Located opposite Lake Montebello in downtown Baltimore, Studio House is a project space for communion. The home offers independent artists the opportunity to cultivate connections, and their individual and creative practice in and around City of Baltimore. The objective of this chamber is to bring together a group of rotating artists who have demonstrated a commitment to their creative maturity.
The project space was founded by Mahari Chabwera in December 2021 through early collaboration with The Contemporary Arts Network and ongoing collaboration with philanthropist Changrong Ji.
As a nexus for restoration and community, the residency experience is open (but not limited to) visuals artists, photographers, writers, curators, musicians and filmmakers. The house offers a space for everyone to gather, relax, research, play, share resources and develop nourishing projects.
Throughout their stay, artists receive studio visits from curators, collectors, art advisors, and thriving artists on the field.
Studio House participants have the opportunity to work collaboratively within 4,400 square feet. house, each trimming a studio area to serve their practice. Artists can participate in group excursions to museums, galleries, beaches, farmers’ markets, thrift stores and dance parties. Each has access to its own spacious private room, shared bathroom, common living room, kitchen, balcony, front patio, and fenced in yard.
The Museum at Bethel Woods calls for 1969 Woodstock attendees to offer oral histories for upcoming exhibit
The Museum at Bethel Woods, the National Register Historic Site of the 1969 Woodstock Music & Art Fair, is working on compiling an archive of oral histories of Woodstock from the people who experienced it firsthand. The Museum is asking festival alumni to connect, and arrange for their stories to be heard and recorded. The goal is for these combined narratives to tell the untold story of the festival, preserving them for generations to come.
“Realizing the average age of Woodstock attendees is 75 years old, now is the time to find the lost stories of the festival and save their place in history,” said Neal V. Hitch, Senior Curator, The Museum at Bethel Woods. “In order for the impact of Woodstock to be felt 100 years from now, collecting oral histories of this iconic festival is critical. It is our goal to find as many attendees as possible and document their firsthand experiences, which will also inspire the next generation of young artists, musicians, and music lovers.”
If you or someone you know was one of the almost half a million people who stood in the crowd of Max Yasgur’s farm listening to Santana, swam in Fillippini’s Pond, left a note on the Message Tree, or got stuck in traffic on 17B, The Museum at Bethel Woods wants to hear from you. With the goal to gather at least 4,500 oral histories, every perspective is valuable in rounding out the picture of the greatest festival of all time.
The award-winning 7,000 square foot Museum at Bethel Woods sits on the 800-acre campus of the Bethel Woods Center for the Arts–the site of the Woodstock festival. Its permanent collection and special exhibits are a window to the 1960’s and the music cultural phenomenon. Bethel Woods is dedicated to preserving and presenting that history in a way that captivates audiences across generations.
About Bethel Woods Center for the Arts
Bethel Woods Center for the Arts inspires, educates, and empowers individuals through the arts and humanities by presenting a diverse selection of culturally-rich performances, popular artists, and community and educational programming. Located 90 miles from New York City at the site of the 1969 Woodstock festival in Bethel, NY, the lush 800-acre campus includes a Pavilion Stage amphitheater with seating for 16,000, an intimate 422-seat indoor Event Gallery, the award-winning Museum at Bethel Woods, and a Conservatory for arts education programming.
Through the in-depth study and exhibition of the social, political, and cultural events of the 1960s, as well as the preservation of the historic site of the Woodstock Music and Art Fair, Bethel Woods educates individuals about the issues and lessons of the decade while inspiring a new generation to contribute positively to the world around them. The not-for-profit organization relies on the generous support of individuals, corporations, and foundations to develop and sustain programs that improve the quality of life in the region and beyond.
A keystone of Ketchum’s community, the iconic Sun Valley Museum of Art (SVMoA) is celebrating its 50th anniversary this year. The museum is inviting the public to experience the joy of music and the arts to celebrate the momentous occasion. In past years, SVMoA has hosted 52 Grammy-Award winning artists, featured notable lecturers and visual artists, and awarded over $1 million in arts scholarships to local students and teachers. SVMoA’s Artistic Director, Kris Poole, sat down with 360 Magazine to talk about upcoming summer classes at the museum, the current BIG IDEA exhibition, and future plans for expansion.
SVMoA is celebrating its 50th anniversary this summer! Are any special performances lined up to commemorate this momentous occasion?
Clay, Silver, Ink: Sun Valley Center at 50, was on exhibit at The Museum from May through July.
The exhibition is guest-curated by artists Jim Romberg, Sun Valley Center for the Arts’ Director of Ceramics from 1973 to 1986, and Peter de Lory, who began teaching in 1974 and was Director of Photography from 1976 to 1979 and during the summers of 1982 and 1983.
Clay, Silver, Ink features artwork by 60 photographers, ceramic artists and printmakers, as well as several painters, who led classes and workshops at the Sun Valley Center for the Arts during the organization’s first 15 years. Many of the labels will include quotes from the artists that reflect on their experience at The Museum. A slide show of student work and snapshots from the era was also included in the exhibition.
