Posts tagged with "A$AP ROCKY"

image via The Oriel Company for 360 Magazine

A$AP TyY – 100 Rounds

A$AP TYY DEBUTS NEWEST SINGLE 100 ROUNDS

CLICK HERE TO LISTEN

KSUBI ANNOUNCES A$AP TYY AS FACE OF THEIR FIRST GOLD JEWELRY LINE KSUBI GOLD

CAMPAIGN FEATURES SINGLE 100 ROUNDS

Rising Harlem rapper from the A$AP Mob collective, A$AP TyY unveils new single 100 Rounds, released via AWAL.

Click HERE to listen to 100 Rounds.

In tandem with the single release, A$AP TyY has been officially announced as the face of Australian streetwear brand, Ksubi’s first gold jewelry line KSUBI GOLD which launched yesterday, August 10th. In the newly formed partnership, TyY is featured prominently in the brand’s campaign imagery as well as providing the soundtrack for the official campaign video with 100 Rounds. Watch HERE.

As a longtime fan of KSUBI and a regular at their Greene Street store in NYC, the partnership was a natural fit for A$AP TyY. Working alongside Ksubi Creative Director, Brad Triffitt, the campaign visual depicts TyY in a high-octane heist of the new Ksubi Gold line, where he flexes his passion and skill for quad biking as he flees the scene through the streets of Harlem and New York City. 100 Rounds provides the perfect backing soundtrack for this thrilling chase, given its gritty sound and rebellious energy. Furthering the partnership, the 100 Rounds track artwork is designed by Triffitt to coincide with the Ksubi campaign visual.

The release of 100 Rounds follows TyY’s return to music earlier this summer with his emotive track 1990. Written and recorded during the pandemic, the track reflects on the past and present and what it feels like to have your world crumble around you and shifting focus to rebuilding. Click HERE to listen/watch.

A$AP TyY is next up out of the infamous Harlem collective and he’s bringing back grit and hard-hitting rap sounds back to New York. His previous releases have received acclaim from Hypebeast, Complex, HotNewHipHop, and more.

About A$AP TyY

A$AP TyY tells a different kind of Harlem story. His story has all of the hustling, heart, and triumph over adversity you might have come to expect from the borough, but thereߣs much more to it. He quietly grew into a diverse and dynamic presence just as proficient on an ATV as he is on the mic. In 2015, he fueled a pair of bangers O Well and Chamber Lock with the late A$AP Yams. Locking into a groove, he unleashed the 2016 Best Kept Secret mixtape followed by the 2018 Troubles of the World mixtape. He also appeared on chart-busting projects such as A$AP Mobߣs Cozy Tapes Vol. 2: Too Cozy, which bowed at #6 on the Billboard Top 200. In between, he headlined packed shows on three continents, touring the U.S., China, Singapore, the United Kingdom, and Europe. Simultaneously, he hosted an art exhibit and established himself as a style icon, delivering everything from a goggle collaboration with KidSuper to opening Shanghai Fashion Week 2019 in his first runway appearance for INXX and walking in NYFW 2019 for Woo Lee Studios. He joined forces with Milan-based designer Guntas for a line featured in the Spring 2018 Guntas collection. Along the way, he picked up acclaim from Hypebeast, Complex, HotNewHipHop, and more.

Follow A$AP TyY via Instagram and Twitter.

Johnny Yukon Flight Plan album cover via Sarah Goldstein for use by 360 Magazine

Johnny Yukon – Mystery

Johnny Yukon returns to the scene with a new single, Mystery.

Singer, songwriter, and producer Johnny Yukon has returned with new track Mystery, the first single off his Elektra Records debut project, Flight Plan 001. In anticipation of the project, Yukon also shared an official trailer, previewing new music as the artist explores a Yukon-branded futuristic airport. Flight Plan 001 arrives August 20th and Mystery is available now on all streaming platforms.

Doubling as an offshoot of his Installation concept, Flight Plan 001 speaks both to Yukon’s lifelong fascination with aviation and opens a different channel for his endless creativity. Following fan demand for proper release, Flight Plan 001 integrates previously released Soundcloud favoritesGrow, 81 Nights, Climate, Yes, and Night Like Thisinto the tracklisting alongside seven new tracks.

