Posts tagged with "Debut"

Spiro illustration by Heather Skovlund for 360 Magazine

Spiro Exhibition

Ancient Mysteries Revealed: Groundbreaking Spiro Exhibition to Debut at The National Cowboy & Western Heritage Museum

The Spiro site contained one of the greatest collections of prehistoric American Indian artifacts ever discovered in the United States.

The Spiro Mounds are one of the United States’ most important ancient Native American sites, as well as an archaeological find unmatched in modern times. Yet, despite creating a sophisticated ancient culture, the Spiro people are nearly forgotten in the pages of history books. How did these incredible works of art and other treasures from all over North America end up hidden for hundreds of years, and why? Opening February 12, 2021 at the National Cowboy & Western Heritage Museum, “Spiro and the Art of the Mississippian World” will seek to answer these questions and more in the first major presentation on the Spiro Mounds ever undertaken by a museum, representing the first, and possibly last, time these artifacts will be reunited from various collections across the country.

“We are incredibly pleased to announce this unparalleled exhibition, which will give proper honor and representation to the culture and historical impact of the Spiro people,” said Natalie Shirley, The Cowboy president and CEO. “Our staff has worked for years to create a world-class, exciting and collaborative presentation of a people who have been overlooked for too long.”

This exhibition will share the art, history and culture of the Spiro people through approx. 175 objects, as well as an accompanying publication, website, public symposium and panel discussion. It was created in collaboration with representatives from the Caddo and Wichita Nations, the descendants of the Spiroan people, and with contributions by 17 humanities scholars from nearly a dozen universities and museums from across the United States.

The Spiro Mounds were the location of one of the largest and longest episodes of looting at any American archaeological site in history—comparable to that of Mesa Verde in Colorado and, sadly, several others across the country. Both looting and New Deal/Works Progress Administration (WPA) archaeological excavations came together in a near-perfect storm at Spiro. In 1935, the public’s imagination was peaked when the Kansas City Star called the site’s discovery a “King Tut’s Tomb in the Arkansas Valley,” and identified it as the greatest source of Mississippian iconographic material ever found. Embossed copper plates, wooden sculptures, thousands of pearls and beads, large human effigy pipes and engraved shell gorgets and cups are just some of the items found at Spiro. In fact, nearly 90% of all known engraved shell created during the Mississippian period (900 – 1650 AD) was discovered at this one site. This exhibition will include the reunification of a range of items looted and archaeologically excavated at Spiro that have not been together since the early 1930s and 1940s.

“The quality and quantity of material found at Spiro is unprecedented,” said Eric Singleton, Ph.D., Museum Curator of Ethnology. “We are grateful to have the support of the Spiroan descendants, the Caddo Nation and the Wichita and Affiliated Tribes, as we prepare this exhibition. Without them, this exhibition would not be possible.”

The Spiroan people, along with other Mississippian groups across the eastern half of North America, created a world equal to that of the Aztec, Maya or Inca, consisting of trade networks and highly developed social, political and religious centers. The exhibition will explore the archaeology and history of Spiro and its relationship to other contemporaneous Indigenous communities in North and Central America, highlighting community development, religious and ceremonial activities, farming and hunting practices and daily life. It will also illustrate how ecological factors, specifically the occurrence of the “Little Ice Age” beginning in 1350 AD and lasting until 1650 AD may have led to the site’s decline and ultimate abandonment. The exhibition also showcases contemporary Indigenous art pieces that explore the ideas of origin and connect the art and artistry of the Spiro people to their modern descendants.

Following the exhibition, the online component and educational materials will be available on the Museum’s website and in our permanent Native American gallery. In addition, the Museum will give both the Caddo and Wichita Nations all interpretative materials to use at their discretion in their respective tribal museums.

The exhibition will debut at National Cowboy & Western Heritage Museum February 12 – May 9, 2021, before traveling to the Birmingham Museum of Art (October 5, 2021 – March 11, 2022) in Birmingham Alabama, and the Dallas Museum of Art (April 15, 2022 – August 5, 2022), in Dallas Texas.

Visit Spiro Mounds for more information, including photos, maps and a calendar of associated programming.

