Cafuné – the NYC-based duo of singer/songwriter Sedona Schat and writer/producer Noah Yoo have released a new standalone single titled Perspective, which is available today on all streaming platforms and accompanied by a visualizer. Perspective is co-produced by Imad Royal (Doja Cat, Carly Rae Jepsen) and finds Schat and Yoo reckoning with close relationships that have become almost unrecognizable.
Elaborating on the new song, the band shared, “Perspective came about from conversations we were having about the death of relationships in our respective lives and the disorientation that can come with shifting into a new season of life without someone who was once your everything.”
Perspective marks the first new music from Cafuné since their signing to Elektra Records and the release of their 2021 debut albumRunning, which is now available on vinyl. Originally released via Cafuné’s own Aurelians Club label, Running features the band’s platinum certified breakout hit Tek It, which reached the Top 5 at Alternative Radio, hit #1 on Billboard’s Bubbling Under Hot 100 chart, and has since logged over 320 million streams to date.
Cafuné are currently in the midst of their 2023 North American headline tour with special guests Bathe. The dates continue tonight in Portland, OR and extend through late March with stops in Seattle, Los Angeles, Nashville, New York City and other major markets across the U.S. Cafuné notably supported CHVRCHES on their 2022 North American headline tour. For tickets and more information on Cafuné’s upcoming tour dates, visit www.wearecafune.xyz.
Sedona Schat and Noah Yoo have been recording alternative pop songs together as Cafuné since their days as NYU students in the mid-2010s. Self-produced and almost entirely recorded by the duo at their homes, mostly during the pandemic, their debut albumRunning is a record born in isolation. It peers out at a world that feels like it’s on the precipice of disaster, considering what it means to get older, to carve out a future for yourself. It’s a labor of the duo’s friendship, of doing the work and trying to figure out what the way forward is, even when it seems like there’s no end in sight. It’s a record of growing old and growing up, of making something you can move to, whether you’re alone in a room, in a sweaty club with all of your friends, or driving away to someplace better.
Anuel releases new single and music video Brother. The artist breaks down musical barriers and experiments with different sounds.
Anuel, one of the great leaders of Latin music, releases his new single Brother a song that promises to surprise the urban genre industry with its masterful fusion of Spanish, Trap, and alternative music. The song and its music video are now available on all digital platforms.
Anuel is an integral artist, composer, and successful businessman who is unquestionably one of the great references to Latin music. The singer, who has long been associated with the urban genre, now presents a new theme that combines Latin Trap, alternative music, and R&B sounds. This innovative rhythm fusion featured production from Hydemiyabi, Dim Cruz, and EQ, as well as lyrics about personal and emotional empowerment.
“Brother” debuts with its official music video, which was shot in the historic city of Madrid, Spain, by Conteni2 Media Group and directed by Anuel himself in collaboration with Tru Views.
“I am very happy with the outcome of this video; it is exciting to work as a director on my own music videos.” “I hope my fans enjoy this production and listen to this rhythm fusion that combines the best of two worlds,” Anuel said.
In addition to representing the lifestyle of a music star like Anuel, the audiovisual piece is full of bright colors, gold, European architecture, and a lot of “bling bling.”
Following the release of his critically acclaimed album WHO CARES?, Rex Orange Countydebuts his new song, “THREAT,” an upbeat and melodic summer single that Rex wrote and produced with his close friends Teo Halm and Jim Reed.
The release of “THREAT” comes just days before Rex’s biggest show to date. On Saturday, August 13, he plays a sold-out hometown performance to 20,000 people in Gunnersbury Park, London. This follows a two-month multi-city run in North America that saw Rex performing sold-out shows at iconic venues including The Hollywood Bowl, Forest Hills Stadium, Red Rocks Amphitheatre, and more.
