Posts tagged with "producer"

Bad With Phones – Refrigerator

Today, South East London’s Bad With Phones shares his new track, “Refrigerator,” alongside a mesmerizing visualizer, out now on Don”t Sleep. The Deptford-bred creator, known as Manny to his friends, received instant support for his debut track “Needles” from notable tastemakers like Complex who described it as “such a wonderfully odd introduction” to the artist. In 2020, he released the highly praised single “ON1” which garnered over 1.4M streams on Spotify alone.

Hot on the heels of his greatly-received track “Ghost,” Bad With Phones is back today with his next installment. Opening with a nod to the legend herself, Rihanna, “Refrigerator” is an icy and subdued but sensual single. In Manny’s own words: “I heard the beat and it sounded like an anthem and made me feel like a cold motherfucker hence the title I also recorded it with the mic in my Refrigerator.”

Manny is a man about town. An ex-hacker, photographer, space-enthusiast, and producer, there’s nothing deemed too big or small for him to sink his teeth into. Like many good stories, Bad With Phones’ begins in a small black church.

Manny’s first attraction to music came after being drawn to the bass guitar, which he discovered through his pastor father’s church. He started playing in the church band where he would secretly play secular R&B riffs in the middle of church proceedings for his own amusement, sparking his rebellious counterculture spirit. Inspired by the likes of Bootsy Collins, with vocals that bring Andre 3000 to mind, Bad With Phones found inspiration from black artists who were celebrated for going against the grain.

Attending Westminster University with classmates Michael Kiwanuka and Paolo Nutini, he developed his knowledge, songwriting skills, and musical performance there. A stint in Berlin would later introduce him to the world of psychedelics, which became a source of spirituality and the foundations for his own music. Bad With Phones is signed to Don’t Sleep, a new London-based music venture with the mantra to support creators who are pushing culture forward and Manny’s honest lyrics paired with his warm, intimate style are destined for great things.

LISTEN TO “REGRIGERATOR”

WATCH VIDEO

image by Sara Davidson for use by 360 Magazine

OUT TODAY

THE RONNIE WOOD BAND
MR LUCK – A TRIBUTE TO JIMMY REED: LIVE AT THE ROYAL ALBERT HALL

The Ronnie Wood Band return to the blues this month with the second instalment of his live album trilogy –‘Mr Luck – A Tribute to Jimmy Reed: Live at the Royal Albert Hall’. Released by BMG today, September 17, 2021, the 18-track album features The Ronnie Wood Band including Mick Taylor with incredible special guests, Bobby Womack, Mick Hucknall and Paul Weller and pays tribute to one of Ronnie’s musical heroes and major influences, the Mississippi electric blues pioneer Jimmy Reed.

The album is recorded live at a memorable night at the Royal Albert Hall on November 1st, 2013. It features stunning tracks including “Good Lover,” “Ghost of A Man,” and “Shame, Shame, Shame.” With unique album artwork specially created by Ronnie, Mr Luck will be available digitally, on CD, as a vinyl release, and as a beautiful limited-edition dual-tone smoky blue vinyl.

When self-taught guitarist Eddie Taylor imparted his skills onto his friend Jimmy Reed, he surely couldn’t have imagined the effect this was to have on the Chicago blues scene. Backing up such luminaries as John Lee Hooker, he is best remembered for his work with his former student.

Sweet coincidence, then, that in 1974 another Taylor, Mick, would make way for Ronnie Wood in the Rolling Stones, paving the way for these two friends and celebrated guitarists to work on projects ever since. The culmination of this to date is Taylor’s place in The Ronnie Wood Band at the Royal Albert Hall for 2013’s Bluesfest, where they played the now-legendary set that would come to birth to this recording.

Ronnie comments: “Jimmy Reed was one of the premier influences on the Rolling Stones and all the bands that love American blues from that era until the present day. It is my honor to have the opportunity to celebrate his life and legacy with this tribute.”

This album marks the second iteration in a trilogy of special and personal albums by Wood and the band, celebrating Ronnie’s musical heroes. The first album, Mad Lad explored the work of Chuck Berry as an emotional commemoration after Berry’s passing just over two years ago. Ronnie toured with Berry and was a lifelong fan.

