GR gallery is pleased to present ‘Passive. Aggression,’ an exhibition of new paintings by self-taught artist Joseph Lee.
This marks the first solo show of Lee with the gallery after former collaborations, and chiefly the artist’s first public presentation in nearly 3 years. A total of 19 artworks, in various dimensions, executed with his signature technique, will be exhibited for the first time, recording Lee’s fundamental production over last few years in an essentially anthological exhibition.
His highly unique style exposes abstracted portraits that disclose impressions of anatomic details hidden between extra textured layers of paint that contrast with a flat and mostly monochromatic background.
Thursday September 8th, 6:00pm – 8:30pm ET (Exhibition Dates: September 09 – October 1st , 2022). Members of the press can contact GR gallery in advance to schedule a private viewing and/or an interview with the artist before the exhibition is officially open. Joseph Lee will attend the opening event. Visitors who want to attend the opening can RSVP by contacting the gallery.
‘Passive. Aggression’ documents Lee’s time during 2020 – 2022. As his daily distractions dissipated under lockdown, he was forced to examine gaps, namely his liminality and inability to verbally communicate emotions, which made him unrecognizable to himself and others around him. Lee is both Korean and American, husband and son, actor and painter, passive and aggressive. Lee’s subject matters grapple with the way his liminality and thus, lack of a solid identity, began to impact the world he inhabited. The artist’s first instinct under duress was to isolate and paint. During these years, the process of creating the works showcased in ‘Passive. Aggression’ was a salve. To finish a painting was not the intent. These works capture moments in Lee’s life where he deflected to his studio in fear and uncertainty. At the time of inception, these paintings were the best representations of what words escaped him, to convey – in composition – what he was unable to articulate. They are a line of expression uninterrupted. ‘Passive. Aggression’ is a collection of the artist’s self-reflections, love letters, & apologies translated onto canvas.
Joseph Lee is an artist who has spent years studying faces and the emotion that inhabits them. The beauty in Lee’s work stems from the manipulation of common everyday forms, such as faces or objects, into an array of energetic and forceful expressions. Each segmented brush stroke and application of color converge into a balanced whole.
His work focuses on the parallel between external reality and internal process. Each painting expresses a sense of physical harmony by layering of palette and brush strokes to create a complete and powerful gestural composition. This emphasis on the physicality of paint and stroke, color and volume, creates a unique tension within Lee’s dynamic paintings. The surface presence and confidence in each painterly stroke creates a uniquely uncompromising seductive experience for the viewer through the use of paint. In the age of swiping through social media images, these portraits force viewers to stop, inspect the physical craftsmanship and raw nature of these paintings.
Today, Lee continues creating work to examine the psychology of beings behind their “societal masks.” His portraits channel various observations ranging from pop culture references to the daily people he encounters on the street. In addition to various gallery exhibitions all over the world, Lee has been commissioned by brands such as NIKE & Floyd Mayweather’s TMT for various projects. He has exhibited and sold to major art dealers and collectors in numerous art fairs.
Forum Auctions is delighted to offer several exemplary works in its upcoming sale of Editions and Works on Paper 1500–2021on Thursday 17th March 2022. A work by the ever-popular English artist Damien Hirst (b. 1965) titled Virtues comprises the complete set of eight laminated giclée prints, dating from 2021, notably with matching edition numbers.
Virtues features eight cherry blossom prints, each named after one of the eight Virtues of Bushidō according to Nitobe Inazō‘: Honor, Mercy, Politeness, Control, Justice, Courage, Honesty and Loyalty.
With a nod to pointillism, action painting, and impressionism, the Cherry Blossoms symbolize the natural joy of spring. In colors and on aluminum composite panels, each is signed in pencil and with matched edition numbers from the respective editions of each work. Published by HENI Editions, the set carries an estimate of £80,000-£120,000.
Another top highlight is a work by one of the most influential British artists of the 20th century, David Hockney (b. 1937). Hockney is known for experimenting across mediums: from drawing, printmaking, and photography, to painting and digital experimentation. His subjects range from landscapes to portraits and still lifes. His highly popular works encapsulate much of what is around him, from friends and acquaintances to animals. The work in the sale, titled Waiter, Alexandria, portrays a figure in bright colors captured in colored pencil and graphite on wove paper. It dates from 1963 and has an estimate of £50,000-£70,000.
Another visually impressive and important highlight is a large-scale work by the British artist and novelist Harland Miller (b. 1964), who is famed for painting canvases that depict Penguin book covers, a theme that enables him to delve into the interactions between images, text, meaning, and a subject that he experiments with in his mixed-media and sculptural works.
Miller captures his audience’s attention, not just by his visual motifs, but also by his smart use of interwoven language, such as his cleverly devised book titles that appear in his works, often making a statement on classical, or contemporary literature, or topical subjects. This is demonstrated by the work in the upcoming sale. Titled Save the Penguin, the work bears the slogan ‘There’s plenty More Plastic Bags in the Sea’, a cynical take on ‘Plenty More Fish in the Sea,’ and the environmental effect of modern plastic use. This unique pigment print extensively hand-colored in graduating blue and white acrylic with graphite additions is signed and dated 2020. It has an estimate of £30,000-£50,000.
Over at Dreweatts is an equally impressive sale that includes the discovery of a new work by one of the most important British artists of the 20th century, the esteemed British sculptor Henry Moore (1898-1986). After two years of working with the Henry Moore Foundation and the family of the owner, former Publisher and Editor of The Architectural ReviewHubert de Cronin Hastings (1902-1986), the sculpture, titled Mother and Child which has now been authenticated.
