Posts tagged with "The New York Times"

Breaking News by Nicole Salazar

Weekly News Roundup: Week of May 3

President Biden Raises Refugee Admission Cap to 62,500 People

In a move to reverse former President Donald Trump’s stricter admission cap on refugees, President Biden has raised the admission cap to 62,500 people in the next six months. Originally, Trump had administered a cap on 15,000 refugees. At first, Biden said he would stick to this figure, but changed his stance after receiving condemnation from Democrats on Capitol Hill. In a statement issued by the White House addressing this political reversal, Biden commented “This erases the historically low number set by the previous administration of 15,000, which did not reflect America’s values as a nation that welcomes and supports refugees.” The New York Times says that Biden’s statement acknowledged how Trump’s budget and staffing cuts during his presidency makes it more unlikely to handle resettling 62,500 refugees within the coming year. In his statement, Biden admitted “the sad truth is that we will not achieve 62,500 admissions this year,” he said. “We are working quickly to undo the damage of the last four years. It will take some time, but that work is already underway.”

Pfizer Vaccine to be Administered to Adolescents

The availability of the Pfizer vaccine is soon to more accessible to millions more Americans. The FDA is said to authorize the use of the Pfizer BioNTech vaccine for adolescents aged 12-15 by early next week. Pfizer has recently released trial results in which show their vaccine to be at least as effective for adolescents as it is for the adult population. If granted access, the CDC will likely meet the following day to review the clinical trial data and announce public health recommendations for adolescent vaccinations.  Over 100 million adults have already been vaccinated, and with the Pfizer vaccine becoming available to millions more, the level of public immunity is forecasted to rise, and the number of deaths and hospitalizations are to drop.

In order to target vaccinations to younger Americans, Biden announced on Tuesday that mass vaccinations sites would shift to more local settings. He also stated his goal of vaccination 70% of Americans by July’s Independence Day. To those who are unvaccinated, Biden plead: “This is your choice. Its life and death.” On Tuesday, the Biden Administration announced that tens of millions more Americans need to get vaccinated before the rate of the coronavirus will be low enough to return to normalcy.

Subway Overpass Collapse Results in the Death of 23 People

Late Monday night in Mexico City, the collapse of a subway overpass–and subsequent fall of an active train car– resulted in the deaths of 23 people. Dozens of more victims are suffering injuries. The accident occurred on Line 12, one of the newer tracks in Mexico’s subway system. The subway system has been plagued by safety concerns from the public after a severe earthquake in 2017. Over 70 people were transported to the nearby hospitals, most of them delivered to Belisario Dominguez Hospital. Mexico’s fire fighters, military, and forensics department all arrived on scene to aid in the rescuing and recovery of the accident’s victims. Currently, Line 12 will remain closed as authorities investigate the harrowing accident. The Mayor of Mexico City, Claudio Steinbaum, spoke to reporters on Tuesday morning: ” At this moment, we can’t speculate about what happened. There has to be a deep investigation, and whoever is responsible has to be held responsible.”

Derek Chauvin Files for New Trial Regarding Murder of George Floyd

The trial of the police officer involved in the killing of George Floyd, Derek Chauvin, was found guilty of one count of second-degree murder, one count of third-degree murder, and one count of second-degree manslaughter by Judge Peter Cahill. However, Chauvin’ lawyer, Eric Nelson, is now claiming that Chauvin’s rights were violated during the trial since Judge Cahill refused a change of venue regarding where the trial was help. As a result of such, Nelson claims that the pre-trial publicity deprived Chauvin of a fair trial. NPR reports that Nelson also has cited “prosecutorial and jury misconduct; errors of law at trial; and a verdict that is contrary to law.” In Nelson’s file motion that requests another trial, he argues that the court “abused its discretion” because of the nationwide publicity of the high-profile trial. Due to the mass publicity of the trial, Nelson says that the defense’s expert witnesses and jury felt “threatened of intimidated, felt race-based pressure during the proceedings.”

NPR reports that according to Nelson’s file motion, the court abused its discretion by:

  • When it failed to sequester the jury for the duration of the trial, or in the least, admonish them to avoid all media
  • When it permitted the State to present cumulative evidence with respect to use of force
  • When it failed to order that a record be made of the numerous sidebars that occurred during the trial
  • When it submitted instructions to the jury that failed to accurately reflect the law with respect to second-degree unintentional murder, third-degree murder, and authorized use of force

NPR’s Carrie Johnson reports on how infrequently officers are called to conduct while in uniform, “Some studies show only seven police officers since 2005 have been convicted of murder for their actions on the job. That’s even though about 1,000 or 1,100 people a year die at the hands of police.” The way in which Derek Chauvin’s initial trial ended was a long-awaited plea for justice that many Americans felt finally acknowledged and held accountable the perpetrators of police violence and systemic racism in the nation. Ultimately, it is up to Judge Peter Cahill to decide whether to open trial again for Chauvin.

Facebook’s Suspension of Donald Trump Continues

Since the Capitol insurrection on January 1, Facebook has suspended Trump’s usage of the platform. The length and permanence of the suspension has been hotly debated lately, especially since Facebook doesn’t have a standard policy or punishment regarding indefinite suspensions. On Wednesday, a team of journalists, activists, and lawyers upheld the social media company’s ban of Trump. Their discussion ended any immediate return of Trump to the platform, and sparked debate concerning freedom of speech online. Facebook’s Oversight Board cited their reasoning for banning Trump in January, stating that Trump “created an environment where a serious risk of violence was possible. At the time of Mr. Trump’s posts, there was a clear, immediate risk of harm and his words of support for those involved in the riots legitimized their violent actions.” After Facebook reviews its action, Trump may be able to return to the platform later down the line. Other social media giants, including Twitter and YouTube, also locked Trump’s accounts after the Capitol chaos. Trump has responded to the rulings with agitation, stating that “free Speech has been taken away from the President of the United States because the Radical Left Lunatics are afraid of the truth.” The New York Times reports that Facebook responded to their ruling in a statement, stating that the company is “‘pleased’ that the board recognized that its barring of Mr. Trump in January was justified. It said it would consider the ruling and ‘determine an action that is clear and proportionate.’”

