Posts tagged with "musician"

Jarry Lee Q×A

360 MAGAZINE was lucky enough to sit down with Jarry Lee, a model, actress, musician and influencer from the UK. Lee has over 700,000 followers on Instagram, 30,000 TikTok followers and more than 700,000 Spotify streams.

She has also been seen in VOGUE Italia, POPSUGAR, Mic, Elite Daily, NY Daily News, AM New York, Women Fitness Magazine, Cliché Magazine, The New York Times, Thrive Global and more. She will also be featured in two upcoming books, “Tell Her She Can’t” by Kelly Lewis and “The Little Things” by Oliver Charles.

Authority Magazine named her one of 2020’s “Inspirational Women in Hollywood” while StarCentral Magazine called Lee a “rising star to watch in 2020.” You can click right here to see everywhere she has been featured.

360: How did you find a creative outlet in journalism?

Jarry Lee: I’ve always loved writing (everything from poetry to screenplays), and it was my childhood dream to write professionally. I feel lucky that I was able to do so as a paid, full-time job and that I was able to pitch and take on stories I was personally interested in. Writing is a cathartic process for me.

360: What was the biggest hurdle transitioning from writing for BuzzFeed to being in front of the camera?

Jarry Lee: I didn’t have much prior experience beyond taking some acting classes in the past in school and performing in a playwriting festival in prep school that I wrote for, so I did dozens of test shoots with photographers to practice and learn my best angles and posing. Speaking on camera felt natural, but I had to learn how to pose more naturally.

360: How has your experience in telling stories as a journalist and analyzing stories as the Deputy Books Editor helped you to tell the stories of others as an actress and model?

Jarry Lee: It has definitely helped me with more easily imagining the inner lives and motivations of my characters. Every time I interviewed sources for an in-depth piece, I felt that I gained insight into how other people’s minds worked. When I was writing a feature about Instagram in 2017, for example, I interviewed over 30 individuals and a few businesses, and their stories were really fascinating and completely changed my understanding of how people interact with social media.

360: How has being an influencer and online personality changed through the pandemic?

Jarry Lee: There are almost no in-person events, so in that aspect it’s become less interactive, but there are also more people online since everyone’s bored indoors. I’ve adapted to become a lot more self-sufficient — I rarely work with outside photographers anymore and instead have learned to shoot myself. Earlier this year I bought professional lighting and photography equipment, and recently even purchased a green screen! I’ve really enjoyed honing my video production and editing skills this year. Maybe that’s one small silver lining to the pandemic.

360: What is your favorite platform for creating content and why?

Jarry Lee: I love Instagram for being so curated and aesthetic-focused, but Twitter is my favorite platform for sharing thoughts and seeing others’ (as well as for really silly memes). I originally joined Twitter in 2009, way before I joined Instagram (in 2013).

360: How does your time as a model help you as an actress?

Jarry Lee: I think acting helps more with modeling than vice versa, but becoming more comfortable on-camera as a model has definitely helped me act more naturally, as well. Both require drawing your inner emotions out, onto your facial expressions and how you hold yourself generally.

360: How do you use your platform and large reach to influence ideas and actions of your audience?

Jarry Lee: Three topics I try to bring more awareness to via my platform are: Asian representation in entertainment, bisexual/LGBTQ+ representation and anxiety/mental health. All three are still not spoken about enough, so I think it’s important to share my experiences with my audience. I still frequently receive messages about how I came out as bisexual on the Netflix show “Dating Around,” for example, and it has really resonated with some of my followers when I’ve shared my past experiences with panic attacks and anxiety. I try to show the behind-the-scenes of my entertainment career, in part because there were very few Asian public figures in the entertainment industry when I was growing up. I hope that my non-traditional career path inspires others to take a risk and pursue their passions.

You can learn more about Jarry Lee by clicking right here. You can also follow her on Instagram, Twitter, TikTok, Facebook and Spotify.

Q – Alone

Q IS A ONE-MAN BAND IN THE NEW “ALONE” VISUAL, FROM HIS FORTHCOMING EP THE SHAVE EXPERIMENT 

WATCH HERE. LISTEN TO “ALONE” HERE.