Commenting on the discovery, Dreweatts’ specialist Francesca Whitham, said: “It has been such a fascinating journey working with this rare Henry Moore sculpture. I was elated, after many months of delays due to covid restrictions, to finally receive the letter from the foundation authenticating the piece as a genuine Moore. Dreweatts are honored to bring this sculpture to the market for the very first time, presenting an opportunity to purchase a unique and rare sculpture by one of the most important British artists of the 20th century.”
The foundation was able to link the work to a sketch of the sculpture by Moore already held in its’ records, titled Eighteen Ideas for Sculpture, which he produced in 1939.
The sculptural group is believed to have been gifted to Hubert de Cronin Hastings directly by Henry Moore, as they met through The Architectural Review, via Moore’s friend Jim Richards, Assistant Editor of the magazine at the time, who had befriended Moore after writing an article on his work for the magazine in 1934. The sculpture was passed down by Hubert to his son, John Hastings in the 1970s, remaining on his mantlepiece amongst an eclectic mixture of objects until he passed away in 2019.
The work is also considered an extremely rare piece as it is cast in lead, which was a material the sculptor only used for a short period in the 1930s, during a time in his career when he was experimenting with other materials such as string and wire for his series of stringed sculptures. Mother and Child is believed to be a preliminary design for one of these stringed sculptures, which explains the unusual markings on the front of the sculpture, which add to its’ joyful and playful nature.
Mother and Child is a stunning figural group in trademark Moore semi-abstract style. Formed in lead, the work has been dated to 1939-1940 and will be offered in Dreweatts Modern & Contemporary Art sale on Wednesday, March 16, 2022, with an estimate of £30,000-£50,000. However, due to the popularity of works by the artist and the rarity of this type of work from the artist’s oeuvre, it may achieve much more.
Commenting on the quality of the sales, Stephan Ludwig, CEO across both the Dreweatts and Forum auctions business, said: “These two auctions of Modern & Contemporary artworks taking place on 16th and 17th March underscore one of the many rationales for the merger of Dreweatts and Forum Auctions. With a combined £1,500,000 anticipated sales total, spanning fine art, sculpture, and prints, we are pleased to be delivering on our objective to grow across all sectors of the art market.”
Kicking off Dreweatts’ Modern & Contemporary Art auction is Michael J. Browne’s homage to Manchester United painted in 2013. The work shows iconic players such as Ryan Giggs, Eric Cantona, David Beckham, Paul Scholes, and Wayne Rooney alongside managers Matt Busby and Alex Ferguson in procession. The central figure, Nemanja Vidić, holds a golden ball as the players walk against a backdrop of triumphant iconography drawing on symbols of strength from the Roman Empire including the Colosseum, a triumphant arch, and the Latin word ‘Legio’meaning ‘chosen body or legion’ reigning high above the players, together with ‘X 20 X’ referring to the number of leagues won by United. To the right of the scene is Manchester United’s stadium and across the painting held high on crosses are large silver trophies with gold crowns signifying their success and achievements.
Michael J. Browne was born in Moss Side, Manchester. Growing up in a difficult household Browne found escapism in art from a very young age. He was inspired by anything that he saw around him and turned his creativity into something positive focusing on drawing. At a young age, Browne went to live with his art teacher and went on to study at Chelsea School of Art followed by an MA at Manchester Metropolitan University.
Browne has always been particularly fascinated with the Renaissance masters and has become renowned for depicting well-known figures encompassing topics of cultural importance, history, or religion. Browne shot to fame in 2001 with his work The Art of the Game depicting Eric Catona as Jesus. The work was displayed at the National Portrait Museum. Before this his copy of the Sistine Chapel painted in the Cocotoo restaurant in Manchester caused great publicity between 1992-1994. Other important figures he has illustrated include Wayne Rooney, Donald Trump, and Jeremy Corbyn.
The work is estimated to fetch £10,000-15,000 in Dreweatts’ Modern & Contemporary auction on 12th October 2021.
A keystone of Ketchum’s community, the iconic Sun Valley Museum of Art (SVMoA) is celebrating its 50th anniversary this year. The museum is inviting the public to experience the joy of music and the arts to celebrate the momentous occasion. In past years, SVMoA has hosted 52 Grammy-Award winning artists, featured notable lecturers and visual artists, and awarded over $1 million in arts scholarships to local students and teachers. SVMoA’s Artistic Director, Kris Poole, sat down with 360 Magazine to talk about upcoming summer classes at the museum, the current BIG IDEA exhibition, and future plans for expansion.
SVMoA is celebrating its 50th anniversary this summer! Are any special performances lined up to commemorate this momentous occasion?
Clay, Silver, Ink: Sun Valley Center at 50, was on exhibit at The Museum from May through July.
The exhibition is guest-curated by artists Jim Romberg, Sun Valley Center for the Arts’ Director of Ceramics from 1973 to 1986, and Peter de Lory, who began teaching in 1974 and was Director of Photography from 1976 to 1979 and during the summers of 1982 and 1983.
Clay, Silver, Ink features artwork by 60 photographers, ceramic artists and printmakers, as well as several painters, who led classes and workshops at the Sun Valley Center for the Arts during the organization’s first 15 years. Many of the labels will include quotes from the artists that reflect on their experience at The Museum. A slide show of student work and snapshots from the era was also included in the exhibition.
