Posts tagged with "Texas"

George O'Hanlon "How Are You Feeling?" single artwork via Madi Florence Umusic for use by 360 MAGAZINE

George O’Hanlon – How Are You Feeling

Rising UK singer/songwriter George O’Hanlon makes his 2022 debut with his new single “How Are You Feeling?” available now via Harvest Records. Listen to “How Are You Feeling?HERE.

The single finds inspiration from rock icons like Radiohead, Springsteen, Nirvana and Slowdive. Throughout the track, intricate guitar work combined with an uplifting chorus makes it one you’ll want to give a listen to. “How Are You Feeling” also comes as the introduction to George’s full touring band on a single.

As a songwriter, George is able to showcase his true talents in the single. He states, “The song is about how you find your path as a person, especially during your late teens early 20’s, and the ups-and-downs that come with that. To me it’s a really positive song about people finding their way.”

About George O’Hanlon

Gaining practice through performing in the college circuit, George O’Hanlon has been perfecting his craft for quite some time. Working on his music by performing and writing for the past few years, George launched his career in 2021 with his debut EP, The Storm. While his musical inspirations range from artists like Bob Dylan, Jeff Buckley and Thom Yorke, George’s music has natural literary soul. He captives his fans by referencing his own life experiences, outlining them in new perceptions.

While rising as a budding talent in the UK music scene, George has gained affirmation from Abi McCarthy at BBC Introducing and Jack Saunders at Radio 1. You can find George typically performing at grassroots venues, while he toured the UK last September with his band. They traveled to small venues around the UK together. Noting the experience, George exclaimed, “We spent hours with four of us crammed in a car with all our gear. The tough bits are service stations at 3 in in the morning and things like that but playing the shows made it all worth it.”

You can catch George performing at his first US show at Austin’s South by Southwest Festival.

Film artwork via Heather Skovlund for use by 360 MAGAZINE

THE CW NETWORKS DEBUTS “MARCH”

From the CW Network comes the brand-new documentary series MARCH, that navigates through the journey of competitive HBCU band culture. MARCH directly follows the lives of varying band members and leaders that are a part of the Marching Storm, Prairie View A&M University’s Marching Band.

The docu-series comes in eight parts, illustrating the efforts that the members put in behind the scenes to ensure success, and how they juggle their college life and academics with their commitment to the marching band. MARCH airs on Monday, January 25 (8:00-9:00 pm ET/PT) and then it moves to its regularly scheduled programming of Sunday nights beginning on February 26 (9:00-10:00 pm ET/PT), after ALL AMERICAN and ALL AMERICAN: HOMECOMING take place on Monday nights.

The new series MARCH highlights the stories of diverse and gifted college students that attend Prairie View A&M University. Whether they’re drummers in the marching band or dancers on the flag team, they all have one thing in common; they work hard at their craft, and they juggle the responsibilities of college on top of their musical endeavors. While delving into personal stories from individuals and staff associated with the 300-person marching band, MARCH also studies the rich legacy and history of Prairie View A&M, emphasizing the importance of the Marching Storm band has had on that powerful story. The series follows along the journey that they must go through to become the top ranked HBCU band in the nation. Performances include a captivating homecoming show with Texas A&M and Southern University.

From Stage 13, MARCH is executively produced by Cheryl Horner McDonough, Jamail Shelton, Shari Scorca and Marcel Fuentes.

About Prairie View A&M University

Serving as the second-oldest public institution of higher education in the state of Texas, Prairie View A&M University has instituted importance on individuality and self-expression. With an array of programs for engineers, nurses and educators, PVAMU has fitting baccalaureate, master or doctor degree through eight colleges and schools. PVAMU prides themselves on having top-tier mentors that are available to guide and advise their students towards their dreams. For more information on PVAMU, visit www.pvamu.edu.

Reb Czukoski for use by 360 Magazine

Go “BTS” w/ Dallas Black Dance Theatre

Dallas Black Dance Theatre welcomes the public to enjoy a free Behind the Scenes viewing of its two professional companies, as well as three performing academy ensembles through the Thanksgiving holiday. The performance allows viewers to get insight on the rehearsal process, get a first look at more upcoming works and a chance to meet the dancers. MUFG Union Bank is the presenting sponsor for the Behind the Scenes performances. Live performances begin on Monday and Tuesday, November 22-23, 2021 at Noon CST in the Dallas Black Dance Theatre at 2700 Ann Williams Way, Dallas, TX. 75201.

