ART

FIGHT NIGHT: THE MILLION DOLLAR HEIST

PEACOCK DEBUTS OFFICIAL TRAILER FOR FIGHT NIGHT: THE MILLION DOLLAR HEIST

Executive Producers Will Packer (Will Packer Media), Kevin Hart (Hartbeat), Shaye Ogbonna (Creator/Writer/Showrunner) and Bryan Smiley (Hartbeat).

Starring Kevin Hart, Samuel L. Jackson, Taraji P. HensonDon Cheadle and Terrence Howard.

FIGHT NIGHT: THE MILLION DOLLAR HEIST, based on the acclaimed iHeart true-crime podcast, follows the infamous story of how an armed robbery on the night of Muhammad Ali’s historic 1970 comeback fight changed not only one man’s life but ultimately transformed Atlanta into the “Black Mecca.” When a hustler named Chicken Man (Kevin Hart) hosts an afterparty to celebrate the fight with a guest list of the country’s wealthiest, including top Black mafia leaders, the night ends with the most brazen criminal underworld heist in Atlanta’s history. Suspected of masterminding the crime, Chicken Man is hellbent on clearing his name but must convince his old adversary, J.D. Hudson (Don Cheadle), one of the first Black detectives in the city’s desegregated police force, who is tasked with bringing those responsible to justice.

The series stars Kevin Hart (who executive produces for his company Hartbeat alongside Will Packer), Taraji P. Henson, Don Cheadle, Samuel L. Jackson and Terrence Howard. 

FIGHT NIGHT: THE MILLION DOLLAR HEIST is created and written by Shaye Ogbonna (Penguin, The Chi, God’s Country). Ogbonna and Jason Horwitch (Echo 3, The Calling) serve as showrunners and executive producers. Will Packer created the idea for the series after producing the “Fight Night” podcast for iHeartPodcasts. He executive produces along with Sabrina Wind for Will Packer Media; Bryan Smiley and Mike Stein for Hartbeat, Conal Byrne and Carrie Lieberman for iHeartPodcasts; Jeff Keating for Doghouse Pictures, LLC, and Lars Jacobson. Craig Brewer (Empire, Dolemite Is My Name) executive produces the series and directs episodes 101, 102, 107 and 108.  

The series comes from Universal Television LLC, a division of Universal Studio Group, and is based on the acclaimed true crime podcast Fight Night by Will Packer Media, Doghouse Pictures, LLC and iHeartPodcasts.

The biggest night. The baddest hustlers. Anything could go down. 

#FightNight arrives Sept. 5 on @Peacock!

Taraji P Henson stars in Peacock series Fight Night via 360 MAGAZINE.
Terrence Howard stars in Peacock series Fight Night via 360 MAGAZINE.

Disney Marvel VARIANT COVERS

NEW DISNEY WHAT IF? VARIANT COVERS TAKE INSPIRATION FROM MODERN AVENGERS AND X-MEN MILESTONES

Check out the next trio of covers in the monthly Disney What If? variant cover series, celebrating the 60th anniversary of the Avengers and X-Men

Throughout this year, Disney’s Mickey Mouse and his friends homage classic Marvel covers to celebrate the 60th anniversary of the Avengers and X-Men! With a new cover each month, see Earth’s Mightiest Heroes and Marvel’s Merry Mutants like you’ve never seen them before with fun takes on both franchises’ most iconic and groundbreaking stories! The new DISNEY WHAT IF? VARIANT COVERS will adorn select issues of Amazing Spider-Man all year long and are also available as black and white versions. Today, fans can check out the next trio of DISNEY WHAT IF? VARIANT COVERS, which will hit stands October-December.

The new covers see Goofy, Donald, and Daisy fill in for Wolverine, Captain America, and Black Widow for their iconic team-up in Uncanny X-Men #268; Mickey, Minnie and more enter the X-Men’s revolutionary Krakoan age that kicked off in House of X #1, and the gang assembling for one of the Avengers’ most pivotal moments, the “Disassembled” storyline, in Avengers #500.