SVMoA’s 50th Celebration & Birthday Concert will take place on August 26 and feature Pink Martini with China Forbes.
Pink Martini is led by the dynamic and hyperenergetic Thomas Lauderdale. The group’s repertoire is inspired by music from around the world and crosses genres of classical, jazz and old-fashioned pop. With 12 musicians onstage and songs performed in 25 languages, Pink Martini has crisscrossed the globe and has played with more than 70 orchestras.
Lauderdale’s co-conspirator in the band is his Harvard classmate, China Forbes. A year after starting the band, Lauderdale invited Forbes to join Pink Martini, and they began penning songs together. Since then, Forbes and Lauderdale have co-written many of Pink Martini’s most beloved songs, including “Sympathique,” “Lilly,” “Clementine,” and “Let’s Never Stop Falling in Love.” Forbes’ original song “Hey Eugene” is the title track of Pink Martini’s third album, and many of her songs can also be heard on television and film.
The concert will be a special one, starting with a look back at the Sun Valley Center for the Arts’ 50 years and a look ahead to SVMoA’s next 50. SVMoA will share memories and birthday cupcakes and asks everyone to come dressed for a party.
Is SVMoA offering any summer workshops or adult classes?
Yes! We offered 22 adult classes last year, and we plan to expand that programming throughout 2021 and into 2022. Classes range from one-night craft series workshops to creative jump-ins and week-long master class intensives. This summer, we offered the following courses:
Craft Series Workshop:
THREE COLOR REDUCTION PRINTS
Craft Series Workshop
CERAMIC TRANSFORMATION VESSELS
A THOUSAND WORDS: Guided Writing about the Art You See
Craft Series Workshop
CAPTURING THE BEST PHOTOS ON YOUR IPHONE
NO-WASTE LEATHER BAG
SUN VALLEY STONES: Oil painting
BUILDING LAYERS WITH OIL AND COLD WAX
How many students are currently in SVMoA’s art education program and k-12 education program this year?
SVMoA serves nearly 4,000 students through four unique arts education programs over the course of a year, reaching every child in Blaine County. Some programs happen in school classrooms, others in the museum space or performance halls. SVMoA’s student participants come from every public and private school in the Wood River Valley.
SVMoA features “BIG IDEA” projects. What does the BIG IDEA represent?
The BIG IDEA was designed to allow our community to enter into the conversation through a variety of avenues. If you are interested in going to see a film, or listening to a lecture, we hope the program content piques your curiosity enough to get you to visit the exhibition in The Museum or take a class that will allow you to go deeper into the subject. BIG IDEAs run the gamut from serious subjects like Refugees and/or Gender in the 21st century, to lighter fare that explores subjects, like the important role that bees or bicycles play in our world. Artists make art about the world they live in, and more often than not, what is on their minds is a topic we should be paying attention to as well. We have the opportunity to use the BIG IDEA model to engage people in ideas that matter. The art on exhibition, the music, films, lectures, discussions are all fodder for some pretty interesting conversations.
Why did SVMoA choose to display “Untrammeled: At Wilderness’ Edge” as the museum’s current big idea project?
As part of our 50th Anniversary celebration, we wanted to explore a BIG IDEA that had specific resonance with our local community. Because Sun Valley is a mountain resort town whose very existence owes its debt to the wilderness, we felt reexamining the premise of the 1964 Wilderness Act was an important effort.
At the time that we began talking with artists we had no idea that at this moment the topic would hold particular urgency. Our community, like many others in the mountain west, is experiencing an explosion of tourism and new residents. The exhibition and BIG IDEA grapple with what it means to live on the edge of and with wild places—how do we respect people’s need to be in the wilderness with our need to preserve and protect that very space? How should our idea of “managing” wilderness change/evolve?
We are so pleased to be engaged in the discussion through the work of 4 powerful artists, all of whom have international reputations, and two of whom we commissioned to do new work for this project. Adding talks by journalist Kevin Fedarko and curator Jock Reynolds only enriches the conversation.
Who is the next speaker in the museum’s lecture series? Why was this speaker chosen?
As part of the next BIG IDEA project Untrammeled: At Wilderness’ Edge, SVMoA will welcome journalist Kevin Fedarko, award-winning author of “The Emerald Mile” as our first speaker of the 2021/2022 fall/winter season. Fedarko’s book on the The Emerald Mile, with the subtitle The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon, chronicles both the complex story of the Canyon’s environmental history, as well as the compelling story of how a couple river and wilderness junkies took the fastest boat ride ever down the Colorado River during the legendary flood of 1983. At this moment in 2021 when we are grappling how best to live on the edge of wilderness, this book and Fedarko’s tale beautifully illustrates the complicated nature of our relationship with wild places.