Tracklist:

Essence
2. Good Lover
3. Mr. Luck
4. Let’s Get Together
5. Ain’t That Loving You Baby
6. Honest I Do
7. High & Lonesome
8. Baby What You Want Me To Do 9. Roll and Rhumba
10. You Don’t Have To Go
11. Shame Shame Shame
12. I’m That Man Down There
13. Got No Where To Go
14. Big Boss Man
15. I Ain’t Got You
16. I’m Going Upside Your Head 17. Bright Lights Big City
18. Ghost of a Man

Ronnie Wood is one of the foremost rock guitarists in the world, and a two-time inductee into the Rock and Roll Hall of Fame, with the Rolling Stones and the Faces. Ronnie has also pursued a remarkable parallel career as a highly regarded artist and, as a natural raconteur, has won a record three prestigious Sony Radio Personality awards.

Noah Kahan's New Album - I WAS / I AM photo credit Aysia Marotta use by 360 Magazine

Noah Kahan’s New Album – I WAS / I AM

NOAH KAHAN RELEASES SOPHOMORE ALBUM I WAS / I AM –TODAY
FEATURING NEW SINGLE “SOMEONE LIKE YOU” FEAT. JOY OLADOKUN
ACCOMPANIED BY OFFICIAL MUSIC VIDEO OUT NOW
SET TO EMBARK ON I WAS / I AM HEADLINE TOUR THIS FALL
LISTEN TO I WAS / I AM HERE
WATCH “SOMEONE LIKE YOU” VIDEO HERE

Vermont singer and songwriter Noah Kahan releases his anxiously awaited sophomore album, I Was / I Am, today—listen HERE. The 10-track album features his newest single, “Someone Like You” feat. Joy Oladokun, accompanied by the official video also out today—watch HERE.

On the album, Noah says, “I can split my life into two parts. There is a defined and pronounced before and after within my consciousness that has become ever so clear to me in these long months of forced self-reflection. I started my journey here so fearful of changing, of losing the part of me that I felt was vital to staying grounded and unique. Somewhere in the last few years, I’ve had to let go of that fear, and allow growth, for better or for worse, to happen. This album is about examining that growth and measuring the difference from who I was when I started and who I am still becoming now. I’ve spent 4 years touring, traveling, experiencing things I would have given limbs for when I was a kid. I’ve lost friends. I’ve made lifelong connections with people I would never have otherwise gotten a chance to meet. I have failed so often and have had small successes that make it all worth it. I’ve fucked up, and I’ve lost people close to me. I don’t know if I’m ‘better’ or if I’ve regressed, I just know that I’ve grown. This album is about acknowledging that growth.”

On collaborating with Nashville singer and songwriter Joy Oladokun, Noah says, “Working with Joy on this song was one of those experiences that I’ll always remember and be grateful for. She is an incredible artist, and she was really natural on camera which made me jealous! I love her and her music and am so grateful for her involvement on this song.” Joy chimes in, saying, “When a folk-pop god like Noah Kahan calls, you come running.”

Noah Kahan took two years of milestones and transformed them into I Was / I Am, alongside his Busyhead collaborator and Grammy Award-winning producer Joel Little (Taylor Swift, Lorde, Shawn Mendes, Jonas Brothers, Khalid) and engineer Mark Rankin. Preserving his commitment to vivid lyricism, Noah crafted the new music with faster tempos and sweeping hooks, recharging his overall vision.

He says, “While writing this record, I’ve taken stock of who I am as compared to who I was when I started and what that means, for better or worse. I do have some perspective. I’ve also lost a lot. I’ve lost people close to me for different reasons. I’ve lost friendships. I lost my dog. Those experiences haven’t necessarily hardened me, but they’ve made me incredibly grateful for what I have now. The biggest change is a little bit of clarity in terms of who I am and the person I want to end up being. The songs on the record represent a new understanding of myself.”

I Was / I Am features Noah’s previously released anthemic singles, “Part of Me” and “Godlight,” and “Animal,” which capture his signature storytelling and evocative lyrics. The tracks have amassed over 12 million combined streams to date and received praised from the likes of BillboardSPINEntertainment Tonight, and many more.

This fall, Noah will embark on the I Was / I Am North American headline tour. Kicking off in St. Louis on October 14th and running through mid-December, the tour includes shows at New York’s Webster Hall and Los Angeles’ The Fonda Theatre, which are quickly selling out—see the complete list of tour dates below. Tickets are available now HERE. Noah Kahan has quietly emerged as a homegrown phenomenon with a combination of vivid songwriting and powerful performances (as well as a razor-sharp sense of humor on social media). He’s racked up over one billion streams across his catalogue, picked up a Gold Certification for “Hurt Somebody” feat. Julia Michaels, and performed on television shows such as The Late Show with Stephen ColbertLate Night with Seth Meyers, and TODAY. His 2020 Cape Elizabeth EP garnered critical praise from across the globe, and not to mention, he’s collaborated with a slew of artists, from Chelsea Cutler to mxmtoon to Quinn XCII to Gryffin.

