Posts tagged with "Interview"

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AUSTIN CITY LIMITS-CIMAFUNK & THE TRIBE Premieres

AUSTIN CITY LIMITS-CIMAFUNK & THE TRIBE Premieres NOV. 12 (PBS) -“Afro-Cuban Funk Sensations Thrill in Ecstatic Hour”

“a churning cyclone of sound …an ecstatic blur of hard funk, island rhythms and copious swagger. one of the most euphoric sets in “ACL” history. a performance that cements Cimafunk’s status as a rising global phenom”  Austin Statesman

Austin City Limits (ACL) fans will be on their feet for a supercharged hour showcasing Afro-Cuban funk sensation Cimafunk. Hailing from Havana Cuba, the celebrated showman and his eight-piece powerhouse band, The Tribe, make a thrilling ACL debut with standouts from Cimafunk’s acclaimed album El Alimento. The new installment rounds out the first half of ACL’s Season 48 and premieres November 12 at 8pm CT/9pm ET. The complete line-up for the full broadcast season will be announced shortly, with new episodes premiering beginning January 7, 2023. The program, recorded live at ACL’s studio home in Austin, Texas, continues its run as the longest-running music television show in history, providing viewers a front-row seat to the best in live performance for 48 years as the music institution nears a remarkable half-century milestone. ACL airs weekly on PBS stations nationwide (check local listings) and full episodes are made available to stream online at pbs.org/austincitylimits immediately following the initial broadcast.  The show’s official hashtag is #acltv.

In a remarkable ACL debut, Cimafunk & The Tribe deliver an electric, unique blend of high-energy funk, Caribbean rhythms and Afrobeat. Cimafunk and his band are earning raves for their incredible live performances tearing up stages across the globe. The freewheeling set explodes with a spectacular James Brown-influenced rhythm for the blazing “Relajao,” with Cimafunk flexing his dazzling vocals and radiant starpower alongside dance moves from percussionists Big Happy and Machete, a finger-busting bass solo from Caramelo, horns (and backing vocals) from Hilaria and Katy Cacao, and a merciless groove from drummer Dr. Zapa. “Put your hands up!” Cimafunk exclaims as he introduces “Funk Aspirin,” the band’s collaboration with funk legend George Clinton which opens 2021’s widely-hailed El Alimento. “Never forget,” the sweat-soaked Cimafunk laughs as the set reaches a fever pitch, “Shake that booty!” They close with “Me Voy,” the 2018 hit that made Cimafunk a household name in Cuba, bringing lucky audience members onstage and taking the groove to the next level.

“Cimafunk’s ACL debut was breathtaking,” says ACL executive producer Terry Lickona “He barely took a breath himself, and for that matter neither did the crowd, which was too busy dancing and screaming themselves. It was one of those rare shows where the performer and audience literally came together as one.”

“Austin is starting to feel like home away from home, and I wanted to bring the energy to Austin City Limits,” says Cimafunk. “It got really funky and sweaty in there with a lot of groove!”

Cimafunk & The Tribe

LA PAPA

SALVAJE

SE ACABO

BEAT CON FLOW

APRETADO

RELAJAO

FUNK ASPIRIN

ME VOY

Watch live on PBS, or stream anytime. The complete line-up for the full 14-week season, including seven new episodes to air beginning January 2023, will be announced at a later date.  The series will continue to air fan-favorite encore episodes through the end of 2022. Viewers can visit acltv.com for news regarding episode schedules, future tapings and select live stream updates or by following ACL on FacebookTwitter and IGFans can also browse the ACL YouTube channel for exclusive songs, behind-the-scenes videos and full-length artist interviews.

Austin City Limits

Austin City Limits (ACL) offers viewers unparalleled access to featured acts in an intimate setting that provides a platform for artists to deliver inspired, memorable, full-length performances. Now in its 48th Season, the program is taped live before a concert audience from The Moody Theater in downtown Austin. Austin City Limits is the longest-running music series in television history and remains the only TV series to ever be awarded the National Medal of Arts. Since its inception, the groundbreaking music series has become an institution that’s helped secure Austin’s reputation as the Live Music Capital of the World. The historic Austin PBS Studio 6A, home to 36 years of ACL concerts, has been designated an official Rock & Roll Hall of Fame Landmark. In 2011, ACL moved to the new venue ACL Live at The Moody Theater in downtown Austin. ACL received a rare institutional Peabody Award for excellence and outstanding achievement in 2012.   

Austin City Limits is produced by Austin PBS and funding is provided in part by Dell Technologies, Workrise, the Austin Convention Center Department, Cirrus Logic and AXS Ticketing. Additional funding is provided by the Friends of Austin City Limits. Learn more about Austin City Limits, programming and history at acltv.com.

Björgvin Arnarson chats up Chucky with Vaughn Lowery in 360 MAGAZINE exclusive.

BJÖRGVIN ARNARSON – CHUCKY

Listen to Björgvin Arnarson and Vaughn Lowery chat all things CHUCKY on 360 MAG Apple/Spotify podcast HERE.

Björgvin Arnarson plays ‘Devon’ on the hit TV series, CHUCKY.

