Posts tagged with "art"

The Gnarled Branch illustration by Heather Skovlund for 360 Magazine

Q×A with The Gnarled Branch

Q&A with David Irvine from The Gnarled Branch

David Irvine is the multi-talented artist behind the Gnarled Branch. He is known for his imaginative ‘Re-Directed Paintings’, whimsical furniture, original paintings, painted burnt out light bulb ornaments, salvaged record paintings, and so much more. You can visit his Etsy shop here! You can see throughout his work that there is an interest with popular characters which brings life to the rural paintings he often re-directs. Irvine will match the original artist’s style within the painting or counter it intentionally, but he always leaves the original signature clear to see. There’s a story behind each of his works, including the painting “The Last Trick or Treater” which is one of Irvine’s favorites. Read on to learn more about David’s work, inspiration, and so much more.

What is your background – in addition, did your upbringing prompt a specific reference point within your work? Is your work informed by certain concepts or themes from your childhood, background, socioeconomic status, where you lived or were raised?

DI: I was fortunate to be raised by parents who appreciated all the arts. Going to see theatre shows, music performances, and gallery exhibits were always exciting. I was encouraged to develop with the visual arts and musically as well with regular music lessons and art lessons. They were at first concerned when I decided to pursue a career in the visual arts, as they knew it can be a real struggle – but were fully supportive and excited that I was accepted into art college to study illustration.

How does this impact how you see the world and create art?

DI: It’s no secret the art world can be very snooty, takes itself far too seriously and that is a real shame. In a lot of the genres that I do- I am always considering humor and fun as elements in a piece. Especially during these difficult pandemic times, art needs to uplift and provide smiles and not be staunch, same old -same old themes that have been done over and over.

Do you have an educational background or experiences that have contributed to your evolution as an artist?

DI: I studied illustration at Sheridan College, and throughout my childhood would occasionally take art lessons. The rest was experimenting and being self-taught with various mediums and medium combinations. I taught visual art to a wide range of ages through community night school and was an art tutor to a terrific student with special needs. Those were very memorable years.

What does your work aim to say?

DI: I do so many different genres of art, I think there’s a spectrum of what I want to communicate…. from making people laugh and feel good — to the darker, macabre work to scare and bring the viewer into a world that they may not feel comfortable being in… I guess I make art to get a reaction… not just creating something for its sole purpose is to look pretty and match the sofa.

Is there a particular artist that inspired you to pursue art?

DI: My grandfather was an accomplished amateur painter and I’d watch him work and see the pieces he did… maybe that was the first seed…Other than that I would always sign out art books from the library and soak in everything from master painters to illustrators and cartoonists who worked presently.

Whose techniques do you study or admire?

DI: There are so many — but in high school, I always enjoyed Ralph Steadman ink illustrations, Van Gogh for his boldness, Rene Magritte for the unique and surreal visuals … Currently I’ll search through websites like Tumblr or magazines like Juxtapoz and discover artists both old and new who mix unusual mediums or have their own unique style.

How do you cultivate a collector base?

DI: When I first started as a fine artist, I didn’t have a computer- the internet wasn’t a thing yet, so I was reliant on physically going to galleries and public places to show my work. From little gift or record shops to restaurants and cafes. Now with technology, it’s just a matter of updating and refreshing social media, submitting articles to websites, or being lucky and being featured by a blog, website, or podcast…it all helps and a lot more convenient to be able to post an instructional video from home, or post new work in progress photos to a website, than to lug workaround or mail promo packages out to land a show. Once a collector is on board, having top-notch customer service skills and excellent communication is key…

What inspires you to paint?

DI: I’ll have a lot of eureka moments as I’m sketching or planning out new works or series….and I have to then see that eureka image come to fruition. It would drive me bananas having a good idea sitting there on a page and going nowhere. As well it is my chosen job- so those bills must get paid.

How do you look for new ways to challenge yourself?

DI: I get bored very easily… so challenges are always put in place to not get bored. Every artist has a spectrum of color they usually gravitate to when creating a piece…I like to switch things up and use the colors I don’t normally use or come up with different color combinations/ mixing. I’ll even wear tinted sunglasses so the colors I think I’m using wind up making happy accidents when I look at the piece without the sunglasses. Using oil pastels with acrylic paint… various types of inks and papers …are many variables that can be used to break away from regular tendencies when approaching a piece.

Do you have a favorite painting that you have completed? If so, can you tell us the story behind it?

DI: I did a solo show a few years ago with Halloween as the main theme. A few favorite paintings came out of that show including one called the Last Trick or Treater. It showed a bird’s eye view looking down onto an old tyme small hamlet, and one child in a ghost costume running down a street with a lantern. I think I captured the quiet of the night, and the bit of panic the boy was having as he was quickly trying to get home.

What inspired Re-Directed painting for you?

