Posts tagged with "singer"

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

LaJune illustration by Heather Skovlund for 360 Magazine

LaJune Performs LIVE!

*360 MAGAZINE Presents @IamLaJune ‘Mind’ LIVE Performance via 360TV on YouTube

Hip-Hop songstress LaJune resurrects with new music YA, off her new project Insecure. Available now at iamlajune.com and all streaming platforms. The follow up to Go girl off her debut EP entitled Body. June’s new track is reminiscent of iconic Timbaland and Neptunes tracks. Ears aroused from the beginning, base transitions crescendo in the background of the melodic hook. A true “Party & Bullshit” vibe, witty and wise with her pen combined with textured tones proves she’s far from insecure.

The title of her 2nd EP takes a glimpse at the structure, mind and soul this new artist is comfortable with exploring. Taking her artistry to the next degree, the first female established into 106 & Park Freestyle Friday hall of fame. No stranger to the stage, showcasing her talents opening for R&B legend Joe, Touch ME Tease ME Case and Grammy-winning singer Chrisette Michele.

Set to release her third EP Mind at the top of the New Year. The follow-up to her Insure EP released summer of 2020. A trilogy of transparency reflecting the mind, body and soul expected of a budding artist. Timing is everything, and at 12:21 am Lajune will release her 2nd video to date entitled “What you got”. 

To commemorate the conjunction of the two largest planets Jupiter X Saturn; in Aquarius on 12/21 which seemingly occurs every 200 years. A representation of the planets appearing to touch. Instigating a new cycle, a shift in power and alignment. A befitting release is relevant to an artist who is aware of herself and her destiny. The visual treatment takes you on a  journey of consciousness and self-reflection. If 2020 ironically hasn’t questioned us what you got? 

Cinematography by Tukes productions and directed by Ameer Copper the visual journey depicts the conflict of the higher and lower self. The duality portrayed with care but not to shy away from the harsh realities. Far from second-guessing, Lajune exudes confidence and strength. The opening scene draws you into Lajune’s environment, digesting the recent televised injustices of African Americans. Sporting custom designs of AOHSOA derived from stylist/designer Armon and beauty provided by Tykima

Her performance scene allows a glimpse of the artist’s personality, overflowing with animation. “Life is for the lesson” is an understatement considering the year, LaJune challenges her audience to be equipped with awareness; encouraging mental health and celebratory culture. Therefore the leap to a higher vibration through her thought-provoking in-your-face lyrical content proves this arises toes no lines. 

Challenging social norms without judgment, the Vh100 podcast host exhibits her acting chops in the interrogation scene with actor Jim Shearer. Be sure to check out the BTS of “What you got “ by Amenze Victor for a closer look at the highly anticipated project and artist who needs no explanation.

About LaJune

Currently, she is the Co-host to VH1’s podcast V100 devoted to discussing Pop culture and more. Stick shifting her career, LaJune navigates the release of a new project and motherhood. A year in the making, time only knows the length it takes a Rose to bloom.

As of late, LaJune teamed up with Armon Hayes for creative direction and visuals shot by artist Tony Anderson. Inspired by her love for the hit HBO series Insecure now in its 4th season staring and created by Issa Rae. Join LaJune on her musical journey, an independent artist who’s talent refuses to be shut-in.

LaJune,   360 magazine
Morray illustration by Heather Skovlund for 360 Magazine

2021 BREAKOUT ARTIST MORRAY

2021 BREAKOUT ARTIST MORRAY SIGNS TO INTERSCOPE RECORDS IN PARTNERSHIP WITH MOE SHALIZI’S PICK SIX RECORDS

Morray’s Hit Single “Quicksand” Surpasses 50 Million Views on YouTube “Big Decisions” And “Switched Up” Continue His Harmonic Rise

The wins continue in 2021 for North Carolina’s Morray. After achieving a stunning rise in notoriety thanks to his hit single “Quicksand,” the artist has officially signed to Interscope through music executive Moe Shalizi and his Pick Six label.