Björgvin is an up-and-coming American television actor with a fraternal twin brother. In 2019, this biracial (Icelandic father and Floridian mother) boy wonder made his acting debut as a guest star on Family Time. When asked about his early acting experiences, Arnarson said, “I always liked performing. I used to do community theater back then, I also made short films with my brother… Then my mom asked, ‘Why don’t you start auditioning?’ I replied, ‘Sure!’… I did one commercial, a low-budget film, some horror movies, and a book trailer. I booked some small things and then booked CHUCKY.” 

Subsequently, Arnarson broke into film with a supporting role in horror, starring Vadhir Derbez and Guy Pearce, The Seventh Day. Additionally, he solidified a bit part in Hulu’s hit comedy series, PEN15, earning numerous credits in a short span. When questioned about daily set life, he asserts, “I never know what scene we’re shooting until the day of, so I have to be prepared to be super dramatic or super not dramatic.” He further elaborates, “Shooting out of order is interesting to me …like we’re shooting episode 3 but it’s only the end scene, and we’ll shoot the beginning later.” 

Björgvin portrays Devon Evans in the TV version of the cult classic, CHUCKY, premiering October 5. “I was on my computer playing games, my dad told me that I booked it. I was like ‘Oh Dang Okay!’” Arnarson recalled the day he got the role. “The first thing I did was watch all of the Chucky movies.” 

Born into a family that is both artistic and supportive, it is not surprising that Björgvin Arnarson is an eclectic actor with enormous dedication. Arnarson mentioned that he has a twin brother who is a talented musician and ballet dancer, “We’re fraternal, not identical, but he is three minutes older, he always says that, but whatever.” When they were babies, his mother danced and sang for them, and they soon found out that his father was once in a band and performed in the theater.

While this tailspin continues to earn honors, Arnarson enjoys reading comics, playing the piano and being an active company in the local artistic scene. “I like photography, digital art… putting things together into one big piece… filmmaking, mixed media, Manga… and I’m a big music guy,” Arnarson said.

DEVON EVANS is a boy-next-door and true crime addict who runs a podcast called “Hackenslash,” which sheds light on local crime in his hometown of Hackensack. Evans is hell-bent on making sense of the mysterious Hackensack tragedies, not only from the past but also from the present. Devon is a student at Perry Middle School and is dating “Jack Wheeler” (Zachary Arthur).

CHUCKY is a continuation of the emblematic cinema franchise that retraces the murderous events of the famous killer doll. In the television series, Chucky encounters former allies, sworn enemies and new prey, as he tries to inspire fear, nervousness and chaos wherever he goes.

After his horrible plot to invade America’s children’s hospitals was thwarted in the first season, Chucky now seeks revenge on those he blames, surviving teens Jake (Zackary Arthur), Devon (Björgvin Arnarson) and Lexy (Alyvia Alyn Lind), along with his ex-Tiffany ( his sworn enemy).

The series averaged 11.6 million viewers in season 1. Season 2 will premiere on October 5 (trailer) on SYFY and USA Networks.

Article: Andrea Esteban, Vaughn Lowery

ADDITIONAL BJÖRGVIN QUOTES:

“In season one, I was pretty nervous,” Arnarson confessed, “but going into season two, it feels more like second nature, I can focus more and get into the character.” 

“Working with the doll is pretty interesting, you get to see all the things that go behind it. it is not super hard working with it because it feels like a person.”

FUN FACTS:

Press Conference

Jake and Devon Pullover

Björgvin plans on dropping a skate-inspired clothing collection soon.

Plans on Attending Comic Con.

BTS of Interview on YT.

David Alfonso ANNUKO Barbershop via ANNUKO for use by 360 MAGAZINE

SPOTLIGHT ON AANUKO

The innovative AANUKO saloon opens its doors in the heart of the art district of Culver City! Discover an invigorating yet bespoke habitat of Los Angeles, accompanied by unparalleled coiffeurs, a podcast room and a dedicated photo studio to document your hair journey.

Vaughn Lowery had the opportunity to chat with AANUKO’s CEO and President David Alfonso about the new shop in its entirety. Listen their full conversation on the 360 MAG Apple/Spotify podcast HERE.

Officially opening their doors on August 2, the AAPI-owned grooming facility is reshaping the barber scene from a previous dull, disengaging vibe one haircut at a time. AANUKO considers the relationship between the client and the hairdresser to be sacred. A symbiotic exchange of creativity and trust.

The living space that is home to AANUKO cultivates creativity and community, unlike other conventional barbershops. With a strong team of people taking care of clients, when walking into AANUKO, you’ll instantaneously feel at home. What began as a passion project has swiftly grown into a venture that aims to embody creativity and connection through the art of hair care.

CEO David Alfonso admits that AANUKO is passion project. He recounts, “I wanted to reimagine the barbershop concept by immersing it into an unfamiliar aesthetic, but with a strangely nostalgic aesthetic … as if we were walking towards ‘a Gucci Boutique in Paris or New York in the 1980s.”

Though the barbershop is tailored towards men’s haircare, AANUKO is a unisex enterprise. Each customer takes away much more than a haircut from each visit; they earn knowledge about their own hair types, strategies they can implement to treat their hair, and an overall sense of connection with their barbers.

Draped in jaw dropping interior, the barbershop is nestled in West Los Angeles. Alfonso explained that AANUKO aims to push the envelope and exceed what other Los Angeles spaces look like. Inspired by using color, the team at AANUKO employs the theme of approaching life with a rebellious mindset.

