Javier Pedroza is a multi-talented host, producer, creative and visual director, founder of his own production company Under One Roof Productions, celebrity stylist, philanthropist, and Latinx Editor-at-Large for 360 MAGAZINE. His positive and innovative mindset have allowed Pedroza to rise to prominence in the entertainment industry. His impressive portfolio is comprised of editorials, fashion shows, movie premiers, life performances, showroom designs, pop-up shops, and window and merchandising displays. Pedroza is based in New York City, but he is surely taking on the world.
Due to Pedroza’s incredible styling abilities, he has worked with supermodels and Hollywood celebrities alike at major award shows and red carpet events. The stylist’s abilities have been seen at the Oscars, the Emmys, The Golden Globes, The Grammys, and the SAG Awards.
Pedroza’s innovative mindset and charismatic ebullience has also landed him interviews with stars, including Carmen DeLeon, Piso 21, LaJune, and Raul Peñaranda. Additionally, Javier was named the Relational Organizer Director for Dianne Morales’ mayoral campaign. Pedroza’s unique perspective grants him exceptional event design and execution of production abilities. His astute creative direction has led to the success of many events.
Favoring to work with non-profit organizations– such as Wendy Williams’ The Hunter Foundation Inaugural Gala at New York City’s prestigious Hammerstein Ballroom, AID for AIDS Hero Gala held at the American Museum of Natural History and Latino Commission on AIDS Cielo Gala at Cipriani Wall Street– Pedroza’s philanthropic productions help these organizations reach their full potential. The designer is especially passionate about his involvement with The Latino Commission on AIDS, of which he has supported for the past thirteen years and became Chair of the Cielo Gala in 2019.
Recently, Pedroza’s hard work and talent has resulted in him being signed to media brand, TAG Collective. He will be working with the Collective to secure brand deals, social media engagements, publicity outreach, and to expand his overall profile.
Sony Music and the Estate of Michael Jackson announced that it will celebrate the 40th anniversary of Michael Jackson’s Thriller. The biggest selling album of all time.
The November 18 release of Michael JacksonThriller 40is a double CD set comprised of Michael’s original masterpieceThriller. The second disc will be full of surprises for fans. It will include never-released tracks which were worked on by Michael for the Thriller album. To date, the album has amassed in excess of 100 million in sales worldwide.
In the US, Walmart will have an exclusive version of the original Thriller album with an alternate 40th anniversary cover, while Target will have an exclusive version of the original album with a commemorative Thriller 40 vinyl slip mat. Both of these will also be available outside the US from various retailers.
Mastered from the original analog master tapes, Mobile Fidelity will also make available the original Thriller album as a One-Step 180g 33RPM LP, pressed at RTI and strictly limited to 40,000 numbered copies as well as a hybrid SACD . (An UltraDisc One-Step 180g 45RPM 2LP set of Thriller will be released at a future date.)
Visit HERE for further information and to Pre-Order.
Several activations are planned between now and the end of the year to honor Michael’s epic creation which won a record setting 8 Grammys, smashed musical barriers and changed the frontiers of pop music and videos forever. Michael Jackson’s Thriller has spent more than 500 weeks on the Billboard album chart and has sold over 100 million albums since its release on November 30, 1982. The first such activation is the first drop of new merchandise featuring the special Thriller 40 logo which is now available exclusively through the MichaelJackson.com Official Site.
MORE ABOUT THRILLER:
Thrillerholds a modern-day record of 37 weeks at No. 1 on Billboard. It was the first album in history to spend each of its first 80 weeks in the album chart’s Top 10, a feat only reached by one other album in the nearly four decades since. During its 112th week on Billboard’s album chart, it became the first title ever to be certified RIAA 20X multi-Platinum (October 30, 1984) and became the first title ever to be certified more than RIAA 30X multi-Platinum in 2015 and since has been certified at 34x Multi-Platinum.
Worldwide, Thriller went to #1 in practically every country in the world, including the UK, France, Italy, Australia, Denmark, Belgium, South Africa, Spain, Ireland, New Zealand, Canada and apartheid South Africa and remains the biggest selling album of all time with sales in excess of 100 million. Seven tracks from the album became Top 10 singles, and three, Beat It, Billie Jean, and Thriller, went No. 1.
