Posts tagged with "new single"

Noah Kahan's New Album - I WAS / I AM photo credit Aysia Marotta use by 360 Magazine

Noah Kahan’s New Album – I WAS / I AM

NOAH KAHAN RELEASES SOPHOMORE ALBUM I WAS / I AM –TODAY
FEATURING NEW SINGLE “SOMEONE LIKE YOU” FEAT. JOY OLADOKUN
ACCOMPANIED BY OFFICIAL MUSIC VIDEO OUT NOW
SET TO EMBARK ON I WAS / I AM HEADLINE TOUR THIS FALL
LISTEN TO I WAS / I AM HERE
WATCH “SOMEONE LIKE YOU” VIDEO HERE

Vermont singer and songwriter Noah Kahan releases his anxiously awaited sophomore album, I Was / I Am, today—listen HERE. The 10-track album features his newest single, “Someone Like You” feat. Joy Oladokun, accompanied by the official video also out today—watch HERE.

On the album, Noah says, “I can split my life into two parts. There is a defined and pronounced before and after within my consciousness that has become ever so clear to me in these long months of forced self-reflection. I started my journey here so fearful of changing, of losing the part of me that I felt was vital to staying grounded and unique. Somewhere in the last few years, I’ve had to let go of that fear, and allow growth, for better or for worse, to happen. This album is about examining that growth and measuring the difference from who I was when I started and who I am still becoming now. I’ve spent 4 years touring, traveling, experiencing things I would have given limbs for when I was a kid. I’ve lost friends. I’ve made lifelong connections with people I would never have otherwise gotten a chance to meet. I have failed so often and have had small successes that make it all worth it. I’ve fucked up, and I’ve lost people close to me. I don’t know if I’m ‘better’ or if I’ve regressed, I just know that I’ve grown. This album is about acknowledging that growth.”

On collaborating with Nashville singer and songwriter Joy Oladokun, Noah says, “Working with Joy on this song was one of those experiences that I’ll always remember and be grateful for. She is an incredible artist, and she was really natural on camera which made me jealous! I love her and her music and am so grateful for her involvement on this song.” Joy chimes in, saying, “When a folk-pop god like Noah Kahan calls, you come running.”

Noah Kahan took two years of milestones and transformed them into I Was / I Am, alongside his Busyhead collaborator and Grammy Award-winning producer Joel Little (Taylor Swift, Lorde, Shawn Mendes, Jonas Brothers, Khalid) and engineer Mark Rankin. Preserving his commitment to vivid lyricism, Noah crafted the new music with faster tempos and sweeping hooks, recharging his overall vision.

He says, “While writing this record, I’ve taken stock of who I am as compared to who I was when I started and what that means, for better or worse. I do have some perspective. I’ve also lost a lot. I’ve lost people close to me for different reasons. I’ve lost friendships. I lost my dog. Those experiences haven’t necessarily hardened me, but they’ve made me incredibly grateful for what I have now. The biggest change is a little bit of clarity in terms of who I am and the person I want to end up being. The songs on the record represent a new understanding of myself.”

I Was / I Am features Noah’s previously released anthemic singles, “Part of Me” and “Godlight,” and “Animal,” which capture his signature storytelling and evocative lyrics. The tracks have amassed over 12 million combined streams to date and received praised from the likes of BillboardSPINEntertainment Tonight, and many more.

This fall, Noah will embark on the I Was / I Am North American headline tour. Kicking off in St. Louis on October 14th and running through mid-December, the tour includes shows at New York’s Webster Hall and Los Angeles’ The Fonda Theatre, which are quickly selling out—see the complete list of tour dates below. Tickets are available now HERE. Noah Kahan has quietly emerged as a homegrown phenomenon with a combination of vivid songwriting and powerful performances (as well as a razor-sharp sense of humor on social media). He’s racked up over one billion streams across his catalogue, picked up a Gold Certification for “Hurt Somebody” feat. Julia Michaels, and performed on television shows such as The Late Show with Stephen ColbertLate Night with Seth Meyers, and TODAY. His 2020 Cape Elizabeth EP garnered critical praise from across the globe, and not to mention, he’s collaborated with a slew of artists, from Chelsea Cutler to mxmtoon to Quinn XCII to Gryffin.