“Morray is an undeniable talent with an infectious energy,” says Interscope Geffen A&M CEO, John Janick. “We couldn’t be more excited to partner with Moe & his incredible team at Pick Six for what’s to come.”  Morray shares the same excitement noting, “It’s just so dope to be on a winning team with pic six and to add a powerhouse like interscope to the mix is just an amazing blessing.” Moe Shalizi adds, “There was so much synergy between our side and interscope that it just felt right, we are really excited to be working with John Janick and the rest of the team”

Since breaking through rap’s ceiling with the harmonious “Quicksand” in October 2020, Morray gained fans from all over hip-hop including Drake, fellow Fayetteville icon J. Cole and North Carolina native Da Baby. He also received a nod from Jay-Z when “Quicksand” was added to Jay’s “2020 Vision Under COVID-19” playlist. “We are very impressed with what Morray & Pick Six have been able to accomplish over the last year and are thrilled to be their partners on this journey,” expresses Nicole Wyskoarko, EVP/Co-Head of A&R at Interscope Geffen A&M.

Soon after “Quicksand,” he released a series of four songs that fleshed out his complex backstory. On “Switched Up” and “Low Key,” he reflects his hardened past. On “Dreamland,” he remembers an impoverished childhood defined by crashing at motels and friends’ houses (“some carpet ‘cause it’s better than the pavement”) and holidays and birthdays gone by with no gifts. On “Big Decisions,” his first release of 2021, he ruminates on his responsibilities as a breadwinner for his family and a role model for his community.

Morray has found a significant audience on YouTube in particular—each song was released alongside a music video that eclipsed one million views within a matter of days. Born Morae Ruffin, Morray made his public singing debut at age 4, when his mother and grandmother called on him in church to bless the congregation with a rendition of his favorite song, “I Believe I Can Fly.” He would later serve as the lead singer of his church choir. He’s worked nearly every job imaginable just to make ends meet—from fast food to construction, calling centers and even driving uber until he found his voice in music. Through his honest and vivid storytelling and emotional recordings he began the process of creating his songbook that included “Quicksand.” The first time I heard Quicksand I knew Morray was a global superstar in the making,” says Baroline, VP of A&R at Interscope. “I’m excited for the world to get to know him and hear what he’s been working on.”

His songs are as honest as they are catchy. And though he’s become a hometown hero in Fayetteville, the deep sense of struggle he evokes in his music gives it a universal appeal. “I’m speaking for every person that has real emotions,” he said. “I’m speaking to everyone that has a heart. Every song that you hear from me is a real feeling. I want people to cry with me. I want people to grow with me. I want people to understand where we’ve come from, and that we can always make it out of everything.”  

Follow Morray

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"Caught In The Middle" by SK8 artwork via Atlantic Records for use by 360 Magazine

SK8 – CAUGHT IN THE MIDDLE

TAYLOR GANG SINGER HERALDS UPCOMING PROJECT WITH SECOND ALT-ROCK JAM ARRIVING TODAY ALONGSIDE DANIEL KELLY-DIRECTED VISUAL

Fast-rising Taylor Gang singer, SK8, is continuing his musical evolution into alternative rock with his new single, “Caught In The Middle” – LISTEN HERE.

Over an infectious guitar riff and trap-like drums, SK8 uses a nostalgia-tinged pop/punk chorus to describe feeling caught between wanting a relationship and wanting to pursue his dreams.

I’ve always known that I wanted to be a recording artist. I wanted the life that I’d seen my favorite musicians and bands live. I moved all the way from Omaha, Nebraska to achieve that dream and sometimes that dream pulls you in a direction that separates you from another thing you want in your life. ‘Caught In The Middle’ is about that constant push and pull and trying to find the balance in my personal life and music career.” –SK8

“Caught In The Middle” arrives today alongside a dramatic visual directed by SK8’s frequent collaborator, Daniel Kelly – WATCH HERE.