The music on Thriller was so singular for the time it defied any definition of rock, pop or soul that had gone before. Beat It was a new kind of pop-rock hybrid and demolished the longstanding segregation between black and white music with Eddie Van Halen’s incendiary guitar. On The Girl Is Mine, two men, one white and one Black, banter about the same girl. On the same album were songs like the African-rooted Wanna Be Startin’ Somethin’ and the rhythm and blues-based Billie Jean.
Michael set out to revolutionize how to tell a story and entertain on a grand scale through film but faced roadblocks. Despite the luscious cinematography, dramatic narrative and spectacular choreography of Billie Jean, a fledgling MTV, which was programming white rock artists almost exclusively, refused to play it. Epic persisted. Once the wall came crashing down, MTV’s ratings soared and a door was opened for a generation of African American artists. “He was MTV’s Jackie Robinson,” said cultural critic Touré.
Next, came the unforgettable short film for Beat It, which featured Michael bringing two gangs together through the power of music and dance. And then there was Thriller. Premiered at the AVCO Theatre in Los Angeles in 1983, it sold out every night for three weeks. No other video before or since has generated such excitement and has such a hold on our attention, such that 40 years later we all share it as a collective memory and it remains the only music video to be inducted into the elite National Film Registry by the Library of Congress.
Music from Thriller and other hit albums are featured in the Vegas show Michael Jackson ONE, at the Michael Jackson ONE Theater at Mandalay Bay as well as the acclaimed Broadway play MJ The Musicalat the Neil Simon Theatre in NYC, which was nominated for 10 Tony Awards. Michael Jackson One by Cirque du Soleil is an electrifying fusion of dance as well as acrobatics which wows audiences. Powered by his greatest hits in a state-of-the-art surround sound atmosphere. ONE takes the audience on a visual expedition–63 overly artistic dancers engaged in extensive choreography.
Michael has sold more than 1 billion records and remains one of the top streaming artists of all time.
Bombazo Wear, Bomba Caribbean Skirts, and Under One Roof Productions are introducing the Bomba Exhibit and Fashion Show: Resistencia y Libertá. The show presents a unique experience representing Bomba’s evolution and its historical journey dating back to the 17th century. This event is a great opportunity to join us in highlighting the Bomba movement including its traditions, culture, and trends during Black History Month. The inaugural exhibit and fashion event will be presented at El Centro Cultural Carmen Solá de Pereira; Ponce’s main cultural center, founded in 1963 on February 3rd, 2022, at 6:00 PM.
Milteri Tucker Concepción, one of the leaders in Bomba, is highly regarded as a choreographer, cultural warrior, fashion designer, and author. She is joining forces with the renowned Creative Director, Javier Pedroza, to put together this event and give the opportunity to represent Puerto Rican culture through the language of fashion. As Pedroza said, “In a political climate where Latin (x,a,o,e) communities are dealing with challenges, it is our commitment to educate the world around us to create unity.”
The multi-talented host, producer, creative and visual director, founder of his own production company Under One Roof Productions, celebrity stylist, philanthropist, and Latinx Editor-at-Large for 360 Magazine, Javier Pedroza, is collaborating with Bomba Wear, handmade and tailored skirts for Afro Caribbean and Latin cultural dance. This event promises to be a unique experience of submerging into Puerto Rican culture and tradition.
Wisdome LA, the city’s first and largest immersive art & music dome park, is back with another exhilarating experience. This free form “art battle” took place at an abstract venue tucked away in the Arts District of Los Angeles. The rules were simple – a group of twelve eclectic artists painted it out till the twenty-minute time period came to an end.
Initial thoughts walking into this dome shaped arena were perplexing. Futons were placed circling the locale for attendees to lounge along with two different stands for guests to purchase snacks and cocktails. In the center of the dome were twelve easels with the paint canvas displaying each individual artist’s name.
As the art battle commenced, the confusion of the crowd grew as they patiently watched these talented artists construct their masterpieces in twenty minutes. Viewers were doubtful at first on how well these paintings would turn out, but proven wrong as the timer winded down. Towards the end of the clock, all artisans had stunning finished pieces.