Josh Johnson via Mindy Tucker for use by 360 Magazine

Josh Johnson – Fallin’

The Daily Show writer, comedian, and artist Josh Johnson has shared “Fallin (With Groovebox & Jesse Cale),” the original work that bookends Trevor Noah Presents Josh Johnson: # (Hashtag), out September 30 via Comedy Central Records. 

“In a special about the world feeling like it’s in free fall, and a year that saw me plunged even deeper into the grip of an online rat race to belong and get attention, ‘Fallin’ is the perfect theme song,” says Johnson. “It’s about comparison and connection, about letting go without being gone and taking time to catch yourself. It was co-written by me and Groovebox, who lends his incredible vocals with a feature from Jesse Cale.”

Vulture named # (Hashtag) one of the ‘Best Comedy Specials of 2021’ saying, “the best representation so far of a comedy special that attempts to bridge what just happened with an effort to reincorporate that experience into the rest of life… Johnson’s cool, controlled, endearing stage presence is completely winning.”

Variety named Johnson a ‘Comic To Watch in 2021’ and The New York Times said, “Josh Johnson is a rising star” in covering his mistape,  Elusive and # (Hashtag). Johnson recently starred in “The Really Cool Converse Club” commercial directed by Tyler, The Creator.

Trevor Noah Presents Josh Johnson: #(Hashtag) is Executive Produced by Josh Johnson, Trevor Noah, Haroon Saleem, Bob Bain, Samantha Murphy, and Mainstay Entertainment’s Norm Aladjem, Derek Van Pelt, and Sanaz Yamin. Ryan Moran and Gabriella Yacyk are Executive Producers for MTV Entertainment Studios.

Johnson just crossed the 50-episode threshold of his podcast, The Josh Johnson Show, where he has freeform conversations about life, love, and comedy with his friend and fellow comedian Logan Nielsen.

About Josh Johnson

Josh Johnson is a comedian and musician born and raised in Louisiana. As an adult, he moved to New York City, where he was named “New York’s Funniest comic at Caroline’s during the New York Comedy Festival.” Regularly, he performs at the Comedy Cellar, with several of his sketches going viral on Youtube, primarily “Catfishing the KKK” performed at Le Poisson Rouge in 2017.

Ebhoni Goodaz Image via Capitol Music Group for use by 360 Magazine

Ebhoni – Goodaz

Coming off the heels of her debut project, Good Dick & Weed, an offering recently included on HipHopDX’s Best R&B Albums of 2021, promising Toronto R&B singer, Ebhoni, taps into her West Indian roots, with “Goodaz,” a clever flip on Capella Grey’s buzzing single, “Gyalis.

The video, shot by Zion ATL, shows Ebhoni with her girls sharing another side to the cautionary tale. “He tryna sneak sum vids of me, then wanna ask like ‘what we gon be,'” Ebhoni sings. The fun run-and-gun comes as she prepares to release the next video off GD&W, “IYKYK,” coming next week.

In May, Ebhoni released the unfiltered, melancholic “Rep It, ” the single that kicked off the Good Dick & Weed era. That stunning drop wasn’t even her first of 2021, however. Good Dick & Weed followed February’s X EP, which garnered considerable critical acclaim. In addition to Pitchfork plugging the release, HotNewHipHop wrote,  “Ebhoni has been one artist to keep an eye out for in the 6ix, ” and The Root wrote that her music  “makes you feel like you’ve been sipping on a fancy cocktail for the last few hours. ” It’s no wonder FLAUNT crowned her  “Our favorite new R&B artist. “

Over the last few years, Ebhoni’s string of animated R&B singles has won both commercial and critical success. In the middle of a productive 2019, Pitchfork wrote that she is  “reclaiming the Toronto R&B crown for women.” Throughout her career, Ebhoni has made a point to partner with Black-owned businesses, support other women artists and workers, and to uplift the local LGBTQ+ community, which she’s done through efforts like hosting Pride Toronto. Visuals like  “Rotation” only bolster the rep she’s built as one of R&B’s most magnetic young stars.