Johnny adds, “This project is like my airport. Last year, I went through a lot of relationship issues. Sitting in one place isn’t ever good for me mentally or creatively. I need to escape. So, I’m escaping isolation with these tunes. Every song is like a plane, and there’s a flight for everyone.”

TRACKLIST

  1. FP001
  2. Night Like This
  3. Mystery
  4. Uptown
  5. Soon
  6. Can’t Stop
  7. Alibi
  8. Yes
  9. Climate
  10. Nights
  11. Don’t Blame Me
  12. Grow

ABOUT JOHNNY YUKON

Much like the recordings of an airplane’s black box, the music of Johnny Yukon chronicles a cloud-scraping personal journey. Spun through a jet stream of lo-fi beatcraft, vintage world-building, hip-hop malleability, and alternative pop eloquence, the Pennsylvania-born and Los Angeles-based singer, songwriter, and producer navigates through raw emotions with acute storytelling, head-nodding rhymes, and fits of cathartic falsetto. Even though the ideas often gestate from an intimate personal studio, he projects his vision on the big screen with ambitious scope. After making waves from behind the scenes with songwriting placements for Young Thug, Ty Dolla $ign, Camila Cabello, and Leon Bridges, he made his formal artist debut with Installation I in 2018. Johnny’s influence only amplified throughout the global pandemic, co-writing Internet Money’s multi-platinum mega-smash Lemonade [feat. Gunna, Don Toliver, & NAV], Skepta & Pop Smoke’s F9 soundtrack standout Lane Switcha [feat. A$AP Rocky, Juicy J, & Project Pat], and co-producing Trauma from PARTYNEXTDOOR’s Partymobile, which bowed in the Top 10 of the Billboard Top 200. Signing to Elektra in early 2021, Johnny continued to write and record at a prolific pace, distilling post-breakup feelings, isolation, and hope into the sonic architecture. Constructing a hub where his emotions and songs may launch from, Johnny Yukon charts a new course forward on his 2021 project, Flight Plan 001.

WWE x Rolling Loud image provided by Ivy Awino for use by 360 MAGAZINE.

Rolling Loud x WWE

Call it the ultimate mashup.

The newly announced partnership between Rolling Loud and WWE will see hip-hop’s biggest names performing alongside WWE SmackDown wrestling. This partnership is the first of its kind. No other time in history has seen a collaboration between wrestling and a large-scale music festival.

This is how it’s basically going to go down. On July 23, SmackDown will feature a split FOX broadcast with two matches being held at Hard Rock Stadium in Miami (same venue as Rolling Loud) while the rest are at the Rocket Mortgage Fieldhouse in Cleveland.

I’m honestly extremely intrigued by the thought of A$AP ROCKY, Travis Scott, and Post Malone performing in between or alongside a LIVE wrestling match. With that caliber of a lineup, concert-deprived fans, and throw in some of the world’s most entertaining wrestlers? The energy all around is bound to be ELECTRIFYING.

So what does this mean for the future of collaborations between live music and sporting events?

I think the opportunities are endless. But before I go any further, I should clarify that while I am an enthusiast of the virtual space – I don’t foresee in-person gatherings becoming null and void, ever. There’s just something that comes with having human energy together collectively in one space. Let’s explore a few of my ideas.

Most sporting venues also double as concert venues. Could this be the beginning of seeing mega venues that could concurrently host a live music and sporting event? I see this being easily achieved even more specifically in the world of e-sports.

Or even take for example the current format of sporting events. In some capacity, small-scope performances already take place during sporting events i.e. halftime, national anthem singers, etc. Might we start to see longer pre or post-game concerts? To reference a basketball analogy, a 2 for 1? Will we see tours scheduled around team calendars? A league that is primed to do this would be Ice Cube’s Big 3.

Not all people who go to live music and sporting events go to actually listen to music or watch the game. They go to socialize and network. They may possibly have been enticed by promotions or a giveaway. They may simply want to make an impression or maybe they are big fans of an artist or team after all. No matter the circumstance, I think the ultimate draw to such collaborative efforts is the fusion of audiences and the power of sport and music to unite.

As told on WWE.com, “WWE has a rich history of integrating music into all aspects of its brand and collaborating with some of the most celebrated artists in the world. Over the years, world-renowned hip-hop artists including Snoop Dogg, Diddy, Three 6 Mafia, MGK, Wale, and many others have performed at WWE’s biggest events.”

