Posts tagged with "UK"

Gorgon City × EVAN GIIA – Burning

UK & Chicago based duo of Kye Gibbon and Matt Robson Scott a.k.a Gorgon City, have become known for their addictive take on bass driven vocal and deep house. They have carved out a distinct and instantly recognisable sound after producing a string of chart hits and underground dance floor moments. With over 1.4 billion global streams to their name and over 9 million singles sold across their career, Gorgon City are hit makers, with each release reaffirming this status.

Working just as well in the underground as on national airwaves and streaming playlists, the new release “Burning” is everything you would expect from a Gorgon City production — full of emotion with a big anthemic feel, atmospheric synth tones, low rumbling horns and warm bass, alongside EVAN GIIA’s resonant and soulful vocals. Written in March of this year during turbulent global times, this new release signifies the beginning of a new chapter for the duo that will lead into 2021 and beyond. Out now via Astralwerks, listen to “Burning” HERE and watch the visualizer HERE.

Gorgon City continues their theme of working with US vocalists as they have on the recent releases, marrying UK production with outstanding US singers on the rise. EVAN GIIA, the duo’s labelmate on Astralwerks, adds her distinctive electronic pop crossover touch to the new track. GIIA’s latest in a series of singles “FOCUS” & was hailed as “an inspired anthem with a feel-good message” by V Magazine. Wonderland said, “We defy you to listen to SIDELINES and not feel your heart tempo kick up a few notches.” The New Nine said, “EVAN GIIA is the new cool girl to keep on your radar Switch Off is upbeat, pulsing and sure to be on repeat on your playlists.” Earmilk observed, “EVAN GIIA is the gutsy, barnstorming pop singer making quite a splash with her unique sonic panache and kinetic live persona.”

With a discography packed full of outstanding releases, the past year has seen Gorgon City release a series of standout singles. The unmistakable track House Arrest” with Sofi Tukker clocked up over 14 Million streams in 10 weeks, topped international radio playlists and hit the #1 spot on US Dance Radio. The duo also collaborated with house music royalty MK on There For You” and continued their innovative trailblazing with Nobody featuring Chicago duo DRAMA, as well as releasing a string of dance-floor ready cuts via their club focused imprint REALM.

With a new video for “Burning” in the pipeline, exciting news announcements for the new year and a 2021 international tour planned, the future is burning bright for Gorgon City.

ABOUT ASTRALWERKS:

Established in 1993 in New York City, Astralwerks was the brainchild of Caroline Records staffers who saw an opportunity for a label focused on the nascent electronic and ambient scene. Now based at the historic Capitol Records Tower in Hollywood, Astralwerks has emerged as a modern, artist-first label and the #1 market share leader for dance/electronic music in the U.S. Combining a scalable, independent and global-thinking ethos with the ability to tap into the resources of a major label has enabled Astralwerks to sign such artists as ILLENIUM, Jonas Blue, Alison Wonderland, EDEN, ZHU and Alesso. As a testament to its pioneering approach, Astralwerks has amassed 30 GRAMMY nominations, taken home six GRAMMY Awards and had historic releases from the likes of The Chemical Brothers, Swedish House Mafia, Halsey, Porter Robinson, Phoenix, Eric Prydz, Fatboy Slim and many others. The label has also released such massive singles as the 5x Platinum “Happier” by Marshmello + Bastille and FISHER’s “Losing It.”

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Sam Smith – Diamonds

Capitol Records will release Sam Smith’s new album, Love Goes, on October 30th. Today, as the album pre-order launched, they shared their new single, “Diamonds,” a dazzling dancefloor anthem that showcases Sam’s unforgettable vocals in a defiant tale of love lived without regret. Smith wrote the track with Shellback (Adele, Maroon 5, Taylor Swift) and Oscar Holter (The Weeknd, Tove Lo). Shellback and Oscar Görres (MARINA, Allie X) produced. Download/stream “Diamonds” HERE.

In the official video, Smith dances alone with abandon, reveling in their newfound freedom and emerging from a stormy night to greet the morning sun. The clip was directed by Emmy award winning filmmaker Luke Monaghan, who also teamed up with Smith on such videos as “Too Good At Goodbyes” “Writing’s on the Wall” and “I’m Not the Only One.” Their work together has amassed over 2.5 billion streams. Watch the “Diamonds” video HERE.

The album’s 17 songs were written over the course of the past two years. The pandemic gave Smith a fresh perspective on the album and impacted both its title and the recording of tracks such as the recently released “My Oasis,” a cross-continental collaboration with Burna Boy. As Smith details in this announcement, posted today, “Every time I went into the studio I promised myself I would shoot for the stars and have no limitations…I am sorry it’s taken a while. But these unprecedented times gave me the room and space to fall in love with these songs all over again…After it all I still believe love is the answer. And with love in our hearts and kindness in our words and actions, we sing on.” The new album builds on the 30 billion career streams Smith has amassed and the global success of their multi-Platinum debut and sophomore albums, In the Lonely Hour and The Thrill of It All. For the artwork for Love Goes, Smith worked with world-renowned British fashion photographer/filmmaker Alasdair McLellan (Vogue, Kim Jones, Louis Vuitton) to bring their vision to life. Love Goes is available for pre-order HERE. Fans who pre-order the digital album will instantly receive “Diamonds” plus “My Oasis,”“Dancing with a Stranger,” the chart-topping collaboration with Normani that has sold more than 13 million units and racked up over 2.5 billion streams worldwide, “To Die For” and “How Do You Sleep?” The new album also features collaborations with Labrinth (“Love Goes”) and Calvin Harris (“Promises”). See below for track listing. Love Goes follows 2017’s The Thrill Of It All, which debuted at No. 1 on the Billboard 200 and also topped the charts in the U.K., Ireland, New Zealand, Norway, Sweden, the Netherlands and Belgium. Awarded four stars by Rolling Stone, the album included the hit single “Too Good At Goodbyes,” which recently became Smith’s second song to receive over a billion streams on Spotify, after “Stay With Me.” Smith, who has won GRAMMY, BRIT, Golden Globe and Oscar awards, recently featured on Tiwa Savage’s new song, “Temptation.”