The Spiro and the Art of the Mississippian World has been made possible in part by major grants from the National Endowment for the Humanities and the Henry Luce Foundation, as well as support from the Kirkpatrick Foundation.

Any views, findings, conclusions, or recommendations expressed in this press release do not necessarily represent those of the National Endowment for the Humanities.

About the National Cowboy & Western Heritage Museum

The National Cowboy & Western Heritage Museum in Oklahoma City is America’s premier institution of Western history, art and culture. Founded in 1955, the Museum collects, preserves and exhibits an internationally renowned collection of Western art and artifacts while sponsoring dynamic educational programs to stimulate interest in the enduring legacy of the American West. For more information, visit the National Cowboy & Western Heritage Museum.

Worldly Old Fashioned illustration by Heather Skovlund (Photo Credit: Robert Flicker) for 360 Magazine

Bellagio’s Petrossian Bar

Bellagio’s Petrossian Bar in Las Vegas Debuts Caviar and Cocktails for the Modern Traveler

Caviar Tacos, “Worldly” Old Fashioned, and cocktail pairings highlight new experience from The Strip’s most iconic lobby bar

Caviar Tacos and captivating cocktail pairings take center stage at Petrossian Bar’s new epicurean experience at Bellagio Resort & Casino. Along with live piano sounds and views of Dale Chihuly’s “Fiori di Como” over the resort’s bustling lobby, the legendary bar’s evolved menu blends signature components of Las Vegas’ culinary scene with extravagant ingredients to create an approachable way to indulge in the world’s finest spirits and caviar.

“Petrossian Bar has long been heralded as an iconic people-watching destination featuring exceptional caviar, high-end spirits, and tea service,” said Bellagio Executive Chef Wesley Holton. “We took those core elements and world-renowned offerings, then infused them with modern concepts for an engaging lobby bar experience that cannot be found anywhere else.”

A Glimpse into Petrossian Bar’s New Menu

Signature Sips

  • Worldly Old Fashioned: A glass globe transports an international Old Fashioned tableside with Yamazaki 12-Year Japanese Whisky, WhistlePig 10-Year Whiskey, Craigelliache 13-Year Scotch, Demerara Syrup and Angostura Bitters.
  • Poof!: Encapsulated in a glass of smoke is an exquisite cocktail-pairing experience. Once the smoke dissipates, Poof! reveals a concoction of Bulliet Rye Whiskey, Copper & King Apple Brandy and Carpano Antica Sweet Vermouth sitting side-by-side with Duck Confit Croquettes for a smoky and surprising delight to be enjoyed together.
  • The Bellagio Martini: Exuding elegance with a beautifully shaped ice sphere at the center of the glass, this quintessential vodka-based martini features lemon essence for a splash of citrus to pair with the lavish and edible Ossetra Caviar Cigar.

Caviar Creations

  • Caviar Taco: One of the planet’s most opulent and scrumptious tacos features a thin and crispy potato shell filled with layered flavors of Hamachi, lemon, chives and olive oil and then topped with Daurenkie caviar.
  • Caviar Pie: Crème fraiche and brown butter filling upon a flaky crust create a savory tart garnished with green apples, lemons, and flowers to complement the caviar in this indulgent pie.
  • Dark Chocolate Caviar: Petrossian Bar’s delectable dessert mimics caviar service through dark chocolate “pearls” presented with Meyer lemon gelee, fresh citrus supremes, Rose champagne sorbet and vanilla chantilly.

In addition to these new signature cocktails and decadent dishes, Petrossian Bar offers an elevated Afternoon Tea experience from 1 p.m. – 4 p.m. on Saturday and Sunday. The experience includes freshly baked scones, flavorful desserts, and choice of tea.

Reservations are required at Petrossian Bar. Visit Bellagio online for more information. 

Worldly Old Fashioned
Worldly Old Fashioned
Photo Credit: Robert Flicker
Cigar Caviar
Cigar Caviar
Photo Credit: Robert Flicker
Poof!
Poof!
Photo Credit: Robert Flicker
Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Wes Nelson illustration by Heather Skovlund for 360 Magazine

Wes Nelson New Single

WES NELSON RELEASES NEW SINGLE “NICE TO MEET YA” FEAT. YXNG BANE

FOLLOWS THE GOLD CERTIFIED TOP 3 DEBUT SINGLE “SEE NOBODY”

Following his massive breakthrough debut single last year, Wes Nelson returns with another monster hit “Nice To Meet Ya” featuring Yxng Bane.

