Posts tagged with "audio"

Trevor Bauer x Lids

All-star Cincinnati Reds pitcher and 2020 Cy Young Award finalist Trevor Bauer has partnered with Lids, the leading sports retailer.

In the 25-year history of Lids, Bauer is the first MLB player to partner with the company. Lids will become the exclusive headwear retailer for Bauer.

Bauer caught attention for his personal merchandise and custom cleats during the 2020 baseball season, and he will unveil several limited-edition custom hats, shirts and customizations throughout the year, all of which will be available nationwide.

Bauer said he has been a Lids customer for many years.

“As I’ve become more invested in design and branding in recent years, the opportunity to collaborate with such an iconic retailer, especially as its first MLB athlete partner, is really meaningful,” Bauer said.

Lawrence Berger, co-founder and partner at Ames Watson and Chairman of FanzzLids Holdings, said Bauer is equally impressive on and off the mound.

“Lids has been the leading headwear retailer for years, in large part due to the popularity of baseball hats, and we cannot think of a better individual to be our first MLB athlete partner than Trevor. We look forward to combining his passion for design with our talented creative team to make some incredible merchandise and content,” Berger said.

Bauer is the reigning MLBPA Players Choice NL Outstanding Pitcher and a finalist for the 2020 National League Cy Young Award, which will be announced Wednesday.

Bauer puts his season up against those of Jacob deGrom, who won the award in 2018 and 2019, and Yu Darvish, who debuted in 2012 with Bauer and is eyeing his first Cy Young Award, as well.

Bauer posted his career-best earned run average in 2020 of 1.73, second best in baseball only behind Cleveland Indians ace Shane Bieber. He won five games and anchored a Reds pitching staff that landed the seventh seed in the playoffs.

He also garnered attention for contributions to baseball as a whole with his self-titled YouTube channel and Momentum, an athlete-driven media company with the goal of connecting fans to the game.

Momentum uses authentic player stories to affect the public perception of baseball. With over 500 original pieces of audio and video, Momentum has built popular series like Bauer Bytes and Live At Bats. Its content has also been distributed through digital channels and partners like PlayersTV and FOX Sports.

You can follow Bauer on Twitter, Instagram and Facebook.

You can also follow Lids on Twitter, Instagram and Facebook.

MASN Hate Me visual

MASN – “Hate Me”

MASN RELEASES THE MUSIC VIDEO FOR “HATE ME!” DEBUT EP HOW TO KILL A ROCKSTAR DUE OUT THIS SUMMER

Artist on the rise MASN releases the music video for his latest track “Hate Me!” today via RCA Records. Watch
HERE. “Hate Me!” dropped last week and was featured on Billboard’s “10 Cool New Pop Songs To Get You Through The Week” and Ones To Watch “#NowWatching” playlist. This track also marks the first release off his debut EP How To Kill A Rockstar which is due out later this summer.

19-year-old Eagle Mountain, Utah native MASN exploded onto the scene last year when his hit single “Psycho!” dropped in January 2019. The track exploded online and had garnered over 99M combined audio and video streams worldwide and over 1.5M TikTok. 

Shortly after he released “Val!um” and earlier this year “Psycho!” feat. Trippie Redd which marked MASNs first release with RCA Records. Earlier this month, German DJs/Producers Topic & B-Case remixed “Psycho!” check it out HERE. MASNs expansive creative palette distills into a dreamy melting pot of lo-fi beatcraft, indie experimentation, hip-hop fluidity, and lush pop. He amplifies every side of himself within his songs and is looking forward to sharing his debut EP How To Kill A Rockstar which is due out later this summer.

To Buy/Stream/Watch “Hate Me!”: Official Video – HERE

Follow MASN at:

Facebook | Twitter | Instagram 

PuroQuiet Headset Review

PuroQuiet’s new Active Noise Cancelling Headphones do exactly what they promise – they deliver the great sound you want to hear, and none of the sound you don’t. With 82% noise isolation, listeners can put these on in loud environments and hear audio crisply, without damaging their ears. This is great for children as well, who may not be aware of the dangers of loud headphones. This is also why PuroQuiet has installed a volume limit on the headphones, to protect children from this damage.