Preorder the next three DISNEY WHAT IF? VARIANT COVERS at your local comic shop today! For more information, visit Marvel.com.

L.C. Franke – Still in Bloom

Orchestral noir pop singer-songwriter L.C. Franke has released his debut album, Still in Bloom, today. Easy listening for anxious times, torch songs for a world on fire, orchestral pop for the algorithm age: this is the twilit milieu of L.C. Franke. The album builds a bridge between 20th-century nostalgia and our modern alienation. Across 10 tracks of pure mood-indigo music, inspired by the jazz-club savoir-faire of artists like Frank Sinatra, Scott Walker, and Ella Fitzgerald, Franke’s barstool croon smolders against a backdrop of woodwind trills and string quartet swells. It’s a musical tonic that pairs equally well with gin and general malaise — light on the ears, heavy on the heart.

PURCHASE/STREAM STILL IN BLOOM

The album was originally heralded with the singles “You and Me Against the World,” “You’re Not Alone,” and “Wish the World.” Soaked in exotica and existential disappointment and inspired by the likes of Leonard Cohen, “Wish the World,” was accompanied by a vintage-mystery thriller official music video. Magnet premiered the clip, and in an exclusive quote, Franke said: “I got a Facebook message from Dan Brown, an old acquaintance I hadn’t seen in about 20 years. It said, ‘I love the new music I’m hearing. We should make a video.’ The timing was impeccable, as I’d just been talking about making a video for ‘Wish The World’ — and Dan has a successful production house and a few Emmys. I met him for coffee, and we randomly started talking about films like Sunset Boulevard, D.O.A., and Where The Sidewalk Ends — and how ‘Wish The World’ would make a perfect noir soundtrack. We shot the video over three days around Austin. We worked on the scenes where I get strangled and drowned the most—and I was starting to wonder if that was just for everyone’s entertainment. The real star though is that beautiful ’89 Cadillac Brougham.”

WATCH “WISH THE WORLD” OFFICIAL MUSIC VIDEO

LISTEN TO “WISH THE WORLD”

LISTEN TO “YOU AND ME AND US AGAINST THE WORLD”

WATCH “YOU AND ME AND US AGAINST THE WORLD” LYRIC VIDEO

WATCH “YOU AND ME AND US AGAINST THE WORLD (LIVE FROM AUSTIN)”

LISTEN TO “YOU’RE NOT ALONE”

In a previous life, L.C. Franke was known as Jeff Klein, an Austin-by-way-of-New York indie rocker who spent the better part of his youth garnering widespread acclaim as a solo artist, as a collaborator with countless other songwriters, and as frontman of the Southern gothic soul outfit My Jerusalem. But by 2017, Franke had hit a wall. Feeling lost and jaded, his mental health teetering, he decided to take a year off and reassess.

That hiatus turned indefinite with the pandemic and Franke found himself suddenly isolated and adrift, unsure whether he would ever get back to who he was. But then he realized, perhaps he didn’t want to. The opportunity for reinvention presented itself when his friend, the Bessie Award-winning dancer Melissa Toogood, asked him to compose the score for her performance with the Boston Ballet. Franke bought a Mellotron and began noodling around with the sounds of flutes, clarinets, and strings.

As he explored, Franke sat down at the piano and wrote “You and Me and Us Against the World,” the song that would become the lodestar for his new musical approach. The music brought him back to his roots – all those Brooklyn and Fort Lauderdale summers spent with his grandmother, Elsie Franke, losing himself in her dusty record collection filled with golden greats like Glen Miller, Blossom Dearie, and Jimmy Durante. In this music of his past, he saw a future. Borrowing inspiration from his grandmother’s records, and paying homage to her with his name, L.C. Franke was born.