Immerse yourself in the unforgettable atmosphere with a French bohemian theme. Each trip to the barbershop invite’s customers into a fully immersive environment. From the beautiful café serving free cocktails to the photo studio where guests can indulge in content creation, haircut visits begin at $85. Barbers take careful time to relate with customers, ensuring they get the most out of their appointment.

Alfonso further elaborates, “It’s all about an artistic, rebellious approach to reimage what we think would be a really cool space to make people feel good while getting their haircut.”

While the styling of AANUKO definitely sets it apart from other spots, Alfonso made sure to emphasize the true highlight of the design at the barbershop. To Alfonso, their eccentric, groundbreaking approach, “sets the stage, because I think the most important part of the décor is our team of barbers.”

Alfonso continued to rave about the talent of the workforce behind AANUKO. With a varied range of individuals that work together to ensure success, they all have a few things in common. From their impeccable physical skillset as artisans, to their crucifixion for their craft, each unit of AANUKO is dedicated to delivering a transformative impression.

David Alfonso asserts, “AANUKO provides a communal space for networking, content creation, and personal growth for the greater Los Angeles.” In addition, he adds, “Like god’s brand for all men’s hair … [we will] create an intimate connection with our brand with our customers.”

AANUKO celebrates their grand opening on August 2 at 5790 Washington Blvd. Their hours are 10 AM to 7 PM PST every Tuesday to Saturday. Reservations can be made HERE. Walk-ins accepted.

Article: McKinley Franklin, Andrea Esteban, Vaughn Lowery

ANNUKO Barbershop via ANNUKO for use by 360 MAGAZINE
ANNUKO Barbershop Interior via ANNUKO for use by 360 MAGAZINE
Jossef "Que Raro" single cover art for use by 360 Magazine

Jossef

Listen to Jossef’s full chat with the 360 Magazine Latinx Editor-at-Large Javier Pedroza on the 360 MAG Podcast HERE.

21-year-old singer/songwriter Jossef has swiftly taken the music industry by storm. Originally from Puerto Rico, as he defines, “it is the place where champions are born, we have a lot of potential.”

Jossef began releasing his own original music at the age of 17, debuting his track “Zumba.” Specializing in the Latin urban genre, Jossef pours his unique flare and attitude into his work. Having a large presence online with over 180K followers on Instagram and 340K on YouTube, Jossef’s tracks typically reach viral status, allowing him to reach a diverse audience. He now belongs to the new wave of artists who have surpassed 100 million streams on Spotify.

“I feel very content and happy for the artistic career I am leading. I admit that I am in [my] best artistic moment, and epic things are coming this year. Music for me is number one, without it there is nothing,” Jossef said while chatting about his career.

Jossef’s prominent social media presence has allowed him to dabble in differing industries. Using fashion as another creative outlet, Jossef speaks to how his style allows him to display more of his individuality to his audience. “Regarding fashion, I am designing a collection of unique, different, and epic pieces. I always try to separate myself from the rest and be innovative and create different things. I like to push everything to the limit and clothes are no exception.”

Though the artist has such a prominent social media presence, his music has cemented himself as an artist on the rise. In 2020, Jossef landed himself a spot amongst Billboard’s “Latin Teen artist to Keep on Your Radar.” He, too, had the opportunity to represent Puerto Rico in the Renown Music industry: MIEDEMA’S Accelerator Program. (CANNES)

Jossef’s hit “Persia (Remix)” featuring Jamby El Favo and EIX, has collected a whopping 300 million global streams. The track continues to renew Jossef’s viral status online, used as a popular sound on TikTok. Aside from the tracks prominent online presence, “Persia (Remix)” too, entered Spotify’s Top Editorial Playlists of “Viva Latino” and “Baila Reggaeton,” Billboard Argentina’s Hot 100 list, and became Gold certified in Spain and the United States.

Some of Jossef’s other admired pieces include “X2,” DESVELO,” “HASTA QUE ME PERDONES,” “X2 REMIX” featuring Mariah Angeliq and “Algoritmo” with Totoy El Frio, totaling over 15 million streams in all. Regarding his latest release in new track “Que Raro,” Jossef was excited to consider how the track is unique from his other music.  He states, “’Que Raro,’ is a different topic. I like to create and invent things within the musical style of reggaeton. This single has an essence of reggaeton 2004-2005 with a fresh mix of reggaeton from 2022.”

Article by: McKinley Franklin, Andrea Esteban x Vaughn Lowery

SK8 press photo via Jimmy Fontaine for use by 360 Magazine

SK8 – Taylor Gang

Omaha, Nebraska-born, LA-based artist SK8 has risen to acclaim with an insatiable desire for his craft. Beginning music in his early teens, the now 27-year-old recording artist has opened for the likes of Lil Wayne, Rae Sremmurd while also working with Wiz Khalifa.

SK8’s devotion to his music has been evident through the course of his career, earning him widespread success – which he doesn’t plan on ceasing anytime soon. 360 Magazine’s Vaughn Lowery had the opportunity to speak with SK8 regarding his rise to critical notoriety, where his creativity stems from and his star-studded new album Last Day on Earth.

Listen to SK8 on 360 MAG PODCAST HERE.

To truly understand the talent that is SK8, it’s important to appreciate his start in the music game. Nathan Maloley, also known as SK8, has had a passion for music his entire life. He began making his own music and downloading his tracks onto CD’s when he was in his early teen years.  