The headset is great for calls, as it comes with a microphone that makes 2 way calling easy when mobile or in loud environments, and especially on flights. The headset is light, so it isn’t a burden to carry around on a busy day. Many headphones can hurt your scalp or ears after extensive use, but PuroQuiet’s lightweight aluminum material, plush ear pads, and leather headband protect from this kind of discomfort. 

Of course the set is also great for music of any kind – the whistle tones of Ariana Grande on “Rain on Me” or the low bass riffs of Paul McCartney can be heard as clearly as ever.

On top of all this, the new PuroQuiet headphone set is affordable, so you can get quality audio without breaking the bank. They are also very durable, ensuring you get your money’s worth.

PuroQuiet Active Noise Cancelling Headphones promote Healthy Ears® by protecting hearing in the following ways:

Active Noise Cancellation – ANC makes daily noise and background sounds up to 22 dB quieter, complemented by 82% of noise isolation. You can let your kids hear more of what you want them to hear with less distraction. The ANC switch puts the world on mute, so youngsters can listen clearly in loud environments without the need to increase volume beyond safe listening levels.

Volume Limiting to 85 dB– This is the maximum safe listening level as recommended by many organizations (Hearing Health Foundation, OSHA, World Health Organization, American Speech Pathology Association, etc.). Intelligent digital signal processing imperceptibly limits the volume so that listeners don’t even notice.

Studio Grade Audio Quality with our patent-pending Puro Balanced Response® curve – Genuine studio grade audio, engineered to deliver an amazing listening experience with clear, crisp vocals and full, dynamic bass all within our 85 dB volume limit.

Super soft protein leather wrapped headband and ear cushions – The plush ear pads, combined with an adjustable headband mean children can custom fit all head sizes and shapes to ensure a comfortable long-term fit. Less than 6oz of weight leaves almost no pressure on young heads.

FEATURES


• Puro Sound Labs Studio Grade Frequency Response • 22 Hours of Play Time and 16 Hours with ANC
• Durable, Light-weight Aluminum Construction
• Supple Protein Leather Ear Cushions and Headband • Microphone for 2-Way Calling
• Folds Flat for Travel CONTENTS
• PuroQuiet Headphone
• USB Charging Cable
• 3.5mm Volume Limiting Audio Cable • Carrying Case
• Quick Start Guide

CONTENTS


• PuroQuiet Headphone
• USB Charging Cable
• 3.5mm Volume Limiting Audio Cable • Carrying Case
• Quick Start Guide
*Measured at 1 kHz

Ocaso Festival, Costa Rica, Vaughn Lowery, 360 MAGAZINE

OCASO 2020

“Be prepared to be teleported into a quantum realm of whimsicality.”360 MAGAZINE

By Vaughn Lowery × Sam Berman

At the peak of the year, music, beats and dancing brought together a crowd of 10,000 attendees to Costa Rica for 2020’s Ocaso Underground Music Festival – the world’s largest rave in the jungle. Even the leatherback turtles, howling monkeys and crocodiles were head bobbing.

The Ocaso Underground Music Festival, which engaged on January 9th – 13th, united travelers, ticos and seasoned ravers alike to Tamarindo, Costa Rica, off the coast of the Pacific Ocean for five days of electronic music bliss. The jubilee was established by founder Devin Ellis in 2018; and it just culminated its fourth semester, with plans to return in January 2021, proving a successful run for one of the most emerging EDM festivals on the planet. 