“It really made me fall in love with music again,” he says. “I’ve always been sort of sentimental.”

Still In Bloom is the sound of midlife crisis turned spiritual rebirth. Recorded live in the room with an actual orchestra, and completed over just three weekend sessions, the album is both musically rich and emotionally direct. The shimmering “You’re Not Alone” and the slightly sinister “Wish the World” are enthralling, smoke-gets-in-your-eyes songs, rendered as sharp as a custom-cut suit, evoking lonely subway rides past abandoned automats, and those halcyon days before the Brill Building housed a CVS. The album finds its bruised thematic heart on its title track, “Still In Bloom,” where a pensive piano melody and wintry strings provide the stripped-down bed for Franke’s late-night ruminations on the everyday struggle to find resilience amid the ruins.

After making his live debut as part of Austin City Limits Music Festival’s 2023 ACL Nights, Franke has gone on to support such diverse artists as The Walkmen and The Wallflowers, earning applause and attention for his visionary approach to the music of the past. Becoming L.C. Franke has proven the gateway for this gifted artist to finding his truest self, allowing him to hang up the well-worn rocker persona and let the sophisticated songsmith that was always within him move at last to center stage.

“I take out the contacts, put on the glasses, and it’s like a reverse Clark Kent,” says L.C. Franke.

L.C. Franke & The Best Little Orchestra in Texas will perform at Pangea in New York City on July 25 at 7pm and The State Theatre in Austin, TX, on August 3.

CONNECT WITH L.C. FRANKE:

WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

AIN’T DONE BAD – JAKOB KARR



Jakob Karr’s ‘Aint Done Bad’ surveys his spiritual love journey.” — Armon Hayes

AIN’T DONE BAD is a hybrid theatrical dance experience conceived, directed, and choreographed by Jakob Karr (“So You Think You Can Dance”), featuring the music of country star Orville Peck. The show will play a limited engagement at The Pershing Square Signature Center (480 W. 42nd Street) with previews beginning July 9, opening July 14, and running through September 1st.

AIN’T DONE BAD tells the powerful heartwarming story of coming out, falling in love, and finding one’s true voice as a queer person in the South. Told entirely through contemporary dance without a single spoken word, the 90-minute performance stars Jakob Karr along with ten leading dancers. 

Karr is joined onstage by Adrian Lee (Wicked) as the Father, Megumi Iwama (“Mean Girls” the movie) as the Mother, Ian Spring (Parsons Dance) as the Brother, Luke Qualls (The Radio City Christmas Spectacular) as Jakob Karr’s alternate, Yusaku Komori (“The Greatest Showman”) and Jordan Lombardi (Phantom Of The Opera Nat’l Tour) as the Friends, and Joshua Escover (“Empire Strips Back”) as the Lover. Swings include Caden Hunter (Juilliard) and Madison O’Connor (Radio City Rockettes), who also acts as Dance Captain.

AIN’T DONE BAD comes to The Irene Diamond Stage at The Pershing Square Signature Center after critically-acclaimed workshops in Orlando at Renaissance Theatre Company and in North Carolina at Durham’s PSI Theatre, Greensboro PAC, and the Wortham Center for Performing Arts in 2023. The production premiered in 2021 at the Orlando International Fringe Festival, where it received the festival’s highest honor (Best Show). Karr is joined by Scenic Designers Philip Lupo, Joey Coombs, and Blake Schulte, with Lighting Design by Philip Lupo. Morgan Lemos is the Stage Manager and additional creatives include Grace Buckley (Associate Choreographer) and Joi Marchetti (Additional Music Production). Evan Bernardin Productions is the general manager, Eli Owens in the production assistant, and digital advertising is by SINE Digital.