Liz Cheney May Be Sequestered from G.O.P.

Rep. Liz Cheyney has received backlash from Republican lawmakers in the GOP party due to her public criticisms of former President Donald Trump. After Trump’s insurrection at the Capitol on January 6, 2021, she voted to impeach him from office. This vote to impeach Trump increased tensions between Cheyney and the members of the GOP leadership and other Republican lawmakers. Notably, House Minority Leader Kevin McCarthy questioned Cheyney’s ability to carry out her position in office, stating “I have heard from members concerned about her ability to carry out the job as conference chair, to carry out the message. We all need to be working as one if we’re able to win the majority.” At the Conservative Political Action Committee, Cheyney was asked if Trump should speak at the conference. She replied, “I’ve been clear in my views about President Trump and the extent to which following Jan. 6 I don’t believe that he should be playing a role in the future of the party or the country.” While her party oppositions have landed Cheyney in controversy, Sen. Mitt Romney tweeted on Tuesday, recognizing her honesty and dedication to her stance: “Every person of conscience draws a line beyond which they will not go: Liz Cheney refuses to lie.”

Olympians And Officials to Be Offered Pfizer Vaccine

The International Olympic Committee announced on Thursday that, in an effort to quell public safety concerns, athletes and official will be offered the Pfizer vaccine before arriving in Japan. Through utilization of domestic inoculation programs, vaccines are to be administered to patients in their home countries. However, there is no requirement for athletes, coaches, officials, or others attending the game to be vaccinated. So far, approximately only 1% of Japan’s residents have been fully vaccinated, according to The New York Times’ database. In a statement put out by the International Olympic Committee, it was notes that “any additional doses delivered by Pfizer and BioNTech will not be taken out of existing programs, but will be in addition to existing quotas and planned deliveries around the world.” Hopefully, the Olympic Games in Tokyo this summer will bring celebration, instead of crisis.

Breaking News by Nicole Salazar

Breaking News Roundup – Week of April 27

A Jewish gathering in Israel resulted in the deaths of 44 people, and the injury of some 150 others.

The New York Times estimated that crowd of approximately 100,000 people had been congregating at Mount Meron the night prior to the stampede in celebration of Lag b’Omer. This even had been the first legal huge religious gathering since India’s curtailing of coronavirus mutations. A 24-year-old witness told Army Radio that a first row of people collapsed, resulting in the second row of people to also fall due to the pressure of the stampede, and so on. US National Security Adviser Jake Sullivan tweeted Thursday night, “Our hearts go out to the people of Israel tonight following the tragedy at Mount Meron. We offer our condolences to the families and friends who lost loved ones in this disaster and wish a full and swift recovery to those injured.”

Coronavirus cases soar in India.

A global, record-number of cases has been set for the fifth day straight as of Monday in India. 352,991 cases had been confirmed over a 24-hour period. Immediately, the United States moved to send over medical equipment, medical gear, and other coronavirus resources. President Biden tweeted on Sunday night: “Just as India sent assistance to the United States as our hospitals were strained early in the pandemic, the United States is determined to help India in its time of need.”

North Carolina sheriff requests body camera footage of Andrew Brown Jr.’s death.

A North Carolina sheriff requests that the footage of Andrew Brown Jr.’s death be made publicly accessible. However, a court motion will have to be made to do so. Pasquotank County Sheriff Tommy Wooten clarified “only a judge can release the video.” Wooten has allowed four of the deputies back on active duty after video evidence proved that they didn’t fire their weapons. Three sheriffs who did fire their weapons will remain on leave until the investigation is complete. As of Wednesday, the judge denied making the footage publicly accessible, but allowed Brown’s family to view the recording.

New Orleans Shooting Resulted in Injury to Five People

Early morning on Saturday, a shooting on Bourbon Street in New Orleans resulted in the injury to five people, though none of the injuries are believed to be life threatening. One person was treated on scene, and the rest of the injured people were taken to a nearby hospital. The reason behind what led to the shooting is currently unknown, but detectives are investigating the crime scene.

Wisconsin Casino Shooting resulted in tragedy.

Saturday night, a shooting at the Oneida Casino near Green Bay, Wisconsin, resulted in the death of two people, and serious injury to a third victim. Investigators believe that the gunman had a “personal relationship” with an employee who worked inside the Radisson Hotel & Conference Center at the Duck Creek restaurant. The targeted employee wasn’t working when the gunman took to opening fire, so the gunman instead attacked his target’s “co-workers or friends,” says Lt. Kevin Pawlak of the Brown Country Sheriff’s Department. The main casino and other facilities are closed until further notice, and the investigation is still unfolding.

Medina Spirit Wins 147th Kentucky Derby

The winner of the Kentucky Derby at Churchill Downs on Saturday was Medina Spirit. This year’s derby is believed to be the most attended event since the start of the coronavirus pandemic. The prized pony was trained by Bob Baffert, the most accomplished winner of the Derby–this win counting as his seventh victory. Medina Spirit won over second place Manaloun, third place Hot Rod Charlie, and Essential Quality at fourth.

On Wednesday, federal agents executed search warrants to investigate Rudy Giuliani’s Manhattan apartment.

The criminal investigation into Giuliani, who served as Donald Trump’s personal lawyer, has been underway for more than two years already. Trump’s activities in Ukraine, which may or may not involve illegal lobbying, are one of the main focuses of the investigation. Giuliani has denied any wrongdoing, claiming innocence, and has not been charged. A search warrant for a lawyer, such as Giuliani, requires a sign-off from the highest levels of the Department of Justice. Giuliani’s electronic devices including the computer belonging to his assistant. Giuliani’s assistant, Jo Ann Zafonte, has also received a subpoena to appear before a grand jury in court next month.

President Joe Biden surpassed 100 days in office.

During his speech to mark this event in Duluth, Georgia, Biden was interrupted by protesters rallying for prison reform. Biden agreed with their demand and took to praising and acknowledging Derek Chauvin’s conviction.

Some of the other biggest feats of Biden’s 100 days in office so far include administering 200 million vaccines doses as of April 21, passage of the American Rescue Plan to bolster funding vaccinations and improve economic recovery. President Biden also reopened the federal Affordable Care Act exchange, with additional assistance as part of the Democrat’s $1.9 trillion dollar relief package.