Jock Reynolds is a nationally respected curator and artist who served as the Director of the Yale University Art Gallery from 1998 to 2018. He has worked closely with Mark Klett, one of the artists in the Untrammeled exhibition, and is keenly interested in the role that art plays in shaping our national discussions. Jock will be in conversation with Mark Klett and Laura McPhee about their commissioned artworks.
Sandra Cisneros is one of the United States most important poets and writers. She is best known for her evocation of Mexican American life in Chicago. “The House on Mango Street,” written in 1983, continues to be taught in classrooms throughout the country. Cisneros has been invited to participate in SVMoA’s lecture series to speak to the value and richness of cross-cultural experiences. As a woman and a writer Cisneros beautifully explores the experience of being connected to both the US and to Mexico. There are so many members of our community and so many people in our country who share this relationship. We look forward to welcoming Cisneros to this community at this moment of growth and transition.
How do the three SVMoA spaces– The Museum, The Liberty Theatre, and the Hailey House and Classroom – each operate? What is each space’s function?
Sun Valley Museum of Art is non-collecting museum that is accredited by the American Alliance of Museums (one of only five institutions in Idaho). SVMoA offers free admission and is open to the public throughout the year. Its downtown Ketchum location allows stop-by visitors as well as event and exhibition attendees to explore and experience art firsthand—both through visual art exhibitions and hands-on immersive education opportunities.
The Liberty Theatre
The former home of the Company of Fools, the historic The Liberty Theatre is centrally located on Main Street in Hailey, Idaho. The theatre is currently closed, awaiting some needed renovations.
The Hailey House and Classroom
The historic Hailey House, birthplace of American poet Ezra Pound, is open to visitors by appointment and during scheduled events. The house is frequently used to house visiting artists, teachers and musicians. The Hailey Classroom is open for adult, teen and youth classes and workshops during scheduled programs.
The museum is in the process of constructing a new building as well. How does SVMoA plan to use their new space?
Sun Valley Museum of Art needs expanded facilities. Currently we are not able to meet the community need for everything from classes to lectures to exhibition tours so we are actively seeking the right opportunity to build or renovate a new space. The community deserves to have a museum that can be a point of pride and meets the needs of today’s families and students as well as our growing and diverse community. As the cornerstone of Wood River Valley’s rich and diverse arts and culture scene, SVMoA is eager to develop a state-of-the-art facility that will engage more people on a deeper level, create more immersive experiences, and ensure accessibility for everyone in our community.
SVMoA operates as an arts education nonprofit. How can interested patrons support the arts?
SVMoA’s annual programs are supported in large part by its more than 1,200 members. When you join as a SVMoA member, you don’t just support your own arts experience; you support arts access for all. Your membership fee pays it forward so your fellow community members can experience the arts—the joy, the wonder, the inspiration, and the healing.
SVMoA’s annual Wine Auction welcomes friends, families, arts supporters, vintners and chefs to celebrate and support the arts each summer. The 2021 Wine Auction wrapped in mid-July and raised more than $1 million for arts education with the help of more than 350 attendees.
BIG IDEAS and major program support comes from memberships, individual donations, private foundations and public and private grants.
Regarding COVID-19, does the museum require guests to purchase tickets in advance online, or can visitors purchase tickets upon arrival?
SVMoA’s museum space is free and open to the public. SVMoA classes and events typically require advance registration and/or ticket purchase (as events can sell-out), but SVMoA will in general welcome walk-up attendees and participants if space allows.
At The Museum walk-in visitors are always welcome! If you’d like to learn more about the artwork in the exhibition, we invite families and small groups for private tours with The Museum’s curators. To schedule a tour please contact us at 208.726.9491 or at firstname.lastname@example.org.
The LA Art Show returns July 29th – August 1st. They’re not unaware that they aren’t considered the “cool kids” in the landscape of art fairs in LA, but they are the oldest (26 years) and frankly, the most popular with 60k visitors per year. Obviously this will be a different year but with their new director, Kassandra Voyagis and a primarily female team we have made a hard focus on what’s now.
The future is now.
Vellum LA, the first physical gallery for NFT-backed digital art in Los Angeles opens on Melrose Ave in September, and is presenting a world first major art fair NFT exhibition at the LA Art Show.
Titled Sea Change, the exhibit was created with top NFT marketplace SuperRare (also an official partner of the fair, their first), and curated by Nxt Museum curator Jesse Damiani with Vellum LA curator Sinziana Velicescu. It will also be the first public appearance of a brand new technology for displaying digital artworks in the real world, built by award-winning StandardVision.
Importantly, this first-of-its-kind show features only women and non-binary artists.
Each NFT at Vellum LA’s inaugural Sea Change Exhibition will be showcased on Luma Canvas displays, developed by Vellum LA’s technology partner Standard Vision to be the first ever collector digital art displays. Luma Canvas offers a museum-grade LED display ideal for digital art and NFTs, available in a variety of sizes for different viewing environments and artwork types. The Luma Canvas software allows owners to automatically upload their NFT collection directly onto Luma Canvas displays, which boast vivid, three dimensional qualities optimal for presenting digital works in a physical way.
