Posts tagged with "campaign"

Photo of Donovan Mitchell by Bodyarmor for use by 360 Magazine

Bodyarmor SportWater × Donovan Mitchell

“Made For More”, featuring NBA All-Star Donovan Mitchell.

“Made For More” is all about hydrating and celebrating a special kind of person – those who are in the pursuit to be better by making the most of every day, embracing their authenticity and making choices that result in better outcomes. As a world-class athlete, Donovan perfectly exemplifies the essence of this campaign.

7-time Grammy Award-winning superstar and Bodyarmor’s first-ever lifestyle equity partner, Carrie Underwood, is also featured within the “Made For More” campaign, which you can watch here! Watch the Made for More SportWater campaign featuring Donovan Mitchell here!

“It’s been exciting to stay involved with Bodyarmor and build upon the relationship I’ve had with them since 2018,” said basketball superstar Donovan Mitchell. “Today, we’re launching our new ‘Made for More’ campaign, showcasing how Bodyarmor SportWater is the ultimate all-day hydration partner for the most active and multi-faceted people out there. The alkaline pH9+ and proprietary electrolyte formula helps fuel my busy days and allows me to be more productive day-in and day-out.”

Usher illustration by Heather Skovlund for 360 Magazine

Rémy Martin × Usher

Rémy Martin and Usher team up to celebrate two cultures of excellence:

Music and Cognac

“Team Up For Excellence ‐ The Film” Imagined in collaboration with FRED & FARID New York Brings to Life the History of Harmony Between these Cultural Entities Through a Musical Journey

Rémy Martin announces a collaborative new campaign with multi‐Grammy award winning musical artist, Usher to celebrate the harmonious blending of two cultures of timeless excellence: Music and Cognac. “Team Up For Excellence – The Film” highlights the cultural connection between Cognac and American music since 1917 in France, and how the two have been synonymous ever since.

In the Film imagined in collaboration with FRED &FARID New York, Usher narrates a story spanning the decades from the 1920’s to present day, which pays tribute to the multi‐cultural connections, celebrated styles and rhythms of the past. From Blues to Hip‐Hop, Swing Dancing to Break‐Dancing; Usher and Rémy Martin 1738 Accord Royal travel through decades in France and the US, to honor these cultural figures; both rooted in a shared philosophy of aiming for the stars.

“Music doesn’t need Cognac to exist, and Cognac doesn’t need Music to exist,” states Usher, “but what is beautiful is that they were meant to meet and when they did, they created cultural harmony.”

Teaming up with Usher and Rémy Martin, are globally recognized creatives including Raphael Saadiq, world‐renowned musical composer; Marci Rodgers, Academy‐Award winning costume stylist; Aakomon Jones, award winning dance choreographer; and director of the production; Jake Nava.

“I was really inspired by creating the historical music scenes in a way that felt true to the spirit of that moment, but also relevant and eye‐catching to a young contemporary audience,” states Jake Nava, “This dual priority informed my direction of all the music, dance and Usher’s performance.”

The heart and soul of cultural movements throughout history paved the way for future artists to innovate, while paying homage to their roots and the musical styles that came before them. The same respect for heritage is honored by Rémy Martin and Cellar Master, Baptiste Loiseau, who has inherited the savoir‐faire of the House from previous generations of cellar masters. Through this transmission of knowledge, Rémy Martin®1738 Accord Royal continues to encompass the spirit of celebrating depth of character and the excitement of indulging in moments of collective success.

“Rémy Martin has been at the center of celebration for centuries, and the celebratory nature of Music is synonymous with our history of honoring communities and culture,” said Amaury Vinclet, Global Executive Director of Rémy Martin “Acknowledging this collective success has been at the heart of Rémy Martin since 1724.”

Historically, Rémy Martin and Usher teamed up during his 2010 “OMG” world tour, where the Cognac brand was the official sponsor of after parties across the United States, Canada and Europe. Additionally, Usher co‐hosted the launch dinner for Producer Series with Jermaine Dupri in 2018.

