Posts tagged with "google"

Donald Trump illustration by Kaelen Felix for 360 MAGAZINE

Donald Trump Impeached Again

By Dana Feeney

The House of Representatives has voted to impeach President Donald Trump for the second time in his four-year term as president, which started in January of 2017. He is the third president to be impeached and the first president ever to be impeached more than once. This second impeachment comes shortly after the riots in the capital last week on January 6th, 2021. Trump is being impeached on the charge of “incitement of insurrection’’ because of the statements he made on January 6. He told his supporters to “fight like hell” because the Democrats were stealing the election. You can watch the speech hereDuring the riots, Trump supporters carrying a variety of racist and white supremacist paraphernalia swarmed the Capitol and forced their way into the building to stop the count of electoral votes. The riot caused the deaths of at least five individuals, including a Capitol police officer. 

Because of the insurrection, Democrats pushed for Vice President Mike Pence to enact the 25th amendment, which he could use to declare Trump unfit to serve as president and remove him from office. Republicans blocked this move. U.S. Congressmen David N. Cicilline (RI-01), Ted Lieu (CA-33), and Jamie Raskin (MD-08) introduced the article of impeachment to the House of Representatives on the morning of January 11, 2021. The article of impeachment is co-sponsored by 211 members of Congress according to Cicilline’s press release. You can read the full article of impeachment here. On January 13, 2021, the House of Representatives voted to impeach Trump with a 232 to 197 majority. 10 Republicans voted to impeach, more members of the president’s party than in any prior impeachment.

Impeachment does not mean removal from office; impeachment is adjacent to an indictment. The difference in American law is that indictment applies to criminal charges, while impeachment is the accusation of misconduct in a political setting. Any civil officer in the United States can be impeached. In the case of the President or Vice President, the first step is the introduction of the article(s) of impeachment in the House of Representatives. After the article(s) of impeachment are introduced to the House, the House then votes on each article of impeachment, and if any pass by a simple majority, more than 50%, the articles will be tried in front of the Senate. During the Senate trial, the chief justice of the Supreme Court presides over the Senate trial, the Senate body functions as the jury, a committee of House representatives, called “managers,” act as the prosecution, and the president and his or her lawyers act as the defense. All articles of impeachment are argued on the Senate floor, then are voted on by the Senate body to either convict or acquit; to convict, there must be a two-thirds majority. Only two presidents, Bill Clinton and Andrew Johnson, were impeached and reached the Senate trial, both were acquitted. Despite an extensive impeachment investigation, Richard Nixon was never impeached because he resigned.  

Yesterday, January 13, 2021, the House voted to impeach Trump with only six days until the inauguration of Joe Biden. It is highly unlikely that Trump will be removed from office before the end of his term as president. The Senate is not set to be in session until January 19, 2021, and neither Democrats nor Republicans benefit from rushing the trial to be any sooner as this Senate trial will be a lengthy process that requires preparation from both the prosecution and the defense. Despite Trump losing the support of some members of his party, it is unclear how likely it is that Trump will be convicted because, even Mitt Romney, who voted to impeach in the first impeachment, has implied he is unsure that this is the right way to go. Many Republicans may hesitate to vote to convict because of the 74 million people who voted for Trump; these are the people who control whether Republicans will be reelected in the future. The main person who could cause a possible shift is Mitch McConnell, the Senate majority leader. If McConnell chooses to vote to convict Trump, other members of the Republican party may do the same. McConnell released this statement on January 13 saying that “there is simply no chance that a fair or serious trial could conclude before President-elect Biden is sworn in next week.”