DI: When I first started as a fine artist, I had very little money and art supplies and framing was expensive. I would frequent yard sales and thrift shops to purchase old frames, lithographs on board, and existing canvas prints to paint over and frame. Around 2009 I started to paint weird imagery in an existing piece and then later one piece my Mom was getting rid of was a seascape -where I had the immediate vision of two reapers playing with a beachball. I painted them in, shared them on social media and things snowballed rather quickly from there. I came up with the term re-directed as I used that as a tag and hoped people would begin to associate it with me…and it worked! Other people now use that term – which is fine… I prefer that to ‘Improved Painting’…as I never meant to demean the original artist. All these redirected pieces were salvaged and unwanted and quite likely wind up as landfill. I hate waste and seeing potential thrown away. This was just another method to upcycle. I’ll spend considerable time touching up the piece from scratches, buffs or sun/ water damage then I’ll add in my own visions. ..never covering the signature of the original artist. Research is always done prior to any painting to insure it’s not of significant value. I rarely work on originals, always lithographs, canvas prints, or anonymous paint by numbers.

Is there anything that you would like to add?

DI: Even though most know my work through my ongoing Re-Directed thrift art series, I look forward to continuing my upcycling work (hand-painted ornaments using salvaged burnt-out light bulbs, pop art paintings on discarded, damaged vinyl records, beer cap pins, and redoing/painting discarded wooden furniture…) and preventing landfill.

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Photo Credit: David Irvine
Photo Credit: David Irvine
Photo Credit: David Irvine
Photo Credit: David Irvine
Fernanda Laverna at The Manolis Gallery via Timur Tugberk at TaraInk for use by 360 Magazine

Fernanda Lavera – Mr. Freak & Lucy

Clive Davis, Greg Schriefer, and Steven & Myrthia Manolis welcomed noteworthy Miami artists, socialites, collectors, and celebrities to the Manolis Projects Gallery to attend the launch “Mr. Freak & Lucy” unveiling the works of Fernanda Lavera. Greg manages the artist, and he and Clive have been big supporters of hers. They now are showcasing Fernada’s incredible talent, event, gallery, and private tours of her show through July 31 at The Manolis Projects Gallery. Her vibrant, larger than life, abstracted works that grace the gallery serve as a contemporary approach to neo-expressionism. Fernanda’s works are captivating, expressive, and enthralling to the eye.

“In this new series of works, including huge, captivating canvases that seem to explode with invention and fearlessness, she presents a novel vernacular that is overpowering and unforgettable” –Bruce Helander (Florida Artists Hall of Fame)

The Manolis Projects Gallery is the exclusive representative of Fernanda Lavera’s works in the United States. Mr. Freak & Lucy” is now available for public viewing seven days a week. Many of Fernanda’s collectible works have sold within the show’s first week. We encourage all art collectors, seekers, and investors to visit now through the end of July. Fernanda’s works are becoming highly collected by the likes of the superstar, legendary music producer, and esteemed art collector, Clive Davis and billionaire political commentator, David Rubin.

When I saw Lavera’s work, I immediately sensed she was the one….a second-generation neo-expressionist, with a feminine Latin twist, who could pick up where Basquiat left off and take it higher, maybe much higher. I love the stories behind her work!” –Clive Davis, Collector

We would like to extend a special invitation to all press for a private showing of her works, tour of the gallery with founders Steven and Myrthia Manolis, and exclusive in-person and virtual interviews with Greg Schriefer, Steven Manolis, and Fernanda Lavera herself.

This group show features the works of 38 collected, established, and burgeoning global artists, including 92 works (17 giant works from FL), of Steven Manolis, Connie Lloveras, Jojo Anavim, and many more.

“Mr. Freak & Lucy – Thursday, April 22 from 5:30 to 9:30 pm at Manolis Projects: 335 NE 59th Street Miami, Florida 33137

ABOUT FERNANDA LAVERA

María Fernanda Lavera (b.1975-), from Buenos Aires, Argentina, discovered her fascination for art and painting through an aunt who imparted to her a love of sketching and textures.

At first glance, her paintings appear to be wall images, graffiti that draws attention to itself through its bluntness, its hypnotic colors, and a unique style, a good street artist needs to stand apart from so many others. By covering every centimeter of the surface with color and with the images of contemporary objects turned into reductions of themselves, becoming more symbols than objects.

The images appear to explode from the depths, releasing outlandish forms of intense colors that, in turn, generate contrasts of surprising expressiveness that seem to have been created by the artist’s unconscious sketches. This is when we glimpse the surreal world manifested by Lavera with an extreme passion and that informs the viewer – the spectator – of a certain state of inner turmoil. Among the recognizable forms are symbols, objects, and everyday contours that approach the realm of Pop Art. Her diverse range of themes ranges from psychedelic cartoons juxtaposed with figures of rabid cats and race cars, to the expression of visibly disturbing events. Watchful eyes and disproportionate and stooping witnesses seem to look on helplessly.

Lavera explains that she likes to let things happen intuitively, without a clear intent: she is fascinated by the effects of color, the play of light and shade that allow her to explore her moods freely. Painting is a visual conversation for her – a moment, a feeling, and, especially, an outlet that allows the possibility to express the mystery of life through a symbolic space of complete expressive freedom.

“I looked at my canvas and asked, can I be free like him? So I let my feelings inspire me, my emotions, and the colours and the shapes that dance in my own being. It gave me the courage to let me be me, who I was, and who I am. Here and now” – Fernanda

About Monolis Projects

Manolis Projects is Florida’s largest working studio and fine art gallery, located in Miami’s Lemon City neighborhood. We proudly feature unique paintings, sculptures and collectible limited edition works from over 40 artists from around the world. We focus on modern master’s and contemporary art, bridging the gap between established and emerging artists and collectors. J. Steven Manolis, a leading and critically acclaimed abstract expressionist artist, also paints and displays his own work.