Earlier this year, Rex released his latest album, WHO CARES?, which charted #1 in the UK, #2 in Australia, and #5 in the US. The record includes stand-out songs such as “AMAZING,” “THE SHADE,” “KEEP IT UP,”and “OPEN A WINDOW” featuring Tyler, The Creator, marking the first time the two have collaborated since Tyler’s 2017 album Flower Boy. Complex praised the album in their ‘Best of 2022 So Far’ list, calling it “sobering, uplifting, fun, and honest all at the same time, making for a great addition to his expanding catalog.”
Ahead of their appearance at this weekend’s Newport Folk Festival, Louisville, KY’s Bendigo Fletcher have unveiled their brand new single “Pterodactyl.” The song is available to stream and download beginning today via Elektra Records HERE.
On “Pterodactyl,” the critically acclaimed quintet continue to perfect their warm patchwork of alternative, Americana, psychedelia, and soul. Working out of Nashville, TN’s Cartoon Moon Studios, the band reunited with producer and original Wilco/Uncle Tupelo drummer Ken Coomer. Meanwhile, they recruited Grizzly Bear bassist Chris Taylor to mix the track. Lyrically, “Pterodactyl” draws up a pensive and poetic rumination on the future of a budding romance and the ripple effect one love often invites.
About the song, frontman Ryan Anderson commented, “‘Pterodactyl’ was a kind of self-soothing progression that gradually bloomed with instrumentation and textures in the studio. The repetitive rhythm feels like walking to the park in my neighborhood and just trying to feel peace. Ultimately, itߣs a reflection on the inspiration I take from the feeling of togetherness in both my relationship and in humanity in general.“
“Pterodactyl” marks Bendigo Fletcher’s first new music since the release of their 2021 debut album Fits Of Laughter. Highlighted by singles “Sugar In The Creek” and “Evergreen,” the eight-track collection is available HERE via Elektra Records. Beyond amassing millions of streams, the album earned widespread critical acclaim. FLOOD Magazine hailed it as “Somewhere between the post-Woodstock folk scene of the ߢ70s and that decade’s burgeoning hard rock movement,” and Music Connection dubbed it, “Alt-rock, country-flecked folk-rock soaked in LSD,” American Songwriter noted it as “Denser psych-rock with some remaining elements of Bendigo Fletcher’s drifting folk-Americana roots,” and Atwood Magazine praised “Fits Of Laughter soars with charming passion.“
Renowned for their inimitable live performances, Bendigo Fletcher supported the release of Fits Of Laughter with extensive headline runs and tours supporting Anderson East, Rainbow Kitten Surprise, and Shakey Graves. This Sunday, Bendigo Fletcher will perform at Newport Folk Festival 2022. Shortly after, they will support Madison Cunningham on a coast-to-coast North American tour, beginning August 4 in Minneapolis, MN at Fine Line Music Cafe and visiting major markets across U.S. and Canada before concluding on October 22 in Washington, DC at Capital Turnaround. A complete list of upcoming tour dates can be found below. Tickets are available now HERE.
“Pterodactyl” sets the stage for more new music to come from Bendigo Fletcher later this year.