Listen and watch “Nice To Meet Ya”

With its moody blend of Afrobeats, smooth R&B production and Wes’ infectious melodies, “Nice To Meet Ya” feels like an instant classic; confident, effortless and ridiculously catchy. Written by Wes and produced once again by rising beatmaker, Ayo Beatz (Fredo, Young M.A.), the track delivers on Wes’s promise both as a talented songwriter and vocalist. Featuring Yxng Bane, the East London star had written and recorded his parts within a day of hearing the track.
 
Wes says, “I wanted people to sing ‘Nice To Meet Ya’ and just feel good about themselves, like 3 minutes of escapism! Especially with lockdowns, we’re all feeling a bit trapped, and people are down, I just want people to get up and feel good.”
 
One of 2020’s biggest singles, “See Nobody” was written and produced during lockdown from Wes’ makeshift bedroom studio. A Gold-certified hit in the UK and double Platinum in Ireland, the top 3 debut single has accumulated over 70 million streams globally, with over 38 million streams on Spotify and over 13 million video views. It also became an instant favorite amongst cultural commentators, musicians and attracted notable fans such as the likes of Anthony Joshua, Idris Elba, Stevo The Madman, Chip, Krept & Konan, Jay1, S1mba, Jae5, SL and many more.
 
A former undefeated champion Muay Thai kickboxer, semi-professional footballer and Nuclear System Design Engineer, music has always been Wes’ first love and his greatest ambition. After being gifted with a red plastic karaoke machine at age 3, he would perform for his family every Friday night and sing along to the Top of The Pops’ hits of the day. As he grew into his teen years, he lacked the confidence to be open about his passion for music and instead focused on other interests. Last year, quarantine became an opportunity for Wes to return to his artistic craving: while others baked banana bread and binge-watched Selling Sunset, he took the discipline he learned from Muay Thai and applied it to music.
 
With his focus now fully on music, who knows where the next chapter could lead. He has the desire – and potential to be one of the UK’s most successful R&B/Pop artists. Wes not only has the talent, but the focus, drive and discipline that such ambition takes.
 
“I know it’s not going to happen overnight, but consistency is key. The best artists are the ones who stay true to themselves; authenticity is everything to me and that’’s what will take me all the way.”
 
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Ariana Grande illustration by Heather Skovlund for 360 Magazine

Ariana Grande × The Voice

Multi-platinum global recording artist, Grammy Award winner, and talented actress Ariana Grande will join the upcoming Fall 2021 cycle of NBC’s “The Voice” as a coach.

Grande, a powerhouse vocalist whose international fan base of “Arianators” has enabled her to rapidly become one of the biggest pop superstars of our generation, will be joined by returning iconic coaches Kelly Clarkson, John Legend, and Blake Shelton, along with host Carson Daly, on the four-time Emmy Award-winning musical competition series.

With her most recent album, “Positions,” recently breaking the record for most songs to debut at #1 on the Billboard Hot 100 and cementing her as Spotify’s most-streamed female artist of the past decade, Grande, a self-proclaimed fan of “The Voice,” claims a red chair at a pivotal point in her career.

“As an undeniable force in pop music, Ariana’s inimitable success in the music industry is extraordinary,” said Jenny Groom, Executive Vice President of Unscripted Content for NBCUniversal Television and Streaming. “We were thrilled to learn that she is a true fan of ‘The Voice’ and know that this enthusiasm will add to her impact as a dynamic coach. Ariana is a visionary with over a decade of experience in the music industry. Her unmatched vocal skills, creativity, and unique expertise on all facets of the industry will make her an invaluable coach to the next generation of artists.”

Said Grande, “I’m so honored and excited to join ‘The Voice’ family! I have been a huge fan of the show for such a long time. I can’t wait to go head-to-head with the incredible coaches, get to know these new artists, and help to take their craft to the next level.”