Manolis Projects also hosts the East Coast’s only Artists’ Salon where artists come to exchange ideas and inspire each other and show their work. We curate three new shows every year. If you want to see a working studio gallery and what happens behind the scenes, this is the place to visit. The Gallery is open by appointment only, seven days a week.

J. Steven Manolis is a well-known philanthropist in the Arts, having served as Chairman of the Advisory Board for the National Academy of Design in New York City and on the Board of Trustees of the Vermont Studio Center. Manolis also offers private curation services for collectors, architects, and designers.

“The gallery offers visitors a unique behind-the-scenes view of a working studio + gallery.”

ABOUT THE OWNERS

Manolis Projects is a family business owned by artist J. Steven Manolis and his wife Myrthia Moore.  Additionally, Myrthia’s sons, Jason and Brian are helping to bring Manolis Projects to the next level of service and expertise. We all have different roles.

Steven brings his business expertise and profound knowledge of art history and curation, both as an artist and as the former (1997-2006) Chairman of the Advisory Board of the National Academy of Design in New York City.  Prior to his Chairmanship, he spent 1987-1997 serving as a Member of the Advisory Board of the National Academy of Design. He also served as a Trustee and Development Director of the Vermont Studio Center, from 2007 until 2016. This is the largest international artist residency program in the United States. He was also a Trustee of the Emily Mason Wolf Kahn Foundation from 2007-2016.

Many of our gallery artists are members of the National Academy of Design (National Academicians.) Additionally, we strive to bring new artists who have the potential of becoming collectible artists. We want to help our clients invest in art they love and that has the potential to appreciate over time.

Myrthia has a background in finance and economics, as well as, having a degree in Marriage and Family Therapy. She is also an artist who designs jewelry.

Manolis Projects is located at 335 NE 59th Street Miami, Florida 33137, is open 7 days a week, by appointment only.

Fernanda Laverna at The Manolis Gallery via Timur Tugberk at TaraInk for use by 360 Magazine

Fernanda Laverna at The Manolis Gallery via Timur Tugberk at TaraInk for use by 360 Magazine

Desenio and BLUE "Clean Sea" image by Desenio for use by 360 Magazine

Desenio × BLUE – Clean Sea

Desenio is partnered with Blue Marine Foundation (BLUE) in its mission to protect the oceans. In support of BLUE and its cause, Desenio continues to celebrate the beauty of our oceans through newly launched art prints. With Clean Sea, our newest collection of art prints, we want to help BLUE draw attention to the crisis in the oceans and support a solution that preserves life and beauty beneath the surface of the ocean.

 

The threats facing our oceans are not new. They have existed for a long time, and are escalating quickly. 90% of wild fish stocks are now overfished or fully exploited, wreaking havoc on marine ecology. When one fish species is overfished, the chain reaction is immense.

BLUE as a charity makes a difference by securing marine protected areas, developing models of sustainable fishing, restoring marine habitats, tackling unsustainable fishing and connecting people with the sea. These activities won’t only heal the ocean, they will change our future.

 

CLEAN SEA

 

Clean Sea is all about celebrating the beauty of our oceans, both above and below the surface. Slow down and bring in the peaceful clarity of seaside living to your home through shades of blue and beautiful ocean art prints.

“We wanted to create a direction of art prints highlighting being present with the ocean both above and under the surface. For this direction, we’re proud to be working in collaboration with Blue Marine Foundation to highlight their efforts to protect our oceans,”says Annica Wallin, Executive Creative Director at Desenio.

Desenio and BLUE "Clean Sea" image via Desenio for use by 360 Magazine

Painter Palette illustration by Heather Skovlund for 360 Magazine

Gruin × Clean Slate Exhibition

GRUIN: CLEAN SLATE EXHIBITION

Exhibition opening Thursday, May 6th, 2021 from 5-9pm PST and Saturday, May 8th from noon-5pm PST

Location:  Domicile (n)
4859 Fountain Avenue Los Angeles, CA, 90029

By appointment here 

LINK TO THE EXHIBITION

As we emerge from the pandemic, Clean Slate, curated by Margot Ross and Emerald Gruin, is an exhibition full of hope and celebration of new beginnings, wiping the slate clean for a rebirth. 

Laura Jones’ work, Gaia, is the centerpiece of the exhibition. “Gaia”, the mother of all life, is the goddess of healing and cleansing removing all past darkness. The Australian Sturt desert pea flower featured in the painting, represents rebirth. After the rain, these flowers blossom and are symbolic of the rebirth of nature. 

Belynda Henry’s works represent her fascination with the Australian landscape. Living and working in a lush valley in New South Wales, Henry experiences its ever-changing sights, sounds, light and textures. She is absorbed by nature’s compositions and colors, meditating on the medium and incorporating those impressions in her imaginative works, which are vibrantly modern and uniquely visceral.

Jonathan Rosen debuts a digital mirror piece from his Dream Machines series. After a year of confinement and sacrifice on the surface of the mirror the word BORN glows radiantly as a thousand phrases flash randomly underneath. When a viewer stands before the mirror and takes a photo a single message is frozen over the viewer’s reflection reminding us what we were all born to be. 