TRACK LISTING – LOVE GOES

  1. Young
  2. Diamonds
  3. Another One
  4. My Oasis (feat. Burna Boy)
  5. So Serious
  6. Dance (‘Til You Love Someone Else)
  7. For The Lover That I Lost
  8. Breaking Hearts
  9. Forgive Myself
  10. Love Goes (feat. Labrinth)
  11. Kids Again

 BONUS TRACKS

  1. Dancing With A Stranger (Sam Smith & Normani)
  2. How Do You Sleep?
  3. To Die For
  4. I’m Ready (Sam Smith & Demi Lovato)
  5. Fire On Fire
  6. Promises (Calvin Harris & Sam Smith)
Maria Soloman illustration of Elton John for 360 MAGAZINE.

Elton: Jewel Box

Elton John announces the forthcoming release of Elton: Jewel Box. Released on November 13th via UMe / EMI, Elton: Jewel Box is an unrivaled collection containing 148 songs spanning 1965 to 2019 on 8CD, 4LP, 3LP, 2LP, digital download, and streaming formats.

The ultimate exploration into Elton’s extensive back catalog, Elton: Jewel Box covers deep cuts, rarities from the earliest stages of his and Bernie Taupin’s musical journey, B-side spanning 30 years, and songs discussed in his best-selling, critically acclaimed 2019 memoir Me. The 8 CD boxset of buried treasures comes in a beautiful hardcover book with the discs housed in the back, all wrapped in an outer slipcase. Each section comes accompanied by extensive notes, including a track-by-track commentary by Elton for Deep Cuts. Three different LP collections are also available to pre-order now – a 4LP gatefold black vinyl set of Deep Cuts (curated by Elton himself), a 3LP gatefold black vinyl set of Rarities and B-side highlights, and a 2LP gatefold black vinyl set “And This Is Me…”. All audio was mastered at Abbey Road Studios by GRAMMY-winning mastering engineer Sean Magee. With an unprecedented number of previously unheard and unreleased tracks painstakingly excavated from deep within the UMG archives, this is the ultimate treasure trove for Elton John fans.

As a first taster of some of the many gems gathered within Elton: Jewel Box, “Sing Me No Sad Songs” is today unveiled for the very first time. Listen here. Previously unreleased, the track was written and recorded as a band demo in 1969. “Sing Me No Sad Songs” is a fascinating first taste of what was to come from Elton and lyricist Bernie Taupin, and one that mentions not one, but two, future smashes in its lyrics – “Sad Songs (Say So Much)” from 1984’s Breaking Heartsalbum and Elton’s first UK chart-topping single “Don’t Go Breaking My Heart” from 1976.

Speaking of the release, Elton says, “To delve back through every period of my career in such detail for Jewel Box” has been an absolute pleasure. Hearing these long lost tracks again, I find it hard to comprehend just how prolific Bernie and I were during the early days. The songs just poured out of us, and the band were just unbelievable in the studio. I always want to push forward with everything I do and look to the future, but having time during lockdown to take stock and pull these moments from my memory from each era has been a joy. As a devout record collector myself, this project has really excited me, and I couldn’t be happier with the level of craft involved in such a carefully curated, lovingly constructed boxset. I’m sure my fans will enjoy it as much as I have.”

Available to pre-order hereElton: Jewel Box compromises of the below formats:

Disc Guide

Discs 1 & 2: Deep Cuts – A selection of personal favorites, curated by Elton. The box set book includes a track-by-track commentary by Elton.

Discs 3, 4, and 5: Rarities 1965 -1971 – Elton’s much sought-after 1960s and early 1970s demos and music that cemented the foundations of the iconic Elton John / Bernie Taupin writing partnership. The compelling, previously unreleased, missing piece in his illustrious career. Daryl Easlea narrates this fascinating story with contributions from those who were there at the time. These discs encompass 65 songs, all but a few of which have been stored in the vaults for more than 50 years. Most of these demos were recorded during sessions before Elton was signed to a recording contract or released his first album. Also included are the first song ever written by Elton and his debut appearance on a record (both “Come Back Baby” – 1965), Elton and Bernie’s first composition (“Scarecrow” – 1967), and newly-unearthed piano/vocal demos of some of Elton’s most acclaimed songs from his early albums. The packaging appropriately contains rare archival artwork and select original lyric sheets.

Discs 6 & 7: B-Sides 1976-2005 – Non-LP tracks and flipsides, never before compiled together. 36 gems that are now given another chance to sparkle – 17 previously only available on vinyl, resulting in all of Elton’s studio B-sides now being offered digitally for the first time in his career.

Disc 8: And This Is Me . . . – To coincide with the release of the updated paperback edition of Me, the final collection celebrates the songs mentioned by name by Elton in his acclaimed autobiography, closing Jewel Box with the 2020 Academy Award-winning duet with Taron Egerton, “(I’m Gonna) Love Me Again.”

