Posts tagged with "illustrator"

The Greeting Committee artwork by Artwork by Maya Fuhr from Madi Florence, umusic, Capitol Music Group for use by 360 Magazine

THE GREETING COMMITTEE NEW SINGLE × VIDEO – FLOAT AWAY

Today marks the premiere of The Greeting Committee’s emotionally revealing new single “Float Away” and its equally riveting animated video. Released via Harvest Records, the Kansas City-based alt-rock band’s latest offers an up-close and unguarded look at the way depression warps our self-image. Listen to “Float Away” here, and check out the video here.

Along with today’s release, the band has revealed the September 24 release date for their second studio album Dandelion. All singles and the full album were produced by Jennifer Decilveo (MARINA, FLETCHER, Bat for Lashes)and mixed by Dave Fridmann (The Flaming Lips, Tame Impala). Pre-order Dandelion here.

Anchored by a gorgeously airy vocal performance from frontwoman Addie Sartino, “Float Away” opens on a candid piece of confession: “Glad it’s raining so I don’t have to go outside and pretend I’m happy just to be alive.” With production from Jennifer Decilveo (MARINA, FLETCHER, Bat for Lashes), the track unfolds in fuzzed-out riffs, frenetic rhythms, and incandescent textures as Sartino documents her inner turmoil with an intense level of detail. “There’s a line in the chorus that says, ‘Stale rye, once an apple’s eye,’ which is a way of saying, ‘I used to have so much potential, and now I’m sitting here frozen, and I don’t know what to do with myself,’” she notes.

After slipping into a moment of anti-nostalgia (“Haven’t felt this since/Listening to the 1975 while getting high/In somebody’s basement party”), “Float Away” closes out with another bit of personal revelation: “Treading water’s getting harder/Don’t let me fall another martyr.” But despite its undeniable melancholy, “Float Away” embodies a strangely exhilarating energy thanks to the stormy urgency of The Greeting Committee’s sound and the pure catharsis of its uncompromising honesty.

Created by illustrator/animator Kezia Gabriella, the video for “Float Away” perfectly captures the track’s whirlwind of feeling. The beautifully offbeat and brightly colorful visual follows Sartino’s avatar through a series of gently articulated emotional states – isolation, disconnection, overwhelmed confusion – and ultimately finds her rediscovering a subtle yet powerful sense of hope.

“Float Away” follows The Greeting Committee’s recent single “Can I Leave Me Too?”, which premiered last month alongside its intimate and quietly captivating video. Hailed by Clash as a “a raw portrayal of post-break-up poignance, cloaked in indie pop reverb,” “Can I Leave Me Too?” arrived as the band’s first release since appearing in Netflix’s To All the Boys: Always and Forever and contributing three of their songs to the film’s soundtrack.

About The Greeting Committee

Comprised of Addie Sartino, Brandon Yangmi, Pierce Turcotte, and Austin Fraser, The Greeting Committee have fully embraced a spirit of purposeful sharing since their formation in 2014. Founded soon after Sartino and Yangmi got their start playing open-mic nights in Kansas City, the band self-released their debut EP It’s Not All That Bad in fall 2015. The EP’s lead single “Hands Down” quickly became a breakout hit, paving the way for The Greeting Committee’s signing to Harvest Records when they were all still in high school. After making their Harvest debut with the Meeting People Is Easy EP in 2017 and releasing their debut album This Is It in 2018, the band spent much of the next few years on the road, with sold-out headline shows in major markets such as Chicago, Austin, New York, Los Angeles, and Minneapolis. To date, they’ve toured with the likes of Bombay Bicycle Club, Tennis, Hippo Campus, and Rainbow Kitten Surprise and taken the stage at leading festivals like Lollapalooza and SXSW, in addition to delivering the I’m Afraid I’m Not Angry EP in late 2019 and appearing in Netflix’s To All the Boys: Always and Forever. The band’s second album Dandelion will be out on September 24 via Harvest Records.