SVMoA’s 50th Celebration & Birthday Concert will take place on August 26 and feature Pink Martini with China Forbes.
Pink Martini is led by the dynamic and hyperenergetic Thomas Lauderdale. The group’s repertoire is inspired by music from around the world and crosses genres of classical, jazz and old-fashioned pop. With 12 musicians onstage and songs performed in 25 languages, Pink Martini has crisscrossed the globe and has played with more than 70 orchestras.
Lauderdale’s co-conspirator in the band is his Harvard classmate, China Forbes. A year after starting the band, Lauderdale invited Forbes to join Pink Martini, and they began penning songs together. Since then, Forbes and Lauderdale have co-written many of Pink Martini’s most beloved songs, including “Sympathique,” “Lilly,” “Clementine,” and “Let’s Never Stop Falling in Love.” Forbes’ original song “Hey Eugene” is the title track of Pink Martini’s third album, and many of her songs can also be heard on television and film.
The concert will be a special one, starting with a look back at the Sun Valley Center for the Arts’ 50 years and a look ahead to SVMoA’s next 50. SVMoA will share memories and birthday cupcakes and asks everyone to come dressed for a party.
Is SVMoA offering any summer workshops or adult classes?
Yes! We offered 22 adult classes last year, and we plan to expand that programming throughout 2021 and into 2022. Classes range from one-night craft series workshops to creative jump-ins and week-long master class intensives. This summer, we offered the following courses:
Craft Series Workshop:
THREE COLOR REDUCTION PRINTS
Craft Series Workshop
CERAMIC TRANSFORMATION VESSELS
A THOUSAND WORDS: Guided Writing about the Art You See
Craft Series Workshop
CAPTURING THE BEST PHOTOS ON YOUR IPHONE
NO-WASTE LEATHER BAG
SUN VALLEY STONES: Oil painting
BUILDING LAYERS WITH OIL AND COLD WAX
How many students are currently in SVMoA’s art education program and k-12 education program this year?
SVMoA serves nearly 4,000 students through four unique arts education programs over the course of a year, reaching every child in Blaine County. Some programs happen in school classrooms, others in the museum space or performance halls. SVMoA’s student participants come from every public and private school in the Wood River Valley.
SVMoA features “BIG IDEA” projects. What does the BIG IDEA represent?
The BIG IDEA was designed to allow our community to enter into the conversation through a variety of avenues. If you are interested in going to see a film, or listening to a lecture, we hope the program content piques your curiosity enough to get you to visit the exhibition in The Museum or take a class that will allow you to go deeper into the subject. BIG IDEAs run the gamut from serious subjects like Refugees and/or Gender in the 21st century, to lighter fare that explores subjects, like the important role that bees or bicycles play in our world. Artists make art about the world they live in, and more often than not, what is on their minds is a topic we should be paying attention to as well. We have the opportunity to use the BIG IDEA model to engage people in ideas that matter. The art on exhibition, the music, films, lectures, discussions are all fodder for some pretty interesting conversations.
Why did SVMoA choose to display “Untrammeled: At Wilderness’ Edge” as the museum’s current big idea project?
As part of our 50th Anniversary celebration, we wanted to explore a BIG IDEA that had specific resonance with our local community. Because Sun Valley is a mountain resort town whose very existence owes its debt to the wilderness, we felt reexamining the premise of the 1964 Wilderness Act was an important effort.
At the time that we began talking with artists we had no idea that at this moment the topic would hold particular urgency. Our community, like many others in the mountain west, is experiencing an explosion of tourism and new residents. The exhibition and BIG IDEA grapple with what it means to live on the edge of and with wild places—how do we respect people’s need to be in the wilderness with our need to preserve and protect that very space? How should our idea of “managing” wilderness change/evolve?
We are so pleased to be engaged in the discussion through the work of 4 powerful artists, all of whom have international reputations, and two of whom we commissioned to do new work for this project. Adding talks by journalist Kevin Fedarko and curator Jock Reynolds only enriches the conversation.
Who is the next speaker in the museum’s lecture series? Why was this speaker chosen?
As part of the next BIG IDEA project Untrammeled: At Wilderness’ Edge, SVMoA will welcome journalist Kevin Fedarko, award-winning author of “The Emerald Mile” as our first speaker of the 2021/2022 fall/winter season. Fedarko’s book on the The Emerald Mile, with the subtitle The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon, chronicles both the complex story of the Canyon’s environmental history, as well as the compelling story of how a couple river and wilderness junkies took the fastest boat ride ever down the Colorado River during the legendary flood of 1983. At this moment in 2021 when we are grappling how best to live on the edge of wilderness, this book and Fedarko’s tale beautifully illustrates the complicated nature of our relationship with wild places.
Jock Reynolds is a nationally respected curator and artist who served as the Director of the Yale University Art Gallery from 1998 to 2018. He has worked closely with Mark Klett, one of the artists in the Untrammeled exhibition, and is keenly interested in the role that art plays in shaping our national discussions. Jock will be in conversation with Mark Klett and Laura McPhee about their commissioned artworks.
Sandra Cisneros is one of the United States most important poets and writers. She is best known for her evocation of Mexican American life in Chicago. “The House on Mango Street,” written in 1983, continues to be taught in classrooms throughout the country. Cisneros has been invited to participate in SVMoA’s lecture series to speak to the value and richness of cross-cultural experiences. As a woman and a writer Cisneros beautifully explores the experience of being connected to both the US and to Mexico. There are so many members of our community and so many people in our country who share this relationship. We look forward to welcoming Cisneros to this community at this moment of growth and transition.