The experience has quickly become a holiday tradition for families during Thanksgiving break, and seating has swiftly reached volume. The Monday performance can still be viewed on-demand for free from Monday, November 22, 2021 at 3:00 pm until Sunday, November 28, 2021, at 11:59 CST.

DBDT and DBDT: Encore!
Monday, November 22, 2021

Dallas Black Dance Theatre and DBDT: Encore! will be presented in this free program. DBDT will showcase excerpts from its 45th season, along with rehearsal run-throughs and previews for what is in store for Cultural Awareness February 18-19, 2022. DBDT: Encore! will share a piece of works prepared for Black History Month and Rising Excellence April 22-23, 2022.

Dallas Black Dance Academy
Tuesday, November 23, 2021

Dallas Black Dance Academy will showcase the talents of students in three performing ensembles. The Allegro Performing Ensemble, DBDT’s premier academy ensemble, will provide a class demonstration. The Senior Performing Ensemble displays the choreographic process, and the Junior Performing Ensemble will perform an excerpt from one of their works.

If you would like to get on the waitlist for the free in-person performances, RSVP to ticketsales@dbdt.com with your name, the date you would like to attend, the number of tickets needed, and your cell phone number.

For more performance details visit www.DBDT.com.

image by RED hospitality for use by 360 magazine

RED Hospitality and Leisure

RED Hospitality and Leisure is a leading provider of resort services including destination services, watersports, beach and recreation operations, destination management services and transportation. Their clients include premier brands such as The Ritz-Carlton, Westin, and leading hotel REITS in North America and the Caribbean. Their company motto is “Exceptional Experiences by Exceptional People.” RED specializes in providing critical guest-facing departments with subject matter experts, passionate associates, and dedicated management.

With a vertically integrated model, it allows them to provide an end-to-end, highly curated guest experience, driving increased guest satisfaction and revenue for our hotel partners. We work closely with clients to ensure seamless and transparent integration of brand standards. The RED team is made up of hospitality professionals dedicated to turning revenue negative or neutral departments, such as recreation and concierge, into profitable and engaging areas of our client hotels.

Last week, 360 Magazine got the opportunity to speak with Jason Campbell who is responsible for leading RED’s five markets and its subsidiary businesses. With over twenty years of experience in hospitality – focusing on hotel integration, opening project management, guest service standards, and organizational capabilities – Jason provided a lot of insight and useful information to understand the industry.

What brought you into the hospitality industry?

I couldn’t wait to get my work permit when I turned 14 and my first position was at Chesapeake Bagel Bakery in Northern Virginia. I got a thrill out of managing the ‘rush’ each day and the ability to put a smile on someone’s face by providing them genuine service. I went on to study Hotel Management in high school and after competing in DECA, I was confident I would make my passion for hospitality my profession. I later joined Great American Restaurants and learned the importance of team service, which transformed me into thinking more about ‘we’ and less about ‘me’. There was so much more we accomplished together than as individual contributors, which became a part of my management philosophy thereafter. One afternoon we toured a nearby full-service, Marriott hotel and it opened my eyes to all the positions you could learn in the hotel business – from accounting, management, events, food and beverage, front office, valet, concierge, retail, and spa, it put me on a path to seek out a company which I could grow within to learn as much as I could. I started with Marriott as a pool server in Orlando at The World Center hotel, our biggest property at the time, and worked my way up to a Senior Director at their Corporate office in Bethesda leading various teams of operational subject matter experts.

What would you say helped get you where you are?

I was fortunate to start working early and understanding how organizations function. This allowed me the opportunity to be groomed by incredible mentors early in my career. I had a ‘fire in my belly’ which kept me curious to learn more and push beyond my comfort levels which accelerated my learning. Reading books like ‘Setting the Table’ by Danny Meyer broadened my perspectives on how other companies were building their success and created inspiration for me. Throughout my career, I would raise my hand to take on a new project or move into unknown territory. I found I enjoyed projects which required the ability to work well in ambiguity, innovate ideas and test hypothesis, then refine and document processes and procedures to drive sustainability of those initiatives. These projects then presented themselves more frequently and I’ve been thankful to be able to write my own job description for the past decade of my career, focused on building organizations moving from the startup phases of a company’s lifecycle, into to their adolescence and growth stages.

What are some of the biggest challenges you’ve faced/currently facing?