The new single and video from the Omaha, NE born, LA-based singer arrives after his first foray into alt-rock with “Famous” featuring fellow ascending recording artist Tyla Yaweh, which also received an accompanying Daniel Kelly-directed visual. American Songwriter praised “Famous,” noting that, “SK8 effortlessly blends hip-hop and punk into some newly evolved sound.” Additionally, Hot New Hip Hop hailed the song as a, “genre-melting experience.”

“Caught In The Middle” is the second single from SK8’s upcoming project, arriving soon…

STREAM/DOWNLOAD “CAUGHT IN THE MIDDLE” HERE

WATCH SK8’S PREVIOUS MUSIC VIDEO FOR “FAMOUS (FEAT. TYLA YAWEH)” [Directed By: Daniel Kelly]

ABOUT SK8:

At 15, you could find SK8 in his room writing lyrics, and by his sophomore year, you could find him handing out CDs in high school. The 23-year-old moved to Los Angeles from Omaha, Nebraska and linked with the venerable Taylor Gang, first breaking into the mainstream with his gold-certified single, “Like That,” with Jack & Jack and opening for revered rap icons like Lil Wayne, 2 Chainz and Rae Sremmurd. SK8 began building a dedicated fanbase of dreamers who related to his message of seizing every moment long before his eventual move to LA. Shortly after founding his own imprint, Alignment, and formally signing a joint venture with Atlantic Records via James McMillan’s ART@WAR, SK8 released his major label debut EP, sk8sounds, which was buttressed by the standout singles “Omme (Feat. Wiz Khalifa),” “XXX” and “Mood (Feat. YK Osiris).” Over a year later, SK8 turned a new page in his career with his first single of 2021, “Famous (Feat. Tyla Yaweh),” and its associated forthcoming project which finds the rising singer seamlessly blending punk/rock instrumentation with his hip-hop origins, the latest, but not last, development in SK8’s rapidly evolving artistry.

Kygo Releases New Track

KYGO RELEASES NEW TRACK “GONE ARE THE DAYS” FT. JAMES GILLESPIE

Global superstar, producer and DJ, Kyrre Gørvell-Dahll – a.k.a Kygo releases his new song “Gone Are The Days” ft. James Gillespie. “Gone Are The Days,” out now via RCA Records, is Kygo’s first new track release in 2021 and comes alongside a beautiful piano version.

Listen HERE.

Earlier this year Kygo performed a breathtaking set which was livestreamed on Moment House. Filmed on a snow-capped mountain top in the Sunnmore Alps in his home country of Norway, the one-of-a-kind virtual experience allowed audiences around the world to watch the global superstar deliver a career-spanning set amidst a breathtaking environment unlike anywhere they’ve seen him perform before.

2020 was a massive year for Kygo. He released a remix of Donna Summer’s Grammy Award winning, platinum, #1 song Hot Stuff as well as a remix of Tina Turner’s “What’s Love Got To Do With It” to rave reviews. He also released his critically acclaimed third full-length album Golden Hour which features his hit single “Lose Somebody” with OneRepublic as well as “Higher Love” with Whitney Houston, the latter of which has garnered over 1.1 billion streams worldwide and charted at Top 40 radio.

BUY/STREAM GOLDEN HOUR HERE

With over 100 MILLION streams worldwide, James Gillespie emerges as one of the most quietly explosive artists in the UK. After performing with P!NK he went on to sell out his European tour and is set to tour the U.S this fall.