Further, Biden rescinded Trump’s national emergency declaration regarding the former president’s “zero tolerance” policy regarding migrant families. Biden has reversed Trump’s travel ban that targeted mostly Muslim countries and secured the Deferred Action for Childhood Arrivals program for children brought into America as children.

Biden has also looked to address foreign policy issues, committing to withdrawing troops for Afghanistan before the 20th anniversary of the 9/11 World Trade Center attacks. Additionally, Biden has looked to salvage the US-Iranian nuclear deal previously put into place by former President Barack Obama. The Biden administration has also issued diplomatic expulsions against Russia in response to Moscow’s interference in the 2020 election.

Looking to address issues of climate change, Biden looks to lower the US’ emission of greenhouse gases. Biden has already pursed this commitment by formally rejoining the Paris Climate Agreement back in February.

Finally, the President has showcased his commitment to social justice by hosting the most racially diverse cabinet in history, dissolving the 1776 commission, signing executive orders surrounding racial equity, and repealing Trump’s ban unto transgender people joining the military.

Biden looks to continue the national shift to greener energy, improve the US’ infrastructure, and invest in a $1.8 trillion federal investment program regarding education, childcare, and paid family leave.

Miles Hyman, Crash #23 - Crestline, 2021, Oil on linen, 45 x 63.75 inches for use by 360 Magazine

Miles Hyman – Narrative Images

On view: May 13 – June 26, 2021 | Opening: May 13, 11 AM to 9 PM

Philippe Labaune Gallery is pleased to present Narrative Images, an exhibition of paintings and original comic strips by French American artist Miles Hyman. This will be the debut of Miles Hyman’s paintings in New York. Informed by mid-century American realism, European symbolism, and film noir, Hyman’s recent work is a study in light, imaginative juxtapositions, and a record of personal geography. Accompanying his paintings will be a selection of original comic strip drawings from graphic novel adaptations of Hyman’s grandmother Shirley Jackson’s The Lottery, James Ellroy’s The Black Dahlia, among others. Narrative Images will be on view from May 13 – June 26, 2021 with an opening reception on May 13 from 11 am to 9 pm.

The exhibition presents two painting series, Crash and East Coast Light. In the ongoing painting series, Crash, Hyman creates imaginative dichotomies of figure and landscape. An elusive, potentially quixotic relationship forms between female characters seemingly unfixed in time, with similarly enigmatic vehicle wreckage behind them. The characters at times appear to be plucked from other worlds, while others seemingly have a more direct tie to the dramatic scene appearing over their shoulder.

Within East Coast Light, a suite of paintings depicts fictional characters at various locations throughout New York City. The subject matter highlights the importance the city has to Miles Hyman, a locus steeped with childhood and adolescent memories, and a source of development for him as an artist. To this day, the historical resonance and constantly evolving landscape, coupled with a quality of light unique to metropolises, continues to provide a wellspring of inspiration for the artist.

Accompanying Hyman’s paintings will be original charcoal drawings from several of his graphic novels, most notably The Lottery. In 2016, Hyman released the graphic novel adaption to his grandmother Shirley Jackson’s critically acclaimed 1948 short story. In what Hyman aptly termed “a feat of inter-disciplinary acrobatics,” he had the overwhelming task to create a visual expression from words on a page and to keep the novel’s nuances and the secrets intact for the reader. Hyman viewed the undertaking as a way to rediscover one of Jackson’s greatest works and allowed him “to affirm a tangible link to her life and work in a way that was both professional and deeply personal.” The ability to pair his grandmother’s word with his drawing is a familial pairing like no other.

About Miles Hyman

Miles Hyman was born in Vermont in 1962, and currently lives and works in Paris. Hyman studied drawing and printmaking with David Schorr at Wesleyan University in Connecticut before attending Paris’ Ecole des Beaux-Arts. His works have been exhibited in museums including the Palais de Tokyo, the Glénat Foundation, Rome’s Institute of Graphic Arts and the French Musée de l’Illustration. In 2017, he was awarded the prestigious Chevalier des Arts et des Lettres from the French Ministry of Culture. Hyman’s drawings are featured by international publishers such as Simon & Schuster, Viking, Farrar Straus & Giroux, Gallimard, and Chronicle Books. His work has also appeared in The New Yorker, The New York Times, Futuropolis, and a specially commissioned project with Louis Vuitton.

About Philippe Labaune Gallery
Founded in 2021, Philippe Labaune Gallery is devoted to championing and presenting original 20th and 21st-century comic art and illustrations by emerging and established artists from around the world. Prior to opening the eponymous gallery, Labaune curated an extensive survey of European comic art Line and Frame: A Survey of European Comic Art, at the former Danese/Corey Gallery in 2020.

Location
534 W 24th St Ground Floor,
New York, NY 10011

*The featured image above is: Miles Hyman, Crash #23 – Crestline, 2021, Oil on linen, 45 x 63.75 inches

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Queen Naija and Ari Lennox "Set Him Up" by Capitol Records for use by 360 Magazine

QUEEN NAIJA × ARI LENNOX – SET HIM UP

QUEEN NAIJA & ARI LENNOX UNVEIL CINEMATIC VISUAL FOR “SET HIM UP

Track Is One Of Five Previously Unreleased Songs On “missunderstood…. still

The Deluxe Edition Of Queen’s Chart-Topping Debut Album Out

Watch “Set Him Up” Visual HERE

Pre-Save “missunderstood…. still” HERE

Today, Queen Naija and GRAMMY nominated singer-songwriter Ari Lennox unveiled the official video for “Set Him Up” with a YouTube premiere. The single is from “missunderstood….still,” the deluxe edition of Queen Naija’s chart-topping debut album, which was released by Capitol Records. View the official video, which was directed by Val Vega (JP Saxe, The Color Brown, JP Wilde) and shot in Atlanta, HERE. Santiago Salviche served as executive producer and Carla Johnson as producer.

