Posts tagged with "W Magazine"

image from Michelle Nemeroff for use by 360 Magazine

K-POP STAR SOMI — “DUMB DUMB”

Canadian-Dutch-Korean singer-songwriter SOMI releases her brand-new single entitled “DUMB DUMB” today along with the music video. This is the K-Pop sensation’s first single since her 2020 Interscope Records debut “What You Waiting For,” a larger than life anthem for which the video surpassed 7.5 million views on YouTube in 24 hours. “DUMB DUMB” marks a new chapter for SOMI as she enters the next phase of her music career with more new music on the horizon. SOMI’s “DUMB DUMB” is available now at all digital retail providers via THEBLACKLABEL/Interscope Records. You can listen to “DUMB DUMB” HERE.

“DUMB DUMB” depicts the playful story of a confrontation between a confident girl and her crush. With “DUMB DUMB,” SOMI’s iconic playful attitude has been upgraded with maturity, both in her vocals and in her looks. Her expressive attitude is backed by the track’s powerful beat while her strong dance performance will leave viewers captivated. “DUMB DUMB” was co-written by SOMI and the production was created by THEBLACKLABEL’s founder, Teddy, along with producers R.TEE and 24. Together, they created a track unique for SOMI.

SOMI says, “Hey guys, I am back with ‘DUMB DUMB’! I love how this track shows all of my personality everything from cute, sassy, playful to fierce. The dance is really fun as well, I’m excited to see all your guys’ covers. It’s been a busy year since my last release, from participating in the songwriting of ‘DUMB DUMB’ to working on a lot of different music. I can’t wait for you guys to see everything I have planned for this year!”

The music video for “DUMB DUMB” finds SOMI coming into her own as a bold, self-assured young woman who knows what she wants, as she pursues her crush at school. Between scenes of SOMI having fun with her girlfriends, going out of her way to stand out from the crowd at a party, purposely walking into her crush in the school hallway, SOMI makes sure her efforts to get her crush’s attention do not go unnoticed. With countless costume changes and choreographed dance breaks with some of her signature moves, this video perfectly captures the song’s energy and SOMI’s newfound direction. You can watch the music video HERE.

About SOMI:

Born as Ennik Somi Douma in 2001 in Ontario, Canada, SOMI grew up in Seoul, South Korea known as Jeon So-mi. After several commercial ventures, SOMI ultimately became known after winning Produce 101, a South Korean TV singing competition, and subsequently became part of the project girl group I.O.I. After winning first place on Korean reality singing competition Produce 101, the young musician joined THEBLACKLABEL and began her musical partnership with producer Teddy. SOMI emerged as a solo artist in June 2019 with her single “BIRTHDAY,” which has since amassed over 73M streams worldwide on Spotify and over 91M views on YouTube to date (Click HERE to watch). In 2020, SOMI signed to Interscope Records as part of the label’s partnership with THEBLACKLABEL and released her previous single, “What You Waiting For,” which has racked up over 56M streams on Spotify alone and over 48M views on YouTube to date (Click HERE to watch).  In addition, SOMI’s multifarious commercial and acting career has also included being global ambassador for Louis Vuitton, Samsung and coverage in Vogue and W.

Reese Sherman Spectrum 1 photograph for use by 360 Magazine

Reese Sherman Q×A

Reese Sherman is a talented photographer who creates stunning portraiture. The photographer has been featured by the likes of Town & Country, Essence, Ambassador Digital Magazine, W Magazine, Muze, and more. The vibrant portfolio of Sherman’s evocative, striking, beautiful photographs can be viewed on their website or Instagram. Sherman looks to empower viewers with their photography and highlight gender-neutral inclusivity and LGBT+ acceptance. During this pride month, we sat down with the artist to discuss their latest photography project, which involves self-exploration, unity, and love.

Could you tell us about your photographic approach to this project?

This all came about during the BLM and Trans Lives Matter movement, where I was noticing so many people were standing up and showing up as themselves. Such an array of different people showed off their style and spoke loud and proud about who they are. [It] really inspired me to pick up my camera and shoot my husband wearing masculine clothes mixed with feminine jewelry against bright, bold and colorful backdrops. [These photos] showcase[ed] him being 100% comfortable within the style of art and fashion. I wanted to explore incorporating feminine elements within a masculine framework in a way that transcends sexuality. This is all about style and freedom and identity that goes beyond any pre-conceived category.

“This is all about style, freedom, and identity…” Was your model, Jamarr, a part of the creative process as well? 

