Posts tagged with "art installation"

Wink World illustration by Kaelen Felix for 360 magazine

Chris Wink Opens – Wink World: Portals Into The Infinite

Chris Wink, co-founder of Blue Man Group, announces the opening of “Wink World: Portals Into The Infinite” at AREA15. The attraction opens to the public today, Jan. 7, 2021.

This horizon-expanding, first-of-its-kind immersive art experience represents Wink’s most ambitious art and entertainment project since departing Blue Man Group in 2017. Drawing upon his well-honed skills as an experience designer, a music composer and overall purveyor of high-impact visual entertainment, the 1,500-square-foot experience takes the entertaining fusion of whimsy, color, art, technology and music he pioneered with Blue Man Group to the next level.

Wink World comprises a series of six infinity-mirror rooms, each one showcasing a stunning production number drawing upon Wink’s love of black light and other dazzling stage effects designed to evoke “life force” and inspire wonder. Wink’s penchant for transforming everyday objects into art or entertainment provides his delightful brand of dynamism to the experience, as ceiling fans transform into kinetic art and children’s toys like Slinkies and Hoberman Spheres become elevated into a chorus line of dancers and entertainers.

“Wink World will be a manifestation of my lifelong fascination with the transcendent power of the playful interaction of light, color and music,” said Wink. “I’m delighted to introduce everyone to this brand-new, multisensory art and entertainment concept.”

Tickets to enter “Wink World: Portals Into The Infinite” are $18 for adults, $13.50 for children. Locals with Nevada ID pay $14.50 for adults and $11 for children. Discounts are also available for seniors and members of the military. All prices include ChromaDepth 3-D glasses.

For more information about Wink World, click here or follow on Facebook and Instagram @WinkWorldOfficial.

ABOUT CHRIS WINK

Chris Wink is famously known for being the co-founding performer, writer, director and composer of Blue Man Group, the ground-breaking show combining theatrics, art, music and technology to create a wildly interactive, percussion-driven multi-media experience. He is an award-winning writer and performer, Grammy-nominated composer and a frequent public speaker on the subject of creativity. Wink is currently the director of content and cool s**t for AREA15 and brings a unique brand of creativity and decades of industry experience to numerous experiential activations. In his position, he serves as a global ambassador for the brand.

ABOUT AREA15

AREA15, located minutes from the Las Vegas Strip, is the world’s first purpose-built experiential entertainment complex offering live events, immersive activations, monumental art installations, extraordinary design elements, unique retail, ground-breaking technology, bars and eateries and much more. With a growing collection of dynamic destinations including Dueling Axes, Emporium, Lost Spirits Distillery, Oddwood Bar, Wink World, Museum Fiasco, Rocket Fizz, Five Iron Golf, The Beast, a culinary experience by Todd English, and anchor experience, Meow Wolf’s Omega Mart, AREA15 is an ever-changing art, retail and entertainment destination attracting locals and tourists of all ages.

AREA15 represents a collaborative venture between real estate development firm Fisher Brothers and creative agency Beneville Studios, both of New York.

PUBLIC HEALTH NOTICE

AREA15 will follow the latest recommendations of leading health experts and government authorities, including the World Health Organization and Centers for Disease Control and Prevention. And true to the insatiable hunger for all things inventive and groundbreaking, AREA15 will be using cutting-edge, state-of-the-art technology to help implement these recommendations, including an AI-driven thermal scanning platform that screens temperature accurately and non-invasively, detects the absence of a mask, and alerts staff when social distancing thresholds are not being met.

CONNECT WITH WINK WORLD

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PFAW x Enough of Trump

People For the American Way and Amsterdam News, the oldest Black-owned news business in the country, are excited to announce the completion of a major public art installation on the exterior of the Amsterdam News’s historic Harlem building. 

The installation includes images from prominent artists participating in the Enough of Trump campaign, including some of the most influential Black and Brown artists in the country. The installation, which includes a permanent 30’x 70’ mural by world-renowned artist, Carrie Mae Weems, covers the full front facade and north facing wall of the Amsterdam News headquarters at 2340 Frederick Douglass Blvd, New York, NY. It also features pieces by artists Shepard Fairey, Beverly McIver, Amalia Mesa-Bains and Angelica Muro.

“Today, we are three weeks away from the most important election of our lifetime and for a historic Black newspaper to blanket their building in Enough of Trump art, in the middle of Harlem, sends a clear message to the nation and the world that people have had enough of Trump,” said PFAW President Ben Jealous. “The issues driving the mostly Black artists and artists of color who are participating in the Enough of Trump campaign, include his continued mismanagement of the COVID-19 pandemic, his blatant racism, and his unconscionable encouragement of violent and deadly policing. We are really excited that the historic Amsterdam News is supporting artists participating in the Enough of Trump campaign.”  

