Posts tagged with "360 mag"

Illustration of a Booker by Kaelen Felix for 360 Magazine

Turf Shifts Modeling World

By Dana Feeney

The modeling industry has two very different faces. One side are supermodels, like Gigi and Bella Hadid, glamorously modeling, making millions of dollars, and traveling the world. The other are the unknown models working job to job, facing exploitation and manipulation by their agencies and clients, and trying to make their name in the industry. The mistreatment of models is as old as the industry itself. Skinny, cis, and white models experience this brutal reality. Working as a model is only worse for people of color [POC], LGBTQA+, and immigrants because of the lack of transparency or regulation and rampant misconduct.

New Players

The current push for diversity and inclusion has caused a much higher demand for POC, and LGBTQA+ models with different body types. In recent months, a few new players in the game are building their reputations on accountability and proper treatment of the models and creatives they represent. Three small agencies and one superpower are disrupting the model representation world: New Pandemics, Zandwagon, Community New York, and film and television power player Creative Artists Agency (CAA).
The way modeling deals traditionally work is that a model signs to an agency, such as Next Models, Ford Models, IMG Models, or Wilhelmina Models. The agency provides its models with certain services such as housing, transportation, portfolio shoots, and more. In most cases, anything an agency provides for a model they have to pay back to the agency, often at a high-interest rate. The interest rate means the longer they take to pay it back, the more they owe to the agency.

Although models sign contracts to agencies, they are not considered employees of those agencies and instead are independent contractors who the agency aids in booking jobs. The agencies do not keep models on their payroll. They do control the money that the models earn on a job and how their money models earn is distributed. Bad payment practices reach far beyond the agencies. The agencies are responsible for billing the client right after the model completes their job. Payment for jobs by agencies to their models is notoriously sketchy because clients are not required to pay upfront before shoots and can legally take up to 90 days to settle up. Most agencies take at least a 20% fee out of any money their models make and charge clients a “booking fee,” so for a $1000 job, they would charge $1200 but only pay the model $800. Worst of all, if a client does not pay the agency for work a model did, the agency does not owe the model the money they earned. The common practice in the industry is that the model only gets paid if the agency gets paid.

The film and television management world contrasts the modeling world in many ways. The modeling industry as a whole is riddled with misconduct, manipulation, and poor treatment of models by their agencies and brands. Many modeling agencies use contracts that include fees and costs they can pull out of the model paychecks and use debt, housing, and visas to keep their models dependent.

Agencies in other media such as film, only make money if their clients make money. In film, the percentage is around 10% because of unions. Although, none of these industries are flawless especially considering scandals in the film and tv world with predators like Harvey Weinstein and Matt Lauer.
Creative Artists Agency (CAA) has a long history of representing talents across film, tv, music, and more. In August of 2020, CAA announced their partnership with KCD Worldwide, a fashion services agency, which signaled CAA’s entrance into fashion model management for the first time in the agency’s history. CAA has a strong legacy of representing high-profile individuals and building their careers. They have also stated that they only take a 10% fee out of their models’ earnings, half of the general standard of 20%. Despite their claims for better treatment of models, CAA is not blemish-free when it comes to allegations of abuse and sexual misconduct. Multiple former CAA agents have faced lawsuits.

Additionally, CAA has previously represented multiple people accused of misconduct, including Shia LaBeouf, Chris D’Elia, and Marilyn Mason; all of whom are no longer represented by CAA.
On the opposite end of the spectrum are the smaller boutique agencies mentioned earlier, New Pandemics, Zandwagon, and Community New York. New Pandemics is “a casting and management agency dedicated to increasing LBGTQ+ visibility.”

Zandwagon is “a talent management company that could guide everyday life individuals who are breaking beauty standards daily” according to their website. Community New York is run by Butterfly Cayley, Moe Lamstein, and Richie Keoall, three first-generation immigrants from Laos, and “is founded on inclusivity and progressive values by changing not only the style but the very structure of management.” Cayley, Lamstein, and Keoall have impressive experience at agencies including DNA and Elite Model Management. Community New York now represents stars such as Hunter Schafer, who is well known for her work on the hit HBO show “Euphoria” and is now a brand ambassador for Shiseido.

With small diversity forward agencies up and coming, the existing modeling industry is under attack from all sides. All three of these agencies emphasize how much they value representation and inclusivity in this industry that has avoided breaking societal beauty standards for so long. They also claim they will be different from other agencies and provide better treatment for their clients. These agencies are sending the message that you’re either with them or against them, and they’re willing to think outside of the box to get proper treatment and equity for models from all walks of life.

Same Old Problems

Many of the biggest fashion houses in the world are still reckoning with the #MeToo movement. The fashion industry is known as a highly predatory business. Many of even the largest names in modeling have had to survive people abusing their power on sets and behind the scenes to become who they are. Household names, such as Kate Upton, Coco Rocha, and Cameron Russel, have all spoken out about their experiences with the abuse they’ve experienced while working as models.

Kate Upton spoke out against Paul Marciano in 2018, which led to a total of $500,000 in settlement agreements involving five individuals. He has remained an active participant at GUESS as a board member and chief creative officer, despite resigning from his position as an executive. At the beginning of February, the news broke that Marciano is once again being sued over sexual assault allegations by a woman who has chosen to remain anonymous. The allegations against Marciano are not an isolated incident. Similarly, allegations were brought against Alexander Wang in December of 2020 but began as early as 2017, yet some still chose his side despite the overwhelming corroboration of multiple individuals. If the word of a woman as successful as Kate Upton is not enough to oust a predator from power, it’s unclear what realistically can protect vulnerable individuals with less acclaim from the same experiences or worse.

The silver lining of these allegations coming to light is the industry supporting the individuals coming forward more than ever before. In the past, many models lost their careers before they had even begun due to the actions of predators and the mechanisms powerful people use to silence their victims. Accounts such as @shitmodelmgmt and @dietprada have been using their online platforms to expose predators and condemn their actions openly across Instagram and Twitter. Additionally, the Model Alliance, an organization dedicated to giving models a voice in their work, has also spoken out against Wang on their Instagram saying, “We stand with David Casavant, Owen Mooney, Gia Garison, and all the accusers of @alexanderwangny in their pursuit towards justice.”

The upheaval that began in 2006 with survivor and activist Tarana Burke’s creation of the #MeToo movement has continued into 2021. Slowly but surely survivors are taking their power back and pushing to create real change in media industries that have exploited them for far too long.

Illustration of models by Rita Azar for 360 Magazine

remote learning illustration by Kaelen Felix

How to Make Your Pop Culture Blog Successful

Pop culture involves a range of topics, such as celebrity updates, the latest TV shows, and movies. As long as it involves popular, new information, it falls into that niche. If you are passionate about the topic, you might consider starting a pop culture blog to share your knowledge with the rest of gossip-driven interesting reads.