Jakob Karr began dancing at the age of 12 and has performed all over the country as well as most of Europe, Australia, Japan, and India. His credits include CATS on Broadway (Mistoffelees Understudy); Cirque Du Soleil’s VOLTA; “So You Think You Can Dance” Season 6 – Runner Up; The Radio City New York Spectacular (Mia Michaels); Flashdance The Musical 1st Nat’l Tour; Rock the Ballet; Viva Elvis by Cirque Du Soleil; Kiss Me Kate at Barrington Stage; Working at New York City Center ENCORES; English With An Accent at Lincoln Center, “The 82nd Annual Academy Awards”; “America’s Got Talent;” “GLEE” (FOX); “Westworld” (HBO); and Company XIV.

“When I first listened to Orville Pecks’s album Pony in 2019, I immediately felt that a story had to be woven through his songs…the theatricality of his voice and lyrics spoke to me so clearly,” said Jakob Karr. “As a fellow queer artist, I feel it’s important that we tell stories that uplift and honor our community. His music is a gorgeous example of finding triumph in pain and sharing your best self with those who will listen. With dance as my first language, this is the best way I can tell this story. AIN’T DONE BAD is my love letter to anyone who has ever struggled with their identity, and it is a thank you note to everyone who helped me find my voice.”

“Dance was the essential element that first drew us together as producing partners,” said producers Patti Maurer and Donald Rupe. “Jakob is able to blend the genres of contemporary dance and theater in a way we’ve never seen before; this show isn’t just a dance piece and it isn’t just a theatrical piece; AIN’T DONE BAD is truly the best of both worlds. We are thrilled to share this exciting work of art with the New York theater audiences, the LGBTQ+ community, and multitudes of dancers and dance and theater-lovers in the city this summer.”

AIN’T DONE BAD plays Tuesday – Friday at 7:30 PM, Saturday at 2:00 PM and 8:00 PM and Sunday at 7:30PM (for the week of July 9-14) and beginning July 16, the schedule is: Tuesday at 7:30 PM, Wednesday at 2:00 PM and 7:30PM, Thursday – Friday at 7:30PM, Saturday at 2:00 PM and 8:00PM, and Sunday at 7:30PM. Tickets are $40-$75. For more information, and to purchase tickets please visit: www.aintdonebad.com 

Blue Topaz Productions (bluetopazproductions.com), founded by Broadway producer Patti Maurer, is a production company that aims to bring the next exciting new works in theatre, film, and dance to life. Together with her daughter, Cassie Maurer, they have assembled a diverse portfolio of Broadway productions, including Tony Award winners: The Band’s Visit; Hello, Dolly!, and, Come from Away. International titles include Jersey Boys (AUS), The Book of Mormon (AUS). Off-Broadway: AIN’T DONE BAD. Award winning film, BOOKED. Projects in development include Little Dancer, and My Pet Dragon.

Renaissance Theatre Company (or the Ren) (rentheatre.com) is an Orlando-based non-profit theater company dedicated to developing original theatrical experiences in Orlando and beyond, with intentional focus on fair pay for artists, highlighting diverse perspectives, and building a new audience for live theatrical entertainment. Co-Founded by Donald Rupe and Chris Kampmeier in 2021, the Ren is producing two Off-Broadway Productions this summer at the Center; From Here, an original musical which highlights Orlando’s community response to the tragic Pulse shooting in 2016, is occupying the Griffin right across the hall from Ain’t Done Bad (fromhere.com). 

The Pershing Square Signature Center, the permanent home of Signature Theatre, is a three-theatre facility on West 42nd Street designed by Frank Gehry Architects to host Signature’s three distinct playwrights’ residencies and foster a cultural community. The Center is a major contribution to New York City’s cultural landscape and provides a venue for cultural organizations that supports and encourages collaboration among artists throughout the space. In addition to its three intimate theatres, the Center features a studio theatre, rehearsal studio, a bookstore, and the Signature Café + Bar. For more information on renting the Center, please visit www.signaturetheatre.org/rent-our-space.

Jakob Karr in musical in nyc via 360 MAGAZINE.