After debuting “Take Me Where Your Heart Is,” his first single from his upcoming EP set to release 12/11 with Columbia Records, Q is returning on a slightly darker and sophisticated note in the new “Alone” visual. Watch HERE. Showing his self-taught knack for musicianship, Q glides through various performance setups playing all the instruments present, simultaneously displaying his emotional state in the Loris Ruisser directed visual. Says Q of the song “it was something I wrote at a time where I actually felt alone. I remember later feeling really bad about that, because I wasn’t really, and I think I’d want people to listen to it and get that same feeling from it. That they aren’t really alone.” With “Alone,” Q is finding the peace in solitude.

Eighth Blackbird Presents: The Chicago Artists Workshop – J. Ivy

Eighth Blackbird Presents: The Chicago Artists Workshop (CAW) live stream concert series rounds out 2020 with J. Ivy, 7 p.m. Tuesday, Dec. 8. The award-winning poet, artist, musician, author and actor will perform work from his newest album “Catching Dreams,” a blend of poetry and music. Limited in-person seating for the concert is available. For more information click HERE.

“Catching Dreams” is Ivy’s fourth studio album and, in Ivy’s own words, was created “to serve as another reminder of the love we were put here to learn, share, and grow from.” Ivy recently finished co-writing and co-producing, singer-song-writer, Tarrey Torae’s upcoming album, “Thanks for the Love,” and co-wrote the new song, “Freedom Ride” with GRAMMY Award-nominated House Music legend, DJ Terry Hunter, also by Torae.

Ivy is Poet Laureate for the famed visual artist Ernie Barnes’ Foundation and widely known for being the “Poet” featured on Kanye West’s GRAMMY-winning album “The College Dropout,” on the song “Never Let Me Down,” along with Hip-Hop icon Jay-Z. Early in his career, Ivy was featured on three seasons of HBO’s “Russell Simmons presents Def Poetry.” Since then, his work has been featured everywhere from commercials to classrooms. From hosting and performing at conferences for Deepak Chopra to penning and performing a poem for the NBA Hall of Fame Legend Michael Jordan, Ivy has used his unique style of poetry to navigate the art form to arenas of all facets.

Over the years Ivy’s work has earned him Peabody, Clio, Telly awards.  Ivy poetically narrated, acted, and starred in two B.E.T. documentaries, “Muhammad Ali: The People’s Champ” and “Martin: The Legacy of a King,” for which he won a 2020 NAACP Image Award. Ivy has done voice-over work for dozens of commercials and is author of three books. His latest, “Dear Father: Breaking the Cycle of Pain.” In July of 2020, J. Ivy wrote and narrated Beyoncé’s “Black Is King” promo for the “Return of the NBA.”

Tickets

The 7 p.m., Dec. 8 concert featuring J. Ivy will be staged at the Eighth Blackbird production facility located at 4045 N. Rockwell St. This live streamed ticketed event also features limited in-person seating. Tickets: $20, but options include choosing a price as well contributing as a supporter. For tickets and more information click HERE.

About CAW

“Eighth Blackbird Presents: The Chicago Artists Workshop” (CAW) live concert series debuted in Fall 2020, and is presented in three parts across the 2020-2021 performance season. Part 1 included live streamed concerts featuring Karim Sulayman (Oct. 20), Rebecca Rego: “Songs for Cleaning Women” (Nov. 11) and Justin Roberts with Anna Steinhoff: “Wild Life,” (Nov. 18), and continues with two more concerts: “An Evening with Xuan,” (Dec. 1) and a live streamed concert featuring Image Award-winning poet, artist, musician, author and actor J. Ivy (Dec. 8). Part 2 is scheduled for winter 2021, and will be announced Dec. 15, 2020. Part 3 will be announced in March 2021. Artists/dates/times are subject to change. For tickets or more information click HERE. CAW is made possible in part with support from the National Endowment for the Arts.

About Eighth Blackbird

Eighth Blackbird is “one of the smartest, most dynamic contemporary classical ensembles on the planet” (Chicago Tribune). Launched in 1996 by six committed Oberlin Conservatory undergraduates, this Chicago-based super-group has earned its status as “a brand-name…defined by adventure, vibrancy and quality…” (Detroit Free Press).

Eighth Blackbird has since evolved from ensemble to institution, currently realizing its mission through five initiatives: Eighth Blackbird, the award-winning sextet; Blackbird IV, a piano/percussion duo featuring founding members Lisa Kaplan and Matthew Duvall; the Blackbird Creative Lab, the organization’s mentoring arm; Blackbird Productions, a designation for wide-ranging creative projects; and the Chicago Artists Workshop, a streaming platform created to support artists.

