terrain super-luxury SUV during the Holiday Season.
Unassuming and illustrious are the best words to describe the 2020 Rolls-Royce Cullinan SUV. Worth its weight in gold! Approximately priced around $394,275, it’s the most expensive off-roader in it’s class and by far the most luxurious in the world.
Handcrafted from the soil up, every nook and cranny has the Rolls-Royce stamp of approval. The overall shell of the vehicle is sleek and seamless. Every pillar and appointment makes perfect sense. Outside, the frontfasia is bodacious with integrated laser headlights and a pronounced grill. The Spirit of Ecstasy (SoE) sits on the hood and is retracts at a moment’s notice. 22″ inch part polished wheels and tires have a weighted emblem in the middle so as the car rolls (no wordplay intended) it stays center so there’s no mistaking who fabricated this monster. Swooping lines lead towards the back wisease. At first glance, it’s profile is somewhat reminiscent of an Range Rover Autobiography. On the sides, are LED parking lights. Boxy, beautiful yet masculine. At the rear, are gem-like light fixtures with turning signals. The boot has a clamshell tailgate which opens up and out with dual doors.
Push the button on the door knob to enter. Right before you enter the cabin, you are greeted by illunlminated ‘Cullinan’ treadplates alongside of lambswool floor mats. Even if the interior lights aren’t on, the Charles Blue interior leather seats are just as magnetic as Angelina Jolie’s electric eyes. One will feel like they’re swimming in Bali at Geger Beach wrapped by a navy blue beach towel in leather. Equally drowned by a sea of blue, the moonroof unveils the sky like a drophead, making the cabin feel more open and airy. Literally two to three people can promote their entire bodies out of the dual panel sunroof. It’s definitely one of the largest in its segment hands-down. Per usual, all of the appointments are wrapped in leather and stainless steel as easily as every headrest is embossed by SoE. Classic dials throughout and an analog clock sits on the dashboard with the same kind of realness as Big Ben in London.
Continue along to the back seats, the same luxurious integrity is apparent with large screens with trays which go flush. Instead of a back panel window in the trunk space, it’s laid right on side of back passengers. All of the rear windows possess dark tempered glass fit for the likes of the Queen herself, Beyoncé. As we dropped a passenger off at the Hard Rock Hotel in Time Square, tons of bystanders huddled around to take pictures.
Once again, the BMW’s iDrive system is dominant in the infotainment unit. The knob toggles through various screens, but this season they have a concierge which makes it a tad easier to locate and designate a destination – similar in type to Lexus Enform. Eight different settings for driver/passenger massages – excellent way for a driver to refresh during a long road trip.
During these colder months, the steering, arm rests and seats are heated. And, if you haven’t received a formal crash course on your Cullinan, you can refer to the animated digital owner’s manual which can easily search many of its amenities. The custom Rolls-Royce signature audio system has tweeters, floor subwoofers and enough watts to make you thump like you’re at a rock concert.
With more bells than whistles, you won’t leave a lane or come close to a dinging anything on this vehicle. The over the head 360 panoramic backup cam gives you a spaceage Jetson POV of what’s around the vehicle at all times. Night vision with heat detectors can help you navigate through woodsy areas without hitting a deer. In the urban center, we were alerted while behind a school bus – cameras came about when pedestrians accosted the vehicle’s walk around radius. Moreover, with a reinforced steel skeleton and airbags virtually for every piece of your body, you’re pretty safe in this vehicle.
Weighing in at around 5,863 lbs, this V12 turbo is more than powerful. With 570 HP and 627 pound-ft of torque, this SUV plows. Of course, the AWD allows you to claw corners and steering provides you with turning capabilities as if you’re in a sportscar. We pounded the asphalt and it felt like we could conquer 0-60 mph in less than 4.9 minutes while we entered the Garden State Parkway. There’s a reason why RR makes airplane engines because we felt like we were flying! Mentioning mpg makes no sense if you’re purchasing an automotive beast like this one – but here you go – 12 city / 20 highway.
If you’re in the market to floss and experience what many will never – this car should make it onto your bucket list. Out of all the Rolls-Royce tribe, this is the most practical as you can apply it for everyday use as well as a red carpet experience.
Today, fast-rising British singer/songwriter/producer Ama Lou makes her major-label debut with a new EP titled Ama, who? Released via Interscope Records, the five-track project showcases the thought-provoking sounds and visuals that have earned her praise from the likes of Drake, in addition to drawing acclaim from such outlets as VOGUE, Complex, The FADER, and Paper. Produced by Ama, along with Che Pope, Frank Dukes, Murda Beatz, Hi-Tek, and Foster, Ama, who? is a collection of songs that sees Ama reflecting on what she’s accomplished so far, and asserting the direction in which she’s headed. It’s another step forward in her artistic world and confirmation of who Ama is as an artist.