What makes this carnival so sui generis, aside from a stellar bill of DJs including Maceo Plex, Äme, Doc Martin, Justin Martin, Magdalena, Shiba San, Seth Troxler and Artba, might just be the visually striking and lushful setting of CR. The grounds, known as the Lesenda Retreat, centers around a trilithic stage composed of metal trusses for performers, complete with a towering geometric visual screen synchronized to the music, pulsating lasers, fog machines, pyrotechnics and go-go dancers. Apart from hypnotizing technical components conjured up by architectural wizards, the surrounding landscape and warm weather provided a tranquil atmosphere to enjoy the fiesta in, enhanced by art installations sprinkled throughout, providing a truly remarkable habitat. 

Let’s talk about the sound! Imagine being at the On The Run II tour with Beyoncé and Jay-Z, state-of-the-art subwoofers and tweeters pinging throughout the venue, delivering clean and crisp vibrant instrumentation. Of course, this added fan excitement to every set.

Viewers were able to use tokens for transportation, food and drinks, providing added security from petty theft and loose cash. Overall safety was key with tons of guards at every entrance alongside of roaming escorts. We all wore sparkly color-coded wristbands to identify our level of participation – GA vs VIP. Staff members wore official reflective tanks and shirts to be easily accessible.

A short 15 minute-bus drive on a vintage yellow school bus brought participants to the festivities. Guests were offered an assortment of carte du jour options to replenish their prance-exhausted bodies with a number of locally and globally known chefs preparing flatbread pizzas, gyros, keto bowls, tacos as well as protein shakes.

Saturday was the most distinctive night of the event, with people from all over the globe, dressed in their most eye-catching ensembles, echoing the avant-garde fashion of other fairs such as EDC, Ultra, Tomorrowland, Lollapalooza, Bonnaroo and Coachella. Ocaso brought a parade of colors infused with futuristic and organic elements blended seamlessly into garbs straight out of an alien planet, welcoming and embracing all. 

The festival wrapped with a pool party at base camp, the Best Western Tamarindo Vista Villas. After a five-day outer body experience of infectious dance music, a sort of culinary delights, cozy lodging options, and the beautiful backdrop of the rugged rainforested, Central America, this is one masquerade which many should add to their list. 

Missed out on the fun this year? Don’t fret, as the festival plans to return the weekend of January 7-11, 2021. Ticketing packages from this past year ranged from $19.00 to $59.00 for single day passes, a two-day Friday and Saturday pass for $89.00 and a 5-day-full-weekend pass for $119.00, a great deal for those who can’t get enough from just one night. So ravers, start planning your next vacation, because this is an experience any party animal should dive into. 

For additional information visit Ocaso Festival.

Local Guide

Besides the #RaveInTheJungle, The city of Tamarindo itself possesses a plethora of thrilling activities: ziplining, horseback rides on volcanic trails; ATV tours; surfing and dolphin-watching sailing tours.

If you are seeking additional dining/nightlife options outside of the fête, be sure to check out the following:

Pacifico Club (http://www.pacifico-costarica.com/beach-club/), Sharky’s Bar (http://sharkysbars.com/), Long Board BBQ, Chinese Food (directly across from Vista Villas) and Bamboo Sushi Club.

Just down the road was the luxurious Tamarindo Diria hotel, which features a lobby side pool/hot tub, an array of cabanas with an outside bar/dining deck as well as private beach access to make any jovial attendants experience an unforgettable rave-cation.

Khalid, Kevin Mazur, JBL FEST, 360 MAGAZINE

Khalid × JBL Fest

The 3rd annual JBL Fest wrapped up last night in Vegas, featuring three nights of epic performances from five-time GRAMMY nominee Khalid,popstar Bebe Rexha and hip-hop icons Run DMC. Celebrity appearances throughout JBL Fest included Priyanka & Nick Jonas, Shaq and the “Vanderpump Rules” cast.

*Photo by Kevin Mazur

JBL FEST, RUN DMC, 360 MAGAZINE, LAS VEGAS

3rd Annual JBL Fest


The 3rd annual JBL Fest kicked off last night in Vegas with JBL REMIX, hosted by legendary NBA All-Star Shaquille O’Neal (AKA DJ Diesel) and featuring an iconic throwback performance from Run DMC on the rooftop of Caesars Palace.