About Ebhoni

Ebhoni is a Canadian musician and model. Originally from Toronto and moving to Oshawa after her parents’ divorce, she was a Youtuber, doing covers of Beyonce and Keyshia Cole songs before releasing her debut EP, Mood Rings at seventeen in 2017 and her next EP X earlier this year. She has also modeled for Savage X Fenty and Adidas.

Just Fine Image via Interscope Records for use by 360 Magazine

Kitty Ca$h × Kiana Ledé – Just Fine

Producer, DJ, innovator, and cultural curator Kitty Ca$h reemerges with her new single “Just Fine” featuring platinum-selling artist Kiana Ledé via LVRN Records/Interscope. This track comes as the first in a string of new releases on the way for the Love Renaissance staple act.

“Just Fine” starts with an airy yet mesmerizing rhythm that draws you in accompanied by jazzy trumpet notes and piano keys. The rhythm quickens as the lyrics intensify when Ledé’s smooth and sultry vocals are paired with a heavy base and steady beat. The track invites you and your partner to the dancefloor while the lyrics add a layer of desire and complexity to the song. Ledé croons “You’re coming closer, reading your mind again. Follow me, follow, let’s go.” As the instrumentals remain a fixture for the background of the track, the chorus transitions from English to Spanish as flamenco style guitar enters into the key notes of the record. “Mírame a los ojos, mientras bailamos” not only sprinkles more raw desire on the song, but also reflects the upbeat melody since she is talking about dancing together while looking into each other’s eyes.

“When I first heard this song, I was so excited Kitty Ca$h asked me to be on it because it would be my first time singing in Spanish,” said Kiana Ledé. “I’m Mexican but was never taught Spanish, so I love that Kitty Ca$h gave me a chance to connect more with my culture on this song.”

“I’ve always wanted to see the growth in my artistry and as a DJ I feel like there is a natural progression to wanting to create your own records,” said Kitty Ca$h. “I’ve been able to play so many records I love around the world and I wanted to experience that same feeling with my music. I loved working with Kiana, I’ve been a fan of her work and she is so talented. So I’m so thankful that she took a chance on me and was down to bring this to life. Being in the studio together and experiencing in real time the magic was surreal. “Just Fine” is about that reassuring love. The love you can’t stop giving into. The love that stops time and the world around you and makes everything just fine. I hope this song evokes an effortless vibe of freedom and moves you to feel good. Whether you’re home with the fam or out with the girls I wanted to make a record that you could make memories of and dance to!” 

About Kitty Ca$h

Over the past few years, Kitty Ca$h has made a name for herself as one of the most prolific cultural curators. From DJing for the biggest brands and celebrities, releasing original projects with music’s hottest artists, to overtaking the fashion scene, and creating an animated talk-show, Kitty’s World. Kitty represents a new breed of creators unbound by any specific medium or media.

Kitty’s musical projects represent a cross section of popular artists alongside new up-and-comers handpicked by Kitty to receive the type of attention that only a co-sign as prized as hers would afford. Earning this respect through her unique taste and knack for uncovering new music trends, Kitty has become one of the industry’s most in-demand DJ’s. While maintaining an underground authenticity, Kitty has executive produced her own releases at the levels of legends like DJ Khaled, DJ Drama, and Funkmaster Flex and continues to create innovative media content. She has previously collaborated with Rihanna, SZA, Solange, Kali Uchis, Doja Cat and more.  At the cross section of music, fashion and tech, Kitty Ca$h creates a platform for black voices and creatives with an important message to be heard.

No1-Noah via Young Canon for use by 360 Magazine

NO1-NOAH – Bounce

Singer/Songwriter NO1-NOAH (Ghetto Earth Records/Interscope Records) isn’t shying away from telling the ladies what he’s craving in his new video “Bounce.” Directed by Arman Mitchell, NOAH pens a hypnotic hook capable of seducing any woman to fulfill his desires in the bedroom. Surrounded by a bunch of party-goers, NOAH takes the action with him wherever he goes. Whether it’s the house, the streets, or the liquor store, no location is safe from Noah and his team of dance-happy friends. Watch HERE.