DJ Koze Remix Artwork via Infamous PR for use by 360 Magazine

Lakou Mizik × Joseph Ray

Anjunadeep warmly welcomes DJ Koze for his Anjunadeep debut with his remix of Lakou Mizik & Joseph Ray’s ’Sanba Yo Pran Pale’.

One of electronic music’s most beloved artists, DJ Koze runs the acclaimed Pampa Records, where he puts out his own music alongside material from the likes of Mano Le Tough, Axel Boman and Robag Wruhme. His 2018 album ‘Knock Knock’, released on Pampa, was named as Pitchfork’s 3rd best album of the year, whilst his single ‘Pick Up’ was named track of the year by both Resident Advisor and Mixmag. Known for his inventive production style, he has remixed Gorillaz, Mount Kimbie, Moderat and Lapsley, and collaborated with Róisín Murphy, Bon Iver, José González, Caribou and Matthew Dear.

’Sanba Yo Pran Pale’ is Kosi’s first remix in two years and is typically eclectic. Reimagining the traditional Vodou song as a summer dance anthem, warping and stretching the original vocals from Lakou Mizik’s Sanba Zao onto a bed of catchy rhythmic synths and warm enveloping bass. Ten minutes long, the original mix has a nostalgic analogue warmth that feels perfect for an Indian summer’s day. To celebrate the release, Anjunadeep is pressing a limited run of white label vinyl, which are available for pre-order now.

About Leave the Bones

’Sanba Yo Pran Pale’ is the first track off Lakou Mizik & Joseph Ray’s album Leave the Bones, and is a traditional Haitian song steeped in Vodou tradition: “The Sanbas are the poets and keepers of Haitian history and culture. They pass on their wisdom through song and story. ‘Sanba Yo Pran Pale’ is an invitation to the Sanbas to speak their truth whilst paying respect to the Vodou ‘Lwa’ or spirits.”

Referred to by NPR as a “mesmerizing, haunting and uplifting journey into the heart of Haitian culture”, Leave the Bones has accrued 1M streams on Spotify and Apple Music and has garnered a wealth of global support from the tastemakers such as BBC Radio 1, 6 Music, The Times, Billboard, Crack Magazine, Mixmag, Songlines, The New York Times, and Gilles Peterson’s Worldwide FM. It is out now, available digitally and as a 2 x 12” LP.

sometimes artwork from Nicole Hajjar, Republic Records Media, for use by 360 Magazine

CAMYLIO DROPS NEW SINGLE – SOMETIMES

Primed to leap from TikTok ubiquity to mainstream pop stardom, buzzing vocal phenomenon Camylio unveils his new single “sometimes” today via Republic Records—listen here.

On the track, Camylio’s voice glides over sparse synths laced with icy guitar, recounting memories from a frayed relationship. This minimalism gives way to vocal fireworks on the hook as he cries out, “Sometimes love just isn’t enough. Sometimes perfect couples break up. And I hope you find the love you can trust, but sometimes I just wish it was us.” Emotion bleeds through the cracks of his emotionally raw delivery.

Of the meaning behind the song, Camylio says, “At this point you’ve been broken up for a while, and the anger has faded. Your memory might be a little biased as you struggle to get used to being alone, but regardless, you miss them. You start going to all the places you used to go, partially out of nostalgia, partially to convince yourself that you’re moving on and can handle it. Whether you see them out on a first date at the coffee shop where you first met or just overhear the news from a mutual friend, you find out they’ve started seeing someone new. Ouch. The person you loved and imagined a future with is starting a future with someone else.”

He continues, “You’re happy for them, but at the end of the day you still wish they could have found happiness with you. It’s hard to watch someone you still love be with someone else, but some things just aren’t meant to be, and sometimes love just isn’t enough.”

“Sometimes” arrives on the heels of the singer, songwriter, and producer’s debut single “love and hate,” which has amassed over 3 million total streams to date. Right out of the gate, Variance Magazine assured, “his buzzworthy status online isn’t a fleeting one,” and noted, “Camylio leans in on his own vocals, delivering an emotional performance which has a Shawn-Mendes-meets-Dermot-Kennedy energy to it.” Alfitude predicted he “will undeniably hit the mainstream very rapidly,” and he left Sweety High so “blown away” they raved, “his voice is truly out of this world, and the lyrics of this single are heartbreaking, yet relatable.” “sometimes” and “love and hate” set the stage for Camylio’s forthcoming debut EP, all while he has impressively attracted 3.3 million TikTok followers and generated 38.7 million “likes” in the process.

Stay tuned for more music to come from Camylio soon!