I know that I have a bias but music has always played a very important role in sports and vice versa. I think it was Drake that said “Damn, I swear sports and music are so synonymous. ‘Cause, we want to be them, and they want to be us.”LOL!

I will definitely be tuned in on the 23 to see how this looks like in actuality. I am also eager to see the continuation in the development of how to further collaborate across the music and sports landscapes from the live production and programming standpoint.

Image via the oriel company for 360 Magazine

Bantu – Unforgivable

RED HOT ZIMBABWEAN PHENOMENON BANTU UNVEILS NEW SINGLE UNFORGIVABLE

RISING INTERNATIONAL PHENOMENON BANTU DELIVERS HEARTFELT APOLOGY ON NEW SINGLE UNFORGIVABLE

NEW EP EX BEHAVIOR COMING SOON

Following acclaim from the likes of Wonderland. and collaborations with Maroon 5, Nicki Minaj, and more, Zimbabwean multi-hyphenate Bantu unveils a new single entitled Unforgivable. Get it HERE.

On the track, delicately plucked acoustic guitar curls around a laidback beat as his vocals glide from intimate confessions into a contrite chorus. Begging for a second chance never sounded so smooth as he croons, Yeah I took you for granted girl I’m sorry, but no one ever loved me like you loved me.

Stay tuned for the premiere of the music video very soon.

About the single, he commented, ‘Unforgivable’ is a song about taking someone for granted and not having a chance at redemption, but instead having to learn from your mistakes and let the other person go.

It sets the stage for the release of his brand new EP, Ex Behavior, coming very soon.

Bantu has quietly emerged as an international phenomenon. He just joined forces with Maroon 5 for One Light from the GRAMMY Award-winning multiplatinum band’s gold-selling new album JORDI. His most recent single Leaving has already racked up 600K streams and counting, while Wonderland. praised the song’s array of infectious sounds and rhythms. The single notably features on the Official FIFA 2021 Soundtrack, and Bantu performed alongside Diplo and Dua Lipa at FIFA 21’s World Premiere Virtual Show.

Not to mention, he has claimed coveted real estate on Amazon Music’s Afro Playlist as well as Apple Music’s NMD, breaking pop, Future Hits, New Fire, and more. Additionally, he also emerged on Spotify playlists such as New Music Friday, Eyescream, Pop Rising, Just Hits, Dancehall Official, and more.

Get ready for more from Bantu very soon!

Born in Zimbabwe and based in Los Angeles, Bantu has cemented himself as one of the game’s best-kept secrets. He teamed up with Nicki Minaj and Annuel AA for Familia on the double-platinum chart-topping Spider-Man: Into The Spider-Verse Official Soundtrack. Behind the scenes, he co-wrote Jason Derulo’s Tip Toe [feat. French Montana], Maroon 5’s Whiskey [feat. A$AP Rocky], and the Latin GRAMMY Award-nominated Hey Ma by J Balvin, Camila Cabello and Pitbull from the Fate of the Furious Soundtrack. Meanwhile, his solo music has generated 40 million-plus streams and counting.

The secret is out now!

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

KARL KANI REINVENTS HIMSELF… AGAIN

By: Clara Guthrie

At the junction of fashion and hip-hop lies the iconic and immortalized designs of Karl Kani. Coined the Godfather of Streetwear, the brand’s designer, born Carl Williams, first developed an interest in fashion when he watched his father, a Panamanian immigrant, have his clothing personally made by a tailor. In a conversation with Flaunt, Williams said, “Watching him make his own clothing inspired me to understand how easy it is to make clothing. […] so I decided I wanted to make my own outfits with my dad’s tailor.” This endeavor quickly became a small business of its own as friends would ask Williams to make them replicas of whatever styles he was wearing. But the real turning point moment was when an incredulous friend refused to believe that a certain jacket had actually been made by Williams, asking why his name was not emblazoned on the piece’s tag. The “street revolution”—as Williams calls it—then began, and every new design proudly had Williams’ name on it.

In 1989, at just 17 years old, Williams moved to Los Angeles to pursue fashion more seriously. He opened a store on Crenshaw Boulevard and continued to design, but this time under a new moniker, Karl Kani. According to the official Karl Kani website, the name came to being as the brand grew in recognition and demand, and consequently, Williams would always ask himself, “Can I do this?” It was with this incessant question in mind that he rose to his own challenge and legally changed his name to Karl Kani, an alternative spelling of both his birth name and “Can I?”

