From the CW Network comes the brand-new documentary series MARCH, that navigates through the journey of competitive HBCU band culture. MARCH directly follows the lives of varying band members and leaders that are a part of the Marching Storm, Prairie View A&M University’s Marching Band.
The docu-series comes in eight parts, illustrating the efforts that the members put in behind the scenes to ensure success, and how they juggle their college life and academics with their commitment to the marching band. MARCH airs on Monday, January 25 (8:00-9:00 pm ET/PT) and then it moves to its regularly scheduled programming of Sunday nights beginning on February 26 (9:00-10:00 pm ET/PT), after ALL AMERICAN and ALL AMERICAN: HOMECOMING take place on Monday nights.
The new series MARCH highlights the stories of diverse and gifted college students that attend Prairie View A&M University. Whether they’re drummers in the marching band or dancers on the flag team, they all have one thing in common; they work hard at their craft, and they juggle the responsibilities of college on top of their musical endeavors. While delving into personal stories from individuals and staff associated with the 300-person marching band, MARCH also studies the rich legacy and history of Prairie View A&M, emphasizing the importance of the Marching Storm band has had on that powerful story. The series follows along the journey that they must go through to become the top ranked HBCU band in the nation. Performances include a captivating homecoming show with Texas A&M and Southern University.
Serving as the second-oldest public institution of higher education in the state of Texas, Prairie View A&M University has instituted importance on individuality and self-expression. With an array of programs for engineers, nurses and educators, PVAMU has fitting baccalaureate, master or doctor degree through eight colleges and schools. PVAMU prides themselves on having top-tier mentors that are available to guide and advise their students towards their dreams. For more information on PVAMU, visit www.pvamu.edu.
The Los Angeles artist has been innovating in the art world for over fifty years. The exhibition will showcase around 30 pieces of work created by Jacobs across the timeline of her career. Though Jacobs has lived in Los Angeles for many years, her art has never been on display in such a way. The experience will take visitors through the evolution of her career as an artist and highlight her unique tactics and techniques.
Jacobs serves as a pioneer in the development of fiber as an artistic form. She is renowned for the methods she uses to manipulate the rare material. While embracing traditional techniques of knotting, coiling and twinning, Jacobs has continued to elevate these practices into something revolutionary. Though she may work in fiber, Jacob’s artwork are sculptured pieces of art.
The display of Jacobs’ artwork allows the public to admire and be inspired by her artistic approach. All of Jacobs’ work signifies a personal artistic journey constructed and apparent in her artforms. With years of dedication, Jacobs has perfected and transformed her unique craft.
The exhibition will run from April 2, 2022, to June 18, 2022, at the Craft in America Center in Los Angeles, California.
While the exhibition is an in-person experience, Craft in America is creating a virtual exhibition for those who cannot be in attendance. The virtual exhibition is complemented by an assortment of public programs such as an artist talk, demonstration, and hands-on workshop. Students from the Craft in Schools program, which works to encourage underprivileged K-12 Los Angeles schools, will be attend the exhibit. They will have the chance to learn about Jacobs’ creations, which serves as an opportunity for the students to explore the artistic method of fiber.
The modern commuter – pedaling their way through downtown, in a rush to get to their job safely and speedily, interested in an eco-friendly way to ride – demands a certain level of excellence from their transportation. Bikes are an obvious solution, but beyond traditional bikes, ebikes are increasingly a solution for dynamic city streets, hilly terrain, and more. The AvadarC3-City ebike rewrites the rules in the realm of ebikes, creating a dynamic experience for the modern rider.
With the ever-growing demand for ebikes, Avadar has built a contemporary one. From a brand whose products are for those who simply love to ride, Avadar emphasizes fit and function. The brand’s philosophy ensures their bikes are simple to use and reasonably priced.
360 MAGAZINE had the opportunity to test out one of these ebikes on the streets of the Bronx – an iconic neighborhood that is a mix of flat and rolling terrain, steep hills and pot holes – and found the ebike more than delivered. Read on to hear about the difference of an Avadar bike.
At 59lbs, the Avadar C3-City ebike allows for a sturdy yet lightweight ride in all contexts and all terrains. Whether its biking to work in the mornings or enjoying an adventure ride through the mountains, the Avadar can conquer any terrain.
Regarding aesthetics, the bike comes in two eye-catching shades: red and blue. The metallic midnight blue color of the bike is a new color from Avadar, a slick hue that immediately draws the eye. The aerodynamic structural elements paired with futuristic flare of the Avadar set it apart from competing ebikes from a style standpoint.