ABOUT KYGO

Whether behind the piano in his studio or headlining a sold-out festival, Kygo quietly reaffirms his status as a prodigious talent, forward-thinking producer, dynamic DJ, and influential global superstar. The Norwegian musician born Kyrre Gørvell-Dahll first introduced himself in 2013 and quietly became one of the most ubiquitous hitmakers in the world. Amassing 15 billion cumulative global audio and video streams by 2021, he has broken numerous streaming records. Kygo earned one of his biggest hits with the multiplatinum “It Ain’t Me” [feat. Selena Gomez], going Top 10 of the Billboard Hot 100 and clocking over 2.5 billion streams worldwide. In 2019, Kygo unleashed “Higher Love” with Whitney Houston and generated another 1.1 billion combined streams/views worldwide and peaked at #1 on Dance Radio in addition to leaving his imprint on a classic. He heralded his 2020 critically acclaimed third full-length album Golden Hour [Sony Music International/Ultra Records/RCA Records] with the anthems “Like It Is” [with Zara Larsson & Tyga], “Lose Somebody” [with OneRepublic] and “I’ll Wait” [with Sasha Sloan]. The album has garnered over 1.7 billion streams worldwide. Following Golden Hour, Kygo most recently released his remix of Tina Turner’s “What’s Love Got To Do With It” and Donna Summer’s “Hot Stuff” to rave reviews.

FOLLOW KYGO:

Website |Facebook |Twitter |Instagram

Julia Michaels illustration by Heather Skovlund (photo credit Danielle Gonzalez) for 360 Magazine

Julia Michaels

GRAMMY NOMINATED SINGER AND SONGWRITER JULIA MICHAELS REVEALS NEW DETAILS FOR HIGHLY ANTICIPATED DEBUT ALBUM
 
NOT IN CHRONOLOGICAL ORDER ARRIVING APRIL 30
 
NEW SONG “LOVE IS WEIRD” DROPS WITH ALBUM PRE-ORDER LAUNCH TODAY
 
COVERS EUPHORIA MAGAZINE
 
LISTEN TO “LOVE IS WEIRD” HERE
WATCH “LOVE IS WEIRD” LYRIC VIDEO HERE
PRE-ORDER NOT IN CHRONOLOGICAL ORDER HERE

Grammy Award-nominated multiplatinum singer and songwriter JULIA MICHAELS reveals the title and track listing to her long-awaited debut album, Not In Chronological Orderwhich arrives April 30th.  To accompany the announce, she shared a new song from the album, “Love Is Weird,” with the launch of the album pre-order via Republic Records
 
Listen to “Love Is Weird”HERE.
Pre-order Not In Chronological Order — HERE
 
In support of the release, JULIA spoke with Zane Lowe on Apple Music 1 Radio’s New Music Daily Show
 
Offering another glimpse into what fans can expect from the upcoming album, “Love Is Weird,” weaves together airy production and soft acoustic guitar, while she delicately likens relationships to “Playing Operation trying to put me back together, before candidly admitting, “Love is weird. Don’t know how I wound up here…It shows up and disappears. This honest and hypnotic melody highlights her uncanny ability to tune into raw emotion and unfiltered lyricism, with her signature vocal tone and delivery.
 
The new song sets the stage for the release of her anxiously awaited full-length debut album, Not In Chronological Order, out on April 30, 2021.  Presenting a full 360-degree perspective on the critically acclaimed songstress, it examines every facet of her life emotionally and spiritually in a 10-song body of work that finds Julia piecing together the chapters of her life in one place work – pre-order Not In Chronological Order HERE.
 
“When I was looking at the tracklisting, it literally was not in chronological order of the events that it took place in my life,” she says. “The way that I saw the tracklisting in my head, a lot of the heartbreak came in the middle, and finding new love came at the end. That’s the arc of this album: I’m not bitter about love anymore. I know what functional love is like and being in love and being hesitant about that love because it feels so perfect.”
 
JULIA’S current single “All Your Exes” arrived at critical acclaim upon its release. Co-written with Grammy nominated singer and songwriter JP Saxe“All Your Exes,” Entertainment Weekly hailed it “a deliciously wicked delight,” with The New York Times praising it as “harsh, funny, sad and relatably petty.  FLOOD Magazine called it “a prime example of a vulnerable pop-punk banger,” while Billboard noted “Michaels has a tendency to throttle her listeners with her pen — and on the muscular, virtuosic “All Your Exes,” she makes sure that your attention is focused entirely on her seething jealousy.”  Meanwhile, V Magazine summarized, “There’s something to ditching fairytale notions of love that Julia Michaels fully gets as she returns to the front of the stage once again.”  
 