A Grammy-winning, multi-platinum recording artist and international superstar, Ariana Grande was the first artist to hold the top three Billboard Hot 100 spots since the Beatles in 1964 with “7 Rings,” “Break Up with Your Girlfriend, I’m Bored,” and “Thank U, Next.” In 2020, she became the first and only artist to have five singles debuts at #1 in the chart’s history. At age 27, she has delivered five platinum-selling albums and surpassed 35 billion streams – she’s Spotify’s most-streamed female artist of the past decade – while rapidly becoming one of the biggest pop stars of our generation with her powerhouse vocals and unmatched presence both on stage and with her fans. She recently won a Grammy for Best Pop Duo/Group Performance for “Rain on Me” with Lady Gaga.

The Battle Rounds for Season 20 of “The Voice,” with current coaches Kelly Clarkson, Nick Jonas, John Legend, and Blake Shelton, continue Monday, April 5 and April 12 at 8 p.m. ET/PT on NBC.

For the 2020-21 season-to-date, “The Voice” is the #1 alternative series among total viewers. The show has ranked among the top 5 most-watched alternative series for each of its 11 broadcast seasons on the air.

Season 20 marks the 10-year anniversary of “The Voice.”

“The Voice” is a presentation of MGM Television, Warner Bros. Unscripted Television in association with Warner Horizon, and ITV Studios The Voice USA, Inc. The series was created by John de Mol, who serves as an executive producer along with Mark Burnett, Audrey Morrissey, Amanda Zucker, Kyra Thompson, and Adam H. Sher.

Rose - BlackPink - illustration by Heather Skovlund for 360 Magazine

ROSÉ OF BLACKPINK

SHARES DEBUT SOLO PROJECT ‘R’

SINGLE ALBUM FEATURES LONG-AWAITED TRACKS

“ON THE GROUND” & “GONE”

LATE NIGHT TV SOLO DEBUT ON THE TONIGHT SHOW STARRING JIMMY FALLON ON 3/16

Rosé of BLACKPINK shares her massively anticipated debut solo project, R. Released via YG Entertainment/Interscope Records, the single album consists of two unforgettably vulnerable tracks co-written by the K-pop icon: “On the Ground” and “Gone.”

Watch the video HERE

Go HERE to stream/download R by Rosé now.

Produced by frequent BLACKPINK collaborator TEDDY, acclaimed songwriter/producer/artist Jon Bellion (Katy Perry, Miley Cyrus), Jorgen Odegard (Justin Bieber, P!nk), Ojivolta (Selena Gomez, Halsey), and 24, “On the Ground” is an intimate look at the cost of ambition and chasing your dreams, with Rosé bringing her stunning vocal work to a gorgeous backdrop of soulful guitar tones and radiant beats. In creating the raw and reflective track, Rosé co-wrote with Bellion as well as heavy-hitters Amy Allen (Sam Smith, Zara Larsson) and Raul Cubina (Playboi Carti, Christina Aguilera).

On “Gone,” Rosé matches the pure emotional depth of “On the Ground,” this time offering up a stripped-back breakup ballad produced by Brian Lee (BLACKPINK, Post Malone, Camila Cabello). Accompanied by little more than the track’s hypnotic guitar work, her voice turns heartbreakingly tender as she delivers her confessional lyrics (“Now I’m all alone, crying ugly/You broke my heart just for fun/Took my love and just left me numb”).

Along with “On the Ground” and “Gone,” the CD and vinyl editions of R include instrumental versions of both tracks. Rosé is now the second member of BLACKPINK to release solo material, with singer/rapper Jennie having shared her single “SOLO” in November 2018.

R arrives just months after BLACKPINK dropped their debut full-length effort THE ALBUM. Released on October 2, the record-breaking project debuted at #2 on the Billboard 200, marking the biggest chart debut by an all-female group in over 12 years. With guest spots from fellow superstars Selena Gomez and Cardi B, THE ALBUM also smashed the record for highest first-week sales for a debut album from a K-pop group in all of music history. That same month, BLACKPINK premiered Light Up The Sky, an all-access Netflix documentary detailing the hard-fought journey behind the group’s meteoric rise.

ABOUT BLACKPINK:

Since bursting onto the scene in 2016, BLACKPINK have redefined the possibilities of K-pop, transcending all categorization and ascending to global stardom. With their unstoppably catchy single “DDU-DU DDU-DU,” the South Korean quartet broke the record for highest-charting Billboard Hot 100 debut by an all-female K-pop act, while its head-turning video surpassed 10 million views in just six hours and racked up 36.2 million views in one day.