Since the brand’s electric inception, Karl Kani filled a void in the world of fashion and revolutionized the concept of streetwear. In the Flaunt interview mentioned above, Kani said, “Hip-hop needed a clothing brand; Karl Kani needed an industry, so we [could] combine together and [were] able to create success for everyone.” Karl Kani quickly became the “it” brand for the Golden Age of hip-hop that emerged in the late 1980s and commanded the music and pop culture scene through the 1990s.

The eternally cool streetwear brand became the paragon of and blueprint for a distinctive revolution in the world of fashion. In a white-dominated industry, Karl Kani clothing was unapologetically designed with black people, and specifically black creatives, in mind. “The only thing that really kept me striving was seeing black people being successful in the music industry,” Kani told The Los Angeles Times in 1994. “I wanted to be a part of that, but I knew I couldn’t sing or dance or rap. I couldn’t do all that, but I could provide clothing for the people who were out there, who could make me famous at the same time.”

Kani formed poignant and lucrative bonds with many of these black performers, most notably Tupac Shakur and Biggie Smalls. In 1994, Kani approached Tupac about shooting a campaign for the fashion company since the rapper often sported his clothing and asked how much he would charge for the favor. As Kani remembers it, Tupac responded, “No, I’m not charging you for nothing. You’re my people, you’re black. I got you.” His only request was that Kani put his song, “Thug Life” in the background of some of his advertisements. The Karl Kani × Tupac collaboration became iconic: a moment in which two art forms came together and the world stood by to watch.

Kani’s relationship with Biggie was solidified when the artist shouted out the brand in his song, “One More Chance,” rapping: “I got the funk flow to make your drawers drop slow, so recognize the dick size in these Karl Kani jeans. I wear thirteens, know what I mean?” (And by the way, Biggie really did wear a size thirteen in Karl Kani jeans. Kani consciously made clothing for men of bigger sizes who fashion largely ignored at the time.)

You can check out Tupac, Biggie and a collection of other celebrities wearing Karl Kani HERE.

One of Kani’s most resonant, popular and withstanding designs was the wide-leg jeans. The design came to being as Kani noticed that people would size up when purchasing jeans to achieve a baggier aesthetic but the waists would then be far too large on them. He ingeniously bypassed this problem by increasing only the size of the pant legs and never altering the waist.

If there is anything that defines Kani, though, it is his adaptable, trendsetting and forward-thinking mind. When his signature wide-leg jeans were co-opted by other brands, and as the streetwear look evolved past its earlier days, Kani ensured that his designs pioneered stylistic change, never to be left behind. “A lot of people are doing a lot of the things we used to do, and we want to look different,” Kani said in 1994. “By staying real and staying focused and always changing your style, you’re always going to stay ahead of the marketplace.”

Recently, Karl Kani has made a striking resurgence in the world of streetwear due to its on-point designs—including an entire collection of unisex pieces—and the rise of nostalgia fashion, now making the brand a multi-generational and inclusive powerhouse. This new wave of Karl Kani designs has been accompanied with a new troupe of black artists advertising the brand. For example, the rap group, Migos, formed a relationship with Karl Kani starting in 2015. “They wore it in all their videos and press and they were able to reintroduce my brand to a whole new young generation which was really cool because they were on top of their game,” Kani said to INDIE Magazine in 2019. Kani also told Wonderland Magazine that he sees artists like “Rihanna, Travis Scott, A$AP Rocky [and] Keith Powers” as dream collaborations and models for the brand: artists that represent the eternal spirit and vibe of Karl Kani.

It is safe to say that no matter who takes over the hip-hop scene next, or however the world of street fashion reinvents itself, Karl Kani will be a part of it.

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

ALAN WALKER × IMANBEK - SWEET DREAMS from Amanda Zimmerman, RCA Records, Erlend Kinn Olsen, Jens Bengtsson, Sarah Weinstein Dennison for use by 360 Magazine

ALAN WALKER × IMANBEK – SWEET DREAMS

In the joining of two then-bedroom producers turned hugely successful DJs and producers, multi-platinum hitmaker Alan Walker and Grammy winner Imanbek release their track “Sweet Dreams,” which includes an infectious sample of Scatman John´sScatman (Ski-Ba-Bop-Ba-Dop-Bop)”. The track is filled to the brim with high energy and intensity and is the perfect way to kick off the summer.