JULIA currently features on the cover of Euphoria Magazine where she talks more about the album HERE.
 
Watch the video for the new single “ALL YOUR EXES” HERE
 
Get ready to experience Julia Michaels Not In Chronological Order
 
Not In Chronological Order Tracklist:

  1. All Your Exes
  2. Love Is Weird
  3. Pessimist
  4. Little Did I Know
  5. Orange Magic
  6. Lie Like This
  7. Wrap Around
  8. History
  9. Undertone
  10. That’s The Kind Of Woman

 
ABOUT JULIA MICHAELS
Over the past few years, no songwriter has had more of an impact on reshaping pop music than Grammy nominated and multi-platinum selling artist Julia Michaels, whose razor-sharp perspective on love, loss, and the wide spectrum of the human experience has deservedly catapulted her to the forefront of her industry. Lauded for her work on hit singles by artists like Justin Bieber, Selena Gomez, Niall Horan, Dua Lipa, Janelle Monáe, Shawn Mendes, P!NK, Ed Sheeran, Britney Spears, Gwen Stefani, Hailee Steinfeld, The Chicks, Keith Urban, Jessie Ware, and more, Julia has spent the last decade honing her craft and delivering fans some of the most evocative music of a generation.
 
In 2017, Julia embarked on a solo career separate from her work synthesizing the stories of the stars around her with “Issues,” her 5x-platinum selling debut single. A year later, her peers recognized her stunning work with Grammy nominations for “Best New Artist” and “Song of the Year.” Committing to her solo work, Julia released a series of critically acclaimed EPs, including 2017’s fan-favorite Nervous System and 2019’s critically acclaimed Inner Monologue Part 1 and Inner Monologue Part 2. She also embarked on The Inner Monologue Tour, which marked her first-ever headline tour throughout the U.S. following an enviable run touring the world with an incredible array of artists including Maroon 5, Keith Urban, Shawn Mendes, Niall Horan, and P!NK.
 
In 2020, she received her third Grammy nomination, and second in the prestigious “Song Of The Year” category, for her collaboration with JP Saxe on “If The World Was Ending,” in addition to earning her second #1 as a songwriter on the Billboard Hot 100 for Selena Gomez’ “Lose You To Love Me.” 
 
SOCIALS: OFFICIAL // FACEBOOK // TWITTER // INSTAGRAM

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Julia Michaels 
Photo owner: Danielle Gonzalez
Photo owner: Danielle Gonzalez
"Grenades" by Laura Pieri artwork by Corey Rooney Music Group for use by 360 Magazine

LAURA PIERI – GRENADES

LAURA PIERI’S NEW SINGLE “GRENADES” EXPLODES ONTO THE MUSIC SCENE

It has been almost a year since Laura Pieri released her last hit single, “All I Need,” which premiered just before the pandemic struck and the world locked down. Like so many artists, Pieri was eager to continue creating music, performing, and advancing her musical journey.  But often patience can pay off and throughout a year of introspection and personal growth, Pieri is set to debut what is already being coined as her best song yet, “Grenades”!

When Laura walked into the recording session that day, she and her producer, Josh, had planned to put the final touches on a track that they were ready to green light as her next release. She was distracted and angry over a toxic relationship she was in, unable to focus and completely distraught over a situation that blew up. It was almost impossible to block it out, so she took a detour and started working out a new song entirely. The energy flowed from frustration to creativity. Enter “Grenades.” Everyone knew this had to be the next release and they immediately put this in front of everything else.

For Laura, “Grenades” would represent a cathartic relief for something so intense that someone could be dealing with, that makes you so infuriated and outraged­­–but it’s completely out of your control and there’s nothing you can do.  All you can do is acknowledge it, accept it and let it go!

Pieri explains “I was so mad it that day, it was like I got so caught up in somebody else and I forgot it’s not about them, it’s about me. If I could unmeet somebody, I would, but that’s not reality and now sitting here in all of this uncomfortableness was a new thing for me.”