The size of the Avadar itself is a secure and adaptable length of 183 cm and is accompanied by a 2smooth, aluminum construction and feel.
With a sharp aerodynamic design, the Avadar demands attention. The soft tail seat provides great cushion for any riders traveling a further distance. Further convenience stems from the ability to adjust the seat to the perfect height, guaranteeing an easy ride no matter the destination. Further fitting the bike to one’s own body and comfort is the Avadar sizes, M or L, granting even more customization.
The Avadar comes with wheel fenders and a rear bike rack for maximum convenience. The highly stylized fenders defend from dirt, weather and other messes. The bike rack ensures simple transport for the bike on the go. The integration of a removable integrated battery (RIB) is encased in the frame or “rib cage” of the bike, easily hidden from the eye, further assures that the bike is as easy on the eyes as possible, while providing an ideal ride.
With a unisex design, this bike is great for those looking for an elegant, innovative style of bike.
With a 0-5 level pedal assist, the bike allows for a customization of power levels dependent on varying terrains and inclines. No matter how great the need, Avadar can provide a push. The 10Ah battery can fully charge in a mere four hours, making it easy to charge overnight or while at work. In combination with the pedal assist mode, Avadar can provide a distance of 100KM/62 Miles, perfect not only for the commuter, but long-distance riders as well.
Another exceptional feature is the LCD screen, providing easy to read speed, mileage and power information. Like the LCD display found on the Himiway Escape, The LCD screen is found beside the handlebar of the bike for maximum amenity. Data collected during rides pops up on the screen with IP67 TFT Color Display, controlled by the push of a button.
Night rides can provide a challenge for even the most experienced of riders. But the use of a 36V LED headlight ensures full visibility throughout the course of an evening ride. The brightness of the headlight ensures no need for extra lights on the Avadar. The use of an integrated light system permits no wires are out and in the way of the performance of the bike. This assures safety, security and style.
Another unique quality of the Avadar is its ready to ride availability. The mid-motor of the bike has a throttle sensor that allows for performance adjustments while riding. This portion of the bike acts as the “brain” – with torque sensing the modifications riders themselves make as they go. It gives smart technology a new meaning – a ride through the city running errands will be organically improved on its own, no brain power of an owner required
Functionality & Customization
One of the best customizations for the Avadar is the removable integrated battery (RIB). The RIB is a one-piece battery fit with a cover and built-in handle, allowing for easier removal and reinstallation. The RIB fits in the frame of the “neck” of the bike. If batteries lose their power on the way to dinner with friends, bring the RIB right along inside to charge while wining and dining. The Avadar provides ultimate functionality.
A middle bar in the “torso” of the bike allows for relaxed moving access and transportation of the bike. Hopping on the train? Pick the bike up by this section, which essentially can function as a handle, and jump on. This allows for simple and effortless travel with the bike.
The Avadar isn’t just a bike that looks pretty – it has the powerful technology to back up its good looks. With the one-of-a-kind use of a mid-drive motor, this skyrockets the climbing ability of the Avadar. Offering 80Nm of torque, the mid-drive motor certifies an effortless and smooth handling ride. Located near the bottom bracket, the 250-watt motor maintains speeds up to 28mph.
Similarly impressive, the Avadar employs high-end hydraulic brakes. The hydraulic brake systems use brake fluid to diffuse force in the brake system. This system of breaking is far more responsive than typical brake pads, allowing for effortless stopping in all kinds of weather, further promising a safe ride.
The Avadar C3 ebike is known for its effortless ride ability with front suspension. The bike has no suspension on the back but combined with the mid-motor and suspension in the front of the bike, balances out for a light and easy ride. Suspension being placed in the front ensures speedier pedaling, especially in sprints to catch the train or on climbs up hilly terrains.
The Avadar C3 ebike allows for great mobility and efficiency. This bike is great for students needing a means of transportation to get to class, a DoorDash-er delivering food to their customers, or a young worker looking for an eco-friendlier way to get to work. The Avadar is great for those on the go but can also be useful for more laid-back lifestyles. Yet the Avadar isn’t all about speed and efficiency – its pleasurable riding experience means it is ideal for a leisurely ride around town or summer cruise on trails with friends. No matter the lifestyle needs, the Avadar is ideal.