Growing Your Traffic

Your readers will make your break the blog. That means you’ll want to use every tactic you can to bring in traffic and retain it. That way, the site will run well. Some tactics might work better than others, but a combination of methods is often the best. Search engine optimization involves making your site easier to find online. You might optimize the site or use specific keywords so people can find your pages. If you want to grow your revenue, it is essential to use intent SEO to outrank the competition. Since you might not be familiar with the tactics used, you can review guides to great SEO writing in a few easy steps, plus tools & pro tips.

You’ll also need to create an environment that promotes growth so your readers can engage with you. That way, they will continue to comment on meaningful posts. You need to respond to their comments and engage with them, so your audience feels it is worthwhile to come back. Consider it building a community instead of merely allowing them to read passively. Social media is an excellent channel for helping you engage with the readers. That way, they can choose the platform they are most comfortable with. If the topic allows, you might have them choose what you cover now and then.

Content Created by Pop Culture Bloggers

That means you’ll need to pick a focus for the blog. There are many options, so ensure you choose something that fits your passions. Choose something that you can make your own to give your blog more influence. You don’t have to choose the focus right away. You might decide to add more focus at a later time once you have gotten more into your topic. For instance, you might enjoy current fashions, so you might begin with hair and then move on to clothing, makeup, and other style topics. 

No matter the niche, create relevant, engaging content to help your blog stand out. Make sure that your readers can get something out of their visit to your site. It might include a unique perspective that stands out from typical blogs in your niche. Give them a reason for coming back. That is often hard since there are already many pop culture blogs out there. Do your research on how you can build your audience to bring those readers to you. Give them something they want to come back to over and over again. The more your readers want to go back, the better your readership. Let them have a say in what you post to encourage engagement. Create polls or ask them to respond in the comments section.

Fieldwork Brewing Company Expands Napa Valley Location

An ambassador for craft beer in Berkeley, California, Fieldwork Brewing Company expands its Napa Valley location with a new outdoor beer garden and increased indoor taproom capacity at the Oxbow Public Market Annex (1046 McKinstry Street, Napa) in spring 2021. Fieldwork Brewing opened its taproom at Oxbow Public Market in 2016, which will remain open until the Grand Opening of their new locale. At the adjacent Annex, Fieldwork builds out its indoor footprint to 1,450 square feet with an additional 900 square feet outside for the European-style beer garden. The new Fieldwork Taproom and Beer Garden at Oxbow Public Market Annex overlooks the Napa River and Oxbow Commons green space, and is located next to The Fatted Calf and Model Bakery.

“We are excited to have this expanded indoor / outdoor space to present a Fieldwork environment that is more akin to our other larger Bay Area locations,” said Barry Braden, CEO and Co-Founder of Fieldwork Brewing Company. “Our goal is always to provide the best hospitality, a casual environment, and seasonal beers — as fresh as possible and directly from the source.”

Steve Carlin, Founder and Managing Partner of Oxbow Public Market stated, “Barry and Alex always produce a terrific product and fun atmosphere. We expect their new space to be lively, comfortable, and a major part of Oxbow Public Market for years to come.”

Brewing well over 500 unique beers since opening its West Berkeley brewery in February 2015, Fieldwork brews with as much a sense of purpose as a sense of place as they honor Northern California’s magnificent outdoor landscapes with an array of idiosyncratic beers. The esteemed brewing team led by Head Brewer and Co-Founder Alex Tweet focuses on innovation for its ever-evolving roster of highly aromatic and well-balanced beers. Based on seasonality and consistent quality, Fieldwork forges its own path brewing beers they simply love to drink.

Walking into Fieldwork Brewing locations is never the same experience twice with their ambitious brewing program featuring signature IPAs, Double IPAs, lagers, pale ales, sours, stouts, etc. Bay Area regulars and out of town visitors can always rely on enjoying an onslaught of beer varieties with the tasting menu in constant rotation. Some beers reappear and others never repeat.

The Fieldwork Taproom and Beer Garden at Oxbow Public Market Annex will feature upwards of 18 beers on the menu, and will present live music and other A&E programming.

For more information regarding Fieldwork Brewing Company, please visit fieldworkbrewing.com and instagram.com/fieldworkbrewingco.

ABOUT FIELDWORK BREWING COMPANY

Established in 2015, Fieldwork Brewing Company is a craft brewery based in Berkeley, CA brewing for the regional Northern California marketplace. Available at their West Berkeley, Napa, Sacramento, San Mateo, Monterey, San Ramon, and Corte Madera taprooms/beer gardens, Fieldwork beers are also on draft at the finest local craft beer focused restaurants and bars. Fieldwork is the 10th fastest growing private company on San Francisco Business Times’ “100 Fastest Growing Private Companies in the Bay Area” for 2018, and Inc. magazine ranked Fieldwork at No. 604 on its 2019 Inc. 5000 list of “America’s Fastest-Growing Private Companies.”

Fieldwork’s downtown Napa location expands to the Oxbow Public Market Annex in spring 2021, and the midtown Sacramento taproom is in The Handle District. In summer 2017, Fieldwork opened beer gardens in San Mateo and Monterey. The Fieldwork Taproom and Beer Garden at City Center Bishop Ranch (San Ramon) opened in 2018, and The Fieldwork Taproom at Town Center Corte Madera opened in 2020. Fieldwork’s latest releases can be enjoyed by sampler flight, beer by the glass, and filled “to go” in growlers and crowler cans. Special Release cans are available onsite and for delivery while supplies last at each location.

Fieldwork proudly supports select regional non-profits through the release of benefit beers such as Koalaty Time Double IPA, March On Hoppy & Strong, Crayon Box Double IPA, 924 Double IPA, Oakland Pride IPA, Golden Rule Double IPA, and Fetch Pale Ale.

ABOUT OXBOW PUBLIC MARKET

Oxbow Public Market, located in the historic Oxbow District of downtown Napa, has become the local resource for great food and wine in the Napa Valley. The 40,000 square foot marketplace, which includes a scenic outdoor deck with seating along the Napa River, features a diverse tenant mixture of local food vendors, artisan cafes and an organic produce outlet for local farms. For more information, please call 707-226-6529, or visit www.oxbowpublicmarket.com.

Zoo illustration by Maria Soloman for 360 Magazine, toys for tots

TOYS FOR TOTS ANNOUNCES 2020 CAMPAIGN RESULTS 

Toys for Tots, the U.S. Marine Corps’ premiere community outreach program, delivered a record setting 20.2 million toys to 7.4 million less fortunate children in 2020.

2020 was a year unlike any other, causing economic devastation for so many. COVID-19 took hold early in the year, leaving many millions of families in dire need. While Toys for Tots is primarily known as a Christmastime charity, we did not want to wait until the holiday season to provide support. Marines are known for being the first to fight and for running toward the sound of battle. During the spring and summer of the COVID-19 crisis, Toys for Tots partnered with Good360 to provide immediate relief and assistance by distributing 2 million toys, games, and books to COVID-impacted families. These gifts provided many benefits during this extraordinary time of need. They helped to fight boredom, relieved anxiety in children, and facilitated a return to normalcy. The gifts even contributed to the educational development of our Nation’s children, especially while they’ve been out of school.