The music video premieres on Alan Walker’s YouTube channel simultaneously, broadcasted to over 39 million subscribers. Shot in Dubai, the “Sweet Dreams” music is heavily influenced by Roman gladiatorial matches, elaborate visual effects and iconic movies set and filmed in the desert.

Watch the video here.

Walker talks about the song and accompanying music video:

“Eurotrance and techno were popular when I was a kid, so it really reminds me of my earliest musical inspirations. We had a blast incorporating the iconic “Scatman” chorus into “Sweet Dreams”, and we’re really happy with how the track turned out.”

Imanbek also weighs in on the exciting collaboration:

“I’m extremely excited to team up with a very talented and cool music head from Norway. Alan Walker is not only a colleague – he’s the originator of his own genre, so it is a real collab of two cultures and genres!”

ALAN WALKER AND IMANBEK’S “SWEET DREAMS” IS OUT NOW!

ABOUT ALAN WALKER

Billboard Music Awards nominee and diamond selling DJ/producer Alan Walker’s new single “Sweet Dreams” out June 11th follows  the release of his live concert film “The Aviation Movie” released June 5th on YouTube. The unique five part series, which took almost two years to create, combines footage from the Oslo Spektrum stop on Walker’s Aviation Tour and a narrative arc from the Walker cinematic universe. Woven in between the tracks and concert footage is a dynamic storyline from the World of Walker — after an apocalyptic event, a young woman, armed only with the AW logo, is on a journey to save the world. Along the way, she learns new skills and ultimately rebuilds society with the help of the like-minded Walker community. The film also features appearances by Walker’s collaborators Steve Aoki, Au/Ra, Isak, Iselin Solheim, Juliander, Julie Bergan, Omar Noir, Sophia Somajo, Tomine Harket, and Torine.

Walker latest singles include “Believers” featuring Conor Maynard, “Fake A Smile” featuring salem ilese, and “Space Melody (Edward Artemyev)” with VIZE and Leony. Previous collaborations include “Time,” a remix of his personal idol Hans Zimmer’s track. In 2019, he released a string of successful singles like “On My Way” with Sabrina Carpenter and Farruko and “Live Fast” with A$AP Rocky, in collaboration with the massive multiplayer online game PUBG, all while touring the world with his sold-out arena show “The Aviation Tour.” Since releasing his debut album “Different World” in late 2018, containing global sensation singles like the diamond selling “Faded,” “Alone,” and “All Falls Down,” Walker has played over 600 headline festival and arena shows, and picked up two Norwegian Grammy wins and a Billboard Music Award nomination, among others. Walker is the 9th most followed artist on YouTube, and the 20th most followed artist on Spotify, displaying the strength of his fanbase.

Walker to date holds over 130 million followers and 50 billion audio and video streams to his name, previously teaming up with massive hitmakers such as Ava Max, Noah Cyrus and A$AP Rocky, while producing remixes for internationally renowned artists like Sia, Coldplay, Kygo, Bruno Mars and Julia Michaels.

ABOUT IMANBEK

Coming onto the scene with the billion-streaming “Roses” Remix, Kazakh DJ Imanbek peaked at #4 on the Billboard Hot 100 and won the 2020 Grammy Award for ‘Best Remixed Record’, all at the age of 20.

Having entered the official top 20 most Shazamed songs all time, Imanbek held the position as the #1 most shazamed song globally for 13 consecutive weeks and peaked at #1 on the official UK charts.

Imanbek’s following releases has consisted of industry juggernauts like J Balvin, Usher, Tory Lanez, Zara Larsson, Sean Paul, Marshmello, Rita OraDon Diablo, Afrojack, Martin Jansen, VIZE, Trevor Daniel, Goodboys, Fetty Wap and many more.

Connect With Alan Walker

Website – YouTube – Spotify – Facebook – Instagram – TikTok – VK – Twitter

Connect With Imanbek

Website – YouTube – Spotify – Facebook – Instagram ­– VK – Twitter

Will-Claye Press-Pic from Alex John from Red Bull Records for use by 360

Will Claye – Wee Hours

Today, hip-hop artist and Olympic medalist Will Claye releases his latest single, “Wee Hours,” out now via Red Bull Records. Written by Claye, “Wee Hours” was produced by Grammy-winning songwriter and producer DJ Khalil, best known for his work with Jay-Z, Kanye West, Drake, Kendrick Lamar, and more.