Priced at $2180, the Avadar C3-City ebike is great for a user looking to get the most out of their purchase. Great for ages 16+, integrate this bike into the fabric of daily life. The Avadar is guaranteed to get anyone where they need to go.
Dallas Black Dance Theatre welcomes the public to enjoy a free Behind the Scenes viewing of its two professional companies, as well as three performing academy ensembles through the Thanksgiving holiday. The performance allows viewers to get insight on the rehearsal process, get a first look at more upcoming works and a chance to meet the dancers. MUFG Union Bank is the presenting sponsor for the Behind the Scenes performances. Live performances begin on Monday and Tuesday, November 22-23, 2021 at Noon CST in the Dallas Black Dance Theatre at 2700 Ann Williams Way, Dallas, TX. 75201.
The experience has quickly become a holiday tradition for families during Thanksgiving break, and seating has swiftly reached volume. The Monday performance can still be viewed on-demand for free from Monday, November 22, 2021 at 3:00 pm until Sunday, November 28, 2021, at 11:59 CST.
DBDT and DBDT: Encore! Monday, November 22, 2021
Dallas Black Dance Theatre and DBDT: Encore! will be presented in this free program. DBDT will showcase excerpts from its 45th season, along with rehearsal run-throughs and previews for what is in store for Cultural Awareness February 18-19, 2022. DBDT: Encore! will share a piece of works prepared for Black History Month and Rising Excellence April 22-23, 2022.
Dallas Black Dance Academy Tuesday, November 23, 2021
Dallas Black Dance Academy will showcase the talents of students in three performing ensembles. The Allegro Performing Ensemble, DBDT’s premier academy ensemble, will provide a class demonstration. The Senior Performing Ensemble displays the choreographic process, and the Junior Performing Ensemble will perform an excerpt from one of their works.
If you would like to get on the waitlist for the free in-person performances, RSVP to firstname.lastname@example.org with your name, the date you would like to attend, the number of tickets needed, and your cell phone number.
WonderWorks Panama City Beach offers over 100 interactive exhibits for guests to explore and enjoy all year long. This fall, the attraction is focused on bringing their guests even more science-based learning opportunities. WonderWorks will be offering fun, educational programs for students and families this fall, such as the annual art contest, National STEM Day festivities, and a Saturdays in Space virtual “Ask An Astronaut” program.
“Fall is always an exciting time of year for us because we get to host incredible programs for our community such as our FLO-ART art contest and our National STEM Day program,” said Michael Walsingham, general manager of WonderWorks Panama City Beach. “Students love getting to see their work on display at the upside-down house, and we’re excited to welcome a new class of artists to the gallery.”
Students and families have a variety of ways to engage at WonderWorks this fall, including with these new programs and exhibits:
FLO-ART: This fall, WonderWorks will be opening applications for its North Florida Youth Art Gallery. This year’s theme is “Imagination.” Submissions are currently being accepted online only. The deadline to apply is Wednesday, December 15, 2021. Local artists will have their work displayed in the gallery for a full year, and winners will receive free tickets to WonderWorks to see their work on display. To enter the contest or read the submission guidelines, visit the site: Here.
Saturdays in Space – Every Saturday during October, guests and followers will get the chance to learn more about life in space and the career of an astronaut through the Ask an Astronaut Q&A series. Dr. Don Thomas, a former NASA astronaut, will be answering questions that were submitted by teachers and students in the community. His video responses will be posted each week for viewers to tune in on the WonderWorks’ YouTube Channel: Here.
National STEM Day – WonderWorks will be honoring this special day for the second year in a row. To highlight the importance of STEM, there will be fun science labs and experiments throughout the building all day on Monday, November 8, 2021. The labs will give people a chance to learn more about pressure, temperature, density, origami, and more.
“Fall is also a great time for our local schools to book a field trip to give their students a hands-on way to make a connection with science,” added Walsingham. “We look forward to providing the community with a fun and interactive fall.”
WonderWorks Panama City Beach offers many STEM-related exhibits and activities all year long. There are also demonstrations, activities, virtual learning labs, science fair partnerships, homeschool days, and more. In addition to offering families hands-on learning opportunities, they also provide educational field trips for schools and student groups. To get more information about WonderWorks’ STEM programs, visit their website: Here.