Lamborghini Iron Lynx

Difficult weekend for Lamborghini SC63 as FIA WEC enters second half of season

#63 crew ran battled for top 10 finish in the 6 Hours of São Paulo before puncture

Lamborghini Iron Lynx was left to rue bad luck on the FIA World Endurance Championship’s first trip to Interlagos in Brazil since 2014, as a late puncture meant the #63 crew of Mirko Bortolotti, Daniil Kvyat and Edoardo Mortara could only manage 17th at the end of the 6 Hours of São Paulo.

Coming into the fifth round of the season off the back of a morale-boosting first top 10 finish with the Lamborghini SC63 LMDh prototype at Le Mans, improved performance was the main target for the team as the second half of the year began in South America.

High degradation meant that tire strategy varied between the teams, with the #63 making the most of the softer medium compound to run inside the top 10 positions approaching half-distance. Unfortunately, the pace of those around proved superior and a late puncture extinguished any hopes of a second consecutive point finish.

Meanwhile, in the LMGT3 class, it was another bittersweet weekend for the #85 Iron Dames crew of Sarah Bovy, Rahel Frey and Michelle Gatting who were denied a likely podium finish after taking their second pole position of the year. A burst water pipe at the fourth pit-stop while running second contributed to an eventual retirement, while the sister #60 Iron Lynx Lamborghini Huracán GT3 EVO2 of Matteo Cressoni, Franck Perera and Claudio Schiavoni finished 14th after receiving a drivethrough penalty.

Free Practice and Qualifying – Hypercar

Having never previously visited the Interlagos circuit, the weekend was a discovery for the Lamborghini Iron Lynx team. Focus, therefore, centered on gaining an understanding of how the SC63 and the Michelin tires performed on the tight and technical track, which produced higher than normal degradation. The weekend began with the first of three free practice sessions, but running in FP1 was curtailed after an incident for an LMGT3 car, which caused barrier damage. The #63 ended up 16th and an unrepresentative five seconds off the pace. FP2 was subsequently extended due to the red flagged opening session, and the #63 was again the 16th fastest, albeit reducing the deficit to the best time to just over a second. Improvements were made ahead of FP3 on Saturday, which allowed the car to place sixth quickest, with Kvyat qualifying the #63 18th on the grid for the race.

Race – Hypercar

Tire strategy proved an intriguing variable at the start of the six hours, with the #63 starting on the harder, more durable compound. Kvyat took the start but struggled to find the ultimate performance on the hards, dropping to the back of the field before moving up to the cusp of the top 10 towards the end of the second hour. Mortara took over with four hours to go, having switched onto the faster medium compound tire that appeared to unlock more stability and improved race pace from the SC63. During Mortara’s double stint, the #63 found itself battling well inside the top 10, rising as high as fifth at one point – due in part to a litany of penalties for several cars in front – and matching the pace of the #35 Alpine, #38 JOTA Porsche and the #93 Peugeot. By the time Bortolotti took over for the final two hours, the #63 began to struggle with the tire drop-off and dropped to 12th before it suffered a puncture, which forced it to make an additional pit-stop. The team remained committed to finishing, and Bortolotti brought the car home at the finish in 17th place, benefitting from a crash for the #12 Porsche in the final hour.

Japanese Woodblock

Rare Japanese Woodblock prints, most of which have not seen the market in 30 years, will “hit the block” at Heritage Auctions this Thursday, June 27.

The showcase features nearly 250 remarkable works by such masters of the form as Katsushika Hokusai, Takahashi Hiroaki, Yoshida Hiroshi and more, and all proceeds from their sale will go to charities, ranging from the American Red Cross to Paws for Purple Hearts, close to the hearts of the prints’ owners.

Katsushika Hokusai’s Eight Views of Ryukyu is set to open with a bid of nearly $75K.