How do the three SVMoA spaces– The Museum, The Liberty Theatre, and the Hailey House and Classroom – each operate? What is each space’s function?
Sun Valley Museum of Art is non-collecting museum that is accredited by the American Alliance of Museums (one of only five institutions in Idaho). SVMoA offers free admission and is open to the public throughout the year. Its downtown Ketchum location allows stop-by visitors as well as event and exhibition attendees to explore and experience art firsthand—both through visual art exhibitions and hands-on immersive education opportunities.
The Liberty Theatre
The former home of the Company of Fools, the historic The Liberty Theatre is centrally located on Main Street in Hailey, Idaho. The theatre is currently closed, awaiting some needed renovations.
The Hailey House and Classroom
The historic Hailey House, birthplace of American poet Ezra Pound, is open to visitors by appointment and during scheduled events. The house is frequently used to house visiting artists, teachers and musicians. The Hailey Classroom is open for adult, teen and youth classes and workshops during scheduled programs.
The museum is in the process of constructing a new building as well. How does SVMoA plan to use their new space?
Sun Valley Museum of Art needs expanded facilities. Currently we are not able to meet the community need for everything from classes to lectures to exhibition tours so we are actively seeking the right opportunity to build or renovate a new space. The community deserves to have a museum that can be a point of pride and meets the needs of today’s families and students as well as our growing and diverse community. As the cornerstone of Wood River Valley’s rich and diverse arts and culture scene, SVMoA is eager to develop a state-of-the-art facility that will engage more people on a deeper level, create more immersive experiences, and ensure accessibility for everyone in our community.
SVMoA operates as an arts education nonprofit. How can interested patrons support the arts?
SVMoA’s annual programs are supported in large part by its more than 1,200 members. When you join as a SVMoA member, you don’t just support your own arts experience; you support arts access for all. Your membership fee pays it forward so your fellow community members can experience the arts—the joy, the wonder, the inspiration, and the healing.
SVMoA’s annual Wine Auction welcomes friends, families, arts supporters, vintners and chefs to celebrate and support the arts each summer. The 2021 Wine Auction wrapped in mid-July and raised more than $1 million for arts education with the help of more than 350 attendees.
BIG IDEAS and major program support comes from memberships, individual donations, private foundations and public and private grants.
Regarding COVID-19, does the museum require guests to purchase tickets in advance online, or can visitors purchase tickets upon arrival?
SVMoA’s museum space is free and open to the public. SVMoA classes and events typically require advance registration and/or ticket purchase (as events can sell-out), but SVMoA will in general welcome walk-up attendees and participants if space allows.
At The Museum walk-in visitors are always welcome! If you’d like to learn more about the artwork in the exhibition, we invite families and small groups for private tours with The Museum’s curators. To schedule a tour please contact us at 208.726.9491 or at firstname.lastname@example.org.
Flying Horse Editions Selects Mira Lehr For 2021 Visiting Artist Residency Program
Lehr’s New Editions of Original Works Created in Residency will Debut During Art Basel Miami Beach 2021 at INK Miami
Nationally Acclaimed Studio Invites World’s Leading Artists to Push Boundaries with Cutting-Edge Technology Flying Horse Editions, the nationally acclaimed printmaking studio that invites some of the world’s leading artists for its Visiting Artist Residency Program, has chosen Mira Lehr for their select roster of artists for 2021. The studio is celebrated for cutting-edge technology and inspiring artists to push the boundaries of printmaking, in a kinetic setting among its team of master printmakers. In her new series, Lehr, now at the bold age of 86, is experimenting with explosives, fuses, plexiglass, watercolor, and inks ‒ exploring new ways to use nontraditional materials in the art of printmaking. Mira Lehr is a force of nature to be reckoned with, said Theo Lotz, the Director of Flying Horse Editions. She is a fearless explorer. Lehr’s body of work spans all media, not bound by one process. Her artistic energy and spirit are boundless. We knew that her bold approach to artmaking would lead to a great collaboration. Lehr thrives in our studio, which relishes the unexpected. Lehr’s new work created at this residency will debut during Miami Art Week/Art Basel Miami Beach 2021, at the INK Satellite Fair (December 1-5 at the Dorchester Hotel). This fair is produced by the International Fine Print Dealers Association, and is recognized worldwide as one of the leading presentations of works on paper by internationally renowned artists. Lehr’s new limited editions will then tour nationwide with Flying Horse throughout 2022 at several art fairs across the U.S. and internationally. Her new work will also be presented at an opening reception at the studio, featuring live demonstrations of her process of igniting gunpowder and fuses to create her artworks. Flying Horse Editions was established in 1990 at the University of Central Florida. The artists invited to participate in the residency has included: Diana Al-Hadid, Elia Alba, Chakaia Booker, Will Cotton, Ke Francis, Luis Gispert, Eddie Martinez, Odili Donald Odita, and Toyin Ojih Odutola. Lehr completed the first part of her studio residency in the spring, and will return to Flying Horse later this year to complete her new editions there. Every artwork in Lehr’s new editions will each be an original work of art that was created exclusively during the residency. They were each imagined with these trailblazing printmaking techniques in mind, and are each one of a kind. So far, Lehr has created a series of monotypes with watercolor prints created on plexiglass. She has also created a new lithograph with collage pieces that will be burned and