Saturday Night Football on ABC Ranks as College Football’s Most-Viewed Franchise, Averaging 6.5 Million Viewers
ABC, ESPN and ESPN2 Air Most-Viewed Week 4 Since 2017
Best Saturday Quadruple-Header on ESPN Since 2018
ESPN networks saw several viewership gains during Week 4 of the college football season, including the third straight Saturday of ESPN and ABC winning the night in primetime, ranking as the most-viewed networks across all genres among all viewers and key adult demos. Additionally, ABC’s Saturday Night Football Presented by Capital One is the most-watched college football franchise heading into Week 5, averaging nearly 6.5 million viewers.
Saturday’s SNF matchup between West Virginia and Oklahoma was the second-most-viewed game across all networks in Week 4 with 4,502,000 average viewers, peaking with 6,273,000 viewers in the final moments of the game.
Week 4 gave ESPN one of its best viewership weeks in recent seasons, and ABC, ESPN and ESPN2 all aired their most-viewed Week 4 slates since 2017.
ESPN boasted its most-viewed Saturday quadruple-header since November 10, 2018, averaging 2,185,000 viewers in Week 4. LSU-Mississippi State was the most-viewed noon ET game on cable this year with 1,791,000 average viewers. Clemson-NC State (2,185,000 average viewers) was the most-viewed 3:30 p.m. game on cable this year and peaked with 4.5 million viewers in overtime.
Under the lights, Tennessee-Florida (3,282,000 average viewers) in primetime on ESPN was the second-most-viewed game on any cable network this year, while Arizona-Oregon (1,656,000 average viewers) was the most-viewed late-night game on any network this year.
College GameDay Built by The Home Depot registered 1,581,000 average viewers, winning Saturday morning from the Windy City with more than two million viewers in the final hour.
“We’re all connected through culture. Basically, we all must learn to adapt. We learn more through traveling and seeing more. When you’re in a different environment, everybody must love and laugh and dance. I don’t need to know your language. But companies need to focus on connecting everyone through love, not war.” – Vaughn Lowery
Corporate Social Responsibility (CSR) has been around for years, with its’ roots being found as early as the 18th Century. In my CSR research assignment before, I wrote that “the key idea of CSR is for companies to pursue pro-social objectives and promote volunteerism among employees (such as through donating to charity and participating in volunteer work), as well as by minimizing environmental externalities.” As an international student trying to find my career path in the United States, I find that company CSR is one of the first few things I look for when finding a suitable company to work with: how genuine they are and how much they care for their employees. The process of researching and writing my essay on CSR in the modern day and CSR within my internship site provided me with the valuable opportunity not only to learn about an important business topic, but also allowed me to develop a better understanding of what it is.
For my CSR Interview, I got the opportunity to speak on the phone with my supervisor Vaughn Lowery. His career started from “humble beginnings in Detroit to a full scholarship in Cornell University under the ILR program. From there, he became active in modeling, acting, and producing screenplays.” Now, Vaughn is the publisher and founder of leading fashion and lifestyle magazine, 360 Magazine, which is also my internship site. His job involves fostering relationships within the community and being an editorial director that curates and oversees content for all columns of the magazine. The position also entails making sure that Apple News, LinkedIn, Twitter, and all other news sites are updated. As a pop culture and design magazine, it is important to constantly be up to date with relevant content and breaking news. Being a quarterly publication, 360 is also working on their summer magazine issue. Vaughn mentions that with COVID making everything digital, the team has been working on expanding the business: creating a self-publishing division, developing e-commerce, getting sponsors, and most importantly, waiting for things to start opening back up.
With a background in studying business and company culture, Vaughn says that his education helped him design a company culture that made sense, “Transparency, cool kids, intelligence. I wanted a space for comfort regardless of race, age, and religion. Education was not the answer to my business but a part of the process to help with preparing for my magazine. The most important thing is life experiences, there are no books on it.” Vaughn emphasizes sending people in his company for events and communicating with clientele because “you can’t speak about things you don’t know.” COVID has made jobs in the media a little more mundane, but he’s excited about things opening back up and is hopeful for the future. Without in-person experiences, it is hard to understand the inner workings of media companies with everything being digitally produced.
Vaughn defines Corporate Social Responsibility at 360 Magazine as “having an environment that is inviting and inclusive, especially showcasing inclusivity.” As a magazine that promotes culture and lifestyle, it is important that everyone he works with is aware of what is going on in the world that we live in and what is happening with minority populations. He speaks about being the only African American in a lot of his school and work experiences, and he created 360 with the ideal of having more minorities and women working in his company: “We all live in the same world… and some people don’t know that. But we need representation and for people to see us. It’s not on us to educate them, but it’s on us to speak up.” 360 avidly speaks up for diversity (#metoo) and openly supports nonprofit organizations.