Miles Hyman, Crash #23 - Crestline, 2021, Oil on linen, 45 x 63.75 inches for use by 360 Magazine

Miles Hyman – Narrative Images

On view: May 13 – June 26, 2021 | Opening: May 13, 11 AM to 9 PM

Philippe Labaune Gallery is pleased to present Narrative Images, an exhibition of paintings and original comic strips by French American artist Miles Hyman. This will be the debut of Miles Hyman’s paintings in New York. Informed by mid-century American realism, European symbolism, and film noir, Hyman’s recent work is a study in light, imaginative juxtapositions, and a record of personal geography. Accompanying his paintings will be a selection of original comic strip drawings from graphic novel adaptations of Hyman’s grandmother Shirley Jackson’s The Lottery, James Ellroy’s The Black Dahlia, among others. Narrative Images will be on view from May 13 – June 26, 2021 with an opening reception on May 13 from 11 am to 9 pm.

The exhibition presents two painting series, Crash and East Coast Light. In the ongoing painting series, Crash, Hyman creates imaginative dichotomies of figure and landscape. An elusive, potentially quixotic relationship forms between female characters seemingly unfixed in time, with similarly enigmatic vehicle wreckage behind them. The characters at times appear to be plucked from other worlds, while others seemingly have a more direct tie to the dramatic scene appearing over their shoulder.

Within East Coast Light, a suite of paintings depicts fictional characters at various locations throughout New York City. The subject matter highlights the importance the city has to Miles Hyman, a locus steeped with childhood and adolescent memories, and a source of development for him as an artist. To this day, the historical resonance and constantly evolving landscape, coupled with a quality of light unique to metropolises, continues to provide a wellspring of inspiration for the artist.

Accompanying Hyman’s paintings will be original charcoal drawings from several of his graphic novels, most notably The Lottery. In 2016, Hyman released the graphic novel adaption to his grandmother Shirley Jackson’s critically acclaimed 1948 short story. In what Hyman aptly termed “a feat of inter-disciplinary acrobatics,” he had the overwhelming task to create a visual expression from words on a page and to keep the novel’s nuances and the secrets intact for the reader. Hyman viewed the undertaking as a way to rediscover one of Jackson’s greatest works and allowed him “to affirm a tangible link to her life and work in a way that was both professional and deeply personal.” The ability to pair his grandmother’s word with his drawing is a familial pairing like no other.

About Miles Hyman

Miles Hyman was born in Vermont in 1962, and currently lives and works in Paris. Hyman studied drawing and printmaking with David Schorr at Wesleyan University in Connecticut before attending Paris’ Ecole des Beaux-Arts. His works have been exhibited in museums including the Palais de Tokyo, the Glénat Foundation, Rome’s Institute of Graphic Arts and the French Musée de l’Illustration. In 2017, he was awarded the prestigious Chevalier des Arts et des Lettres from the French Ministry of Culture. Hyman’s drawings are featured by international publishers such as Simon & Schuster, Viking, Farrar Straus & Giroux, Gallimard, and Chronicle Books. His work has also appeared in The New Yorker, The New York Times, Futuropolis, and a specially commissioned project with Louis Vuitton.

About Philippe Labaune Gallery
Founded in 2021, Philippe Labaune Gallery is devoted to championing and presenting original 20th and 21st-century comic art and illustrations by emerging and established artists from around the world. Prior to opening the eponymous gallery, Labaune curated an extensive survey of European comic art Line and Frame: A Survey of European Comic Art, at the former Danese/Corey Gallery in 2020.

Location
534 W 24th St Ground Floor,
New York, NY 10011

*The featured image above is: Miles Hyman, Crash #23 – Crestline, 2021, Oil on linen, 45 x 63.75 inches

Heather Ann illustration by Heather Skovlund for 360 Magazine

Heather Ann

Dreaming the Impossible and Accomplishing the Unbelievable

Her name is Heather, and she is a statistic. Since the age of sixteen, she has been a statistic due to becoming pregnant with her firstborn son, Zachary. Heather had always believed that she would only be known as that: a teenage mom. She worked hard and graduated high school a semester early to entirely focus on being a full-time mother. Heather then put off college and any thought of childhood dreams because she felt they were unattainable. She worked minimum wage jobs to try and raise her son the best that she could.