Elton: Jewel Box is yet another marker in an incredible few years for the world’s favorite singer-songwriter. Since the release of the ultimate greatest hits album Diamonds in 2017, Elton has undertaken a breathtaking 3 years of activity that are unmatched in their ambition, reach and impact across generations of music fans. Elton announced his record-breaking Farewell Yellow Brick Road tour at New York’s Gotham Hall in January 2018, with a typically forward-looking virtual reality spectacular. Encompassing 5 continents and over 300 dates, this 3-year-long tour started in September 2018 and marks his retirement from touring after more than 50 years on the road. August 2018 saw Elton named as the most successful male solo artist in Billboard Hot 100 chart history. In 2019, the Farewell Tour was named Billboard’s Top Rock Tour and Pollstar’s Major Tour Of The Year. 2019 also saw the release of Elton’s critically acclaimed global bestselling autobiography, Me. The 2019 epic fantasy musical motion picture of Elton’s life, Rocketman, has been a commercial and critical hit, taking over $200m at the box office. It has won an Oscar, 2 Golden Globe Awards, and a Critics’ Choice Award, and garnered BAFTA nominations. Its soundtrack was also nominated for a GRAMMY Award. 2019 also saw Elton awarded the Légion d’ honneur, France’s highest award, for his lifetime contribution to the arts and the fight against HIV/AIDS.  He was also honored with both a Royal Mail stamp collection and Royal Mint coin collection. Diamonds, the ultimate greatest hits package of Elton and Bernie, has spent a staggering 148 consecutive weeks in the UK album charts, including 29 weeks in the Top 20 in 2020 alone, selling over a million copies worldwide in the process and recently reaching double-platinum status in the UK.

An unparalleled career that has forever changed the cultural landscape, Elton John’s collaborations with Bernie Taupin and others continue to shape the cultural landscape, break records, top charts, and win new fans across the generations. We’ve had the book, the film, the farewell tour, the fashion collections, and the greatest hits. And now, with Elton: Jewel Box, fans finally have the treasure trove of previously unheard and unreleased tracks they have been waiting for from the world’s favorite singer-songwriter.

About Elton John:

Elton’s career achievements to date are unsurpassed in their breadth and longevity. Elton is one of the top-selling solo artists of all time, with 1 diamond, 40 platinum or multi-platinum, 23 gold albums, over 50 Top 40 hits, and he has sold more than 300 million records worldwide.

He holds the record for the biggest-selling single of all time, “Candle in the Wind 1997,” which sold over 33 million copies. Diamonds, the Ultimate Greatest Hits album, reached the Top 5 of the UK album charts on its release in November 2017, becoming Elton’s 40th UK Top 40 album in the process. This release celebrated 50 years of his songwriting partnership with Bernie Taupin. August 2018 saw Elton named as the most successful male solo artist in Billboard Hot 100 chart history, having logged 67 entries, including nine No. 1 singles and 27 Top 10s.

Among the many awards and honors bestowed upon him are six GRAMMYs, including a GRAMMY Legend Award, a Tony and two Oscars, a Best British Male Artist BRIT Award, induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame, the Kennedy Center Honor, Legend of Live Award, 13 Ivor Novello Awards between 1973 and 2001, and a knighthood from HM Queen Elizabeth II for “services to music and charitable services.”

In 1992, Elton established the Elton John AIDS Foundation, which today is one of the leading non-profit HIV/AIDS organizations and has raised over $450 million to date in the global fight against HIV/AIDS. In June 2019, President Emmanuel Macron presented Elton the Légion d’ honneur, France’s highest award, for his lifetime contribution to the arts and the fight against HIV/AIDS. Elton was awarded the Companion of Honour in the 2020 New Year Honours list. The highest acknowledgment in the list, Elton, became one of only 64 people to hold the honor. September 2019 saw The Royal Mail issue a set of 12 stamps as a tribute to Elton being one of the most popular and enduring music artists of all time. Elton is one of only two individual music artists to be featured in a dedicated stamp issue. In July 2020, the Royal Mint released an Elton John commemorative coin, the second in their music legends series, to celebrate “one of the most successful and enduring artists of all time.”

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Brian Eno’s “Film Music 1976-2020” to Release in Nov.

Brian Eno releases Film Music 1976 – 2020 – his first-ever collection of music from his film and television soundtrack oeuvre digitally on November 13, 2020, and on 2LP and 1CD on January 22, 2021. Spanning five decades, this release features classic Eno compositions and includes some lesser-known gems and seven previously unreleased tracks.

Eno’s long-standing affair with film goes all the way back to 1970 with his soundtrack to Malcolm Le Grice’s short experimental film Berlin Horse. In 1976 he followed this with Sebastiane and a long-forgotten Greek b-horror film, Land Of The Minotaur AKA The Devil’s Men. This led to an unstoppable momentum largely initiated by the release of Music For Films. Early classic Eno film moments include “Prophecy Theme” from David Lynch’s Dune, “From The Beginning” from Dario Argento’s Opera, “Force Marker” and “Late Evening In Jersey” from Michael Mann’s Heat, “Under” from Ralph Bakshi’s Cool Worldand his moving cover of William Bell’s soul classic, “You Don’t Miss Your Water,” in Jonathan Demme’s Married to The Mob.

His 1978 studio album, Music For Films was a loose compilation of material recorded between 1975 ~ 1978. It was intended as a conceptual soundtrack for imaginary films, and only the last track, “Final Sunset” was written for an actual film. It proved to be a fruitful project with nearly every piece on the album going on to be used in future films, including several of Derek Jarman’s, the remake of Jean-Luc Goddard’s Breathless, John Woo’s A Better Tomorrow, Rock ‘n’ Roll High School and Todd Hayes’ Safe. 

Eno again explored this approach with U2 as Passengers on their collaboration album, Original Soundtracks 1. Four of the tracks from the album were used in films prior to release: “Beach Sequence” and “Your Blue Room” in Michelangelo Antonioni’s Beyond the Clouds, “Miss Sarajevo” in an eponymous documentary about a beauty pageant held in the midst of besieged ‘93 Sarajevo, and “One Minute Warning” in Mamoru Oshii’s Japanese animation classic, Ghost in the Shell. Another track, “Always Forever Now” later appeared in Heat.