Trump has been silent since besides releasing this video condemning violence and has not acknowledged the second impeachment. He has been banned from social media, including Twitter, Facebook, Instagram, YouTube, Twitch, and Snapchat. Along with these bans, the tech industry has made broad statements against this recent violence. Apple and Google have removed the app Parler from their app stores. The app was used by Trump supporters and white supremacists to communicate and coordinate the attack on the Capitol. Further, Amazon Web Services, which hosted the app, has cut off its service to Parler on the premise that it violated its terms of service. One feature of the app was that users could upload a photograph of their government-issued ID or driver’s license to become a “Verified Citizen.” The app lost the support of its security services, which protected user data, leaving it vulnerable to hackers who stole the data and turned it over to the FBI to be used to identify terrorists present at the riot. Read more about it here. Additionally, there are accounts publicly identifying people in photographs from the riots on platforms including Instagram, Facebook, and TikTok. Federal officials are identifying and arresting individuals who were at the event.

 The riots have caused many security changes in Washington D.C. and state capitals across the U.S. as Joe Biden’s inauguration grows closer and threats of further violence continue to spread online. These changes include the resignation of the U.S. Capitol Police chief, Steven Sund, increased police and national guard presence in Washington D.C. and the implementation of high security barriers around the Capitol building. Many D.C. businesses inside of the security perimeter are already making changes in preparation for the inauguration. Some are boarding up their windows in preparation for possible protests while others are preparing to serve guests who come to D.C. for the inauguration. In response to various local, state, and federal officials asking people not to travel to Washington, D.C., Airbnb has canceled all reservations in the Washington, D.C. metro area during the inauguration week, according to this press release. Some hotel chains in the city have stated that they will be hosting guests; as of now, nothing has been done to prevent this.

The events in this article, including the Senate trial, the consequences of the riots, and the coming inauguration, are all ongoing.

 

5 Game-Changing Benefits That SEO Can Give To Your Business

Now may be a tough time for businesses to part with capital for marketing. The reality, however, is that making such a decision could make the difference between coming out of the pandemic in good shape, or not coming out at all. Marketing has and always will provide a great return on investment, and businesses need this more now than ever before. Any smart digital marketing campaign will feature a number of strategies and SEO will form the foundation of your success. And, you can acquire insights from SEO Tool Spamzilla Review – it’s another tool for optimizing your business website. In addition, be sure to optimize pages with a meta description length checker because less is more.

For big agencies like Local Digital SEO forms the bedrock of all campaigns and here is how it will be a real game changer for your business.  

Improved User Experience

In today’s world, simply having an online presence isn’t enough and there is a higher focus than ever before on the type of user experience one can offer visitors to their website. The better the user experience, the longer visitors will hang around and the more likely they are to buy. To meet SEO requirements, ad agencies will start by bringing your website up to scratch, and the byproduct of that will be a better UX.  

Cost Effective Ad Strategy 

SEO is a one-time cost which will benefit your business for a long time to come. This is a strategy which gets more clicks than PPC and it is one of the most cost effective strategies out there. This is an inbound marketing campaign, there is less focus on going to your customers and a much higher emphasis on enticing them to come and see what you are all about.  

Improving The Awareness of Your Brand

The goal of SEO is to appear on the top pages of the search engine for a wide variety of keywords. In doing this you are going to be seen by a huge number of people, many of whom may not actually check out your site, at least not the first time. The more that you are seen on the search results however, the more a consumer recognizes the power of your brand, and that further increases your chance to make sales, and build a great online reputation. 

Attracting Local Customers

The reason why so many small businesses should focus on SEO is that it works wonders in driving local customers through the doors. Organic search is bigger than ever, and looking for businesses and services ‘near me’ is how the majority of consumers find new places to go. Through the implementation of SEO your business can really light up the local market. 

Optimizing Your Site For Mobile

No SEO campaign would be complete if it didn’t focus on mobile users and in order to do that, your business website will need to be mobile optimized. Just under half of all organic searches are made via mobile, if your website cannot be viewed on mobile, or if it only offers the desktop version, you will lose a huge opportunity to make sales. 

Squeezing out some capital for SEO marketing could be the way to secure long term success for your business. 