Heather’s daughter, Tyanna, came along when she was 21 years old.  In that time, Heather found herself in an unhealthy relationship. She fought hard to pull herself and her children out of the situation; she eventually did. However, she found herself turning to alcohol to cope with the pain she had endured through the years. Alcohol became Heather’s best friend for over a year, and she was faced with losing her children and eventually becoming pregnant with her youngest son, Jaxson. He was her saving grace. An angel sent from above to remind Heather that she was worthy of love and that she was stronger than she had ever known. It took her a few months to get back on her feet for herself and children, but she did it with her head held high.

Fast forward to 2011 where Heather was working as a cashier at Walmart, barely making ends meet for her family. She met her now-husband, Joshua. In 2013, they became a big, blended family with six children. Heather gained three more beautiful children: Emmanuel, Lyric, and Benjamyn. Their children now range in age from ten years old to 22 years old! Also, Heather is a proud grandma to two beautiful grandchildren – Lydia and Jaxton, a.k.a. her Sweetpea and Monkey.

It hasn’t been an easy road, but it has been full of love and memories. Heather’s husband has been the sole provider for their family, sometimes working over sixty hours a week. It was decided that Heather stay at home with the children for many reasons. The most important reason was due to the emotional abandonment that Emmanuel, Lyric, and Ben went through due to their biological mother. Although they have learned coping techniques, it has been a stressful and emotional journey. It was always best for the children if Heather was available at all times for them.

In addition to the chaotic life they live with a large family, Heather’s oldest daughter was diagnosed with Chiari Malformation and Ehlers Danlos Syndrome in 2016, which led to an emergency brain surgery to better Tyanna’s quality of life. This is a lifelong disease with no cure, so there have been quite a few struggles for her to find her new normal. She will never lead a “normal” life; however, she is doing her best to make life fun, and that is all Heather can hope for. Heather also has these health conditions, but they are nowhere as severe as Tyanna’s are. Heather also suffers from a dead talus bone in her ankle, along with two collapsed joints surrounding that ankle. This has contributed to continuing on as a stay-at-home parent as well. Heather’s family is big and unique, but they are full of love, and that’s the best thing she could ask for.

Heather has spent years being unable to provide for her family financially. As a parent to six children, this has always weighed heavily on her. She has watched her husband work from four in the morning to close to midnight in the same shift. He is hardworking and very dedicated to providing for his family. In 2018, Heather decided to start exploring the idea of college. She knew that she wanted to be in something art related. Art has been a coping mechanism throughout life; sketching, painting, and inks are her mediums of choice. She believed that the career she landed with should be something that she loved and would be proud to do. This led Heather to enroll at Independence University to obtain her associate degree in graphic design. This career choice allows Heather to share her art with the world and also contribute to her family.  She has worked hard to keep an impressive grade point average while learning as much as she can about graphic design.

Heather will officially graduate in January 2022 with a bachelor’s degree in graphic design. She decided after a year into her associate degree that she wanted to pursue her bachelor’s degree. Obtaining this degree would open opportunities for Heather to work within public relations, publishing, and digital media businesses.

Heather had been asked by quite a few people why she wanted to pursue her bachelor’s degree so soon after graduating with an associate degree. Many assumed that she wanted to stay focused on her education; that is true. However, that was not the decision-maker for Heather. This decision comes from a life-changing situation that her family encountered at the beginning of 2020. You see, Heather’s father was taken away from her when she was three years old. She found him again when she was sixteen and had not been away from him since then. Her father, Mike, was diagnosed with Lou Gehrig’s disease, also known as ALS, in March of 2020. This disease has continually cursed her family throughout the years. It has taken her great-grandmother, paternal grandmother, an aunt, an uncle, a distant cousin, and now her father. Heather always doubted that she would be able to attend college and succeed, but Mike was always the voice telling her that she could and that he was so proud of her. Mike was an amazing person and had always been Heather’s biggest cheerleader in life. She has many reasons to continue creating art; however, her passion comes from wanting to pursue more for her family, especially her father. She would love the opportunity to make him proud continually, even though he has been watching her from heaven since November of 2020.

In February of 2021, Heather took a big breath and reached out to Vaughn Lowery, President of 360 Magazine, in hopes of obtaining an internship through the magazine. 360 Magazine stands out from other magazines on many levels. 360 is an edgy fashion, lifestyle, and culture magazine. The founding members have over 30 years of collective experience both as notable talent and uber professionals within fashion, music, art, design, and entertainment. They are an LGBTQIA-friendly publication. Quality art content is the constant goal – No magazine like it is available today, constantly celebrating racial and sexual ambiguous talent and artists. Interning with 360 Magazine was definitely an opportunity she was ready to take on!