Drawing from his own experiences, the strength of “Wee Hours” lies in Claye’s introspective and poignant lyrics, which he delivers with a West Coast-influenced flair. As the opening melodies and subtle instrumentations float in and out of focus, the single’s smooth production is effortlessly juxtaposed against Claye’s heavy-hitting flow.

“This track is inspired by my city, my people, and the kids who are growing up where I come from,” says Claye of the release. “I wanted to speak for people whose voices have been suppressed. I want to inspire my people and show them that even through all the horrific things we have gone through as a people, we can make it through and rise above it all.”

The release of “Wee Hours” follows the announcement of Elevate, the forthcoming documentary from Red Bull, set for release on Tuesday, June 8. The short film follows Claye as he trains for the Olympics and records new music, working to make his mark on the world. As his moment in the spotlight parallels a cultural boiling point surrounding racial injustice, Claye seeks to use his voice to inspire his community’s youth, serving as a positive role model for the next generation. Watch the trailer here.

About Will Claye
Three-time Olympic medalist Will Claye started his path as a world-class athlete. By way of track and field, he was able to move into starting his brand ELEVATE, music, and philanthropy. Will’s brand grew largely at the London Games in 2012, where he earned a bronze medal in the long jump and a silver medal in the triple jump to become the first man since 1936 and the first American since 1904 to obtain medals in both events. The Phoenix, AZ native of Sierra Leone-descent solidified himself as the #3 triple jumper of all time in 2019 and at the same time released an EP, WEST SIDE STORY, and single “TMS.”

The catalyst for Will’s music career came from artist YG inviting him to the studio and them creating “IDGAF,” what is now known as a classic West Coast record. From there, Will began to create his own lane and his own sound, taking inspiration from Bob Marley, Andre 3000, Snoop Dogg, DJ Quick, Pharrell, Jay Z, Nipsey Hussle, Kendrick Lamar, and Nate Dogg. With a wide array of influences, Will has created a sound that is eclectic and diverse, based on how he is feeling and what is going on in life. He is a rare combination of talent and genuine humility, recognizing that he can use his status as an artist and professional athlete to help others.

About DJ Khalil
DJ Khalil is a thirteen-time Grammy nominee and three-time Grammy award-winning songwriter and producer from Los Angeles, CA. His career started as one-half of the acclaimed underground hip-hop duo Self Scientific alongside rapper Chace Infinite. After catching the ear of mega-producer Dr. Dre early on in his career, Dre signed him as an in-house producer to Aftermath Records, where he continued to develop and hone his skills. Over the years, he has gone on to write and produce songs and albums with Eminem, Jay-Z, Kanye West, Drake, Kendrick Lamar, Usher, Big Sean, Pink, Gwen Stefani, Logic, Anderson .Paak, A$AP Rocky, Celine Dion, and many others, winning his first Grammy for his work on Eminem’s 2010 album, Recovery.

Continuing his run of success, Khalil co-wrote and produced Aloe Blacc’s Top 5 pop worldwide single “The Man,” which has sold over six million units worldwide, and won a Clio Award for music innovation through its inclusion in the 2013-2014 Beats by Dre campaign that was featured in the Super Bowl broadcast as well as the NBA finals. In 2018, Khalil created the end title song “Elevate” for Spider-Man: Into The Spider-Verse. The film won the Academy Award for Best Animated Film, and the soundtrack album has sold over two million units, which has made him one of the most sought-after producers for film and television synchronization. Khalil recently topped the pop charts with two songs on Logic’s #1 album Bobby Tarantino II (“Iconic” and “Everybody Dies”), four songs on Nipsey Hussle’s Top 5 album Victory Lap, Eminem’s #1 album Revival, and two songs on Big Sean’s #1 album, Detroit 2.
Follow Will Claye
Instagram | Twitter | Facebook | Spotify

Follow DJ Khalil
Instagram | Twitter | Facebook

Carly Gibert "Interstellar" image via Abby Harari at Def Jam Recordings and 10:22PM for use by 360 Magazine

Carly Gibert QxA

Carly Gibert is a 19-year-old house, R&B, and pop music artist, who recently was signed to 10:22PM/Def Jam Recordings. The bi-lingual, Spanish born singer just released her groovy single, “Interstellar,” which reflects on her move from Spain to LA. The disco-inspired bop appears on NOW Volume 79, and can be listened to HERE. Gibert has been making music since the age of four, and her passion for creating is evident in all of her releases. We sat down with the rising house star to speak about the inspiration behind her latest release, her songwriting process, and whats to come next in 2021.