Katrina Jurjans + The Untitled Space

Katrina Jurjans’ “hence living, hence magical” Solo Exhibition presented by The Untitled Space opening Thursday June 13th with an artist reception from 6-8pm, and on view through June 22, 2024.  

Curated by Indira Cesarine, “hence living” marks Jurjans’ debut solo show in the United States and her first exhibition with The Untitled Space. The exhibition will feature a selection of acrylic on canvas paintings, accompanied by a site-specific installation. Jurjans’ dream-like figurative works are characterized by dense layering of patterns and colors, enhancing her narrative of emotional and physical spaces inhabited by her female subjects. 

“Hence living, hence magical” marks Jurjans’ debut solo show in the United States and her first exhibition with The Untitled Space. The exhibition will feature a selection of acrylic on canvas paintings, accompanied by a site-specific installation. Jurjans’ dream-like figurative works are characterized by dense layering of patterns and colors, enhancing her narrative of emotional and physical spaces inhabited by her female subjects. With ties to magical realism, each piece delves into themes of memory, transition, and life’s dichotomies. 

Katrina Jurjans’ work is inspired by emotional narratives, boundaries – spatial, temporal, bodily – and magical realism. Primarily a painter, recent endeavors in installation have become more frequent in both her independent practice as well as with the transdisciplinary artist collective, elsewhere, of which she is a founding member. She graduated with honors from Concordia University in Montreal with a BFA in Art History and Studio Art. Her work has been generously supported by the Toronto Arts Council, Ontario Arts Council, and Canada Council for the Arts. She has garnered awards from the Toronto Outdoor Art Festival, DesignTO (Juror’s Choice Award, 2021 and 2024), and Ontario Arts Council (Emerging Artist grants, 2018 and 2020). Notable past exhibitions have included solo shows at Coldstream Fine Art, Toronto (2020) and Artscape Youngplace, Toronto (2017), as well as group shows at Nuit Blanche, Toronto (2022, 2023, 2024), DesignTO, Toronto (2020, 2024), and Shin Gallery, New York (2022) among others. Her work has been featured in a number of contemporary art fairs including SPRING/BREAK Art Fair, Los Angeles (2022) and The Other Art Fair, Los Angeles (2019) and Brooklyn (2018). She has participated in art residencies in Denmark, Mexico, and Canada. Her work has been featured internationally in publications including Maake Magazine, Visionary Art Collective, Create! Magazine, in 2020 was named one of Saatchi Art’s Rising Stars.

ARTIST STATEMENT 

“My painting practice explores concepts of memory, transition, and emotion. Explorative orchestrations of emotive narrative foreground concepts of poetic multiplicity, emotionality, and ambiguity as essential to my practice and the wider expanse of feminist thought within the field of contemporary painting. Reclaiming ambiguity – spatial, bodily, temporal – as a liberating force disrupting processes of dichotomic delineation; inside/outside, here/there, presence/absence are repositioned from ideas of either/or to both/and. Critically responding to historical female representation within the canon of Western art history, where women – predominantly painted by men – were represented as polished, contained, and separate from their surroundings – I instead paint women fully immersed in both their physical and emotional environments. Sometimes flesh and blood, other times ghostly outlines – they become the fuzzy, porous boundary between foreground and background; past and present; memory and dream. 

Using a formal language of pattern, color, repetition, and layering the narratives I paint are laden with symbolism; flowers embody feelings of absence and growth, and rain clouds communicate heavy emotions. Shifting into the realm of magic realism, these narratives – intimate, often nostalgic and heavy – are anchored to the physical, while simultaneously merging into the world of personal experience, memories, dreams, and hallucinations. As a backdrop of floral wallpaper becomes the textile patterns of a woman’s robe and intricate dots patterns of rain transition to tears, my aim is to present both the world and the body in a constant state of reshaping and transformation.” – Katrina Jurjans

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Never Let Go – Halle Berry

THE PSYCHOLOGICAL THRILLER/HORROR FILM FROM ACADEMY AWARD® WINNER HALLE BERRY, VISIONARY DIRECTOR ALEXANDRE AJA, AND PRODUCED BY 21 LAPS – NEVER LET GO ONLY IN THEATERS SEPTEMBER 27.