Recent achievements include a fourth GRAMMY Award, the inaugural Chamber Music America Visionary Award, an Ensemble of the Year Award from Musical America, and the prestigious MacArthur Award for Creative and Effective Institutions. In 2017, the company launched the Blackbird Creative Lab,poet

a tuition-free summer training program, alumni network, and career support platform for emerging professionals focused on cutting edge musicianship, dynamic performance aesthetic, and savvy entrepreneurship.

Set to celebrate its 25th Anniversary in 2021, Eighth Blackbird continues to fuel the modern canon it helped engine with hundreds of commissioned and premiered works by dozens of composers including Viet Cuong, Pamela Z, Bryce Dessner, Jennifer Higdon, Amy Beth Kirsten, David Lang, Andy Akiho, Missy Mazzoli, Nico Muhly, and Steve Reich, whose commissioned work, Double Sextet, went on to win the Pulitzer Prize (2009). A long-term relationship with Chicago’s Cedille Records has produced ten acclaimed recordings and four impressive GRAMMY Awards for Best Small Ensemble/Chamber Music Performance. Eighth Blackbird’s most recent album, “Singing in the Dead of Night” by Lang, Julia Wolfe, and Michael Gordon, was released by Cedille in June 2020.

The group’s latest venture is the inaugural 2020–2021 Chicago Artists Workshop, a full season presenting 24 online concerts with a stellar lineup of featured artists as well as a residency program offering studio space and technical support to area artists. For more information about Eighth Blackbird click HERE and visit them on Facebook, Instagram and Twitter #eighthblackbird.

Isabelle Fries makes a brief splash inside 360 MAGAZINE

ISABELLE FRIES

At 22 years old, Isabelle Fries has started to make a name for herself in the music industry. Not only is she gifted in her art, she has an extremely large heart.

Born in Sydney, but raised in Denver, Colorado, Fries found her inclination for singing at a young age. “I knew I wanted music to be a part of my life since I was about 7, but as I got older I was able to recognize that it is a labor of love for me,” she expressed. “I have never searched for fame through my music.” 

Not long after, she discovered her heart had room for another love, philanthropy. At just 15 years old, Fries became the first youth board member and youth leader for the Global Livingston Institute (GLI) an NGO in Uganda who’s mission is to educate students & community leaders on innovative approaches to international development and empower awareness, collaboration, conversations and personal growth. 

Through working with this organization, Isabelle travelled to Uganda to teach, perform and empower. In 2017, Fries performed in front of 20,000 people in Uganda at the annual iKnow HIV Awareness Concert Series along with other musicians from around the world, using music to breakdown barriers, bring people together and provide free medical testing and awareness for HIV for over 8,500 Ugandans.  

“I became a part of GLI when I was 15 and fully threw myself into their mission and their work. It is what opened my eyes to one of my passions I am now pursuing in international education. They really focus on young voices and drawing on perspectives from all types of individuals which is why I was asked to be on the board at such a young age. GLI is truly one of the most important things in my life so I could not be more thankful to be a part of it.” 

This wasn’t the only organization Fries carried out philanthropic work with. She volunteered in Haiti with The Road to Hope, an International Affairs Intern with Creative Visions in Malibu, California and a community worker with CEPIA in Costa Rica.

Isabelle still wanted to do more for Eastern African communities. She founded the “Bulamu Raise Your Voice Community Foundation (BCF)” and was able to draw on inspiration from one of her other life-long devotions: swimming. 

For twelve years, she swam competitively breaking records, winning State Championships and being a leader on her teams until complications from several autoimmune disorders forced her out of the water. This was never a part of her plan, but she was able to alter her life’s path and kept pushing through

“It is not something that I let control my life or hold me back from living. I take care of myself in every way I can and find strength in what I am able to do and learn new ways to improve my way of life,” she expressed. 

One of Fries’ missions with both GLI and BCF is to raise awareness for water safety on Lake Bunyonyi in Uganda by teaching swimming to prevent drownings. By working closely with GLI and the headmaster of the Kazi Primary School, Fries has been able to carry out this initiative, as well as implementing academic, music and sports curriculum.  