Using the motif of a silhouette, Keelin Montzingo’s figures are taken directly from influencers’, models’ and brands’ Instagram accounts, observing how the female pose exists in an echo chamber where the real mirrors the constructed and the constructed seeks the real. While Montzingo does not criticize self-promotion, she questions whether the female is collectively perpetuating the male gaze or rather reclaiming the body, defining an empowering narrative where the female speaks directly to the female in celebration of the divine.

Dana James’ The Hero evokes a sense of nostalgia and history, where she works the textured wax achieving a distressed, “wear and tear” aspect, referencing antiquated, sentimental belongings.

Camie Lyons is an Australian-based artist working across a variety of mediums – including sculpture, painting and drawing. Her practice is largely inspired by her intuition and experiences as a contemporary dancer, as she explores the free-flowing possibility of lines, form and movement created by the human body. 

Elliott Nimmo’s new series of work began on the cusp of Spring. Each painting explores the crisp light filtering through the trees, early morning mist and the possibilities that each new wave brings to the shore.

Jay Miriam paints magical moments of lingering time demonstrating that, when we are so caught up in a routine, we pass time without thought. In The Sunbathers, three women forget themselves in a forest as rain drizzles and one hides behind a bush.

Laura Kimmel (née Laura Weyl) is a New York-based filmmaker, photographer, and multimedia artist. Her NFT work Non Fungible Woman, uses analog image manipulations to create visceral, poetic visual worlds. Laura’s work explores the labyrinth of femininity through ritualistic, performative art making. She journeys with her muses, often trespassing, in pursuit of magical realms to conjure authentic expressions of self-outside the constraints of social constructs. Her photograph As Above evokes an alternate reality of light and color, a portal to the subliminal.

Leila Jeffreys’ work Revival evokes the feeling after the bushfires, where there is regrowth and new signs of life. The image appears like a tree of leaves, the birds appear to look like the tree is blooming with new leaves.

Although at first glance, Tom Smith’s work appears digital, it is carefully hand-made. Melt is constructed from 2 paintings on paper in opposing hot and cold colors, Smith slices the paintings into tiny strips using a razor. One slice at a time, he alternates the strips and adheres them into one picture. The painting then experiences 400 tons of pressure in a hydraulic press, permanently affixing the slices with vibrating effect revealing and distorting the image. 

While attending a decidedly anti-queer Catholic school in Colombia, for Juan Arango Palacios the jungle became a place of refuge—a safe haven—it was the first place and time in Juan’s life where they felt completely content with who they are. This space, which over time has been transformed into an archetype, acts as a timeless setting for the people that Juan meets and experiences that they would have navigating the path ahead of them. Juan is committed to creating dynamic compositions that represent the blurred memories of an immigrant, the suppressed fantasy of a queer person, and an imagined heaven informed by an icon laden religion.

Rico Ayeni is a self-taught artist from Brooklyn, New York, who makes storytelling imagery that combines color and passion while documenting everyday life around the world. A Head In The Clouds Is A Clear Mind was captured when Ayeni was touring around Africa, looking for moments which highlighted certain characteristics and challenges he observed from his people. 

Paris-based Cyrielle Gulacsy has created CS005 / (Spectral Component) for Clean Slate, the first of a series developed during lockdown. Struck by the beauty of the light during her first trip to California in 2017, Cyrielle studied the solar spectrum and the color temperature variations depending on the sunlight’s interaction with the atmosphere. The paintings are composed like windows opened to the sky that capture the magical and ephemeral instants of daylight. Breaking down the solar spectrum, each piece offers a moment of contemplation and invites the viewer to deeply meditate on the essence of light: its origin, its nature, its beauty. The artist uses pointillism and layers of dots to give form to the principle of “wave-particle duality” in quantum mechanics, a property of the photon, the particle of light.

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domicile (n.) is located in the Merrick Building in East Hollywood at 4859 Fountain Avenue. The gallery can be visited by appointment only.

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Motown Museum illustration by Heather Skovlund for 360 Magazine

Rebel Nell × Motown Museum

REBEL NELL ANNOUNCES NEW LIMITED EDITION PARTNERSHIP COLLECTION WITH THE ICONIC MOTOWN MUSEUM

Using repurposed and rare vinyl from the birthplace of Motown, the social enterprise will unveil a new line exclusively on May 3

Rebel Nell, the nationally-lauded jewelry company and social enterprise, based in Detroit, announces today a new collection with Motown Museum, using reclaimed record materials from the bright red heart-shaped ‘Pops We Love You,’ 1978 album, featuring the Motown Sound of Diana Ross, Stevie Wonder, Marvin Gaye and Smokey Robinson. The heart-shaped red vinyl was the only of its kind produced during this era.

Of the partnership, Rebel Nell Co-Founder & CEO, Amy Peterson, said, “We are honored to be able to preserve a piece of history that holds a spot in the hearts of people across the globe. We hope this collection serves as a reminder of the joy and peace that resonates when you hear the Motown Sound and inspires us to push toward a more peaceful and inclusive world.”