Bendigo Fletcher Tour Dates
Festival Appearances
July 24, 2022 – Newport, RI – Newport Folk Festival 2022
August 13, 2022 – Waterville, OH – Oliver Hazard Day 2022
September 3, 2022 – Huntington, WV – Huntington Music and Arts 2022
Supporting Madison Cunningham
August 4,2022 – Minneapolis, MN -Fine Line Music Cafe
August 6, 2022 – Madison, WI – Majestic Theatre
September 20, 2022 – Chicago, IL – Thalia Hall
September 21, 2022 – Kansas City, MO – Recordbar
September 23, 2022 – Boulder, CO – Fox Theatre
September 24, 2022 – Salt Lake City, UT – The Urban Lounge
September 26, 2022 – Seattle, WA – The Crocodile
September 27, 2022 – Vancouver, Canada – Biltmore Cabaret
September 28, 2022 – Portland, OR – Wonder Ballroom
September 30, 2022 – San Francisco, CA – August Hall
October 1, 2022 – Los Angeles, CA – Regent Theater DTLA
October 3, 2022 – Tucson, AZ – Club Congress
October 4, 2022 – Santa Fe, NM – Tumbleroot Brewery and Distillery
October 6, 2022 – Oklahoma City, OK – Beer City Music Hall
October 7, 2022 – Dallas, TX – Deep Ellum Art Company
October 8, 2022 – Fayetteville, AR – George’s Majestic Lounge
October 9, 2022 – Houston, TX – White Oak Music Hall
October 12, 2022 – Knoxville, TN – Bijou Theatre
October 13, 2022 – Atlanta, GA – Terminal West
October 15, 2022 – Nashville, TN – Brooklyn Bowl Nashville
October 17, 2022 – Saxapahaw, NC – Haw River Ballroom
October 18, 2022 – Charlottesville, VA – Jefferson Theater
October 20, 2022 – Cambridge, MA – The Sinclair
October 21, 2022 – New York, NY – Webster Hall
October 22, 2022 – Washington, DC – Capital Turnaround
Bendigo Fletcher is: Ryan Anderson (lead vocals, guitar, banjo) – Andrew Shupert (backing vocals, lead guitar) – Evan Wagner (backing vocals, keys, guitar, auxiliary percussion) – Conner Powell (bass) – Chris Weis (drums).
Alien Liberty International, more commonly known as ALI, is a renowned hip-hop/funk band that is comprised of multinational members from Japan, Europe, America, Asia, and Africa. Initially, the collective was formulated in Shibuya, a special ward in Tokyo, Japan.
In 2019, their musical journey began. Helmed by vocalist Leo Imamura, ALI offers a unique perspective to the industry today. 360 MAGAZINE’s very own Vaughn Lowery had an opportunity to sit down with Leo and chat all things about ALI.
Founded initially by a selection of four members, ALI started as a group of young people seeking a change in their everyday lives. Inspired by the connection that music creates, ALI was formed to relay the message of unity in the community.
Motivated by the legacy of Muhammad Ali, the band decided to name themselves ALI. Capturing the essence of the legend himself, ALI asserted that they would have strong energy and overall presence to embrace more union throughout the world.
Always hosting and cultivating community around his childhood home, Leo has been intrigued by different cultures all his life. Growing up listening to his parents’ favorite artists like Janet and Michael Jackson, Leo has admired funk and R&B for quite some time. Mainly inspired by the sense of harmony that funk music carries, the group began covering old songs in the genre that blended smoothly with hip-hop roots.
With such a diverse group of individuals in ALI, they made it one of their key goals to show how differing people can come together to fight for peace. It has been vital for Leo to be able to showcase the diversity that Japan encompasses, to reveal what the country indeed looks like and stands for.
Having grown up in the city of Shibuya, Leo is passionate about where it comes from and how it helped him transform into the man he is today. Caring deeply for Shibuya, Leo remembered how there were varying sides to the city that he admired. The rich fashion and cultural influences that his home was full of set it apart from the rest.
Music is what truly matters. With such a deep culture that celebrates lifting up uniqueness, ALI embodies this through and through. Utilizing music as a bridge to bring people together, ALI hopes to demonstrate to the world that they’ve never cared what people look like.
“Music is what can break the wall,” stated Leo.
In 2021, ALI went on a hiatus after controversy erupted with the band’s ex, then-drummer. When discussing the conflict, Leo and another former member of the band Alex explained how one group member having a battle would further impact the rest of the band. In the Japanese culture of some of the band members, dealing problems with authority is looked down upon and not accepted.
Enduring, too, the pandemic during this time, ALI has proved their impeccable persistence despite their struggles. Their creative outlet was forced off for a long time, with Japan shutting down everything entertainment-related.
Nonetheless, ALI is now making their come back. As such an exclusive grouping that stands alone from anything we’ve seen before, their journey is exceptionally admiring. This summer, ALI is fully immersed back into the scene, playing at upcoming festivals for the first time since the pandemic began.