“Team Up For Excellence – The Film is a monumental artistic achievement stemming from our collaboration and long‐standing relationship with our trusted creative global agency, FRED & FARID,” said Philippe Farnier, Chief Executive Officer for The House of Rémy Martin. “We celebrate this performance between our brand, creative agency and artist Usher. At Rémy Martin, we team up with those sharing our same quest for excellence, rooted in our values of people, terroir and time.”

For almost 300 years, the story of Rémy Martin has been one of family, partners and collective success. Teamwork has always been at the heart of the brand, passing the spirit of collaboration on to younger generations. The desire to team up with others in a quest for excellence has been a part of the Rémy Martin ethos since 1724, with the constant dedication to creating premium Cognac. To continually go further and aspire to achieve more is a reflection of the Centaur, Rémy Martin’s brand figurehead for 150 years. Following the launch in the United States, the short film will be screened and showcased globally.

CREDITS:

Brand: Rémy Martin

Title of ad: Team Up For Excellence ‐ The Film

Agency: FRED & FARID New York

Music: Raphael Saadiq

Costume stylist: Marci Rodgers

Dance choreographer: Aakomon Jones

Director: Jake Nava

ABOUT RÉMY MARTIN

Since 1724, Rémy Martin has produced premium spirits that consistently appeal to the world’s most discerning connoisseurs. A profound love of the land, a continuity of family ownership and   a passionate commitment to excellence has sustained Rémy Martin for nearly three centuries. As a result of its masterful production and generations of tradition in Cognac, Rémy Martin today produces Fine Champagne Cognacs, including Rémy Martin® XO, Rémy Martin® Tercet, Rémy Martin 1738 Accord Royal and Rémy Martin® V.S.O.P For additional information, visit the website.

ABOUT USHER

Challenging himself creatively, testing musical boundaries and being on the creative forefront of new and developing trends are characteristics that have defined Usher throughout his 20-year career. Usher has been ranked by the Recording Industry Assn. of America as one of the best‐selling artists in American music history, having sold over 65 million albums worldwide. He has won numerous awards including 8 Grammy Awards and was named the #1 Hot 100 artist of the 2000s decade. Usher has attained nine Hot 100 #1 hits and 18 Hot 100 top‐10 singles. His career in TV and Film includes 2 seasons as a coach on NBC’s The Voice as well as starring roles in films such as “Hands of Stone” and “Burden”. 2021 continues to be a busy year for Usher with an upcoming new album release and the launch of his much-anticipated Las Vegas residency at Caeser’s Palace. In the past year Usher’s two singles “Don’t Waste My Time” and “Bad Habit” both hit #1 on the Billboard R&B Charts. He also released “I Cry”, a powerful and emotional song about the social and racial injustices of our time. Usher is currently in the studio recording his 9th studio album which will be released late 2021.

ABOUT FRED & FARID New York

FRED & FARID is a purpose-driven company producing meaningful ideas, grounding brands into culture. Based in New York, Paris, FRED & FARID New York’s culture is a peculiar mix of the French sense of craft and taste, the Chinese sense of tactic and digital, and the American sense of vision and strategy. The agency focuses on creative consulting, brand strategy, branding, content & social activation, and has produced 1800+ creative campaigns for 250+ brands in 33+ industries, winning 950+ awards and 25+ industry titles – including the AdAge Small Agency 2020 Gold Newcomer of the Year, and Best Integrated Campaign of the Year.

Child illustration by Heather Skovlund for 360 Magazine

Child Friendly Faith Project

Child Advocacy Group Highlights Abuse in Religious Institutions for Child Abuse Prevention Month

With National Child Abuse Prevention Month underway, the Child-Friendly Faith Project (CFFP), a national nonprofit that educates the public about religiously enabled child maltreatment, is raising awareness of crimes against children perpetrated in religious institutions.

The CFFP is also drawing attention to a dangerous court decision that could prevent abusive institutions from being held accountable and offering a valuable resource to parents and guardians to help them determine whether they should enroll or continue to enroll their children in certain religious institutions.

The little-known ecclesiastical abstention doctrine (EAD) guides courts in deciding First Amendment, religious matters. While historically the EAD has been raised in cases relating to claims of wrongful termination, in recent years religious schools facing lawsuits involving allegations of child harm have pushed courts to interpret the EAD very broadly to get cases dismissed. In one recent case, the Episcopal School of Dallas was permitted to ignore its own legal contracts with parents and the emotional harm suffered by a child never came to light.