About Camylio:
Clad in a classic black shirt against a dark backdrop, Camylio leans into his microphone, presses down on the ivory of his keyboard, and sings with enough passion and power to stir the world to its feet. It’s a scene meant for a stadium, but he’s in his bedroom framed by a smartphone camera yet beamed out to an audience of millions on social media. Throughout 2021, he performed like this at a dizzying pace and quietly emerged as a phenomenon renowned for a Richter Scale-registering voice. For his 16th birthday, his parents allowed him to choose either “a car or a laptop.” Thankfully, he chose the latter, spending countless hours pouring over song credits and learning how to produce via YouTube and Twitch. During November 2020, he launched his TikTok with one video daily. He filled an Amazon shopping cart with a $200 backdrop, ten black hoodies, ten black long-sleeve shirts, and five black short-sleeve shirts in order to maintain a consistent aesthetic. His cover of “Dusk Till Dawn” by Sia and ZAYN exploded with 7 million-plus views. Eventually, he broke the internet as his take on SLANDER’s “Love Is Gone” feat. Dylan Matthew generated north of 50 million views in under ten days. He caught the attention of Republic Records and signed to the label. After shaking the internet, the 20-year-old New York singer, songwriter, multi-instrumentalist, and producer properly introduces himself with a series of singles and his debut EP.

About Republic Records
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

ALESSO_CHASING STARS from Kevin Young, Astralwerks for use by 360 Magazine

ALESSO × MARSHMELLO × JAMES BAY — CHASING STARS

GRAMMY-nominated producer and dance artist Alesso joins forces with Marshmello featuring GRAMMY nominated singer-songwriter and guitarist James Bay for the invigorate release of “Chasing Stars” – a sublime and soulful new uplifting single that finds each superstar at the top of his game. Out now via 10:22PM/Astralwerks, “Chasing Stars” is accompanied by a wildly imaginative video that succinctly captures the song’s mood of dreamy nostalgia. Listen here and check out the video here.

A beautifully detailed look back at a broken relationship, “Chasing Stars” opens on a poignant, piano-accompanied vocal performance from Bay (who also created the single’s enchanting artwork). From there, Alesso and Marshmello work their undeniable magic, layering in driving beats and folk-infused guitar work before building to a heart-stopping drop. Equal parts bittersweet and euphoric, “Chasing Stars” then transforms into a full-tilt anthem, its chorus lit up in gloriously soaring synth lines that perfectly reflect the track’s no-regrets sentiment.

Directed by Jake Jelicich (Dua Lipa, Niall Horan), the fantastically surreal visual for “Chasing Stars” finds Bay working the counter at a video store and scanning through a stack of VHS tapes. As the video unfolds, he becomes more and more mesmerized by the deeply intimate, home-movie-like scenes onscreen – and by the beguiling woman who appears in each tape – and soon ends up fully transported into those memories. In a particularly clever twist, the video store’s walls are plastered with posters bearing images of Alesso and Marshmello. In addition, a number of the VHS sleeves also feature Alesso and Marshmello, brilliantly stylized in classic B-movie aesthetic.

“Chasing Stars” arrives as the follow-up to PROGRESSO VOL 2, a long-anticipated two-track release that Alesso shared in early June. The second installment in a series that began with 2019’s ALESSO MIXTAPE – PROGRESSO VOLUME 1, the release includes “TOGETHER” (a massively catchy floor-filler) and “AGAIN” (a forward-thinking techno track that also harkens back to rave classics).

About Alesso

A global maverick in the dance world, Alesso has repeatedly proven that his influence transcends boundaries and crosses over into countless genres – to that end, he’s collaborated with such eclectic artists as OneRepublic’s Ryan Tedder, Calvin Harris, Tove Lo, Liam Payne, Swedish House Mafia’s, Sebastian Ingrosso, Hailee Steinfeld, Florida Georgia Line, Anitta, and more. With his past hits including the platinum-certified “If I Lose Myself” and gold-certified “Under Control,” the Sweden native has also found major success with “Calling (Lose My Mind),” which topped the Billboard US Hot Dance Club Songs chart. On Billboard’s Hot Dance/Electronic Songs chart, his massive breakup anthem “Let Me Go” – collaboration with Hailee Steinfeld and Florida Georgia Line – reached No. 9, while “Is That Me” peaked at No. 25. In 2020, he released a pair of hit singles: “Midnight,” featuring former One Direction member Liam Payne, and “THE END” with goth-pop singer/songwriter Charlotte Lawrence. To date, he’s performed at international festivals ranging from Tomorrowland to Ultra Music Festival to Electric Daisy Carnival, with his national TV experience including closing out GMA’s Summer Concert Series, performing on The Late Late Show with James Corden, and taking the stage at the AMAs.