The hospitality industry is one of many industries experiencing a labor shortage right now, further compounded by the return of unprecedented demand it’s going to be a constraint over the upcoming quarters as the workforce resets and restabilizes post-COVID. We’ve turned this challenge into a strength by focusing on the development of our current employees, up and down the organization. Our philosophy is if we can recruit the best and invest in their continuous development, we will be able to build our bench over time and capitalize on the human equity which differentiates us from our competitors. We have been allocating resources to not only respond to the weekly demand and provide quality products and services, but to further enhance the training tools and resources we have available to our team members. Additionally, we provide various coaching programs for our management team, making them more versatile, compassionate, and effective in their roles, as well as consistency driving the company’s culture across five marketplaces. This will continue to translate to us having low turnover than industry averages, and a solid foundation to build momentum behind. We run a fast-paced business with high expectations, and if we can show someone a path to continue to grow their career, the future opportunities are endless.

How would you describe your efficiency of operations?

We lead our business units by empowering our managers and employees to make decisions which they believe are in the best interest of the customer, our clients, and the business. This allows us to be more productive as an organization and gives us the opportunity to admit when we make a mistake, which is really a win-win, in that it encourages continuous improvement in a comfortable, trusting environment. We would rather our teams try and fail, than fail to try. If we do fail, we fail fast, learn what didn’t work, pivot, and try again. We are thankful in that our teams are highly committed and highly motivated individuals, who have embodied this framework, which has allowed us to launch new initiatives such as retail operations on land and at sea, developing and accrediting a new sailing academy, creating marine biology expositions to teach guests about local marine life, and activating community programming events to support the neighborhoods we do business in.

Any exciting collaborations in the future?

This quarter, we will be launching a social media management strategy, including a once in a lifetime position to hire a brand ambassador who will travel and experience our brands around South Florida and the Caribbean, curating the content they create to share our company’s story and the first-hand experiences our customers and employees experience. We recently engaged a Public Relations agency who is helping us identify additional opportunities to participate in and sponsor industry conferences, guest speak on discussion panels, and network with lifestyle companies in similar spaces to support the fast rebound of travel.

We’re fortunate to have incredible partners in the luxury and boutique hotel space today, which really resonates with our customers and our brand. From a guest perspective, our goal is for our teams to be in differentiated from the hotel employees, and because RED employees share similar core values, ethical alignment and exemplary hospitality skills as the hotels and brands we work with, this is another advantage of both parties. We operate as an extension of their executive teams, leading and supporting departments they can depend on, which results in the continued collaboration of group efforts to coordinate and plan special events such as unique Festive Season offerings.

Any advice for those working in the hospitality industry?

More of a thank you. This downturn has had the worst impact to our industry in history. I’m inspired by those who double downed and had faith in the recovery of travel and the tenacity to see through what an accelerated return to business demands is now. There are still challenges which lie ahead and I think those who have invested in themselves and their company’s success over the past year are going to have many opportunities to grow into their next roles. A shared benefit to those who have stayed engaged and been fortunate to remain a part of a company, have adapted to wear many hats and understand the intricacies of other parts of the business, the connectedness and importance of each of those disciplines. The human equity which RED has produced over the past year is one we will continue to cultivate as we build our bench strength, deploying our top performers into more complex markets and higher visibility opportunities, such as the launch of new markets and properties next year.

How did COVID impact RED?

RED, like all travel companies, had to significantly consolidate operations when demand evaporated at the start of Covid. Interestingly, the closure of international borders created a change in domestic traveler’s preferences, and encouraged them to seek homeland destinations, often gravitating to the sun and sea. This summer, we had record demand with travelers from Texas, New York, Florida, and North Carolina being the first to return, most notably to our Sebago offerings in Key West.

The pent-up demand led to travelers staying in destination for longer, and often spending more than years prior, because they had more expendable income after foregoing their annual vacation the year prior. RED offers outdoor experiences, which were in high demand as guests returned, and we continue to see stronger than anticipated demand through September and October which are our typical shoulder slower months. This is encouraging to us, and we predict a busy year lies ahead, especially as inbound international travel returns.

Any plans for expansion?

Indeed. It’s one of our company goals for the next year. We launched our first international market and operations at The Ritz-Carlton in Turks and Caicos in June, which we plan to expand upon very soon. We also expanded to two new hotels in Key West and signed a new contract to launch at two new hotels by the end of 2022.