 
Just before Run DMC took the stage, DJ Diesel was seen catching up with fellow “Inside the NBA” co-host Kenny Smith in the VIP lounge.

 
Artist Cey Adams, who designed some of RUN DMC’s most iconic album covers, created an immersive experience with authentic graffiti tags, streetlamps and JBL-branded subway signs to transport guests back into New York City’s hip-hop scene in the 1980s.

 
*Note: The party continues tonight for CLUB JBL!, hosted by JBL ambassador Priyanka Chopra Jonas and featuring even more electrifying performances from Bebe Rexha, as well as fellow JBL ambassadors Armin van Buuren and DJ Tigerlily. Plus, the cast of “Vanderpump Rules” will walk the star-studded red carpet with a surprise guest you can’t miss.   
 
#JBLFEST
@JBLaudio
Facebook.com/JBL
 
 

*photo credit: Kevin Mazur

Yacht, boats, marina, audio system, 360 MAGAZINE, door county, Vaughn Lowery

A Handy Guide to Marine Audio Systems

Who says you can’t have a complete audio system on your boat? Read on to discover the ultimate guide to marine audio systems.

Are you interested in buying a new stereo system for your boat?

High-quality marine audio systems are sought after by boat owners because they can better your experiences while on your boat. Many people think that boat stereo systems aren’t all that, but they’re wrong.

In many cases, a boat’s audio system will be better than a car’s. This is because they’re more powerful, durable, and versatile. There are endless customization options when it comes to a boat’s audio system, so it’s important to know about the components.

Read on to learn more about marine audio systems and how they work.

How Are Marine Stereos Unique?

Boat stereo systems stand out for a variety of reasons. These systems are designed to withstand extreme temperatures and weather conditions. Unlike car stereos, marine stereos have to be loud enough to hear over the water.

Numerous things can affect audio equipment such as water, salt, and sunlight. These can affect the quality of audio equipment, potentially damaging them. Marine stereos are tested for thousands of hours to ensure that they endure the elements.

When the audio systems are tested, they’ll be blasted with water to ensure that everything is waterproof. They’ll also be exposed to ultraviolet light to simulate sun exposure. Before hitting the shelves, the systems will be applied with an additional coating to protect the circuits.

What Do They Have?

While marine systems have to be carefully made so they can withstand the outdoors, all of their components are equally durable. They have most of the same parts that car audio systems have, but also a few additional pieces:

Amplifiers

Marine amplifiers are much more powerful than standard car amplifiers because they generally have to play at louder volumes. These amplifiers are completely waterproof and provide enough power to play music that can be heard over the engine and water.

Subwoofers

Subwoofers are what produce the bass when you’re listening to a song. In most marine audio systems, the subwoofers are surrounded by rubber and plastic so that nothing leaks into them. These can be exposed or enclosed depending on how you want to mount them.

Wires and Cables

Without wires and cables, a sound system would be useless. All boat audio systems use marine-rated wiring to ensure that they don’t corrode because of saltwater. 

Satellite Radio

Unless you intend on listening to DVDs all the time, satellite radio is necessary for a marine system. As boats get further from the coast, radio systems tend to fade out. Satellite radio allows you to listen to a variety of stations from hundreds of miles offshore. 

Power Inverter

A power inverter is one of the most useful things you can have on board, especially if you use several small electronics. These can be equipped to your marine audio system to let you charge things like phone batteries, laptops, etc.

GPS and Bluetooth

Many modern marine audio systems are equipped with waterproof screens that let you control it. Having GPS navigation built into the system lets you see exactly where you are on the screen at all times.

Bluetooth is a feature that most radios have nowadays because it prevents people from having to hook their devices up to the radio. You can check out this article to learn more about Bluetooth radio gear.

Installing Components

Installing stereo components on boats varies with each boat, making it difficult to say where exactly things should go. However, this lets you can come up with a plethora of boat sound system ideas that can make your system unique.