Interscope Records Release Soundtrack for Disney+ Movie – Clouds

Today, Interscope Records releases the soundtrack for the Disney+ original movie Clouds, from Director Justin Baldoni and Wayfarer Studios.  The release of the soundtrack coincides with the premiere of the movie on Disney+ and includes renforshort’s recently released song “afterthoughts,” the title track performed by stars of the movie Sabrina Carpenter and Fin Argus, the lead single “Wild Life” by OneRepublic, along with songs from the real Zach Sobiech and Sammy Brown who inspired the story for the movie. The Clouds Soundtrack is available now at all digital retail providers. See full track listing below.

Clouds Soundtrack Track Listing:

  1. Galaxies – Isabella Richardson
  2. Sexy And I Know It – Fin Argus
  3. Blueberries – Sabrina Carpenter
  4. Clouds – Fin Argus & Sabrina Carpenter
  5. afterthoughts – renforshort
  6. Fix Me Up – Fin Argus & Sabrina Carpenter
  7. My Little Dancer – Fin Argus
  8. How To Go To Confession – Sabrina Carpenter
  9. Clouds Score Suite – Brian Tyler
  10. Purple Pink – Sammy Brown
  11. Star Hopping (Film Version) – A Firm Handshake
  12. Ames (Film Version) – A Firm Handshake
  13. Sandcastles (Film Version) – A Firm Handshake
  14. Wild Life – OneRepublic

In addition to the release of Clouds and the soundtrack, the music video for OneRepublic’s “Wild Life” is out now. The video, directed by Christian Lamb and produced by Black Dog Films, was shot on location at Ruby Beach and the Hoh Rainforest in Washington State and includes scenes from the Disney+ original movie.

Click HERE to watch.

Inspired by an incredible true story, Clouds is a poignant and beautiful look at the heartbreaking duality of life and a testament to what can happen when you start to live as if each day might be your last. Zach Sobiech (Fin Argus) is a seventeen-year-old, fun-loving student with raw musical talent living with osteosarcoma, a rare bone cancer. At the start of his senior year, he is ready to take on the world, however when he receives the news that the disease has spread, he and his best friend and songwriting partner, Sammy (Sabrina Carpenter), decide to spend Zach’s limited time following their dreams. With the help of Zach’s mentor and teacher, Mr. Weaver (Lil Rel Howery), Zach and Sammy are given the chance of a lifetime and are offered a record deal. Along with the support of the love of his life, Amy (Madison Iseman) and his parents, Rob and Laura (Tom Everett Scott and Neve Campbell); Zach embarks on an unforgettable journey about friendship, love and the power of music. Clouds debuts exclusively on Disney+ today.

ABOUT DISNEY+:

Disney+ is the dedicated streaming home for movies and shows from Disney, Pixar, Marvel, Star Wars, National Geographic, and more. As part of Disney’s Direct-to-Consumer and International (DTCI) segment, Disney+ is available on most internet-connected devices and offers commercial-free programming with a variety of original feature-length films, documentaries, live-action and animated series, and short-form content. Alongside unprecedented access to Disney’s incredible library of film and television entertainment, the service is also the exclusive streaming home for the latest releases from The Walt Disney Studios. Disney+ is available as part of a bundle offer that gives subscribers access to Disney+, Hulu (ad-supported), and ESPN+. Visit DisneyPlus.com to subscribe and/or learn more about the service.

ABOUT WAYFARER STUDIOS:

Wayfarer Studios, forged by a partnership between Justin Baldoni and Steve Sarowitz (4S Bay/Paylocity), is a purpose-driven creative and financial engine focused on radically sincere film and television content that is platform and genre agnostic. Wayfarer Studios was founded with the mission to develop and finance projects that can serve as true agents for social change, and which can eradicate the negative “isms” from our world. The studio aims “to disrupt for good” by empowering and protecting creators with fresh voices, championing content that speaks to the human spirit, challenging the status quo and embracing our diverse global community. Wayfarer Studios currently has multiple television and feature film projects in active development.