The follow-up to Ama Lou’s critically lauded 2018 debut EP DDD, Ama, who? features her recent single “NORTHSIDE” — a stripped-back and bouncy track that’s amassed over a million streams on Spotify and, close to 2 million views on YouTube. Directed by Ama and shot by her sister and creative visual partner Mahalia John, the video for “NORTHSIDE” features cameos from A$AP Nast, Taco from Odd Future, Fai Khadra, and more of Ama’s west coast friends. Watch the video HERE.
Track list for Ama, who?: 1. Far Out 2. NORTHSIDE 3. We tried, we tried 4. This Town 5. Better
Originally from North London, Ama Lou is a classically trained musician who got her start playing guitar at the age of 10, began writing her own songs at 11, and took up piano at 14. Now 21, she introduced the world to her dynamic songwriting with two back-to-back, politically charged singles: “Tbc” (an October 2016 release penned in response to the killing of Eric Garner by New York police) and “Not Always” (a layered meditation on gender, released in December 2016). With its sound described by The Guardian as “husky soul, feathery trap and skittering, downcast R&B,” “Tbc” soon caught the attention of Drake, who later named Ama Lou among the artists who inspired the making of his 2018 album Scorpion.
Arriving in early 2018, DDD was hailed as “brimming with her signature minimalism” by Billboard, who also noted that the EP “blends colorful synths and snappy drums with her powerful voice.” The three-track project was accompanied by a short-film directed by Ama and shot by her sister Mahalia John. The short film starred Ama Lou as a member of a fictional L.A. crime ring. Shortly after the release of DDD, Ama Lou headed out on tour with fellow British phenom Jorja Smith. In a review of their May 2018 stop at Brooklyn Steel, Billboard stated that Ama Lou’s “sweeping vocals were powerful yet polished and melted seamlessly into her self-produced, atmospheric melodies.”
Refresh of Iconic Logo Modernizes Brand to Better Connect with Viewers in the Digital Age
PBS announced today an update to its iconic brand, including a refreshed logo, bold color palette, custom typeface and illustration style. The new identity will roll out throughout 2020 as PBS celebrates its 50th anniversary.
“PBS has connected with hundreds of millions of Americans through the stories that matter to our lives,” said Ira Rubenstein, Chief Digital & Marketing Officer, PBS. “Our new look and feel better represents how we are doing that in today’s digital age, while also preserving the most iconic aspects of this beloved brand. From broadcast to every major streaming platform, from your screens to your communities, we’ve created one connected experience that spans PBS locally and nationally.”
Audiences will see an exciting new look and feel that spans broadcast, mobile, and digital, making it easier to identify and rediscover the PBS content they know and love across platforms. The new logo is an evolution of its iconic symbol, reflective of the diverse perspectives PBS offers through its content. It is paired with “PBS” rendered in a custom type that’s more modern, prominent, and designed to be highly legible as it migrates across platforms. The new brand identity also features a new, vibrant signature color, PBS Blue, designed to convey a sense of trust and integrity.
PBS worked with Lippincott, a global creative consultancy, to elevate the enduring strength of the brand and how it shines a light on the new and familiar to inspire, entertain, and inform. The robust two-year process factored in the diverse considerations of PBS’ audiences, member stations, and partners to ensure a consistent and connected user experience across all platforms hosting PBS content.
“We believe PBS represents the best of what media is capable of, and this brand refresh demonstrates that,” said Connie Birdsall, global creative director at Lippincott. “We built the new visual identity to be flexible and modern for a brand that sits at the center of both broadcast and digital media, providing memorable visual brand cues that highlight PBS programming and unify local and national communities, who all share a love of PBS.”
An evolution of the PBS brand can be viewed here. Over the next year, nearly 70 percent of local PBS member stations will also be adopting the new brand identity, helping to provide a consistent viewer experience.
About PBS PBS, with more than 330 member stations, offers all Americans the opportunity to explore new ideas and new worlds through television and digital content. Each month, PBS reaches over 120 million people through television and 26 million people online, inviting them to experience the worlds of science, history, nature and public affairs; to hear diverse viewpoints; and to take front row seats to world-class drama and performances. PBS’s broad array of programs has been consistently honored by the industry’s most coveted award competitions. Teachers of children from pre-K through 12th grade turn to PBS for digital content and services that help bring classroom lessons to life. Decades of research confirms that PBS’s premier children’s media service, PBS KIDS, helps children build critical literacy, math and social-emotional skills, enabling them to find success in school and life. Delivered through member stations, PBS KIDS offers high-quality educational content on TV— including a 24/7 channel, online at pbskids.org, via an array of mobile apps and in communities across America. More information about PBS is available at www.pbs.org, one of the leading dot-org websites on the internet, or by following PBS on Twitter, Facebook or through our apps for mobile and connected devices. Specific program information and updates for press are available at pbs.org/pressroom or by following PBS Pressroom on Twitter.