Creating the song was the healthiest way she could express what she was dealing with at the time. Laura goes on to explain “It’s like you know you’re gonna be angry AF and go through that and feel it… but then let it go, let that rage literally blow up! Grenades became a metaphor for blowing something up in a figurative way and shattering all that negative energy and moving on from there.”

While Laura has been writing music for some time now, “Grenades” was a writing experience where she felt the power of her voice behind the collaboration. While not a self-proclaimed natural songwriter, Pieri loves poetry and languages. With the emotional content around “Grenades,” she was able to pour out how she was feeling, and those feelings slowly turned into melodies that turned into words. “It just felt very easy to be there and I feel like I’m slowly exploring my songwriting skills, and ‘Grenades’ really feels like just the tip of the iceberg for me.”

Supplementing the single is a music video that exemplifies all the emotions from “Grenades” into a finely tuned visual journey. While Laura and her team had to get creative to circumvent the challenges of a video shoot in 2020, the end product came out perfectly and almost better then could have been expected. They worked with a skeletal crew, prioritized open spaces, and shot mainly between Malibu and downtown LA. They shot the rooftop shots downtown and narrowly pulled off their one chance at getting a fireworks explosion exactly right. The beach scenes were shot at sundown, into which created this dreary effect, capturing a cool tone that fell between sundown and nightfall. Laura adds “It was moody – it ended up being the perfect backdrop for the song.”

This music video was a perfect collaboration of creative minds coming together through all of the difficulties and obstacles they had to experience while shooting a video during a pandemic. Laura explains “I honestly really enjoyed having such a small crew because everyone has to contribute, and we were all packing up and unloading cars. We all had this break in Malibu, eating tacos and listening to music on the beach while we were waiting for the sun to go down. It was just such a cool moment in time to share with each other.”

Pieri, now 23, feels like she is in just the right place musically. She is moving forward trying new things but is taking her time in getting there.  Of what the future holds for Laura Pieri, she concludes “I am savoring the journey and whatever road I take next, or whatever music is on that path. I can only hope that people resonate with it as well. “

“Grenades” is produced by Joshua “YXSH” Thomas, and the music video was shot and produced by Living Records & Ace Monkey Productions and executively produced by Cory Rooney Music Group.

Duke Dumont

Duke Dumont Live Show

DUKE DUMONT ANNOUNCES SECOND HEADLINING LIVE SHOW AT SHRINE EXPO HALL FOLLOWING ORIGINAL RESCHEDULED DATE

September 10, 2021 *Sold Out*

September 11, 2021 *Just Added*

Tickets for September 11 Go on Sale

Friday, April 16 at 10 AM PT via AXS.com

Hayden James will support September 11 Show

DUALITY Album Surpasses 1 Billion Global Streams

Multi-platinum hitmaker and DJ Duke Dumont today announced a second performance at Shrine Expo Hall in Los Angeles on September 11 after overwhelming popular demand for his first rescheduled date on September 10 which is now sold out. Hayden James has been announced as special guest for September 11. These will be Duke’s biggest solo shows in L.A. to date. Tickets for the newly added September 11 show go on sale this Friday, April 16 at 10:00 AM PT via AXS.

Duke Dumont and his fans are still celebrating the release of his staggering 2020 album, DUALITY, a culmination of his years of experience and a cathartic expression of his desire to embody the mentality of a true artist, liberated from genre specifics. Helped out by the platinum timeless hit, Ocean Drive, the album has achieved over 1 billion cumulative streams globally. The set’s 10 songs are split into two halves, one dancefloor-oriented and one introspective. Besides Duke Dumont’s own production and a brilliant array of vocal features, DUALITY also incorporates live string arrangements, guitar players, drummers, and stunning piano work.