She said that the community of Lake Bunyonyi changed her life by seeing how they are such powerful and driven people. “I don’t go for my own benefit or to be a ‘white savior’ ,” she asserted. “When I work in Uganda, I give the individuals I work with support and resources and they truly do the rest.”

Isabelle was fortunate enough to meet one of her long time role models, Michael Phelps. Fostering a relationship with someone who has shaped her life in so many ways in and out of the water has been such a blessing, says Fries. This lead to her working with the Michael Phelps Foudation (MPF), where she took the opportunity to become certified in their “IM Water Safety Program” which is implemented in The Boys and Girls Clubs of America.

When given the opportunity again to combine her music and philanthropy through the MPF, she couldn’t resist. Isabelle was asked to open for country singer, Eric Church, at a MPF benefit concert in Chicago at the iconic Arcada Theater. “Swimming is an incredibly big part of my life as I was a serious competitive swimmer from the ages of 5 to 18, therefor having the chance to combine my music with my love and passion for swimming and water safety was very special and meaningful.” 

Now a recent graduate of The University of Southern California, Fries splits her time living between Denver and Los Angeles, continuing to pursue her passions: music and philanthropy, while working in Denver at a non-profit dedicated to mentoring students. Isabelle holds a degree in International Relations with minors in Spanish as well as  Non-Profits, Philanthropy and Volunteerism. 

While studying at USC, Isabelle was fortunate enough to catch the eye of Grammy-winning, multi-platinum producer/mixer Rob Chiarelli, who she’s fostered an incredibly close relationship with. 

She began releasing music signed with Chiarelli’s label Streetlamp records this year, already finding a widespread and loyal audience across all music platforms using her rich, soulful vocal that could be compared to the sound of Lauren Daigle or Adele. She recently released her 6th single, a raw piano ballad called “All We Had. When people listen to her music, Fries always wants to make them truly feel – whatever that feeling may be. Through channeling lyrics with her songwriters from her own life experiences, the emotions she is able to elicit are special to her. 

While the music may be interpreted differently for each unique individual, her raw style is something she hopes help guide those listeners on whatever journey they want to take. “I’ve always said, I love music because it lets you feel something you didn’t think you could.”

This is definitely something she mirrors artistically with one of her musical inspirations, Amy Winehouse. Growing up performing jazz music, Fries describes this genre as a big part of her musical identity, so she was instantly drawn to Winehouse’s style which she catalogs as “authentic, raw and groundbreaking. Amy created music unapologetically.”

But Fries’ number one music icon is Sir Elton John. “His music was always around me when I was growing up. My parents loved all music from that time and exposed me to it at a very young age which is one of the reasons it is the type of music I love the most. 

However, Elton John’s music was different for me, it felt like poetry and real emotion. His sound and songs are like stories that you never want to end. When I began to listen to him more I realized this is the type of music I want to sing and be a part of.” 

Feeling very blessed to have found such a supportive team, guiding her in finally being able to put her own original songs out there into the world, she is excited to evolve using her music to help create change, perform live again, and continue to build upon her body of work. While she’s away in the studio recording, we’ll be out here patiently waiting for more music, while she continues to use her voice to make the world a better place. 

pineappleCITI photograph curtsey of Alex John at Red Bull Records

pineappleCITI- “Dance”

Rising hip-hop artist pineappleCITI returns with visuals to her single “Dance,” out today. Flipping the script on Dancing with The Stars, CITI’s latest video offers a clever play on the popular dance competition, adding a unique and comedic hip-hop flair. Featuring slick lyricism alongside an upbeat tempo, “Dance” blends melodic rhythms with Latin-influenced guitar and percussions, making an irresistible track that lives up to its name. 

One of TIDAL’s Rising Hip-Hop cover artists this year and featured on NBA2K20, NBA2K21, and Netflix’s Sneakerheads, pineappleCITI is equal parts rapper, singer, and acclaimed songwriter. Named one of Okayplayer’s 25 Underrated Female Rappers, she has penned works for Twista and Kelly Rowland. In the same year, she celebrated the release of her viral hit “Rose Colored” and suffered a near-fatal car crash, causing her to learn how to walk again over the course of two years. 

With a focus on songs that feature motivational lyricism and powerful messages, she has released a number of recent singles, including “Recognize,” “Believe,” and “Lift Me Up,” the latter of which was dedicated to the Black Lives Matter movement and victims of police brutality.