Even taking choir for a few years in school, SK8 remembers his early beginnings writing music. While growing up, he found “that [music] was almost my escape. I would always go home […] and look up YouTube beats and [begin] writing.”

Back in 2013 and 2014, artists were constantly being found online via social media. SK8 recalls searching for new artists to listen to, “I really wanted to find a new artist, like, who was the up-and-coming artist?” Little did he know, his time was swiftly coming.

Stuck in the middle between a potential basketball or music career, SK8 juggled his two loves throughout high school leading into college. The Omaha community knew about his dreams to become a rapper, and this led to further connections with the people around him.

SK8 attended Hastings College in Nebraska, a performing arts school which allowed him to also play basketball. During his freshman year, artists would frequently come perform at the school, which led to SK8’s early performance gigs. SK8 would open for the artists coming to the school, gaining him even more recognition within the music industry.

His freshman year, SK8, too, decided that he was going to go after his dream of chasing a professional music career, dropping out of college, and giving up basketball. Moving back home with his mother, SK8 dove into music, which took off quickly after.

His debut break into the scene came from his collaboration with Jack and Jack, popular Viners back in the mid 2010’s. The Viners went to SK8’s high school and decided to link up and work on music together. They came together to create “Like That,” a track that ended up going certified gold independently.

This collaboration ultimately kicked off his career, and SK8 joined Jack and Jack on their tour. Taking full advantage of his time on the road, SK8 made it his mission to connect with a new fanbase. “I was the guy that was opening up, like, yo ‘Imma get as many fans as I can.’” He remembers bonding with fans after the shows, gaining more of a following on social media after the tour closed.

Joining Jack and Jack on their tour opened even more opportunities than SK8 could have ever foreseen. Through the widescale exposure that he gained on tour, this allowed SK8 to connect and open for popular rap artists Rae Sremmurd and Lil Wayne.

Well on his way with a whole new set of fans, SK8 embarked on his first solo tour in 2016 celebrating his Skaterade project. The tour was a great time for SK8 to travel and meet his fanbase. He recollects the thrill, stating, “It was a really, really cool tour to see where my fans were at, and just [to] independently be on the road, it was a really good time.”

Soon after the tour wrapped up, SK8 began contemplating what his next steps were going to be. After accomplishing so much in the early stages of his career, what would come next? He had a longstanding dream of opening his own label, to which he began to pursue while connecting industry professional James McMillan.

McMillan and SK8 joined forces to start the imprint known as Alignment Records. The two began pitching their record label and found partnership with Atlanta Records swiftly after opening up Alignment.

Continuing further with the process, SK8 questioned who would help oversee the project, “Sh**, I got the label, but who’s gonna manage this sh**?”

And then, it seemingly all fell into place.

Having met Wiz Khalifa in Los Angeles a few times prior, SK8 recalled one late night in the studio where the two artists began their first collaboration track together. At 4 AM, Wiz happened to be at the same studio as SK8, where SK8 showed Wiz some of his new tracks. The pair started going back and forth in the studio, knocking out a hook and verse, completing their first joint track.

After this night, they kept in touch via Wiz’s manager Will Dzomback. Dzomback was very interested in SK8, inviting him to sign with Taylor Gang Management. Platforming SK8’s talents to a whole new level, this collaboration set his career to new altitudes.

Previously more immersed in the rap/hip-hop genre, SK8 showcases a newfound rock/pop punk era on his new album Last Day on Earth. He accredits his longstanding love for rock music back to his adolescence.

My dad listened to Bob Marley, that was his favorite artist, […] I grew up listening to Red Hot Chili Peppers, and also my hip hop inspirations too, I’ve always listened to a bunch of sh** like Nirvana and Kurt Cobain.”

The start of SK8’s transition to the rock/pop punk sound arrived after working with Machine Gun Kelly’s drummer, Rook, in the studio. Rook and SK8 met in LA a few years back and have stayed friends for quite some time.

Bouncing off of each other in the studio, they began recreating and mixing old rock classics. Popular tracks from artists like SK8’s beloved Red Hot Chili Peppers and Nirvana became completely transformed; SK8 had found his new sound.

“[Rook] started just playing some live instruments, […] he started playing some sh**, I think it was the ‘Pages melody, and that was kinda the first song that we were like ‘this is gonna be tight,’” said SK8. “I listen to a lot of old school stuff, […] I wanted to just strip the music, and not just go on beats. We really took the time, went in there with guitar riffs.”

Tracks like “Girl Next Door” came out of this genre blend experimental phase that SK8 boarded on. “It was really cool bringing Wiz into that feel, too,” he says about combining hip-hop with rock influences, “I’ll have my whole album finished, and you know, I’ll have verses open just in case, […] he came to me and was like ‘Nah, that one right there, ‘Girl next door.’”

The addition of live instrumental pieces took the album to whole heights. SK8 accredits this while speaking about the vision for Last Day on Earth, stating, “The motivation really was like, yo, I wanna create something that’s authentic to me but still I wanted to, like, have live elements, […] I didn’t want to just rap and do melodies over just beats. I wanted to create something that had all live elements.”

In the works since the start of the pandemic, Last Day on Earth has been a long time coming. Taking over two years to perfectly craft and complete the body of work allowed SK8 to fully enjoy the experience of making the project.