Omaha, Nebraska-born, LA-based artist SK8 has risen to acclaim with an insatiable desire for his craft. Beginning music in his early teens, the now 27-year-old recording artist has opened for the likes of Lil Wayne, Rae Sremmurd while also working with Wiz Khalifa.
SK8’s devotion to his music has been evident through the course of his career, earning him widespread success – which he doesn’t plan on ceasing anytime soon. 360 Magazine’s Vaughn Lowery had the opportunity to speak with SK8 regarding his rise to critical notoriety, where his creativity stems from and his star-studded new album Last Day on Earth.
To truly understand the talent that is SK8, it’s important to appreciate his start in the music game. Nathan Maloley, also known as SK8, has had a passion for music his entire life. He began making his own music and downloading his tracks onto CD’s when he was in his early teen years.
Even taking choir for a few years in school, SK8 remembers his early beginnings writing music. While growing up, he found “that [music] was almost my escape. I would always go home […] and look up YouTube beats and [begin] writing.”
Back in 2013 and 2014, artists were constantly being found online via social media. SK8 recalls searching for new artists to listen to, “I really wanted to find a new artist, like, who was the up-and-coming artist?” Little did he know, his time was swiftly coming.
Stuck in the middle between a potential basketball or music career, SK8 juggled his two loves throughout high school leading into college. The Omaha community knew about his dreams to become a rapper, and this led to further connections with the people around him.
SK8 attended Hastings College in Nebraska, a performing arts school which allowed him to also play basketball. During his freshman year, artists would frequently come perform at the school, which led to SK8’s early performance gigs. SK8 would open for the artists coming to the school, gaining him even more recognition within the music industry.
His freshman year, SK8, too, decided that he was going to go after his dream of chasing a professional music career, dropping out of college, and giving up basketball. Moving back home with his mother, SK8 dove into music, which took off quickly after.
His debut break into the scene came from his collaboration with Jack and Jack, popular Viners back in the mid 2010’s. The Viners went to SK8’s high school and decided to link up and work on music together. They came together to create “Like That,” a track that ended up going certified gold independently.
This collaboration ultimately kicked off his career, and SK8 joined Jack and Jack on their tour. Taking full advantage of his time on the road, SK8 made it his mission to connect with a new fanbase. “I was the guy that was opening up, like, yo ‘Imma get as many fans as I can.’” He remembers bonding with fans after the shows, gaining more of a following on social media after the tour closed.
Joining Jack and Jack on their tour opened even more opportunities than SK8 could have ever foreseen. Through the widescale exposure that he gained on tour, this allowed SK8 to connect and open for popular rap artists Rae Sremmurd and Lil Wayne.
Well on his way with a whole new set of fans, SK8 embarked on his first solo tour in 2016 celebrating his Skaterade project. The tour was a great time for SK8 to travel and meet his fanbase. He recollects the thrill, stating, “It was a really, really cool tour to see where my fans were at, and just [to] independently be on the road, it was a really good time.”
Soon after the tour wrapped up, SK8 began contemplating what his next steps were going to be. After accomplishing so much in the early stages of his career, what would come next? He had a longstanding dream of opening his own label, to which he began to pursue while connecting industry professional James McMillan.
McMillan and SK8 joined forces to start the imprint known as Alignment Records. The two began pitching their record label and found partnership with Atlanta Records swiftly after opening up Alignment.
Continuing further with the process, SK8 questioned who would help oversee the project, “Sh**, I got the label, but who’s gonna manage this sh**?”
And then, it seemingly all fell into place.
Having met Wiz Khalifa in Los Angeles a few times prior, SK8 recalled one late night in the studio where the two artists began their first collaboration track together. At 4 AM, Wiz happened to be at the same studio as SK8, where SK8 showed Wiz some of his new tracks. The pair started going back and forth in the studio, knocking out a hook and verse, completing their first joint track.