ignited using the artist’s signature technique with fuses and gunpowder, for a new varied edition. My experience at Flying Horse Editions has been a powerful new adventure in artmaking for me. I am honored to have been invited to their artist residency this year, said Mira Lehr. Their passionate commitment to the craft of printmaking is evident, they really put their hearts into the visiting artist’s experience . I was able to experiment with great freedom ‒ they encourage the artists to take risks, while remaining true to your voice. This research space houses professional visiting artists for short term residencies with assistance from master printmakers and students. The artists’ drawings are scanned, manipulated digitally, and then put on a copper plate similar to what would have been used during Rembrandt’s time. Lehr’s nature-based imagery includes painting, design, sculpture and video installation. Her processes include innovative usage of resin, gunpowder, fire, Japanese paper, dyes and welded steel. Her paradoxically destructive yet creative fire techniques burn holes and leave imprints in her prints resulting in an even more layered and complicated final artwork. The resident artists invited to Flying Horse Editions have the benefit of working with a massive 300-ton hydraulic press that is dramatically colored red. This behemoth machine produces complex relief prints that expand the creative possibilities of what artists may have previously envisioned. Unlike traditional presses, this hydraulic press applies an immense amount of pressure, downward onto the printed area, yielding much more precise images, with several blocks in multiple colors. Because the printer requires such fine tuning, Siemens donated a sophisticated electronic system that tricks out the controls enabling unparalleled precision. Watch the high-tech colossus in action here. The Visiting Artist Residency Program at Flying Horse Editions is made possible by the members of the institution, a grant from the Winifred Johnson Clive Foundation, and with funding by the Judith and David Albertson Endowment in the Arts. The goal of the program is to create a world-class initiative that promotes creative interaction between professional artists and students, while also creating sustainability within the printmaking field ‒ training the next generation of artists and printmakers. Flying Horse Editions is a collaborative research center in the College of Arts and Humanities at the University of Central Florida, and a non-profit publisher of limited-edition prints, artist books, and art objects by internationally renowned artists.
About the Artist Mira Lehr’s solo and group exhibitions number more than 300. She is a graduate of Vassar College (1956) with a degree in Art History, under the mentorship of Linda Nochlin, the renowned feminist art historian. Lehr will be the subject of a new, 420-page international monograph by the leading art book publisher Skira Editore, to be published in the spring of 2022. She has been invited to present a solo exhibition at the Deering Estate in the fall of 2021. Lehr has been collected by major institutions across the U.S., including the Smithsonian Museum of American Art (Washington), the Getty Museum Research Center (Los Angeles), the Boca Raton Museum of Art, the Perez Art Museum Miami, the Frances Lehman Loeb Art Center (NY), the Margulies Collection, the Mennello Museum of American Art, MOCA North Miami, the Jewish Museum of Florida-FIU, and the Orlando Museum of Art. Her work is in the private collections of Elie and Marion Wiesel, Jane and Morley Safer, and Judy Pfaff, among others. She is included in the Leonard Lauder Corporate Collection in New York. Thirty of her paintings were commissioned for the collection of Mount Sinai Hospital. Her work can be seen in American Embassies around the world and is permanently on view in the Sloan Kettering Memorial Center. Lehr’s 2020 solo museum show at the Mennello Museum of American Art was selected by The New York Times as one of the leading museum exhibitions nationwide in the U.S. in the 2020 special Museums Section. Her solo museum exhibition headlined Art Basel Miami Beach 2019 at the Jewish Museum of Florida-FIU, and also received national and international critical acclaim. Her museum-wide exhibition at the MOCA North Miami spanned across 10,000 square feet of installations. She has currently been chosen by Flying Horse Editions as an invited artist for the Visiting Artist residency. Mira Lehr’s nature-based work encompasses painting, sculpture, and video. She uses nontraditional media such as gunpowder, fire, fuses, Japanese paper, dyes, and welded steel. Lehr is known for igniting and exploding fuses to create lines of fire across her paintings. Critics are calling Lehr the Godmother of Miami’s art scene because in 1960 she created one of the nation’s first co-ops for women artists. At the age of 86 and with a career that spans more than six decades of artmaking, Lehr is creating more new work now than at any other point in her life ─ with a heightened sense of urgency about the planet and climate change. In the 1950s, Lehr studied and worked in New York as an artist, where she met some of America’s most prominent masters including: Joan Mitchell, Lee Krasner, and Helen Frankenthaler. She studied with James Brooks, Ludwig Sander, Robert Motherwell, and within the Hans Hofmann circle. When Lehr moved back to Florida in 1960, she was shocked at the lack of an art scene, especially for women. She convinced many of the masters from New York to visit and lead workshops for her league of women artists. This helped the evolution of art in Florida. She was selected in 1969 by Buckminster Fuller, as one of only two artists, to participate in his World Game Project about sustainability and his groundbreaking Spaceship Earth concept which preceded the world’s very first Earth Day in 1970. Lehr’s video installation, V1 V3, was on view at the New Museum, NY. Her work has been included in numerous art fairs during Art Basel Miami Beach. She was the recipient of the Vizcaya Museum Lost Spaces Commission, where she was commissioned to create a site-specific installation for Vizcaya Museum and Gardens as part of the Museum’s centennial celebrations.