Given this alarming legal precedent, parents and guardians of children who have been harmed by private institutions could lose their right to seek relief in court, while the institutions might never be held accountable.

Parents who have children enrolled in private, faith-based schools (or are considering enrolling them) should be aware of the potential harm posed by the EAD. With this in mind, CFFP’s campaign is offering parents valuable tips on how to determine whether they should enroll (or continue to enroll) their children in private, faith-based schools:

  • Determine whether the institution your child is enrolled in (or might be enrolled in) could claim to be faith-based. Some private schools have stretched the meaning of “faith-based” as a way to be shielded by the EAD in court. Even if an institution seems to operate in a way that appears secular, as long as a facility, school, program, or daycare operation can claim that it has some sort of faith-based or spiritual component, it could convince a court that it should be protected by the EAD and cannot be sued for child abuse or neglect.
  • Read the school’s contract carefully. Many schools specify in their contracts how legal issues must be resolved. For example, some require parents to agree to mediation. It’s important to know what legal recourses you’re agreeing to. However, be aware that if a case goes to court, the EAD does have the potential to make contracts of religious school’s moot.
  • Ask to see a school’s child-abuse prevention policies & procedures. Those that take abuse seriously and proactively develop and enforce comprehensive abuse-prevention policies are usually open to making these policies available and may even post them on their websites.
  • Research whether the school has a history of abuse allegations. Conduct an online search using the name of the institution and words such as “lawsuit,” “sued,” and “abuse” to determine if it has been accused of abuse or of covering up cases in the past. Be extremely wary if you find a pattern of abuse allegations, even if you do not find information about final court decisions.
  • Explore the educational programs of secular private or public schools. Children can receive a high-quality education and experience at many different types of schools. Consider the offerings of private secular schools or public schools, which would be unable to raise the EAD in court.

Recent abuse cases

The CFFP has previously exposed issues of religious institutional child abuse and offered support to survivors and affected families. An example is its efforts to make public the decades-long, egregious abuses perpetrated at Cal Farley’s Boys Ranch. Recently, other cases have also made the news:

  • Southern Baptist Convention (SBC) — Last February, the SBC’s executive committee voted to expel two member churches for employing pastors who were convicted sex offenders. One pastor, who had been with his church since 2014, had pleaded guilty to two counts of statutory rape of a minor in the 1990s. The other pastor led his church since 2018, despite having been on Florida’s sex offender registry since 1993. In 2019, the SBC published a report on preventing and responding to cases of sexual abuse and later launched its “Caring Well Challenge” that calls on all SBC churches to adopt the report’s recommendations. Unfortunately, the program is voluntary.
  • Circle of Hope Girls Ranch — The owners and operators of this faith-based boarding school in Missouri face more than 100 criminal charges of sexual, physical and mental abuse of girls in their care. Their arrests came after their estranged daughter, Amanda Householder, posted social media videos of former residents talking about the abuse they endured. In an interview with a Missouri TV station, Householder said that victims had been speaking out since 2007. “Why did it take ten years for anyone to do anything?” she asked.

A dangerous court decision

While it’s heartening that these cases are receiving public attention, it is possible that they, and many more like them, could be dismissed thanks to a legal precedent set by a Texas appellate court in 2018. The case involved the Episcopal School of Dallas which invoked a common-law doctrine known as the “ecclesiastical abstention doctrine” (EAD). The EAD provides guidance to courts when weighing in on First-Amendment, religious matters. However, in the Dallas case, in which a father alleged that his son had been wrongfully expelled and in violation of school policy, it was applied very broadly and used to shield the school from being sued.

In another case involving Trinity Episcopal School in Galveston, Texas, a district court, in recognizing the EAD, threw out a lawsuit filed by a mother whose son had endured repeated racist bullying by other students. The mother wanted the school to hold the perpetrators accountable after the school had only demanded a written apology and suspended them for one day. Despite emotional trauma suffered by the victim, the judge agreed with the school’s claim that a court should not “intrude upon a religious institution’s management of its internal affairs and governance.”