If your boat already has a sound system installed, you can most likely mount things in the preexisting locations while also using the same wiring. Should you need to change something, you can cut the panels or run new wires at ease.

Many people put their amplifiers and subwoofers under their seats, but you can also use the side panels of your boat. Keep in mind that there are no rules when you’re installing components. Measure areas of your boat where you’d like to install something and choose parts based on that.

Things to Look for in Components

Aside from the fact that you can install a boat stereo system almost anywhere on your boat, you’ll have to make sure you know what you’re looking for. Here are some things to consider when browsing for gear: 

Durable Materials

While all boat stereo systems are designed to be waterproof, some are better options depending on the environment you’re in. For example, a boat that is in a sunny region will need to withstand more UV rays than a boat in a cloudy region. 

The Right Specs

The better the specifications are, the better your sound quality will be. When it comes to boats, it’s worth spending more on a system that sounds great whether it’s on land or water. You’ll also need to ensure that the gear you buy will fit your boat. 

High Power

Marine systems need to have a lot of power since you’ll be listening to music out in the open. Most systems are equipped with strong amplifiers, but you can always add external amps to make them more powerful.

Don’t Look down on Marine Audio Systems

If someone’s ever given you a hard time because of your interest in marine audio systems, you can prove them wrong by investing in a high-quality system.

Ensure that you purchase the right components so they don’t get damaged from the outdoor elements. These systems will withstand water, salt, and sunlight. Providing that you measure out your boat and gear, you can get a stereo system that beats any car’s.

Feel free to browse our tech section to read more articles about technologies that you can use to modernize your boat!

Prolight x Sound Guangzhou 2019

As the curtain fell on Prolight + Sound Guangzhou 2019 (PLSG), show organisers announced a new record of 1,353 exhibitors who flocked to the annual event from 25 countries and regions, along with 81,154 professional visitors (7% up) from the entire professional lighting, audio, event management, stage design, system integration and AV technology industry chain. Combined with an overall exhibition area of over 130,000 sqm, this marks the largest ever edition of PLSG to date.

Ms Judy Cheung, Deputy General Manager of Messe Frankfurt (HK) Ltd, is delighted with the turnout this year: “PLSG is committed to supporting the industry’s development by offering a first-class business and information exchange platform for the entertainment sector. We wanted our exhibitor showcase and fringe events to cover every corner of the industry’s needs, and to echo the growing trends in media technologies and system integration. We’re proud to be able to capture so many opportunities all under one roof.”

Much to the delight of participants, many key pro audio and lighting brands could be found across all of the halls this year, including Adamson, AKG, Antari, APG, Art Sound, Asystems, Audinate, Audio-technica, Beta Three, Beyma, BIK, BMB, Boray, Bosch, Bose, Broad Future, Celestion, Charming, DAS, Colour Imagination, CD-Stage, d&b Audiotechnik, db Technologies, DMT, Eagle, EM Acoustics, Ezpro, Faitalpro, Fane, FBT, Fidek, Fine Art, Funktion-one, Gonsin, Haimei, Harman International, Hivi, HTDZ, IAG, ITC, Klotz, Konig & Meyer, Kvant, Laserworld, Lavoce, Lewitt, Longjoin, Mascot, Meyer Sound, Mipro, Mode, Montarbo, Nan Yi, Nexo, Nightsun, Pangolin, PCI, Phoenix, Plustruss, Polarlights, QSC, Rainbow, RCF, Redx, Ruisheng, SAE, SE Audiotechnik, Sennheiser, Seikaku, Showven, Shure, Soundking, ST Audio, Star-net, SWS, Taiden, Takstar, Tendzone, Thunderstone, TOA, Top Plot, TW Audio, Viashow, Vue Audiotechnik, Yamaha, Yes-tech and more.