In the mid-seventies, Eno began a rich and rewarding collaboration with British filmmaker Derek Jarman, who initially commissioned Eno to record ”Final Sunset” for the closing scene to his first feature film, Sebastiane. The collaboration continued all the way through until Jarman’s untimely death in 1994. Including the several tracks in Sebastiane, this collaboration resulted in Eno’s music in four of Jarman’s films, including “Still Water” and “Dover Beach” in Jubilee, “Blue” and the entire score of the autobiographical Glitterbug – his final film. 

“An Ending (Ascent)” and “Deep Blue Day” are taken from Apollo: Atmosphere & Soundtracks, Eno’s collaboration with his brother Roger and Daniel Lanois. The music was originally written for Al Reinert’s landmark documentary of the Apollo moon landing, For All Mankind, although since then, “”An Ending (Ascent)” has taken on a life of its own and is now remembered just as much from Steven Soderbergh’s Traffic, Danny Boyle’s 28 Days Later and Miguel Arteta’s Beatriz at Dinner. It even made an appearance in the 2012 London Olympics opening ceremony. And then there’s “Deep Blue Day,” which will forever be identified with Ewan McGregor’s legendary toilet dive in Trainspotting.

Aside from Glitterbug and For All Mankind, Eno has also provided complete scores for a number of other films including Peter Jackson’s The Lovely Bones, and more recently, Henrique Goldman’s atmospheric Brazilian serial killer biopic, O Nome da Morte AKA A Man Called Death, Slavoj Žižek’s mind-boggling documentary, The Pervert’s Guide To Cinema, Gary Hustwit’s spotlight on pioneering industrial designer Dieters Rams, Rams, and most recently a documentary film on close long-time friend and associate, Stewart Brand, We Are As Gods, which will have its public premiere in early 2021.

Eno has also scored extensively for television, including all three series of award-winning UK crime drama Top Boy, for which he received a BAFTA Award.  Danny Boyle’s Mr. Wroe’s Virgins, which also earned Eno and his brother Roger a BAFTA nomination for “Best Original Television Music.” Other television credits include his scores to BBC Natural World’s Hammerhead, Francis Bacon’s Arena, Neil Gaiman’s futuristic urban series, Neverwhere, and Stewart Brand’s BBC mini-series ‘How Buildings Learn’.

Eno has had hundreds of pieces of his music used in films, documentaries, and television programs, including more than 20 complete scores for some of the best-known directors in the world. Film Music 1976 ~ 2020 is a long-awaited album that finally brings together seventeen of his most recognizable film and television compositions, a perfect introduction to this enormous body of work.

Film Music 1976 ~ 2020 Track-list:

  1. “Top Boy (Theme)” from Top Boy – Series 1, directed by Yann Demange, 2011 
  2. “Ship In A Bottle” from The Lovely Bones, directed by Peter Jackson, 2009 
  3. “Blood Red” from Francis Bacon’s Arena, directed by Adam Low, 2005 
  4. “Under” from Cool World, directed by Ralph Bakshi, 1992
  5. “Decline And Fall” from O Nome da Morte, directed by Henrique Goldman, 2017 
  6. “Prophecy Theme” from Dune, directed by David Lynch, 1984
  7. “Reasonable Question” from We Are As Gods, directed by David Alvarado / Jason Sussberg, 2020 
  8. “Late Evening In Jersey” from Heat, directed by Michael Mann, 1995
  9. “Beach Sequence” from Beyond The Clouds, directed by Michelangelo Antonioni, 1995
  10. “You Don’t Miss Your Water” from Married to the Mob, directed by Jonathan Demme, 1988
  11. “Deep Blue Day” from Trainspotting, directed by Danny Boyle, 1996
  12. “The Sombre” from Top Boy – Series 2, directed by Jonathan van Tulleken, 2013 
  13. “Dover Beach” from Jubilee, directed by Derek Jarman, 1978
  14. “Design as Reduction” from Rams, directed by Gary Hustwit, 2018 
  15. “Undersea Steps” from Hammerhead, directed by George Chan, 2004 
  16. “Final Sunset” from Sebastiane, directed by Derek Jarman, 1976
  17. “An Ending (Ascent)” from For All Mankind, directed by Al Reinert, 1989

Nothing But Thieves Releases New Single – “Impossible”

Southend five-piece Nothing But Thieves have announced the release of new single Impossible, which is available now. The song follows recent singles Is Everybody Going Crazy? and Real Love Song and is taken from their forthcoming third album Moral Panic. They have also announced a huge UK, Ireland and European tour for Autumn 2021, including a headline show at London’s The O2.

THEIR NEW ALBUM, MORAL PANIC, WILL BE RELEASED ON OCTOBER 23RD.

LISTEN: IMPOSSIBLE

Nothing But Thieves are no strangers to powerful anthems, and with Impossible, they’ve written another vast soundscape. Produced by Mike Crossey (The 1975, Arctic Monkeys and Wolf Alice), Impossible is an exuberant track opening with raw emotion before launching into a huge chorus full of elated melody and affecting lyrics of hope and passion. The band says,

“In a way ‘Impossible’ is the complete antithesis of everything else on the album, which has a lot of anxiety and confusion about what’s happening on this planet. This became the opposite, zooming into one person’s head, just being lifted up and transported by a feeling of possibility and hope. It was a moment of relief that both we and the album needed.”

Recent single Real Love Song was included as Annie Mac’s Hottest Record in the World before being added to the B List on Radio 1 and has already achieved 3.5 million streams worldwide. Richly anthemic and wildly grandiose, it builds triumphantly with a hymn-like euphoric melody alongside singer Conor’s poignant almost operatic vocals. Amidst mesmerising animations and a gritty performance from the band themselves, the Basak Erol directed video showcases the dreamlike story of three characters seeking love in the wrong places.