As the pandemic continued to spread–causing states and municipalities to impose significant restrictions–the Marine Toys for Tots Foundation, in conjunction with Marine Forces Reserve, are looking ahead to the holiday season to making preparations for how best to collect and distribute toys to children in need.

COVID restrictions have greatly impacted our local campaign operations and significantly limited the number of volunteers permitted to help collect, sort, and distribute toys. In response, the Marines and local campaign coordinators of the Marine Toys for Tots Program rose to the occasion, and established over 800 local toy collection and distribution campaigns in all 50 states, as well as the District of Columbia, Puerto Rico, Guam, and the Virgin Islands. As anticipated, the demand from families with children seeking support was much greater than the supply. But the Marines, in their typical fashion, found ways to improvise and adapt. They were very innovative about how they collected and distributed toys. They established curbside and drive-through collection and distribution methods, and enlisted support from other local social service agencies in order to accomplish the mission.

Seeing a deficit of over a million toys develop in November, the Marine Toys for Tots Foundation sent out many communications soliciting for help. The American public heard our appeal and recognized the need for aid. Hundreds of thousands of individuals, as well as a record number of organizations serving as National Corporate Sponsors, answered our call. Significant donations allowed for the Marine Toys for Tots Foundation to augment local toy drives with over 8 million toys, valued at over $77 million.

Toys for Tots does not set a goal of children supported in a given year–rather, our goal is to support every family with children seeking our assistance. The American public has never let Toys for Tots down. With the help from so many, Toys for Tots was able to accomplish our mission distributing a record number of over 20 million toys to 7.4 million children, who otherwise would have gone without. “Unprecedented” seems to be the buzz word for most 2020 events, and there’s no better way to describe the generosity of the American public and our Corporate Sponsors – it was truly unprecedented. 

2020 Accomplishments

  • Distributed 20 million toys to 7.4 million less fortunate children from 808 local campaigns in all 50 states
  • Distributed over 2 million toys, books, and games to COVID-impacted families outside of the holiday season
  • Distributed 1.8 million books to children through the Toys for Tots Literacy Program
  • Distributed toys to 180,000 children through the Toys for Tots Native American Program
  • With support from Toys for Tots Sponsors, augmented local toy drives with over 8 million toys valued at over $77 million
  • Met all 20 standards of the Better Business Bureau Wise Giving Alliance and maintained a 96:4 Program to Support Ratio

About Marine Toys for Tots

Toys for Tots, a 73-year national charitable program run by the U.S. Marine Corps Reserve, provides happiness and hope to less fortunate children.  The toys, books, and other gifts collected and distributed by the Marines offer these children recognition, confidence, and a positive memory for a lifetime. It is such experiences that help children become responsible citizens and caring members of their community. Last year, the Marine Toys for Tots Program fulfilled the holiday hopes and dreams of over 7 million less fortunate children in over 800 communities nationwide.  Since 1947, over 272 million children have been assisted. The Marine Toys for Tots Foundation is a non-for-profit organization authorized by the U.S. Marine Corps and the Department of Defense to provide fundraising and other necessary support for the annual Marine Corps Reserve Toys for Tots Program.  For more information, visit www.toysfortots.org.

Kusama with Pumpkin, 2010 for 360 Magazine, Courtesy of Ota Fine Arts, David Zwirner, Victoria Miro

NYBG Newest Installation

The New York Botanical Garden (NYBG) has announced the dates for its expansive 2021 exhibition, KUSAMA: Cosmic Nature, featuring work by internationally celebrated Japanese artist Yayoi Kusama. Postponed in 2020 due to the COVID-19 pandemic, the exhibition will include four experiences that will debut at the Botanical Garden. NYBG is the exclusive venue for KUSAMA: Cosmic Nature. On view April 10 through October 31, 2021, the exhibition will be installed across the Garden’s landscape, in and around the Enid A. Haupt Conservatory, and in the LuEsther T. Mertz Library Building. Advance, timed, limited-capacity tickets for the landmark presentation go on sale to the public March 16, 2021.

The exhibition, related programs, and accompanying publication will reveal Kusama’s lifelong fascination with the natural world and its countless manifestations, beginning in her childhood spent in the greenhouses and fields of her family’s seed nursery in Matsumoto, Japan. The exhibition will include works from throughout Kusama’s prolific career and multifaceted practice. By integrating seasonal horticultural displays, KUSAMA: Cosmic Nature will further illuminate the power of nature that pervades the artist’s practice and dynamic body of work.

Multiple outdoor installations will be on view, including monumental sculptures of flora that will transform the Garden’s 250-acre landscape and visitor experience. Her signature polka-dotted organic forms and mesmerizing paintings of plants and flowers will also be presented. These vivid observations of biodiversity will be shown along with archival material that has never been publicly exhibited, and more that will be on view for the first time in the United States.

Among the works created for and debuting in the exhibition are:

  • Flower Obsession(2017/2021), Kusama’s first-ever obliteration greenhouse;
  • Dancing Pumpkin(2020), a monumental sculpture presented on the Haupt Conservatory Lawn;
  • I Want to Fly to the Universe(2020), a 13-foot-high biomorphic form presented in the Visitor Center; and
  • Infinity Mirrored Room–Illusion Inside the Heart(2020), an outdoor installation reflecting its environs.

Spectacular seasonal displays will complement the artworks on view, making each visit unique as new plantings, textures, and palettes are introduced. Glorious outdoor displays of tulips and irises in spring give way to dahlias and sweet peas in summer, and masses of pumpkins and autumnal flowers in fall. In and around the Conservatory, Kusama’s plant-inspired polka-dotted sculptures will be nestled among meadow grasses, bellflowers, water lilies, and other plantings. Stunning floral presentations will bring to life one of Kusama’s paintings on view in the Library Building through a seasonal progression of violas, salvias, zinnias, and other colorful annuals. In fall, displays of meticulously trained kiku (Japanese for chrysanthemum, one of that country’s most heralded fall-flowering plants) will create a dramatic finale for the Conservatory displays.

KUSAMA: Cosmic Nature guest curator Mika Yoshitake, Ph.D., said, “For Kusama, cosmic nature is a life force that integrates the terrestrial and celestial orders of the universe from both the micro- and macrocosmic perspectives she investigates in her practice. Her explorations evoke meanings that are both personal and universal. Nature is not only a central source of inspiration, but also integral to the visceral effects of Kusama’s artistic language in which organic growth and the proliferation of life are made ever-present.”

In the Garden

On the Conservatory Lawn, visitors will encounter the monumental Dancing Pumpkin, a 16-foot-high bronze sculpture in black and yellow. Both playful and powerful, it will be sited in an immersive landscape of river birches, flowering plants, grasses, and ferns. The setting is inspired by the sculpture itself and the plants native to Kusama’s childhood home.

Visitors can marvel at the bright, purple-tentacled floral form with a vivid yellow primordial face of I Want to Fly to the Universe in the Visitor Center Reflecting Pool, and then behold Ascension of Polka Dots on the Trees (2002/2021), where soaring trees adorned in vibrant red with white polka dots will pop in the landscape along Garden Way.