Released last week, “Set Him Up” earned a spot on the playlist of The New York Times, with critic Jon Pareles observing, ”Over a slow-motion strut of a bass line and a glass of chardonnay in the lyrics, Queen Naija and Ari Lennox sweetly intertwine their voices, enjoying each other’s explicit details about their latest hookups.” HotNewHipHop praised the “sultry single” and The Source noted, “[‘Set Him Up’ is] a seductive tag team between the two sirens as they glide over the all-too familiar scenario of dealing with the same man at the same time.”

“Missunderstood….still” features five previously unreleased songs including “Love Is…” ft. J.I The Prince of NY, plus ”Butterflies Pt. 2” Remix feat. Wale alongside the album’s original 18 tracks. See below for track listing.

Pre-save “missunderstood….still” HERE.

Queen has amassed over 2.5 billion combined global career streams to date. After its release last fall, “missunderstood” took the No. 1 spot on Billboard’s Top R&B Albums chart and earned a place in the top 10 of the Billboard 200. The single ”Butterflies Pt. 2” hit No. 1 on the Mediabase and BDS Urban AC charts shortly after, giving the 24-year-old Detroit-area native her third chart-topper at the format, following the 2x Platinum ”Medicine” and the Platinum-certified ”Karma.” Follow-up single “Pack Lite” was recently certified Gold by the RIAA.

Flaunt said, “Equipped with a smooth and sultry voice and infectious energy, each one of her R&B ballads are real, honest, and relatable.” Essence Girls United noted, “Queen Naija’s album, missunderstood, touches the soul in a way that only Black music can.” “Queen Naija is, without question, who R&B heads should be checking for,” declared DJ Booth.

Track Listing for “missunderstood….still”

Bonus tracks in bold

  1. Supa Vibe
  2. Set Him Up ft. Ari Lennox
  3. Love Is… ft. J.I The Prince of NY
  4. Empty
  5. Insecure
  6. Passionate
  7. Butterflies Pt. 2 Remix ft. Wale
  8. Intro
  9. Too Much To Say
  10. I’m Her ft. Kiana Lede
  11. Pack Lite
  12. Lie To Me ft. Lil Durk
  13. Dream
  14. Love Language
  15. Without You ft. Russ
  16. Say What You Mean
  17. Bitter Skit ft. Pretty Vee
  18. Bitter ft. Mulatto
  19. One Time ft. Toosii
  20. Pressure
  21. Five Seconds ft. Jacquees
  22. Pretend
  23. Trial And Error
  24. Butterflies Pt. 2
  25. Beautiful
business illustration by Rita Azar for 360 Magazine

KILT VS TROUSERS – A LONG BATTLE

Are you confused about what you should wear at the next Scottish event you attend? Well, you are at the right place. Here, you will find everything that you need to know before the event regarding kilts for men and trousers. Many Scottish men point out that real men should put on kilts, but younger generations may be more flexible in their wardrobe choices. For example, Jaden Smith is known to rock a kilt on occasion. Of course, the choice differs from person to person–not all of us like the same food, do we? No! Similarly, some may like the kilt and others prefer trousers. Let’s discuss the pros and cons of each, so that you can decide which is most appropriate to wear for your upcoming event.

Men’s Kilts

A kilt is among the earliest and most popular types of Scottish apparel. Men, and even kings, have worn kilts since hundreds of years ago; and they are still a popular part of Scottish culture today. Many men and women–even those who are not located in Scotland–wear kilts as they are a comfortable and versatile part of their wardrobe. So, let’s see exactly why they love wearing kilts so much.

Trousers/Pants

Everyone prefers wearing pants–until the first time they try wearing a kilt for a day. Pants are everywhere in modern fashion, because according to the modern generation, kilts are considered very girlish. We have simply accepted trousers, but the following discussion is going to make pant-wearers reconsider their thoughts.

Comparing Kilts & Trousers

1- Comfort

No matter if you’re wearing a traditional Scottish kilt or a modern utility kilt, it will make you feel pleasantly surprised by its comfortability. In comparison, trousers make you feel bunched up  and limit your movements. Compared to the limited movements trousers allow, your legs get complete freedom to move in kilts.

2- Keeps You Cool in Summer

Kilts keep you cool when the weather is hot, but you may not realize this until you compare wearing both kilts and trousers in the hot climate. You’ll feel your legs drenched in sweat in trousers, whereas kilts keep you unbelievably cool, if you choose the fabric accordingly. When it comes to choosing the most breathable and summer-friendly kilt fabric, you should avoid heavy wool that’s used for traditional Scottish or Irish kilts. Instead, try a sport utility kilt made from a lightweight cotton blend for the most breathable feel.

3. Time Limitation

You can’t wear the same pair of trousers you run errands in to go to a formal event, can you? No! Unlike trousers, there’s no such limitation with the kilts. You can wear kilts anywhere and anytime, as long as you pair it with the appropriate accessories and shoes.

4. In Terms of Health

According to the Scottish Medical Journal, men who wear kilts regularly show better sperm quality and fertility when they plan to have a child. Although there’s not a lot of research-based scientific evidence on the topic, it can be something to be considered.

5. Makes You Feel Good About Yourself

Surprisingly, men’s kilts can have positive effects on men’s mental health, making them feel an improved sense of masculinity and pride. According to the Scottish Medical Journal, psychological benefits like these can help men feel more confident. Kilts give men the confidence they need to achieve their personal, as well as relationship, goals. Kilts may help men grow as a person. If you’re suffering from a lack of confidence, I’d suggest you try wearing a kilt–you may be surprised by the positive changes.

Benefits of the Kilt

●      Adjustable fit: kilts allow you to adjust their size according to natural body changes and/or preferred comfortability.

●      No bunching & bending: No more bunching and bending in clothing material will allow you to feel relaxed and free.

●      Keeps you cool in summer and warm in winter: Kilts can keep you cool in summer and maintain your body heat in winter, depending on the fabric. Especially in the summers, kilts can help make a hot summer’s day even more fun. Kilts are a perfect choice for any weather.

●      Health: The design of kilts provide the most breathable option for an outfit. The ventilation helps keep your private parts’ temperature regulated, which can lead to higher sperm counts and higher fertility. A kilt also looks attractive­­, which will keep your partners’ attention on you and, in turn, helps maintaining your relationship goals.