‘Their best (album) since 1975’ The Times “An all-rocking, all windmilling, spikily thought-provoking album” Mojo September 2019
As opening lines go ‘I don’t care, I know you’re going to hate this song, and that’s fair we never really got along’ from The Who’s new single “All This Music Must Fade” is perhaps the most confrontational and catchy of 2019 so far. “All This Music Must Fade” is available now at all digital retailers. Pre-order the new album, WHO, now.
The song, which debuted on the BBC Radio 2 Breakfast show yesterday, opens the WHO album and Pete Townshend describes it as ‘A song is dedicated to every artist who has ever been accused of ripping off someone else’s song. Seriously? Our musical palette is limited enough in the 21st Century without some dork claiming to have invented a common chord scheme’.
The Who has one of the greatest rock legacies in music history, they’re one of the all-time great live bands, have sold over 100 million records worldwide including 9 US & 10 UK top ten albums and 14 UK top ten singles in a career spanning six decades. Now Fifty-five years after they made their first recordings, The Who is back with their first new album in thirteen years entitled WHO due for release on December 6, 2019.
The eleven-track album was mostly recorded in London and Los Angeles during Spring and Summer 2019 and was co-produced by Pete Townshend & D. Sardy (who has worked with Noel Gallagher, Oasis, LCD Soundsystem, Gorillaz) with vocal production by Dave Eringa (Manic Street Preachers, Roger Daltrey, Wilko Johnson).
Singer Roger Daltrey and guitarist and songwriter Pete Townshend are joined on the album by long-time Who drummer Zak Starkey, bassist Pino Palladino along with contributions from Simon Townshend, Benmont Tench, drummers Carla Azar and Joey Waronker, bass player Gus Seyffert and Gordon Giltrap.
The album cover has been created by famed pop artist, Sir Peter Blake who first met the band in 1964 at a taping of the legendary TV show Ready Steady Go. Sir Peter designed and contributed a painting to the sleeve of The Who’s album Face Dances in 1981.
The songs on WHO cover a myriad of subjects including the Grenfell Tower fire, musical theft, spirituality, reincarnation, the power of memory and ‘an old rock star that has lost his marbles’. Singer Roger Daltrey rates it amongst their strongest “I think we’ve made our best album since Quadrophenia in 1973, Pete hasn’t lost it, he’s still a fabulous songwriter, and he’s still got that cutting edge”.
After their triumphant return to Wembley Stadium in the Summer, the band will be embarking on a UK tour featuring a full orchestra in Spring 2020, the dates are listed below.
THE WHO ‘WHO’ TRACKLISTING
All This Music Must Fade Ball And Chain I Don’t Wanna Get Wise Detour Beads On One String* Hero Ground Zero Street Song I’ll Be Back Break The News** Rockin’ In Rage She Rocked My World
All songs written by Pete Townshend except *Pete Townshend/Josh Hunsacker **Simon Townshend Produced by Pete Townshend & D. Sardy Roger Daltrey Vocal production Dave Eringa Mixed by D. Sardy
THE WHO U.S TOUR 2019
October 9 – Chase Center – San Francisco, CA October 11 + 13 – Hollywood Bowl – Los Angeles, CA October 16 – Viejas Arena at Aztec Bowl San Diego State University – San Diego, CA October 19 – T-Mobile Park – Seattle, WA October 21 – Pepsi Live at Rogers Arena – Vancouver, BC October 24 – Hollywood Bowl – Los Angeles, CA
March 16 – Manchester Arena March 18 – Dublin 3 Arena March 21 – Newcastle Metro Radio Arena March 23 – Glasgow SSE Hydro Arena March 25 – Leeds First Direct Arena March 30 – Cardiff Motorpoint Arena April 1 – Birmingham Resorts World Arena April 3 – Nottingham Motorpoint Arena April 6 – Liverpool M&S Bank Arena April 7 – SSE Wembley Arena
KO Média is proud to announce that the November issue of ELLE Canada reveals the winners of the Beauty Grand Prix Awards, the most coveted prize in the industry. This year, more than 250 products in 61 categories were submitted for review to the jury of dedicated readers. The issue shares the much-anticipated results, from best mascara to the top anti-aging night cream; from the ultimate hair mask to the most unbeatable body cream. “The Beauty Grand Prix Awards are always the highlight of the year for us: we get to hand over the reins to our savvy readers, who blind test an astounding array of beauty products—and the results are fascinating,” says ELLE Canada editor-in-chief Vanessa Craft.