LA Art Show will be one of the first major art fairs to hold live NFTs on the floor.
Curator Marisa Caichiolo returns with a focus on the presence, contributions, research and documentation of women and non-binary artists at the forefront of work at the intersection of art, science and technology represented by guests Museums and Institutions.
San Marcos Museum of Art (MASM) from Lima, Perú, which will bring a new media project by Peruvian artist Angie Bonino. “The Symphony Of Now,” consists of a video installation, and interactive sound installation focusing on the Andean techno de-colonial shamanism.
Museum La Neomudejar from Madrid is bringing DATA | ergo sum RELOADED by artist Ana Marcos, an interactive art installation that visualizes the capability of viewing machines using artificial intelligence to extract data by a simple observation of visitors.
Art Museum of the Americas (AMA) has joined with a special project curated by Fabian Goncálves, that will feature a compilation of material and an exhibition of the work of women artists who have played a central role in the development of new media practices throughout history and women and non-binary people whose forward-thinking practices are currently reshaping the field.
UCLA Chicano Studies Research Center is bringing a special project curated by Chon Noriega titled Immersive Distancing by LA-based artists Carmen Argote and Zeynep Abes, which will examine recent media art produced during the COVID-19 pandemic.
Now Art LA and Building Bridges Art Exchange have joined forces as local non-profit organizations to exhibit the work Agua by Luciana Abait, a video projection created as part of LUMINEX Project by Now Art LA. This work is inspired by the flood-myth motif that occurs in many cultures, in which water acts a healing and rebirth tool, often referencing ideas of creation, purification, and sustaining life. The projected FLOOD will run down the main aisle of the LA Art Show.
The most unconventional and anticipated contribution to the section is Tiffany Trenda, a multidisciplinary performance artist, known for exploring the relationship of the female body to today’s ever-changing technologies.
While we won’t have as many international galleries, we have managed to bring together a fantastic roster of galleries that celebrate the experimental vibe that is LA.
2021 brings legendary LA galleries: Track-16 (first fair) and Coagula Curatorial. Plus 14 year-old wonder kid and LA native, Tex Hammond exhibits at his first fair under Acosta Arts.
Returning: Arcadia Contemporary, Caldwell Snyder Gallery, Simard Bilodeau Contemporary, and Rebecca Hossack Art Gallery from London for the lineup of Modern + Contemporary.
The show will once again have an international presence with the Pigment Gallery returning from Spain, In The Gallery returning from Denmark, Gallery KITAI from Japan, and exploring new territory, the Spaceless Gallery based in Paris and operating through a circuit of innovative pop-up locations all over the world, looks beyond the walls of a traditional white cube space to provide an ever-changing experience for both our artists and audience. The gallery’s nomadic nature ties in with its decentralized art programs that aim to establish fresh dialogues between the exhibition venue, the works and the viewer integrating all art forms, including music and performance art.
LA ART SHOW ANNOUNCES PARTNERSHIP WITH SUPERRARE AS THE OFFICIAL NFT MARKETPLACE OF THE SHOW
From Analog to Digital For 26 Years LA Art Show Has Embraced Art Trends And Conversations
In just a few short weeks, LA Art Show, the most comprehensive international contemporary art show in America, officially kicks-off the city’s 2021 art season at the Los Angeles Convention Center. This special Summer Edition–on the heels of the landmark 25-year anniversary and now with new director Kassandra Voyagis – takes a closer look at some of the latest technological trends in the art world, while still offering a conventional lens for art from around the globe. Taking a leap into the future, while remaining cognizant of the traditional contemporary and historical programming, the LA Art Show has incorporated a focus on women, art, and technology. Upholding a longstanding convention of paving the way for other fairs to follow suit, this year marks the LA Art Show as the first LIVE show to join one of the most buzzed-about conversations in art: NFTs. As a show with a strong traditional reputation, the integration of NFTs and other new technology is monumental, emphasizing the legitimacy and wonder of digital art. To supply the most comprehensive and accessible NFT introduction, the show has partnered with SuperRare as official marketplace partner, meaning patrons will be able to purchase the work immediately at the fair with the help of experts, removing anxiety surrounding the new kind of transaction.
To present the most striking and comprehensive NFT debut, the LA Art Show welcomes Vellum LA, the first physical gallery for NFT-backed digital art in Los Angeles, ahead of their launch in September. Vellum LA was created with the goal of meaningfully situating the digital and crypto art communities within the context of art history, while also educating the public on the potential of NFTs to impact the future of art. Aiming to bridge the gap between the physical and the digital world, the crypto and the traditional art collectors, Vellum LA presents carefully curated shows designed to be relevant to patrons on either end of the digital-analog spectrum, and anywhere in between.