Motown Museum – Album Collection, is a small tribute to the life and work of Berry Gordy, who was a social entrepreneur before the term was even coined, making the synergies between the two brands, and their respective missions a natural fit. With an $800 loan in hand from the Gordy Family’s co-op, Berry built the empire on West Grand Boulevard in Detroit, known as Motown Records. Motown was a black-owned, black-centered business that broke down barriers through music. The Motown Sound defined a generation and is recognizable and lauded internationally as some of the greatest music of all time. Motown’s influence–musically, socially and culturally–are forever heard in the halls of American and world history. Today, Motown Museum preserves, promotes and celebrates the authentic Motown Story as a platform for others to flourish as thinkers, creators, neighbors and entrepreneurs.

The collection itself will feature 10 pieces (see inset) of signature Rebel Nell-style artistry and modern craftsmanship, built exclusively by the company’s Creative Designers, who meticulously repurposed the bold vinyl into wearable pieces of art. Featuring an array of necklaces, earrings, bracelets and lifestyle pieces made of brass, stainless steel and gold, the collection will launch online and in retail exclusively on Monday, May 3 with a portion of proceeds benefiting Motown Museum directly. Pieces from the collection will range in price from $45 – $130.

To learn more about this exclusive partnership and its inspiration, read more at Rebel Nell’s Blog. This collection will be for sale at Rebel Nell’s Detroit store (1314 Holden Street), online store, and at Motown Museum (2638 W. Grand Blvd).

About Rebel Nell

Rebel Nell began in 2013 with the mission to provide employment, equitable opportunity, and wraparound support for women with barriers to employment. By repurposing meaningful materials into wearable art, we mark life’s important moments and connect them to your personal journey.

We seek to embolden women, to embrace their infinite strength, and to define their own future. Our jewelry serves as a reminder that there is power in being One of No Other Kind. The brand has partnered with iconic Michigan landmarks including The Belle Isle Aquarium, The Joe Louis Arena and more for truly one-of-a-kind collections made of fallen graffiti collected at each storied location. For more information, to order items or gift cards, visit Rebel Nell or on Instagram and Facebook.

About Motown Museum

Founded in 1985 by Esther Gordy Edwards, Motown Museum is a 501(c)(3) not for profit, tax-exempt organization in Detroit. The museum is committed to preserving, protecting and presenting the Motown story through authentic, inspirational and educational experiences. Announced in late 2016, the Motown Museum expansion will grow the museum to a 50,000-square-foot world-class entertainment and education tourist destination featuring dynamic, interactive exhibits, a performance theater, recording studios, an expanded retail experience and meeting spaces designed by renown architects and exhibit designers. When completed, the new museum campus will have a transformative impact on the surrounding Detroit neighborhoods, providing employment, sustainability and community pride by serving as an important catalyst for new investment and tourism in the historic area. For more information on Motown Museum, visit Motown Museum.

Meduza illustration by Heather Skovlund for 360 Magazine

Meduza × Museum Fiasco

Electronic Group, Meduza, to Release Single as Audio-Visual Immersive Experience in Partnership with Playmodes Studio at Museum Fiasco in Las Vegas

Single Debut will be First Major Music Launch at a Contemporary Museum

Electronic music artists, Meduza, in collaboration with Playmodes Studio and Insomniac Records, will release an immersive song launch and experience as the first music launch in a contemporary museum at Museum Fiasco, located inside AREA15 at 3215 S. Rancho Dr. The award-wining trio will be on-site for the launch event starting at 10 p.m. on Friday, May 14.

The track, titled “Headrush,” will play in sync with a lightshow produced by Playmodes Studio, the group behind the concept and audiovisual contents of Museum Fiasco’s current Cluster exhibitions, “Kernel,” “Railwave” and “Stellar.” The “Headrush” experience will play from 10 p.m. – midnight from Friday, May 14 through Sunday, May 30. “The debut of this incredible track from Meduza will serve as the first time a single has been released in a contemporary art museum as part of its launch,” said Ryan Doherty, museum curator.

Grammy 2020 nominees for “Best Dance Music Recording,” for their 2019 release ‘Piece of your Heart’, Meduza has spent the last two years leading the charge in returning house music to daytime radio. Meduza is the “Most Listened to” Italian artist on Apple Music and Spotify in history and the fastest growing Italian artists on YouTube, with over one million subscribers. Their debut release, “Piece of Your Heart,” featuring Goodboys, has over two billion streams globally, reaching the top 10 charts in more than 20 countries. In late 2020, Meduza released their third single “Paradise,” featuring Dermot Kennedy, which has accumulated over 500 million streams. The track entered the “Global Top 50” playlist on Spotify and has remained there for 15 weeks straight.

“We’re thrilled to have Meduza and Playmodes collaborate to make music and art accessible and interchangeable at Museum Fiasco,” said Doherty. “The music interacting with the sound and light features creates an unforgettable experience, and we can’t wait to welcome the public to this unprecedented show.”

“As techno music lovers, we feel inspired by the rhythms and sounds of Meduza’s new song, “Headrush,” said Eloi Maduell and Santi Villanova, founders of Playmodes Studio. “It is visual and emotive music which will shine at its best with the perfect companion of light, and we’re passionate to premiere this new experience for the Museum Fiasco and AREA15 audience.”

Museum Fiasco is located on the mezzanine of AREA15, the new immersive art, event and entertainment district. Conceptualized and designed by Doherty, the 5,000-square-foot gallery showcases futuristic exhibits, audio-visual experiences and immersive mixed media in a space that fosters a sense of connectivity.