“The EAD allows courts to prioritize a religious institution’s desire for secrecy and avoidance of accountability over the wellbeing of children,” said CFFP founder Janet Heimlich. “In cases in which organizations invoke the EAD, the public may never learn what abusive or neglectful actions took place, and parents may unwittingly enroll their children in those schools.”

To schedule an interview with a representative of the CFFP, an affected parent or a survivor of religious institutional child abuse, contact Jeff Salzgeber  through email or (512) 743-2659 cell.

The Child-Friendly Faith Project (CFFP) is a national, 501(c)(3) nonprofit organization that seeks to end religious child maltreatment by raising awareness of this issue through educational programs that benefit the general public, survivors, professionals, and faith communities.

BeBe Shopp illustration by Heather Skovlund for 360 Magazine

Miss America Partners with Rowan University

Miss America Partners with Rowan University for 100th Anniversary Archival Project

With an eye on history and ideals of beauty, students digitize Miss America archives

“There she is…”

One hundred years of artifacts from the Miss America Competition—from jeweled crowns and velvet capes to programs, photographs, judges’ books, oil paintings, films, and business records—tell more than the story of the competition.

They also provide a rich look at both American and New Jersey history and help illustrate how ideas surrounding beauty and women’s roles in society have changed over a century. 

Now, through a unique partnership with the Miss America Organization, Rowan University students are sifting through the organization’s expansive archives and digitizing the artifacts. Their work, currently underway in the Digital Scholarship Center at Campbell Library, will be the cornerstone of the new Rowan Digital Collections.

Scholars worldwide eventually will have access to the artifacts through the archive, hosted by Rowan Libraries.

Currently, the massive Miss America collection is tucked away in storage in South Jersey. The storage contains a treasure trove of floor-to-ceiling artifacts from the competition.

The Miss America Organization will continue to retain the physical artifacts. But the digitization, which began with program books and some oil paintings of former winners, will ensure the artifacts are categorized and documented–and available widely to future scholars.

The preservation partnership was orchestrated by University administrators, who were approached by the Miss America Organization.

‘An enduring feature of American culture’

“We’re excited Rowan is doing this, and we’re thrilled the University sees value in this project,” says Shantel Krebs, chair of the board and interim president and CEO of the Miss America Organization.

“This is New Jersey history. The digitization project will help others learn more about the quintessential competition and its evolution from a ‘bather’s revue’ into a nationally recognized non-profit that offers scholarship assistance and helps thousands of young women from America to improve their communities through service.”

The project will be a crucial resource to scholars and students, notes College of Humanities & Social Sciences Dean Nawal Ammar.  

“The Miss America competition has been an enduring feature of American culture, producing idealized images of female beauty and achievement,” says Ammar.

“However, the pageant also has been a space to challenge those images, both inside and outside the competition hall. This collection will be an invaluable source for the study of American history, culture, women’s history, business history, media studies, and many other topics.”

Project manager Katie Turner, a professor of history and American Studies, says Rowan students working on digitization are gaining first-hand experience of the archival process. 

“This is a great opportunity for our students to get their hands on history and to really see what goes into making a collection,” adds Turner. “Everything today is digitized for students. They often don’t get to see and touch historical documents. When you sift through paper and do research in an archive, there’s a real commitment to the work.”

Founded as a bather’s revue by businessmen in 1921 as a gimmick to lengthen the summer tourist season in Atlantic City by capitalizing on popular American ideals of female beauty, the competition in its early years was often a steppingstone for women who wanted to pursue show business careers. More than 100,000 people swarmed onto the Atlantic City Boardwalk the first year to watch 16-year-old Margaret Gorman be crowned.

Candidates in the 1920s were rated by judges on everything from the construction of their heads to their “grace of bearing” to their eyes, hair, torso, and hands. Every measurement—from ankles to biceps to head—was recorded by judges and assessed on a points system.

By the 1950s, the competition, under the leadership of Lenora Slaughter, the program’s director for more than 25 years, had been transformed into a source of scholarships for contestants. In 1958, more than $200,000 in scholarships were awarded.

A crown jewel for Atlantic City.