TO BUY OR STREAM THE CLOUDS SOUNDTRACK:

Retail | Amazon | Apple Music | Google | Pandora | Spotify | YouTube Music

Nicole Salazar Illustration of Jackie Ormes

Google Doodle Celebrates Jackie Ormes

By Catherine Martin

Today, Google Doodle honors Jackie Ormes — the first, and only, Black female newspaper cartoonist during the 1940s. An interactive comic strip slideshow of Ormes replaces the traditional Google logo, with each slide representing stages of her life.

Google chose her due to her incredible activism work, shown through her cartoons, and the profound and positive impact she had for Black women everywhere.

While flipping through the slideshow, you learn Jackie Ormes was born August 1, 1911 in Pittsburgh, Pennsylvania — where she taught herself to draw at an early age. Ormes progresses into a talented cartoonist that eventually challenges derogatory portrayals of Black female characters through her satirical cartoons.

Patty-Jo ‘n’ Ginger

On September 1, 1945 Ormes released her single-panel cartoon, “Patty-Jo ‘n’ Ginger,” that introduced the groundbreaking Ginger and her 6-year-old sister Patty-Jo. In addition, this single-panel cartoon ran in the Pittsburgh Courier, an African-American newspaper.

Ginger is a fashion-forward pin-up girl and Patty-Jo is a precocious child. The goal of this imagery is to challenge the racist stereotypes that Black women and girls are uneducated and subservient. Following its success, Ormes produced the first positive African-American doll made in the U.S., the “Patty-Jo” doll; therefore, furthering positive depictions of Black women and girls.

Jackie Ormes’ Notable Work and Successes

Previously, Ormes’ published her first comic strip through the Pittsburgh Courier,Torchy Brown in Dixie to Harlem” in 1937. This cartoon reflected the struggles of escaping racism by migrating from the South to the North.

Following her work throughout the years, Ormes continued to challenge relevant issues. Such as, “romantic heartbreak, environmental justice, and gender inequality,” Google says. Regardless of the challenges these characters face, they all preserved as confident, intelligent and independent women.

Ormes retired in 1956, but that did not stop her dedication for activism and stripping away negative labels that too often accompanied Black women and girls. Due to her achievements, the National Association of Black Journalists’ Hall of Fame inducted her in 2014, followed by the Will Eisner Comic Industry Hall of Fame in 2018.

For information regarding Ormes’ life and achievements, visit the Jackie Ormes website HERE.

Mulan illustration by Maria Soloman for 360 Magazine.

Mulan Boycott

by Justin Lyons

A new movement is taking over social media as pro-democracy activists try to spread a boycott of the new Disney film Mulan.

Disney’s live-action remake of the 1998 original film hit Disney’s streaming service Disney+ this weekend. On top of the monthly subscription fee, those wanting to see Mulan would have to pay $29.99 to unlock it.

Social media users in Hong Kong, Taiwan and Thailand called for movie fans and Disney lovers to avoid the new film because of comments from Liu Yifei, who plays the titular Mulan.

In Aug. 2019, Liu expressed via Weibo, a Chinese social media site, that she supported Hong Kong police. The comments came amid pro-democracy protests in Hong Kong.

Liu was met with instant backlash, but now that her movie is available to stream, the widespread boycott seems to have intensified.

Joshua Wong, a Hong Kong activist, has been particularly outspoken regarding the situation. He asked everyone who believes in human rights to boycott the film.

He also retweeted multiple tweets from other activists. One of which was from Twitter user Gwyneth Kwai-lam Ho, who linked a story about the boycott from The Guardian.

“Not while the true Mulans are suffering in the darkness of a Chinese jail,” the tweet said.

Mulan currently sits at 78% on Rotten Tomatoes among critics but 55% among audience members. It had a production budget of $200 million.

Rita Azar illustrates a video game article for 360 MAGAZINE

Video Games x Standardized Testing

Standardized testing in schools is one of the most hotly contested subjects in academics. Does it actually measure academic skills and learning progress? Is there a better, more definitive way to measure those skills? Is standardized testing punishing hard workers and high achievers who also happen to be anxiety-ridden or bad test-takers?