He is the first signee of Summer Walker, and much like her, is very open about his intentions, and that is evident through the song’s explicit lyrics. 

Last January, the promising songwriter was named one of Billboard’s 15 Hip-Hop & R&B Artists to Watch. Touted for his “ethereal vocals and intrepid lyricism,” NOAH first caused shockwaves in the R&B world when he appeared on Summer Walker’s 2020 standout EP Life on Earth. NOAH’s indelible prints landed on the singer’s stellar cuts “SWV” and “White Tee,” where he served as her guest feature.  

After displaying beams of promise on Walker’s sizzling anthems, NO1 inked a deal with her label Ghetto Earth Records last winter. Serving as her first artist, NOAH looks to rattle the cages of R&B with his emo-leaning tracks and sticky hooks. Since announcing his deal, his opening record, “Ridin For My Love,” flaunted his pillowy vocals and gutsy lyrics. With publications such as Rolling Stone and XXL already praising NOAH for his extraordinary talents, it’s only a matter of time before he morphs into a full-fledged star. 

About Ghetto Earth Records

Ghetto Earth, founded by R&B artist Summer Walker in 2020, is a record label who debuted with feature artist NO1-NOAH. It is a joint venture with Interscope Records.

Squirrel Me Bad via Daniel Robert Cohn for use by 360 Magazine

The World’s Gone Nuts

The World’s Gone Nutz” is an award-winning, zany, yet socially topical music video and song, created by multi-hyphenate artist Daniel Robert Cohn. This fun parody, starring a cast of only squirrels and inspired by the chaos of 2020, will screen at the Dances with Films Festival (DWF 24), 2:00PM Friday, September 10 in Los Angeles at the TCL Chinese Theater.

Cohn wrote, performed, shot, and animated the video throughout quarantine, motivated by the thrilling challenge of creating a hybrid live-action/animation project where every element on screen had to be created from scratch. “It brought back all the creativity and imagination that I had as a child,” says Cohn. “I was building human sized squirrel hands with materials from craft shops, and compositing them onto the squirrels. Every day was a new challenge and a new adventure.”

When the pandemic hit and productions shut down, filmmaker, musician, animator, and photographer Cohn looked to his immediate home environment for inspiration. With no work, no actors, no crews, no locations and a world that seemed to have gone nuts, he found the ultimate authority on nuts…squirrels! Cohn wrote a rock anthem and directed an epic music video with the energetic, comical cast of characters found in his own backyard. Cohn wanted to bring light into the world at a time when it was most needed, tackling real turmoil in a lighthearted way. The visuals and lyrics for the song feature references from politics and pop culture, like the U.S. presidential election and the rise of new media conglomerates like Twitter and Amazon, highlighting the surreal hilarity of the collective experience of the year 2020. The lyrics feature lines such as, “I think the brink of sanity’s been left behind/Bitcoin, Big Con, Stock Exchange/Fake News, Fox News, Climate Change/Do the laws of science need to be explained?/I think it may be time for Dr. Strange” and “Time’s Up, Time to rise/No more lies, Hear the cries.”

Green screens and digital compositing software create a world that uncannily reflects our current nutty times, and most importantly, gives a much-needed laugh. “One of my favorite things about filmmaking is the magic of it all and how you can find a way to literally tell any story that you can imagine,” says Cohn. “My mission as a filmmaker is to take intangible concepts and make them tangible.” The flagship video “The World’s Gone Nutz,” is one of many made with this cast, including “The Squirrelette,” Halloween, Passover, Hanukkah, Thanksgiving, and Christmas—with more content on the way, including behind-the-scenes photos and trading cards. A portion of all profits from Squirrel Me Bad merchandise is donated to the important non-profit organization, Empowered by Light, that invests in communities on the front lines of climate change, loss of wildlife, and environmental devastation.

A highlight of Dances With Films, Cohn’s entertaining video will bring joy to big screen viewers. As a festival favorite, “The World’s Gone Nutz” has screened at the World London Film Festival, Prague Indie International Film Festival, the Emberlight Festival in Michigan and the Holiday 365 Film Festival. It just won “Best Micro Short” at the Antolia International Film Festival in Turkey, and is on its way to the Indigo Moon Film Festival in North Carolina, and the International Thai Film Festival. Can’t make it to Thailand? Or Hollywood? Screen from the comfort of your own home, available on YouTube.