Remaining on the Radio 1 Playlist for 8 weeks, as one of the longest running tracks on their playlist, Is Everybody Going Crazy? was the band’s biggest Airplay hit to date, achieving almost 12 million streams worldwide and welcomed the exciting return of Nothing But Thieves. A gritty dark rock song, lyrically it discusses a fractured, barely recognisable civilisation and desire for escapism, which proved curiously relevant to the world right now.

Real Love Song, Is Everybody Going Crazy? and recent release Unperson is the band’s first new music since their 2018 EPWhat Did You Think When You Made Me This Way, their 2017 acclaimed album Broken Machine, which charted at #2 in the UK album chart, and their debut self-titled album Nothing But Thieves. Their third album Moral Panic will be released on 23rdOctober, with the pre-orders now live here and Unperson available as an instant grat.

The past few years have been quite a ride for Nothing But Thieves. Amassing over 700,000 album sales and 750 million streams so far, they have built up a loyal and wide following for their impactful alt rock sound, cementing themselves as one of the best current rock bands in the world. Selling 150,000 tickets on their last album campaign, which included a sold-out show at London’s Alexandra Palace and selling out their entire worldwide Broken Machine headline tour, their success has been global.

The band have performed on TV shows such as The Late Late Show With James Corden and Jimmy Kimmel Live!, after their debut became the bestselling debut from a UK rock band in the US in 2015 and played packed out international shows from Poland to Amsterdam, where they headlined an arena to 6,000 fans. After intimately debuting new songs at Tufnell Park Dome earlier recently for a BRITs/War Child gig, they were set to tour internationally earlier this year, including a show to 6,500 people at Moscow Adrenaline Stadium.

They have now announced a brand new UK, Ireland and European tour for Autumn 2021, including their biggest ever headline London show at O2 Arena. Tickets go on sale on Friday 18th September at 9am, with pre-sale tickets available from Wednesday 16thSeptember at 9am for all pre-orders of ‘Moral Panic’. Full dates are as follows:

September 2021

Thurs 30th         Dublin                Olympia

October 2021

Sat 2nd                Belfast               Ulster Hall

Wed 6th              Plymouth          Pavillions

Thurs 7th            Cardiff                Motorpoint Arena

Fri 8th                  London              O2 Arena

Sun 10th             Birmingham     O2 Academy

Mon 11th           Glasgow            Barrowland

Thurs 14th         Manchester     O2 Victoria Warehouse

Sat 16th              Nottingham     Motorpoint Arena

Mon 18th           Barcelona         Razzamataz 2

Wed 20th           Paris                   Casino de Paris

Sun 24th             Wiesbaden       Schlachtohof

Tues 26th           Leizig                 Täubchenthal

Thurs 28th Berlin Columbiahalle

November 2021

Tues 2nd             Munich              Tonhalle

Wed 3rd             Milan                 Fabrique

Fri 5th                  Zurich                 Halle 622

Sat 6th                 Luxembourg    Atelier

Mon 8th              Copenhagen    Amager Bio

Tues 9th              Stockholm        Fryhuset

Thurs 11th         Köln                    Palladium

Fri 12th               Amsterdam      Ziggo Dome

Nothing But Thieves are Conor Mason (vocals, guitars), Joe Langridge-Brown (guitars), Dominic Craik (guitars, keyboard), Philip Blake (bass guitar) and James Price (drums).

To Watch/Listen to “Impossible”:

https://nbthiev.es/impossible

To Pre-Order Moral Panic:

http://nbthiev.es/moralpanic

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DUKE DUMONT – DUALITY REMIXED

Multi-platinum record maker Duke Dumont has unveiled Duality Remixed, a twelve-track remix package of his acclaimed debut album Duality, out now via Astralwerks.

Stream Duality Remixed HERE

Listen HERE and watch the visualizer for Will Clarke’s remix of Love Song HERE.

Featuring some of the biggest names in dance music, Duality Remixed includes no fewer than five tracks already released as singles, including remix king Purple Disco Machine‘s funk-laden rework of OceanDrive, German DJ and production wizard Tensnake’s synth-driven edit of Nightcrawler, and Yorkshire favorite Franky Wah‘s euphoric take on Therapy. Further singles come from exciting young duo Illyus & Barrientos and Italian synth pioneer Cerrone.

Elsewhere, Catz n Dogz drop a high-energy remix of Obey, with the enigmatic Polish duo upping the tempo and the intensity of the already rave-inducing original, Bristol-born bass enthusiast Will Clarke injects a chunky bassline with his edit of Love Song, and Swedish groove craftsman Jonas Rathsman adds some spiritual melodies to Let Me Go.

Released earlier this year to critical acclai m, Duality delivered a range of sounds, from 90s breakbeat to cinematic soundscapes, that highlight Dumont’s breadth and versatility as a producer.

With a back-catalogue that includes international chart no. 1 hits, multi-Grammy nominations and underground house music productions, Dumont’s ability to defy genres is a testament to his artistry. Over the past decade, he has been honing his skills and immersing himself in the infinite world of possibility. Dumont has amassed over 3 billion streams across his portfolio of previous anthems, scoring a number of platinum-selling worldwide #1 singles in the process.

An enthralling collection of reworks from twelve wildly talented artists from across the electronic spectrum, Duality Remixed sees the acclaimed album painted in a whole new light.