Narcissus Garden (1966/2021), 1,400 stainless steel spheres each nearly 12 inches in diameter, will be installed in the 230-foot-long water feature of the Native Plant Garden. The reflective spheres will float on the water’s surface, moved by wind and currents, each mirroring the environment around them to captivating effect.

The exterior of Infinity Mirrored Room–Illusion Inside the Heart, a cube-shaped structure with a reflective surface, will be on view, revealing and repeating the changing landscape throughout the seasons. Interior access to the installation, which responds to natural light through colored glass throughout the day, is planned to begin in summer, per New York State and New York City guidelines for COVID-19. A timed-entry ticket will be required for limited-capacity access.

In the Galleries

In Flower Obsession, visitors may opt to apply coral-colored floral stickers to the glass-paned walls and interior objects. Over the course of the exhibition, the stickers will transform the greenhouse. Through works like this, Kusama employs the repeating patterns and forms of flowers to represent the concepts of obliteration, infinity, and eternity.

Three galleries in the Conservatory will be transformed into a horticultural celebration of Kusama’s self-proclaimed biophilia. My Soul Blooms Forever(2019), colossal polka-dotted flowers made of stainless steel and painted in dramatic colors, will greet visitors under the newly restored dome of the Palms of the World Gallery.

In the Seasonal Exhibition Galleries, Starry Pumpkin (2015), adorned with pink and gold mosaic, will be featured in a woodland garden of foliage and flowers chosen to harmonize with the sculpture’s pink polka dots. Using Kusama’s vibrant painting Alone, Buried in a Flower Garden (2014) as inspiration, NYBG horticulturists have designed a living work of art to mimic the painting’s bold shapes and colors, with plantings that will change seasonally. The patchwork of shapes in the painting reads as garden beds seen from above.

In the Conservatory Courtyard Hardy Pool, the exuberantly colored and patterned sculpture Hymn of Life:Tulips (2007) featuring outsized, fiberglass flowers will be bordered by water lilies and other seasonal plantings. The buoyant flowers echo the stunning horticultural displays in the Conservatory.

Pumpkins Screaming About Love Beyond Infinity (2017) comprises a glass cube with two-way mirrors reflecting an infinity of glowing polka-dotted pumpkins within it. The work, one of Kusama’s signature mirrored environments, will be installed in the Visitor Center Gallery. Viewed from the outside, the installation is accompanied by a statement by the artist that reads, in part, “My pumpkins, beloved of all the plants in the world. When I see pumpkins, I cannot efface the joy of them being my everything, nor the awe I hold them in.”

On display in the Mertz Library Building, Kusama’s 1945 sketchbook reveals the 16-year-old artist’s keen eye for detail in some 50 drawings capturing the bloom cycle of tree peonies. This early work is the product of a lifelong connection with the natural world that has inspired her practice across mediums, and also portends the avant-garde ideas she developed while living in New York City between 1958 and 1973 as a contemporary of Joseph Cornell, Eva Hesse, Donald Judd, and Claes Oldenburg, and continues to explore rigorously today.

The Library Building presentation will feature examples of her botanical sketches, works on paper, biomorphic collages, assemblage boxes, and recent soft sculpture and paintings on canvas depicting flora and its limitless variety of patterns.

Kusama’s considerable body of performance works is represented in the exhibition by projected photographs of Walking Piece (ca. 1966), a performance in which Kusama walked the streets of New York wearing a bright-pink floral kimono and carrying an umbrella decorated with artificial flowers. Art historians have analyzed Walking Piece as a carefully calculated representation of the artist’s ethnicity and gender, one that was intended to demand attention. Interpretation will provide further context for the artist’s performance works.

From monumental polka-dotted pumpkin sculptures to abstract paintings that suggest cells magnified thousands of times, Kusama’s works suggest the patterns that can be observed all around us. In Patterns in Nature: Science Walk, a self-guided walking tour bringing together living plants and images of magnified laboratory specimens, visitors will explore the visible and microscopic patterns that can be found in nature, and how they reveal what makes species unique, as well as how all living things are connected at the genomic level.

Lauren Turchio, NYBG Vice President for Garden Experience, said, “When the exhibition had to be postponed last spring, Yayoi Kusama shared a moving message that read, in part: ‘The passion that I and those at The New York Botanical Garden have poured into this exhibition is still burning. Everyone, I hope you will wait.’ We are so grateful to our visitors for waiting for this once-in-a-lifetime presentation.”

Programs and Publication

KUSAMA: Cosmic Nature will be accompanied by a roster of public programs for all ages, including pop-up performances by musicians, jugglers, and puppeteers; self-guided “Kids Get Cosmic” activities in the Everett Children’s Adventure Garden; and more. Signature exhibition merchandise will be available for purchase at NYBG Shop.

Coming in summer 2021, a fully illustrated exhibition catalogue, co-published with Rizzoli Electa, will include essays by KUSAMA: Cosmic Nature guest curator Mika Yoshitake, art historian Jenni Sorkin, curator Alexandra Munroe, and NYBG curators and scientists that focus on Kusama’s lifelong engagement with nature and the ways in which her interest in nature and plants has formed her career-long investigation of themes of the cosmos and the interconnectedness of all living things. Images of works displayed at The New York Botanical Garden will be featured.

Ticketing

Since reopening July 28, 2020, the Garden has incorporated safety measures based on best practices and guidelines from health authorities and government agencies. Admission to the Garden is currently available through the advance purchase of timed tickets.

KUSAMA: Cosmic Nature tickets go on sale for NYBG Patrons beginning on March 9, 2021, Members on March 11, 2021, and the general public on March 16, 2021. The new, limited, timed-entry ticketing system staggers visitors’ arrivals and promotes social distancing. Advance purchase of timed tickets is required and will be confirmed by e-mail with the option to print or download a mobile ticket.

The following options will be available:

  • KUSAMA Garden & Gallery Passincludes access to all KUSAMA: Cosmic Nature outdoor installations across the grounds and access to the Enid A. Haupt Conservatory, installations in the LuEsther T. Mertz Library Building and Ross Gallery, as well as interior access to Flower Obsession and Pumpkins Screaming About Love Beyond Infinity in the Visitor Center Gallery, plus the Tram Tour and Garden features including the Everett Children’s Adventure Garden and outdoor collections.
  • KUSAMA Garden Pass (Non-NYC Residents)includes access to all KUSAMA: Cosmic Nature outdoor installations across the grounds, plus Garden features including the Everett Children’s Adventure Garden and outdoor collections.
  • KUSAMA Garden Pass (NYC Residents) includes access to all KUSAMA: Cosmic Natureoutdoor installations across the grounds, plus Garden features including the Everett Children’s Adventure Garden and outdoor collections.
  • A timed-entry ticket will be required to access the interior of Infinity Mirrored Room–Illusion Inside the Heart. More information will be provided as it becomes available.