The issue is covered by current fashion icon Cara Delevingne, who is a top model, sought-after actor and creative musician. In the revealing feature, she opens up about her depression, her famous family and losing Karl Lagerfeld. Inspired by Delevingne’s success, the November issue delivers a comprehensive guide to fast-tracking your career, featuring business heavyweights from venture capitalist Michele Romanow to designer-cum-publisher Thakoon Panichgul. “After I lived through my first disaster deal, which was so bad it almost bankrupted the company, I felt nearly invincible,” admits Romanow.
Also in the issue: special insight into the next frontier of sustainable fashion, ground-breaking acne treatment research, how to wear the must-have boots of the season, a behind-the-scenes look at the exclusive Louis Vuitton show with editor-in-chief Vanessa Craft, and the high-fashion leather pieces you’ll be wearing all year.
The November issue of ELLE Canada will hit stands on Monday October 7th.
About ELLE The ELLE network today, including France and the international editions, reaches more than 33 million readers worldwide: 45 editions of ELLE in 43 countries, 25 editions of ELLE Decoration, 5 editions of ELLE à Table, 2 editions of ELLE Men and 1 edition of ELLE Girl. It also represents 45 ELLE local websites, gathering nearly 100 million unique visitors per month. Lagardère Group, owner of ELLE & ELLE Decoration brands, partners with prestigious publishing houses worldwide, through licence contracts: With Hearst Magazines, publishing 15 editions of ELLE and 12 editions of ELLE Decoration, in 14 countries. With Burda, Aller, Ringier and 21 other partners in 29 countries, publishing 30 editions of ELLE and 13 editions of ELLE Decoration. The Lagardère Group is a global leader in content publishing, production, broadcasting and distribution,
About the Group KO The Group KO is made up of Productions KOTV, Productions KO Scène, KO 24, KO Média and KO Éditions. Run by the screenwriter-humourist-comedian-producer Louis Morissette, the group is motivated by the desire to tell stories that captivate the public, and to do so by mastering each creative aspect that goes into doing that. Whether it’s television shows, performances, films or magazines, the mission of the group is very simple: conquer the world, and then entertain them. In an industry full of possibilities, the KO Group sees opportunities and takes them.
Panasonic Jaguar Racing have today revealed their brand-new all electric racecar to challenge for season six of the ABB FIA Formula E Championship. The British team’s official launch in front of VIPs, media, partners and fans was at Jaguar’s brand-new design studio in Gaydon, Warwickshire – the most advanced automotive design centre in the world.
The Jaguar I-TYPE 4, featuring an all new motor, gearbox, invertor, rear suspension and dampers has seen its overall weight reduced offering improved handling and performance. The lightest and most efficient powertrain the team has ever produced, the Jaguar I-TYPE 4 has a lower centre of gravity and will allow the team to push towards even more points, podiums and wins in season six.
The team have also announced the signing of new driver James Calado, who teams up with New Zealander Mitch Evans for season six of the ABB FIA Formula E Championship.
The 30-year-old, who started karting in 1999, has competed against some of the biggest names in motorsport including Formula E champion Jean-Eric Vergne and F1 driver Valtteri Bottas, during his career. He became the 2017 WEC GTE Pro champion and early this year took victory in the GTE Pro class at the Le Mans 24 hours.
Calado, who is based in Penarth, Wales, has a wealth of single-seater experience in GP3, GP2, British F3 and F1, scoring points, podiums and wins which he is keen to replicate in Formula E.
With the green lights of season six just over 50 days away, James Calado and Panasonic Jaguar Racing teammate, Mitch Evans, are focussed on preparing for the most competitive season of Formula E yet as they look to build on last season’s success.
ABOUT PANASONIC JAGUAR RACING
Jaguar returned to racing in October 2016, becoming the first premium manufacturer to join the all-electric ABB FIA Formula E Championship street racing series. In 2019 the team won the Rome E-Prix – Jaguar’s first international motorsport victory since 1991.
Formula E is a real world test bed for Jaguar to fearless progress the future of electrification.
As an official manufacturer team in Formula E, Panasonic Jaguar Racing designs its own powertrain, which includes the motor, transmission, inverter and rear suspension. To control costs the carbon fibre chassis and battery are common components and the same for all twelve teams. This allows the focus to be on developing electric vehicle powertrains which are efficient and lightweight which will improve the performance and range of future Jaguar Land Rover electric vehicles. This is the second year teams will be racing with the futuristic Generation 2 racecars. Teams have two racecars, one per driver, which will be used for the full race distance.
Beyond its all-electric concept, Formula E is unique in the world of motorsport for its choice of venues. The championship takes place on temporary street circuits in the centre of the world’s major cities including Diriyah, Rome, Paris, New York and ending in a double-header race weekend in London.