When asked about how veritable he thinks big companies are with CSR movements, he says that they’re doing it for a myriad of reasons. Companies get away with more stuff as a corporation, “But the responsibility is about being genuine. The board of directors and Zoom calls and the whole spiel. If they’re trying to just make money, revenue principals are not true to themselves. 360 was founded on real culture. The diversity is important. It is what it is.”
“Your company diversity is a reflection of the world, we’ve been doing this since the start of 360, we’ve been ahead of the trend.” The magazine has always featured drag queens, people who are transgender, and minorities, “This is very important when doing events and stuff, it’s a big family. We have less than 50 people. And it’s important for our clients to know that we have each other and rely on each other. That we know how to respect one another and appreciate each other, despite all odds.” Vaughn believes that diversity and inclusion of people of color has always been important, and he emphasizes that 360 will keep pushing these agendas and morals as long as he’s the head of the company. I see this in his effort to get everyone together (even if it is just on Zoom for now) to celebrate big articles, book releases, sponsorships, and so on.
As I type this interview essay, I find two key points to really reflect on: 1) assumptions about company morale and 2) why diversity is so important to me.
1) I think back on everyone else I’ve spoken to during my time as an intern here with 360, and I find that these core values that Vaughn spoke about with me are reflected in all the conversations I’ve had with him and other employees. Coming from a very structured, patriarchal Asian background, I came into this internship thinking that it would be like all my previous experiences (they talk of diversity, but it’s never really executed once you’re a part of it – school projects, internships, part-time jobs, and so on). However, no one in the company has been curt or condescending when speaking with me, and they truly mean it when they point out mistakes and gently correct me. Maybe it is because of the way I was brought up, or the environment I was most familiar in, but these good intentions had me on my toes for the first couple weeks I was here, and I’m honestly still getting used to it.
2) With the rise of Asian hate crimes in the past year, I find myself turning very reclusive and immediately trying to find fault with people when something brushes me the wrong way (though sometimes it really is a racist comment or remark). It’s been difficult having to correct people when they say my name wrong or trying to explain my culture when these simple things can so easily be looked up online. I’ve been very lucky growing up well-traveled and seeing different parts of the world, and I understand that not everyone has that privilege, but how far does “I don’t know” get you in the digital age? I need to work in a company where people are willing to learn and grow new perspectives, and I see this quality in Vaughn too as he speaks about his loneliness as the only African American in his industry when he was first starting out.
After 45 minutes of talking about diversity and the whole CSR conversation winding down, Vaughn tells me to keep doing what I love, “Understanding the industry through work experiences is how you’ll get in. It’s constantly changing.” He talks about learning to forecast and foreshadow and having connections at arms’ reach. By the end of our conversation, I felt that I learnt a lot and could have a clearer vision of what I wanted out of this internship. I’ve had the opportunities to go for company events (for brands including Lillet, Chinese Laundry, Rockstar Original, etc.), though I would really like to be able to go to a CSR event in the near future to promote these same values that I share with 360 Magazine.
To read more about Vaughn Lowery, please visit his Wikipedia and IMBD.
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A keystone of Ketchum’s community, the iconic Sun Valley Museum of Art (SVMoA) is celebrating its 50th anniversary this year. The museum is inviting the public to experience the joy of music and the arts to celebrate the momentous occasion. In past years, SVMoA has hosted 52 Grammy-Award winning artists, featured notable lecturers and visual artists, and awarded over $1 million in arts scholarships to local students and teachers. SVMoA’s Artistic Director, Kris Poole, sat down with 360 Magazine to talk about upcoming summer classes at the museum, the current BIG IDEA exhibition, and future plans for expansion.
SVMoA is celebrating its 50th anniversary this summer! Are any special performances lined up to commemorate this momentous occasion?
Clay, Silver, Ink: Sun Valley Center at 50, was on exhibit at The Museum from May through July.
The exhibition is guest-curated by artists Jim Romberg, Sun Valley Center for the Arts’ Director of Ceramics from 1973 to 1986, and Peter de Lory, who began teaching in 1974 and was Director of Photography from 1976 to 1979 and during the summers of 1982 and 1983.
Clay, Silver, Ink features artwork by 60 photographers, ceramic artists and printmakers, as well as several painters, who led classes and workshops at the Sun Valley Center for the Arts during the organization’s first 15 years. Many of the labels will include quotes from the artists that reflect on their experience at The Museum. A slide show of student work and snapshots from the era was also included in the exhibition.