This year’s LA Art Show is the ideal platform for Vellum LA programming, prioritizing NFTs whether it be an introduction for many of the patrons of the fair or an exciting addition for those who are already fans of the genre. Crafting the optimal first impression, Vellum LA presents Sea Change, a physical NFT exhibition in partnership with SuperRare, the show’s official marketplace partner. Sea Change will feature the works of 11 new media artists, whose work embraces our inevitable technological immersion, exploring the new language, materiality, and logic of the metaverse. The exhibition will include works by Claudia Hart, Auriea Harvey, Krista Kim, Marjan Moghaddam, Itzel Yard (Ix Shells), Blake Kathryn, Nicole Ruggiero, Sam Clover (PLANTTDADDII), Sabrina Ratté and more. Curated by Nxt Museum curator Jesse Damiani and Vellum LA curator Sinziana Velicescu, Sea Change is a model of collaboration in the art world. Bringing together not just artists, curators, but tech companies as well, this exhibition is a worthy preview of what NFTs have to offer. The show caters to the collector, both the already avid NFT fans and those who might not even know what NFT stands for yet. Thanks to the partnership with SuperRare, a pioneering online peer-to-peer marketplace for premium single edition NFTs built on the Ethereum blockchain, purchasing NFTs at the fair is highly accessible for anyone, whether they be tech savvy or previously luddite (just make sure to secure some ETH for purchases ahead of the event). Although NFTs have been around for a while now, the technology patrons will see is brand new, featuring state-of-the-art StandardVision LumaCanvas displays developed specifically for Sea Change and designed to be the first ever collector/museum-grade digital art display canvases.
The return of in-person programming has generated quite a few questions about the future of the art world, but it is becoming increasingly apparent that many artists want to have their work seen in person, and that is true of digital art as well. Velicescu is thrilled to bring this new kind of viewing experience to this special LIVE summer edition of the LA Art Show, noting that the return of live programming is important for NFTs and digital programming just as it is important for analog art.
“Having curated work for large scale media facades at StandardVision, I understand the importance of the in-person experience. I think with everything re-opening, people will crave these experiences more than ever and I think there’s an opportunity to show this work in ways that hasn’t been shown before, taking into consideration all the complexities of digital art–some of the work is time based, some has the capability of being fully immersive, some involves AR.”
The technology revolution does not stop there. White Cross Gallery is bringing their expertise from over 5 years of NFT experience along with 5 new releases, and NFT giveaways. Continuing the theme of technological advancements, one of the most highly anticipated traditional elements of the show is getting an upgrade as well, with the return of DIVERSEartLA. This important part of the fair, curated by Marisa Caichiolo, will focus on the presence, contributions, research, and documentation of women and non-binary artists at the forefront of work at the intersection of art, science, and technology, represented by guest museums and institutions. Continuing the theme of juxtaposing old and new, this fan-favorite section will expand upon previous years into new, more interactive, and technological ground. This year’s tech-focused exhibits include a wide range of mediums from AI to video and plenty in between. The San Marcos Museum of Art (MASM) from Lima, Perú, which will bring a new media project by Peruvian artist Angie Bonino. “THE SYMPHONY OF NOW,” consists of a video installation, and interactive sound installation focusing on the Andean techno de-colonial shamanism. Museum La Neomudejar from Madrid is bringing _DATA | ergo sum | RELOADED by artist Ana Marcos, an interactive art installation that visualizes the capability of viewing machines using artificial intelligence to extract data by a simple observation of visitors. Art Museum of the Americas (AMA) has joined with a special project curated by Fabian Goncálves, that will feature a compilation of material and an exhibition of the work of women artists who have played a central role in the development of new media practices throughout history and women and non-binary people whose forward-thinking practices are currently reshaping the field. The UCLA Chicano Studies Research Center is bringing a special project curated by Chon Noriega titled Immersive Distancing by LA-based artists Carmen Argote and Zeynep Abes, which will examine recent media art produced during the COVID-19 pandemic. Continuing the Los Angeles presence, Now Art LA and Building Bridges Art Exchange have joined forces as local non-profit organizations to exhibit the work Agua by Luciana Abait, a video projection created as part of LUMINEX Project by Now Art LA. This work is inspired by the flood-myth motif that occurs in many cultures, in which water acts a healing and rebirth tool, often referencing ideas of creation, purification, and sustaining life.
This year’s diversification of mediums continues with Tiffany Trenda, a multidisciplinary performance artist, known for exploring the relationship of the female body to today’s ever-changing technologies. In partnership with DIVERSEartLA, Trenda is safely bringing live performance to the art fair. Through the use of QR codes, she is coordinating a unique viewing experience for attendees. Each person can use their own smartphone to participate in real-time via volumetric video recording, creating an interactive and compelling experience.
The LA Art Show is excited to broach new artistic waters, welcoming back old friends and joining new ones for the first time. With the draw of a long-awaited in-person event, in conjunction with the groundbreaking new technology, tickets for this event are likely to sell quickly. Please visit the official website to learn more, tickets can be purchased here.