In an interview with CMRubinWorld, video gaming industry veteran and founder of Breakaway Games Doug Whatley said the next step for these pesky measuring sticks is in the video game world.

“We already have simulation games that are capable of being used as a standardized test, so I think there is real promise for many types of tests to be replaced by games,” Whatley said, adding that games are often better, more secure and more affordable tests.

Whatley also predicted that free-to-play games and large market games would close the gap between the two.

“Mobile apps will get bigger and AAA games will get smaller using multiple season type distribution,” he said.

Whatley used that premise to make five more predictions. First, he said video games will cover a wider variety of content. Next, he said phones will become more powerful, thus driving more gamers to mobile devices as a gaming platform. Third, he expects to see games use new media platforms like Zoom and Google Classroom. Fourth, he expects to see more distribution in rolled out packages, like the already popular DLC model, and finally, he anticipates student-created content to be judged and used by peers.

The pandemic has forced education to adapt on its feet, and it appears technology and video games will be beneficiaries of its modern adjustments and pivots.

HOOD MORNING AMERICA RETURNS WITH NEW INSTALLMENT ON MYMIXTAPEZ IG LIVE FEATURING GUEST SHORELINE MAFIA

Hood Morning America – MyMixtapez

MyMixtapez returns with another installment of Hood Morning America, featuring guest Shoreline Mafia. The episode will be available on Thursday, July 30th at 3 pm EST on IG Live. This series is part of the custom content being delivered to fans during this time via The MyMixtapez Instagram account and YouTube channel.

During these difficult times, MyMixtapez has pivoted to focus on virtual content experiences; one such virtual experience being Hood Morning America, weekly interview session with some of the biggest names in the hip hop world. Recent episodes have featured Lil Durk, 42 Dugg, Adrien Broner, Teejayx6, and more.

Brothers Danny, Ricky, and Juan Carlos Due; as co-founded MyMixtapez in 2011 and grew it into the number one hip-hop mixtape app for iPhone, Android, and Windows operating systems downloaded 100 million times across the Apple App Store and Google Play and chronicled by everyone from Complex to The Fader. MyMixtapez also comprises the label KSK (King Stays King), consultancies for Atlantic Records, Think It’s A Game Records, Quality Control, and 300 Entertainment, original short-form documentaries, and live productions.

Laura Basset is the co-founder of the Save Journalism Project

Laura Bassett QxA

Laura Bassett is co-founder of the Save Journalism Project. She was formerly a senior culture and politics reporter at HuffPost before being laid off in 2019. She currently writes for GQ Magazine, the Washington Post, Rolling Stone, Marie Claire, the Daily Beast, and other publications. Along with John Stanton, she began the Save Journalism project after losing her job, when she became interested in why so many great news publishers were beginning to go under and having to lay off staff.

  1. How did you first get interested in journalism and politics and have these always been passions of yours?

I’ve always had a passion for writing, but wasn’t sure what direction it would take. I was in a graduate program for English Literature in 2008, thinking I wanted to go on and do a Ph.D. when Obama first ran for president. I became kind of obsessed with the election and started blogging on the side, and then I realized I enjoyed doing my politics blog a lot more than I enjoyed sitting in a library writing research papers that only one or two people would read. So I applied for a reporting internship at HuffPost, and the rest is history!

  1. Which are some of the biggest issues with modern journalism and how have they coincided with your career so far?

I think there are three big ones: Lack of diversity in newsrooms, the question of what objectivity in political journalism means in the age of Trump, and the financial/existential crisis facing the industry as a result of the digital age and big tech’s monopoly on ad revenue. The last one affected me the most directly, as I was laid off in 2019 after ten years at HuffPost. The site just wasn’t generating enough profits, having to compete with tech giants like Google and Facebook for ad money, and I lost my job along with scores of other journalists. I never expected to be freelancing for the first time, involuntarily, in the middle of my career, but it has proven to be a great exercise for my writing.