SVMoA’s 50th Celebration & Birthday Concert will take place on August 26 and feature Pink Martini with China Forbes.
Pink Martini is led by the dynamic and hyperenergetic Thomas Lauderdale. The group’s repertoire is inspired by music from around the world and crosses genres of classical, jazz and old-fashioned pop. With 12 musicians onstage and songs performed in 25 languages, Pink Martini has crisscrossed the globe and has played with more than 70 orchestras.
Lauderdale’s co-conspirator in the band is his Harvard classmate, China Forbes. A year after starting the band, Lauderdale invited Forbes to join Pink Martini, and they began penning songs together. Since then, Forbes and Lauderdale have co-written many of Pink Martini’s most beloved songs, including “Sympathique,” “Lilly,” “Clementine,” and “Let’s Never Stop Falling in Love.” Forbes’ original song “Hey Eugene” is the title track of Pink Martini’s third album, and many of her songs can also be heard on television and film.
The concert will be a special one, starting with a look back at the Sun Valley Center for the Arts’ 50 years and a look ahead to SVMoA’s next 50. SVMoA will share memories and birthday cupcakes and asks everyone to come dressed for a party.
Is SVMoA offering any summer workshops or adult classes?
Yes! We offered 22 adult classes last year, and we plan to expand that programming throughout 2021 and into 2022. Classes range from one-night craft series workshops to creative jump-ins and week-long master class intensives. This summer, we offered the following courses:
Craft Series Workshop:
THREE COLOR REDUCTION PRINTS
Craft Series Workshop
CERAMIC TRANSFORMATION VESSELS
A THOUSAND WORDS: Guided Writing about the Art You See
Craft Series Workshop
CAPTURING THE BEST PHOTOS ON YOUR IPHONE
NO-WASTE LEATHER BAG
SUN VALLEY STONES: Oil painting
BUILDING LAYERS WITH OIL AND COLD WAX
How many students are currently in SVMoA’s art education program and k-12 education program this year?
SVMoA serves nearly 4,000 students through four unique arts education programs over the course of a year, reaching every child in Blaine County. Some programs happen in school classrooms, others in the museum space or performance halls. SVMoA’s student participants come from every public and private school in the Wood River Valley.
SVMoA features “BIG IDEA” projects. What does the BIG IDEA represent?
The BIG IDEA was designed to allow our community to enter into the conversation through a variety of avenues. If you are interested in going to see a film, or listening to a lecture, we hope the program content piques your curiosity enough to get you to visit the exhibition in The Museum or take a class that will allow you to go deeper into the subject. BIG IDEAs run the gamut from serious subjects like Refugees and/or Gender in the 21st century, to lighter fare that explores subjects, like the important role that bees or bicycles play in our world. Artists make art about the world they live in, and more often than not, what is on their minds is a topic we should be paying attention to as well. We have the opportunity to use the BIG IDEA model to engage people in ideas that matter. The art on exhibition, the music, films, lectures, discussions are all fodder for some pretty interesting conversations.
Why did SVMoA choose to display “Untrammeled: At Wilderness’ Edge” as the museum’s current big idea project?
As part of our 50th Anniversary celebration, we wanted to explore a BIG IDEA that had specific resonance with our local community. Because Sun Valley is a mountain resort town whose very existence owes its debt to the wilderness, we felt reexamining the premise of the 1964 Wilderness Act was an important effort.
At the time that we began talking with artists we had no idea that at this moment the topic would hold particular urgency. Our community, like many others in the mountain west, is experiencing an explosion of tourism and new residents. The exhibition and BIG IDEA grapple with what it means to live on the edge of and with wild places—how do we respect people’s need to be in the wilderness with our need to preserve and protect that very space? How should our idea of “managing” wilderness change/evolve?
We are so pleased to be engaged in the discussion through the work of 4 powerful artists, all of whom have international reputations, and two of whom we commissioned to do new work for this project. Adding talks by journalist Kevin Fedarko and curator Jock Reynolds only enriches the conversation.
Who is the next speaker in the museum’s lecture series? Why was this speaker chosen?