NYBG will welcome Bronx Health Care Heroes and Bronx Neighbors to KUSAMA: Cosmic Nature with complimentary tickets. Communities in the Bronx are among the most severely impacted by COVID-19 in New York City. Through these community access initiatives, the Garden seeks to acknowledge, with gratitude, the dedication, strength, and resilience of Bronx frontline health care workers and residents. Additional information about these initiatives will be available in the coming weeks.

About The New York Botanical Garden

Founded in 1891, The New York Botanical Garden is the most comprehensive botanical garden in the world and an integral part of the cultural fabric of New York City, anchored in the Bronx. Visitors come to the Garden to connect with nature for joy, beauty, and respite, and for renowned plant-based exhibitions, music and dance, and poetry and lectures. Innovative children’s education programs promote environmental sustainability and nutrition awareness, graduate programs educate the next generation of botanists, while engaging classes inspire adults to remain lifelong learners. The 250-acre verdant landscape, which includes a 50-acre, old-growth forest and the landmark Enid A. Haupt Conservatory, support living collections of more than one million plants. Unparalleled resources are also held in the LuEsther T. Mertz Library, the world’s most important botanical and horticultural library with 11 million archival items spanning ten centuries, and William and Lynda Steere Herbarium, the largest in the Western Hemisphere with 7.8 million plant and fungal specimens. Committed to protecting the planet’s biodiversity and natural resources, Garden scientists work on-site in cutting-edge molecular labs and in areas worldwide where biodiversity is most at risk.

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KUSAMA: Cosmic Nature is presented by:

Major Sponsors: Tom and Janet Montag and MetLife Foundation

Generous support provided by: Citi and Delta Air Lines

Digital experience provided by: Bloomberg Philanthropies

Additional support provided by: Arthur F. and Alice E. Adams Charitable Foundation

This project is supported in part by an award from the National Endowment for the Arts; and The New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

Exhibitions in the Enid A. Haupt Conservatory are made possible by the Estate of Enid A. Haupt.

LUESTHER T. MERTZ CHARITABLE TRUST: Providing leadership support for year-round programming at NYBG

The New York Botanical Garden is located at 2900 Southern Boulevard, Bronx, New York 10458. For more information, visit their website.

Michelin chef article illustration by Kaelen Felix for 360 MAGAZINE

MICHELIN STAR RECIPIENTS

3 MICHELIN STARS FOR HÉLÈNE DARROZE AND 2 MICHELIN STARS FOR ANDREW WONG IN 1 NIGHT

It was an incredible evening last night in the UK as the Michelin Great Britain and Ireland 2021 restaurant recipients was announced. No less than 23 restaurants were awarded the new Michelin green star for sustainability. Additionally, 17 new one-star restaurants, 3 new two-star restaurants, and 2 new three-star restaurants were awarded –bringing the total number of Michelin recognized restaurants within the UK to 185. This has been a devastating year for hospitality in the British Isles, so these announcements were not only very welcome, but saw some very emotional responses from everyone involved.

For us here at Lotus London, we are delighted to announce that the incredible Hélène Darroze was awarded 3 stars for her restaurant in Mayfair, Hélène Darroze at The Connaught–just one week after her restaurant in Paris, Marsan par Hélène Darroze, was awarded 2 stars by the Michelin Guide France. Also, the truly magnificent Andrew Wong was awarded a second star for his restaurant in Pimlico, A.Wong. Chinese restaurants have been particularly hard hit by the pandemic, and this is the first time Michelin has recognized Chinese food at this level outside of Asia, so it was cause for a double celebration for the UK.

HÉLÈNE DARROZE HONORED WITH 5 MICHELIN STARS IN ONE WEEK

2021 is already proving an exceptional vintage for Hélène Darroze. After receiving a second star in the Michelin Guide France last week for her restaurant “Marsan” in Paris, she has now been awarded the ultimate 3 stars in the Michelin Guide Great Britain and Ireland for her London restaurant “Hélène Darroze at The Connaught”, within The Connaught Hotel.

In 2008, the legendary Connaught Hotel in prestigious Mayfair was searching for a French chef to run its kitchen and reconnect with the tradition of French cuisine. The Connaught Hotel turned to Hélène Darroze, who took up the challenge and responsibility. It was awarded its first Michelin star in 2009, six months after opening. A second star was awarded to the restaurant in 2011.

Speaking after the ceremony, Hélène said: “It is with immense emotion and honor that I receive this award. My first thoughts are with my teams, especially Kirk Whittle, my pastry accomplice for the last 17 years, Executive Chef Marco Zampese and Restaurant Manager Mirko Benzo, who have been working with me at The Connaught for over 8 years. My thoughts also go out to Paddy McKillen, co-owner of The Connaught, who has trusted me to take the reins of the gourmet restaurant since 2008. My appreciation particularly goes to the small suppliers who have helped us, especially the wonderful and emerging British producers, without whom good cooking would not be possible, and need support at this time. I am also particularly proud to receive this award alongside my friend, Chef Clare Smyth. Believe in your dreams – everything is possible, and stay true to your femininity!

Faithful to her philosophy both in Paris and London, Hélène Darroze creates a cuisine that gives pride to produce, whether sourced in her native Les Landes and the Basque Country regions where she grew up, or in the British Isles. This signature cuisine–inspired not just by her roots, but also her travels, the people she has met, and of course her strong link with the United Kingdom–is remarkably executed by Marco Zampese, assisted by a team of 15 people, and directed by Mirko Benzo and his collaborators in the prestigious dining, recently renovated by Pierre Yovanovitch.

CELEBRATIONS AS A.WONG RECEIVES COVETED SECOND MICHELIN STAR

Restaurant A.Wong was awarded a second Michelin star yesterday evening at the 2021 edition of the prestigious Michelin Guide Great Britain and Ireland, streamed live from Paris.

This marks the first time a Chinese restaurant outside Asia has been honored in this way.

Chef Patron Andrew Wong opened A.Wong with his wife Nathalie and Restaurant Director, Chinobek in 2012. Showcasing the rich diversity of China’s food culture and its 14 international borders, the restaurant was awarded its first Michelin star in 2017.

Based on an intuitive expression of tradition, authenticity, and craft, Andrew garners inspiration from the work of past ancestors and present masters with equal respect. He celebrates their truest form with a fresh perspective and subtle innovation.

Andrew commented, “We are beyond delighted to have been recognized by Michelin with a second star. We have an incredible team who have supported us every day and been such an integral part of this journey. Like so many restaurants, this has been a hard and challenging year, and we’re all just looking forward to celebrating-virtually-and hopefully in person in the not-too-distant future!

Science Tech Illustration by Gabrielle Archuleta

Blood Discovery Research x UVA

Blood Discoveries Advance Effort to Grow Organs, Battle Cancer 

New Research Reveals Important Insights Into How Our Bodies Make Blood 

CHARLOTTESVILLE, V.A.– Pioneering research into how our bodies manufacture the cells that make blood has moved us closer to regrowing tissues and organs. These findings also may let doctors grow the cells for transplantation into people to battle cancer, blood disorders and autoimmune diseases.