DUALITY REMIXED TRACKLIST

1. Ocean Drive (Purple Disco Machine Remix)

2. Nightcrawler (Tensnake Remix)

3. The Power (Vintage Culture & VolkoderRemix)

4. Obey (Catz ‘n Dogz Remix)

5. Therapy (Will Easton Remix)

6. The Fear (Kyle Kinch Remix)

7. Love Song (Will Clarke Remix)

8. Together (Luttrell Remix)

9. Let Me Go (Cerrone Remix)

(BONUS TRACKS)

10. Therapy (Franky Wah Remix)

11. Nightcrawler (Illyus & Barrientos Remix)

12. Let Me Go (Jonas Rathsman Remix)

About Duke Dumont:

Duke Dumont is a contemporary, electronic, music powerhouse. Deeply committed to creating high quality music imbued with emotional depth, Dumont is versatile, extremely adept, and hard working. His illustrious career has taken him on tour around the world many times over, and placed him in the top tier of electronic music artists of his ilk.

Since 2007, Dumont has channeled his deep love for electronic music into a variety of acclaimed releases, moving through pumping electro and vibrant techno to conquer the UK charts with Need U (100%). His early work on Tiga’s Turbo Recordings helped establish his reputation for producing high quality club music that moves the dance floor. By 2012 he’d produced two career-defining EPs: For Club Use, Vol 1 and For Club Use, Vol 2. Tracks like The Giver cemented Dumont’s rep for catchy hooks, precision arrangement, and powerful emotion. 

A year later, he hit the No.1 spot in the UK charts with Need U (100%) (featuring A*M*E), which demonstrated his ability to merge classic house motifs with first-rate songwriting.

Need U (100%) was followed with another UK No.1 hit, I Got U, which achieved platinum sales. Between 2013 and 2020, Dumont hit the Billboard Dance Chart No.1 with seven singles, including The Power, Won’t Look Back, and Ocean Drive. Dumont stayed true to his club roots with these releases, achieving widespread success.

About Astralwerks:

Established in 1993 in New York City, Astralwerks was the brainchild of Caroline Records staffers who saw an opportunity for a label focused on the nascent electronic and ambient scene. Now based at the historic Capitol Records Tower in Hollywood, Astralwerks has emerged as a modern, artist-first label and the #1 market share leader for dance/electronic music in the U.S. Combining a scalable, independent and global-thinking ethos with the ability to tap into the resources of a major label has enabled Astralwerks to sign such artists as ILLENIUM, Jonas Blue, Alison Wonderland, EDEN, ZHU, and Alesso. As a testament to its pioneering approach, Astralwerks has amassed 30 GRAMMY nominations, won six GRAMMY Awards, and released work from the likes of The Chemical Brothers, Swedish House Mafia, Halsey, Porter Robinson, Phoenix, Eric Prydz, and Fatboy Slim. The label has also released such massive singles as the 5x Platinum Happier by Marshmello ft. Bastille.

For more information on Duke Dumont, please visit:

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COVID Mask Care illustration by Mina Tocalini

Study Shows State-By-State Reopenings Exacerbate COVID

As Summer vacations end in Europe and in the United States and students return to college campuses and primary schools worldwide, fresh waves of COVID infections are causing renewed restrictions after loosening in the Spring and Summer. However, a new study shows that this uncoordinated opening, closing, and reopening of states and counties, is making the COVID problem worse in the U.S., according to the authors of a new study released today. Using methods from their previous work, published in the Proceedings of the National Academy of Sciences, MIT PhD student Michael Zhao and Sinan Aral, Director of the MIT Initiative on the Digital Economy and author of the upcoming book The Hype Machine, have released the first comprehensive study of the impact of state-by-state re-openings on the COVID pandemic, spanning January to July, 2020 with surprising and troubling results.

After studying combined data on the mobility of over 22 million mobile devices, daily data on state-level closure and reopening policies and social media connections among 220 million Facebook users, the team found that reimposing local social distancing or shelter-in-place orders after reopening may be far less effective than policy makers would hope.

In fact, such closures may actually be counterproductive as they encourage those in locked down regions to flee to reopened regions, potentially causing new hotspots to emerge. This analysis demonstrates that travel spillovers are not only systematic and predictable, but also large and meaningful.

Arizona was one of the first states to open businesses, but in late June, bars, gyms, movie theaters, and water parks were shut down for 30 days as the state became one of the virus’s new hot spots. One month after dine-in restaurants, bars, and gyms were allowed to reopen in California, Governor Gavin Newsom made the country’s most aggressive reopening reversal amid his state’s spike in COVID-19 cases, shuttering all indoor dining, bars, zoos, and museums in the state. Similar reversals have occurred in Colorado, Florida, Louisiana, Michigan, New Mexico, Oregon, Texas, West Virginia among other states.

“We’ve seen a patchwork of flip-flopping state policies across the country,” says Sinan Aral, the senior author of the study. “The problem is that, when they are uncoordinated, state re-openings and even closures create massive travel spillovers that are spreading the virus across state borders. If we continue to pursue ad hoc policies across state and regional borders, we’re going to have a difficult time controlling this virus, reopening our economy or even sending our kids back to school.”

The new study showed that while closures directly reduced mobility by 5-6%, re-openings returned mobility to pre-pandemic levels. Once all of a state’s peer states (in travel or social media influence) locked down, focal county mobility in that state dropped by an additional 15-20% but increased by 19-32% once peer states reopened. “State policies have effects far beyond their borders,” says Aral. “We desperately need coordination if we are to control this virus.”

When an origin county was subject to a statewide shelter-in-place order, travel to counties yet to impose lockdowns increased by 52-65%. If the origin had reopened, but the destination was still closed, travel to destination counties was suppressed by 9-17% for nearby counties and 21-27% for distant counties. But when a destination reopened while an origin was still closed, people from the closed origins flooded into the destination by 11-12% from nearby counties and 24% from distant counties. “People flee closures and flood into newly reopened states,” says Aral, “we can’t avoid the travel spillovers caused by our ad hoc policies.”