About Marshmello

Marshmello’s star continues to rise as the famously masked artist breaks boundaries across the industry. With chart-topping singles and collaborations with the likes of Juice WRLD, Halsey, Demi Lovato, Bastille, Kane Brown, Selena Gomez, Jonas Brothers, and more. Marshmello has clocked almost a staggering 10.5 billion streams across Spotify alone, and with almost 45 million monthly listeners on the platform, he’s one of the top 30 most streamed artists in the world on Spotify and the third most subscribed artist on YouTube. Featured on the cover of the Forbes magazine “30 Under 30” issue Marshmello has proved to not only be an innovative producer, but a forward-thinking businessman. With his own brand of chocolate-filled marshmallows (“Stuffed Puffs”), he’s also launched a children’s entertainment channel Mellodees. Most recently Marshmello collaborated with the Jonas Brothers on their early summer smash “Leave Before You Love Me” which peaked at number 13 on the Billboard Hot 100.

About James Bay

For as much as James Bay upholds traditions of timeless songcraft, the UK singer, songwriter, guitarist, and producer also confidently challenges himself and popular music. He spikes a tried-and-true style with clever lyricism, honest confessions, and instrumental proficiency. On the heels of his platinum- certified 2015 debut Chaos And The Calm, he garnered GRAMMY nods in the categories of Best New Artist, Best Rock Album,and Best Rock Song for the gold-selling single “Hold Back The River.” Meanwhile, “Let It Go” went triple platinum. Nominated for dozens of awards, he took home two BRIT Awards, two Q Awards, and top honors at the Ivor Novello Awards and ECHO Awards. Tallying nearly 7.5 billion streams by 2021, he has performed on Saturday Night Live,&#a0;The Ellen DeGeneres Show, Jimmy Kimmel LIVE!, and Late Night with Seth Meyers. He also notably duetted with icons such as Alicia Keys on The Voice and Mick Jagger while supporting The Rolling Stones at Twickenham Stadium in London. In addition to selling out shows on four continents, Epiphone honored him with his own limited-edition James Bay Signature “1966” guitar. Following the success of 2018’s Electric Light, he deconstructed his sound to its bare essentials on the Oh My Messy Mind EP a year later hitting nearly 500 million global streams. It yielded the hit “Peer Pressure” feat. Julia Michaels], generating over 300 million global streams, received critical acclaim from Time, Rolling Stone, and Billboard and the next year saw James opening up for “Sheeran on his 2019 record-breaking stadium run. Last year, James released his new single “Chew On My Heart” which has already hit nearly 70 million streams, delivered a historic performance on the top of the London Eye for The Late Late Show with James Corden, performed on The Today Show, Mahogany Sessions and a full concert on YouTube in support of #SaveOurVenues. He also created his own virtual event, James Bay – Live At Shakespeare’s Globe, which was a full concert event livestreamed at the historic venue. This year, he guested on Maisie Peter’s song “Funeral,” which was featured on the soundtrack to Apple TV+ original series Trying: Season2.

Scott Hirsch_windlessDay cover from Jim Merlis, Big Hassle Media for use by 360 Magazine

Scott Hirsch shares in-studio performance – Dreamer

Acclaimed singer-songwriter-producer-musician Scott Hirsch has announced today’s premiere of an exclusive new live in-studio acoustic performance video of his mesmerizing new single, “Dreamer.” Directed by musician/photographer Brendan Willing James at Hirsch’s Echo Magic in Ojai, CA, “Dreamer (Live In-Studio Acoustic Performance)” is streaming now via YouTube here. The official single version of “Dreamer” is available now at all DSPs and streaming services here.

“Dreamer” heralds the upcoming release of Hirsch’s eagerly awaited new album, WINDLESS DAY, due via Echo Magic Records with Soundly Music on Friday, October 8; pre-saves and exclusive vinyl pre-orders are available now here. A duet of sorts, “Dreamer” sees Hirsch exploring a deep well of emotion and sound joined by singer-songwriter Kelly McFarling, both accompanied on the new performance video by musicians Daniel Wright and Mikael Jorgensen.

WINDLESS DAY also includes the recently released singles, “Much Too Late” and “Spirit True,” both available now at all digital platforms. The latter track was met by praise from such influential outlets as Raven Sings The Blues, which wrote, “’Spirit True’ sees Hirsch return to the JJ Cale cool that he’s wrangled in the past, shuffling into view on dive bar dancefloor drums, an afternoon sunset of sax, and Scott’s smoke ring sigh in the vocals. This one is a perfect after-work comedown that feels as refreshing as a cold drink on a hot day.”