Discovered by YG Entertainment, BLACKPINK is comprised of JISOO, JENNIE, ROSÉ and LISA: four immensely charismatic vocalists, dancers, and burgeoning fashion icons. Released in 2016, their debut “SQUARE ONE” quickly proved their crossover power; in 2018, “SQUARE UP” climbed to #40 on the Billboard 200 and #1 on the Billboard World Albums chart. Several months after “SQUARE UP” hit the charts, YG Entertainment and Interscope Records announced a global partnership for BLACKPINK, paving the way for the group’s international breakthrough. With their EP Kill This Love arriving in April 2019, BLACKPINK further boosted their popularity by successfully completing a world tour and becoming the first K-pop girl group to perform at Coachella, the largest music festival in the U.S.

Rosé of BLACKPINK Interscope Records for 360 MAGAZINE

Photo courtesy of YG Entertainment.

AMERICAN-DREAM®-39RK illustration by Heather Skovlund for 360 Magazine

AMERICAN DREAM 39RK

AMERICAN COACH DEBUTS AMERICAN DREAM 39RK

FLOORPLAN INCLUDES EXCLUSIVE KITCHEN ISLAND LAYOUT

REV Recreation Group (RRG), a subsidiary of REV Group, Inc., introduces the all-new 2021 American Dream 39RK model with an innovative floorplan at the FMCA’s 102nd International Convention in Perry, GA (March 10-13, 2021). The 39RK is a Class A Diesel motor coach by the ultra-luxury American Coach brand.

At 40’ 2”, the American Dream 39RK layout provides easy livability and ultimate comfort. Signature elements include a stylish, industry-leading kitchen island, an Adap-table Dinette, a full master suite, and a split lavatory with an enclosed watering room. In the kitchen, the new 39RK floorplan features one of the first stationary islands in a Class A. The fixed island provides more countertop workspace and additional storage, accommodates an induction cooktop, and includes a wine chiller.

“Whenever you’re entertaining, guests naturally gravitate to the kitchen and congregate around the island,” says Doug Miller, Product Manager for REV Recreation Group. “The 39RK floorplan delivers that ‘at-home’ experience with the kitchen island and a number of other residential amenities.”

The island is made possible by an exclusive Adap-table Dinette that can serve as a convenient workstation or breakfast bar for two. By swinging the table out vertically, it easily hosts a dinner party for four. Additional high-end appointments in the kitchen include quartz countertops, two wireless charging stations, an optional Fisher Paykel dishwasher, and hand-made cabinetry with full-extension drawers. The bathroom suite features quartz countertops with a tile backsplash and a beautifully tiled shower with a glass enclosure, skylight, and teak bench. The master suite appointments include a king-sized articulating bed that’s flanked by quartz-topped nightstands, two wireless charging stations, a chest of deep drawers that can accommodate a full wardrobe of clothes, a stackable washer and dryer, and a 43” LED TV.

The American Dream 39RK is built on American Coach’s exclusive and robust Liberty Bridge chassis, boasts a Cummins L9 450 horsepower engine, and has a steerable tag axle for sharp turning and extra carrying capacity.

American Dream offers owners a plethora of choices to customize their motor coach – four exterior paint designs (Falling Ash, Nighthawk, South Beach, and Stone Washed), three stylish and refined décor packages (Club Navy, Luxe Truffle, and Rockport Greige), and four hardwood options that range from classic and rich to contemporary and bright (Cognac, Majestic Chestnut, Sandbar Grey, and Edgecomb).

Celebrating its 30th anniversary, American Coach is the most luxurious brand from RRG. The American Coach line includes three richly appointed models – American Dream, American Tradition, and American Eagle.

For more information on the new American Dream 39RK model, visit their website.