For pineappleCITI, rhymes and raps spring right from the heart as she approaches each song, project, album, and show with equal reverence for nineties East Coast storytelling and old-school Motown catharsis. Endorsed early on by The FADER, PAPER, Complex, and Billboard and streamed over 2 million times as of 2019, the New Jersey-born MC provides a simultaneously unique and universal perspective to her music.

To keep up with pineappleCITI visit her Website or follow her on Instagram,  Twitter, Facebook and YouTube.

Lil Boom releases new single – an evil witches love spell

Florida-born rapper Lil Boom brings the heat on his new single “an evil witches love spell,” out now via 10K Projects/Homemade Projects. “an evil witches love spell” comes on the heels of Lil Boom’s summer releases “Kill Sephiroth” and “Caught Simpin’,” the latter with over 1.4 million streams on Spotify to date.

In “an evil witches love spell,” Lil Boom tells the story of a disastrous relationship, comparing his ex to an evil witch. Lil Boom continues to forge his own path as a hip hop artist, characterizing his flow with wild allusions and puns.

LISTEN TO “AN EVIL WITCHES LOVE SPELL” HERE

With early tracks like “RIP Harambe” and “F*ck Steph Curry,” Lil Boom didn’t anticipate creating a career out of his fun freestyles until fellow South Florida rapper Lil Pump encouraged him to keep going. According to the young rapper, “ever since Lil Pump said that, I’ve just thought that I gotta keep being me.”

After his initial virality with “MILF Next Door” four years ago, Lil Boom made the risky decision to quit his job washing dishes at a local crab shack to chase after the excitement of his unconventional career, creating what he calls Meme Rap: “I honestly like to call it meme rap. I don’t know who wants to accept that, but there’s nothing wrong with making memes and putting your music into memes. I’m having fun.”

Lil Boom says he owes a lot to meme culture for the success of his work, “I ran a meme page before I did rap. A lot of people don’t know that’s how I got my music to blow up.” Following the success of other meme-makers-turned-musicians in the past few years, it is clear that Lil Boom’s strange and unlikely path to success paved the way for other artists after him, including Lil Nas X’s explosive debut “Old Town Road.” In an online music marketplace, Lil Boom offers up his carefree works as the antidote to serious, darker music. He says, “Who doesn’t like memes? I’m making music for the people who don’t get heard and about things nobody really talks about in songs.”

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Dennis Quaid – America, I Love You, Too

Multi-hyphenate superstar Dennis Quaid continues to connect with audiences of all facets of his legendary career, as he releases “America, I Love You, Too,” a LIVE performance track originally aired during CMT’s 2020 Concert for Love & Acceptance with a message of unity and patriotism.

CLICK HERE to stream and download “America, I Love You, Too.”

Released via Audio Up Records, “America, I Love You, Too” captures Quaid performing with all-star musicians, including The Doors guitarist Robby Krieger.

Most recently, Quaid co-founded Audio Up, a podcast content studio, network, and production company, and launched his own podcast, The Dennissance, on the platform. He will run Audio Up alongside CEO Jared Gutstadt. In addition to The Dennissance, Quaid is involved in several other Audio Up podcasts. He co-hosts The Pet Show with Jimmy Jellinek, which premiered on July 14; Uncle Drank: The Totally Hammered Podcast alongside Gary Busey, which will debut in October with Warner Records set to release the soundtrack; and Make It Up As We Go, which he is executive producing and is due to release this fall.

Quaid is an acclaimed actor known for his roles in hit films The Rookie, The Day After Tomorrow, Traffic, Vantage Point, Frequency, The Parent Trap, Soul Surfer, The Right Stuff, and Breaking Away. More recently, his latest big-screen credits include starring roles in Sony’s thriller The Intruder, Universal’s A Dog’s Journey and A Dog’s Purpose, and Roadside Attractions’ I Can Only Imagine, among others. For his role in Todd Haynes’ Far from Heaven, he won the New York Film Critics Circle Award for “Best Supporting Actor,” the Chicago Film Critics’ Association Award for “Best Supporting Actor,” the Online Film Critics Society Award for “Best Supporting Actor,” and the Film Independent Spirit Award for “Best Supporting Male.”

Currently, Quaid is developing The Charley Pride Story, which he will produce along with Ben Howard’s production company, Third Coast Content. Quaid is also set to star in the Ronald Reagan biopic, Reagan, produced by Mark Joseph, with production currently underway.