As the contest comes to culmination, an artist from Chicago, JUJU, took the trophy home as the medalist of this showdown. Wisdome LA is the place to be if you are looking for an enveloping and tranquil experience. Wisdome LA Co-Founder Stephen Powers says, “Wisdome LA’s key concept and main objective is to offer that virtual reality experience without goggles.” To be updated on future festivities refer to their website Wisdome.LA.
Wisdome LA Co-Founder: Stephen Powers
Educated in molecular biology at MIT, Stephen Powers is an entrepreneur, chief executive, Grammy-winning music producer, Emmy-nominated TV producer, marketing expert, Board Director, business consultant, and creative director with decades of high-level experience. Powers is CEO of Powers Omnimedia, a production, publishing and consultancy firm serving media clients, including Sony Pictures, Dream Awake, America Meditating Radio, Waterside Productions, The Shift Network, World Dignity Forum, The Global Summit, USC Institute of Creative Technologies, 360 Dome Pro, and Wisdome.LA, a leading technology and location- based entertainment provider of immersive VR dome theaters, where he currently serves as COO and Co-Founder.
Powers has previously served as CEO of Bodhi Tree; Co-Founder & CEO of Agape Media; Chief of Platform Expansion at Thrive Market, President of Miller & Kreisel Sound; Co-Founder & CEO of Drive Entertainment (Universal Music); Founder & President of Chameleon Music Group (Capitol-EMI); Director of A&R at Capitol Records Hollywood; President of the Board at Theatricum Botanicum; Director of Entertainment for the 1984 Los Angeles Olympics; Founder & President of Mountain Railroad Records; and Founder & Executive Director of Charlotte’s Web for the Performing Arts. His numerous creative credits include record production, NP radio host, PBS Television writer and producer, editor, Nautilus Award-winning publisher, keynote speaker, and TV host.
YouTube Originals premiered the first episode of “Copy That!,” the new five-part competition comedy series from Sony Pictures Television and executive producer Charles Wachter, where four-star YouTube creators each with a different, incredible skill, step out of their comfort zones and attempt to copy their fellow creators’ area of expertise in hysterical ways! Episodes debut daily on each spotlighted creators’ channel beginning on today only on YouTube. Additional “Copy That!” bonus content will premiere daily with each episode for YouTube Premium subscribers, only on the YouTube Originals official channel.
“Copy That!” stars Sofie Dossi (6.21M subscribers), Lisette aka Luhhsetty (3.15M subscribers), Rosanna Pansino (13M subscribers) and Preston (17.9M subscribers) who demo their gaming, cooking, dancing, or beauty and makeup mastery in a blur of action and charisma, and then it is up to the other star creators to COPY THAT! and nail their own version. Whether it be a delectable crêpe cake, make-up demos, or jaw dropping dance routine, the other star creators will be in over their heads trying to create their own magic in a space they know little about.
Fans can follow the episodic rollout on each creator’s channel daily:
“Copy That!” is produced by Sony Pictures Television and executive produced by Charles Wachter. Susanne Daniels is Global Head of Original Content for YouTube. Alex Piper serves as Head of Unscripted for YouTube Originals, with Cara Casey and Ryan Bratton overseeing “Copy That!” for the global platform.
About YouTube Originals
YouTube Originals are award-winning series, specials and livestream events for YouTube’s two billion active monthly users that entertain, inspire, connect, and educate audiences through authentic storytelling from YouTube creators, music artists and celebrities. By tapping into the platform’s growing global community, fan engagement product capabilities, and innovative content, YouTube Originals amplify the most popular and unique aspects of YouTube. Fans can experience YouTube Originals content for free through the standard YouTube platform (ad-supported), or through a paid subscription to YouTube Premium, which adds ad-free, bonus/exclusive content, and early binge access to select programming. YouTube Originals are available in over 100 countries worldwide. Keep up with the latest YouTube news by visiting the global platform’s official blog at https://blog.youtube/.