The morning Heather interviewed with Vaughn, she was battling the flu that was running its course through her household – she nailed the interview and started the next day! Heather continues to learn every day during her internship and through her classes. She has become increasingly more confident in her illustrations with Vaughn’s guidance. In addition to her internship with the magazine, Heather is also the Communications Director for her school’s AIGA Student group. She was recently nominated and is looking forward to learning her new role within the group!

While Heather stays really busy with art-related things, she really does enjoy doing other things! Her family has five dogs (Beethoven, Duchess, Ruby, Lucky & Alaska) and six cats (Pepper, Chewy, Tom, Jerry, Ebony & Dolly) that fill their home with fur and love. Heather and Josh try to hop on the ps4 a few times a week and play some Warzone. They have always been gamers! They enjoy having game nights, outdoor experiences, and hiking. Her husband is in the process of finishing their home gym – which they are pretty excited about it! Oh, can’t forget reading! Heather has a ton of books that she has bought over the years or have been given to her. She loves being able to curl up and spend an entire day just reading. Music. Music is her saving grace as well! Heather has such a unique playlist(s) – pop, country, r&b, hip-hop, rap… the list could go on!

Heather has a new mantra that she tries to tell herself daily: Keep going until YOU’RE proud. Heather has always doubted herself…but she needs to remember – like many others – that she needs to keep pushing and straighten her crown!

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Kaelen Felix Self Portrait for 360 Magazine

Artist Kaelen Felix

As a native of St. Louis, Missouri, Kaelen Felix is a graduate of Memphis College of Art with a Bachelor of Fine Art in Illustration (2018). When she was an undergraduate, she interned for Jabberblabber Earth Family Magazine, a monthly magazine with over 100,000 readers in the tri-state area. In October 2017, her illustration of their Jabberblabber character was featured on the front cover of the grandparent issue. That publication is an achievement for Kaelen as an undergraduate while looking back; she couldn’t be more thrilled to be a part of it. The experience allowed her to define her artistic skills and to pursue a career in publishing.

Ms. Felix began her career as an artist when she was two years old! Six months later, Kaelen discovered her calling is to pursue art in illustration for books. As a child, art came naturally to Kaelen. Her tenacious desire allowed Kaelen to use her artistic ability to create storytelling book scenes from her imagination. She would often pay attention to how the light was casting on dolls and toys. She would create still-life and draw from observation for hours. Kaelen’s desire to spend a whole day on art made her heart complete as it showed her passion for capturing the light source and balancing the shadows became evident she could do it! Her favorite artist from the impression period, Vincent Van Gogh, inspired her whimsical style. The intricate details in her woodwork and water show her forte for a whimsy pattern.

Kaelen’s illustration career officially started in 2018. After completing undergrad, Kaelen collaborated with a remote author to illustrate a 32-page children’s book, A Colorful Balloon Ride (2018). At 23, Kaelen became a published illustrator and then collaborated with another children’s book author and created a 60-page book, Freddy the Foster Frog: Finds a Friendly Family (2020).

Currently, Kaelen is working on several collaborative projects, illustrating book 2 of the Freddy the Foster Frog series and acting as an illustrative editor for a soon to be published children’s book. In December 2020, Kaelen became an award-winning Best Book Illustrator for Freddy the Foster Frog from the SABA (Sound Advice Book Awards) in England!

Kaelen is a current intern for 360 Magazine (remotely), which is an edgy and fashion-forward company located in downtown Los Angeles, California. She illustrates topics such as celebrities, food, culture, and present news topics that coincide with political and other climate-changing current news. She thrives on creative and innovative illustrations that create a stylized and pop-art feel similar to Andy Warhol. Kaelen loves taking on any new challenge while being an intern at 360 Magazine as she embraced their well-known publications, print magazine, and brand identity.