But the competition, a crown jewel for Atlantic City, has not been devoid of controversy. In 1968, it was the site of the first major women’s liberation protest in the United States, when the New York Radical Women, some 400 strong, protested on the Atlantic City Boardwalk. They maintained that the competition objectified women and upheld female stereotypes.

Protestors through the years also objected to the program’s exclusion of women of color. The first Black Miss America, Vanessa Williams, was crowned in 1983—more than 60 years after the competition’s founding.

That isn’t lost on Rowan senior English and writing arts major Destiny Hall, who is working on digitization. She started with the 1984 Miss America magazine, where Williams is featured prominently. Hall, a women’s and gender studies minor, says work on the project has been eye-opening as she explores her own views of feminism.

“Part of being a feminist is allowing women to be whatever they want to be. I have a complicated history with Miss America. In the beginning, I saw it as sexist. Now, I see it as a celebration of womanhood. Many of these women compete to further their careers,” says Hall, 22, who will attend graduate school at Columbia University in the fall as she pursues a career writing fiction for women.

“Through this project, I feel like I’m preserving history and I really appreciate that. It’s important to have this information and to have access to it.”

Freshman English major Grace Fox, who is pursuing the Thomas N. Bantivoglio Honors Concentration in the Honors College, is digitizing program books.

“I’m hoping I’ll find one nugget…something nobody knows about,” says Fox. “I’m definitely looking at the advertisements, the kinds of products they marketed, the images of fashion. There’s so much value in this work. It’s so applicable to things we talk about in class, including how societal views on women’s bodies are enmeshed in the culture we see.”

Robert Hilliker, interim associate provost and director of research engagement and scholarship at Rowan Libraries, and Michael Benson, digital scholarship specialist, are overseeing the digitization work. Additionally, Center for the Advancement of Women in Communication Director Julie Haynes, whose research focuses on depictions of gender in popular culture, is involved in the project.

About the collection

While programs, photos, and other ephemera are being scanned, other artifacts, such as crowns, trophies, and a Waterford scepter carried by winners, will be photographed. Scores of oil paintings and sketches of winners, including some sketches by renowned portrait artist Everett Kintsler, whose work includes official White House portraits of Gerald Ford and Ronald Reagan, will be digitized under the guidance of Rowan art historians.

Rowan’s Department of Radio/Television/Film may assist in digitizing hundreds of films and slides, some of which were donated by shore-area residents who religiously attended the annual Miss America parade on the Boardwalk.

“Prioritization of the digitization will be quite a project,” Hilliker notes. “The collection is so special from an archivist’s standpoint because it contains varied materials. That will make for some interesting research projects, but it also presents a lot of technical challenges. For our students, this project certainly will be an excellent apprenticeship in digital preservation.”

The collection is an eclectic mix.

The same storage that currently houses the unwieldy Golden Mermaid trophy, presented in the early 1920s to the winner, also includes the crown of 1955 winner Lee Meriwether, who went on to a successful television career. Then Miss California, Meriwether was the first Miss America to be crowned on television, an event that drew 27 million viewers.

Stars flocked to the competition over the years. Grace Kelly was a judge. Marilyn Monroe was the grand marshal of the parade in 1952. Eddie Fischer was a host before Bert Parks, famed singer of the “There She Is” Miss America theme, emceed for 24 years.

The collection also includes Slaughter’s personal scrapbooks. Some of her other papers are housed at the Smithsonian Institution.

Some of the artifacts, such as the film of Meriwether being crowned, were lost during an Atlantic City Nor’easter some years ago. That makes the digitization project particularly valuable, Krebs notes.

BeBe Shopp, Miss America 1948, says she’s delighted Rowan students are preserving Miss America’s legacy.

“This will make it easier for anyone to view our history and learn how Miss America has grown and become even more vital to young women today,” says Shopp, who represented Minnesota in the competition. “This is important. What an experience the students must be having combing through hundreds of thousands of documents and learning about our past. At my age, I’m thrilled that they are going to preserve me for ages to come.”

Supporting the archival work

The Miss America Organization has established a campaign to help fund the digitization project and preserve the thousands of artifacts in the organization’s 100-year history. Visit the organization’s funding site to learn more about supporting the work.