There are many hotel owners who reinvested in their properties during the pandemic and are preparing to reopen operations in the upcoming quarters. Over that same period, RED has further solidified its value proposition, which provides owners and operators a turnkey solution to their recreation, tour and activity and watersport experience offerings. Our background in preopening project management, operational execution and building high performing work teams with exemplary service and technical watersports skills tells a compelling story. We will continue to look for clients we can build more of these symbiotic relationships with.

Is there anything else you’d like to share with us?

There is a specific competency and skill set we’ve begun to speak about internally and are starting to see gain traction in social and training platforms, which is Emotional intelligence. The recovery from this pandemic is one which has impacted everyone in the world and has provided a common experience amongst all of us which didn’t exist before. Although each of us may have experienced it differently, it is something which we hope can bring us back together and teach us to be more empathetic to one another, building on those connections amongst us. Of course, we recommend one of the best places you can have those conversations is onboard one of our catamarans with a beverage in hand, watching the sunset fall off the horizon. Safe travels to everyone and thanks for the time. We hope to see you soon.

More on RED Hospitality and Leisure here.

illustration by Kaelen Felix for use by 360 magazine

Astroworld Festival

By: McKinley Franklin

Popular rapper and Houston-native Travis Scott hosted the Astroworld Festival this past weekend. The festival resulted in eight fatalities and dozens injured. How did the once cherished Astroworld Festival turn so dark so fast, and how can society learn from this atrocity?

This year’s Astroworld Festival marked the third of an annual series since 2018. The festival is held in Houston, Texas, where Scott grew up. Scott’s third studio album attributes directly back to Houston, being named after a theme park from Scott’s childhood, Astroworld. Before the festival was held in 2019, Scott was given a key to the city of Houston from the city’s mayor. The rapper received the key during his Astroworld Tour while performing in Houston. While presenting Scott with the key, mayor Sylvester Turner praised him for the recognition and reputation that Scott linked with the city of Houston. During the presentation Turner also announced that Scott had inspired the city to bring back another amusement park, like the original Astroworld, to the city.

Later in 2019, the second annual Astroworld Festival was held where a prelude to the events in this past year’s festival would be showcased. Much like the most recent festival, fans stormed the venue and three people were reported to be trampled. Such patterns of seemingly aggressive behaviors have been associated with Scott in the past that date back to 2015. Two arrests of Scott have been reported for similar behaviors of prompting fans to engage in disorderly conduct(s). Both instances involved Scott encouraging fans to breach security at music festivals.

After another successful year of the festival in 2019, the annual scheduling came to a halt amidst the ongoing pandemic in 2020. With much anticipation due to the cancellation of the festival in the past year, Scott announced the third annual festival in May 2021. This year the festival would be extended to two days “due to overwhelming demand as well as rave reviews around the festival’s incredibly curated lineup.” The official lineup was not released until October 26 of 2021, a little over a week before the festival was scheduled. Popular artists in the lineup included SZA, Young Thug, 21 Savage and Lil Baby, accompanied by Travis Scott as the leading headliner of the festival. Scott promoted the festival on his socials and referred to members of the lineup as “avengers.” In the same post Scott also communicated that the festival was sold out, but he had managed to acquire more tickets so that more fans could be in attendance.

November 5, 2021, marked the beginning of what was supposed to be the two-day Astroworld Festival. Festival gates opened at 1pm this past Friday, and mayhem began shortly after. A lot of the set protocols and rules surrounding security at the festival were disregarded early before the festival commenced. Security was failing to enforce ID and coronavirus vaccination checks, as well as other rules surrounding prohibited items and general security checks. The performance areas were noticeably packed around 7pm, and the crowds only grew as Scott’s performance was approaching. A countdown started thirty minutes prior to when Scott was set to perform, and as the countdown crawled down, so did the available space for those at the venue.

When Scott finally did take the stage, the intense compressing of the crowd really took off. The squeezing of the crowds became unoccupiable as the first song in Scott’s performance began. Fans in the crowd had nowhere to move, and if there was movement it was inevitably devastating. People were falling onto the floor, piling on top of each other in some areas. Individuals began to become so crushed that they were passing out in the crowds. Fans that were close enough to the front of the stage begged security to pull them out of the crowds to safety, As the night continued, paramedics were seen amidst the masses of fans performing CPR, treating unconscious people and even carrying off lifeless bodies.