Sena Kana image shot by Shuya Nakano from Jenny Hossain at VMA Agency for use by 360 Magazine

Sena Kana x Ty Dolla $ign – Show Me

NOW PREMIERING VIA NYLON

FIRST SOLO FEMALE JAPANESE POP ARTIST TO HIT GOLD STATUS IN THE US

“Infusing pop and R&B to create a refreshing sound. Show Me is a soulful sonic fusion lifted by [Sena] Kana’s soaring, ethereal vocals.” NYLON

“Upon first listen, presents itself as an ethereal pop-infused love letter to perseverance. But, a production-heavy backing teases that there is more to the serene cut than meets the eye, and, rightly so.” WONDERLAND MAGAZINE

Sena Kana, the first solo female Japanese pop artist to hit gold status in the United States is back with the official video for new single “Show Me” linking up with mega-producer Poo Bear (Justin Bieber, Mariah Carey, Usher) as well as featured artist, hitmaker and multi-instrumentalist Ty Dolla $ign, also appearing in the video now premiering via NYLON.

On “Show Me,” the rising talent fuses the best of pop, R&B/hip hop, electronic, and classical. Sonics with her lyrics about sincerity, intentions, and commitment to your loved ones. She croons on the opening, “Don’t you want to show me what it’s like to be loved?” The final product transcends genre lines and offers up a story that is relatable to all, making the single an instant hit that can reach a wide audience.

Sena Kana explains, “Show Me’ is about the anxiety of not being able to convey what you want to say and highlights the importance of making an effort to show someone how you feel. It’s a song about the hope that comes from that effort of trying to connect with someone even when it is difficult.” She tells Wonderland Magazine,” The ultimate goal is to make people all over the world kinder and to make the world a better place through my music. To create a world where there are no more wars and conflicts, and where we can help each other even under disasters and hardships. I hope that my song can be a catalyst for each of us to show our true kindness, to not give up on finding new solutions, and to not become complacent.”

Ty Dolla $ign elaborates further, “Show Me’ is all about that magic that happens in collaboration. It was originally brought to me through my brother Poo Bear and with his incredible production merging with Sena’s one and only voice, I knew it was a hit the moment I heard it.” Sena Kana dishes to NYLON, “The collaboration with Ty Dolla $ign came about organically after I was introduced to him by my dear friend, Poo Bear. ‘Show Me’ started while Poo Bear and I were working on my debut EP last year. After we had finished writing the single, we felt like we should look to add another artist to the mix. Poo Bear connected me with his friend Ty, who was interested in the song after his first listen. We were also asking our friends, and in that time we asked around, Ty had written his part and recorded it, sent it over to Poo Bear and we both instantly knew that this was the perfect feature.”

Sena Kana knows the formula of collaboration well and has clearly mastered the art, bringing a one-of-a-kind flair to the table when working with creatives all around the world. Acclaimed by publications ranging from Billboard to HollywoodLife to HipHopDX, Sena envisions her music as a two-way emotional conduit. Honing in on her signature sound, Sena broke boundaries between borders and styles on the 2019 breakthrough “Up” featuring Sheppard and Wiz Khalifa. Uniting three genres and countries, the release possessed international appeal from Japan to Australia to the USA. Sena’s heavenly hypnotic delivery acted as the glue between genres with the fluttering vocal proclamation, “Nothing’s gonna bring us down. We’re going up, up and up and up.” The track’s uplifting message immediately resonated with listeners, resulting in a wealth of spins and a gold plaque from the RIAA. Amassing 100 million collective streams and counting across her discography, “Show Me” continues to present Sena’s introspection and affinity for community and connection. She states, “My goal for the project whether through recordings or live performances is to have people listen to my music and be able to feel the warmth through it. Despite whatever hardships, perhaps they can see a little silver lining in this.”