Cravity Illustration by Heather Skovlund for 360 Magazine

K-Pop Cravity × “Bad Habits” Release

K-POP GROUP, CRAVITY, RELEASE

PERFORMANCE VIDEO FOR BAD HABITS

OFF THEIR 3RD ALBUM, SEASON3. [HIDEOUT: BE OUR VOICE]

K-Pop boy band, CRAVITY, has released their highly anticipated performance video for “Bad Habits” today. The B-side track is off their 3rd album, SEASON3. [HIDEOUT: BE OUR VOICE], released earlier this year. With an ambitious drive to turn the year 2021 into CRAVITY’s, the members wasted no time speaking to places like Good Day New YorkiHeartET CanadaRadio.com, and many more, about their success thus far and the creative process behind the album.

“We shot the performance video for “Bad Habits” using many new techniques we haven’t tried before, for example, shooting with night vision or lip-syncing to a lower angle camera through a glass pane. The dance routine was really fun to perform and suits the mood of the song really well,” says Rapper Allen. The leader of the group, Serim, adds “We had a very short time to prepare for our B-side track promotion, but we’ve worked super hard to complete it in success.” 

The main theme for the performance video of “Bad Habits” is ‘Nocturnal,’ and viewers can see the members’ dynamic moves and performance on the night of the full moon. They’ve turned into bad boys with funky visuals and will draw full attention by showing more matured and developed skills. The song “Bad Habits” is meant to showcase a different side of the CRAVITY members with a more rough and tough persona. The lyrics tell a story of 9 members who will not collapse in this world but will clearly show their own way to survive through it. EXY from K-Pop Group Cosmic Girls (WJSN) participated as a lyricist on this track with underground trap beats. In addition, 3 CRAVITY members [Taeyoung, Allen, and Hyeongjun] participated in the draft version of the “Bad Habits” choreography, further showing their artistic abilities.

MORE INFO:

CRAVITY’s debut album, released in April 2020, SEASON1. [HIDEOUT: REMEMBER WHO WE ARE] caused a wave of intrigue and excitement here in the states, with mentions in PAPER MagazineAccessiHeartJ-14MTV NewsEarmilkTeen Vogueand Rolling Stonewho referred to their title track as “An anthemic track from the K-pop rookies that combines 808-style riffs with the melodic sensibilities of early-2000s boybands (extended dance break included).” In addition to that, CRAVITY made a splash on social media, debuting at No. 12 on Billboard’s Social 50 chart for the week dated April 25.

CRAVITY has also garnered the title “Super Rookie” over in Korea due to their debut album’s success, which hit No. 1 on the U.S. @iTunes Top K-Pop Albums chart, making them the first #Kpop rookie group to debut in 2020 to earn this achievement. CRAVITY has marked their relentless movement, sweeping the rookie of the year awards at various music awards ceremonies in Korea. Even after releasing only two albums, their achievements were more than enough to show their presence in the K-pop scene, giving them the title ‘2020 super rookie.’

The inspiration behind the name, CRAVITY, came to fruition through the combination of “Creativity” and “Gravity,” Starship Entertainment’s new boy band for the first time in five years since Monsta X. Consisting of nine members, [Serim, Allen, Jungmo, Woobin, Wonjin, Minhee, Hyeongjun, Taeyoung, and Seongmin], CRAVITY, which is also an acronym for “Center of Gravity,” is meant to attract/gravitate listeners into their unique universe, by pulling them in with their creativity, charm, and pure talent. As humans, we all have our own “first experiences,”; whether that be in school, society, or in a relationship. When encountering new relationships, we sometimes prepare ourselves by running from the starting line at full speed, hearts racing, butterflies in our stomach, but at the same time, we are afraid. We are hopeful, but we also experience despair.

Follow Cravity on Socials:

INSTAGRAM | TWITTER | TWITTER2 | YOUTUBE | SPOTIFY

Sheff G Artwork

SHEFF G “Proud of Me Now”

Sheff G, the leader of Brooklyn’s premier crew and label, Winners Circle Entertainment, closes out 2020 with the release of his debut album Proud of Me Now (Winners Circle Entertainment/RCA Records).  With Great John (“on the beat by the way”) helming production, Proud of Me Now is a coming-of-age lyrical journey where Sheff details his evolution – from his slip-ups to his come ups. Click here to listen.

Sheff kicked off Proud Of Me Now with the release of two singles, “No Negotiations and Lights On,” both of which further exemplified why Vulture named him as part of “NY’s Next Rap Generation.” Throughout the album, Sheff continues to play between a smooth flow and guttural style, leading beyond the Brooklyn drill movement.