During the chaos, Scott continued his performance taking few short pauses to notify security of fans being unconscious in the crowds. Kylie Jenner, Scott’s baby mother of two, posted to social media a video of the crowds at the festival with a noticeable ambulance in the mass of people. Multiple videos and images have been posted from fans at the festival across social media platforms. Specific videos recount the fearful experiences that individuals went through, and some even recount people trying to notify security of the chaos that was occurring throughout the swarms of fans in the crowd. The festival continued, forcing over three hundred people to be treated on-site by medical personnel, dozens being hospitalized and eight individuals dead.

How did the festival turn out so gruesome? On the Astroworld Festival webpage there are clear rules, regulations and precautions written out that were to be followed. One of the main problems that resulted with this festival was the insufficient quality of security and amount of medical personnel/ supplies onsite. Fans were spotted running past security throughout the day leading to Scott’s performance. Security checks were not followed as intensely as they were publicized to be. An insufficient number of medical supplies and personnel showed cracks in the groundwork of the festival throughout the day and when Scott’s performance started.

How can festivals be prevented from tragedies like this from reoccurring? A few simple tactics can be implemented that all lead back to ensuring efficient safety of all people in attendance of a festival. To ensure a safe venue, festivals must be held at safe venues with secure layouts. Creating a reliable layout with a well-organized security team can allow for a safer and more comfortable experience for everyone. Making sure the facility and its grounds have been well-inspected, kept and prepared for the festival are key elements to a safe experience. A well-managed and prepared security team and plan for the facility of an event can also ensure a safer experience for a festival.

Espresso Nutcracker Illustration by Reb Czukoski for use by 360 Magazine

DBD Academy’s Espresso Nutcracker

Dallas Black Dance Academy (DBD Academy) presents its fourth annual Espresso Nutcracker, with a new twist on a holiday tradition. The performance is jazz-influenced by the music of Duke Ellington’s Nutcracker Suite. Co-Sponsors for the Espresso Nutcracker are Macy’s and the City of Dallas Office of Arts and Culture.

The single performance is scheduled for Saturday, December 11 at 7 pm in the Majestic Theatre in Dallas, TX. The performance is also available via live streaming and on-demand. Through their sponsorship, Macy’s is sharing virtual viewing access with up to 30 social service agencies and children’s hospitals nationwide. Last year’s initiative allowed over 1,500 youth and families the opportunity to virtually share the holiday experience.

“We are honored to provide support to such an incredible organization, whose impactful work plays a vital role in strengthening and enriching our community,” said Emma Conniff, corporate giving associate at Macy’s. “The holidays are when Macy’s shines the brightest, and we are excited to partner with Dallas Black Dance Academy to spread holiday magic to viewers of all ages.”

DBD Academy Director Katricia Eaglin choreographed Espresso Nutcracker with assistance from the academy ballet instructors of the Pre-Professional Division levels 1-4 students who will perform in the production. Eaglin was inspired to use the traditional Tchaikovsky music along with tracks from Duke Ellington’s Nutcracker Suite, selecting Ellington tracks that were still recognizable to the original work. She added narration to the performance as well as an African dance to the Land of Sweets Act that includes Spanish, Arabian, Chinese, and Russian dances in the original.

“I was inspired to create and produce the Espresso Nutcracker for Dallas Black Dance Academy so our academy students could be involved in the Nutcracker tradition,” said Eaglin. “We’re excited to have our students re-enter the theatre and share how they have grown while training virtually during the 2020-2021 season!”

DBD Academy is the official school of the Dallas Black Dance Theatre (DBDT), and allows students to learn virtually and in-person. The original Nutcracker Ballet, choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky, is one of the most famous ballets in the world and tells the story of young Clara’s magical journey on Christmas Eve.

Many dance academies bring in professionals to dance key Nutcracker roles, but Dallas Black Dance Academy students will dance all the key parts, such as the Sugar Plum Fairy and the Snow Queen. DBDT professional dancers will dance the adult characters of the Mother, Father, and Drosselmeyer.

Dallas Black Dance Theatre is limiting seating capacity to allow for social distancing in accordance with CDC guidelines and because of limited ticket availability, DBDT will not be able to give discounts on groups or subscriptions this year. You can watch the live stream broadcast in real-time beginning at 7:00 pm CDT on Saturday, December 11, while the on-demand option will be available starting at 9:00 pm CDT Saturday through Monday, December 13, 11:59 pm CST.