Researcher Karen K. Hirschi, PhD, of the Department of Cell Biology and Cardiovascular Research Center at the University of Virginia School of Medicine, has developed a simple and efficient way to generate “hemogenic endothelial cells.” These cells are the first step in the production line of blood cells, and Hirschi’s new findings provide a blueprint for creating them outside of the body.

“By studying how hemogenic endothelial cells develop normally, we gain the insight needed to generate them in the lab,” Hirschi said. “Now that we have established a method to produce human hemogenic endothelial cells outside of the body, we will continue to improve their production and function as we learn more about the mechanisms that promote their normal development.”

Building Blood-Making Factories

Hirschi’s latest work, published in a pair of scientific papers, offers important insights into how hemogenic endothelial cells form, and how they ultimately give rise to the cells that directly manufacture blood.

Writing in the prestigious journal, Science, she and her team reveal a key trigger that causes the endothelial cells to “transdifferentiate,” or turn into blood-making factories, during embryonic development. These blood-making (i.e. hemogenic) endothelial cells generate hematopoietic stem and progenitor cells (HSPCs) that have long been used for the treatment of cancer and other diseases. Typically, they are taken from sources such as an individual’s bone marrow, but doctors would like to be able to manufacture them quickly and easily for patients on demand. “Generating human hemogenic endothelial cells in the lab from each patient that needs HSPC is the first step toward patient therapies for blood disorders,” Hirschi said.

In a paper published nearly simultaneously in Cell Reports, Hirschi unveils a blueprint for creating the hemogenic endothelial cells, the source of HSPCs, outside of the body. The secret is a substance called retinoic acid. You may have heard of retinoic acid in association with beauty products, but in this case its responsibilities include triggering genes to cause “hematopoietic transition”–to put more vascular endothelial cells in the business of making blood by producing HSPCs.

The new insights provided by the work “will improve our ability to apply developmental insights to the generation of distinct endothelial cell subtypes for tissue engineering and regenerative medicine,” the researchers write in their new paper. “In addition, our system could likely be developed further to optimize the generation of transplantable HSPCs from human hemogenic endothelial cells for clinical therapies.”

The approach offers several advances over existing means, including being quicker and less expensive, the researchers note.

“We hope our continued efforts will move us closer to treating both vascular and blood disorders,” Hirschi said. “These studies highlight the importance of basic cell and developmental biology research as a foundation for devising strategies for patient-specific clinical therapies.”

Hirschi was recruited from Yale in 2019 to join the faculty in the Department of Cell Biology, which has long been interested in addressing how embryos develop and applying this basic knowledge to the repair and regeneration of damaged tissues and organs.

Findings Published

The Science paper was authored by Dionna M. Kasper, Jared Hintzen, Yinyu Wu, Joey J. Ghersi, Hanna K. Mandl, Kevin E. Salinas, William Armero, Zhiheng He, Ying Sheng, Yixuan Xie, Daniel W. Heindel, Eon Joo Park, William C. Sessa, Lara K. Mahal, Carlito Lebrilla, Hirschi and Stefania Nicoli. The work was supported by the National Institutes of Health (grants F32HL132475, U54DK106857, 1K99HL141687, R01HL130246, R56DK118728, R01HL146056. R01HL128064, R01DK118728 and R01GM049077) and the American Heart Association (grants 19PRE34380749 and19TPA34890046).

The research team responsible for the Cell Reports paper consisted of Jingyao Qiu, Sofia Nordling, Hema H. Vasavada, Eugene C. Butcher and Hirschi. That work was supported by NIH grants HL128064, U2EB017103, R01-AI130471 and R01-CA228019; CT Innovations grant 15-RMB-YALE-04; Department of Veterans Affairs Merit Review award I01BX002919; the Swedish Society for Medical Research; and a Stanford Dean’s Fellowship.

To keep up with the latest medical research news from UVA, subscribe to the Making of Medicine blog at http://makingofmedicine.virginia.edu.

Real Estate article illustration by Rita Azar for 360 magazine

Break into the Housing Market

In the mid-2000s, observers expected millennial homeowners to be few and far in between. This new generation faced stagnant wages, crippling debt issues, and an unfavorable market. Flash forward more than a decade later, and we see a different picture.

The Wall Street Journal notes, a wellspring of new buyers from the millennial market has carried the housing industry this year. Last year, this demographic represented more than half the new mortgages. By July 2019, they also made up 38% of homebuyers. Home ownership aspirations among millennials continue to grow even in 2020, thanks to low interest rates. The COVID-19 pandemic, however, also led to massive unemployment. Its impact on millennials’ finances will no doubt slow down demand from this market.

If you’ve a stable job and need a little more elbow room, now could be the best time to buy a home. But let’s not get ahead of ourselves. And even if you had to put your house-hunting aspirations on hold, don’t fret. The first steps often begin long before you even look at the listings.

The Advantages of Home Ownership

There is no real answer to the classic rent or own debate. What works best for your situation will depend on your finances and lifestyle. Some people prefer the mobility offered by renting. Others love the stability provided by an owned home. When it comes to price, it’s a different ball game.

The longer you live somewhere, the more it makes financial sense to own the property. Fixed-rate mortgage payments have one big advantage over rent. You pay the same amount for the entirety of the mortgage. Rents, meanwhile, can rise over time. If rents rise too high, it might be cheaper to buy a house!

As a general rule, you can compare the costs of renting vs. owning by multiplying your rent by 200. This is the equivalent of staying in place for 16 years and three months. For instance, let’s assume your rent costs $1,500 a month. In 200 months’ time, you could’ve paid for a modest home worth $300,000. And this is already assuming that your rent stays the same.

Complicating factors include the median home price in your neighborhood. Renting might be justified if the houses in your neighborhood are too pricey. If you have the option of moving, then a cheaper home somewhere else might be more practical.

Refining Your Budget

Whoa, there. Close that tab and stop looking at house listings. Before you fall down that rabbit hole, let’s examine your budget. This much-needed reality check can help you make the right financial decisions. The last thing you want is repeat the same mistakes people made two decades before.

Your budget will play a key role in deciding when you can buy a home. How much mortgage can you fit into your regular budget today? Will your budget have room for savings afterward? Examine the costs of home ownership and compare them to your current needs. In the meantime, focus on pressing financial matters like emergency funds and debts. You must make these considerations before deciding to buy a home. While you wait, set aside as much money as you can for a down payment.

Defining Your Down

The down payment is among the most important expenses you’ll make in the homebuying process. It lowers your starting loan-to-value (LTV) ratio. Your LTV is the percentage of the home paid for by the mortgage and thus owned by your lender. For instance, if you paid a 10 percent down payment, your LTV ratio is 90 percent. The remaining 10 percent is your home equity, the amount you do own. The greater your starting home equity, the smaller the sum you need to borrow.

A sizeable down payment cuts down your expenses in other ways. You’ll also avoid private mortgage insurance (PMI). This is an extraneous fee slapped onto your mortgage payment to protect lenders from the risks of default. It does nothing to help you build equity!