From visionary director Alexandre Aja (The Hills Have Eyes, Crawl) and the creative minds behind Stranger Things and Arrival comes NEVER LET GO. In this new psychological thriller/horror, as an Evil takes over the world beyond their front doorstep, the only protection for a mother, played by Academy Award winner Halle Berry (Actress in a Leading Role, 2001 –Monster’s Ball), and her twin sons is their house and their family’s protective bond. Needing to stay connected at all times – even tethering themselves with ropes – they cling to one another, urging each other to never let go. But when one of the boys questions if the evil is real, the ties that bind them together are severed, triggering a terrifying fight for survival.

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Directed by: Alexandre Aja

Written by: KC Coughlin & Ryan Grassby

Produced by: Shawn Levy, Dan Cohen, Dan Levine, Alexandre Aja

Executive Producers: Halle Berry, Holly Jeter, Daniel Clarke, Emily Morris, Christopher Woodrow, Connor DiGregorio

Cast: Halle Berry, Percy Daggs IV, Anthony B. Jenkins 

Academy Award-winning actress Halle Berry stars in Lionsgate Never Let Go via 360 MAGAZINE.

FAHREN FEINGOLD ART

“Ethereal Legacy: The Art of Fahren Feingold” is a poignant retrospective that celebrates the profound and lasting impact of the late artist Fahren Feingold (1980-2023). Curated by Indira Cesarine, founder of The Untitled Space gallery, the exhibition offers a comprehensive view of Feingold’s artistic evolution and her unwavering commitment to empowering women through her captivating watercolor paintings.

Feingold’s artistic journey was marked by a fearless exploration of the female form, challenging societal norms and patriarchal constructs through her ethereal and sensual works. From her early days as an artist, her unapologetic depiction of the female nude stood out, captivating global audiences and sparking discussions on broader societal issues. As Feingold herself stated, “My paintings act as a quiet dagger of truth, exposing the beauty of the feminine form from the female gaze, emphasizing the female body as a great thing to behold, free of judgment and objectification.”

The exhibition features over 50 never-before-seen paintings from Feingold’s estate, including works on paper and canvas, as well as a number of pieces from previous solo exhibitions. These works serve as a testament to her trailblazing spirit and her commitment to reclaiming the female narrative through art.

Feingold’s watercolors were not merely erotic; they were a celebration of femininity, a reclamation of the female narrative, and a defiant stance against the objectification of women’s bodies. Her vibrant palette and dreamlike brushstrokes invited viewers to appreciate the beauty and complexity of the female form, free from societal constraints. Through her art, Feingold gave voice to women of the past and present, exploring the complexities of female identity and the ongoing struggle for equality. Her works were a powerful expression of the female gaze, a perspective often overlooked or suppressed in the art world.

Tragically, Feingold’s life was cut short by cancer on September 26, 2023, at the age of 43. However, her legacy lives on through the captivating works she left behind. The exhibition’s final section features a series of emotionally charged pieces, including many works on canvas that embody a profound intensity and potent emotive spirit, focusing on close-up portraits of women. These portraits not only evoke a deep sensitivity but also reflect a distinctly personal evolution of the artist’s vision.

“Ethereal Legacy: The Art of Fahren Feingold” serves as a tribute to an artist whose impact on the art world will endure. Feingold’s art continues to inspire and captivate audiences worldwide, reminding us of the enduring power of the female gaze and the transformative power of creativity.

Exhibition Details:

  • Dates: May 11 – May 31, 2024
  • Location: The Untitled Space, 45 Lispenard Street, New York, NY 10013
  • Gallery Hours: Tuesday – Saturday, 12:00 PM – 6:00 PM

For more information about the exhibition, visit www.untitled-space.com.