New York City’s Comic Con is a key annual fan event dedicated to Western comics, graphic novels, anime, manga, video games, movies, television and more. First held in 2006, this classic event was canceled last year due to the Covid-19 pandemic, devastating fans who look forward to this mainstay of popular culture. Yet this year, Comic Con made its triumphant return, though it looked a little different in the attendance of both its exhibitors and fans. 360 MAGAZINE got the full scoop from well-versed fan Rodney Ramlochan on how this event has changed. He offers comments on the good, the bad, the Covid, and the in between for 360 readers. Read Ramlochan’s full testimony below:
To say that I love New York Comic Con is an understatement. For over a decade, as a pop-culture geek, I’ve enjoyed the fantastic guests, panels, original art, unique exhibitors, industry merchants, and one-of-kind exclusives. It has always been one of my favorite events to cover, and as a die-hard fan, I was deeply disappointed that the pandemic caused last year’s convention to go virtual. However, I was thrilled to hear that the event was coming back in person this year. Since much had changed over the past eighteen months, I thought it would be cool to experience the event as a fan rather than cover it as press. I also wanted to test-drive ReedPop’s Metaverse membership for ordering in-person tickets and focus on the overall fan experience, including Covid safety precautions and notable differences between this year and cons from yesteryear. Here are my post-Comic Con impressions.
I purchased tickets a few months ago in July using the MetaVerse presale process. Of course, this was before the uptick caused by the Delta variant strain. I didn’t expect any issues with purchasing online as I’ve never really had a problem buying 4-day or single-day passes in the past. Still, I was interested in trying out the new Metaverse Membership that gives you first access to NYCC badges, photo ops & autographing tickets. My mission this year was to get both an autograph and photograph with William Shatner, epic space captain of the Starship Enterprise and now a real-life astronaut. In addition to getting first dibs on NYCC in-person tickets, the Superfan membership allows you to buy MCM Comic Con, Emerald City Comic Con, and C2E2 tickets. You can also get paid digital experiences, exclusive access to video content and celebrity panels, access to exclusive NYCC merchandise online.
The Superfan Membership process was relatively seamless. I signed up at the end of June using the Metaverse Membership email and bought tickets using a dedicated link on my profile page within a few days. I purchased single day passes for each day of the convention, and I was contacted for the opportunity to purchase photo ops and autographs in addition at the end of September. Overall, I’d say the membership was worth it. It’s perfect for the fan who would rather have a more significant window of time to purchase tickets. Outside of remembering to click on the notification reminder emails and follow the presale, photo ops, and autographs links, ordering is straightforward. There are no worries about getting tickets for the exact days you want to attend. If you are good with the allotted time frame afforded by the standard ordering process, then paying for the Superfan membership may not be beneficial at this time. However, I do wonder what the future holds for purchasing tickets in the future. Suppose the Superfan method of buying in-person tickets becomes more popular. Will it impact the standard order process and make it more challenging to obtain single-day passes post-pandemic? Only time will tell.
As far as Covid safety protocols, enforcement, and logistics, the ReedPop and the Javitz Center team did a great job managing this. Before attending, I was uncertain why New York Comic Con needed a partnership with CLEAR Health Pass. Especially since vaccination proof was a requirement for attending and could be validated using vaccine cards and existing apps like the NY Excelsior Pass. In hindsight, standardizing the application that everyone uses for admission was a smart move. At the very least, it streamlined the process and expedited entry for most. I picked up my green ReedPop vaccine wristband at the Javitz Crystal Palace a few nights before opening. It took me less than 5 minutes to show the CLEAR app and retrieve the band, and in many ways, this process foreshadowed the overall feel and attendance for the convention. NYC began requiring proof of vaccinations in early September, and the event was following suit. The mandate may have impacted attendance, as I read many social media comments from individuals that stated they wanted to return or sell their tickets because they didn’t know the vaccine would be mandated before purchasing. But, as a whole, most people in attendance complied with the requirements. I was there all four days and only encountered two individuals not wearing masks on the main floor. I didn’t notice security enforcing the mask mandate, but I did hear that a vendor and few individuals had been removed from the showroom floor for not following the rules. At my William Shatner autograph and photo ops sessions, plexiglass partitions protected Shatner and the fans. Partitions were used at all reserved signings and photo op sessions. According to ReedPop, 150,000 paid in-person attendees were at the event this past weekend compared to 250,000 in previous years. Even with 100,00 fewer people, this was the largest indoor in-person event held in New York since 2019, showing a great evolution from where things were at the start of the pandemic. It was good to see that all of the proper safety protocols were in place.