“‘Proud of Me Now’ is my first album in partnership with RCA and my label Winners Circle. A lot of hard work went into making this album. I’m proud of the music I’m making. I’m proud of my team. I’m proud of being a CEO. I’m proud of me, now!!!,” says Sheff G.

Sheff G has also gained positive attention from the media. “When Flatbush drill rapper Sheff G is at the peak of his powers, his songs are exhilarating…His raps feel like wind sprints,” said Pitchfork.

Sheff G is also proud to have been chosen as Audiomack’s latest UpNow artist, their signature program dedicated to spotlighting and promoting the next generation of global music superstars. Announced earlier today by the streaming platform, Sheff G currently graces the cover of their popular UpNow Playlist and will be prominently featured across their channels with specialized marketing, editorial, social support, playlisting, custom videos, and more.

Over the past two years, and particularly throughout this summer, Sheff G kept the streets of Brooklyn and beyond ablaze with several drops, including his previous mixtape Just For Y’all, which garnered over 9.6M streams across all platforms, and the One and Only EP, ranked #21 on Complex’s list of 2020’s best albums so far.

Sheff G’s rise to stardom began in 2016 creating a local hit, “Nightmare,” produced by Great John in his living room. The following year, he released his breakout hit “No Suburban,” followed by the acclaimed 2019 project, The Unluccy Luccy Kid. Sheff showed no signs of slowing down dropping “No Suburban Pt. 2” which received over 21.2M streams. With each release, Sheff G displays a raw style addressing blunt realities with authenticity.

Listen to Proud of Me Now here. You can also watch “Lights On” here.

ABOUT WINNERS CIRCLE ENTERTAINMENT

Incorporated in 2019, Winners Circle Entertainment includes label co-owner Sheff G, Sleepy Hallow, Eli-Fross and producer Great John, who handles a majority of the label’s music production. Co-owned and operated by a solid management conglomerate which is made up of Jeremy “Jerm” Soto and Karel “White” Jorge.

On the heels of the partnership with RCA Records and Winners Circle Entertainment co-led by Sheff G and Sleepy Hallow, the collective is on a mission to create a culture-defining legacy and sound.  Winners Circle kicked off the partnership with a Sleepy Hallow single, “Tip Toe,” featuring Sheff G. The track delivered gritty verses while juxtaposing a playful sample popularized by Tiny Tim’s ukulele driven hit, “Tiptoe Through the Tulips.”

Be sure to keep up with Sheff G on Instagram and Twitter.

Scribz Riley - Wish Me Luck

Scribz Riley – Wish Me Luck

“Scribz Riley is the songwriter-producer behind some of your favorite songs and you probably didn’t know it.” – Complex

“Riley continues his rise to stardom…” – Hypebeast

“[Lead single] ‘East Side’ will have you feeling weightless.” – Elevator

GRAMMY Award-winning songwriter, producer, singer, and rapper Scribz Riley will release his debut EP, Wish Me Luck, this Friday, Nov. 20.

The EP blends R&B and Hip Hop with Afrobeats, Garage, Funk and more, and boasts collaborations from such names as 6lack, Headie One and Kaash Paige. The focus track is “Introduce Myself” ft. rising artists KWN & JADA. Check out music videos for previously released singles “East Side” HERE and “Mandy” HERE. Just this Monday, Scribz was named to VEVO’s annual DSCVR platform as one of their 2021 Artists to Watch, alongside names like Giveon, Flo Milli, and more.

Hailing from East London, 26-year-old Scribz Riley has established himself as an acclaimed award-winning producer and songwriter over the last few years, with his fingerprints across a diverse group of acts, such as J Hus, Khalid, Teyana Taylor, Ella Mai and more, having won Grammys for his work with Cardi B (“Ring”) and H.E.R. He also wrote on the Kendrick Lamar-curated Black Panther soundtrack.

After developing his own material in the studio, he is now ready to step out of the shadows and launch himself as an artist. With an exciting, edgy, and current sound that blends multi-genres with R&B and rap to create something unique and fresh, Scribz Riley’s debut is a truly compelling set of songs.