A founding member of such groundbreaking bands as Hiss Golden Messenger and The Court & Spark, Scott Hirsch has spent much of the past half-decade gradually growing an acclaimed solo canon, staking his own visionary, deeply personal approach towards traditional American studio craft and songwriting. Hailed by the Chicago Reader as “an album of kaleidoscopic range and beauty that encompasses his varied interests,” 2016’s BLUE RIDER SONGS prompted Pitchfork to enthuse, “It’s taken a long time for (Hirsch) to let out his voice – a cool, soulful thing filled with deep reverence for his source material, if some cynicism about the myths it’s spun, on BLUE RIDER SONGS, Hirsch debunks the idea that redemption is ever a cakewalk, and finds something more truthful and lasting in the pursuit of accepting responsibility.”

Hirsch followed up two years later with LOST TIME BEHIND THE MOON, praised by Sungenre as “a genre-defying blend of all things Americana, showcasing Hirsch’s innate songwriting ability, a mixture of country, blues, folk-rock and psychedelic which come together to create something wholly different from the separate parts. It is moving and contemplative, bold and adventurous, whilst also delicate and sensitive.” LOST TIME BEHIND THE MOON “answers the question of what we might have gotten if Lou Reed had headed for Tulsa instead of Long Island when he bolted from the Velvet Underground,” declared MAGNET, while Pitchfork wrote, “There’s a new confidence here; These songs suggest that Hirsch has reached a destination, at least with his music: that he has arrived at a place where he is able to harness these sounds and allusions to convey the particulars of his wanderlust.” “LOST TIME INSIDE THE MOON bristles and broods,” raved Raven Sings The Blues, “and in the end is a salve and solace to lost souls – Hirsch’s vision of country elegance and barbiturate boogie hangs heavy on the diaphragm, groovin’ and singin’ in the same breath.”

Hirsch continues to work closely with Hiss Golden Messenger as a multi-instrumentalist, arranger, producer, and most recently, mixer on this year’s acclaimed QUIETLY BLOWING IT. The founder of Ojai, CA-based studio and sound design firm, Echo Magic, Hirsch received a 2015 GRAMMY Award nomination for his work as engineer and mixer on folk music legend Alice Gerrard’s FOLLOW THE MUSIC. Other recent credits include collaborations with like-minded artists including Mikael Jorgensen, Orpheo McCord, Daniel Rossen, and William Tyler, the latter of whom recently wrote of Hirsch’s journey to WINDLESS DAY, “To the wandering soul, the promise of travel, the motion of the road, and necessary transience instills a love of the novel experience and fortifies the restless spirit. But when travel is no longer possible, when ‘the road’ becomes the familiar paths around your town and home, is there the time and space to create a new kind of journey? When else would we go inward, by choice or practice, then when the world shuts down around us and we are left with the thoughts and melodies in our heads?”

Scott Hirsch

WINDLESS DAY

(Echo Magic Records)

Release Date: Friday, October 8

Pre-Order Here

Tracklist

  1. Spirit True
  2. Much Too Late
  3. Dreamer
  4. Big Passenger
  5. Redstone
  6. Night People
  7. The Price of Gold
  8. Wolves
  9. Drummer of Shiloh
  10. Love Is Long
BABYJAKE ALBUM ART THE SUN WAKES UP EARLIER NOW, Nicole Hajjar, Republic Records Media

BABYJAKE – THE SUN WAKES UP EARLIER NOW

Singer, songwriter, and producer BabyJake announces his highly anticipated debut album, The Sun Wakes Up Earlier Now, is set for release on September 3rd—pre-order the album now here. To celebrate the announcement, the Gold-Certified artist releases his latest song from the album, “Watching” – listen here.

On The Sun Wakes Up Earlier Now, the Florida-born and Los Angeles-based singer, songwriter, and producer promises he’s “bringing back rock ‘n’ roll”. However, this isn’t your parents’ rock ‘n’ roll, it’s got all of the style, swagger, and spirit of the seventies, but it’s lit up by a fresh fire. The 11-track genre-blurring album was recorded over the past year and a half in Los Angeles, and BabyJake co-wrote and co-produced the songs with various collaborators, including Bipolar Sunshine, Lizzy McAlpine, and Linda Perry, to name a few.

On the The Sun Wakes Up Earlier Now, BabyJake says, “For me, the album represents crossing into a world of not giving a fuck what anybody thinks and showing I’m a human being. I’m going to dress how I want to dress, act how I want to act, and make what I want to make. If it works, great. Either way, I’m going to keep trucking along.”