By law, PMI payments stop after your LTV ratio reaches 78 percent. But why waste your money until then? Instead, avoid paying PMI altogether by having a down payment worth at least 20 percent of your home’s price. You can save more money by removing that one unnecessary cost.

Remember, prices are not static. Real estate markets often follow an upward curve. Be aggressive when saving and adjust your down payment goals. If you expect real estate to climb by 3 percent each year, plan accordingly. If your savings goal is 5 years away, aim to make 16 percent more than your target amount.

Analyzing Your Home Needs

It’s easy to get carried away with a dream home. But don’t buy into it easily. Choose a home based on meeting your immediate and anticipated needs.

The ideal home will vary from person to person. If you like to keep things simple and manageable, then a small home might be right for you. A standard, four-bedroom family home is good for the average nuclear family with two kids. Even if you don’t expect another child, the extra bedroom could serve a variety of purposes. It can be a guest bedroom, a room for your parents, or a home office. If you have or expect a big family, a bigger home is in order. If you love the countryside, a rural property might be the thing you’re looking for.

Home offices in particular have become important considerations for homebuyers. Thanks to the advent of telecommuting, millennials needn’t live close to the city center to work. Companies, including tech giants like Twitter, now recognize the advantages of remote work. This trend grew further in the wake of COVID-19 and may likely continue into the future. A home office keeps your professional and personal lives distinct when telecommuting.

While you can always go to cheaper suburban or rural areas to buy a bigger home, this isn’t always advisable. A long stressful commute to work can have adverse effects on both your health and your daily budget. And don’t think having “more house for your money” is a bargain. One UCLA study has found that most rooms in a standard American house were underused.

Mortgage Options

How much and how long you must pay for a house will vary. It’s natural for you to veer toward the smallest monthly payment option. You want a mortgage that fits snugly into your budget. But this choice comes with its own drawbacks. Loans calculate interest fees from the money you borrowed based on the rate and the term. The longer the term and the higher the rate, the greater the interest costs.

According to Freddie Mac, the most popular mortgage option has been the 30-year fixed-rate mortgage. These have low, regular payments that are easy to fit into the regular budget. It has been around for nearly a century. But is the 30-year fixed mortgage all that it’s cracked up to be? Critics have claimed that this loan product has failed as a wealth building tool for working-class Americans. This is because the interest costs of a 30-year mortgage will always be high. Besides their long terms, they often have steeper rates.

Thus, aim for as short a term as you can afford. Although pricier each month, a 15-year mortgage can help you save more money in the long run.

Let’s look at one example. Suppose you bought a house worth $300,000 and are willing to pay a 20 percent ($60,000) down payment. You have two options for your $240,000 mortgage. One mortgage offered a 15-year term and 2.5 percent annual percentage rate (APR). The other offers a 30-year term but comes with 3.3 percent APR. The examples below do not include escrow payments like taxes and home insurance.Mortgage DetailsMortgage 1Mortgage 2Term15 Years30 YearsRate (APR)2.5%3.3%Monthly Principal & Interest$1,600.29$1,051.09Total Interest Paid$48,052.94$138,393.31

Although you saved $549.20 each month, you still spent $90,340.37 more on your mortgage’s interest.

Some low monthly payment options come with dire financial consequences. Adjustable-rate mortgages may have low minimum payments at first. But that payment does not reduce your mortgage’s principal. Because their rates change with the market, you’ll likely end up paying more in the future.

Other Ways to Save

There’s more than one way to save money on your mortgage. Because of the way mortgage interest is calculated, you can pay extra toward your principal to save money. This is an excellent and flexible way to reduce your lifetime interest costs if you cannot afford a higher monthly payment up front.

Here’s how it works. In the early days of a mortgage, most of your payments go toward paying interest. On your first payment, only a small part goes toward paying your principal balance. With each payment, your balance shrinks. This means less of your payment goes toward interest and more toward your principal. The cycle continues until your mortgage matures. Paying extra to your principal speeds up this process. 

Let’s return to our 30-year example. Suppose, in the 3rd year, you begin paying an extra $100 per month. For this example, we used this extra payment calculator from MortgageCalculators.info.Mortgage DetailsOriginal PaymentExtra $100/ month on the 3rd yearMonthly Principal & Interest$1,051.09$1,151.09Pay-off Time30 years26 years 3 monthsTime Saved03 years 9 monthsTotal Interest$138,393.31$120,129.89Total Interest Savings0$18,263.42

In that span of time, you shaved off 3 years and 9 months from your loan term and saved about $18,263.42 in total interest charges. That’s money you can set aside for emergency funds, retirement, or other important expenses.

Another way you can save is through biweekly payments. This method takes advantage of a quirk in the calendar. There are about 52 weeks in a year and 26 biweekly periods. In effect, you’ve added an extra month to your payment plan. There are several ways to set up biweekly payments. You can discuss the matter with your lender or have a third party do it on your behalf. Both options come with pricey maintenance fees. The alternative is to pay the equivalent of one month’s payment at the end of the year.

Finally, you can refinance your mortgage. This involves paying down your existing mortgage balance with a new one that has more favorable payment terms. Refinancing to a shorter term or lower rate has the potential to save you even more money in the long run. CBS reports that U.S. homeowners can save $160 each month if they refinanced their mortgages. Indeed, many homeowners refinance when rates drop low enough.

Returning to our previous example, let’s look at how much you can save by refinancing. In this example, we’ll assume you’ve paid off 3 years’ worth of mortgage payments. From there, you refinanced to a 15-year term at the cost of $3,200. Your new APR is 2.7 percent. Here’s how much you can save:Mortgage DetailsCurrent PaymentRefinanced PaymentRemaining Mortgage Balance$225,221.50$225,221.50Rate/APR3.3%2.7%Monthly Principal and Interest$1,051.09$1,523.05Interest Due$115,332.99$48,927.27

By refinancing, you can save $63,205.16 in interest minus your closing costs. But to recoup the costs, you must stay in your current home for at least two years and two months. The up-front costs of refinancing make it an unwieldy option for many homeowners. Thus, refinancing is ideal for established homeowners who intend to stay in their homes long-term.

The Bottom Line

If you want to settle down, don’t wait until your rent goes up. While you save up for your down payment, it’s time to review your spending. Look for expenses you can remove to bolster your cash flow. Start by paying extra toward debt. Clearing your credit card bills and other debts serves a dual purpose. By paying extra toward your debts, you save money and increase your cash flow. Making regular, punctual debt payments also improves your credit rating. This will help you qualify for better interest rates when you look for a mortgage deal.

Look out for caveats like prepayment penalties in your mortgage contract. These punitive clauses punish home buyers for paying extra too early. If a prospective lender won’t remove these clauses, take your business elsewhere. If you’ve already signed on, don’t worry. Since 2014, prepayment penalties must only last three years by law.

As with all things worth doing, if you can afford to wait it out, do so. Great savings come to those who wait.