Born in Tokyo, Japan, music immediately called to Sena Kana, as if by destiny. She vividly recalls falling in love with musicals such as The Sound of Music. She became transfixed by the stories and sounds of that film. Inspired and invigorated, she spent her school days deeply involved in both music and the stage. She studied the foundations and techniques of classical music and learned compositions such as Mozart’s “Don Giovanni” and “The Marriage of Figaro,” to name a few. In 2017, Sena Kana made her musical debut with “Live Your Dreams,” which soared to #1 on EU iTunes and #1 on the France Digital Song Sales chart the following year, both achievements acting as the precursor to her global take off in 2019.

“I’d like to get past the boundaries of nationality,” she says as a closing note, “The kindness inside of people is what I want to share most through what I do. We can get up again, believe in our dreams again, and connect with people again. Those are the kinds of songs I want to sing. Thatߣs the kind of music I want to make. It’s really my dream to bring people together through music.”

The Assignment via Noelle Accardi for use by 360 Magazine

Tay Money – The Assignment

Tay Money flexes on a fiery new track entitled “The Assignment”. Fueled by a skittering bounce, Tay eases into her confident and charismatic bars with an announcement, “I understood the assignment”. Ahead of its release, the track has already made its rounds on TikTok with over 280K videos and climbing. 

“The Assignment” is available now at all digital retailers. Listen HERE.

Tay Money upholds her red-hot streak this summer. In July, she made her U.S. major festival debut with a standout set at Rolling Loud Miami, bringing the crowd to its feet. “The Assignment” arrives on the heels of a string of summer anthems including tracks “Shake” and “Asthma Pump” which both feature the unfiltered lyrics and attitude that have made the Dallas artist one to watch. Having been featured on the digital cover of ELEVATOR, and hailed by FLAUNT as “one of the hardest female rappers of our generation,” Tay’s in the midst of a hot streak that stretches back to the release of Blockedt. She made that EP with heavyweights like Derrick Milano (a co-writer on Megan Thee Stallion’s “Hot Girl Summer”) and Bankroll Got It (producers of hits like “DO DAT” by Stunna 4 Vegas featuring DaBaby & Lil Baby)—collaborations that fed into the boundary-pushing energy of her tracks since. “Shake” showcases an exciting new side of Tay’s style, highlighting her ability to craft emotionally stirring songs while still sticking to her favorite topic―flaunting her assets.

About Tay Money

In just over two years, Tay Money, the Athens-born, Dallas-based rapper has racked up millions of views and streams thanks to her witty punchlines and unique musical approach. Her debut song, “Na Na” marked the beginning of her career as an artist and set the tone for the originality that she would bring to the rest of her records to come. Within months of her first release, she was selling out shows in Dallas and had gained a cult-like following among her listeners (now dubbed Tay Army). 

With her bouncy trap beats, unmistakable Texas twang, and unapologetically catchy rhymes, Tay began to reach commercial success with her breakout song “Trapper’s Delight” in 2018. With what was originally a risky move to expand her music outside the limits of her hometown of Dallas, the video for “Trapper’s Delight” amassed over 1.1 million views in under two months. Since then, she’s continued to release many more viral hits including “Bussin” (11 million YouTube views), “Bussin 2.0” with Saweetie (7 million YouTube views), and “Brat” featuring Mulatto, two of which are on her recently released EP, Blockedt. The widely acclaimed project led to many defining moments for Tay, landing spots on coveted playlists including Spotify’s New Music Friday, Feelin Myself, and Release Radar as well as Apple Music’s The Plug and New In Hip Hop. The project also received praise from FLAUNT who hailed her as “one of the biggest women rappers in Texas”, SPIN who noted that she was “one of the biggest women rappers in Texas”, and ELEVATOR who named her their February cover star. Now, with the cosigns of some of the biggest up-and-coming female rappers, and having surpassed the milestone of over 100 million U.S. streams, Tay plans to build on her momentum with her forthcoming EP.