Museum Fiasco is open Monday to Thursday from 3 p.m. to 10 p.m., Friday from 3 p.m. to midnight, Saturday from 10 a.m. to midnight, and Sunday from 10 a.m. to 10 p.m. Advance reservations are highly encouraged. Tickets for the “Headrush” experience are available at Museum Fiasco. More information is available on the website, and on FacebookInstagram and Twitter.

Located in the heart of Las Vegas and minutes from the Strip, AREA15 offers immersive activations, monumental art installations, socially distanced events, extraordinary design elements, unique retail, groundbreaking technology, bars, eateries and much more. The complex also offers nearly 40,000 square feet of indoor and outdoor event space.

AREA15 follows the latest recommendations of leading health experts and government authorities, including the World Health Organization and Centers for Disease Control and Prevention. And true to the insatiable hunger for all things inventive and groundbreaking, AREA15 is using cutting-edge, state-of-the-art technology to help implement these recommendations, including an AI-driven thermal scanning platform that screens temperature accurately and non-invasively, detects the absence of a mask, and alerts staff when social distancing thresholds are not being met. 

Miles Hyman, Crash #23 - Crestline, 2021, Oil on linen, 45 x 63.75 inches for use by 360 Magazine

Miles Hyman – Narrative Images

On view: May 13 – June 26, 2021 | Opening: May 13, 11 AM to 9 PM

Philippe Labaune Gallery is pleased to present Narrative Images, an exhibition of paintings and original comic strips by French American artist Miles Hyman. This will be the debut of Miles Hyman’s paintings in New York. Informed by mid-century American realism, European symbolism, and film noir, Hyman’s recent work is a study in light, imaginative juxtapositions, and a record of personal geography. Accompanying his paintings will be a selection of original comic strip drawings from graphic novel adaptations of Hyman’s grandmother Shirley Jackson’s The Lottery, James Ellroy’s The Black Dahlia, among others. Narrative Images will be on view from May 13 – June 26, 2021 with an opening reception on May 13 from 11 am to 9 pm.

The exhibition presents two painting series, Crash and East Coast Light. In the ongoing painting series, Crash, Hyman creates imaginative dichotomies of figure and landscape. An elusive, potentially quixotic relationship forms between female characters seemingly unfixed in time, with similarly enigmatic vehicle wreckage behind them. The characters at times appear to be plucked from other worlds, while others seemingly have a more direct tie to the dramatic scene appearing over their shoulder.

Within East Coast Light, a suite of paintings depicts fictional characters at various locations throughout New York City. The subject matter highlights the importance the city has to Miles Hyman, a locus steeped with childhood and adolescent memories, and a source of development for him as an artist. To this day, the historical resonance and constantly evolving landscape, coupled with a quality of light unique to metropolises, continues to provide a wellspring of inspiration for the artist.

Accompanying Hyman’s paintings will be original charcoal drawings from several of his graphic novels, most notably The Lottery. In 2016, Hyman released the graphic novel adaption to his grandmother Shirley Jackson’s critically acclaimed 1948 short story. In what Hyman aptly termed “a feat of inter-disciplinary acrobatics,” he had the overwhelming task to create a visual expression from words on a page and to keep the novel’s nuances and the secrets intact for the reader. Hyman viewed the undertaking as a way to rediscover one of Jackson’s greatest works and allowed him “to affirm a tangible link to her life and work in a way that was both professional and deeply personal.” The ability to pair his grandmother’s word with his drawing is a familial pairing like no other.

About Miles Hyman

Miles Hyman was born in Vermont in 1962, and currently lives and works in Paris. Hyman studied drawing and printmaking with David Schorr at Wesleyan University in Connecticut before attending Paris’ Ecole des Beaux-Arts. His works have been exhibited in museums including the Palais de Tokyo, the Glénat Foundation, Rome’s Institute of Graphic Arts and the French Musée de l’Illustration. In 2017, he was awarded the prestigious Chevalier des Arts et des Lettres from the French Ministry of Culture. Hyman’s drawings are featured by international publishers such as Simon & Schuster, Viking, Farrar Straus & Giroux, Gallimard, and Chronicle Books. His work has also appeared in The New Yorker, The New York Times, Futuropolis, and a specially commissioned project with Louis Vuitton.

About Philippe Labaune Gallery
Founded in 2021, Philippe Labaune Gallery is devoted to championing and presenting original 20th and 21st-century comic art and illustrations by emerging and established artists from around the world. Prior to opening the eponymous gallery, Labaune curated an extensive survey of European comic art Line and Frame: A Survey of European Comic Art, at the former Danese/Corey Gallery in 2020.

Location
534 W 24th St Ground Floor,
New York, NY 10011

*The featured image above is: Miles Hyman, Crash #23 – Crestline, 2021, Oil on linen, 45 x 63.75 inches

Alex Aliume’s Art Gallery at Wink World inside AREA15, Las Vegas. (Photos courtesy of Wink World) for use by 360 Magazine

WINK WORLD: PORTALS INTO THE INFINITE

MEDIA INVITED TO “WINK WORLD: PORTALS INTO THE INFINITE” AT AREA15 FOR LIVE PAINTING EVENT WITH ARTIST ALEX ALIUME ON MAY 1

WHAT:
“Wink World: Portals Into The Infinite, the first-of-its-kind immersive art experience at AREA15 in Las Vegas, announces artist Alex Aliume will conduct a live painting session on Saturday, May 1 from 6 to 8 p.m. on the mezzanine level inside AREA15. Aliume’s psychedelic artwork is featured on Wink World’s façade and in the Wink World gallery located in the main hallway leading into the infinity rooms.