Breast Augmentation Surgery Without Scars

The Advantages of the Transaxillary Method According to Memorial Plastic Surgery’s Dr. Patrick Hsu

When considering breast augmentation, one of the most common concerns patients have is the scarring that will occur after the procedure. And while this depends on the incision made during the surgery, Dr. Patrick Hsu of Memorial Plastic Surgery favors one particular method, called transaxillary breast augmentation, for its minimally-invasive approach which leaves no visible scar on the breast.

Dr. Hsu offers transaxillary breast augmentation at his clinic in Houston, Texas, as an alternative incision technique compared to the more common inframammary and periareolar methods of implantation.

This cutting-edge technique soared in popularity among Asian breast augmentation patients who are at an increased risk for darker, pigmented scars because of their skin tone. But because it causes minimal scarring that’s hidden beneath the underarm, it’s now a preferred technique by patients of all ethnicities.

“I consider this technique to be extremely safe. It allows our patients to recover faster as there is no large incision and they can enjoy their results sooner,” he shares.

Dr. Hsu is a well-known advocate of safe cosmetic and reconstructive surgery, performing the most complex surgeries using minimally invasive techniques that ensure the patient experiences no complications after the procedure. He is actively involved in raising awareness about one of the most complicated surgeries, the Brazilian Butt Lift, and has spoken out about the importance of finding a plastic surgeon who understands the complexity of the procedure and performs it with the patient’s safety in mind.

Every patient who visits his clinic at Memorial Plastic Surgery receives an initial consultation for Dr. Hsu to understand their goals and make treatment recommendations that will help them achieve their specific goals with the shortest possible downtime and least complications.

Explaining the Transaxillary Method

Transaxillary breast augmentation involves making a small incision in the armpit. Dr. Hsu uses an endoscope to assist in the dissection to minimize bleeding and to create a precise, clean pocket for the implants.

Both silicone and saline implants may be used with this method, though the size of the incision varies depending on the implant used. The implants are typically placed under the muscle. Once healed, the scars are almost indistinguishable from a natural crease in the armpit.

“What makes this technique much safer is that it eliminates the need to cut through the muscle or the breast when accessing the implant site,” Dr. Hsu explains. “Because of this, it’s also less likely to cause a temporary loss of nipple sensation, which is a common side effect of other breast augmentation techniques.”

Dr. Hsu employs a no-touch technique that prevents any contact between the implant and the patient’s skin during implantation. This greatly reduces the risk of bacterial infection and capsular contracture.

Check out this video of Dr. Hsu performing a transaxillary breast augmentation.

A series of videos featuring Dr. Hsu and his team are found on his social media accounts so that potential clients can get a sense of how he performs breast augmentation and see a glimpse of the excellent, life changing results he’s able to produce.

Get In Touch with Dr. Patrick Hsu Today

Now that lockdown measures are easing across the country, Dr. Hsu and his team at Memorial Plastic Surgery have implemented strict COVID protocols to safely reopen their clinic and cater to a new surge of patients requesting cosmetic surgery procedures, including breast augmentation. Patients considering breast augmentation with the transaxillary method can consult with Dr. Hsu for a comprehensive treatment plan to help them achieve their specific goals.

In the last decade, Dr. Hsu has performed hundreds of breast augmentations using the transaxillary method and has achieved satisfactory results that meet their cosmetic goals and provide a safe and quick recovery process.

Get in touch with Dr. Hsu today by visiting Memorial Plastic Surgery’s website to schedule a consultation or by calling the clinic’s hotline at 713-633-4411.

breast augmentation article inside of 360 MAGAZINE

WizTheMc – Do It Over

Today, South African born, Germany raised, and Toronto based singer, songwriter and producer WizTheMc releases his latest single “Do It Over” via 10K Projects/Homemade Projects. Get “Do It Over” HERE and watch the official video Friday at 9am PST HERE.

“Do It Over” marks the third release from Wiz’s upcoming EP Where Silence Feels Good” slated for release at the top of 2022. The project will also feature recent singles “Break” and “Everything.”

In the visual for “Do It Over,” Wiz and his love interest (played by Uncut Gems star Noa Fisher) have officially called it quits, leading him to wallow in all of the things he would have changed to go back and fix it. This third installation marks the finale to the storyline presented in previous videos for the first two singles, showcasing the steps from the spark felt in a new relationship all the way to the tribulations that lead to its ultimate demise. The narrative represents the core message of the overall EP and sets up for its release. Watch the video for “Everything” HERE and “Break” HERE.