“I really enjoyed making this project,” he begins, “I had a really, really good team around me that helped me bring this album to them, so I have to give props to them, for real.”

Considering what’s next for SK8, the sky seems to be the limit. At the forefront of his priorities is to stay consistent and continue pushing out new music that he believes in.

The two-year hiatus between his previous drops allowed SK8 to have “a good period of time to actually really find the sound that I wanted to find, and now that I found it, I’m really dialing in.” He remarks, “I wanted to tap into the real me, I didn’t want to tell a story that wasn’t me, I didn’t want to do nothing that wasn’t me.”

For those with aspirations of starting a career in music, SK8 has some great advice. “It may sound cliché, but never give up. If it’s something that you really, really enjoy and really love doing, just don’t give up, there’s been a lot of ups, there’s been a lot of downs […] don’t give up, your time is gonna come, you’re gonna get your break.

“You don’t have to be mainstream, you don’t gotta to be the biggest artist in the world, you can still make music and make money at the same time. That’s what I, like, wake up and am always grateful and blessed to wake up and do music, that’s what I love.”

Article by: McKinley Franklin x Vaughn Lowery

SK8 press photo via Jimmy Fontaine for use by 360 Magazine
SK8 press photo via Jimmy Fontaine for use by 360 Magazine
Photo Credit: Jimmy Fontaine
the Dress via London Flair PR for use by 360 Magazine

Tadeusz Lysiak Interview

The 94th Oscar nominations have been announced, and with the awards happening on March 27. 360 was able to speak with the director of one of the nominated films, Tadeusz Lysiak. “The Dress” is hoping to garner best short film at the event. Topics include the director’s start with film making, the film itself, and his plans for the future.  

1. How did you get into filmmaking?

It all happened after I watched Inglourious Basterds by Quentin Tarantino. I was probably 16 years old back then and I remember going out of the theater and having coffee with my family and telling them: I’m gonna be a filmmaker one day. They said that was a great idea and they gave me a lot of advice: they suggested that it’d probably be better if I wouldn’t go to film school just after finishing high school. They reasoned that, “if you’d like to tell stories about life, you’d have to experience life a little at first.” So that’s why I decided to study Cultural Studies at the University of Warsaw. And only after finishing… [was when I] applied to Warsaw Film School. And it was the best choice of my life, they taught me everything I know. Warsaw Film School is such a cool place!

2. A lot of your work covers sensitive topics. Why is that?

In WFS they always teach us to ask ourselves what bothers us with the world, what there is to change or repair, and to never tell stories that are not important to us personally. So that’s what I’m doing. I’m deeply interested in sensitive, social, or psychological topics, and that’s why my films are focused on them.

3. Why did you decide to create a film about disability and intimacy?

Because it is something that is not often talked about! I find it deeply disturbing that there are still some prejudices in that territory, and some really bad things are still happening to women with disabilities all around the world. University of Michigan says that 40% of women with any sort of disability are being sexually or physically assaulted during their lifetime. This is absolutely terrifying. 

4. How did you feel when you found out you received an Oscar nomination?

This is such a surreal feeling, especially because “The Dress” is a student project made just to pass an exam in Warsaw Film School. We were all hoping to get a good grade and that’s it. And now we are nominated for an Oscar. This is a story for yet another movie. 

5. How long did the filming process take?

I think you can sum all of it up in roughly one year. At first, it was a couple of months of research and writing the script, then further development, preproduction, and finally 6 days of shooting and three months of postproduction. It was a hard time since we didn’t have a big budget and too many resources.

6. What was your best moment on set?

I must say that the best moment was the last shot. It was 5 AM, we were all so tired and exhausted and I remember that as soon as we finished rolling I started crying, and we all cried so much, and then we hug[ged] each other and drank champagne and it was such a great moment of accomplishment and relief!

7. Who were your favorite people to work with on set?

I just loved everybody. Since it was a student project, most of the crew were my close friends. We were having a lot of fun, but also we worked so hard, driven by our passion to tell this story. I have to thank Konrad Bloch, my cinematographer, who is such a sensitive guy and a true artist. I think of him as an absolute co-author, …as well as Anna Dzieduszycka. It was a huge group effort.

8. Who are your influences?

I think I have many, but the most important ones are certainly: Stanley Kubrick, David Fincher, Roman Polański, Krzysztof Kieślowski, and Michael Haneke. I believe that all of them did in their films what I would like to do: they looked into people’s minds, they looked at what is hidden, what is repressed.

9. What would you like to accomplish career-wise?

Ultimately, I would like to make films in the US, in English— for the simple reason that I want as many people as possible to watch them. I feel like I need to tell different stories and share them with others. This is a hunger that I cannot satisfy. My focus is now on working on my feature-length debut, which will be a psychological thriller.

10. What should we expect from you in the future? 

My full-length debut is at a fairly advanced stage of development, we are working on the script. The working title is “Obsession.” I have not yet decided whether I will want to do it in Poland or in the States. It’s a universal story, it would work anywhere. The film will tell the story of a young couple whose daughter one day disappears without a trace and both of them begin to fall into madness because of it.

11. Describe “The Dress” in one word.

Desire.