  1. What inspired you to write “Interstellar?”

“Interstellar” is about trying to make someone care for you as much as you care for them. You would do anything for the other person, but they only think about what’s best for them. When I moved to LA from Spain–where I was born and raised–I kind of started a new life, it felt like living in another universe. “Interstellar” actually means “living between stars,” and that is how LA felt to me. It only took me moving to the other side of the planet to realize that I wasn’t taking care of myself. It also references the movie Interstellar (which is one of my favorite movies of all time) with its theme of leaving your life behind and starting over in an entirely different setting.

  1. How would you describe the sound of “Interstellar” in three words?

Futuristic, disco and progress.

  1. What musicians influence your music style the most?

Not specifically for this song, but I grew up with and have always been very inspired by Beyoncé, Jay-Z, Kanye West, Frank Ocean, Mac Miller and Tyler the Creator. I definitely grew up on house music as well, since my dad would play it at home all the time; and I think you can actually hear that on “Interstellar.” The song has a kind of house vibe to it.

  1. What does your song writing process usually look like? Was this process the same for the writing of “Interstellar”?

I usually start off with one of the 100,000 notes on my phone. I write notes every single day–anywhere, anytime. You never know when the inspiration is going to hit, so this is how I keep track of my thoughts. When I find a lyric idea or a concept that resonates with how I’m feeling, I start writing random lines around it. At first, it honestly doesn’t make any sense and nothing rhymes. At that point, it’s all about placing the right lines in the right places and making them fit into a melody. This was also the writing process of “Interstellar.” I sometimes like to start with the melodies, though, and just build the lyrics based on the melody.

  1. If you could design your dream music festival where you were the headlining act, who would you choose to perform alongside?

If we’re talking about VERY ambitious dreams, I would obviously say Beyoncé, Jay-Z and Kanye. Then, of course, Frank Ocean, Tyler the Creator, A$AP Rocky, Doja Cat, Audrey Nuna, SZA, BIA, Anderson .Paak, Rosalía, Saint Bodhi, Little Simz, Kali Uchis, Kaytranada, Rico Nasty, Tinashe, Ryan Beatty, Daniel Caesar, Miguel, Jorja Smith…there are too many great artists.

  1. What has it been like being signed and working with 10:22PM/DefJam?

If someone told me 3 years ago that I would be working with the people I’m working with today, I wouldn’t believe them. The people I’ve met and am surrounded by are some of the people I look up to the most, and I’m so grateful for everyone who made it possible. I have a very close relationship with everyone on my team. I speak to my A&R literally every day, and I’m so lucky to be able to talk directly to the label if I ever need something. I’m super involved in all aspects of my career, so having a direct relationship with the label is very reassuring.

  1. What is something about you or your music that fans might not expect?

I would definitely say singing in Spanish. It’s something I’ve never done before, and I’m so excited to do it. I don’t have any full songs in Spanish at the moment, but I do have some verses here and there. The next song I’m releasing actually includes Spanish verses. Growing up, I was very insecure about singing in Spanish because I thought my accent was weird. It didn’t flow as naturally as English did, even though Spanish is my first language. Through the years, I’ve been practicing improving my diction and I feel a lot more comfortable now. I guess I just had to make it my own and embrace the “Spanish person who can’t articulate Spanish” aspect of myself.

  1. What is next to come from you in 2021?

I have two more songs that I really love coming out in the next couple of months. Hopefully an EP by the end of the year? (Nobody confirmed that—I just made it up—but I’m putting it out in the world). To be honest, all I want to do this year is release all the music I’ve been working on for the past 2 years. These songs are so special to me, and I can’t wait for everyone to listen to what I have to say.