Billie Eilish – Tour Dates

Following the news of her highly anticipated third studio album HIT ME HARD AND SOFT, set for release on May 17 [pre-order/add/save HERE], Billie Eilish has announced arena dates, produced by Live Nation, for her HIT ME HARD AND SOFT: THE TOURStarting in September 2024, Eilish will embark on her North American leg of the tour, which runs through to the end of December 2024. The tour will continue in Australia starting February 2025 ahead of her European, U.K., and Ireland arena dates starting in April until late July. For a full list of tour dates, see below or visit billieeilish.com
 
Tickets for BILLIE EILISH: HIT ME HARD AND SOFT: THE TOUR will be available starting with the American Express® Presale beginning Tuesday, April 30, with additional presales running throughout the week. Any remaining tickets will be available during the general on-sale starting Friday, May 3 on billieeilish.com. On-sale start times vary by market, check local listings for more information.
 
American Express® Card Members can purchase tickets before the general public beginning Tuesday, April 30 (while supplies last) – this is one of the many entertainment benefits American Express Card Members can access. Presale start + end times will vary by market, check your local listings at billieeilish.com for more information.
 
 
SUSTAINABILITY EFFORTS
Billie Eilish will continue her long-standing partnership with environmental nonprofit REVERB on this tour, building on the success of previous efforts, which resulted in over $1 million donated to environmental, greenhouse gas reduction, and climate justice projects, more than 150,000 fan actions, and much more. Sustainability efforts on this tour will include reducing greenhouse gas pollution, decreasing single-use plastic waste, supporting climate action, and updating concession offerings to promote and encourage plant-based food options with Support+Feed.
 
ECO-VILLAGE
The Billie Eilish REVERB Eco-Villages will be set up at 2 locations in the main concourse of every show where fans can take part in the tour’s sustainability efforts, connect with nonprofits, and take meaningful action for people and the planet.
 
SUPPORT+FEED
For collective action at the intersection of climate and food, Support+Feed will be launching a 360 campaign throughout the tour. Following the success in 2022, Support+Feed will offer an expanded version of the Support+Feed Pledge inspiring fans to eat one plant-based meal a day for 30 days with digital elements and community activations. Fans will also have the opportunity to participate in Plant-based Food Drives in a selection of cities alongside the tour to raise awareness and gather food to distribute to local communities.
 
TRANSPORT
Fans are encouraged to join the effort to make the HIT ME HARD AND SOFT: THE TOUR more sustainable. Where possible, take public transportation and carpool to and from the shows to help reduce greenhouse gas pollution and encourage more public transportation options. Fans will receive information via email about public transportation options before the show.
 
VENUES
Venue partners are also helping to lessen the environmental footprint of the tour. In addition to efforts to decrease waste through reducing or eliminating single-use plastics and diverting landfill waste with compost and recycling, venues will be offering plant-based food options at all shows.
 
FAN PARTICIPATION
Bring an empty reusable water bottle or donate for a custom RockNRefill Nalgene bottle to fill up at the free water refill stations located at each venue. The RockNRefill bottles and refill stations are located at the Eco-Villages in the main concourse at all shows. Fight fast fashion by opting for thrifted, upcycled, or borrowed clothes instead of buying new clothing to wear to shows.

Billie Eilish’s forthcoming album, HIT ME HARD AND SOFT was written by Billie Eilish and FINNEAS, her brother and long-time collaborator, who also produced the album. HIT ME HARD AND SOFT will be available on all digital platforms, and in a continued effort to minimize waste and combat climate change; across all physical formats in limited variants on the same day, with the same track-listing and using 100% recyclable materials. For more information on all sustainable practices for this album release, please visit https://store.billieeilish.com/pages/sustainability
  
HIT ME HARD AND SOFT is out everywhere on May 17.
 
Pre-order/add/save HERE.