Benefits of Wearing Trousers

●      Trousers are appropriate in all situations. We cannot deny the fact that kilts can be inappropriate to wear in some specific places (usually due to religious or cultural differences,) so trousers come to the rescue.

●      Freedom of movement: Just in case you have to stand on your head, there is no risk of indecent exposure with your trousers, unlike kilts.

●      Keep your calves warm: Long pants cover your calves. We can’t deny the fact that trousers beat out kilts when it comes to keeping your calves warm.

●      Health: An advantage of trouser is that long pants can keep your legs safe from harmful UV rays.

Conclusion

No one can tell whether kilts or trousers are better, as it differs from person to person. In my opinion, it shouldn’t matter which you choose, but you should consider trying on both garments. If you haven’t at least tried a kilt before, you should give it a shot. Once you do, it is likely that you may never want to turn back. In the end, whichever makes you feel more comfortable, confident, and happy is what you should wear. 

Julia Michaels illustration by Heather Skovlund (photo credit Danielle Gonzalez) for 360 Magazine

Julia Michaels

GRAMMY NOMINATED SINGER AND SONGWRITER JULIA MICHAELS REVEALS NEW DETAILS FOR HIGHLY ANTICIPATED DEBUT ALBUM
 
NOT IN CHRONOLOGICAL ORDER ARRIVING APRIL 30
 
NEW SONG “LOVE IS WEIRD” DROPS WITH ALBUM PRE-ORDER LAUNCH TODAY
 
COVERS EUPHORIA MAGAZINE
 
LISTEN TO “LOVE IS WEIRD” HERE
WATCH “LOVE IS WEIRD” LYRIC VIDEO HERE
PRE-ORDER NOT IN CHRONOLOGICAL ORDER HERE

Grammy Award-nominated multiplatinum singer and songwriter JULIA MICHAELS reveals the title and track listing to her long-awaited debut album, Not In Chronological Orderwhich arrives April 30th.  To accompany the announce, she shared a new song from the album, “Love Is Weird,” with the launch of the album pre-order via Republic Records
 
Listen to “Love Is Weird”HERE.
Pre-order Not In Chronological Order — HERE
 
In support of the release, JULIA spoke with Zane Lowe on Apple Music 1 Radio’s New Music Daily Show
 
Offering another glimpse into what fans can expect from the upcoming album, “Love Is Weird,” weaves together airy production and soft acoustic guitar, while she delicately likens relationships to “Playing Operation trying to put me back together, before candidly admitting, “Love is weird. Don’t know how I wound up here…It shows up and disappears. This honest and hypnotic melody highlights her uncanny ability to tune into raw emotion and unfiltered lyricism, with her signature vocal tone and delivery.
 
The new song sets the stage for the release of her anxiously awaited full-length debut album, Not In Chronological Order, out on April 30, 2021.  Presenting a full 360-degree perspective on the critically acclaimed songstress, it examines every facet of her life emotionally and spiritually in a 10-song body of work that finds Julia piecing together the chapters of her life in one place work – pre-order Not In Chronological Order HERE.
 
“When I was looking at the tracklisting, it literally was not in chronological order of the events that it took place in my life,” she says. “The way that I saw the tracklisting in my head, a lot of the heartbreak came in the middle, and finding new love came at the end. That’s the arc of this album: I’m not bitter about love anymore. I know what functional love is like and being in love and being hesitant about that love because it feels so perfect.”
 
JULIA’S current single “All Your Exes” arrived at critical acclaim upon its release. Co-written with Grammy nominated singer and songwriter JP Saxe“All Your Exes,” Entertainment Weekly hailed it “a deliciously wicked delight,” with The New York Times praising it as “harsh, funny, sad and relatably petty.  FLOOD Magazine called it “a prime example of a vulnerable pop-punk banger,” while Billboard noted “Michaels has a tendency to throttle her listeners with her pen — and on the muscular, virtuosic “All Your Exes,” she makes sure that your attention is focused entirely on her seething jealousy.”  Meanwhile, V Magazine summarized, “There’s something to ditching fairytale notions of love that Julia Michaels fully gets as she returns to the front of the stage once again.”  
 
JULIA currently features on the cover of Euphoria Magazine where she talks more about the album HERE.
 
Watch the video for the new single “ALL YOUR EXES” HERE
 
Get ready to experience Julia Michaels Not In Chronological Order
 
Not In Chronological Order Tracklist:

  1. All Your Exes
  2. Love Is Weird
  3. Pessimist
  4. Little Did I Know
  5. Orange Magic
  6. Lie Like This
  7. Wrap Around
  8. History
  9. Undertone
  10. That’s The Kind Of Woman

 
ABOUT JULIA MICHAELS
Over the past few years, no songwriter has had more of an impact on reshaping pop music than Grammy nominated and multi-platinum selling artist Julia Michaels, whose razor-sharp perspective on love, loss, and the wide spectrum of the human experience has deservedly catapulted her to the forefront of her industry. Lauded for her work on hit singles by artists like Justin Bieber, Selena Gomez, Niall Horan, Dua Lipa, Janelle Monáe, Shawn Mendes, P!NK, Ed Sheeran, Britney Spears, Gwen Stefani, Hailee Steinfeld, The Chicks, Keith Urban, Jessie Ware, and more, Julia has spent the last decade honing her craft and delivering fans some of the most evocative music of a generation.
 
In 2017, Julia embarked on a solo career separate from her work synthesizing the stories of the stars around her with “Issues,” her 5x-platinum selling debut single. A year later, her peers recognized her stunning work with Grammy nominations for “Best New Artist” and “Song of the Year.” Committing to her solo work, Julia released a series of critically acclaimed EPs, including 2017’s fan-favorite Nervous System and 2019’s critically acclaimed Inner Monologue Part 1 and Inner Monologue Part 2. She also embarked on The Inner Monologue Tour, which marked her first-ever headline tour throughout the U.S. following an enviable run touring the world with an incredible array of artists including Maroon 5, Keith Urban, Shawn Mendes, Niall Horan, and P!NK.
 