  1. What have been the most valuable skills/pieces of knowledge that you have learned from working at HuffPost?

I never went to journalism school, so most of what I know about reporting I learned at HuffPost. I learned how to write a compelling lede and nut graf, how to draw interesting things out people in interviews, how to show both sides of an issue without necessarily drawing a moral equivalence between them. I learned how to build source relationships and hustle for scoops. And I developed a deeper knowledge of politics and my particular beat, which for a long time was women’s rights issues. I learned how to own up to mistakes immediately and correct them in a transparent way, how to accept constructive criticism, and how to tune out the internet trolls and harassment. All the basics!

  1. What motivated you to co-found the Save Journalism Project and what made it special as an initial idea?

John Stanton, formerly of BuzzFeed, and I were laid off the same week in January of 2019. It was very unexpected for both of us: He was the Washington Bureau chief at the time, and I was a senior politics reporter. There seemed to be very little rhyme or reason to who was laid off that year; news outlets were forced to cut hundreds of staffers and had to make some really tough decisions. At the same time, local newspapers like the New Orleans Times-Picayune were going under entirely. We could see that our whole industry was facing a potentially fatal financial crisis, and we felt like if we didn’t fight for it ourselves, we didn’t know who would. So this project was born.

  1. How can you and your teamwork with or against big tech companies to improve the integrity of news?

Big tech companies are the financial competitors to news publishers, and it isn’t a fair fight right now. They gobble up about two-thirds of the digital ad market, leaving very little money for the actual content creators and publishers from which they also profit. Right now, we are looking to Congress and federal and state antitrust regulators to conduct antitrust investigations into the big four– Google, Facebook, Apple and Amazon–and hoping that when they see the devastating impact those companies are having on newspapers, they will break them up and/or regulate them and create a more even playing field.

  1. In the era of fake news and heavy media bias, how can technology be used for the greater good in terms of addressing populations?

“Fake news” is a term the president has thrown at real news outlets because he doesn’t like their coverage of him. By and large, the news stories he calls “fake” are true and factual. But the internet does have an actual fake news problem, which is the disinformation that fringe activists and bad actors spread online, particularly on Facebook and Twitter. I think social media platforms have a massive responsibility to closely monitor and regulate the false propaganda raging through their sites, especially close to election time.

  1. In your opinion, how do you see the future of journalism and how can the Save Journalism Project be a part of this future?

I don’t know what I see for the future of journalism because, especially since COVID, we are on an extremely troubling trajectory. What I hope to see in the future of journalism is a sustainable business model– one in which people are happy to pay for news, and one in which news publishers and magazines don’t have to compete with Google in a David and Goliath-type situation for ad money to survive. And ideally, newsrooms can stop firing and start re-hiring again, because so much talent has been lost in the past few years.

  1. Why is it so important that our country defends the freedom of the press and how can this freedom lead to a more functional democracy?

We’re at the nexus of several historic national crises at the moment, including a deadly pandemic, so journalism–especially local journalism–has never been more important to get life-saving information across to the people and to hold powerful people and institutions to account. At the same time, we have a president attacking the press and encouraging violence against us, along with these devastating financial issues. Without a robust and thriving free press, no one is there to uncover corruption and expose the lies of politicians and inform the electorate and just, basically, keep people aware of what’s happening in their communities and the world at large. That in itself is a massive threat to democracy.

  1. What kinds of opportunities do you have for people who may want to get more involved with the Save Journalism Project?

Please contact us! We’re looking for help raising money, we’re funding freelance stories on local news deserts, and we can always use the voices of other journalists who would like to fight with us to save this industry.

  1. Do you have any clear goals or visions for expanding this Project’s influence, and if so, what are they?

Our primary focus and objective are on policymakers. We aim to get U.S. lawmakers and regulators to address the exploitation of the online marketplace by Google and Facebook which gives them an unfair advantage in the competition for digital advertising revenue. Antitrust regulators in Australia and the U.K. have begun to take these kinds of steps that are necessary and we are encouraged that their American counterparts appear to be on the verge of similar actions.