On the television side, Quaid recently starred in and executive produced Netflix’s holiday-themed multi-camera comedy series Merry Happy Whatever. He also starred in the third season of Amazon’s Goliath opposite Billy Bob Thornton, which premiered in 2019. Previously, he was nominated for numerous awards including a Golden Globe, a SAG Award, and a Primetime Emmy for his portrayal of Bill Clinton in the HBO movie, The Special Relationship. Additional TV highlights include starring in and executive producing Crackle’s auctioneering drama The Art of More and starring in the BAFTA-nominated Amazon series Fortitude.

Along with his acting accomplishments, Quaid is a singer-songwriter and touring musician who performs both original songs and country standards.  After years of playing clubs with his band, Quaid released his debut album, Out of the Box, in November 2018.

To keep up with Quaid, follow him on Instagram and visit AudioUp.com.

About “The Dennissance”:
Dennis Quaid is a renaissance man, one of the busiest people in show business. Besides being an actor, musician, songwriter, writer and podcast pioneer; he is also a jet pilot, amateur astronomer, fly-fisherman, philosopher, low handicap golfer, medical safety advocate and armchair historian. He has powered a NASCAR around an oval track, given speeches and appeared before congress on patient safety, played golf with 2 presidents, piloted a dogsled in the arctic, meditated on the shore of the Ganges River in India, has run and cycled marathons, team-roped on a quarter horse, trained dogs and people, pitched on the mound in Texas stadium, been a middle-weight boxer, and can change a diaper in 20 seconds.

From the biggest, blockbuster movies, to being a hilarious and insightful talk-show guest and host, Dennis does it all. All of Dennis’s famous friends have interests outside of the thing they’re known for. In each episode of The Dennissance, Dennis talks to his guests about those things and what makes them unique in the world. This ongoing series features compelling and shareable content that focuses on honest conversations. The Dennissance combines all of Dennis Quaid’s famous friends and Denizens into a weekly podcast full of can’t miss content. The Dennissance is executive produced by veteran network TV executive David Hurwitz. Season one is out now, and season two has just started!

The Band Famous Helps Others Love Themselves

Picture this: a small dinner between friends turns into a jam session. A group of people who had not seen each other in years reconnects over their passion for making music and creating apps. The atmosphere is great, and the energy is high. They let talent, inspiration, and a good time take over as they play their instruments and sing. And that is how some of the greatest bands came to be.

Back in July 26, 2013 that is exactly how The Band Famous was born. Norell and Zander–the founders–visited their friends for dinner and soon turned that occasion into an improvised jam session. They played music and out of that recording came the tracks you can now listen to in their debut album, Last Words.

Norell and Zander met in 2010 when she posed for him as a body paint model at DVS1’s Hush Studios in Minneapolis. From the very beginning, she noticed Zander’s kindness and passion for helping and promoting other artists. This is a quality they both wanted to be part of their band and their careers.

The Band Famous became the first band to code, develop, and deploy an exclusive app album for their debut. It gives users the opportunity to listen to the album offline, enjoy live interactive in-app concerts, and the chance to play a strategic, retro, sophisticated video game of Rock, Paper, Scissors.

Besides their innovations, they stand out because they foster a community and queer-based enterprise that is all about inclusion and acceptance for those who have been shunned by family and friends over their alternative lifestyles. Their purpose is to help others love and accept themselves and inspire them to follow their dreams to take their lives by the reigns and make it what they want for themselves. The founders say, “we want to inspire, we want to uplift, and we want to give back even more by raising awareness and proceeds for charities close to our hearts.” In the end, they want their audience to be in a better state of mind after listening to their music.

Their passion and talent led them to create a loving and accepting fanbase. With them in mind, Norell and Zander created an online Hall of Fame where they share the music they enjoy. Because they care about musicians, they share others’ talented new records–with their permission–with their fans online. They also have their own TBF Radio for free every hour of every day to keep their followers company at all times.

From the beginning of their careers, both Norell and Zander have shown how important it is for them to create a safe space for people to be themselves. Through their music, their Hall of Fame, their radio, and their app, they want their fans to feel accepted. Year after year, they continue to spread awareness and love. The way you can perceive this is by listening to their music or visiting their LA store on Saturdays from 3PM to 5PM.

Brian Eno’s “Film Music 1976-2020” to Release in Nov.