JAPANESE SONGWRITING LEGEND SHINTARO SAKAMOTO SHARES VIDEO FOR OBSCURE NIGHTCLUB, THE FEELING OF LOVE EP OUT JULY 17, 2021 VIA ZELONE RECORDS, 12″ VINYL RELEASE TO BE RELEASED AS OFFICIAL RECORD STORE DAY DROP
Praise for Shintaro Sakamoto
Sakamoto’s mission is an expressive palette he has carefully made for himself with a ship-in-a-bottle-like focus. – Pitchfork
[How To Live With A Phantom’s] glimmering alloy of post-hippie global pop, soft-rock, lite-funk, Tropicalia, feels both meticulous and sly, vaguely evoking similar efforts by Beck. – The New York TImes
By deliberately amplifying the foreign strangeness that composers built into easy-listening exotica and that dilettantish listeners imposed on bossa nova and Latin jazz, the Japanese musician Shintaro Sakamoto seems to ask, ‘What if this alien music were made by actual aliens?’ – SPIN Magazine
Japanese psychedelic rock legend Shintaro Sakamoto is proud to share the official video for Obscure Nightclub from the new The Feeling Of Love EP, due July 17, 2021 via his own Zelone Records. Watch the video HERE, listen to the title track HERE, and look out for the EP’s vinyl release as a Record Store Day 2021 Drop this weekend. View the list of participating Record Store Day stores HERE.
The video was directed by Kensuke Ide, also a musician himself. Both this video and the next one (to be released soon) were shot on Super 8mm film by the director. Obscure Nightclub is a song depicting an image of Sakamoto gazing at the lost visions of the nightlife. The textures of Ideߣs 8mm film perfectly illustrate the character of the songs made during the pandemic.
The four-track EP features the laid-back style for which Sakamoto’s solo material has become known, but as always, the songs bear the marks of restless experimentation. The title track features characteristic elements like steel guitar and heavily-effected vocals, while Obscure Nightclub is a ballad enveloped in a catchy flute melody. By Swallow Season opens the B-side with its mid-tempo jazzy boogie, accompanied by wah-wah guitar and saxophone. The EP ends with Don’t Tinker With History, a funky number complete with a James Brown-worthy guitar riff.
Shintaro Sakamoto is a Japanese music composer, producer, writer and singer based in Tokyo. He began his career in 1989 as a member of the psych/rock band Yura Yura Teikoku, where he played guitar and sang.
Yura Yura Teikoku released 10 albums over the course of 21 years, disbanding in 2010. The following year, Sakamoto launched a solo career and started his own record label, Zelone Records. He released his debut solo album How To Live With A Phantom, where Other Music Recording & Co. licensed the album for the US/EU/UK release in 2012. In 2014, Sakamoto released a split 7-inch single with Mayer Hawthorne for Record Store Day, and then released his 2nd solo album Let’s Dance Raw.
Once again, Other Music Recording & Co. licensed the album for the US/EU/UK release (and it reached #2 on Billboard’s World Chart in October, 2014). Sakamoto’s 3rd solo album Love If Possible was released in Japan, and digitally worldwide in 2017, and a split 7-inch single with Devendra Banhart was also released in Germany. Shintaro Sakamoto gave his first solo live performance at the WEEK-END Festival in Cologne Germany. In 2018, Sakamoto went to tour in China, Netherlands (Le Guess Who?), London, and Mexico (Tropico Fes.).
In 2019, Sakamoto participated in a song on a new album ATRAS / ALEM by O Terno, a band based in Sao Paulo. In the same year, new single Boat was released with a successful US headline tour (SF, SR, Chicago and NY). In 2021, he participated on a 50th-anniversary musical tribute to beat poet Allen Ginsberg’s The Fall of America: Poems of These States 1965-1971.
The exhibition is on display from June 5th to July 3rd, 2021 at The Untitled Space in New York City.
Curated by Indira Cesarine, “Traumatica Dramatica” debuts the latest series of Murphy’s vibrant and emotionally charged paintings. Lionel Murphy’s paintings are directly influenced by her own personal experiences, as she copes with debilitating PTSD from severe domestic violence. She works out of a little blue shack in a junkyard on her family’s property in Wisconsin, where she paints detailed, vivid works on paper and panel depicting heartbroken giants that magically grow larger, stronger, and scarier than the world around them. Forbes has also recently featured Meg Lionel Murphy’s “Traumatica Dramatica”. Read their full article HERE.
Her solo exhibition “Traumatica Dramatica” addresses violence against women from her own perspective as well as the historical precedent of emotional and physical violence against women throughout the canon of art history. “The idea of violence haunts me, and I try to etch that subject into even the pinkest of paint,“ she has stated of her visceral portraits. Lionel Murphy depicts through her vivid brush strokes and intricate imagery a reverie through which the viewer can get lost with each poetic detail. Her paintings of the female form as giantess unconquerable figures address their experiences of pain, trauma, and healing as well as their interactions with the environments they consume as they assert their power. Her work depicts a reverence for fragility and humanity while examining questions about whiteness, gender, sexuality, class, sacrifice, pain, sickness, loneliness, and most of all—violence and its haunting memories.
Head over to Artsy to check out the viewing room for “Traumatica Dramatica” by artist Meg Lionel Murphy.
Enter the viewing room HERE and view the available artwork HERE.
The Series will run from June 10 through July 18, 2021. Gallery hours are Monday – Friday from 6pm – 10pm and Saturday – Sunday from 1pm – 10pm. Artists will be present during the opening reception of each exhibition. Blank Slate is located at 283 47th Street, Brooklyn, NY 11220.
MASKS examines the shared experiences and the psychology of hiding behind a mask. The compositions and subject matter of the work speak to communal experiences of feeling disconnected as we emerge from the wake of the COVID-19 pandemic.