The success of the fair and its increased global brand representation were clearly reflected on the show floor. The event served as an opportunity for brands to showcase their latest innovations to the region for the first time in 2019, many of which have been specifically catered to the Chinese market. The show’s display areas were presented under a new arrangement this year too, with the ‘Media Systems and Solutions’ and ‘Communication and Conference’ halls under the show’s Audio Brand Name halls receiving high praise.

The event’s popularity this year can be attributed to its extensive cooperation with local and overseas industry associations, leading companies and professional media. Each contributed by inviting a number of high quality buyer groups and organising well-attended fringe events. A total of 11 domestic and international visitor groups attended the fair, and local industry media HC360 hosted a product presentation for over 1,000 professional buyers. Elsewhere, increased internationalism was also reflected in the show’s premium buyer groups, some of which came from the China Association of Recording Engineers, the Guangdong Association of Stage Art, the Zhejiang Province Stage and Audio Institute and Entertainment Equipment Industry Technology Association (EEITA) from Taiwan.

In terms of the PLSG fringe programme this year, both attendees and speakers emphasised how each event offered valuable information exchange, networking and educational and training opportunities which added an extra dimension to the show’s offerings. Digital audio networks in particular were heavily discussed, including through a sold out panel discussion on AVIT and how artificial intelligence (AI) solutions can influence the market, as well as the returning Dante Certification courses. Elsewhere, one of the most popular concurrent activities was the series of four Outdoor Line Arrays, which welcomed 41 international and domestic brands and a double-string display, which was ever-busy thanks to the favourable weather conditions.

Meanwhile, the first interactive multimedia display in PLSG, the Lighting and Art Space, was extremely well attended with lots of professional visitors and industry new force across the entertainment, media creative and stage design sectors. The area was established to showcase new media technologies associated with 3D mapping, stage machinery, lighting installation, new media art, stage tech innovations and more. Developed in cooperation with Chinese media giant Visual Jockey, the area featured a total of 18 professional visual and display companies and brands, including Epson, Hecoos, Music Trick Lighting, X Color and more demonstrating their latest projection and display systems, and was bustling with intrigued visitors throughout the show.

Participants admire comprehensive coverage across each sector

Mr Hai Xiang, Area Manager, Beijing Tricolor Technology Co Ltd

(Communication and Conference Hall Exhibitor)

“Right now, the key digitalisation trends of the media systems industry involve more intelligent technology, more AI, and more integrated management systems, which all can be seen here at PLSG. We’re promoting our ‘Apollo’ and ‘CrossMedia’ audio and visual monitoring systems in the Communication and Conference Hall of PLSG, which can be applied for security surveillance. The show has such a strong influence in the industry and every year, there are more exhibitors joining which is testament to the organisers. It also helps us learn from our industry peers to continue improving and developing our products in line with the trends.”

Ms May Song, Vice President, Beijing Oriental Prime Connections Film/TV Technology Co Ltd

(Media Systems and Solutions Hall Exhibitor)

“This year is the 20th anniversary for our company, and we chose to host a press conference on the first day of PLSG because it’s such an influential show associated with our field of work. We’re also here to showcase some of our audio products which have been used in the Olympic Games and at a number of national conferences. The high visitor flow is a huge benefit for us, because a lot of quality buyers have been interested in visiting our booth, including from China, India, the Philippines, Vietnam and Korea. The show acts as a bridge between us and new business opportunities, because clients can discover us for the first time and we can interact with them face-to-face. It also helps us better understand customers’ demands to produce better products.”

Mr Allen Tan, Product Marketing Manager, Bosch (Shanghai) Security Systems Ltd

(Media Systems and Solutions Hall Exhibitor)

“The PLSG show is very influential, has a huge scale, and is the first major exhibition after the Chinese New Year, which helps gather a lot of buyers from both China and overseas. This also makes the show very suitable for us to launch new products and technologies, and showcase the strength of our brand to the right audience. All in all, we’ve met a lot of potential clients already, and the results are very exciting for us.”