Carly Gibert "Interstellar" image via Abby Harari at Def Jam Recordings and 10:22PM for use by 360 Magazine

Trippie Red illustration by Heather Skovlund for 360 Magazine

Trippie Redd x Playboi Carti Miss The Rage

Released on May 7th through 10K Projects/ Virgin Music, Trippie Redd and Playboi Carti’s long awaited “Miss The Rage” has debuted at #11 on the Billboard Hot 100 chart. With over 38.2M global combined streams and no music video to date, this is the highest charting single debut for both artists. Furthermore, “Miss The Rage” was the #1 most added song at Rhythm radio yesterday, and is currently the third most added song at Urban radio. Lauded by The New York Times, Rolling Stone, FADER, Complex and more, “Miss The Rage” currently occupies the Spotify playlists; Today’s Top Hits, Rap Caviar, Pop Rising, Get Turnt and more. “Miss The Rage” sits at #1 on Soundcloud’s Top 50 US and WW charts and #5 on Rolling Stone’s Top 100 Songs.

One of the most versatile and creatively daring artists in hip-hop today, Trippie Redd makes music that’s both wildly experimental and massively appealing. Since delivering his debut mixtape A Love Letter to You in 2017, the multi-platinum-selling, chart-topping rapper/singer/songwriter has continually defied genre boundaries, embedding his melodic take on rap with frenetic elements of rock-and-roll and heavy metal. And with his penetrating lyrics and nuanced but hard-hitting vocal performance, the 21-year-old Ohio native matches that endless ingenuity with a powerfully raw emotional impact.

A self-professed workaholic who’s now debuted five consecutive projects in the top 5 of the Billboard 200 chart —Trippie got his start as a teenager “living in a basement with roaches recording music,” as he tells it. Born Michael Lamar White IV and raised in Canton, Ohio, he grew up on hip-hop icons like Tupac Shakur, Nas, and Jay-Z, but later became fascinated with the shock-rock of Slipknot and Rob Zombie. As he recalls, the urge to create his own music arose soon after his older brother (an aspiring rapper who went by the name Dirty Redd) died in a car accident when Trippie was 10. (“I took his dream and did it myself,” Trippie says now.) Drawing much of his inspiration from the free-flowing style and inventive lyricism of Lil Wayne, Trippie began recording in his cousin’s basement and later relocated to Atlanta to further hone his skills, quickly landing a record deal with 10K Projects.

Though 2020 brought its fair share of adjustments for the rapper with the arrival of COVID-19, Trippie used his time in quarantine to make some of his boldest career moves yet. He made his Hollywood acting debut in a cameo during an episode of Lil Dicky’s critically acclaimed DAVE. He also dropped his highly anticipated album, Pegasus, on Halloween. The mythical LP, which debuted at #2, included the intoxicating “Excitement” featuring PARTYNEXTDOOR and showed Trippie bridging the generational gap with the legendary Busta Rhymes on “I Got You.” The deluxe version of Pegasus comes in the form of NEON SHARK, a collaboration album with production from Travis Barker, due February 19, 2021.

In just a few short years, rapper Playboi Carti has amassed millions of streams worldwide, with a global appeal that has steadily placed him within the upper echelon of new stars. The Atlanta native first started his career in high school under the name Sir Cartier. Raised on a cross-section of soulful Pop greats like Prince and Michael Jackson mixed with Trap stars like Jeezy and Gucci Mane, Carti found his own voice, securing local buzz with tracks like “YUNGXANHOE” and “Lost.” He graduated high school and was bound for the Bronx, where connecting with the A$AP Mob became fortuitous as he later forged a bond with leader A$AP Rocky and became a de-facto Mob affiliate. A series of viral hits followed—from “Broke Boi” to “Fetti”—as Carti later inked a deal with Interscope Records and dropped his eponymous mixtape in 2017.

The project featured the single “Magnolia,” as its meteoric rise garnered over 600 million cumulative streams with cosigns from Beyoncé and features on series like Atlanta. The following year, Carti dropped his debut album Die Lit, debuting at Number 3 on the Billboard 200, boasting collaborations like Lil Uzi Vert on “Shoota,” “Poke It Out” with Nicki Minaj, “Love Hurts” with Travis Scott and many more. In April of 2020, he returned with “@MEH,” cracking the 80 million mark already in streams. In December 2020, Playboi Carti released his highly anticipated album Whole Lotta Red. The album marked his first #1 album on Billboard’s 200 chart and received 160 Million global streams within its first week. In addition, Whole Lotta Red trended #1 upon its release on Twitter, and tracks from the album held 3 out of the top ten trending spots at YouTube including #1 upon release.  With a constant string of hits, Playboi Carti doesn’t miss.

LISTEN TO “MISS THE RAGE”