After this night, they kept in touch via Wiz’s manager Will Dzomback. Dzomback was very interested in SK8, inviting him to sign with Taylor Gang Management. Platforming SK8’s talents to a whole new level, this collaboration set his career to new altitudes.
Previously more immersed in the rap/hip-hop genre, SK8 showcases a newfound rock/pop punk era on his new album Last Day on Earth. He accredits his longstanding love for rock music back to his adolescence.
“My dad listened to Bob Marley, that was his favorite artist, […] I grew up listening to Red Hot Chili Peppers, and also my hip hop inspirations too, I’ve always listened to a bunch of sh** like Nirvana and Kurt Cobain.”
The start of SK8’s transition to the rock/pop punk sound arrived after working with Machine Gun Kelly’s drummer, Rook, in the studio. Rook and SK8 met in LA a few years back and have stayed friends for quite some time.
Bouncing off of each other in the studio, they began recreating and mixing old rock classics. Popular tracks from artists like SK8’s beloved Red Hot Chili Peppers and Nirvana became completely transformed; SK8 had found his new sound.
“[Rook] started just playing some live instruments, […] he started playing some sh**, I think it was the ‘Pages melody, and that was kinda the first song that we were like ‘this is gonna be tight,’” said SK8. “I listen to a lot of old school stuff, […] I wanted to just strip the music, and not just go on beats. We really took the time, went in there with guitar riffs.”
Tracks like “Girl Next Door” came out of this genre blend experimental phase that SK8 boarded on. “It was really cool bringing Wiz into that feel, too,” he says about combining hip-hop with rock influences, “I’ll have my whole album finished, and you know, I’ll have verses open just in case, […] he came to me and was like ‘Nah, that one right there, ‘Girl next door.’”
The addition of live instrumental pieces took the album to whole heights. SK8 accredits this while speaking about the vision for Last Day on Earth, stating, “The motivation really was like, yo, I wanna create something that’s authentic to me but still I wanted to, like, have live elements, […] I didn’t want to just rap and do melodies over just beats. I wanted to create something that had all live elements.”
In the works since the start of the pandemic, Last Day on Earth has been a long time coming. Taking over two years to perfectly craft and complete the body of work allowed SK8 to fully enjoy the experience of making the project.
“I really enjoyed making this project,” he begins, “I had a really, really good team around me that helped me bring this album to them, so I have to give props to them, for real.”
Considering what’s next for SK8, the sky seems to be the limit. At the forefront of his priorities is to stay consistent and continue pushing out new music that he believes in.
The two-year hiatus between his previous drops allowed SK8 to have “a good period of time to actually really find the sound that I wanted to find, and now that I found it, I’m really dialing in.” He remarks, “I wanted to tap into the real me, I didn’t want to tell a story that wasn’t me, I didn’t want to do nothing that wasn’t me.”
For those with aspirations of starting a career in music, SK8 has some great advice. “It may sound cliché, but never give up. If it’s something that you really, really enjoy and really love doing, just don’t give up, there’s been a lot of ups, there’s been a lot of downs […] don’t give up, your time is gonna come, you’re gonna get your break.
“You don’t have to be mainstream, you don’t gotta to be the biggest artist in the world, you can still make music and make money at the same time. That’s what I, like, wake up and am always grateful and blessed to wake up and do music, that’s what I love.”
Emerging ART@WAR/Taylor Gang rising artist SK8 has released his debut project, Last Day on Earth, marking his first body of work as an alternative, punk artist. LISTEN HERE.
Collaborators on the 9 track EP include multiplatinum, GRAMMY-nominated rap icon Wiz Khalifa, Good Charlotte, Machine Gun Kelly drummer Rook, EDM duo DVBBS, musician and Atlantic Records label mate Sueco, Sum41, Sommer Ray, Scarlett and more.
Sk8’s debut EP drums up themes of rebellion, broken relationships, teenage nostalgia, and the unending need to rage against systems built to curtail his personal light.