In 2020, she received her third Grammy nomination, and second in the prestigious “Song Of The Year” category, for her collaboration with JP Saxe on “If The World Was Ending,” in addition to earning her second #1 as a songwriter on the Billboard Hot 100 for Selena Gomez’ “Lose You To Love Me.” 
 
SOCIALS: OFFICIAL // FACEBOOK // TWITTER // INSTAGRAM

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Julia Michaels 
Photo owner: Danielle Gonzalez
Photo owner: Danielle Gonzalez
Victoria Selbach for UNRAVELED Confronting The Fabric of Fiber Art. For use by 360 Magazine

UNRAVELED: Confronting The Fabric of Fiber Art

A Group Show Curated by Indira Cesarine

OPENING RECEPTION: April 17, 2021

VIP Preview 1pm – 3pm // Opening Reception 3pm – 8pm

EXHIBITION ON VIEW: April 17 – May 28, 2021

45 Lispenard Street, NYC 10013

The Untitled Space is pleased to present “UNRAVELED: Confronting The Fabric of Fiber Art” group show opening on April 17 and on view through May 28, 2021. Curated by Indira Cesarine, the exhibition will feature textile and fiber-based artworks by 40 contemporary women artists. “UNRAVELED: Confronting The Fabric of Fiber Art” explores in depth the themes and techniques of the medium through the works of female-identifying artists working with natural and synthetic fiber, fabric, and yarn. The exhibition presents figurative and abstract works that address our lived experience and history through the lens of women weaving, knotting, twining, plaiting, coiling, pleating, lashing, and interlacing. Narratives of self-identification, race, religion, gen­­der, sexuality, our shared experience, as well as protest and the patriarchy are literally “unraveled” through embroidery, felt, woven and hooked rugs, braided and sewn hair, sewn fabrics, discarded clothing, cross-stitching, repurposed materials and more.

Exhibiting Artists: Amber Doe, Carol Scavotto, Caroline Wayne, Christy O’Connor, Daniela Puliti, Delaney Conner, Dominique Vitali, Elise Drake, Elizabeth Miller, Hera Haesoo Kim, Indira Cesarine, Jamia Weir, Jody MacDonald, Julia Brandão, Kathy Sirico, Katie Cercone, Katie Commodore, Katrina Majkut, Katy Itter, Kelly Boehmer, Linda Friedman Schmidt, Lisa Federici, Marianne Fairbanks, Mary Tooley Parker, Melanie Fischer, Melissa Zexter, Mychaelyn Michalec, Mz Icar, Orly Cogan, Robin Kang, Rosemary Meza-DesPlas, Ruta Naujalyte, Sally Hewett, Sarah Blanchette, Sooo-z Mastopietro, Sophie Boggis-Rolfe, Stacy Isenbarger, Stephanie Eche, Victoria Selbach, and Winnie van der Rijn.

Curatorial Statement:

unravel [ uhn-rav-uhl ] to separate or disentangle the threads of (a woven or knitted fabric, a rope, etc.). to free from complication or difficulty; make plain or clear; solve: to unravel a situation; to unravel a mystery.

“UNRAVELED: Confronting the Fabric of Fiber Art” investigates the narratives of contemporary fiber artists. The exhibition brings together a diverse group of artists who each address through their own personal vision, materials, and methods, works that are deeply rooted in the history of feminism, in the intersection of art and craft, addressing our living experiences and personal languages. We live in a world of extremes – on one hand, the pandemic has brought forth an intensity on digital and online programming peaking with the emergence of NFT art, and on the opposite end of the spectrum we are seeing a return to the comforts of the home and along with it a renaissance of organic and handmade artworks that embody that spirit. The laborious and repetitive methods required to create one work of fiber art can take hundreds of hours, yet equally the creation process is often referred to as a mediative act of healing, allowing for an expressive personal and cultural interrogation.

Fibers have been an integral part of human civilization for thousands of years. Textile art is one of the oldest art forms, dating back to prehistoric times. Despite early works of textiles such as embroideries and tapestries having been made by both men and women, the tradition of textiles and needlework evolved into that of “women’s work” and was not only dismissed as not “important” but was literally banned from the high art world by the Royal Academy in the 18th century (circa 1769). With the rise of the women’s movement as well as technological advances, women reclaimed the medium, subverted its history as a lesser art form, and transformed it into a tool of expression, of protest, of personality. From early suffrage movement embroidered banners to the groundbreaking exhibitions and works of female pioneers such as Bauhaus weaver Anni Alber’s momentous solo show at the Museum of Modern Art in 1949, Lenore Tawney’s exhibition at the Staten Island Museum in 1961 to Judy Chicago’s groundbreaking 1979 work “The Dinner Party”, we have seen the medium evolve and inspire new generations of fiber artists.

“UNRAVELED: Confronting the Fabric of Fiber Art” explores this new wave of female-identifying artists who are using materials ranging from thread and yarn to human hair, fabrics, and discarded clothing, among a range of other components to unravel the “language of thread” with works that provoke and interrogate. Whether drawn from a deeply personal narrative, or rooted in political motivation, each artist weaves, spins, sews, and hooks the viewer with their detailed and intricate textures that communicate and empower. The exhibition presents two and three-dimensional pieces that explore with gravity and humor our contemporary culture, its beauty, flaws, and idiosyncrasies through murals, assemblages, fragile and gestural threads, meditative, and metaphorical fibers. “UNRAVELED: Confronting the Fabric of Fiber Art” pushes the boundaries, investigates ancient as well as new materials and techniques, and presents a contemporary universe of the language of women and their interwoven, progressive vocabulary.”– Curator Indira Cesarine

“To know the history of embroidery is to know the history of women.” – Rozsika Parker author of “The Subversive Stitch” (1984)

“I am a multimedia artist who uses sculpture and performance to bear witness to the experiences of black women even as American society aims to render us and our lives as invisible and meaningless. Despite the prevalent “urban black” narrative, my experience is tied to the natural world, and I use materials that reference my desert environment and my lived experience as a black woman with Indigenous roots.” – Artist Amber Doe

“I mix subversion with flirtation, humor with power, and intimacy with frivolity. My subject matter is frank and provocative, dealing with issues of fertility, sexuality, self-image, isolation, vulnerability, indulgence, and beauty in the mundane, which are designed to challenge social stereotypes embedded within childhood fairytales. My work explores the many flavors of feminism.” – Artist Orly Cogan