“Art has always been an influential tool in creating social change,” said Amsterdam News Publisher Elinor Tatum. “That’s why I’m thrilled to partner with People For the American Way and its Enough of Trump campaign at this critical time. Given the stakes in this historic election, it is more urgent than ever to inspire voters to transform their dissatisfaction over the increased polarization of this country, and the racism that this administration is perpetrating, into votes on Election Day.”

“America is at a tipping point,” said artist and project curator Carrie Mae Weems. “Either we move forward by electing Joe Biden, or we continue to regress with four more years of Donald Trump. It is that simple. Our hope is that this project serves as a reminder to residents of Harlem and Americans everywhere of the bigotry, hate and corruption brought on by four years of Donald Trump and the importance of voting him out next month.” 

The national Enough of Trump campaign, which is a project of PFAW, features work from 17 different artists whose pieces are being shared on multiple platforms. The campaign’s mission is to motivate people to share what they have had “enough” of in the Trump era, and to get out and vote in November.

The campaign’s focus is on battleground states but its scope is national. In addition to the Amsterdam News art installation, PFAW recently announced “Enough” themed billboards in Pennsylvania, Florida, Wisconsin, and Michigan locations, with more to come. 

The ENOUGH of Trump campaign website features a full gallery of artist images as well as a store for purchase of ENOUGH art, prints, and collectibles.

About People For the American Way

People For the American Way is a progressive advocacy organization founded to fight right-wing extremism and build a democratic society that implements the ideals of freedom, equality, opportunity and justice for all. We encourage civic participation, defend fundamental rights, and fight to dismantle systemic barriers to equitable opportunity. Learn more: http://www.pfaw.org.

See images of the installation HERE

DNA PhotographersZeitz MOCAA, Cape Town, KEMANG WA LEHULERE, ARTIST, South Africa, 360 MAGAZINE

LAYING BARE

KEMANG WA LEHULERE
19 DECEMBER 2019 – 10 MAY 2020 I LEVEL 2 

ARTIST STUDIO RESIDENCY 

Come and experience Laying Bare, a site-specific, process-based project by South African artist Kemang Wa Lehulere at Zeitz MOCAA.

Wa Lehulere will take up occupation in a multi-gallery area on the institution’s second level for a period of six months, turning the museum into a studio space. The studio, usually a private working space, will be accessible to the public to observe and engage whilst the artist makes new works, conducts research, and develops ideas for future projects. 

Working across media such as performance, sculpture, drawing and video, the artist will lay bare the essence of a thinking and making process – revealing inspirations, ways of working and a fascination with materials. 

The studio will be supported by ongoing performances and activations, as part of an open process of exploration of germination, experimentation, and collaboration. These will be broadcast on Zeitz MOCAA social media channels.

On view: 19 December 2019 – 10 May 2020

*Photo courtesy of DNA Photographers

LongHouse Reserve, East Hampton, 360 MAGAZINE

LongHouse Reserve

LONGHOUSE RESERVE AWARDED $46,756.50 GRANT FROM THE

ROBERT DAVID LION GARDINER FOUNDATION FOR OUTDOOR ART EXHIBITS

LongHouse Reserve in East Hampton has been awarded a $46,756.50 grant from the Robert David Lion Gardiner Foundation. The purpose of the grant is to allow LongHouse to expand its reach into the Eastern Long Island community and beyond with outstanding and affordable cultural and historical experiences. These community outreach efforts center on the undeserved members of the local towns of the East End, primarily the immigrant population and their children. The grant directly assists in defraying rising costs in LongHouse’s Public Art in the Gardens Program, including costs associated with art acquisition, installation, marketing and outreach. 

LongHouse’s Executive Director, Matko Tomicic, says, “A grant from the Gardiner Foundation is a vote of confidence in LongHouse Reserve’s mission to illuminate the unique natural setting and artistic environment that has nurtured and inspired world renowned artists. It is a distinctive cultural designation for the region, nation and the world.”

Public Art in the Gardens is LongHouse Reserve’s year-long exhibition, the cornerstone of the art, garden and educational initiatives. It is open to the public in April and runs through December 2019. Each year, some of the art in the permanent collection is moved to different locations in the garden, providing a fresh perspective and renewed enjoyment to visitors. New art on loan from museums, galleries, artists and collectors is placed throughout the garden. Most of the art is in place for the Rites of Spring Season Opener in April. The placement and installation of the sculpture, often massive in size, is one of LongHouse’s biggest tasks and challenges. 

LongHouse strives to offer the local community programming at little or no cost. Year round programs that benefit from the grant include Rites of Spring, the LongHouse season opener; Family Day, a large community outreach event; Educational Programming, in which over 3,000 schoolchildren visit LongHouse Reserve annually with teachers free of charge; the Student Annual, an art competition that is open to kindergarten through 12th grade students throughout Long Island; Hand in Hand Treasure Hunt, an activity that drives growth of children visiting LongHouse; Garden Programming, or tours of the gardens, and Collaborative Relationships, such as partnerships with other cultural institutions. 