Maxwell Sykes is a Los Angeles-based painter who focuses on oil painting and draws inspiration from color and figure. Maxwell learned basic skills from working with his father’s construction company in South Central LA at the age of 13. His work can be found on Instagram.
Spencer Flores, a Mexican American artist, is influenced by his obsession with music and music videos and an endless fascination with comics, cartoons, and film. Ren & Stimpy is one of his biggest influences when it comes to storytelling and exaggerated art styles. As an artist, he is constantly in search of the nostalgia of his youth. His work can be found on Instagram.
Everyday Goddess by Liliana Rasmussen
June 24 – June 27
Liliana Rasmussen is a Brooklyn-based artist from the West Coast whose work emphasizes feminine energy and agency and seeks to capture the beauty of women of color. A multi-disciplinary artist, she also creates tufted rugs, mirrors, and wall pieces. Her work can be found at Lily & Papaya and on Instagram
Rise of a Movement: BLM by Divine Williams
July 1 – July 10
Divine Williams, a Trinidadian photographer based in Brooklyn, has been documenting the evolving Black Lives Matter movement for more than seven years. This exhibit features her collection “We March for our Brother” (Trayvon Martin, 2013); “Uprising in Ferguson” (Michael Brown, 2014); “Memorial of Sterling” (Alton Sterling, 2016); and “The Last Straw” (George Floyd, 2020). Her work can be found on Instagram.
Faces and Memories by Frida Vargas
July 15 – July 18
Frida’s artwork evokes emotions drawn from experiences in the journey of her life, reflected in colors and abstract shapes. About “Faces and Memories,” Frida has [said / written]:
Sometimes the journey is tough. So much so that as a result of the pandemic, I learned the hard way that people aren´t forever, but art is. Unfortunately, I’ve lost loved ones, I’ve even lost myself. Life, despite everything, is astounding and unexpected, and we must accept it as such. In these difficult events, painting was the only way I could cope with these tragic circumstances, and it has been quite an experience. So, in this collection, I´m taking the human form by a different approach. What does it mean? The rest is up to you.
Born and raised in Chihuahua, Mexico, Frida is an artist and architect. In her works, she experiments with a wide range of different techniques, especially oil on canvas. Her paintings can be described as abstract and colorful compositions. Frida’s work can be found on Instagram.
For more information about the inaugural Summer Exhibition Series, visit Blank Slate.
David Irvine is the multi-talented artist behind the Gnarled Branch. He is known for his imaginative ‘Re-Directed Paintings’, whimsical furniture, original paintings, painted burnt out light bulb ornaments, salvaged record paintings, and so much more. You can visit his Etsy shop here! You can see throughout his work that there is an interest with popular characters which brings life to the rural paintings he often re-directs. Irvine will match the original artist’s style within the painting or counter it intentionally, but he always leaves the original signature clear to see. There’s a story behind each of his works, including the painting “The Last Trick or Treater” which is one of Irvine’s favorites. Read on to learn more about David’s work, inspiration, and so much more.
What is your background – in addition, did your upbringing prompt a specific reference point within your work? Is your work informed by certain concepts or themes from your childhood, background, socioeconomic status, where you lived or were raised?
DI: I was fortunate to be raised by parents who appreciated all the arts. Going to see theatre shows, music performances, and gallery exhibits were always exciting. I was encouraged to develop with the visual arts and musically as well with regular music lessons and art lessons. They were at first concerned when I decided to pursue a career in the visual arts, as they knew it can be a real struggle – but were fully supportive and excited that I was accepted into art college to study illustration.
How does this impact how you see the world and create art?
DI: It’s no secret the art world can be very snooty, takes itself far too seriously and that is a real shame. In a lot of the genres that I do- I am always considering humor and fun as elements in a piece. Especially during these difficult pandemic times, art needs to uplift and provide smiles and not be staunch, same old -same old themes that have been done over and over.
Do you have an educational background or experiences that have contributed to your evolution as an artist?
DI: I studied illustration at Sheridan College, and throughout my childhood would occasionally take art lessons. The rest was experimenting and being self-taught with various mediums and medium combinations. I taught visual art to a wide range of ages through community night school and was an art tutor to a terrific student with special needs. Those were very memorable years.
What does your work aim to say?
DI: I do so many different genres of art, I think there’s a spectrum of what I want to communicate…. from making people laugh and feel good — to the darker, macabre work to scare and bring the viewer into a world that they may not feel comfortable being in… I guess I make art to get a reaction… not just creating something for its sole purpose is to look pretty and match the sofa.
Is there a particular artist that inspired you to pursue art?
DI: My grandfather was an accomplished amateur painter and I’d watch him work and see the pieces he did… maybe that was the first seed…Other than that I would always sign out art books from the library and soak in everything from master painters to illustrators and cartoonists who worked presently.
Whose techniques do you study or admire?
DI: There are so many — but in high school, I always enjoyed Ralph Steadman ink illustrations, Van Gogh for his boldness, Rene Magritte for the unique and surreal visuals … Currently I’ll search through websites like Tumblr or magazines like Juxtapoz and discover artists both old and new who mix unusual mediums or have their own unique style.
How do you cultivate a collector base?