Beyonce illustration by Kaelen Felix for 360 Magazine

Ivy Park x Adidas to Drop Drip 2.2

By Hannah DiPilato

After an incredibly successful clothing drop of the Adidas x Ivy Park collection, Beyoncé is at it again with a darker line. Adidas x Ivy Park’s Drip 2 sold out almost instantly, but a line that Beyoncé dubbed “Drip 2.2: Black Pack” is coming soon. 

The Ivy Park Instagram account, @weareivypark, posted a teaser video of the collection captioned “THIS IS MY PARK.” Beyoncé also uploaded three posts on her Instagram to showcase the collection’s styles.

The line will debut on the Adidas website in the United States on November 17 and worldwide on the Adidas website on November 18. The collection will be available in-store on November 19. Hopefully, if you weren’t able to snag something from the first collection, these three days will be your lucky chance. 

Drip 2.2 has much more neutral colors than the original Drip 2 drop. Drip 2 had a variety of bright green and teal colors and Drip 2.2 will feature black and nude. This makes the upcoming collection a bit more versatile and fitting for the winter months. 

According to Teen Vogue, the designs “are similar to the last two drops; biker shorts, [sports] bras, a jumpsuit, sweats, fanny packs, and more. The only thing that’s really changed is the colors.” 

A landing page announcing the launch can be found on Beyoncé’s website that shows off some of the styles we can expect next week. Teen Vogue also featured images of the collection. 

British Vogue will feature Beyoncé on the cover of their December issue this year. Beyonce is shown in many stunning outfits throughout the shoot. In one image, she is showing off one of the neon looks from the Adidas x Ivy Park Drip 2 collection. The neon green jumpsuit is paired with a bold, dazzling necklace and a bright green bucket hat. 

The three beautiful covers of Beyoncé were photographed by Kennedi Carter. According to Billboard, the 21-year-old photographer is the youngest photographer to shoot a cover in British Vouge’s history. 

The December issue will also include an interview with Beyoncé conducted by Edward Enninful that shares how Beyoncé conquered 2020. She even shares that the most recent Ivy Park collection was inspired by quarantine. 

“During quarantine, fashion was a place of escape for me. My kids and I came up with Fashion Fridays,”  Beyoncé said. “Every Friday, we would dress up in my clothes or make clothes together and take each other’s pictures. It became a ritual for us and an opportunity to handle this crazy year together,”

“The newest Ivy Park collection was inspired by this new tradition. It consciously uses bright, bold colours to remind us to smile,” she continued. “I used a lot of neon yellow and coral mixed with baby blue and earth tones that felt soothing. They brought me joy and made me smile in the midst of a tough time for all of us.”

This interview allows Beyoncé to dive deeper into her thoughts on fashion and her Ivy Park x Adidas collection. Along with the interview being featured in the December issue of British Vogue, it’s available on Vogue’s website

Ivy Park has been killing the athleisure game since it was founded in 2016. The company was originally joined with the popular store Topshop, but Beyoncé split from the Topshop name after allegations against the Ivy Park co-founder Sir Phillip Green. 

Beyonce spoke in Elle about the origin of Ivy Park. “I would wake up in the morning, and my dad would come knocking at my door, telling me it’s time to go running, said Beyoncé. “I remember wanting to stop, but I would push myself to keep going. It taught me discipline.”

In 2019, the collaboration between Ivy Park and Adidas was launched and marked the rebranding of Ivy Park after splitting from Topshop. Now Ivy Park and Adidas are making waves with their joint collections. The collections have featured athletic clothing as well as spunky accessories. 

Follow Beyoncé on Instagram, Twitter and Facebook to make sure you don’t miss updates about the collection. You can also follow Ivy Park on Instagram and Twitter for recent updates. Make sure to mark your calendar for the release of Drip 2.2.

Sneaker Illustration for 360 mag by Kaelen Felix
Lil Wayne illustration by Kaelen Felix for 360 Magazine

LIL WAYNE DROPS “NFL” MUSIC VIDEO

Multi-platinum, Grammy Award-winning music icon Lil Wayne drops the fast-paced music video for his latest single “NFL.” The video features Gudda Gudda & HoodyBaby and was released via Young Money Records/Republic Records. Scenes from the “NFL” music video are also featured in Amazon Prime Video’s new live sports promo.
Lil Wayne has also curated his own playlist for Amazon Music titled “Handpicked with Lil Wayne: Songs for Game Day,” featuring 28 songs including a mix of his own music as well as music from Roddy Ricch, 2 Chainz, Lil Baby, and others. To listen to “Handpicked with Lil Wayne” on Amazon Music, ask you Alexa, “Alexa, play Handpicked with Lil Wayne.” You can also head over to Amazon Music. Be sure to follow Prime Video’s @SportsOnPrime Twitter and Instagram feed for additional exclusive Lil Wayne content.
The “NFL” music video follows the release of the highly anticipated Tha Carter V Deluxe Edition. The 33-song album includes new contributions from Raekwon, 2 Chainz, Gucci Mane and Post Malone. Wayne has been on a hot-streak in 2020 – releasing his fifth No. 1 album Funeral, as well as releasing fan-favorite projects on digital streaming platforms, including Free Weezy Album (FWA) and No Ceilings mixtape.
Wayne also showcased his undeniable talent as a host with the launch of the highly successful- Young Money Radio – on Apple Music, which featured an all-star lineup of guests including Dr. Dre, Drake, Eminem, Nicki Minaj, Twitter CEO Jack Dorsey, Dr. Anthony Fauci, Kevin Hart and many more.
Lil Wayne rewrote the entire game in his image. The five-time GRAMMY® Award-winning multiplatinum rap icon, Young Money Entertainment founder, acclaimed author, skater, philanthropist, and history-making superstar left an indelible tattoo on the culture.
By 2020, he cemented his legacy forever as “one of the best-selling artists of all time, tallying sales in excess of 100 million records worldwide with 15 million albums and 37 million digital tracks sold in the United States alone. Not to mention, he garnered 11 BET Awards, four Billboard Music Awards, two MTV VMAs, and eight NCAAP Image Awards. Among many milestones, he emerged as “the first male artist to surpass Elvis Presley with the most entries on the BillboardHot 100, logging a staggering 109 entries.
With a discography highlighted by two consecutive #1 debuts on the Billboard Top 200 with 2008’s triple-platinum three-time GRAMMY® Award-winning opus Tha Carter III and its double-platinum 2011 successor Tha Carter IV, he completed the series with Tha Carter V in 2018. Not only did it clinch #1 on the Billboard Top 200, but it also achieved “the second-largest streaming week for an album in history.Every song on the tracklisting charted on the Billboard Hot 100 as he became “the first artist to debut two songs in the top 5.
This bulldozed the way for his thirteenth full-length album, Funeral, a year later. Simultaneously, Wayne owns and operates Young Money Entertainment as C.E.O. The company ignited the careers of two of the most successful artists ever—Drake and Nicki Minaj. The committed philanthropist founded The One Family Foundation too.