Bronx Point Renderings by John DeSio (Risa Heller Comms) for use by 360 Magazine

TIME 2 BUILD CAMPAIGN

Campaign To Build the Universal Hip Hop Museum Begins

February 24, 2021 marks the official virtual announcement of the $100 Million global capital campaign, “Time 2 Build” for the permanent home of the Universal Hip Hop Museum in the South Bronx, the cradle of Hip Hop culture. As we enter Phase 2, after raising $23M during Phase 1 for initial construction, The UHHM is launching its capital campaign to support the museum’s “Fit Out” of its interiors. The future home of the Universal Hip Hop Museum is poised to become the premier cultural institution founded to preserve, protect, and present the historic cultural influence of Hip Hop worldwide. This soft launch is designed to engage, excite, and drive donations from Hip Hop lovers locally and globally. With a targeted opening date of 2023 that coincides with the 50th anniversary of Hip Hop, the UHHM will rise with the support and generosity of generations of “Hip Hop Heads” and their passion for the culture.

At 2:00 pm EST veteran radio host on the SoundChat Radio network, Barbara “Roxie” Delaleu, will be joined by Rocky Bucano, Founder and Executive Director of the Universal Hip Hop Museum, with remarks offered by Civil Rights icon, Dr. Benjamin Chavis of Black Press USA. Joining them will be DJ Spark of iHeart Radio, and MC Lyte’s Hip Hop Sister’s Network, and Monalisa, host of Dublab’s Paths of Rhythm. Former New York State Assembly Member and Chair of the Capital Campaign and UHHM Chief Strategist, Michael Blake, and more will join this event to share why donating to build the Universal Hip Hop Museum in the birthplace of Hip Hop, as the “Official Record of Hip Hop,” is so vital culturally. Register in advance for the Universal Hip Hop Museum’s Time 2 Build Capital Campaign fund by visiting this website.

Viewers will be led on a dynamic 3D virtual tour of the Universal Hip Hop Museum, by the UHHM’s Director of Design, architect Michael Ford, founder of the Hip Hop Architecture Camp. He’ll preview the museum’s design within Bronx Point–the award-winning mixed-use, waterfront. 1 million square foot, affordable housing development project in partnership with the New York Economic Development Corp. (EDC), Empire State Development (ESD), and L & M Development Partners. The Universal Hip Hop Museum is the New York City Council’s designated cultural anchor at Bronx Point. And the “Award for Excellence in Design,” has been awarded by the New York City Design Commission to L&M Development Partners for Bronx Point, the future home of Hip Hop culture.

Bronx Borough President Ruben Diaz said “Bronx Point is a tremendous step forward for our borough. Inclusion of the Universal Hip Hop Museum as part of this project will help showcase our role in the creation of that worldwide cultural movement for generations to come.”

Rocky Bucano, Executive Director states, “It is a pivotal time now more than ever that we bring this museum to life. It is a cultural timestamp that will bridge the Hip Hop and Bronx community with a permanent place to call home, but we can not do it without your support. This capital campaign is a call to action to ensure we preserve the culture.”

Michael Blake said as the Chair of the UHHM Capital Campaign, Chief Strategist and former Assembly Member (79th District, The Bronx), “The time for Hip Hop to have its home has come. Now, it’s Time 2 Build. Our $100 Capital Campaign, which is in five phases to signify the five elements of Hip Hop, will ensure that the Official Record of Hip Hop is cemented where it should be, in the South Bronx, the South-South Bronx!”

About The Universal Hip Hop Museum
Anchored in the birthplace of Hip Hop culture, the Universal Hip Hop Museum will break ground in the Bronx in 2020. Built as a space for audiences, artists, and technology to converge and create unparalleled educational and entertainment experiences, the museum is slated to open in Bronx Point in 2023.  The UHHM will celebrate and preserve the history of local and global Hip Hop music and culture past, present, and future.

Bronx Point Renderings by John DeSio (Risa Heller Comms) for use by 360 Magazine

Bronx Point Renderings by John DeSio (Risa Heller Comms) for use by 360 Magazine

JLO × COACH

By Cassandra Yany

Coach unveiled its holiday campaign with the central message “Holiday Is Where You Find It.” It emphasizes the message that holiday is a state of mind regardless of how you’re celebrating this year.