12. What do you want people to take away from “The Dress?”

I would like them to see that there is still a lot of evil in the world. That we still have a lot to fix. And that we should treat eachother with respect and dignity. This is especially important nowadays.

Sophia Pippen headshot via Jessica Cohen JC-PR for use by 360 MAGAZINE

Sophia Pippen Interview

Sophia Pippen has notarized herself in the entertainment industry at the mere age of 13 years old. Having worked with the crème of the crop in the business, you’ve seen Sophia grace your television screen on ‘Dancing with the Stars Juniors‘ where she partnered with Jake Moreal and dance guru Sasha Farber.

Accumulating a mass 150,000+ followers on Instagram, Sophia has also cemented her social media presence. Like her mother, reality TV housewife Larsa Pippen, Sophia’s passion for fashion has landed her spots on the frontpages of magazines and placements walking in numerous fashion shows. Interested in pursuing more modeling ventures in the future, this 5’8 Prada-loving superstar is swiftly emerging as a Gen Z fashion icon.

As a Capricorn, Sophia possesses a unique ambition and determination to excel in all of her projects. The passion and drive that Sophia has at such a young age resembles that of her NBA legend father Scottie Pippen. Her dedication to perfecting her craft sets her apart from other influencers, models and actresses in the same age range.

360 had the opportunity to chat with Sophia regarding her involvement in the industry, and just what we can expect to see from her soon.

Q: What has it been like growing up in the constant spotlight?

A: It was difficult when I was younger but surrounding myself with friends that are in the same situation has helped me change my perspective. I like being active on social media in hopes that I’m inspiring kids my age to follow their passions.

Q: What was your biggest takeaway from DWTS Junior?

A: DWTS Junior taught me the importance of hard work and dedication. After the show, I started taking more dance lessons because of how much I fell in love with it.

Q: Tell us about your past modeling experience.

A: I started modeling a couple of months ago, I recently did a photoshoot for a clothing line, and I also did one for my jewelry line in the summer.

Q: What goals do you have with modeling?

A: My goal is to be on the cover of magazines, walk on runways, and to do campaign shoots for brands.

Q: Would you like to pursue acting further?

A: I love the art behind acting which is why I’m currently taking classes to pursue an acting career.

Q: What is a new passion or interest that you would like to pursue in the future? 

A: I want to become an entrepreneur and pursue my passion in fashion and start my own clothing line. 

Q: Where do you see yourself in 10 years?

A: I see myself modeling in the runway 10 years from now, having my own business and starting a charity.

Sophia Pippen headshot via Jessica Cohen JC-PR for use by 360 MAGAZINE

Netta Walker via Sarah Krick for use by 360 Magazine

Interview with Netta Walker

All-American: Homecoming, spinoff series to The CW’s hit sports drama All American, recently aired the first episodes. Up-and-coming actress Netta Walker plays a large role in the series. She talked with 360 about the role, her life, and her career as an actress.  You can follow her on Instagram and Twitter, and you can find her biography HERE.

1. What was your upbringing like?

I grew up on Westside in Jacksonville, Florida with 3 older brothers (all 10 years plus older than me). We were military kids—my dad was in the Navy, he met my mom in Manila when they were basically teenagers. My mother moved to the states when she married my dad and brought all of her Cebuan/Tacloban culture with her to Jax. Culture, family, and tradition were wildly important in our house. Our Christmas meals consisted of crab boils, squid adobo, greens, lumpia, baked beans, sometimes chicken feet if we could afford it. We didn’t have much money, so on weekends my mom would set up a booth at the Romona Flea Market and we’d sell whatever she could make. At one point she was hand-making dresses for child pageants and had me walking around Wal-Marts with her while she handed out her business cards. It’s wild because my parents really taught us how to hustle and made sure we knew that culture, practical life skills, and intellect were the only things that couldn’t be taken from us. I attended two historically black schools in the area for both middle and high school. My middle school, James Weldon Johnson, was on an HBCU campus (Edward Waters University) at the time. Every morning we sang Lift Every Voice and Sing, and during PE we watched the University have marching band and majorette practice on the field next to us. My high school, Stanton College Preparatory, was the first school made for black students in Florida. Both were highly competitive academic magnet schools in all-black neighborhoods with black women principles—I got WILDLY lucky. My parents were very serious about my education, and my dad made sure I knew the importance of academics in southern black culture. He was one of the first black students sent to an all-white school in Jacksonville when white folk threw bricks at him for simply pursuing an education. He prepped me for a world that wasn’t guaranteed to be kind to me, he taught me that I’d have to work 3 times as hard to get where I wanted to and that I could never slip up. My mom was on the road to being an Olympic swimmer for the Philippines and was a model in Japan, but when she got pregnant pretty young she took to the life of raising us and making sure we would want for nothing. She taught me that love is what keeps us all connected, and that so long as I lead with love I won’t regret my life. I was raised by fighters.

2. What is your relationship with Chicago, the city you worked and lived in?

Chicago is the city that made me the artist I am today. I can’t praise it enough. I always saw Chicago as the place artists go to get better at their craft, because lord knows we don’t go there to make money or get famous. The love people carry for their craft there is outstanding. I’d tell any young person aspiring to be an actor to go to Chicago and study. Go to Steppenwolf or The Gift and see the greats do the work up close and personal, and then decide if this is the field for you. I’d never felt so compelled to be an artist until I moved there and got to see the work the artists there create. It’s hands down one of my favorite cities in the world and I plan to rep it as mine for the rest of my life.