Jamarr is a creative individual… I love to collaborate with him and have him give his input into projects, especially this one, where we both styled the wardrobe and jewelry. Also having my husband a part of this, I wanted the story to stay true to his own authentic style, since his normal everyday accessory wear isn’t geared towards feminine pieces. But, styling him with a pink beaded necklace, yellow roses and eyeliner really took him out of his norm—but he was confident in wearing it all.

Did photographing your partner make this project more intimate/personal?  

Absolutely! We just know each other so well to the point when we first started to talk about this project, we spoke about the issues the LGBTQ+ community was going through. The issues that the Black community was dealing with made this personal to us. Seeing Jamarr model and stay grounded in his sexuality was inspiring to me. This made us both proud of what we’re hoping to accomplish, which is gender-neutral inclusivity.  

Some of your images are more detailed and some of them not, could you tell us what this mean/how you would like the viewers to interpret your photos?

I want the viewers to see timeless, intimate and non-conforming pictures. I want viewers to feel confident to do whatever is it that makes them happy. if you want to pile on a bunch of jewelry head-to-toe, do it! If you’re a man and you come across an accessory that is traditionally feminine, wear it and be proud! If you’re a woman, same thing applies, if you want to wear clothing that’s traditionally male. Be proud of how you present yourself. I just want people to feel empowered.

What is the most important component of this collection of work?
Two words: unity and love.

What is the most challenging component of this collection of work? 

The challenge was putting this all together and hoping the result would match what we envisioned in our minds.

Could you comment on the styling of choice and what inspired you to choose these colors in particular? (Apart from the colors of the pride flag!)

The unapologetic energy of the model, the juxtaposition of the traditionally feminine jewelry against his body hair, the structured clothing made of shiny, flowing fabrics—they all promote the idea that masculinity is what you make it. Initially the pink just felt fun and exciting. Yellow felt like sun kissed skin plus it reminded us of “Breakfast at Tiffany’s.” The orange/red was striking and sexy. And a lot of the jewelry was my grandmother’s, so that added an even more personal aspect to the work.

Reese Sherman Spectrum 1 photograph for use by 360 Magazine

Reese Sherman Spectrum 1 photograph for use by 360 Magazine

Reese Sherman Spectrum 1 photograph for use by 360 Magazine

Reese Sherman Spectrum 1 photograph for use by 360 Magazine

Reese Sherman Spectrum 1 photograph for use by 360 Magazine

Reese Sherman Spectrum 1 photograph for use by 360 Magazine

Reese Sherman Spectrum 1 photograph for use by 360 Magazine

Victoria Selbach for UNRAVELED Confronting The Fabric of Fiber Art. For use by 360 Magazine

UNRAVELED: Confronting The Fabric of Fiber Art

A Group Show Curated by Indira Cesarine

OPENING RECEPTION: April 17, 2021

VIP Preview 1pm – 3pm // Opening Reception 3pm – 8pm

EXHIBITION ON VIEW: April 17 – May 28, 2021

45 Lispenard Street, NYC 10013

The Untitled Space is pleased to present “UNRAVELED: Confronting The Fabric of Fiber Art” group show opening on April 17 and on view through May 28, 2021. Curated by Indira Cesarine, the exhibition will feature textile and fiber-based artworks by 40 contemporary women artists. “UNRAVELED: Confronting The Fabric of Fiber Art” explores in depth the themes and techniques of the medium through the works of female-identifying artists working with natural and synthetic fiber, fabric, and yarn. The exhibition presents figurative and abstract works that address our lived experience and history through the lens of women weaving, knotting, twining, plaiting, coiling, pleating, lashing, and interlacing. Narratives of self-identification, race, religion, gen­­der, sexuality, our shared experience, as well as protest and the patriarchy are literally “unraveled” through embroidery, felt, woven and hooked rugs, braided and sewn hair, sewn fabrics, discarded clothing, cross-stitching, repurposed materials and more.

Exhibiting Artists: Amber Doe, Carol Scavotto, Caroline Wayne, Christy O’Connor, Daniela Puliti, Delaney Conner, Dominique Vitali, Elise Drake, Elizabeth Miller, Hera Haesoo Kim, Indira Cesarine, Jamia Weir, Jody MacDonald, Julia Brandão, Kathy Sirico, Katie Cercone, Katie Commodore, Katrina Majkut, Katy Itter, Kelly Boehmer, Linda Friedman Schmidt, Lisa Federici, Marianne Fairbanks, Mary Tooley Parker, Melanie Fischer, Melissa Zexter, Mychaelyn Michalec, Mz Icar, Orly Cogan, Robin Kang, Rosemary Meza-DesPlas, Ruta Naujalyte, Sally Hewett, Sarah Blanchette, Sooo-z Mastopietro, Sophie Boggis-Rolfe, Stacy Isenbarger, Stephanie Eche, Victoria Selbach, and Winnie van der Rijn.