LongHouse uses its website, newsletter, and email marketing to reach its target population. The vibrant social media presence keeps visitors updated on happenings, events, and education programs. LongHouse reaches out to the undeserved members of the community with informal talks, flyers (printed in English and Spanish) and complimentary guest passes to be used during open days. LongHouse has formed an alliance with an English as a Second Language class and offers students and families complimentary bilingual tours. More than half the children who visit LongHouse are from Hispanic and African American households. Outreach events are added to all local media calendars and are featured in newspapers such as The East Hampton Star, The Independent, East Hampton Press, and Newsday. 

About The Robert David Lion Gardiner Foundation

The Robert David Lion Gardiner Foundation, established in 1987, primarily supports the study of New York State history. Robert David Lion Gardiner was, until his death in August 2004, the 16th Lord of the Manor of Gardiner’s Island, NY. The Gardiner family and their descendants have owned Gardiner’s Island since 1639, obtained as part of a royal grant from King Charles I of England. The Foundation is inspired by Robert David Lion Gardiner’s personal passion for New York history.

About LongHouse Reserve 

Long House Reserve in East Hampton, NY exemplifies living with art in all forms. Its collections, gardens, sculpture and programs reflect world cultures and inspire creative life. LongHouse Reserve was founded by Jack Lenor Larsen, internationally known textile designer, author and collector. His home, LongHouse, was built as a case study to exemplify a creative approach to contemporary life. Mr. Larsen believes visitors experiencing art in living spaces have a unique learning experience – more meaningful than the best media.

LongHouse Reserve
133 Hands Creek Road
East Hampton, NY  11937
info@longhouse.org
www.longhouse.org

 

Climate Catastrophe

LG Williams and The Estate of LG Williams™ are pleased to present Don’t Look At That Tree, his newest monumental outdoor artwork installed at City Park in Streator, Illinois.

Don’t Look At That Tree consists of a 100-foot-high hickory tree strewn with several rolls of yellow crime scene tape. Visitors can view the artwork on June 28, 2019 and it will remain visible to the public until June 30, 2019. The artwork will be situated at the intersection of Park and Hickory streets, near the park’s entrance.

This artwork explores The Mechanism of Denial, a defense mechanism first proposed by Anna Freud which involves an individual or groups refusal to accept reality, thus blocking external events from awareness. “So far”, writes LG Williams, “our response to the challenge of our climate catastrophe exposes a fundamental failure of collective engagement and imagination.”

 

The Inaugural Faena Festival

Faena Art presents Faena Festival: This Is Not America.

A New Annual Multidisciplinary Festival during Miami Art Week, from December 3-9, 2018.

The First Faena Festival explores the mythologies and narratives of ‘America’ and commissions new installations and performances that reflect the multiplicity of cultures, voices, and people across its physical, conceptual, and political borders.

Faena Festival: This Is Not America features commissions, installations, and performances by Derrick Adams, Cecilia Bengolea, Alfredo Jaar, Isabel Lewis, Luna Paiva, Tavares Strachan, and Wu Tsang and boychild, among others.

Faena Festival, This Is Not America, is keyed to Miami’s enduring role as a port that welcomes migrants, refugees, and tourists from across the US and the Americas, and from countries throughout the world. The festival engages with the multiplicity of communities and cultures and the palimpsest of histories that have created the Americas while responding specifically to Miami as its hemispheric hub. All programming is free and open to the public.

This Is Not America is anchored by Alfredor Jaar’s groundbreaking work, A Logo for America, and proposes a new curatorial format for presentation that occupies and engages the entire Faena District and extends beyond into public spaces of the city of Miami Beach as an experiential platform. The diverse venues of the Faena District Miami Beach will be activated, including the public areas of the street, sidewalk, and beach; the Faena Hotel, including its theater and screening room; and Faena Forum – the OMA-designed cultural centerpiece of Faena District Miami Beach.

“From the beginning my vision for Faena has been to create a cultural epicenter that draws artists and audiences from throughout the Americas and around the world,” stated Alan Faena, Founder and President of the Faena Group. “The annual Faena Festival will provide a new platform to explore ideas in contemporary culture that fosters engagement with the issues that define us individually and collectively. We are interested in site-specificity and universal impact – in creating a cultural movement without borders, we want to speak to the world. Artists are not limited by geopolitical divides, and ultimately, by celebrating these diverse artists and visions we find ways in which we are all connected.”

“This Is Not America addresses America as concept more than a piece, a contested and powerful idea that is greater than the waters and borders that frame it,” noted Zoe Lukov, curator of Faena Art. “Artists in the Festival have been invited to explore the concept of America as a myth and a narrative that has at times bound and divided us but ultimately has the power to unify. By occupying the interstitial zone between land and sea many of these site-specific installations seek to reimagine porous and transitional spaces as places of refuge and safe harbor that are representative of what our ‘America’ is and can become.”