3. Who are your biggest influences?

My family. My parents showed me that the world wasn’t always going to be kind to me, but in spite of whatever it threw at me that I could still do anything I put my mind to. My dad encouraged me to remember how smart I actually am and to never back down from what’s right. He was the biggest influence in my life hands down. I live every day for him, in hopes of making him proud. My mom taught me how to live in love and solely move in love, she is truly my heart, I’d do anything for her. My brothers are the coolest men I’ve ever met, for real. My brother Eric is 10 years and 2 days older than me, so I’ve been trying to be him since I was 4. I dress like him to this day and watch only the anime he tells me to. My brother Anthony has inspired me by standing in his truth his whole life, I never would’ve learned how to trust and love myself without him. My oldest brother AJ showed me that we can make life whatever we dream of making it. My family has shaped every facet of who I am today and I love them all so deeply for it, as much as they get on my nerves.

4. Why did you decide to become an actress?

I had an incredible high school theater teacher, Shirley Sacks Kirby, who saw potential in me and was the first person to seriously encourage me to pursue a career in acting. She made me feel like I was actually good at something, and I never felt that way before. I was content in fading into the background and leaving my emotions to the side in my everyday life, but in theater, I was allowed to express all my pent-up emotions. She told my mom to put me in dance classes and voice lessons and monologue coachings, she helped me write and submit all of my college theater applications and put together all of my auditions. She shouted words of affirmations at me when I felt insecure and told me that I was special and talented when I felt like I wasn’t ever going to be good enough. She was my theater mom, and I owe my career to her.

5. You’ve been an actor for several years. What has been your favorite role?

My favorite role is always the next role, honestly. I love the challenges of diving into a new person, figuring them out, and falling in love with them—and exploring new characters feels like falling in love. But strictly speaking, Ophelia in Hamlet (at The Gift Theater directed by Monty Cole) may have been the most cathartic and challenging. My father had just passed that summer and playing a woman who loses herself in the grief of her father was really visceral and scary, but that excited me. Monty is also one of my favorite directors to exist, The Gift is my artistic home, and Shakespeare was how I started acting—so that role meant an indescribable amount to me.

6. What is your favorite part about being in All-American: Homecoming?

It feels like I’m participating in history. These stories, it’s an honor. The characters and their relationships feel monumental to me simply because we’re at an HBCU and representing culture.

7. Tell us a little bit about your character on the show?

Keisha is trouble, there’s no doubt about it. She’s a very strong and intelligent woman who isn’t afraid to stand on all ten toes and say “This is who I am, this is what I believe, and I’ll fight you if you have a problem”. She’s a pre-med major with an intense passion for dancing and a deep love for those she allows into her life. She’s the type to give you the shirt off her back—but also tell you how you can get your own shirt so we don’t have to do this again. She hits very close to home. I adore her.

8. On your Instagram, it’s clear you’re a big fan of Japanese anime. What are your favorite shows/movies?

Ah man, there are so many good ones. In terms of classics, Trigun hands down, it gives me hope and serves the retro style and storyline I adore. Inuyasha was my first anime crush, so Yashahime has also been nostalgic and sweet. My big brother Eric introduced me to Demon Slayer because he thought Nezuko reminded him of me so that show holds a lot of sentiment (my brother honestly is the reason I watch anime at all). Of course Attack on Titan and Sword Art Online, they both make me terribly anxious but I can’t stop watching them. The Boondocks isn’t Japanese but it makes me laugh like nothing else, it feels like an intersection of culture for me. Guilty pleasure watch is fully Ouran High Host Club, don’t judge me on that, I’m a romantic!

9. What’s your dream role?

I think my dream role is whatever thing is next. Getting to act is already such a dream, but I’m always dreaming about what story I get to tell next. There isn’t a definitive narrative to the dreams, but I do love playing characters who would never be in the same room together.

10. What’s next for Netta Walker?

We’re gonna see! Hopefully, I can scam my way into some exciting movies or into some provoking plays in New York. I’ve dreamed of being on Broadway for as long as I’ve wanted to an actor, so fingers crossed that happens! I never know what’s next honestly, my career has lowkey felt like a fever dream. But I’m so excited to see what the future holds.

Edmond Huot press photo via Claire Kivior (Forward Media) for use by 360 MAGAZINE

Edmond Huot Interview

The market of airline liveries is ever-growing and is a topic that has captivated the modern design world. What exactly is airline livery, and what do their designers do?

Well, we sat down with Edmond Huot, a Creative Director and Airline Livery Designer, to answer all our burning questions about his work field. Huot’s latest project was with Northern Pacific Airways, designing their brand-new livery in San Bernardino.

Let’s hear from Huot on his creativity, and how he got into such a niche workspace.

Q: How do you find inspiration as a creative director?

A: Being in the business for more than thirty years exposes you to a lot. I remain curious and open to the world—traveling, meeting people, and always framing and curating my experiences.

Growing up on a rural farm in Canada, devoid of cable TV and city-living, I was extremely bored and, hence, was forced to use my imagination. As an early av-geek and disaster movie fan, I would lose myself in thought—creating entire story plots and visual scenes with model airplanes that I’d build, play with outside, and ultimately crash in some snow bank! I spent countless hours drawing planes on discarded paper bags and would act out scenes from Arthur Hailey’s Airport in my bedroom.