Curatorial Statement:

unravel [ uhn-rav-uhl ] to separate or disentangle the threads of (a woven or knitted fabric, a rope, etc.). to free from complication or difficulty; make plain or clear; solve: to unravel a situation; to unravel a mystery.

“UNRAVELED: Confronting the Fabric of Fiber Art” investigates the narratives of contemporary fiber artists. The exhibition brings together a diverse group of artists who each address through their own personal vision, materials, and methods, works that are deeply rooted in the history of feminism, in the intersection of art and craft, addressing our living experiences and personal languages. We live in a world of extremes – on one hand, the pandemic has brought forth an intensity on digital and online programming peaking with the emergence of NFT art, and on the opposite end of the spectrum we are seeing a return to the comforts of the home and along with it a renaissance of organic and handmade artworks that embody that spirit. The laborious and repetitive methods required to create one work of fiber art can take hundreds of hours, yet equally the creation process is often referred to as a mediative act of healing, allowing for an expressive personal and cultural interrogation.

Fibers have been an integral part of human civilization for thousands of years. Textile art is one of the oldest art forms, dating back to prehistoric times. Despite early works of textiles such as embroideries and tapestries having been made by both men and women, the tradition of textiles and needlework evolved into that of “women’s work” and was not only dismissed as not “important” but was literally banned from the high art world by the Royal Academy in the 18th century (circa 1769). With the rise of the women’s movement as well as technological advances, women reclaimed the medium, subverted its history as a lesser art form, and transformed it into a tool of expression, of protest, of personality. From early suffrage movement embroidered banners to the groundbreaking exhibitions and works of female pioneers such as Bauhaus weaver Anni Alber’s momentous solo show at the Museum of Modern Art in 1949, Lenore Tawney’s exhibition at the Staten Island Museum in 1961 to Judy Chicago’s groundbreaking 1979 work “The Dinner Party”, we have seen the medium evolve and inspire new generations of fiber artists.

“UNRAVELED: Confronting the Fabric of Fiber Art” explores this new wave of female-identifying artists who are using materials ranging from thread and yarn to human hair, fabrics, and discarded clothing, among a range of other components to unravel the “language of thread” with works that provoke and interrogate. Whether drawn from a deeply personal narrative, or rooted in political motivation, each artist weaves, spins, sews, and hooks the viewer with their detailed and intricate textures that communicate and empower. The exhibition presents two and three-dimensional pieces that explore with gravity and humor our contemporary culture, its beauty, flaws, and idiosyncrasies through murals, assemblages, fragile and gestural threads, meditative, and metaphorical fibers. “UNRAVELED: Confronting the Fabric of Fiber Art” pushes the boundaries, investigates ancient as well as new materials and techniques, and presents a contemporary universe of the language of women and their interwoven, progressive vocabulary.”– Curator Indira Cesarine

“To know the history of embroidery is to know the history of women.” – Rozsika Parker author of “The Subversive Stitch” (1984)

“I am a multimedia artist who uses sculpture and performance to bear witness to the experiences of black women even as American society aims to render us and our lives as invisible and meaningless. Despite the prevalent “urban black” narrative, my experience is tied to the natural world, and I use materials that reference my desert environment and my lived experience as a black woman with Indigenous roots.” – Artist Amber Doe

“I mix subversion with flirtation, humor with power, and intimacy with frivolity. My subject matter is frank and provocative, dealing with issues of fertility, sexuality, self-image, isolation, vulnerability, indulgence, and beauty in the mundane, which are designed to challenge social stereotypes embedded within childhood fairytales. My work explores the many flavors of feminism.” – Artist Orly Cogan

“I pull from my autobiography to illustrate stories of trauma, sexuality, intimacy, and growth. Detailed beading and cyclical patterning emphasize the consistent labor in the repetitive motion of handsewing, that which mirrors the emotional and psychic labor expended in order to manage the suffering a body can accumulate over time. My sculptures translate the life experience of a survivor of complex trauma through the lens of glittering beadwork in order to recount deeply traumatic stories for the same cultural collective that due to repression, denial, censorship and deliberate silencing…” –Artist Caroline Wayne

“This body of work scrutinizes the amalgamation of victim shaming tropes that men and women are taught throughout their lives, both passively and actively, through social norms, pop culture, our educational and legal systems, religious establishments, and familial influences and upbringing.” – Artist Christy O’Connor