Ms Julie Zhu, Vice President of China Region, Kvant Ltd

(Lighting Hall Exhibitor)

“Kvant has exhibited at PLSG for 10 years and manufactures laser display systems. The entertainment industry in China is growing robustly and has huge potential, and even some of the tourist spots here are demanding these kinds of advanced audio and visual technologies for creative performances. The fair always provides us a good chance to further promote our brand and showcase our advanced laser lighting products to buyers. It is one of the most important platforms for us to better understand the Chinese market trends.”

Mr Yosef Levy, Owner, RST Audio Equipment Ltd

(Overseas Buyer)

“I’m here at the show to source new audio equipment and technology from the Asian market, so I can develop my own business in Tel Aviv, Israel. I’ve noticed there are a lot of brands here who are working on integrated solutions and providing systems of international quality. It’s also been very busy, which means there are a lot of opportunities for me to chat with industry peers from all around the world, as well as many domestic and international audio brands. I’d like to follow up my time at the show by placing some orders, and I may meet with my new contacts again at the Shanghai show later this year.”

Mr Eli Wu, System Designer, Shenzhen Ezpro Sound and Light Technology Co Ltd

(Chinese Buyer)

“This is my fourth time to visit PLSG and I’m looking for some audio and lighting related solutions for my company. The fair accommodates both large and small scale exhibitors from local and overseas, and allows visitors to find a wide range of products. It definitely caters to buyers’ needs comprehensively. I’ve met lots of high quality suppliers at the fair, and their products are useful and provide a perfect user experience at the same time. The fair not only allows us to learn the industry latest trends through its well-rounded fringe programme events, but also acts as an important meeting point for the industry.”

Mr Kane Zhang, Senior Application Engineer, Biamp Systems

(Fringe Speaker)

“This is my first time to PLSG, where I’m hosting a session on AVB and also a panel discussion on AVIT. The content and details for these kinds of fringe events offer a face-to-face element and a more intimate setting for people to voice out their thoughts to learn from one another. Only through these platforms can we tap into future technologies and continue developing our industry. To me, PLSG is a huge show with lots of industry experts coming together, which has allowed it to grow into such a good platform to match our industry goals.”

Mr Kevin Gu, Vice President, Shanghai Epean Exhibition Creative Development Co Ltd

(Lighting and Art Space Attendee)

“The new Lighting and Art Space offers a very comprehensive coverage of reflected technology for sound and lighting electronic innovations in an exciting way. The light show for the miniature St Paul’s Cathedral replica is particularly impressive. Nowadays, visitors are looking for more ways to interact with hands-on exhibits, and I believe some of the technologies shown in this space will be part of the industry’s biggest trends in the future, as they can be widely applied to many cultural and creative events such as in art exhibitions and museums. It will help different kinds of innovations become a reality, and makes the experience more fun.”

The 2020 edition of Prolight + Sound Guangzhou will be held from 19 – 22 February 2020 at Area A and B of the China Import and Export Fair Complex in Guangzhou, China. Prolight + Sound Guangzhou is organised by Messe Frankfurt and the Guangdong International Science and Technology Exhibition Company (STE). For more details about the show, visit www.prolightsound-guangzhou.com.

Other shows under the Prolight + Sound brand include:

Prolight + Sound

2 – 5 April 2019, Frankfurt

Prolight + Sound NAMM Russia

12 – 14 September 2019, Moscow

Prolight + Sound Shanghai

10 – 13 October 2019, Shanghai

Prolight + Sound Middle East

15 – 17 October 2019, Dubai

Premier of “MIDDLE CHILD” by J. Cole

North Carolina rapper J. Cole has shared a new single called “MIDDLE CHILD.” Released via Dreamville with distribution through Roc Nation/Interscope Records, “MIDDLE CHILD” kicks off what promises to be an unstoppable year for Dreamville.

Listen to “MIDDLE CHILD” here.