For me, creativity started with storytelling and creating entire fantasy worlds in my head. Years later, my talent for drawing and sense of theatrics led me to advertising, where those same core passions drive my professional pursuits to this day.

Q: Tell us your favorite part about having a career in such a creative filed.

A: Beyond the initial conceptual phase, where my team and I get to stretch our imaginations and aspirations, there’s nothing—and I mean NOTHING—that compares to walking into an aircraft hangar to see (for the first time) my design applied to a 137,000lb 155 ft long Boeing 757-200 series. The sheer scale of this aircraft in all of its aerodynamic and technological beauty is beyond extraordinary. It’s truly life-affirming!

Q: Can you explain exactly what an airline livery is?

A: A livery is synonymous with a ‘uniform.’ An airplane’s livery refers to the painted decal on the exterior of the plane. A plane wears a uniform the same way a chef or a doorman wears a uniform.

Folks within the aviation and travel industry are fascinated with plane liveries because not only a feat to paint such a large canvas but liveries are only changed once every 10-15 years.

Q: Did you encounter struggles while working on the Northern Pacific Airway livery?

A: A hurdle early on for me was understanding who the customer would be. Unlike larger, full-service multinational firms with the ability to cover more ground in terms of research and analysis, our agency is a smaller, more boutique company. We had to move fast, be resourceful, and quickly prioritize the core issues.

I worked closely with the client to better understand Asian cultural significance and hot points. At the same time, I was also speaking with the local team in Anchorage to highlight any concerns around misrepresenting their local indigenous communities.

Additionally, I developed a range of target profiling decks broken down into general categories such as leisure, business, and regulatory audiences. From there, I weaved all of those gathered quantitative insights into more contextualized thematic storytelling that gave a greater, more compelling meaning and purpose to the customer.

I titled the story: “We Are All Navigators.” So much of the subsequent design, including colors, typography, and positioning came from these valuable insights. By turning those data points into a greater story, I was able to elevate the brand in a more consumer-centric manner.

Another challenge that is often faced by start-up airlines involves maximizing relatively small resources. How do I make the most out of a budget? Both the investors as well as the operators are extremely sensitive to how we go about spending time and money. You’ve got to get it right the first time.

Q: What was the best part about creating for North Pacific Airways?

A: Northern Pacific will be the first airline that I fly on featuring my work. And for the record, when I say ‘my work,’ I really mean my team’s work. I could never do this without the help and dedication of some truly talented and inspired individuals. That is what’s really worth bragging about!

Q: What can we expect from Edmond Huot in the future?

A: I am looking forward to showcasing some new project work for another start-up airline based in Canada. Unfortunately, because of its sensitive nature, I can’t share any details at this point. I also want to expand my creative and design repertoire with travel and transportation-related assignments including private jet travel and environmental design application.

Northern Pacific Aircraft via Claire Kivior (Forward Media) for use by 360 MAGAZINE
Health clipboard graphic via Rita Azar for use by 360 MAGAZINE

Interview with Jonathan Scheiman

By: Skyler Johnson

If you’re an active person that’s ever wanted to increase your performance, you should check out Fitbiomics. They’re a small company helping athletes and health-driven people into a better lifestyle by improving gut health with a small, daily capsule. 360 was able to interview their CEO Jonathan Scheiman. Scheiman is a St. John’s and NYU graduate, who did his postdoctoral fellowship at the George Church’s lab at Harvard University. 

Can you tell me about your mission?

Our mission is to empower, educate, and elevate. We’re working to inspire and build a world where greatness is possible for everyone by driving transformation from the inside out to maximize human potential. FitBiomics is simultaneously bridging the gap between sports and science, bringing communities together, and inspiring the next generation of scientists. The new frontier of human health & wellness is Nella–a daily capsule of next-gen performance probiotics designed to help anyone pursuing a healthy and active lifestyle to a new frontier of personal best, from the inside out. Nella gives you the guts to defy your limits.

 Can you tell me about your probiotic?

With a new subscription price of $59, our daily capsule, Nella, is now easier than ever to add into a daily routine and positively impact health and wellness resolutions for 2022. The one-time purchase price remains at the current price of $75.

The product is manufactured using probiotics sourced from the microbiome of elite endurance athletes. FitBiomics supports that the source of the probiotic strains matters when it comes to athletic performance. The American-made, gluten-free, vegan probiotic is certified by Informed Sport, a service which identifies banned substances. 

The Nella probiotic supplement is trusted by elite competitors across the country, including Olympic medalists, professional athletes, and USA record holders. Additionally, FitBiomics is in partnership with and serves as the official probiotic of Fordham University Athletics and St. John’s University Athletics. 

What can we expect from your company in the next 6 months? What are your plans?

We have a lot planned as far as partnerships as well as new products in the pipeline. I can sum up the latter in one word: Veillonella. Yes, the lactic acid-eating probiotic that improves endurance and was published in Nature Medicine is in the commercial queue…so stay tuned.

What’s something about your company that people might not know about?

At our heart, we are a biotechnology company focused on continued microbiome R&D. We’re expanding our discovery platform for continued decoding of elite phenotypes to develop additional next-generation probiotics. Our mission is to improve human health and performance, holistically, across multiple functional applications.