Founded in 2017, SuperRare is a pioneering online, peer-to-peer marketplace for premium, single edition non-fungible tokens (NFTs), most notably CryptoArt, built on the Ethereum blockchain. Created with the goal of reinventing art collecting for the digital age, SuperRare has facilitated artists and collectors around the world to sell and purchase more than $71M worth of art in the last year alone. On the heels of a successful first round of funding in 2021, SuperRare continues to work with key art curation and auction partners across the globe.
About the LA Art Show
The LA Art Show creates one of the largest international art fairs in the United States, providing an exciting, immersive, insider art experience to sponsors, their select guests and VIP clients. The show attracts an elite roster of national and international galleries, acclaimed artists, highly regarded curators, architects, design professionals, along with discerning collectors. This innovative, exceptional cultural environment attracts executives and board members of Southern California businesses, state, county, and municipal government representatives, as well as leaders of the region’s cultural institutions. Attendees are trendsetters, influencers, and alpha consumers, who seek and demand the newest and the best in all areas of their lives—art, design, food, technology and travel being specific passion points.
July 15, 2021 at 5pm ET – Elie Top + Amy Fine Collins
Amy Fine Collins will bring her ‘International Best Dressed List’ knowledge to her conversation with Elie Top; best known as the jewelry designer for Lanvin under Alber Elbaz and as the last official assistant of Yves Saint Laurent. Following his desire for self-expression, the Parisian designer conceived a new kind of jewelry, far away from Place Vendome’s classicism. Enter the magical world of Elie Top in which he invents and interprets in his own way a sophisticated galaxy made of spheres, stars and signs of the zodiac, in which woman shines at the center in playful pieces.
August 5, 2021 at 5pm ET – EN Jewelry Studio (Malu Byrne and Rick Low) + Lynn Yaeger
Long-standing Vogue Fashion Editor Lynn Yaeger will host EN Jewelry Studio designers Malu Byrne and Rick Van Streain Low. Learn how Malu and Rick started their careers in the industry working with some of the most prodigious artists in the field (Gabriella Kiss and Jill Platner respectively) before finding creative and symbiotic partners within one another. Through the lens of EN, which means “to come together” and “within”, they endeavor to highlight the inherent beauty of material through their use of elemental forms with unexpected connections.
October 7, 2021 – Marie-Hélène de Taillac + Tiffany Dubin
“Vintage Style” author and Sotheby’s jewelry aficionado Tiffany Dubin sits down with Parisian jewelry designer Marie-Hélène de Taillac to chat about her work with semi-precious gems and her signature colorful jewelry. Marie-Hélène will showcase her creations while delving into her inspirations, from whimsical fairy tales to her extensive travels.
About The Museum of Arts and Design
The Museum of Arts and Design (MAD) champions contemporary makers across creative fields and presents the work of artists, designers, and artisans who apply the highest level of ingenuity and skill. Since the Museum’s founding in 1956 by philanthropist Aileen Osborn Webb, MAD has celebrated all facets of making and the creative processes by which materials are transformed, from traditional techniques to cutting-edge technologies. Today, the Museum’s curatorial program builds upon a rich history of exhibitions that emphasize a cross-disciplinary approach to art and design, and reveals the workmanship behind the objects and environments that shape our everyday lives. MAD provides an international platform for practitioners who are influencing the direction of cultural production and driving twenty-first-century innovation, and fosters a participatory setting for visitors to have direct encounters with skilled making and compelling works of art and design. Proceeds from MAD About Jewelry will benefit participating artists and support the museum’s educational programs. For more information, visit MAD Museum.
Today, country crossover talent Turbo releases his debut EP ‘Cocaine & Fireworks,’ available now via 10K Projects/Homemade Projects. The EP arrives after the growing success of his single “Bo Exotic” (also featured on the album) which has become a top pick on Spotify playlists like Country Favourites, New Music Nashville, It’s a Bop, and more for its catchy, tongue-in-cheek spirit. The album features standouts like the titular track “Cocaine & Fireworks” and the recent single “Zombiez.” The music video for “Zombiez” is out now, alongside the release of the EP.
A truly original and fearless artist, Turbo combines the gritty authenticity of outlaw country with hip-hop’s hard-hitting beats and rhymes and pop’s sticky melodies. Born Nicholas LaMonaca, 10K Projects/Homemade Projects signee grew up on country thanks mainly to his father (a famed guitarist in the international bluegrass scene) but felt drawn toward rap music and obscure electronic genres like hardstyle (a fusion of techno and hardcore).
At the age of 12, he started making his own music, a move heavily inspired by Avicii’s progressive-house classic “LE7ELS.” “Once I heard that song I couldn’t get enough of it,” Turbo recalls. “I was so obsessed, I ended up downloading FL Studio to try to recreate the melody on my own.” Although he instantly discovered a natural talent for production, Turbo put music aside for several years, then started producing again after graduating high school. “On my 18th birthday I bought a laptop and keyboard and set of speakers, and figured I’d have rappers come in and do their thing,” he says. “But after a while I just started winging it, making beats and rapping over them myself.”