Kaelen has a wide range of experience from illustrating magazine work to illustrating and designing two children’s books. Ms. Felix strongly believes collaboration is the key to creating a cohesive portfolio of work illustration or design. When illustrating the books, she always has a process of starting with reading the manuscript story, then it becomes a matter of how many illustrations need to be done in a timely or monthly manner. Finally, it comes down to a deadline and meeting that goal to be proficient in the business world. The process for all her commissioned pieces starts with brainstorming an idea from imagination and putting that idea on paper. She converses back and forth with clients to ensure their goals and visions are met! If she gets the final approval then, she applies the small thumbnail sketch onto the larger paper or digital platform.

Her inspiration as a kid also came from animals living in eco-friendly environments and creating characters with child-like style in my whimsical way. As far as the digital designs go, those vary in terms of how the style and vision come about from the client. Especially for 360 magazine, it’s a matter of not overthinking the process and trusting her instincts to create a work the magazine’s audience would be attracted to.

Ms. Felix works in areas from traditional illustrative mediums to digital graphics and print production art materials. Her areas of expertise include production art, illustration, print production art, and graphic art/design; she has over a couple of years of experience in those fields as she continues to work on fine-tuning her craft. Ms. Felix hopes to continue her illustration work while learning more about graphic design, brand identity, and the print packaging experience in a creative field from five to ten years down the line. Someday, she too is hoping to publish her own children’s book from her animal illustrations on her website! It’s always been a long-term goal to become a published illustrator and designer, and the Memphis College of Art, coupled with 360 Magazine allows her to follow her dream since the day she knew it could happen.

For more information on her upcoming publications, illustration, designs, and more: check out her Twitter, Instagram and LinkedIn.

Sara Sandman 360 Magazine illustrator and graphic designer

Sara Sandman

Sara Sandman is a 21 year old illustrator and graphic design student at The Cleveland Institute of Art. She specializes in creating illustrations using traditional mediums such as colored pencil and graphite. Sara also creates graphic illustrations with Adobe Illustrator and Photoshop. As she continues to further explore art and design, Sara finds her inspiration through nature and various artists such as Anna Tromop, Hayley Rudy, Chris Hong, and Fernando Martinez. During her time at The Cleveland Institute of Art, she has worked for various clients including Disney, American Greetings, Winking Lizard, and 360 Magazine. She is expected to graduate with a Bachelor’s Degree in May of 2021.

This past spring, Sara began working with 360 Magazine as an illustration intern. During her internship, she created various graphic illustrations and even redesigned the magazine’s logo.

Her career interests focus on surface design, editorial, and graphic design. Working in various mediums, Sara has experience working with various digital programs and many traditional art skills such as drawing, painting, and printmaking. She also has experience at the Cleveland Institute of Art doing photography and photo editing. Sara hopes to create meaningful artwork for company’s making an impact on the world.

You can find Sara Sandman onInstagram | Behance | LinkedIn

Jarren frame, 360 MAGAZINE

Jarren Frame

New York artist, Jarren Frame, has made a mark in the art scene and is currently on display at world-renowned hotels and celeb hotspots such as Socialista, Sixty Hotel Soho, Mamo, Casa Malca, The Bowery Hotel, and Faena, alongside Damien Hirst’s iconic Golden Mammoth.  

Born in Johannesburg, South Africa in 1990, Frame was inspired to step into the art world as a child from his grandfather, Philip Frame — a Sunday painter and founder of Frame Textiles Group (one time the largest blanket manufacturing business in the world). Philip would teach his grandson to paint flowers on weekends, igniting a spark leading him to pursue art full-time.

In October 2017, Frame displayed a series of James Bond-inspired works known as “The Playboy Paintings” during his first solo exhibition alongside photographer Peter Cary Peterson at The SIXTY SoHo Hotel. Following its success, he collaborated with Puerto Rican artist Jorge Zeno on “Zeno Gravity” on another Bond-inspired piece.

A rotating selection of artworks from his first collection titled “Bond, James Bond,” debuted in December 2017 at 77 Greene Street in New York. The series of 33 acrylic-on-wood pieces featured the recontextualization of vintage James Bond imagery over modern-day landscapes. The idea was born during a trip to Sardinia, where the 1977 classic film The Spy Who Loved Me was shot. ‘‘’Bond, James Bond’ was created on such an impulse. What I sought to do with those paintings was neutralize some of the shame around sex and masculinity. That’s really what those paintings are about: Fun, sex and champagne.”All 33 pieces sold out within a year, attracting a number of bold-face name buyers such as Chris Burch, Steve Wynn, Barron Hilton, former United States Secretary of Commerce Peter George Peterson, Alex Pall of The Chainsmokers, and hoteliers including Jason Pomeranc andJason Strauss.