“Wink World: Portals Into The Infinite” is a 1,500-square-foot experience. Wink World takes the entertaining fusion of whimsy, color, art, technology and music that Chris Wink pioneered, as co-founder of Blue Man Group, to the next level. Wink World comprises a series of six infinity-mirror rooms, each showcasing a stunning production number drawing upon Wink’s love of black light and other dazzling stage effects. These mirror rooms are designed to evoke “life force” and inspire wonder. Wink’s penchant for transforming everyday objects into art or entertainment brings his delightful brand of dynamism to the experience; ceiling fans transform into kinetic art and children’s toys like Slinkies and Hoberman Spheres become elevated into a chorus line of dancers and entertainers.

To strike the right mood for Wink World’s meditation on infinity, Wink recruited rising art-star Aliume to make a cosmically inspired, 3-D black light art gallery in the expanse that leads to exhibit’s first infinity mirror room. Wink worked with Aliume to choose 15 of his distinctive artworks that relate to the concept of infinity. Aliume’s work was already featured inside Wink World’s sixth infinity mirror room, in its gift shop and across the entire façade. Additionally, Wink sought to give Aliume a space where guests could enjoy his art in a reflective gallery setting. Guest entering the Aliume Gallery will receive ChromaDepth 3-D glasses that make the colors appear to float in separate planes.

WHO:
A rising star in the contemporary art scene, Alex Aliume identifies as a mystic, visionary artist, lightworker and, most famously, as the creator of cosmic UV glow-in-the-dark, 3D psychedelic art. Aliume has collectors in the United States, Canada, the United Kingdom, France, Germany, the Netherlands, India, Thailand and the Philippines. Aliume’s art is featured on his websiteInstagram and Facebook pages, where he has more than 200,000 followers.

WHEN:
Saturday, May 1
6 – 8 p.m.

WHERE:
AREA15
3215 S. Rancho Dr.
Las Vegas, Nevada 89102
Click here for directions
Mezzanine Level

ABOUT AREA15
AREA15, located minutes from the Las Vegas Strip, is the world’s first purpose-built experiential entertainment district offering live events, immersive activations, monumental art installations, extraordinary design elements, unique retail, ground-breaking technology, bars and eateries and much more. With a growing collection of dynamic destinations including Dueling AxesEmporium Arcade BarLost Spirits DistilleryOddwood Bar, “Wink World: Portals Into The Infinite,” Museum FiascoRocket FizzFive Iron GolfThe Beast by Todd EnglishOZ Experience and anchor experience, Meow Wolf’s Omega Mart, AREA15 is an ever-changing art, retail and entertainment attracting locals and tourists of all ages.

AREA15 represents a collaborative venture between real estate development firm Fisher Brothers and creative agency Beneville Studios, both of New York.

PUBLIC HEALTH NOTICE
AREA15 and all its experiences follow the latest recommendations of leading health experts and government authorities, including the World Health Organization and Centers for Disease Control and Prevention. And true to the insatiable hunger for all things inventive and groundbreaking, AREA15 uses cutting-edge, state-of-the-art technology to help implement these recommendations, including an AI-driven thermal scanning platform that screens temperature accurately and non-invasively, detects the absence of a mask, and alerts staff when social distancing thresholds are not being met.

Biden Harris illustration by Heather Skovlund for 360 Magazine

Biden × Harris

Kamala Harris Will be First Vice President to be Immortalized by Madame Tussauds Wax Museum

Madame Tussauds New York Releases Clay Head Sculpture Images of President Joe Biden and Vice President Kamala Harris in Honor of Their 100th Day in Office

Kamala Harris made history when she was sworn in on January 20th becoming the first woman, first Black person and first Asian American vice president. Madame Tussauds New York is adding another first to Harris’ list of achievements by creating a wax figure in her likeness; an honor that has never-before been extended to a vice president. It’s tradition for Madame Tussauds to create a wax figure of each U.S. president. President Joe Biden’s figure was announced following the 2020 presidential election.

Madame Tussauds shared the news by releasing work-in-progress images of Biden and Harris, just ahead of their 100th day in office. The clay heads were created by a team of studio artists based in London and represent meticulous detail captured by researching hundreds of images to achieve an exact likeness of the famous U.S. leader’s faces. The heads took six weeks to sculpt, and the figures will take between four to six months to complete. “We’re honored to create a figure for Vice President Harris and reflect this significant moment in U.S. history for guests inside Madame Tussauds New York,” said Brittany Williams, spokesperson for Madame Tussauds.

President Biden and Vice President Harris’ figures will be wearing replicas of the outfits worn at the 46th presidential inauguration ceremony. President Biden’s figure will be dressed in a midnight blue Ralph Lauren suit, white dress shirt with a French cuff and a lavender tie. Madame Tussauds designers also included small, yet noteworthy details including navy and gold cufflinks with the words ‘U.S. Senator’ and a United States flag lapel pin.