J. Cole, who is currently in the studio working on completing his sixth studio album, as well asRevenge of the Dreamers III, kicks off 2019 with his new single “MIDDLE CHILD.” “MIDDLE CHILD” is the first official single J. Cole has released since 2013. The single drops just after a massive 2018 for J. Cole, which saw the release of the KOD album and accompanying tour, and a string of features for artists including 6LACK, Jay Rock, 21 Savage and Moneybagg Yo.

In addition to J. Cole’s forthcoming album, Dreamville is in the process of completing three highly anticipated projects, to be released in the first half of 2019: Revenge of the Dreamers III, a collaborative project featuring Dreamville artists in addition to some of the most exciting artists and producers in hip-hop today, Shea Butter Baby, from fast-rising R&B singer/songwriter Ari Lennox, andMirrorland, from boundary-blurring Atlanta duo EarthGang.

Launched by J. Cole in 2007, Dreamville is now widely regarded as a hotbed of eclectic talent. Along with Ari Lennox and EarthGang, the label’s roster includes Bas, J.I.D, Cozz, Omen, and Lute.

About J. Cole:

North Carolina native J. Cole is an acclaimed rapper, songwriter, and producer. To date, he’s earned seven Grammy Award nominations, including two nominations at the 61st Annual Grammy Awards. He’s also landed five albums at #1 on the Billboard 200, including 2018’s widely praised KOD. One of the biggest albums of last year, KOD made J. Cole only the third artist in history to surpass 300 million audio streams in an album’s debut week.

J.D. Power × Multimedia × Satisfaction Study

In-Car Multimedia Technology Still Vexes Vehicle Owners, but Some Automakers Showing Strong Improvement, J.D. Power Finds

In-car multimedia technology, perennially the leading source of complaints among new-vehicle owners, is still a sore spot for customer satisfaction, but is improving. According to the J.D. Power 2018 Multimedia Quality and Satisfaction Study,SM the number of reported problems with in-car audio, communication, entertainment and navigation (ACEN) technologies has decreased for a third consecutive year, with several technology standouts emerging among manufacturers.

The study measures the experiences and opinions of vehicle owners regarding the quality, design and features of their ACEN system in the first 90 days of ownership. Multimedia system quality is determined by the number of problems experienced per 100 vehicles (PP100), with a lower score reflecting higher quality.

Top-performing vehicles in each segment are as follows:

• Small Mass Market: Kia Rio

• Compact Mass Market: Kia Forte

• Midsize Mass Market: Ford Mustang

• Large Mass Market: Ford Taurus

• Small Premium: BMW 2 Series

• Compact Premium: Porsche 718

• Midsize Premium: Lincoln Continental

• Large Premium: BMW 7 Series

“In-car multimedia has been a problematic category for automakers for several years, as ever-more elaborate navigation, voice recognition and entertainment systems have proliferated in vehicles of every type,” said Brent Gruber, Senior Director, Automotive Quality Practice, J.D. Power. “While the area is still the leading cause of new-vehicle complaints—with voice recognition technology continuing to lead the way as the number one complaint for a sixth consecutive year—we are seeing some serious improvement across the board, with some manufacturers really raising the bar on delivering quality multimedia technology experiences for their customers.”

Data for the annual Multimedia Quality and Satisfaction Study is derived from each year’s J.D. Power Vehicle Quality Survey (VQS). The data is augmented with supplier sourcing information where available, which affords multimedia suppliers with a comprehensive view of the overall multimedia industry, as well as the performance of individual products and systems, and problems that owners experience.

J.D. Power is a global leader in consumer insights, advisory services and data and analytics. These capabilities enable J.D. Power to help its clients drive customer satisfaction, growth and profitability. Established in 1968, J.D. Power is headquartered in Costa Mesa, Calif., and has offices serving North/South America, Asia Pacific and Europe. J.D. Power is a portfolio company of XIO Group, a global alternative investments and private equity firm headquartered in London, and is led by its four founders: Athene Li, Joseph Pacini, Murphy Qiao and Carsten Geyer.