Brian Eno releases Film Music 1976 – 2020 – his first-ever collection of music from his film and television soundtrack oeuvre digitally on November 13, 2020, and on 2LP and 1CD on January 22, 2021. Spanning five decades, this release features classic Eno compositions and includes some lesser-known gems and seven previously unreleased tracks.

Eno’s long-standing affair with film goes all the way back to 1970 with his soundtrack to Malcolm Le Grice’s short experimental film Berlin Horse. In 1976 he followed this with Sebastiane and a long-forgotten Greek b-horror film, Land Of The Minotaur AKA The Devil’s Men. This led to an unstoppable momentum largely initiated by the release of Music For Films. Early classic Eno film moments include “Prophecy Theme” from David Lynch’s Dune, “From The Beginning” from Dario Argento’s Opera, “Force Marker” and “Late Evening In Jersey” from Michael Mann’s Heat, “Under” from Ralph Bakshi’s Cool Worldand his moving cover of William Bell’s soul classic, “You Don’t Miss Your Water,” in Jonathan Demme’s Married to The Mob.

His 1978 studio album, Music For Films was a loose compilation of material recorded between 1975 ~ 1978. It was intended as a conceptual soundtrack for imaginary films, and only the last track, “Final Sunset” was written for an actual film. It proved to be a fruitful project with nearly every piece on the album going on to be used in future films, including several of Derek Jarman’s, the remake of Jean-Luc Goddard’s Breathless, John Woo’s A Better Tomorrow, Rock ‘n’ Roll High School and Todd Hayes’ Safe. 

Eno again explored this approach with U2 as Passengers on their collaboration album, Original Soundtracks 1. Four of the tracks from the album were used in films prior to release: “Beach Sequence” and “Your Blue Room” in Michelangelo Antonioni’s Beyond the Clouds, “Miss Sarajevo” in an eponymous documentary about a beauty pageant held in the midst of besieged ‘93 Sarajevo, and “One Minute Warning” in Mamoru Oshii’s Japanese animation classic, Ghost in the Shell. Another track, “Always Forever Now” later appeared in Heat.

In the mid-seventies, Eno began a rich and rewarding collaboration with British filmmaker Derek Jarman, who initially commissioned Eno to record ”Final Sunset” for the closing scene to his first feature film, Sebastiane. The collaboration continued all the way through until Jarman’s untimely death in 1994. Including the several tracks in Sebastiane, this collaboration resulted in Eno’s music in four of Jarman’s films, including “Still Water” and “Dover Beach” in Jubilee, “Blue” and the entire score of the autobiographical Glitterbug – his final film. 

“An Ending (Ascent)” and “Deep Blue Day” are taken from Apollo: Atmosphere & Soundtracks, Eno’s collaboration with his brother Roger and Daniel Lanois. The music was originally written for Al Reinert’s landmark documentary of the Apollo moon landing, For All Mankind, although since then, “”An Ending (Ascent)” has taken on a life of its own and is now remembered just as much from Steven Soderbergh’s Traffic, Danny Boyle’s 28 Days Later and Miguel Arteta’s Beatriz at Dinner. It even made an appearance in the 2012 London Olympics opening ceremony. And then there’s “Deep Blue Day,” which will forever be identified with Ewan McGregor’s legendary toilet dive in Trainspotting.

Aside from Glitterbug and For All Mankind, Eno has also provided complete scores for a number of other films including Peter Jackson’s The Lovely Bones, and more recently, Henrique Goldman’s atmospheric Brazilian serial killer biopic, O Nome da Morte AKA A Man Called Death, Slavoj Žižek’s mind-boggling documentary, The Pervert’s Guide To Cinema, Gary Hustwit’s spotlight on pioneering industrial designer Dieters Rams, Rams, and most recently a documentary film on close long-time friend and associate, Stewart Brand, We Are As Gods, which will have its public premiere in early 2021.

Eno has also scored extensively for television, including all three series of award-winning UK crime drama Top Boy, for which he received a BAFTA Award.  Danny Boyle’s Mr. Wroe’s Virgins, which also earned Eno and his brother Roger a BAFTA nomination for “Best Original Television Music.” Other television credits include his scores to BBC Natural World’s Hammerhead, Francis Bacon’s Arena, Neil Gaiman’s futuristic urban series, Neverwhere, and Stewart Brand’s BBC mini-series ‘How Buildings Learn’.