“I pull from my autobiography to illustrate stories of trauma, sexuality, intimacy, and growth. Detailed beading and cyclical patterning emphasize the consistent labor in the repetitive motion of handsewing, that which mirrors the emotional and psychic labor expended in order to manage the suffering a body can accumulate over time. My sculptures translate the life experience of a survivor of complex trauma through the lens of glittering beadwork in order to recount deeply traumatic stories for the same cultural collective that due to repression, denial, censorship and deliberate silencing…” –Artist Caroline Wayne

“This body of work scrutinizes the amalgamation of victim shaming tropes that men and women are taught throughout their lives, both passively and actively, through social norms, pop culture, our educational and legal systems, religious establishments, and familial influences and upbringing.” – Artist Christy O’Connor

“My work focuses on my personal experience living within the confines of a female body, exploring sexuality, religion, and body image. The shared narratives of childbirth, menstruation, dysmorphia, sexual violation, and societal scrutiny all come into play and find connections with the viewers in their shared commonality.” – Artist Dominique Vitali

“My textile works are hand-sewn, fabric based sculptural pieces made from recycled materials that have multiple uses as ritual talismans, wearables, ecstatic birth blankets, dreamcatchers and traveling altars”. – Artist Katie Cercone

“Discarded clothing is my paint. I give second chances to the worn, the damaged, the mistreated, the abandoned, the unwanted, and to myself. My emotional narrative portraits and figurative artworks examine the human condition through my own lived experience. The violence of cutting and deconstruction make way for the reconstruction and refashioning of a broken past.” – Artist Linda Friedman Schmidt

“We are drawn to the grand gesture, the loud assured voice, the bold move, the aggressive brush stroke. I celebrate the opposite: the small moments in our lives – the unremarkable… as Covid-19 took over, some of the things I was celebrating became even more pertinent; toilet paper, soap, hand sanitizer. These objects became signs of hope, of safety, of comfort.” – Artist Melanie Fischer

ABOUT THE UNTITLED SPACE

The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2015 by artist Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary-pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committing to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of women in art. Since launching The Untitled Space gallery, Cesarine has curated over 40 exhibitions and has exhibited artwork by more than 450 artists. Her curatorial for The Untitled Space includes solo shows for artists Sarah Maple, Rebecca Leveille, Alison Jackson, Fahren Feingold, Jessica Lichtenstein, Tom Smith, Loren Erdrich, Kat Toronto aka Miss Meatface, Katie Commodore, and Jeanette Hayes among many others. Notable group shows include “Art4Equality x Life, Liberty & The Pursuit of Happiness” public art exhibition and group show presented in collaboration with Save Art Space, “IRL: Investigating Reality,” “BODY BEAUTIFUL,” “SHE INSPIRES,” Special Projects “EDEN” and “(HOTEL) XX” at SPRING/BREAK Art Show, and internationally celebrated group shows “UPRISE/ANGRY WOMEN,” and “ONE YEAR OF RESISTANCE” responding to the political climate in America, as well as numerous other critically-acclaimed exhibitions. Recent press on Indira Cesarine & The Untitled Space includes Vogue (US), Vogue Italia, CNN, Forbes, Newsweek, W Magazine, Harper’s Bazaar, Teen Vogue, New York Magazine, i-D Magazine, Dazed and Confused, and The New York Times among many others.

*Featured image artwork by Victoria Selbach for UNRAVELED: Confronting The Fabric of Fiber Art. 

artwork by  Elise Drake, UNRAVELED Confronting The Fabric of Fiber Art. For use by 360 Magazine

Artwork by Elise Drake, UNRAVELED Confronting The Fabric of Fiber Art.

artwork by Indira Cesarine, for UNRAVELED Confronting The Fabric of Fiber Art. For use by 360 Magazine

Artwork by Mary Tooley Parker, UNRAVELED Confronting The Fabric of Fiber Art.

Julia Michaels :All Your Exes" Artwork shot by Vince Aung for use by 360 Magazine

JULIA MICHAELS – ALL YOUR EXES

EXES BEWARE GRAMMY® NOMINATED SINGER & SONGWRITER JULIA MICHAELS CHANNELS PYSCHO KILLER IN NEW VIDEO FOR  “ALL YOUR EXES” OUT NOW

FULL-LENGTH ALBUM DEBUT COMING APRIL 30TH

Watch the music video for “All Your Exes”—HERE.
Listen to “All Your Exes”—HERE.

Grammy® Award-nominated multiplatinum singer and songwriter Julia Michaels has unleashed the clever and campy music video for her latest single “All Your Exes.”

In the visual directed by Blythe Thomas, she quite literally brings the song to life in bloody good fashion. Nodding to cult classics such as Serial Mom and American Psycho, Julia invites her boyfriend’s exes over for “dinner.” What follows is brutally hilarious as there’s no chance anybody will ever bring up her significant other’s past trysts ever again.

Consider yourself warned…

“I think this is the most fun I’ve ever had making a music video,” she commented.  “I’ve never really played a character before, so it was fun to let loose and show a side of me that fans haven’t seen,” she says.  “I feel like we all have those moments in relationships where our minds go to ridiculous places- like clearly I don’t want to kill your exes, but that doesn’t mean I haven’t thought about it,” she laughs.  “This album shows another side of me, because for the first time I’ve experienced a new kind of love, one that has been happy and healthy, and the songs reflect that. Oh wow, that sounds gross hearing myself say that,” she laughs “but I’m still excited to share them,” she adds.

A clip of the video premiered yesterday on YouTube Originals weekly music show, “RELEASED,” which premieres every Thursday night at 11:45pm ET in the moments before the world’s top artists drop their new music, only on YouTube.