To commemorate the release, BabyJake will perform his first-ever headlining shows next month in New York at Baby’s All Right on September 9th and Los Angeles at Moroccan Lounge on September 15th. Not to mention, he will also perform at select festivals this fall, including Napa Valley’s BottleRock on September 3rd and Tampa’s Gasparilla on October 1st. Tickets are on-sale now at It’s Baby Jake.

Earlier this summer, BabyJake released a handful of singles from the album, including “Do I Fit In Your Shoes?”, “Funny Thing About Love” with Bipolar Sunshine, and “Daddy’s Coming Home,” which have been praised by Billboard, V Magazine, TMRW Magazine, American Songwriter, and many more.

The Sun Wakes Up Earlier Now follows BabyJake’s 2020 debut EP Don’t give me problems, give me wine, hailed by critics and fans alike. The seven-song genre-bending EP features his breakout single “Head In The Clouds” and was acclaimed by Notion, The Line Of Best Fit, Ones To Watch, This Song Is Sick, Lyrical Lemonade, and more. Wonderland stated, “Few artists are able to bounce so seamlessly from genre to genre than BabyJake,” while Flaunt proclaimed, “BabyJake is on his way to superstardom.” Earlier this year, BabyJake teamed up with Louis The Child on “Somewhere Else.”

Stay tuned for more to come from this artist to watch!

The Sun Wakes Up Earlier Now Tracklist:

“Please Welcome”

“Do I Fit In Your Shoes?”

“Daddy’s Coming Home”

“Numbers Game”

“Funny Thing About Love” with Bipolar Sunshine

“My Anxiety”

“Roadtrips”

“How To Boogie”

“Glue” feat. Lizzy McAlpine

“Married Man”

“Watching”

About Babyjake
BabyJake promises he’s “bringing back rock ‘n’ roll”. However, this isn’t your parents’ rock ‘n’ roll. It’s got all of the style, swagger, and spirit of the seventies, but it’s lit up by a fresh fire. The Florida-born and Los Angeles-based singer, songwriter, and producer exudes enough star power to pull off a cowboy hat and flare jeans (like some kind of lovable Quentin Tarantino outlaw), but he’s also definitely a byproduct of the times with a natural predilection for viral impact. In 2019, he introduced himself with the gold-selling “Cigarettes on Patios,” crashing viral charts and piling up 100 million-plus streams. During 2020, he remained prolific with his debut EP, Don’t give me problems, give me wine. In its wake, Flaunt predicted, “BabyJake is on his way to superstardom,” while he earned acclaim from Billboard, Wonderland, V Magazine, Notion, TMRW Magazine, American Songwriter, The Line Of Best Fit, Ones To Watch, This Song Is Sick, and Lyrical Lemonade, to name a few. Along the way, he collaborated with everyone from 24kgoldn to Dillon Francis and Louis The Child. Now, he fulfills his mission on his 2021 full-length debut album, The Sun Wakes Up Earlier Now [SB Projects/Republic Records], out September 3rd.

About Republic Records
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

AZRA illustration by Anh Hoang use for 360 Magazine

AZRA

Korean-American “Substance Pop” Artist AZRA represents LA’s Koreatown in Ep. 3 of Barrio Fino’s Docu-Series: “Koreatown 3.0”.

Streaming on September 1 at 7:00 PM PT Presented by AAX Media & Levitt Pavilion: https://levittlosangeles.org/

Korean-American “Substance Pop” creator and artist, AZRA, is proudly headlining this Wednesday’s episode Barrio Fino, a 5-part music docu-series exploring the communities surrounding MacArthur Park in Los Angeles. Presented by AAX Media, the 60-minute episode entitle: Koreatown 3.0’s, will explore the music and cultural diversity of Los Angeles’ Koreatown.

AZRA shares: “As a 1.0 generation immigrant myself who moved to the Bay Area from South Korea, then eventually to LA, Koreatown has always been a very special and warm place for me growing up. I strongly believe that LA wouldnt be LA without K-Town due to its awesome food, entertainment, ever-growing diverse community, and the impact it has on our Los Angeles city culture and beyond. Koreatown also has one of the most coveted venues for musicians and singers to perform at, The Wiltern, a place I hope to one day perform. I am honored and grateful to be representing Koreatown and performing for this festival to promote and celebrate the greater Los Angeles community, youth development, diversity and our continued efforts in Asian American representation in Media and our American culture”.

AZRA’s performance will be live-streamed and screened at 7:00 PM PT from the rooftop of Walter J. Towers. For more information, please visit Here.