Eno has had hundreds of pieces of his music used in films, documentaries, and television programs, including more than 20 complete scores for some of the best-known directors in the world. Film Music 1976 ~ 2020 is a long-awaited album that finally brings together seventeen of his most recognizable film and television compositions, a perfect introduction to this enormous body of work.

Film Music 1976 ~ 2020 Track-list:

  1. “Top Boy (Theme)” from Top Boy – Series 1, directed by Yann Demange, 2011 
  2. “Ship In A Bottle” from The Lovely Bones, directed by Peter Jackson, 2009 
  3. “Blood Red” from Francis Bacon’s Arena, directed by Adam Low, 2005 
  4. “Under” from Cool World, directed by Ralph Bakshi, 1992
  5. “Decline And Fall” from O Nome da Morte, directed by Henrique Goldman, 2017 
  6. “Prophecy Theme” from Dune, directed by David Lynch, 1984
  7. “Reasonable Question” from We Are As Gods, directed by David Alvarado / Jason Sussberg, 2020 
  8. “Late Evening In Jersey” from Heat, directed by Michael Mann, 1995
  9. “Beach Sequence” from Beyond The Clouds, directed by Michelangelo Antonioni, 1995
  10. “You Don’t Miss Your Water” from Married to the Mob, directed by Jonathan Demme, 1988
  11. “Deep Blue Day” from Trainspotting, directed by Danny Boyle, 1996
  12. “The Sombre” from Top Boy – Series 2, directed by Jonathan van Tulleken, 2013 
  13. “Dover Beach” from Jubilee, directed by Derek Jarman, 1978
  14. “Design as Reduction” from Rams, directed by Gary Hustwit, 2018 
  15. “Undersea Steps” from Hammerhead, directed by George Chan, 2004 
  16. “Final Sunset” from Sebastiane, directed by Derek Jarman, 1976
  17. “An Ending (Ascent)” from For All Mankind, directed by Al Reinert, 1989
Rita Azar illustrates Madison Beer for 360 MAGAZINE.

MADISON BEER – BABY

VIDEO OUT NOW

TAKEN FROM DEBUT

ALBUM LIFE SUPPORT

WATCH HERE

Madison Beer release her latest single “Baby” via Sing It Loud/First Access Entertainment on exclusive license to Epic Records. With the drop of the single comes a dreamy voyeuristic video that finds Madison plucked from a picturesque scene and dropped into the dark reality of life. “Baby” is taken from Madison’s forthcoming debut full length album Life Support, out later this year. You can listen to the single here.

“Coming out of a dark time mentally I inevitably had to build my confidence back up,” says Madison. “Writing ‘Baby’ made me feel in control of myself and my body again in the best way. When I wrote ‘Baby’ I was not only reminding myself that I can have what I deserve but also warning the next person that comes into my life that being with me is conditional . ‘If you wanna be my baby’ then know I’m going to be loud, quiet, wild, sexy, shy, high, low. I’m not going to apologize for who I am or shrink myself down anymore so if you can’t deal, then keep walking. I am regaining my confidence and this song truly makes me feel powerful and I hope it supplies anyone who might need a boost of confidence the same thing.”

Madison’s debut album, a strong personal and artistic statement, is slated for release later this year. “Her soon to be released album,” states V Magazine, “will surely pay homage to her years of growth in the spotlight with an entirely new depth of clarity.” Life Support sees Madison where she thrives – commanding complete creative control through writing her own songs, producing and creating her own visuals. The album will feature previous releases “Good In Goodbye,” “Selfish,” and “Stained Glass” which have a combined total stream count of over 282 million. “Selfish” is now also certified Gold in the US.

Prior to signing with Epic Recordslate last year, Madison Beer achieved unprecedented success as an independent artist with her partner First Access Entertainment. Her debut EP As She Pleases boasts over 950 million streams and made her the first independent female solo artist to break into the Top 20 radio charts, after having debuted in the Top 5 on iTunes in 18 countries and in the Top 10 in 42 countries worldwide. Globally, Beer has over 2 billion streams across her catalogue.

She’s attracted the endorsement of Time, NME, V MagazineBillboard who named her among its coveted “21 Under 21” list and Rolling Stone who hailed her as a “raising pop star.” Madison will be debuting “Baby” on The Late Late show with James Corden on August 26th.

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