These findings highlight the urgent need to coordinate COVID-19 reopenings across regions and the risks created by ad hoc local shutdowns and reopenings. In addition, the results highlight the importance of taking spillover effects seriously when formulating national policy and for national and local policies to coordinate across regions where spillovers are strong.

Interview with Contemporary Photographer

In an interview of contemporary photographer Christy Lee Rogers by the Colnaghi Foundation, a non-profit London organization with the purpose of promoting Old Masters, art historian Isabelle Kent compares Rogers’ works to Ruben.

Kent, who lectures at the Victoria and Albert Museum and was a Curatorial Assistant at the Wallace Collection, said:

“[Rogers] is best known for her pioneering use of water and pools in her photography… [Rogers’] art plays with themes of strength and vulnerability, loss and beauty… creating ethereal and otherworldly images full of color and billowing fabrics. They have often been compared to Baroque paintings, in particular the likes of Caravaggio and I certainly think her multi-figure works, with all of their movement, really remind me of Rubens.”

In the interview Rogers, who won first prize in the Sony World Open Photographer of the Year Award and was recently commissioned by Apple, said, “There is a message in my work – it is connected to that Baroque feeling about something greater than ourselves, a drama and passion and motion.”

Listen to the interview here:

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PORSCHE ARISES VICTORIOUS AGAIN

PORSCHE’S FIRST LE MANS 24 HOURS VICTOR WINS AGAIN AT CONCOURS OF ELEGANCE 2020

  • Concours of Elegance has wrapped up its most memorable event to-date, featuring the greatest ever line-up of collector cars gathered in the UK
  • A Porsche 917 KH, driven by Richard Attwood and Hans Herrmann to Porsche’s first ever victory at Le Mans in 1970 was crowned as the event’s ‘Best in Show’
  • Awards were also given by decade, with the first ever production Land Rover winning the ‘40s and an Alfa Romeo 6C 1750, driven to victory in the Mille Miglia in the ‘20s
  • The Club Trophy presented by the Royal Automobile Club and supported by Classic and Sports Car was awarded to a Messerschmitt KR200
  • A number of cars made their UK debut at the event, including the Ineos Grenadier, Brabham BT62R and the one-off commission Aston Martin Victor
  • The Gooding & Company ‘Passion of a Lifetime’ auction broke world records, including the highest price ever for a Bugatti and a Lamborghini Miura
  • The Concours of Elegance will return on 3-5 September 2021


The Concours of Elegance, presented by A. Lange & Söhne, is celebrating its most memorable running yet, as the first international concours d’elegance event in over six months welcomed the most incredible line-up of collector cars ever gathered in the UK. The ‘Best in Show’ award, voted by the owners of these cars, went to the Porsche 917 KH driven to victory in the Le Mans 24 Hours race in 1970 – Porsche’s first win at the event.

The quality of the cars this year was more spectacular than ever, thanks to the commitment of the event’s Steering Committee and car curation team. Greeting visitors as they emerged from Henry VIII’s former home and into the Fountain Gardens was a special Ford vs. Ferrari display, paying homage to some of Le Mans 24 Hours’ most famous racers. Among them was a Ford GT40, a Ferrari 250 LM, 365 P2 and a stunning Ferrari 250 GTO. And that’s even before reaching the main line-up of concours vehicles.

The Best in Show-winning 1969 Porsche 917 KH, was a crowd favourite throughout the event, with its imposing design and incredible backstory. In 1970, Hans Herrmann and Richard Attwood drove this very same 917 KH (short-tail) with start number 23 and in the world-famous red-white Salzburg design to the first of (so far) 19 overall wins for Porsche at the circuit. The 917 was Porsche’s first time in the league of immensely powerful, large-capacity racing cars. Its 580bhp 4.5-litre 12-cylinder engine set new standards, and is still legendary today. In a fortuitous coincidence, the winner of the event’s all-new ‘Junior Concours, sponsored by The Little Car Company’ Best in Show prize went to a petrol-powered three-quarter scale replica of this very car, named victorious against 10 other scale children’s classics. 

Awards were also given out for different classes and eras.  Once more judged by the owners of the Main Concours cars, the winners included the very first production Land Rover – making its debut following an enormously detailed restoration – and an Alfa Romeo 6C 1750, famed for its Mille Miglia win in the 1920s. 

Outside of the main Concours of Elegance cars, nearly 1000 other models parked at Hampton Court Palace for the weekend, including a collection of Future Classics, from a Porsche 911 Reimagined by Singer to a Bentley Continental GT No.1 Edition. Despite the quality on display, there could really only be one winner: the Aston Martin Victor. This one-off commission is the most powerful road-legal naturally aspirated Aston Martin has ever produced, boasting 836bhp. With styling inspired by the 1980s Vantage, the mechanicals are thoroughly modern, comprised of race-ready powertrain and chassis components and lightweight carbon fibre.

Also on display were some of the finest examples from the UK’s most prestigious car clubs, as part of the Club Trophy presented by the Royal Automobile Club and supported by Classic & Sports Car. A panel of expert judges, including HRH Prince Michael of Kent and Classic and Sports Car editor, Alastair Clements, deemed a Messerschmitt KR200 to be the best on display. Powered by a two stroke 191cc Fichtel & Sachs engine that produces a modest 9bhp, the Messerschmitt wasn’t the most powerful car in the Concours, but its charming design and excellent condition won over the judges. It will now take its place among the main concours cars for the Concours of Elegance 2021, which is already scheduled to take place from 3-5 September, as part of a special tenth running of the event. 