“I wanted my debut project to blend genres and be cohesive for all artists involved. Last Day on Earth really nails that concept and grasps my personal identity.”
Producers of the project include Baze (Machine Gun Kelly), Colin Brittain (Sueco) Breakfast N Vegas (Rihanna), Stixx (Justin Bieber), Cypress Moreno (Shoreline Mafia, Drakeo, Blxst), Good Charlotte, Sueco, and Rook (MGK Drummer).
Deemed an “artist you need to hear” by Alternative Press, SK8 kicked off his musical transition from hip-hop in 2021 with “Famous (Feat. Tyla Yaweh),” his first foray into the alternative space.
American Songwriter praised “Famous,” noting that, “SK8 effortlessly blends hip-hop and punk into some newly evolved sound,” and Hot New Hip Hop hailed the song as a, “genre-melting experience.”
TRACKLIST
L.D.O.E. F*CK SOCIETY (FT. SUECO) GIRL NEXT DOOR (FT. WIZ KHALIFA & DVBBS) HEAVEN SENT OUTSIDE (FT. GOOD CHARLOTTE) HEAR ME BLUES IN THE BOTTLE PAGES ( FT. ROOK) SHOOTING STAR ( FT. SUM41)
ABOUT SK8
The 27-year-old moved to Los Angeles from Omaha, Nebraska and linked with the venerable Taylor Gang, first breaking into the mainstream with his gold-certified single, “Like That,” with Jack & Jack and opening for revered rap icons like Lil Wayne, 2 Chainz and Rae Sremmurd. SK8 began building a dedicated fanbase of dreamers who related to his message of seizing every moment long before his eventual move to LA. Shortly after founding his own imprint, Alignment, and formally signing a joint venture with Atlantic Records via James McMillan’s ART@WAR, SK8 released his major label debut EP, sk8sounds, which was buttressed by the standout singles “Omme(Feat. Wiz Khalifa),” “XXX” and “Mood (Feat. YK Osiris).” Over a year later, SK8 has turned a new page in his career with his first single of 2021, “Famous (Feat. Tyla Yaweh),” and its associated forthcoming project which finds the rising singer seamlessly blending punk/rock instrumentation with his hip-hop origins, the latest but not last development in SK8’s rapidly evolving artistry. Last Day on Earth marks the rising singer’s first body of work as an alternative/punk artist.
Iconic pop duo Bahari released the music video for their coveted single “Ways of Love,” and you’ll want to take a look. The steamy video can be viewed HERE.
The compassionate lyrics captivate all audiences, “You give me these feelings, I don’t understand, Take control of my body, I’m in your hands.”
“‘Ways of Love’ is about that moment and feeling right before you finally give in to falling in love with someone. It’s about that decision to trust someone with your heart and to learn the way that they love,” says Bahari considering the message behind the single.
A match made in heaven, this alt-pop woman duo consists of singer/keyboarder Ruby Carr and singer/bassist Natalia Panzarella. The two artists came together by random chance one day when they were both at the same songwriting session. They knew they stuck gold from that moment and continued to generate music together.
Their first and perhaps most noteworthy hit came in 2014 with “Wild Ones,” accumulating a total of over 40 million Spotify streams. They continued with their successes in 2016 with the release of their EP Dancing on the Sun and singles “Get Together” and “Fucked Up.” They even hit the stage on tours with Selena Gomez and Birdy and joined forces with Zedd, ILLENIUM and Grey on collabs.
Bahari produced another newsy hit in 2018 with “Savage,” which was later revamped into a remix in 2020 featuring BIA. “Savage” amasses over 100 million streams/views and now serves as promo content for “American Horror Stories.” In 2021, the duo’s “CRASHING” in cooperation with ILLENIUM joined the To All The Boys: P.S. I Still Love You Original Soundtrack. Follow along as Bahari takes on 2022 with more electrifying projects to come.