One of the most significant differences between this year’s Comic Con and past shows was the notable absence of large exhibitors like Disney, Marvel, DC, Image, Sony, Amazon, SYFY, and distributors like Funko and Midtown Comics. Of course, it didn’t come as a surprise, as we had been receiving no-show notices practically every week leading up to the event. I’m sure it deterred some folks from attending, but I think it helped provide a unique experience for those who did. It minimized the crowd and offered other smaller exhibitors an opportunity to showcase their properties and spend more time with fans. As a result, I spent a lot more time than I would typically have at smaller booths. For example, I met the great folks at Plunderlings, a boutique toy line presenting a fresh take on fantasy universes from a Caribbean perspective. Although some of the major players weren’t present, there was an excellent turnout for anime fans from Toei Animation, Funimation, VIZ Media, and Tamashii Nations. Without having to compete for floor space, it seemed as if their exhibits doubled in size. If you were a fan of these companies, it was probably the first time in years that you could casually stroll through their exhibits without waiting in line. Although it was less crowded, the show floor did not feel empty. As expected, Saturday and Sunday saw an increase in volume of attendees, but nothing compared to the previous years.
One of the most extraordinary changes this year was the unveiling of the new Javits Center expansion project. It took a few minutes to figure out exactly where floors 4 and 5 were, but once you found them in the building adjacent to the old center, you were treated to the fantastic skyline and river views on the way up to the panel rooms and the new Empire Stage. There were a few blockbuster live panels, including Ghostbuster and The Boys; however, many panels like Sandman Act II and Wheel of Time were pre-recorded videos. I did sit in on the Sandman panel, but post-viewing, I felt a bit underwhelmed – watching a video of writer Neil Gaiman, audiobook director Dirk Maggs, actor James McCoy (who voices the title character), and actor/filmmaker Kevin Smith (who voices Merv Pumpkinhead) was not the same as seeing them in person. In addition, ReedPop introduced a new reservation system for the larger panels instead of the “badge tap-in” process used in the past. I have mixed feelings about this, as it didn’t appear that anyone’s reservations for the panels were being checked. It may have been because there was excess capacity remaining at the events I attended. However, I will note that the folks at the Tamashii Nations booth to purchase their exclusive Super Saiyan God Super Saiyan Son Goku figure did check for reservations.
Overall, expanding the panels to the new venue resulted in two significant outcomes. First, it allowed more space to return to smaller fan-focused panels, which featured creators interacting with their fandom instead of pitching major studio events. Second, moving the panels out of the main building allowed for Artist Alley to take back a prominent role I felt it had lost over the past few years. This year, the Alley was front and center, featuring principal mainstays like Fabian Nicieza, Chris Claremont, Rob Leifeld, and Scott Synder amongst many others. I especially enjoyed chatting with Ben Bishop, one of the key artists on TMNT’s The Last Ronin.
Undoubtedly, many of this year’s Comic Con changes resulted from how best to host an event during a pandemic, but many of the changes also focused on improving the fan experience. As a result, NYCC 2021 felt more like the NYCC of 2011, but with a few notable improvements. Creators were able to connect more with their fandoms, fans were able to stop and appreciate exhibitors and artists more, and ReedPop unveiled a few new processes to streamline crowd control and help fans maximize their time at the event. It wasn’t perfect, but as a fan, it exceeded my expectations, and I’m even more looking forward to a pandemic-free NYCC next year.
Please meet UK pop provocateur Willow Kayne, who has shared her new single “I Don’t Wanna Know” today. Listen here at all DSPs.
After releasing a slew of independent singles, Willow signed with Sony this year and released her major label debut single “2 Seater” just a few months back to buzz and acclaim, even receiving early love from BBC Radio 1. Now, the 19 year old is throwing her hat in the ring as one of the most vivid, genre-blurring pop provocateurs in music today. A keen visual artist with influences as far-reaching as fashion design giant Nigo and production mastermind Pharrell, she pools together the most lucid touchpoints of all her inspirations to build a sound as diverse as her creative palette. Willow can trace this eclecticism directly back to her childhood, being raised by a hip-hop and house-obsessed father and a mother who produced videos for the likes of Erasure and the Prodigy. James Brown, Nas, and MF DOOM were all significant early influences, and soon she was making her own musical discoveries, falling hard for artists as diverse as Tyler The Creator, the Sex Pistols, Gorillaz, and Portishead.