Sloppy Jane via Sara Cath for use by 360 Magazine

Sloppy Jane – Party Anthem

Haley Dahl, who records as Sloppy Jane, has released her new single, “Party Anthem”, marking the lauded musician’s first release as the newest signing to Phoebe Bridgers’ Saddest Factory Records. Dahl has also revealed details for her forthcoming new album, Madison, set for release on November 5th. “Party Anthem” is a soaring orchestral ballad that comes on like Kate Bush leading Sgt Pepper’s Lonely Hearts Club Band or Laura Nyro fronting Olivia Tremor Control. It’s accompanied by a captivating video shot in 16 mm and filmed inside the Lost World Caverns in West Virginia, the place where Dahl recorded all of Madison, bringing in 21 bandmates from all around the country to make an impressive and ambitious orchestral album recorded deep inside the caves. It’s the first time someone has ever recorded an entire album in a cave, and the results are sonically stunning; Madison is an astounding, glorious record of highest order melodrama. 

Sloppy Jane will celebrate the album release with a headline show in New York City at Baby’s Alright on November 7th. She will also be opening for Iceage in February. All dates below. 

On signing to Saddest Factory Records and crafting her latest album, Dahl shared, “Phoebe and I made friends in high school when I was goth and didn’t bathe and she wore dresses with little bicycles on them – we mistook each other for cool then, and it lasted. Phoebe is one of my closest friends, and is also someone who has always seen that the things that make my work different are what make it valuable. She played bass in Sloppy Jane. When I was moving to New York I talked about how I wanted to make the band bigger and incorporate chamber instruments, and a lot of people didn’t get what I meant, but Phoebe said, ‘Go get your orchestra.’

When I started talking about recording in caves, she was one of the few people to really get it immediately and thought it was the coolest thing. To work with someone who has so much personal context and enthusiasm was kind of a no-brainer. The label name “Saddest Factory Records” came from a joke I made on twitter, and I kind of think that’s representative of what my ideal professional trajectory looks like- me and my same friends who understand each other making the same jokes over and over again while our platforms expand.”

Phoebe Bridgers will join Dahl for an IG Live chat on Friday, September 10th at 3:30pm ET/ 12:30pm PT. 

Click HERE to watch the video for “Party Anthem.” Click HERE to buy/stream “Party Anthem.”

For Madison, Dahl spent three years exploring caves that could capture her vision for the album. Her search took her across the USA, obsessing over the different acoustics of each option,  before landing on Lost World Caverns. The result is a beautiful, personal labor of love; a sweeping grand gesture, a powerful statement about obsessive love, and about growing into yourself in the aftermath of a life-changing relationship.

Dahl and her 21 bandmates recorded all of Madison from inside the caves from 3pm to 8:30 am each day over the course of two weeks. To access the space, they’d enter through the back of a gift shop, down a long tunnel where they’d walk down 200 feet of stairs to reach the entrance. Dahl and her bandmates did this steep walk with a piano. The ceiling of Lost World Caverns is massively high and is a perfect dome. The inside was also 98 percent humidity, leading to both stellar sound and also problems with tuning and gear. Engineer Ryan Howe sat in his parents Subaru above the cave with his mixing board and computer, and threaded cables down 90 feet through a hole in the ground to the ceiling of the cave.

This album, so fully realized and diligently executed, is a long time coming for Dahl, who has been performing as Sloppy Jane since she was a teenager. In those days, Sloppy Jane was a three-piece punk band. Its earliest members were Phoebe Bridgers on bass, Sarah Cath on guitar, and Imogen Teasley-Vlautin on drums. Now the band has over a dozen members, and has transformed into a chamber pop project. Dahl also learned so much as a musician: on Madison, she learned how to write for chamber instruments and taught herself the piano. The record is difficult to categorize. It’s David Bowie but also when the song “Crying,” by Roy Orbison plays at the end of Harmony Korine’s Gummo. It’s My Chemical Romance meets Sgt. Pepper. Courtney Love and Queen. It’s a huge, flowery, velvety thing full of toy horses and stalagmites. It follows one major throughline: a grand gesture so large that it moves the whole Earth. 