There is no doubt that 2020 has been a unique year for everyone. Coach acknowledges this through the campaign and underscores that during these unprecedented times, the meaning of the holidays remains the same no matter how different festivities may look this year. They encourage fans of the brand to “cherish the big things, celebrate the small things.”

“Holiday Is Where You Find It” highlights Coach’s belief in optimism, finding joy in the little things and seeking comfort in togetherness and family traditions. The campaign will be presented in a series of short vignettes and images showcasing the cast celebrating new and old traditions. 

The cast consists of Jennifer Lopez and Michael B. Jordan and their families, as well as ambassadors such as Kiko Mizuhara, Jeremy Lin and Yang Zi. Other members of the Coach Family featured in additional content include Camila Morrone, Megan Thee Stallion, Quincy, Yuna and Ramla Ali. 

Jordan is depicted celebrating Kwanzaa with his parents Michael B. Jordan Sr. and Donna Jordan, brother Khalid Jordan and sister Jamila Jordan-Theus. A video shows the family setting up the lights outside to spread holiday cheer. “Hanging out and giving back, honestly that’s at the top of my list,” said Jordan. 

Lopez is seen on Coach’s Instagram with her mother Guadelupe Lopez, and her children Emme and Max Muñiz. “I find holiday in the smiles on my kids’ faces,” said Lopez. “Number one on my to-do list is to count my blessings.” She is photographed wearing the Beat Shoulder Bag and the Holiday Cityscape Intarsia Sweater.

Lopez’s involvement in the holiday campaign follows her first collaboration with the fashion brand for the Coach X Jennifer Lopez Hutton Bag which launched earlier this month. The bag was designed with Creative Director Stuart Vevers and inspired by Coach and Lopez’s shared values of authenticity and inclusivity. It combines Coach as a modern-day icon with Lopez’s unique approach to style.

The holiday campaign spotlights the Beat Shoulder Bag, inspired by the downtown attitude of New York. The purse has three compartments for organization and a secure snap closure. The crossbody strap allows for hands-free wear, while the interchangeable chain strap lets you carry the bag. Crafted with soft leather, the Beat Shoulder Bag is available in a variety of colors and patterns, with distinct embellishments accenting some of the versions.

Also presented is the new Hitch backpack and belt bag for men. Each comes in three different color variations. The backpack is available in solid black and patterned black/gray, brown/black and brown/tan displaying Coach logos, while the belt bag is sold in solid amber and patterned brown and brown/tan with logos. Made of leather and canvas, the backpack is spacious and has multiple pockets for accessories. The bag is durable and lightweight, making it multifunctional and perfect for anything from work to travel. The leather belt bag was created with a hands-free design, and the zip closures and exterior pocket make essential items easily accessible. The bag can effortlessly be dressed up or down.

A social series will feature the archive-inspired Swinger Bag, which was first introduced in the ‘80s and has been reimagined for today. The short-strap shoulder bag is available in both nylon and leather. The bag is sold in a number of solid colors and a patterned version containing Coach’s signature jacquard. It is secured with a zipper, along with the iconic turn-lock closure. The Swinger Bag also has a detachable strap for those who want to style it as a crossbody.

Coach worked with a global family of creatives to bring this campaign to life. This team included photographers and directors Ryan McGinley, Renell Medrano, Hao Zeng, Brad Ogbonna, Takako Noel, Gen Yoshida, Fan Xin, DJ Furth, Zhangmeng, Jian LV and Christelle de Castro.

ABOUT COACH

Coach is a leading design house of modern luxury accessories and lifestyle collections, with a long-standing reputation built on quality craftsmanship. The brand approaches design with a modern vision, reimagining luxury for today with an authenticity and innovation that is uniquely Coach. All over the world, the Coach name is synonymous with effortless New York style.

360  Magazine, Vaughn Lowery,  Coach, holidays, Jennifer Lopez, JLO, Cassandra yany
360 magazine, vaughn lowery, michael b jordan, coach, fashion, kwanzaa, holidays, cassandra

Jaime Harrison criticizes Sen. Lindsey Graham on SiriusXM

Today, Jaime Harrison, candidate for U.S. Senate from South Carolina was a guest on SiriusXM’s “The Laura Coates Show,” where he discussed his feelings regarding the recently postponed debate with Sen. Lindsey Graham.

