Posts tagged with "euphoria"

Labrinth Performs Songs From ‘Euphoria’

For the first time since his Emmy nominations, Labrinth performed songs from the score and soundtrack of the hit HBO series “Euphoria.”

Presented by HBO themselves, fans of the show were treated to “forever,” “still don’t know my name,” “when I r.i.p.” and “all for us.”

Including Labrinth’s for Outstanding Music Composition for a Series and Outstanding Original Music and Lyrics, “Euphoria” racked up six nominations. In her most adult-friendly role to date, Zendaya picked up a nomination for Outstanding Lead Actress in a Drama Series, and we can probably all guess which scene we’ll see when her name is announced as a nominee.

This video is proof that “Euphoria” isn’t leaving gorgeous colors and cinematography behind after the first season. It comes complete with everything but Labrinth wearing “Euphoria” makeup. Rich blues, purples and pinks set us up to be completely lost in the performance the way we were lost in the show.

HBO renewed “Euphoria” for a second season before the first season even ended, but because of production delays, we don’t have a release date yet.

Lovers of the show can still tune in to the 72nd Primetime Emmys on Sept. 20 to cheer for Zendaya, Labrinth and all of the other talented artists and creators responsible for “Euphoria.”

To see the entire performance, you can click right here. You can find “Euphoria” streaming now on HBO Max, and you can listen to the score right here.

phem × Alison Wonderland

PHEM X ALISON WONDERLAND DROP TIGER KING-INSPIRED NEW SINGLE “W.W.C.B.D.” 

LISTEN HERE

Following widespread acclaim from Atwood Magazine and RunTheTrap as well as 20 million-plus streams and counting, alternative pop sorceress phem and Australian superstar Alison Wonderland pose a question that has been on everybody’s mind as of late with their new single “W.W.C.B.D.”–i.e. “wut wud carole baskin do?” Get it HERE via nvr giv up/Caroline. Inspired by the cultural phenomenon and NETFLIX documentary series Tiger King: Murder, Mayhem and Madness, the track fuses echo-y trap beat-craft and electronic transmissions from Wonderland with phem’s ruddy acoustic guitar and hypnotic croon. It closes out on a possible answer to this popular quarantine query as phem strains out the final crescendo, “Feed you to the tigers, but I can’t because this virus got me paralyzed again.” Check out the visualizer HERE. About “W.W.C.B.D.”, phem commented, “During this quarantine, I became obsessed with Tiger King (just like everyone else). Every day, I was searching the hashtag on Twitter to see what other people thought and how they were reacting to Carole and the mysterious death of her husband. Feeling frustrated about being stuck inside and the idea that many people are cooped up with their significant others, (many who are at their breaking point and probably wish they could end the relationship), I picked up my guitar and began playing a simple baseline. The words came out naturally. The demo was short and concise, but I wanted some extra production and had been going back and forth with Alison Wonderland for a few months about making stuff together, so I sent it to her. She loved the idea. Within a day’s time, she sent it back and made it sound so good I almost started crying. Literally, we made this shit in two days. I didn’t want to be precious about it. It feels like no rules apply right now. It was something fun and relatable, and we both wanted it out ASAP.” Immediately, the track incited widespread critical applause. NME noted, “‘W.W.C.B.D.?’ walks a fine line between the two artists’ signature styles: starting off with pronounced riffs clouded in phem’s lo-fi demeanor, before exploding into dark, moody production from Alison Wonderland.” EDM.com praised it as “short and sweet,” and YOUREDM claimed, “For ‘W.W.C.B.D. phem delivers a haunting vocal performance as Wonderland drops a dark trap beat dripping with animal print. We can always expect music eclectic in nature from phem, but with this track’s acoustic textures and eerie tones, this is AW like we’ve never heard her before. Much like the Tiger King, we feel it.” Dancing Astronaut summed it up best as, “impressive.” phem continues to make waves. Last year’s “Sorry Mama” [feat. Machine Gun Kelly] racked up over 4.5 million global streams to date and received the endorsement of OnesToWatch who promised the track, “Will have you confessing your sins.” Meanwhile, her collaboration with Gabriel Black, “Dead Yet, surpassed 4 million cumulative streams thus far and was prominently featured in an episode of HBO’s hit show, Euphoria. Conjuring a bold brew of alternative, pop, and hip-hop, Los Angeles artist, producer, and multi-instrumentalist phem extracts masterful melodies from personal conflict, otherworldly darkness, and all kinds of important questions. Living and working out of a Crenshaw studio, she introduced herself with the independent Can’t Kill Me EP in 2018 followed by the VACUMHEAD EP a year later. As she captivated a growing fan base, she collaborated with everyone from G-Eazy to Lil Tracy and delivered series of buzzing singles “Sorry Mama” [feat. Machine Gun Kelly] and “Dead Yet” with Gabriel Black, churning out 20 million streams. Not to mention, she landed on the pages of PAPER, i-D Magazine, Billboard, and more.

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Let’s Go Sunshine

The Kooks are set to release their long-awaited fifth studio album, Let’s Go Sunshine, on August 31 via Lonely Cat / AWAL Recordings. The album is brash and bold with songs that mix melancholy and euphoria. The band has released two new songs off the album, No Pressure and All The Time and will embark on a sold- out US tour beginning May 21 in Boston, MA at the House of Blues and wrap June 7 in Los Angeles, CA at The Wiltern. The Kooks will also be hitting cities across Europe this summer, including shows opening up for The Rolling Stones. Please see full tour routing below. Click HERE to pre-order Let’s Go Sunshine.

With the roar of their recent sold-out UK arena tour still echoing in their ears and more than one billion streams under their belts, The Kooks reach to claim their place in the Great British Songbook with Let’s Go SunshineIt’s a bold long player that distils their timeless sound into its purest form while pushing it forward into a more expansive and mature space. It’s as moving, energizing and timelessly melodic record and incisive in its portrait of modern British urban life. The heart and soul of the record lies in its hymns of lost innocence, fading relationships and the process of break-up and recovery. It’s the sound of an ambitious, confident band stepping out and making a statement with their definitive album. Let’s Go Sunshine sees the band cement their status as true bastions of British guitar pop and take their rightful place at the top table next to the celebrated bands that influenced them in their infancy, over a decade ago.

Discussing the process behind creating the album, lead singer Luke says: This one was about defining who we are, we were asking the questions. It was a fractured start, we went into the studio in 2015 continuing down the path we set out on our last studio album Listen and discovered it wasn’t what we wanted to make and wasn’t really The Kooks. So, we scrapped it and started again. I really went on a mission to write the best songs I’d ever written before bringing them to the band, I stewed over every word. It had to be our Rubber Soul, Lola, Definitely Maybe. Proper British lineage. I came from a dark place at the start had a lotta heartbreak and then falling in love in the middle of the album, the lyrics reflect that. From Fractured and Dazed to No Pressure. It’s gotta be our most exciting album, and it should get you dancing.

The Kooks started their career with a bang in 2006 with their unstoppable debut Inside In/Inside Out, which went five times platinum at the end of last year. The four-piece band have continued to go from strength to strength. With three more studio albums including a Best of, the band have acquired over 1 billion streams worldwide and embarked on a number of massive world tours including their forthcoming sold-out US tour. With awards and critical acclaim under their belts, they’ve maintained a steady ascent to the top, constantly growing in popularity throughout the last decade.

With a legion of new fans discovering the band through streaming in recent years, The Kooks delivered a career defining show last year at London’s Wembley Arena, whilst pulling some of the biggest crowds across the summer festival circuits. 2018 sees The Kooks redefined, varied and ready to go again at their most confident.