As part of the next BIG IDEA project Untrammeled: At Wilderness’ Edge, SVMoA will welcome journalist Kevin Fedarko, award-winning author of “The Emerald Mile” as our first speaker of the 2021/2022 fall/winter season. Fedarko’s book on the The Emerald Mile, with the subtitle The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon, chronicles both the complex story of the Canyon’s environmental history, as well as the compelling story of how a couple river and wilderness junkies took the fastest boat ride ever down the Colorado River during the legendary flood of 1983. At this moment in 2021 when we are grappling how best to live on the edge of wilderness, this book and Fedarko’s tale beautifully illustrates the complicated nature of our relationship with wild places.
Jock Reynolds is a nationally respected curator and artist who served as the Director of the Yale University Art Gallery from 1998 to 2018. He has worked closely with Mark Klett, one of the artists in the Untrammeled exhibition, and is keenly interested in the role that art plays in shaping our national discussions. Jock will be in conversation with Mark Klett and Laura McPhee about their commissioned artworks.
Sandra Cisneros is one of the United States most important poets and writers. She is best known for her evocation of Mexican American life in Chicago. “The House on Mango Street,” written in 1983, continues to be taught in classrooms throughout the country. Cisneros has been invited to participate in SVMoA’s lecture series to speak to the value and richness of cross-cultural experiences. As a woman and a writer Cisneros beautifully explores the experience of being connected to both the US and to Mexico. There are so many members of our community and so many people in our country who share this relationship. We look forward to welcoming Cisneros to this community at this moment of growth and transition.
How do the three SVMoA spaces– The Museum, The Liberty Theatre, and the Hailey House and Classroom – each operate? What is each space’s function?
Sun Valley Museum of Art is non-collecting museum that is accredited by the American Alliance of Museums (one of only five institutions in Idaho). SVMoA offers free admission and is open to the public throughout the year. Its downtown Ketchum location allows stop-by visitors as well as event and exhibition attendees to explore and experience art firsthand—both through visual art exhibitions and hands-on immersive education opportunities.
The Liberty Theatre
The former home of the Company of Fools, the historic The Liberty Theatre is centrally located on Main Street in Hailey, Idaho. The theatre is currently closed, awaiting some needed renovations.
The Hailey House and Classroom
The historic Hailey House, birthplace of American poet Ezra Pound, is open to visitors by appointment and during scheduled events. The house is frequently used to house visiting artists, teachers and musicians. The Hailey Classroom is open for adult, teen and youth classes and workshops during scheduled programs.
The museum is in the process of constructing a new building as well. How does SVMoA plan to use their new space?
Sun Valley Museum of Art needs expanded facilities. Currently we are not able to meet the community need for everything from classes to lectures to exhibition tours so we are actively seeking the right opportunity to build or renovate a new space. The community deserves to have a museum that can be a point of pride and meets the needs of today’s families and students as well as our growing and diverse community. As the cornerstone of Wood River Valley’s rich and diverse arts and culture scene, SVMoA is eager to develop a state-of-the-art facility that will engage more people on a deeper level, create more immersive experiences, and ensure accessibility for everyone in our community.
SVMoA operates as an arts education nonprofit. How can interested patrons support the arts?
SVMoA’s annual programs are supported in large part by its more than 1,200 members. When you join as a SVMoA member, you don’t just support your own arts experience; you support arts access for all. Your membership fee pays it forward so your fellow community members can experience the arts—the joy, the wonder, the inspiration, and the healing.
SVMoA’s annual Wine Auction welcomes friends, families, arts supporters, vintners and chefs to celebrate and support the arts each summer. The 2021 Wine Auction wrapped in mid-July and raised more than $1 million for arts education with the help of more than 350 attendees.
BIG IDEAS and major program support comes from memberships, individual donations, private foundations and public and private grants.
Regarding COVID-19, does the museum require guests to purchase tickets in advance online, or can visitors purchase tickets upon arrival?
SVMoA’s museum space is free and open to the public. SVMoA classes and events typically require advance registration and/or ticket purchase (as events can sell-out), but SVMoA will in general welcome walk-up attendees and participants if space allows.
At The Museum walk-in visitors are always welcome! If you’d like to learn more about the artwork in the exhibition, we invite families and small groups for private tours with The Museum’s curators. To schedule a tour please contact us at 208.726.9491 or at email@example.com.
In the wake of the weekend, Independence University is suddenly closing, causing panic and confusion for its student body and the federal government. Still, as of Wednesday morning, the University’s website hasn’t been updated to publicly broadcast the closing. Independence University’s website’s owner, The Center for Excellence in Higher Education, has not been updated either. The Center for Excellence in Higher Education owns three other colleges that are also in the process of closing. Now, the university looks to push its students to new colleges, raising suspicion about the reason for the closure.