During the interview, Harrison told host, Laura Coates: “This is probably the most historic Senate Race in the history of this state, and to have Senator Graham ducking and dodge [the debate], is really sad, but it’s a testament to who he is.”

Audiogram below with transcript. If used, please credit SiriusXM’s “The Laura Coates Show.”

The interview with Harrison is on SiriusXM’s “The Laura Coates Show.”

Transcript from SiriusXM’s “The Laura Coates Show”—

“Well, you know, he’s saying scheduling, and then he even said something about September debate. This is October, you know, I can send the Senator a calendar if he doesn’t have one. I know he doesn’t have a smartphone, he still uses a flip phone, but this is October. We are two weeks away from the election and the people in South Carolina want to hear from their Senator and the candidates about this particular race. This is probably the most historic Senate race in the history of this state, and to have Senator Graham ducking and dodge [the debate], is really sad, but it’s a testament to who he is. He believes that he represents the interest in Washington, D.C. Instead of representing the interests of the people in South Carolina. And that’s why he’s on the verge of getting that one way ticket back home. We are building something because we are focusing like a laser on the people in the state. As I said, so many times on this campaign trail, we’re about to close the chapter on ‘the old south’ and write a brand new book called ‘the new south,’ one that is bold, that is inclusive and diverse. And it’s a movement that we have spawned here in South Carolina, and it’s one that I hope people continue to invest in. Volunteers, sign up, go to Jamieharrison.com if you want to be a part of this movement and to give Lindsey Graham his one way ticket home back to Seneca, South Carolina.”

Presidential candidate illustration

Presidental Campaign Money

By Hannah DiPilato

Both President Donald Trump and presidential candidate Joe Biden have splurged a fair amount on their 2020 presidential campaigns. Biden’s campaign along with his allies have spent an estimated $600 million while Trump’s campaign and his supporters have spent a little over $400 million. 

Over $1 Billion has been spent between the campaigns on TV advertisements in only 13 states alone according to an NPR analysis from the tracking firm Advertising Analytics. This money is being used to target six states: Florida, Pennsylvania, Michigan, North Carolina, Wisconsin and Arizona. TV ads may be playing a larger role in the presidential campaign this year because of the pandemic keeping so many Americans at home watching TV. 

Tracked by Ad Age Datacenter, for the presidential, congressional and gubernatorial races, campaign spending has now surged past $3 billion. This hefty amount includes TV, radio and digital ad spending. The digital ad spending includes Facebook and Google properties only for presidential candidates. 

This is “the most expensive election in history,” according to CNBC. The expected total spending for the 2020 election is predicted to be a whopping $10.8 billion according to the Center for Responsive Politics. This prediction takes into account both presidential and congressional races. CRP has recorded the election has already cost $7.2 billion, so the $10 billion milestone isn’t far out of reach. 

“The 2018 election smashed fundraising records for midterms, and 2020 is going to absolutely crush anything we’ve ever seen — or imagined — before,” Sheila Krumholz, executive director of CRP, said in a statement. “This is already the most expensive presidential election in history and there are still months of election spending to account for. The unanswered question is whether this will be the new normal for future elections.” 

So far Biden has topped the charts for his advertising spendings. Between September 28 and October 11, Biden estimated spendings have been $55,928,770 and his ads have aired about 80,452 times. Trump trails Biden with estimated total spending of $31,796,960 and 32,011 airings in the same time period. 

The Biden campaign has been able to air ads in 17 states, even though there are many fewer states considered a close race. The campaign cost continues to grow over the expected TV budget of $280 million. “If we didn’t have the resources we had now, we’d be having to make [some] hard choices right now,” said one Biden campaign official.

Bill Stepien, Trump’s campaign manager, said the campaign has “more than sufficient air coverage.” He also stated that the campaign has spent more than the Biden campaign in different areas such as Facebook ads. 

The Biden is not shying away from spending and they plan to keep spending as much cash as possible until the campaign concludes. However, in the event the result of the race is contested, the Biden campaign is reserving money for legal fights.