The outfit for Vice President Harris’ figure was created custom for Madame Tussauds New York by Christopher John Rogers, the designer of the symbolic and elegant purple coat and dress worn at the inauguration. The look created for the figure is a replica of the blazer and dress worn by Vice President Harris on Inauguration Day for her indoor appearance and swearing in of the senators. Her gold and pearl necklace, pearl earrings, bracelets and rings will also be replicated to complete the authentic look.

Madame Tussauds plans to unveil the figures later this year and place them in the “Oval Office” experience at Madame Tussauds New York where guests can make their own history posing with Biden and Harris up close. 

Spiro illustration by Heather Skovlund for 360 Magazine

Spiro Exhibition

Ancient Mysteries Revealed: Groundbreaking Spiro Exhibition to Debut at The National Cowboy & Western Heritage Museum

The Spiro site contained one of the greatest collections of prehistoric American Indian artifacts ever discovered in the United States.

The Spiro Mounds are one of the United States’ most important ancient Native American sites, as well as an archaeological find unmatched in modern times. Yet, despite creating a sophisticated ancient culture, the Spiro people are nearly forgotten in the pages of history books. How did these incredible works of art and other treasures from all over North America end up hidden for hundreds of years, and why? Opening February 12, 2021 at the National Cowboy & Western Heritage Museum, “Spiro and the Art of the Mississippian World” will seek to answer these questions and more in the first major presentation on the Spiro Mounds ever undertaken by a museum, representing the first, and possibly last, time these artifacts will be reunited from various collections across the country.

“We are incredibly pleased to announce this unparalleled exhibition, which will give proper honor and representation to the culture and historical impact of the Spiro people,” said Natalie Shirley, The Cowboy president and CEO. “Our staff has worked for years to create a world-class, exciting and collaborative presentation of a people who have been overlooked for too long.”

This exhibition will share the art, history and culture of the Spiro people through approx. 175 objects, as well as an accompanying publication, website, public symposium and panel discussion. It was created in collaboration with representatives from the Caddo and Wichita Nations, the descendants of the Spiroan people, and with contributions by 17 humanities scholars from nearly a dozen universities and museums from across the United States.

The Spiro Mounds were the location of one of the largest and longest episodes of looting at any American archaeological site in history—comparable to that of Mesa Verde in Colorado and, sadly, several others across the country. Both looting and New Deal/Works Progress Administration (WPA) archaeological excavations came together in a near-perfect storm at Spiro. In 1935, the public’s imagination was peaked when the Kansas City Star called the site’s discovery a “King Tut’s Tomb in the Arkansas Valley,” and identified it as the greatest source of Mississippian iconographic material ever found. Embossed copper plates, wooden sculptures, thousands of pearls and beads, large human effigy pipes and engraved shell gorgets and cups are just some of the items found at Spiro. In fact, nearly 90% of all known engraved shell created during the Mississippian period (900 – 1650 AD) was discovered at this one site. This exhibition will include the reunification of a range of items looted and archaeologically excavated at Spiro that have not been together since the early 1930s and 1940s.

“The quality and quantity of material found at Spiro is unprecedented,” said Eric Singleton, Ph.D., Museum Curator of Ethnology. “We are grateful to have the support of the Spiroan descendants, the Caddo Nation and the Wichita and Affiliated Tribes, as we prepare this exhibition. Without them, this exhibition would not be possible.”

The Spiroan people, along with other Mississippian groups across the eastern half of North America, created a world equal to that of the Aztec, Maya or Inca, consisting of trade networks and highly developed social, political and religious centers. The exhibition will explore the archaeology and history of Spiro and its relationship to other contemporaneous Indigenous communities in North and Central America, highlighting community development, religious and ceremonial activities, farming and hunting practices and daily life. It will also illustrate how ecological factors, specifically the occurrence of the “Little Ice Age” beginning in 1350 AD and lasting until 1650 AD may have led to the site’s decline and ultimate abandonment. The exhibition also showcases contemporary Indigenous art pieces that explore the ideas of origin and connect the art and artistry of the Spiro people to their modern descendants.

Following the exhibition, the online component and educational materials will be available on the Museum’s website and in our permanent Native American gallery. In addition, the Museum will give both the Caddo and Wichita Nations all interpretative materials to use at their discretion in their respective tribal museums.

The exhibition will debut at National Cowboy & Western Heritage Museum February 12 – May 9, 2021, before traveling to the Birmingham Museum of Art (October 5, 2021 – March 11, 2022) in Birmingham Alabama, and the Dallas Museum of Art (April 15, 2022 – August 5, 2022), in Dallas Texas.

Visit Spiro Mounds for more information, including photos, maps and a calendar of associated programming.

The Spiro and the Art of the Mississippian World has been made possible in part by major grants from the National Endowment for the Humanities and the Henry Luce Foundation, as well as support from the Kirkpatrick Foundation.

Any views, findings, conclusions, or recommendations expressed in this press release do not necessarily represent those of the National Endowment for the Humanities.

About the National Cowboy & Western Heritage Museum

The National Cowboy & Western Heritage Museum in Oklahoma City is America’s premier institution of Western history, art and culture. Founded in 1955, the Museum collects, preserves and exhibits an internationally renowned collection of Western art and artifacts while sponsoring dynamic educational programs to stimulate interest in the enduring legacy of the American West. For more information, visit the National Cowboy & Western Heritage Museum.