The up-and-coming alt-pop band Valley released their 70s romcom virtuoso music video for “Last Birthday,” via Capitol Records. Emulating a reminiscent, retro vibe throughout, the music video was shot on 16mm film and directed by Dylan Mitro. Through the video, the natural harmony between the group was on full affect. Watch the dynamic new music video HERE.
The Rolling Stone India raved about “Last Birthday,” stating, “[Last Birthday] works because the quartet add a level of earnestness to the understated production in few ways records do these days.” The song is apart of Valley’s EP The After Party that was released early January. Listen to The After Party EP HERE.
The band has dominated the live music scene in the past year, roaming around playing shows across North America. Valley embarked on their first American festival shows this past summer, selling out venues with COIN boarding an impressive 17-date North American tour. They closed out the end of 2021 with a hometown performance at The Opera House in Toronto.
Valley is now prepping for their ‘I’ll Be With You Tour,’ that features 30 dates throughout North America. With tickets almost completely sold out, you’ll want to head over to Valley’s website to snatch the last ones left (see tour dates below). They, too, revealed their involvement in this years Governors Ball in New York. Valley connects with the likes of Halsey, Roddy Rich and Tove Lo on Saturday June 11 at Citi Field. Learn more about the Governors Ball HERE.
About Valley
Consisting of artists Rob Laska, Karah James, Mickey Brandolino and Alex DiMauro, Valley has been growing their presence in the industry over the past two years. Their music allows the band to form a personable connection with their fans. Specializing in the realm of alternative pop, the Toronto group of four crafts music that captivates their audiences with a modern touch. They came together by random chance, when a home studio accidentally booked them together. Originally Mike and Karah performed together, as did Rob and Alex.
They became one, identifying that together they could produce self-written and produced projects, like their EP The Room is White (2016), their debut album MAYBE (2019) and the EP sucks to see you doing better (2020). Throughout 2020, they were brought together with Lennon Stella and The Band CAMINO on tours throughout North America. In 2020, Valley also received a Juno Award nomination for “Breakthrough Group of the Year.” Last Birthday, the groups most recent EP, was released via Capitol Records while they connected with COIN for a North American tour. The band is embodied by Kevin “Chief” Zaruk/Simon Tikhman with The Core Entertainment and DaLyn Bauman/Patrizia Levin with Align Management.
‘I’ll Be With You’ North American Headlining Tour Dates
Halsey starts of the new year of 2022 with a bang, releasing the extended edition of If I Can’t Have Love, I Want Power. The Grammy-nominated album received a nomination for Best Alternative Music album and has made appearances on over 30 Best Albums of 2021 lists. The extended version of the album showcases the release of two new songs, “Nightmare (Reprise)” and “People disappear here.” The two added tracks made a total of 16 tracks, with track listing below. Download and stream the extended edition of If I Can’t Have Love, I Want PowerHERE.
Paired with the announcement of the extended edition, Halsey, too, released the lyric videos for both “Nightmare (Reprise)” and “People disappear here,” with brand new visualizers for the songs apart of the album. Access the visualizer playlist HERE. During the holiday season, Halsey allocated live versions of the tracks from the album. Watch those live videos HERE.
In addition to the critically acclaimed album, Halsey’s If I Can’t Have Love, I Want Power Film Experience was quite the hit. The limited run of the film sold out in over 70 theaters around the world, breaking nearly $1M at the box office. The film is now available for rental or purchase on iTunes, Amazon and Google Play. The film, written by Halsey and directed by Colin Tilley, can be viewed HERE.
If I Can’t Have Love, I Want Power debuted at No. 1 on Billboard’s Top Current Albums chart. This album was Halsey’s third release in a row to top this tally, and it also landed at the No. 1 spot on Billboard’s Alternative Albums, Vinyl Albums and Tastemaker Albums charts, coming in at the #01 position on the Spotify Top 10 Global Album Debuts chart.
Track ListingIf I Can’t Have Love, I Want Power Extended Edition