Last week, Julia unveiled “All Your Exes.” Co-written with Grammy nominated singer and songwriter JP Saxe, the track immediately garnered critical acclaim. Entertainment Weekly hailed it “a deliciously wicked delight,” with The New York Times praising it as “harsh, funny, sad and relatably petty.”  FLOOD Magazine called it “a prime example of a vulnerable pop-punk banger,” while Billboard noted “Michaels has a tendency to throttle her listeners with her pen — and on the muscular, virtuosic “All Your Exes,” she makes sure that your attention is focused entirely on her seething jealousy.”  Meanwhile, V Magazine summarized “There’s something to ditching fairytale notions of love that Julia Michaels fully gets as she returns to the front of the stage once again.”

Be on the lookout for additional details on her forthcoming album, arriving April 30.

ABOUT JULIA MICHAELS

Over the past few years, no songwriter has had more of an impact on reshaping pop music than Grammy nominated and multi-platinum selling artist Julia Michaels, whose razor-sharp perspective on love, loss, and the wide spectrum of the human experience has deservedly catapulted her to the forefront of her industry. Lauded for her work on hit singles by artists like Justin Bieber, Selena Gomez, Niall Horan, Dua Lipa, Janelle Monáe, Shawn Mendes, P!NK, Ed Sheeran, Britney Spears, Gwen Stefani, Hailee Steinfeld, The Chicks, Keith Urban, Jessie Ware, and more, Julia has spent the last decade honing her craft and delivering fans some of the most evocative music of a generation.

In 2017, Julia embarked on a solo career separate from her work synthesizing the stories of the stars around her with “Issues,” her 5x-platinum selling debut single. A year later, her peers recognized her stunning work with Grammy nominations for “Best New Artist” and “Song of the Year.” Committing to her solo work, Julia released a series of critically acclaimed EPs, including 2017’s fan-favorite Nervous System and 2019’s critically acclaimed Inner Monologue Part 1 and Inner Monologue Part 2. She also embarked on The Inner Monologue Tour, which marked her first-ever headline tour throughout the U.S. following an enviable run touring the world with an incredible array of artists including Maroon 5, Keith Urban, Shawn Mendes, Niall Horan, and P!NK.

In 2020, she received her third Grammy nomination, and second in the prestigious “Song Of The Year” category, for her collaboration with JP Saxe on “If The World Was Ending,” in addition to earning her second #1 as a songwriter on the Billboard Hot 100 for Selena Gomez’ “Lose You To Love Me.”

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Award illustration by Heather Skovlund for 360 Magazine

NYC Scholastic Art × Writing Awards

New York City Scholastic Art & Writing Awards Exhibition

Now on View at The Met

Art and Writing by 2021 Gold Key Winners on Display in The Met’s Ruth and Harold D. Uris Center for Education

The nonprofit Alliance for Young Artists & Writers and The Metropolitan Museum of Art have announced the opening of the seventh annual Scholastic Art & Writing Awards: New York City Regional Exhibition at The Met’s Ruth and Harold D. Uris Center for Education. This special exhibition is now on view and is free to the public through May 21, 2021.

The exhibition features more than 200 works of art and writing by New York City based Gold Key recipients participating in the 2021 Scholastic Art & Writing Awards, the country’s longest-running and most prestigious award and recognition program for creative teens. This year, students from all five boroughs in grades 7-12 submitted more than 10,000 works in 28 categories to the New York City regional program of the Awards, representing more than 300 schools.

Education has been at the heart of The Metropolitan Museum of Art’s mission since our founding in 1870, said Heidi Holder, the Frederick P. and Sandra P. Rose Chair of Education at The Met. Now, more than ever, we are committed to investing in education and supporting the creativity of New York City’s young people. It is an honor to present the 2021 Scholastic Art & Writing Awards: New York City Regional Exhibition in partnership with the Alliance for Young Artists & Writers. This annual exhibition demonstrates the power of art to transform, uplift, and challenge us.

All works were blindly adjudicated by accomplished creative and literary professionals based on originality, technical skill, and the emergence of a personal vision or voice. This year, the exhibition will present framed prints of students’ work, due to ongoing restrictions related to the COVID-19 pandemic and to ensure equitable access for all the student artists.

The artworks on display at The Met received top regional awards and were eligible to receive national honors through a second round of judging, which can open further opportunities for exhibition and publication, as well as access to scholarships. The Awards have honored distinguished artists since 1923, including Andy Warhol, Cy Twombly, Kay WalkingStick, John Baldessari, Luis Jimenez, and Catherine Murphy, whose works are in The Met collection.

Chris Wisniewski, Executive Director, Alliance for Young Artists & Writers, said: The creativity of our city’s teens has continued to flourish despite a year of unprecedented challenges. It has never been more important to celebrate diverse student voices and encourage the artistic expression of a generation of rising leaders. The Alliance for Young Artists & Writers is thrilled to partner with The Met to showcase the exceptional young winners of the 2021 New York City Scholastic Awards.

The Alliance partners with Parsons School of Design at The New School and Eugene Lang College of Liberal Arts at The New School to present the regional New York City Scholastic Art & Writing Awards. The 2021 Scholastic Art & Writing Awards: New York City Regional Exhibition at The Met is presented with generous support from The New York Times, the New York City Department of Cultural Affairs, The Maurice R. Robinson Fund, and Scholastic Inc.

To learn more about the Scholastic Art & Writing Awards, visit the Scholastic Media Room online.

About the Alliance for Young Artists & Writers

The Alliance for Young Artists & Writers, a 501(c)(3) nonprofit organization, identifies teenagers with exceptional creative talent and brings their remarkable work to a national audience through the Scholastic Art & Writing Awards. Founded in 1923, the Awards program is the longest-running, most prestigious initiative of its kind, having fostered the creativity and talent of millions of students through recognition, exhibition, publication, and scholarships.

About The Met

The Metropolitan Museum of Art was founded in 1870 by a group of American citizens, businessmen and financiers as well as leading artists and thinkers of the day, who wanted to create a museum to bring art and art education to the American people. Today, The Met displays tens of thousands of objects covering 5,000 years of art from around the world for everyone to experience and enjoy. The Museum lives in two iconic sites in New York City: The Met Fifth Avenue and The Met Cloisters. Millions of people also take part in The Met experience online. Since its founding, The Met has always aspired to be more than a treasury of rare and beautiful objects. Every day, art comes alive in the Museum’s galleries and through its exhibitions and events, revealing both new ideas and unexpected connections across time and across cultures.