As he pushed deeper into his artistry, Turbo began mining inspiration from left-of-center country singers like Colter Wall, a Canadian musician he stumbled across while stocking the shelves at his full-time liquor-store job. “Colter Wall has one of the raspiest, rawest, rudest voices I’d ever heard in my life, and it just completely took me over,” he notes. From there, Turbo tapped into his own country roots and created a full-length project titled Sixth Gear, a 2019 release featuring his breakthrough single “Light Speed.” Soon after YouTube curator, Astari shared the song’s video on his channel, “Light Speed” caught the attention of 10K, quickly paving the way for Turbo’s signing to the label, along with Homemade Projects.
Since then, Turbo has embraced even more confidence in his songwriting, thriving in the in-between of diverse genres. With tracks like his stunning debut “Heart Stop” and carefree summer jam “Bo Exotic,” Turbo has proven to be one of the most original and intuitive new artists today. “The more music I make and the better I know myself, the more I’ve realized that the best songs come from me sitting in a room alone and just taking my time—that’s how I come up with something honest and timeless,” he says. “I don’t really follow a particular process. Instead of worrying about any kind of rules, I just do what I want, and go with whatever feels right to me.”
In 2019, Keep Cool partnered with creative agency Yours Truly and adidas Originals to bring 80+ vocalists, instrumentalists, producers, songwriters, and the one and only Babyface to a historic mansion in Los Angeles to write, record and build together. After a full week of sessions and 120 songs recorded, Keep Cool/RCA Records is gearing up to release the compilation EP, Songs From Scratch: Volume 1, on June 24th.
“Glory” feat. Mez, VanJess, ICECOLDBISHOP, Ginette Claudette, Gwen Bunn is the first offering from the upcoming compilation EP. Listen here.
Songs From Scratch: Volume 1 is a continuation of the adidas Originals and Yours Truly’s long-running Songs from Scratch series that has produced songs from Chance the Rapper, Kelela, Brent Faiyaz, Kehlani, Ty Dolla $ign, Mura Masa, Danny Brown, and more.
Songs from Scratch curator, Will Abramson says: “Songs from Scratch Vol. 1, is a natural extension of our ambition to put artists into positions where they can make things that surprise them, and us. For 9 years we’ve curated smaller 1:1 pairings but we always wondered: what would happen if we put a whole bunch of artists and producers in one place, took really good care of them and let them run free? We’re grateful to Keep Cool and adidas Originals for helping make that dream a reality.”
Keep Cool co-founder and EVP of A&R at RCA Records, Tunji Balogun says: “We started Keep Cool with the goal of bringing people together in the name of creativity, inclusivity and great art. Partnering with adidas on Creator Camp was a magical opportunity to connect artists from all walks of life in an unfiltered, authentic environment that exemplified the power of music in creating bonds and bringing creatives together.”
The official camp documentary, produced by Yours Truly, is a kaleidoscopic vision of camp, featuring appearances from Babyface, Smino, Ant Clemons, Victoria Monet, Jozzy, Dijon, Umi, Ruel, D’Mile, Xavier Omär, and more. Watch here.
5 “Thirsty” feat. Mez, ICECOLDBISHOP, Tone Stith, Kennedi
6 “Come Find Me (Mountains)” feat. Charlotte Day Wilson
About Keep Cool
Keep Cool, a Los Angeles-based record label is a creative safe haven for artists and creatives alike, run by a team of multi-talented people from broad walks of life. Founded in 2018 through a joint venture with RCA Records, Keep Cool grew from daydreams and sleepless nights, tireless work and friendships forged in the trenches of time and taste. They came together to build a new label, the dream of kids who listened to too much music, watched too many movies, read too many books, and believed in a world so much bigger than themselves.
About Yours Truly
Yours Truly Creative is a design and story studio based in Los Angeles. We tell stories and design communications for bands and brands we love.
About adidas Originals
Inspired by the rich sporting heritage of adidas – one of the world’s leading sports brands and a global designer and developer of athletic footwear and apparel – adidas Originals is a lifestyle brand founded in 2001. With the adidas archive at its foundation, adidas Originals continues to evolve the brand’s legacy through its commitment to product innovation and its ability to filter the creativity and courage found on courts and sporting arenas through the lens of contemporary youth culture. Marked by the iconic Trefoil logo that was first used in 1972 and championed by those that continue to shape and define creative culture, adidas Originals continues to lead the way as the pioneering sportswear brand for the street.
“Darryl Starbird is one of the most prolific custom car builders and an artist who was consistently able to gain national recognition for his creations. His customs have been showcased in all of the popular car magazines for decades. This would have been difficult for any builder, but it was even harder to achieve for someone located in the Midwest. His car creations feature a space age futuristic style that people find exciting and memorable. He is certainly king of the bubble top, and like Toad in American Graffiti explains, any car as good as Starbird’s Superfleck Moonbird has to be amazing!” said Tim Matthews Curator, Speedway Motors Museum of American Speed. “Custom car fans now have two places to see Starbird’s fabulous creations.”