Sloppy Jane Live Shows 

Nov 7th, 2021 – New York City, NY – Baby’s Alright^ 

Feb 12th, 2022 – San Francisco, CA – The Chapel*

Feb 13th, 2022 – Felton, CA – Felton Music Hall*

Feb 16th & 17th, 2022 – Los Angeles, CA – Zebulon*

Feb 19th, 2022 – Pioneertown, CA – Venue TBD*

Feb 20th, 2022 – San Diego, CA – The Casbah*

Feb 21st, 2022 – Tucson, AZ – Club Congress*

Feb 24th, 2022 – Houston, TX – The Secret Group*

Feb 25th, 2022 – New Orleans, LA – Gasa Gasa*

Feb 26th, 2022 – Jacksonville, FL – Intuition Ale Works*

Feb 28th, 2022 – Orlando, FL – The Social*

Mar 1st, 2022 – Atlanta, GA – Terminal West*

Mar 2nd, 2022 – Nashville, TN – The Basement East*

Mar 3rd, 2022 – Asheville, NC – The Grey Eagle*

Mar 4th, 2022 – Durham, NC – Motorco Music Hall*

Mar 5th, 2022 – Baltimore, MD – Ottobar*

Mar 7th, 2022 – Cambridge, MA – The Sinclair*

Mar 8th, 2022 – Providence, RI – Columbia Theatre*

Mar 9th and 10th, 2022 – New York City, NY – Bowery Ballroom*

Mar 11th, 2022 – Holyoke, MA – Gateway City Arts*

Mar 12th, 2022 – Kingston, NY – Tubby’s Kingston*

Will Claye via Red Bull Records for use by 360 Magazine

Will Claye – Wee Hours Music Video

 Fresh off participating in this year’s Olympic Games in Tokyo, hip-hop artist and Olympic medalist Will Claye releases the stunning visual for his single, “Wee Hours,” out now via Red Bull Records. Written by Claye, “Wee Hours” was produced by Grammy-winning songwriter and producer DJ Khalil, best known for his work with Jay-Z, Kanye West, Drake, Kendrick Lamar, and more. 

The strength of “Wee Hours” lies in Claye‘s introspective and poignant lyrics, which he delivers with a West Coast-influenced flair. The cinematic music video companion echoes this, drawing inspiration from his own experiences. “I wanted to speak for people whose voices have been suppressed,” says Claye. “I want to inspire my people and show them that even through all the horrific things we have gone through as a people, we can make it through and rise above it all.”

Adorned in his Olympic medals amidst a field of sunflowers, the visual cuts back and forth between Claye and a younger version of himself. Set in the orange-hued glow of his family’s home, the video shows young Will as he goes through the motions of his day. The video soon takes a darker tone, as Will steps outside and witnesses a police officer chase a Black man onto his yard. As the officer moves to pull out his gun, the man is saved by three guardian angels driving by, as the video closes with the powerful message of “our angels are always watching over us.”

The release of “Wee Hours” follows the debut of Elevate, the documentary from Red Bull. The short film follows Claye as he trains for the Olympics and records new music, working to make his mark on the world. As his moment in the spotlight parallels a cultural boiling point surrounding racial injustice, Claye seeks to use his voice to inspire his community’s youth, serving as a positive role model for the next generation. Watch HERE.

About Will Claye

Three-time Olympic medalist Will Claye started his path as a world-class athlete. By way of track and field, he was able to move into starting his brand ELEVATE, music and philanthropy. Will’s brand grew largely at the London Games in 2012, where he earned a bronze medal in the long jump and a silver medal in the triple jump to become the first man since 1936 and the first American since 1904 to obtain medals in both events. The Phoenix, AZ native of Sierra Leone-descent solidified himself as the #3 triple jumper of all time in 2019 and at the same time released an EP, WEST SIDE STORY, and single “TMS.” 

The catalyst for Will’s music career came from artist YG inviting him to the studio and the pair creating IDGAF, what is now known as a classic West Coast record. From there, Will began to create his own lane and his own sound, taking inspiration from Bob Marley, Andre 3000, Snoop Dogg, DJ Quick, Pharrell, Jay Z, Nipsey Hussle, Kendrick Lamar, and Nate Dogg. With a wide array of influences, Will has created a sound that is eclectic and diverse, based on how he is feeling and what is going on in life. He is a rare combination of talent and genuine humility, recognizing that he can use his status as an artist and professional athlete to help others.