Teaming up with UK hitmaker Oscar Scheller, “I Don’t Wanna Know” takes all of the attitude Willow has started to become synonymous with and ramps it up to 11 – taking cues from the old school rave culture that she is obsessed with by sticking a middle finger up to trolls over a drum & bass indebted production. It’s a high energy example of just how unpredictable a talent Willow is, and how easy she makes it look; the track is packed with hilarious one-liners that cut those who have bullied her online to size. An empowering anthem that deals with real life issues with a sense of confidence that feels refreshing in the landscape of pop today. The official video, along with a debut project and a HUGE announcement are all coming soon…
“…playful lyricism, smooth refrains, and ‘90s-indebted grooves.” – NME
“…the artists that stick out from the pack are always those who are willing to switch things up, and quite clearly, Kayne isn’t afraid to do so…” – Lyrical Lemonade
“The Gen Z talent links together huge opposing forces, creating her own potent brand of rebel-pop.” – Clash Magazine
“A sizzling rallying-call from the Bristol-based artist all about living your own life and doing your own thing, ‘Two Seater’ blends rap verses with 90s-tinged pop influences, resulting in an instantly catchy debut.” – DIY Magazine
Third Man Records is excited to announce Vault Package #49: Bob Dylan – Springtime In New York: The Bootleg Series, Vol. 16 (1980-1985). In conjunction with Sony/Legacy, Third Man will release this 4xLP collection (pressed at Third Man Pressing in Detroit) full of previously unreleased outtakes, mixes and more, complete with a 16-page booklet of liner notes and track notations and four uniquely-colored LPs in their own individual LP sleeves, all housed together in an impressive custom slipcase. The songs on the Third Man Vault will be the ONLY vinyl release of those 42 songs. There is NO material overlap between the 2xLP version from Sony/Legacy and the 4xLP release from Third Man. Sign up is open now through July 31 at midnight CT.
In the early 1980s, while the music industry was grappling with the arrival of new trends and technology, from MTV to compact discs to digital recording, Bob Dylan was writing and recording new songs for a new decade, creating an essential new chapter in his studio catalog. The latest in Columbia/Legacy’s highly acclaimed Bob Dylan Bootleg Series revisits an often-forgotten, rich vein in Dylan’s vast and complex catalog, shining fresh light on the provocative new musical directions Dylan was taking as a songwriter and a recording artist from 1980 through 1985. Bob Dylan – Springtime In New York (1980-1985) celebrates the rich creative period surrounding Dylan’s albums Shot Of Love, Infidels, and Empire Burlesque with previously unreleased outtakes, alternate takes, rehearsal recordings, live performances and more.
Third Man Records, in conjunction with Sony/Legacy, is humbled to release a limited edition 4LP vinyl collection of Bob Dylan – Springtime In New York: The Bootleg Series Vol. 16 (1980-1985) as their 49th Vault package. Pressed on gold, violet, orange and purple discs at the state-of-the-art Third Man Pressing facility in Detroit, the set includes a 16-page booklet of liner notes and track notations, as well as individual LP sleeves all housed together in an impressive slipcase.
Bob Dylan – Springtime In New York: The Bootleg Series Vol. 16 (1980-1985) is also available in a deluxe 5xCD boxset as well as 2xCD and 2xLP 12” vinyl highlight packages. The songs on the Third Man Vault will be the ONLY vinyl release of those 42 songs. There is NO material overlap between the 2xLP version from Sony/Legacy and the 4xLP release from Third Man.
LP One of Bob Dylan –Springtime In New York: The Bootleg Series Vol. 16 (1980-1985) was recorded in 1980 and 1981 and finds Dylan rehearsing a variety of his own catalog compositions (“Señor (Tales of Yankee Power)”), rearranging some traditional folk tunes (“Jesus Met the Woman at the Well,” “Mary of the Wild Moor”) and revving up a selection of surprising covers (“Mystery Train” featuring Ringo Starr, “Fever,” “Abraham, Martin and John”) with a group of musicians including Frank Fred Tackett (guitar), David Mansfield (mandolin), Willie Smith (keyboards), Tim Drummond (bass), Jim Keltner (drums) and background vocals by Clydie King, Carolyn Dennis, Gwen Evans, and Regina McCrary.