“My work focuses on my personal experience living within the confines of a female body, exploring sexuality, religion, and body image. The shared narratives of childbirth, menstruation, dysmorphia, sexual violation, and societal scrutiny all come into play and find connections with the viewers in their shared commonality.” – Artist Dominique Vitali

“My textile works are hand-sewn, fabric based sculptural pieces made from recycled materials that have multiple uses as ritual talismans, wearables, ecstatic birth blankets, dreamcatchers and traveling altars”. – Artist Katie Cercone

“Discarded clothing is my paint. I give second chances to the worn, the damaged, the mistreated, the abandoned, the unwanted, and to myself. My emotional narrative portraits and figurative artworks examine the human condition through my own lived experience. The violence of cutting and deconstruction make way for the reconstruction and refashioning of a broken past.” – Artist Linda Friedman Schmidt

“We are drawn to the grand gesture, the loud assured voice, the bold move, the aggressive brush stroke. I celebrate the opposite: the small moments in our lives – the unremarkable… as Covid-19 took over, some of the things I was celebrating became even more pertinent; toilet paper, soap, hand sanitizer. These objects became signs of hope, of safety, of comfort.” – Artist Melanie Fischer

ABOUT THE UNTITLED SPACE

The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2015 by artist Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary-pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committing to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of women in art. Since launching The Untitled Space gallery, Cesarine has curated over 40 exhibitions and has exhibited artwork by more than 450 artists. Her curatorial for The Untitled Space includes solo shows for artists Sarah Maple, Rebecca Leveille, Alison Jackson, Fahren Feingold, Jessica Lichtenstein, Tom Smith, Loren Erdrich, Kat Toronto aka Miss Meatface, Katie Commodore, and Jeanette Hayes among many others. Notable group shows include “Art4Equality x Life, Liberty & The Pursuit of Happiness” public art exhibition and group show presented in collaboration with Save Art Space, “IRL: Investigating Reality,” “BODY BEAUTIFUL,” “SHE INSPIRES,” Special Projects “EDEN” and “(HOTEL) XX” at SPRING/BREAK Art Show, and internationally celebrated group shows “UPRISE/ANGRY WOMEN,” and “ONE YEAR OF RESISTANCE” responding to the political climate in America, as well as numerous other critically-acclaimed exhibitions. Recent press on Indira Cesarine & The Untitled Space includes Vogue (US), Vogue Italia, CNN, Forbes, Newsweek, W Magazine, Harper’s Bazaar, Teen Vogue, New York Magazine, i-D Magazine, Dazed and Confused, and The New York Times among many others.

*Featured image artwork by Victoria Selbach for UNRAVELED: Confronting The Fabric of Fiber Art. 

artwork by  Elise Drake, UNRAVELED Confronting The Fabric of Fiber Art. For use by 360 Magazine

Artwork by Elise Drake, UNRAVELED Confronting The Fabric of Fiber Art.

artwork by Indira Cesarine, for UNRAVELED Confronting The Fabric of Fiber Art. For use by 360 Magazine

Artwork by Mary Tooley Parker, UNRAVELED Confronting The Fabric of Fiber Art.

JEANETTE HAYES

(hot girl) summer featuring (hot girl) summer art by Jeanette Hayes

A Solo Exhibition Curated by Indira Cesarine

OPENING RECEPTION: July 23rd

EXHIBITION ON VIEW: July 23th – August 13th

THE UNTITLED SPACE

45 Lispenard Street, NYC 10013

RSVP events@untitled-space.com

The Untitled Space is pleased to present solo exhibition, “(hot girl) summer featuring (hot girl) summer art by Jeanette Hayes”. Curated by gallery director Indira Cesarine, the exhibit will open on July 23rd, 2019, and be on view through August 13th, 2019. Jeanette Hayes is a multidisciplinary visual artist known for her collage-like aesthetic. Her works address pop culture imagery with an adventurous style, often juxtaposing high and popular culture with images of the female form that provoke stereotypes with a mischievous liberation. “(hot girl) summer featuring (hot girl) summer art by Jeanette Hayes,” a title inspired by HOT GIRL MEG, explores a playful and light-hearted mentality about summertime through a series of graphite on paper drawings and oil paintings. Featuring conglomerated collages with iconic images spanning from Frida Kahlo to Minnie Mouse, each work speaks to her vision of a “hot girl summer.” 