DI: When I first started as a fine artist, I didn’t have a computer- the internet wasn’t a thing yet, so I was reliant on physically going to galleries and public places to show my work. From little gift or record shops to restaurants and cafes. Now with technology, it’s just a matter of updating and refreshing social media, submitting articles to websites, or being lucky and being featured by a blog, website, or podcast…it all helps and a lot more convenient to be able to post an instructional video from home, or post new work in progress photos to a website, than to lug workaround or mail promo packages out to land a show. Once a collector is on board, having top-notch customer service skills and excellent communication is key…
What inspires you to paint?
DI: I’ll have a lot of eureka moments as I’m sketching or planning out new works or series….and I have to then see that eureka image come to fruition. It would drive me bananas having a good idea sitting there on a page and going nowhere. As well it is my chosen job- so those bills must get paid.
How do you look for new ways to challenge yourself?
DI: I get bored very easily… so challenges are always put in place to not get bored. Every artist has a spectrum of color they usually gravitate to when creating a piece…I like to switch things up and use the colors I don’t normally use or come up with different color combinations/ mixing. I’ll even wear tinted sunglasses so the colors I think I’m using wind up making happy accidents when I look at the piece without the sunglasses. Using oil pastels with acrylic paint… various types of inks and papers …are many variables that can be used to break away from regular tendencies when approaching a piece.
Do you have a favorite painting that you have completed? If so, can you tell us the story behind it?
DI: I did a solo show a few years ago with Halloween as the main theme. A few favorite paintings came out of that show including one called the Last Trick or Treater. It showed a bird’s eye view looking down onto an old tyme small hamlet, and one child in a ghost costume running down a street with a lantern. I think I captured the quiet of the night, and the bit of panic the boy was having as he was quickly trying to get home.
What inspired Re-Directed painting for you?
DI: When I first started as a fine artist, I had very little money and art supplies and framing was expensive. I would frequent yard sales and thrift shops to purchase old frames, lithographs on board, and existing canvas prints to paint over and frame. Around 2009 I started to paint weird imagery in an existing piece and then later one piece my Mom was getting rid of was a seascape -where I had the immediate vision of two reapers playing with a beachball. I painted them in, shared them on social media and things snowballed rather quickly from there. I came up with the term re-directed as I used that as a tag and hoped people would begin to associate it with me…and it worked! Other people now use that term – which is fine… I prefer that to ‘Improved Painting’…as I never meant to demean the original artist. All these redirected pieces were salvaged and unwanted and quite likely wind up as landfill. I hate waste and seeing potential thrown away. This was just another method to upcycle. I’ll spend considerable time touching up the piece from scratches, buffs or sun/ water damage then I’ll add in my own visions. ..never covering the signature of the original artist. Research is always done prior to any painting to insure it’s not of significant value. I rarely work on originals, always lithographs, canvas prints, or anonymous paint by numbers.
Is there anything that you would like to add?
DI: Even though most know my work through my ongoing Re-Directed thrift art series, I look forward to continuing my upcycling work (hand-painted ornaments using salvaged burnt-out light bulbs, pop art paintings on discarded, damaged vinyl records, beer cap pins, and redoing/painting discarded wooden furniture…) and preventing landfill.
Red Bull has teamed up with the New Orleans Pelicans and renowned visual artist Brandan “Bmike” Odums for NOLA Has Wiiings, a project dedicated to replacing backboards at basketball courts throughout New Orleans.
Bmike selected eight local creatives to transform old local backboards into works of art, which will be on display starting this month at the New Orleans Pelicans’ Smoothie King Center and online at RedBull.com.
New Orleans locals can vote for their favorite backboard starting today via the Pelicans Mobile App or website. The artist with the most votes will have the opportunity to conceptualize and design a full art court that serves the New Orleans community.
Bmike’s custom backboard, for exhibit only, will be on display at Studio BE for the duration of the project.
NOLA Has Wiiings brings artists from around the city together to celebrate, brighten and educate communities through colorful displays of art that showcase NOLA’s unrivaled ability to rebound.
Ceaux, a New Orleans-born multidisciplinary artist, has created a backboard inspired by Harrell Park – located on the “Pigeon Town” side of Carrollton – and the color and playfulness that’s felt at playgrounds.
Ayo Scott, painter and son of nationally recognized artist John T. Scott, has created “Big Ol’ Lil Big Chief” in collaboration with Big Chief Terrence “T” Williams of the Black Hawk Hunters, which is inspired by the resilient spirit of the people of New Orleans.
Kara Crowley – Visual Artist, an artist who embraces black culture and positive representation in her own artistic interpretations, has created a backboard which showcases multiple hands expressing the message of unity.
Jessica Strahan, a self-taught painter and muralist native to and based in New Orleans, has created a backboard inspired by dance and its ability to take people through vibrant moments in time.
Marc Verrett / MarcFreshArt, a Baton Rouge based muralist, has created a backboard that illustrates a positive rise to overcome obstacles through imagery of a skull paired with colorful butterfly wings to represent the eternal drive to fly above.
Jade Meyers/THEARTISTJADE, Art director and founder of the art-based company, “J A D E 1 9 9 1,” has created a piece inspired by liberation, growing up in New Orleans, power, nature, Black culture and sports culture.
Bryan Brown, an artist whose work focuses on New Orleans culture, random but beautiful moments, and philosophy, has created “The Big Brain,” a representation of getting mentally healthy to unlock one’s true full potential.
1985 Poet; Artist: Monique Lorden, an artist and author and co-illustrator of “I Wish for Freedom,” a poetic picture book, was inspired by her memories of hooping at the park to create “Hoops Dreams and Poetry,” a visual story of childhood hope and community.
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