LP Two of Bob Dylan – Springtime In New York (1980-1985) is devoted to outtakes and alternate takes of recordings, produced by Chuck Plotkin for Shot of Love, as well as material Bob Dylan wrote for Infidels, performed by the all-star band assembled for the album, produced by Bob Dylan and Mark Knopfler, which featured Knopfler (guitar), Mick Taylor (guitar), Alan Clark (keyboards), Robbie Shakespeare (bass) and Sly Dunbar (drums).
LP Four of the album includes live tracks (“Enough Is Enough” from Slane Castle, Ireland, and “License to Kill” from Late Night with David Letterman, March 22, 1984) alongside alternate takes and outtakes from the Empire Burlesque sessions, produced by Bob Dylan, including the premiere of the new song “Straight A’s in Love.”
According to the Producer’s Note in the album: “The alternate takes selected for this set are different than the ones released on previous volumes of The Bootleg Series. They are included here to illustrate the musical journey Bob Dylan undertook during these years.”
In his liner notes for Bob Dylan –Springtime In New York, Damien Love writes, “And that’s the real story of this gloriously untrammeled collection. The songs. The songs stripped free of trappings, tampering, passing tastes, and judgements. The songs broken down to the sound of people really doing this, right now, acting on instinct. The songs rough and rowdy, bruised and tender, joking and crying, nagging and striving and yearning. The songs were always there, and here they are still, keeping pace with us.”
Fans have only until July 31st to subscribe to Third Man Records Vault, where they will automatically receive this package. Visit here to sign up.
Springtime In New York: The Bootleg Series, Vol. 16 (1980-1985)
Third Man Records 4-LP Set
Señor (Tales of Yankee Power) – Rehearsal
Jesus Met the Woman at the Well – Rehearsal
Mary of the Wild Moor – Rehearsal
A Couple More Years – Rehearsal
This Night Won’t Last Forever – Rehearsal
Mystery Train – Shot of Love outtake
We Just Disagree – Rehearsal
Let’s Keep It Between Us – Rehearsal
Fever – Rehearsal
Abraham, Martin and John – Rehearsal
Angelina – Shot of Love outtake
Price of Love – Shot of Love outtake
I Wish It Would Rain – Shot of Love outtake
Let It Be Me – International 7” Single B-side*
Donߣt Ever Take Yourself Away – Shot of Love outtake*
Cold, Cold Heart – Shot of Love outtake
Is It Worth It? – Shot of Love outtake
Borrowed Time – Shot of Love outtake
Yes Sir, No Sir – Shot of Love outtake
This Was My Love – Infidels outtake
Donߣt Fall Apart on Me Tonight [version 2] – Infidels alternate take
Neighborhood Bully – Infidels alternate take
Too Late [acoustic version] – Infidels outtake
Clean Cut Kid – Infidels outtake
Baby What You Want Me to Do – Infidels outtake
Foot of Pride – Infidels outtake
I and I – Infidels alternate take
Green, Green Grass of Home – Infidels outtake
Union Sundown – Infidels alternate take
Lord Protect My Child – Infidels outtake
Tell Me – Infidels outtake
Enough is Enough [live] – Slane Castle, Ireland
License to Kill [live] – Late Night with David Letterman, March 22, 1984
Angel Flying Too Close to the Ground – Infidels outtake
Julius and Ethel – Infidels outtake
I’ll Remember You – Empire Burlesque alternate take
When the Night Comes Falling from the Sky [slow version] – Empire Burlesque alternate take
Tight Connection to My Heart (Has Anybody Seen My Love) – Empire Burlesque alternate mix
Emotionally Yours – Empire Burlesque alternate take
Clean Cut Kid – Empire Burlesque alternate take,
Straight A’s in Love – Empire Burlesque outtake
When the Night Comes Falling from the Sky [fast version] – Empire Burlesque alternate take
Internationally acclaimed, GRAMMY® Award winning artists Billie Eilish [Darkroom/Interscope Records] and Rosalía [Columbia Records] have joined forces for ‘Lo Vas A Olvidar’ – listen HERE. The alluring new collaboration is out now across all platforms worldwide and previewed earlier this week on the official trailer for HBO’s hit show EUPHORIA and its upcoming special episode, “Part 2: Jules,” which premieres January 24. The official music video was directed by award winning Nabil, and stars both Billie Eilish and Rosalía.
Watch the official music video for ‘Lo Vas A Olvidar’ HERE.