Leading up to this release, Wiz spent last weekend in Texas where he took to the Miller Lite Stage for a performance at Austin City Limits.

Where Silence Feels Good EP marks the follow up to his What About Now? EP. Released at the end of last year, it features the breakout single “For A Minute,” which has since amassed over 34M streams on Spotify.

ABOUT WIZTHEMC

Fitting for an artist who spent formative years on three different continents, WizTheMc describes his sound as “borderless music.” It’s an apt description for the 22-year-old singer, rapper, and producer, whose DIY ethos to music-making combines an ear for sticky pop hooks with nimble rapping abilities, all bolstered by high-octane production and summery guitar loops.His career hit warp speed during summer of 2020, when his peppy love song “For A Minute” became a major online hit, following his signing with Elliot Grainge’s 10K Projects and Homemade Projects. It’s since accrued over 34 million streams on Spotify alone. The Toronto-based, Cape Town-raised artist is now bringing his magnetic records to the masses.

The next chapter of his career comes in the form of his upcoming Where Silence Feels Good EP, featuring singles “Everything,” “Break” and now “Do It Over.” The project will show Wiz at his most in-tune self, marked by an over darker sensibility, drawing attention to Wiz’s emotive rasp. He uses songwriting for emotional excavation but maintains that what matters more to him is not what he gets out of a song, but what you do. He says introspective rappers like Kendrick Lamar and J. Cole have inspired him to pour more of himself than ever before into the music he’s writing, “It’s been my goal to be able to put down my emotions as accurately as possible onto paper to the point that I feel moved by my own words because they feel so true to me.” He continues, “I feel like these songs are the closest to my real experience. These are the most vulnerable songs I’ve written to date.”

Music illustration for Pornhub article in 360 MAGAZINE

Yung Pooda × Rap City

Last week, Houston-based rapper Yung Pooda made his debut at this year’s BET Hip Hop Awards as he got in the booth, in the company of an array of in-the-now artists, for a special relaunch of the iconic Rap City platform. Pooda served a powerhouse freestyle showcasing his enthralled artistry as acclaim for his latest release, “Forever Tippin” continues to amass global appeal. Watch the full performance HERE.

In 2019, Yung Pooda found himself at a crossroads between the streets and the studio. After performing alongside legends such as Boosie Badazz, Slim Thug, and Z-Ro, recording with platinum icon Paul Wall, and igniting a buzz of his own throughout the country, the Houston rapper made an important pledge to himself. His pledge changed the course of everything to follow in its wake.

“In the middle of recording and getting in all kinds trouble, I promised God I would get out of the streets and just do music,” he admits. “I stuck to my word.”

Long before this vow, hip-hop called to him as a kid in Orange, TX. Pooda’s mother bumped Naughty by Nature’s “Hip Hop Hooray” throughout the one-bedroom and one-bathroom house built by his grandfather that he and his mom shared with his grandma. As he puts it, “I used to go nuts to that song!” He used to listen to classics from OutKast, JAY-Z, Lil Wayne, Master P, Ludacris, DJ Screw, and more. When Pooda visited dad, pops actually built a home studio at his spot to cook up beats and DJ.  Growing up, he practiced his skills on the mic and sharpened the wordplay, developing a signature style. He sent shockwaves through the city after a successful showcase, earning endorsements from the likes of DJ Hi-Cof Houston’s 97.9 The BOX who said, “He’s always been a lyricist.” Inciting local excitement, he performed multiple tour dates with Boosie Badazz and teamed up with Paul Wall for the single “Beat Up The Block.”

Relocating to Prairie View, he moved into a two-story house with his cousin and two friends where they “were trapping and getting money, but shit got too hectic.” At this point, he reset everything. “There were fights, threats, and all types of shit,” he recalls. “I ended up saying that prayer.”

His music made its way to Jeff Aronson, CEO of It’s A 10 Records, a boutique label with a distribution deal with Empire, who immediately signed him in 2019. Now, he properly introduces his signature sound and vibes on his upcoming LP, Vivid Pictures. In 2020, Pooda made waves on Tik Tok and mix show radio with the release of his first single, “Repeat Dat” which was produced by GRAMMY® Award-winning duo Cool & Dre [JAY-Z, Beyoncé, Nas] along with a reflective song, “Lies Told”- his thoughtful response to social unrest and police brutality.  This year, his critically acclaimed newest single, “Chicken N Grits” is bringing him to the forefront. C&G has earned over 30 million Tik Tok views, was the #4 “Most Added” song at urban radio and is in rotation at BET Jams, Revolt and YO! MTV Raps.