Frame’s current collection, “Colors,” is another series of 33 paintings – this time acrylic-on-canvas and was inspired by the meaning we assign to colors and is meant to confront the viewer with the enormous diversity of choice we have. “‘Colors’ are a way of bottling up excitement and happiness that provide the power to inspire and uplift in addition to capturing and championing the spirit of individuality.”  The series premiered, for a limited-time at Socialista and Surf Lodge in July 2019.

Brian Taborda x Artwork

My name is Brian Taborda. I am a 24-year-old with an affinity for putting pen to paper and creating magic. Ever since I was a child I’ve always found myself drawn to drawing. As the years went by, I narrowed my artistic focus and began honing my skills as a cartoonist. Growing up, I always admired the artwork when I would watch my favorite cartoons on T.V. I chose to pursue this style because I was attracted to the freedom that this genre of art offered. Cartoons tend to be funny and ironic. Cartoons are one of the oldest forms of animated entertainment and, despite technological advancement, cartoons have maintained the classic and simplistic design elements that have set the style apart from other forms of artistic expression. These last few years, the political and economical climate in my home country of Venezuela has worsened tremendously. The present situation has motivated me to further develop my illustration skills. I know that if I improve, I will be able to achieve whatever I set my mind to. Choosing to focus on my art means working for commission so that I can earn enough money to escape this socialist dictatorship in Venezuela. I’ve been able to work towards fulfilling my dreams because of the the support that I receive from my family, my girlfriend and my friends. I specialize a style of cartoon illustration that was popular in the 1930’s, however, I like to add a bit of an “underground” or “urban” vibe to the final products. I work primarily using Adobe Illustrator. I typically use the brush and pen tools and draw with the mouse. I hope to one day illustrate using more modern tools but, since the economy of my country is so bad, I can’t afford the proper equipment so I have to use what I have. Fans of my art can look forward to seeing my name agin in the future future as I hope to, one day, release my own clothing line, with stickers, skateboards, etc. that will have my illustrations on them. Of course, I would keep on doing commissions of my drawing for clients who ware interested. My goal is to get more people to start loving and appreciating cartoons, especially the older ones that were the pioneers of this timeless genre. They are the base of everything we have now animation wise.

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Erich Strenger × Porsche

No one has shaped the image of Porsche quite as much as Erich Strenger. Introducing a new book, “Erich Strenger: A Graphical Report” from publishers Delius Klasing that is the first ever comprehensive collection of Erich Strenger’s work with Porsche between 1951 and 1988.

Strenger left his mark on Porsche with a design language that continues to bear his signature to this day.
This book showcases a first-ever comprehensive collection of Strenger’s work, created over the course of his collaboration with Porsche between 1951 and 1988. Strenger was instrumental in influencing and molding the image of the Porsche brand as we know it today 
Erich Strenger (1922-1993), an author, photographer, designer, and illustrator, left his mark on the look of Porsche during the company’s formative years in the early ’50s and ’60s with a design language that, for the most part, continues to bear his signature to this day. He also created countless print products for this successful sports car maker, including Christophorus Zeitschrift für die Freunde des Hauses Porsche, the brainchild of Erich Strenger and Richard von Frankenberg. Over the course of a collaborative relationship with Porsche spanning more than thirty years, the graphic artist, who started out working alone, founded an advertising agency in the heart of Stuttgart with a staff of up to eleven permanent employees. There, Strenger would later create countless racing posters, much like those he had designed in his early days working for Dr. Ing. h.c. F. Porsche AG as a freelancer in the early ’50s. 
Strenger was instrumental in influencing and molding the image of the Porsche brand as we know it today. This book showcases a first-ever comprehensive collection of his work, created over the course of his collaboration with Porsche between 1951 and 1988. This monographic and monothematic publication brings the noteworthy highlights of his work to the forefront, focusing attention on the designer’s approaches and methods.

Purchase here