In other Billie Eilish news, the 19-year-old pop-phenom follows her 2020 history-making GRAMMY® Award wins with 4 additional nominations for the 2021 63rd Annual GRAMMY® Awards. Billie Eilish was nominated in 4 categories for her critically acclaimed song ‘everything i wanted’ (Song of the Year, Record of the Year, Best Pop Solo Performance) and her official James Bond theme song ‘No Time To Die’ (Best Song Written For Visual Media). The 63rd Annual GRAMMY® Awards are set to take place and air on CBS on March 14.
Next month sees the worldwide premiere of her highly anticipated documentary film, “Billie Eilish: The World’s A Little Blurry.” Directed by award-winning filmmaker R.J. Cutler, the film will be released in theaters by NEON and premiere globally on Apple TV+ on February 26, 2021. Watch the official trailer HERE.
Billie Eilish has also announced she will be releasing her first ever personal photo-filled book, titled BILLIE EILISH on May 11. Pre-order HERE
While Rosalía has spent a large majority of the last year immersed in the creative process of writing and recording her eagerly-awaited next album, she also notably closed out 2020 by leading the field of LATIN GRAMMY winners for the second year in a row, joining Travis Scott, Bad Bunny and the Weeknd on collaborative tracks, and becoming the first-ever all-Spanish language music artist to grace the COVER of VOGUE in the United States, with the unveiling of the January 2021 “Vogue Values” issue, photographed by Annie Leibovitz. Last week also saw Rolling Stone declare her upcoming full length release as “One of the Most Anticipated Albums of 2021.”
ABOUT BILLIE EILISH
Billie Eilish has become one of the biggest stars to emerge since the release of her debut single “Ocean Eyes” in 2015 and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout to 2019 when Billie’s album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries and was the most streamed album of the year. WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home in Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories at the 62nd Grammy Awards receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, “No Time To Die.”
With the May 2018 release of Rosalía’s innovative breakthrough single “Malamente (Cap.1: Augurio)” – and the fall arrival of her landmark album “El Mal Querer,” fans worldwide quickly embraced Rosalía’s phenomenal vocal capability meshed with her now fully realized fusion of classic Flamenco and other timeless music styles of Spain, with R&B, hip-hop, contemporary Latin-American rhythms and electronic beats. Coupled with Rosalía’s strong influences from industrial visual arts, female empowerment, fashion and choreography, it became clear to critics that: “Rosalía is a complicated genius… El Mal Querer is a boundary-breaking modern masterpiece … that has resonated like a shockwave… it stands out from virtually everything else on the global pop landscape .” Within the subsequent two years, Rosalia has garnered a GRAMMY Award, performance, a first-ever Best New Artist nomination for a Spanish Language artist, and eight Latin Grammys, including Album of the Year, 2 MTV VMA’s, multiple magazine covers, Coachella and Lollapalooza festival appearances, the most watched global YouTube video of 2019 for a female artist, landmark brand partnerships with Nike and MAC’s “Viva Glam” campaign, and “Best Music of the Decade” picks from Rolling Stone, Billboard, GQ, The LA Times, Pitchfork and more… and that’s just the beginning.
CES, the Consumer Electrionics Show, convened digitally this year. This is the first time that CES has ever been conducted fully virtually due to the ongoing Coronavirus pandemic. The event produced and owned by the Consumer Technology Association (CTA) featured technology related to Digital Health, Smart Cities, Immersive Entertainment, Lifestyle, 5G and Internet of Things (IOT), Artificial Intelligence, Automotive, Startups, Tech Enabling the New Normal, and more. Some notable brands who participated in the conference portion of the event include Sony, GM, Intel, Audi, Panasonic, Samsung, and Mercedes-Benz. Despite the virtual interface, the overall reception of this year’s event was positive.
More than 500 companies participated in the exhibition event, though some garnered more social media buzz than others. According to analytics from Talkwalker, a social listening and analytics company, Samsung had 11 thousand social media mentions related to the event. This was aided by the ever present social media monster that is the BTS army who blew up this tweet before the event had even started. Some other products that generated a lot of buzz are Razer’s N95 facemask with gaming lighting and over this Keurig-but-it’s-ice-cream contraption.
The next CES show will be January 5-8, 2022.
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