The title track “Vivid Pictures” places cinematic verses in between soulful samples and is at the heart of Pooda’s approach to music and life.  “There’s a deep meaning,” he explains. “I aspire to be an artist and more than a rapper. I’m inspired by Picasso and Leonardo Da Vinci. When I listen to a beat in my head, I’m putting art together. The eyes are the windows to the soul. Everything is clear. Each song gives you a visual like a movie. That’s Vivid Pictures to me. It’s the frequency I want to be on.”

In the end, Pooda fulfills every promise and leaves his mark on the culture in the process. “When you listen to me, I want you to feel enlightened and great,” he leaves off. “I hope you relate to the emotion and know you’re not alone. I’m young enough to make mistakes and old enough to know better. I’m telling my story. I’m human.”

Lord Huron × James Corden

Last night, Lord Huron performed “Love Me Like You Used To” on The Late Late Show with James Corden. Watch the performance here!

Recently, the band has been performing on their Long Lost fall 2021 headline tour, their first shows in support of Long Lost. The shows been selling out across the country including two sold out shows at Brooklyn’s Pier 17 and the iconic Hollywood Forever Cemetery. Not to mention they recently performed at Sea. Hear Now Festival and Ohana Encore Festival performing alongside Pearl Jam and Beck. The tour continues this fall, visit www.lordhuron.com for more info and ticket links.

Watch Lord Huron’s “Love Me Like You Used To” official music video HERE
Stream Long Lost via Whispering Pines Studios Inc./Republic Records HERE.

The video shows a mysterious woman exploring the Whispering Pines Museum. As she explores the memorabilia, paying homage to Tubbs Tarbell and the artists of Whispering Pines Studios, the true purpose of her visit becomes clear.

Lord Huron continues to celebrate their success of recent album Long Lost, which has garnered nearly 50 million streams and counting, captured the #1 on The Americana/Folk Album and Tastemaker Albums Chart, #2 on Vinyl Albums & Alternative Albums chart, #3 Top Rock Albums Chart, #4 Top Album Sales Chart and #23 on the Billboard 200 chart.

The album also received critical acclaim from the likes of Wall Street Journal, Brooklyn Vegan, NPR, American Songwriter, All Music, Uproxx, WNYC, Flood, JamBase and more all praising the immersive world Lord Huron has created with Long Lost. Not to mention, it has captured a 88 score on Metacritic which summarizes all critical and user reviews of an album from across the globe.

Recently the band performed “Mine Forever” on The Late Late Show with James Corden,  “I Lied” with Allison Ponthier on The Tonight Show Starring Jimmy Fallon, three songs CBS This Morning: Saturday, “Not Dead Yet” on Jimmy Kimmel Live! and a live set on NPR’s World Café.

In the beginning of this new era, Tubbs put out an official letter into the multi-verse from Whispering Pines Studios describing the mythical tale of recording Long Lost with Lord Huron and the origins of its cosmic music. Read the full letter HERE. The band also created an online series Alive From Whispering Pines which featured numerous episodes, mysteries beyond this realm and iconic performances from the band.

Long Lost Tour
October 21st                Oklahoma City, OK     The Jones Assembly (SOLD OUT)
October 22nd               Fort Worth, TX            Panther Island Pavilion
October 23rd                Austin, TX                   Moody Amphitheater At Waterloo Park (SOLD OUT)
October 25th                Phoenix, AZ                The Van Buren (SOLD OUT)
October 27th                San Diego, CA            CalCoast Open Air Theatre
October 28th                Saratoga, CA              Mountain Winery (SOLD OUT)
March 2-5th, 2022        Cancun, MX               One Big Holiday Festival
October 30th                San Francisco, CA     Outside Lands (SOLD OUT)
June 1st, 2022             Morrison, CO              Red Rocks Amphitheatre (SOLD OUT)
June 2nd, 2022            Morrison, CO              Red Rocks Amphitheatre (SOLD OUT)
August 26-28th, 2022  Vineyard Haven, MA   Beach Road Weekend Festival

*w/ Allison Ponthier
** w/ Andy Shauf