WILLIAM SHATNER- ALBUM BILL image of Nicole Hajjar use for 360 magazine

WILLIAM SHATNER- ALBUM BILL

WILLIAM SHATNER ANNOUNCES NEW SPOKEN WORD ALBUM BILL SET FOR RELEASE ON SEPTEMBER 24TH
RELEASES TWO SINGLES “CLOUDS OF GUILT” FEAT. JOE JONAS AND “SO FAR FROM THE MOON” FEAT. BRAD PAISLEY TODAY

The award-winning actor, director, producer, writer, and chart-topping recording artist William Shatner announces his forthcoming new album, BILL, set for release on September 24th via Joe Jonas’ new label Let’s Get It! Records/Republic Records. To celebrate the announcement, William Shatner teams up with Joe Jonas and Brad Paisley to release the first two singles from the album, “Clouds of Guilt” feat. Joe Jonas and “So Far From the Moon” feat. Brad Paisley, out now.

Through spoken word and genre-bending music, the songs on BILL chronicle significant autobiographical moments in William Shatner’s life and the ideas, challenges, and questions he’s confronted along the way. The tracks were co-written and produced by Grammy Award-winner Dan Miller [They Might Be Giants], while the lyrics were a collaboration between Shatner and his friend and writer Robert Sharenow. In addition to Joe Jonas and Brad Paisley, BILL features guitarist Joe Walsh [James Gang, Eagles, Ringo Starr & His All-Starr Band], pedal steel guitarist Robert Randolph [Robert Randolph and the Family Band], musician John Lurie, saxophonist Dave Koz, and more. See the full tracklist below.

On creating the album remotely during the pandemic, William Shatner says, “Through a series of phone calls, texts, and emails, music and words flew back and forth across the country. The [Covid-19] crisis created an urgency and quickly unleashed a candor between us that allowed us to peel back layers that sat on the surface of a subject to reveal the depth of truth buried underneath. What better time to contemplate life’s biggest questions than during a global pandemic? Some songs touched on painful or beautiful moments, while others turned into elliptical philosophical explorations about the very nature of existence and death.”

He continues, “BILL blends long-form autobiographical poetry and prose, music, spoken word performance art, and philosophical exploration. Toggling between passion and despair, reflection and yearning, this collection explores my life journey during a pivotal and chilling moment of history.”

In “Clouds of Guilt,” William Shatner explores the strangely powerful role guilt has played throughout his life, with equal measures of wit, irony, and self-awareness.

Joe Jonas states, “I’ve been a fan of Bill’s for as long as I can remember. He’s iconic. To not only be featured on one of his songs that mean so much to him but to also get to be a label partner on the entire project, it’s an honor.”

While on “So Far From the Moon,” William Shatner revisits a pivotal moment in his life after the cancelation of Star Trek and his divorce, when he was doing dinner theater and living out of the back of his pickup truck. One the night of July 20th, 1969, as he lay out in a sleeping bag in the back of the truck, staring at the sky, he listened to the live broadcast of the moon landing. Despite being at a low point in his career, Shatner found inspiration and a connection to the astronauts in the sky above, who he had met years before while they were training for their mission.

Brad Paisley comments, “It’s so interesting to hear what effect the moon landing had on Bill, because every generation of astronauts since those days credit him with inspiration. I’m so proud to be on this track.”

The other songs on BILL dive into various stories and topics, including the nature of relationships, the struggle with fame and identity, the meaning of life, and more. Like epic song cycles of the past from Homer to Kendrick Lamar, William Shatner’s journey is both extremely personal and universal, extraordinary and relatable. His unique insights and delivery, beloved by millions worldwide, give voice to the joys and struggles we all face.

Stay tuned for more music to come from William Shatner soon!

BILL TRACKLIST:

  1. “I Ride”
  2. “Made In The Shade” feat. Joe Walsh
  3. “Clouds of Guilt” feat. Joe Jonas
  4. “So Far From the Moon” feat. Brad Paisley
  5. “Love, Death, and Horses”
  6. “Just Forgive” feat. Robert Randolph
  7. “Loneliness” feat. John Lurie
  8. “Thunder and Fire” feat. Joan as Police Woman
  9. “The Bridge” feat. Daniel Miller
  10. “Black Horse”
  11. “Masks” feat. Dave Koz
  12. “Monday Night in London”
  13. “Toughie” feat. Robert Randolph
  14. “What Do We Know”

PRE-ORDER BILL HERE

LISTEN TO “CLOUDS OF GUILT” FEAT. JOE JONAS HERE
LISTEN TO “SO FAR FROM THE MOON” FEAT. BRAD PAISLEY HERE