It is only after the distortions of the marketplace have been addressed that we can rebuild a sustainable business model for journalism in the digital age, particularly local news. Given our focus on policymakers, we are more supporters rather than drivers of changes in the industry. We do not favor any specific model for what kind of journalism industry emerges from these multiple ongoing crises, only that we believe it must include a viable method for news outlets to monetize their content through advertising.

Rolls Royce Logo illustration done by Mina Tocalini of 360 MAGAZINE.

New RR Ghost

In autumn this year, Rolls-Royce Motor Cars will make an historic announcement in launching new Ghost. This product follows the first Goodwood Ghost, which became the most successful motor car in the marque’s 116-year history.

· First of four animated films offering insight into the substance underpinning new Ghost goes live

· Post Opulence identified as emerging design movement defined by reduction and substance

· Podcast series exploring design and engineering philosophy of new Ghost available now

More than six years ago, a team of luxury intelligence specialists, designers, engineers and craftspeople assembled to begin development of the new Rolls-Royce Ghost. Like the first Goodwood Ghost, launched in 2009, this collective would work obsessively to ensure that New Ghost would hold its own place in the Rolls-Royce portfolio and represent a unique set of client values.

Since the introduction of Ghost, which became the most successful Rolls-Royce in history, the marque’s unique proximity its clients afforded the team access to a large body of information. It revealed the divergent interests, opinions and changing taste patterns within Ghost clients’ appreciation of luxury. This primary research allowed them to create a product myopically focussed on the requirements of these remarkable men and women. These insights were what informed the designers, engineers and craftspeople at Rolls-Royce as they moved into the development phase of the highly progressive new Ghost.

As with all primary research conducted by the marque’s specialists, these experts were also asked to present their findings. In this short film, Rolls-Royce shares some of these insights to demonstrate the underlying substance of the highly progressive new Ghost ahead of its official unveiling in autumn this year.

The series begins with Rolls-Royce Designer Henry Cloke, who identified an emerging aesthetic defined by purity and minimalism, internally codenamed Post Opulence. Cloke says, “We found that Ghost clients sought objects that are effortlessly, almost instinctively exceptional. They rejected busy details and flash gimmicks, instead seeking extremely high quality, thoughtfully designed pieces that stand up to the most intense scrutiny. This philosophy defined new Ghost’s minimalist design treatment.”

The marque elected to use the increasingly popular medium of animated illustrations to convey these insights. Renowned illustrator, Charlie Davis, was chosen to cohesively and beautifully represent these findings in a fashion that befits the highly progressive new Ghost.

In addition to these insights presented in animation form, a series of five podcasts have been launched that reveal the marque’s findings, as well as insights into the underlying material and engineering substance of new Ghost in long form. Hosted by Johanna Agerman Ross, Curator of Twentieth Century and Contemporary Furniture and Product Design at the Victoria & Albert Museum in London, the podcasts are available on AppleGoogleSpotify and Deezer.

POST OPULENCE: ROLL-ROYCE REVEALS THE SUPER-LUXURY CONSUMER INSIGHTS THAT FORMED NEW GHOST HERE.

Working From Home illustration done by Mina Tocalini of 360 MAGAZINE.

Google Employees Home Until Summer 2021

By Eamonn Burke

Google has just announced that it will keep its employees working from home until July 2021, extending the previous mandate that was set to end after 2020. According to a spokesman, the reasoning by Google CEO Sundar Pichai for this extension was “To give employees the ability to plan ahead” and to help them “balance work with taking care of yourselves.” Certain employees, as stated in the previous plan, will be allowed to return sooner. Google has also partially opened some offices in other countries, although the extension applies to all major offices in places like the U.K and India.

Over 200,000 employees, across Google and its parent company Alphabet, will be affected by the decision made by Pichai last week after a conference with Google Leads.

Although other major tech companies like Microsoft and Apple still promise to bring employees back this year, the move is predicted to influence many similar companies to move in a similar direction as Google. The CEO of one such company, Mark Zuckerberg of Facebook, expects that they will begin to move permanently toward remote work.