Hayes stated of the exhibition theme, “With everyone currently entrenched in daunting political times, I decided to delve into a body of work that would be amusing and could give the viewer a break from real life. These fantasy collages are composed with art historical/ pop culture references and memes/imagery found on Instagram and TikTok laced together with my own unique creations. The viewer is encouraged to explore these works and discover details that invoke (or trigger) happiness and nostalgia, hope for a fun future (maybe a future as soon as later tonight) or even rage, if that is what you enjoy.” 

Hayes has participated in a number of successful solo and group exhibitions, including The Untitled Space group shows, “IRL: Investigating Reality” 2019, “EDEN” at SPRING/BREAK ART SHOW 2019, “SECRET GARDEN: The Female Gaze on Erotica” 2017, and “LIFEFORCE” 2016. This will be her first solo exhibition at the gallery. 

Jeanette Hayes (b. 1988) is a painter/multimedia artist based in New York. Originally from Chicago, Hayes moved to NYC and received a BFA from Pratt Institute. Her work addresses the traditional preservation of non-traditional technological and pop imagery through painting, video, digital manipulation, and Internet collages. Hayes’ interests include cultural phenomena and the confrontation of conventionality and subject matter. Her fascination with the amalgamation of images we each navigate through everyday and their correlations to civilization and ownership in 2019 has propelled her practice. With international solo shows in Sweden, Italy and Belgium, Hayes has also shown in New York Hayes at Half Gallery, the Hole, Regina Rex, Castor Gallery, Romeo, Bleecker Street Arts Club, the National Arts Club and more. 

Most recently, Hayes was curated by the Culture Corps to create a public art installation at the Hudson Yards, which is currently on view until November, 2019. Jeanette Hayes has made animated GIFs and videos for Proenza Schouler, CHANEL, Alexander Wang, Cynthia Rowley, Vogue and Opening Ceremony. She has received artist sponsorships from BlackBerry and Blick Art and was chosen by Purple magazine to create their artist book in 2016, which she titled “five”. Hayes has been featured in the New York Times, Vogue Japan, i-D, Complex Magazine, Interview Magazine, Dazed, the Coveteur, Purple Magazine, Paper Magazine, Playboy and TimeOut New York chose Hayes as one of the “5 most important new artists in New York City.” Jeanette Hayes lives and works in New York City. 

ABOUT THE UNTITLED SPACE:

The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2015 by Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committing to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of women in art as well as special events aligned with our creative vision. 

ABOUT CURATOR INDIRA CESARINE

Indira Cesarine’s work as a curator for The Untitled Space gallery includes solo shows for artists Sarah Maple, Rebecca Leveille, Alison Jackson, Fahren Feingold, and Kat Toronto aka Miss Meatface as well as group shows “EDEN” and “(HOTEL) XX” at SPRING/BREAK Art Show; ”SECRET GARDEN” presenting the female gaze on erotica; “SHE INSPIRES,” a group show of 60 artists exhibiting works honoring inspirational women; internationally-celebrated group shows “UPRISE/ANGRY WOMEN,” and “ONE YEAR OF RESISTANCE” responding to the political climate in America since the election of Trump, as well as numerous other critically-acclaimed exhibitions.

Recent press on Indira Cesarine & The Untitled Space includes Vogue (US), Vogue Italia, CNN, Forbes, Newsweek, W Magazine, Harper’s Bazaar, Teen Vogue, New York Magazine, i-D Magazine, Dazed and Confused, and The Huffington Post among many others. http://untitled-space.com/featured-press/

Exhibit link: http://untitled-space.com/hot-girl-summer-art-by-jeanette-hayes-a-solo-exhibition/

WENDELL LISSIMORE

Wendell Lissimore was born in Des Moines, Iowa on April 20, 1987. He is of African-American, Korean and Dominican decent. Having walked fashion weeks in Milan, Paris and New York for the likes of Christian Dior, Hermes, Dolce & Gabbana, YSL, Tom Ford and countless others, Wendell is no stranger to fashion. Wendell has graced the pages of V magazine, W magazine, Luomo Vogue, GQ and Details magazine in addition to working with famous photographers such as Bruce Webber, Steven Klein, Steven Miesel and many more. Wendell has landed ad campaigns including Adidas, Timberland, Levi’s and Marc Ecko in America, Gianfranco Ferre in Italy. Wendell’s model history is extensive and in addition, he has broken barriers within the modeling world by being the first male model of color to represent the house of Hermes in Paris. In 2012, Wendell ventured out into the TV/Film world making appearances in CW11’s “Gossip Girls” HBO’s “True Blood” and eventually landing a starring role in the BET television show “Model City”. Fast forwarding to 2018, Wendell is exploring more of his craft of acting, having landed regular roles on two Fox tv shows, he is sure to be a household name soon.

wendell beach square