Our Car Club displays, sponsored by Classic & Sports Car, formed a line-up of individual marques around the perimeter of the Garden, including the Jenson Owners’ Club, Alvis Owners’ Club, XK Club, E-type Club and more. Each day the Classic & Sports Car editorial team picked their favourite, awarding a Lotus Eclat – owned by its current custodian for more than 30 years – and a Jaguar XK120 Roadster, finished in a striking bronze. This very same XK120 also caught the eye of the Jaguar Trophy judges, winning the top prize from a line-up of gathered E-types, XKs and more.

On Sunday 6th September, the Concours of Elegance welcomed in a line-up of distinguished Bentley models throughout the ages, each competing for the event’s Bentley Trophy. A judging panel, led by Giles Crickmay of Frank Dale & Stepsons, picked out a Bentley 4.25-Litre Streamlined Drophead Coupé, first owned by Bentley Boy and one-time Bentley Chairman Woolf Barnato. Presented in near-perfect condition, the body is said to be finished in the colour of Barnato’s wife’s favourite dress.  

Newly introduced for this year’s event was the Bridge of Weir Leather Design Award, picked by a committee of automotive designers gathered by the Scottish company. The stunning 1938 Bugatti Type 57 Atalante Coupe by Gangloff, with its unique body and black over purple paintwork was recognised by the judges for its outstanding design and innovation.

Gooding & Company also hosted its first sale outside of the USA at the Concours of Elegance, with a display of the lots hosted within the Tudor Courtyard of the Palace. One of the most significant vehicle collections ever gathered for sale was crowned by a Bugatti Type 59 from 1934, previously owned by King Leopold. In a record-breaking sale, this highly original car set the highest price ever for a Bugatti at auction, achieving £9,535,000. A Type 35C sold for £3,935,000 and a Type 57S Atalante for £7,855,000, setting respective records for these models. The auction also included the highest price ever for a Vauxhall 30-98 and the highest price ever for a Miura, as the SV Speciale sold for £3,207,000.

The main vehicle features were complemented by line-ups from the world’s greatest classic car specialists and car manufacturers, many of whom were displaying cars at the event for the first time. Aston Martin showcased its latest range, as well as the debut of the one-off Victor, while Ineos paraded its all-new Grenadier with a collection of rugged off-road legends. Jaguar Classic presented its continuation D-type in a bespoke two-tone colour scheme while, at the other end of the spectrum, Lotus was display its all-electric EVIJA hypercar and Brabham showcased its racing car for the road, the BT62R.

Outside of the automotive displays, Concours of Elegance was an occasion of pure luxury, with champagne provided by Charles Heidsieck, picnics by Fortnum & Mason, live stage interviews with Chubb Insurance, hosted by Jodie Kidd and a collection of art, jewellery and fashion displays. Presenting Partner, A. Lange & Söhne, showcased some of its latest intricate timepieces, including the Lange 1 Time Zone. 
 

The full list of awards:

Best in Show – 1969 Porsche 917 KH
Pre-1915s – 1904 Fiat Type 24/32
1920s – 1929 Alfa Romeo 6C 1750
1930s – 1930 Bentley 4.5-Litre ‘Blower’ by Gurney Nutting
1940s – 1948 Land Rover Model 80 #001
1950s – 1958 BMW 507
1960s – 1965 Ferrari 275 GTB Competizione Clienti
Post-1970s –1970 Ferrari 365 GTB/4 Daytona
The Royal Automobile Club Trophy – Messerschmitt KR200
Jaguar Trophy – 1950 Jaguar XK120 Roadster
Bentley Trophy – 1926 Bentley 4.25-Litre by Mulliner
The Junior Concours – Porsche 917
The Bridge of Weir Design Award – Bugatti Type 57 Atalante by Gangloff
Future Classics – Aston Martin Victor
Classic & Sports Car Club Display Award – Saturday: Jaguar XK120 Roadster
Classic & Sports Car Club Display Award – Sunday: Lotus Eclat
Classic & Sports Car Pre-90 Car Park Award – Saturday: Iso Grifo
Classic & Sports Car Pre-90 Car Park Award – Sunday: Mercedes 230 SL ‘Pagoda’

Rolls-Royce Dawn convertible illustration by Rita Azar for 360 Magazine

DAWN SILVER BULLET

  • Rolls-Royce releases the first official images of Dawn Silver Bullet, taken outdoors and on the open road
  • Collection Car photographed on the shores of Lake Garda, showcasing the car in its natural habitat
  • Selection of images perfectly capture Dawn Silver Bullet’s powerful, high-shouldered outline, distinctive Aero Cowling and the ultra-metallic paint finish

Rolls-Royce today releases the first official images showing Dawn Silver Bullet in its natural habitat – on the open road, as the first of the client commissioned Collection Cars roll off the production line at the Global Centre of Luxury Manufacturing Excellence, in Goodwood, West Sussex.

Photographed on the shores of Lake Garda, a series of in-motion and drone shots capture Dawn Silver Bullet in locations including mountain hairpins and corniche roads. The new photographic portfolio also includes static images, taken in the open air, highlighting the car’s charismatic expression.

Under the Italian sun, Dawn Silver Bullet lives up to its name, travelling with speed and precision. Its ultra-metallic Brewster Silver Paint is a vibrant nod to the epic trails cars of the past, such as the Silver Dawn, Silver King, Silver Silence and Silver Spectre.

The four-seat Rolls-Royce Drophead is transformed into an adaptable two-seat roadster, by the addition of a rakish Aero Cowling with vapour-blasted titanium finisher, heightening the Collection’s sense of speed and purpose.

Launched in 2020, Dawn Silver Bullet is a contemporary interpretation of the classic roadster spirit and driving experience, offering committed drivers a sublime blend of serenity and sophistication with an exhilarating sense of uncompromised freedom.

Dawn Silver Bullet is strictly limited to just 50 examples worldwide.

Rolls-Royce convertible Dawn inside 360 MAGAZINE