Independence University is chiefly focusing on relocating its student body to Miami International University of Art & Design or Georgia’s South University. Students additionally have the option of stopping their schooling and requesting a return of their federal student loans. However, upon looking into the transfer plans, the Education Department said that Independence University’s “students are being pressured to transfer,” and that the arrangement is “unusual.” Students are worried about credit transfer, falling behind in classes, and the impact of relocation.
One Independence University student – who had been working to get her Bachelor of Science in the college’s Web Design and Development program, Dianne Eveler, expressed frustration about the scandal:
“The most I can say about these tragic findings is this. Finding only a few days before you are expected to graduate was disheartening. Also, the terrifying item was to see the hard work you put into place disappear in a moment with no warning, no idea this was happening.
For the most part, the College lacks empathy because many of the faculty were given very little notice or lost their job that day. We have no support in who to contact, or in my case, am I getting my degree.
The truth be told, I went into my Student Portal before I lost access and saw my credits of 180 go to zero, and a new graduation date appear. I’m so scared I lost my degree. I was working so hard to get a perfect 4.0 to have that work lost. I have learned a valuable lesson, do more research in a college, and never ever do an online learning program again.”
Furthermore, this isn’t the first time that Independence University has been federally scrutinized. The Federal Student Aid chief operation officer, Richard Cordray, commented that the university chose to shut down to avoid the findings of the earlier examination. In 2020, the Center for Excellence in Higher Education has been discovered to be in connection to fraud by the Colorado Government. Independence University had then been placed on a monitoring list and had government restrictions placed on the college’s receival of taxpayer money. Due to the impending pressure on students to transfer, federal employees warranted that a more in-depth investigating is required regarding the university’s reason for shutting down.
The accreditor for Independence University reports that it’s approval of the college had ended in April, as the school failed to maintain acceptable graduation and employment rates among students. This end of accreditation also resulted in the loss of federal money to the University.
In a statement to USA Today, Cordray explained, “We have already emailed students to help them understand they do not have to be rushed into accepting a transfer to another school of CEHE’s choosing.” In spite of the college’s sudden closure, the Federal Student Aid chief operation officer cautions students to not make any hasty decisions. Under President Biden’s administration, the Education Department is “more willing to exercise its regulatory oversight” reports USA Today.
As uprooted students scrabble to find answers, they’ve had to resort to asking their fellow peers, college administration, and the U.S. Department of Education. Heather Reibsamen, who had been working to get her Bachelor of Science in the college’s Graphic Design program, explained how the tragic situation unfolded for her:
“The last week has been a whirlwind of emotions. Since the announcement that the school was closing, students have scrambled to figure out what their options were. We were sent a form with a few choices: transfer to a “teach-out” school or lose everything we have worked for, to put it bluntly. Initially, I thought everything would work out since I only had a few credits left until I graduate. However, I was met with disappointment and more unknowns. The “approved” teach-out school is Miami International University of Art & Design. I attended the meetings I was told to attend and was unfortunately met with the news that this school does not teach in my state. I was told I needed to find my own college to transfer to and would potentially have to pay out of pocket due to my student loans being tied up with Independence University. Many students were faced with this. Many students are not able to graduate on time because of this.
No one was prepared. No one was warned. We scrambled to get our last assignments in hoping they would count towards the credits we had been working on. There are students that were supposed to graduate last Sunday, however, they have been met with uncertainty. No one knows if the credits we have worked so hard to complete will transfer over. There are employees that have been employed through IU for years that were let go at just a moment’s notice.
I immediately began the search for a school that was accredited and not-for-profit. I reached out to Southern New Hampshire University to see what options I would have if I transferred to their school. I was greeted with understanding and encouragement. Many colleges are learning about the dilemma with Independence University and are seeing the wrongdoings towards the students and staff. SNHU has been every bit of encouraging and supportive during this transition. I consider myself one of the lucky ones so far. I found a school that is regionally accredited and is geared towards the success of the students. I am hopeful for a smooth transition.
Independence University has left the students and staff in complete confusion, and we are all struggling to make sense of it all. We have hope that everything will work out and fear of what still may come.”
Finally, on Wednesday, the college’s closure was announced to students via email. This delayed response highlights how a University can operate in complete disarray, with its students completely unaware of the behind-the-scenes scandal.
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