Speedway Motors Museum of American Speed, located in Lincoln, Neb., is home to over 150,000 square feet of display space over three levels. The museum was formed to present a continuous chronology of automotive Racing Engine and Speed Equipment development and to preserve, interpret and display items significant in racing and automotive history. Founded in 1992 by “Speedy” Bill and Joyce Smith, the collection results from their personal involvement in racing and hot rodding, and their lifelong passion for collecting and preserving racing an automotive history over the past 100 years.
“In addition to the collection the Smiths have built over the years the museum has also been the recipient of many generous donations from vehicles to important artifacts in racing and automotive history,” Matthews added. “The relationships continue to lead us to opportunities to acquire important pieces furthering our mission to preserve, interpret and display items significant in our industries history.”
The museum is currently home to four Darryl Starbird vehicles including the Li’l Coffin Car originally built by Dave Stuckey and restored by Starbird. The museum also features many other displays including the largest collection of vintage pedal cars, gas-powered miniature race cars, automobile themed toys, fine art, lunchboxes and more.
“Having my work on display at Speedway Motors Museum of American Speed has allowed it to be appreciated by even more people,” said Darryl Starbird, Founder of Darryl Starbird’s National Rod & Custom Car Hall of Fame. “Our conversations started over 15 years ago and I’m pleased to officially announce the merger giving fans two places to see my collection.”
Located in Afton, Okla. Darryl Starbird’s National Rod & Custom Car Hall of Fame is the home of over 50 one-of-a-kind full size exotic vehicles, including twenty-five of his own creations on display, as well as automotive artwork, photographs and auto memorabilia displayed throughout the 40,000 square foot facility.
The museum is also home to the National Rod & Custom Car Hall of Fame. Every year in June an anniversary celebration is held to recognize and induct two additional custom and rod builders into the National Rod & Custom Car Hall of Fame.
For more information about Darryl Starbird’s National Rod & Custom Hall of Fame please visit their website.
For more information about Speedway Motors Museum of American Speed, museum hours or displays visit their website.
About Speedway Motors Inc
Speedway Motors is a proud supporter of the Speedway Motors Museum of American Speed. Known as America’s Oldest Speed Shop, Speedway Motors was founded in 1952 by “Speedy” Bill and Joyce Smith. Their four sons Carson, Craig, Clay and Jason continue to run the family-owned business.
Speedway Motors is a manufacturer, retailer and distributor of high-quality automotive parts and racing products. Since 1952, Speedway Motors has been committed to providing a broad selection of high-quality, affordable automotive parts—delivered quickly, efficiently and without any hassles. Their products and expert advice are available to customers by calling 1.800.979.0122, online or at retail stores in Lincoln, Neb. and Tolleson, Ariz.
About Speedway Motors Museum of American Speed
The Speedway Motors Museum of American Speed is a federally recognized 501 (c) (3) private foundation located in Lincoln, Neb. Founded in 1992 by “Speedy” Bill and Joyce Smith, the Speedway Motors Museum of American Speed was formed to present a continuous chronology of automotive Racing Engine and Speed Equipment development and to preserve, interpret and display items significant in racing and automotive history.
About Darryl Starbird’s National Rod & Custom Car Hall of Fame
The National Rod & Custom Car Hall of Fame located in Afton, Okla. is set up as a national 501 (c) (3) nonprofit foundation & is a nationally recognized tribute to the leading street rod and custom car builders throughout the country.
Photo Credit: Speedway Motors Museum of American Speed
Hip-hop icon and culture curator Kanye West announces his 10 year collaboration yesterday with America’s sweetheart brand GAP. Identified as the #WestDayEver, Kanye’s tweet comes as a major displacement in the fashion industry which no one expected. A media frenzy reminiscent of Beyoncé’s Adidas × Ivy Park collaboration as well as Rihanna x Puma is verified for lines of anticipation forming now set to release 2021.
Offerings include men, women, children and possibly home. It’s premature to speculate on design details; however, fans can assume chique yet simple urban duds shared by both Yeezy and the GAP. The household name established in 1969 proves its resilience and continues to reinvent itself. At a time where diversity and equality is at the cutting edge of pop culture, the GAP boardroom is no stranger to utilizing their voice for justice.
According to CNN, on the day of the announcement GAP’s stocks have significantly increased.
Today, Kanye dropped the first piece of merchandise from the collaboration: the Yeezy “Round Jacket.” The cobalt blue puffer jacket was revealed on Gap’s Instagram when they posted a caption-less, silent video showcasing the garment.
The jacket is also being highlighted in various locations across Los Angeles, New York City, and Chicago. At four separate locations in all three cities, floating projections of the jacket are displayed.
Shoppers can pre-order the stylish jacket for fall HERE. Currently, the garment is sold out on GAP’s website, and is only available to customers in the US.
Further, today marks Kanye‘s 44th birthday! Surely, the successful release of the Yeezy “Round Jacket” is a birthday gift for both Kanye and his fans.
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