A production dynamo responsible for a stunning back catalogue that includes international chart-topping hits, multiple Grammy nominations and bumpin’ Chicago-influenced underground productions, Duke Dumont is a contemporary electronic music powerhouse. His return to the live performance realm signals more musical innovation, and more opportunities to dance, to come.

Don’t miss Duke Dumont at Shrine Expo Hall on September 10 with The Magician and Classixx (DJ Set) and September 11 with special guest Hayden James. Ticket prices start at $34.50, plus applicable service charges. Shrine Expo Hall is located at 700 W. 32nd Street, Los Angeles, CA 90007; 213-748-5116.

Duke Dumont is a contemporary electronic music powerhouse. Deeply committed to creating high quality music imbued with emotional depth, Dumont is versatile, extremely adept and hard working. His illustrious career has taken him on tour around the world, many times over, and placed him in the top tier of electronic music artists of his ilk.

Since 2007 Duke Dumont has channeled his deep love for electronic music into a variety of acclaimed releases, moving through pumping electro and vibrant techno to conquer the UK charts with Need U (100%). His early releases on Tiga’s Turbo Recordings helped establish his reputation for producing high quality club music that moves the dance floor, physically and emotionally. By 2012 he’d produced two career-defining EPs – For Club Use, Vol 1 and For Club Use, Vol 2. Tracks like The Giver cemented Dumont’s rep for catchy hooks, precision arrangement and powerful emotion. A year later he hit the No.1 spot in the UK charts with Need U (100%) (featuring A*M*E), demonstrating his ability to merge classic house motifs with first-rate songwriting.

Need U (100%) was followed with another UK No.1 I Got U; both songs achieving platinum sales. Between 2013 and 2020 he hit the Billboard Dance Chart No.1 with seven singles, including The Power, Won’t Look Back and Ocean Drive. With each release Duke Dumont stayed true to his club roots, achieving widespread success.

For more information on Duke Dumont, please visit:

Website | Facebook | Twitter| YouTube

Cardi B x Reebok illustration by Heather Skovlund for use by 360 Magazine

Cardi B × Reebok – The Summertime Fine Collection

Cardi B Launches First Apparel Collection in Partnership with Reebok

Today, Reebok is proud to announce its first-ever apparel collection with the legendary Cardi B. The Summertime Fine Collection, officially dropping on April 23, will launch alongside matching footwear colorways of the Cardi B Club C, and aims to empower women to remain true to themselves.

A collaborative effort between Reebok and Cardi B, the fabrics and detailing of the apparel collection were thoughtfully curated from the beginning design stages through the entire creation cycle. Having tried on every piece herself, nothing went to production without Cardi’s seal of approval.

The collection draws inspiration from the 90s, with nods to vintage Reebok apparel and Cardi’s distinct memories of summers spent on the Coney Island boardwalk with friends. The range also reflects her bold and transparent personality that influenced the transformation of traditional Reebok silhouettes into a collection that is sure to be unapologetically in your face.

“I’m so proud to announce my first apparel line with Reebok,’ Cardi said on the debut collection. “This collection gives every woman the product they need to feel sexy and confident; the waist-snatching tights and curve hugging silhouettes make every body look amazing.”

Designed with the female figure in mind, the bold color combinations of pastel purple and bright red are sure to turn heads, while waist-cinching details and contouring cutlines, infused with flirtatious mesh cutouts create that iconic 90s inspired layered look that is totally and completely Cardi B. The colors and materials used in the collection play on day and night monochromatic looks so the versatility of the items can take you straight from the gym to the streets. All apparel will be available in inclusive sizing from 2XS to 4X, bringing this collection to all Cardi fans.

The Summertime Fine Collection will be available to purchase alongside matching footwear colorways of the Cardi B Club C , available in women’s and kid sizes, at 10am ET April 23 on Reebok’s website.

For more information on Reebok and Cardi B’s new collection, please visit this website.

Cardi B x Reebok collection press image for use by 360 Magazine

Purple GP Cardi B x Reebok press image for use by 360 Magazine

white gp Cardi B x Reebok press image for use by 360 Magazine