Posts tagged with "Rolling Stone"

Yung Raja illustration by Heather Skovlund for 360 Magazine

Rising Singaporean Artist Yung Raja

RISING SINGAPOREAN ARTIST YUNG RAJA RELEASES NEW FREESTYLE MIXING ENGLISH AND TAMIL — LISTEN NOW

NEW SONG “MAMI” IS YASSER’S TRACK OF THE WEEK ON BBC ASIAN NETWORK — LISTEN HERE

INCLUDED ON ‘NME 100’ LIST — FIRST SINGAPOREAN ARTIST TO APPEAR ON THE LIST

LYRICS + TRANSLATIONS HERE

Praise for Yung Raja:

“Singaporean hip-hop star sparks joy with dizzying Tamil and English raps” — NME

“Yung Raja has flown onto the hip-hop scene over the past year, commanding a riotous audience across South East Asia” — HYPEBEAST

“Within a year, [Yung Raja] has grown to become one of South East Asia’s popular hip-hop artists” — Rolling Stone

Yung Raja has been dubbed as Southeast Asia’s next avant-garde bilingual hip hop artist known for his tasteful unification of English and Tamil lyricism. Over the weekend Yung Raja released another installment of a freestyle that showcases just this. Raja is a master wordsmith and elegantly switches between the languages backed against a trap beat that begs hitting the replay button. The dizzying freestyle comes off the back of his recently released single “Mami” which is also the Track of The Week by Yasser for BBC Asian Network. The video for the song has already surpassed over 100,000 views on YouTube and rising. Check out the song and technicolor video, here.

Alongside the freestyle, Yung Raja also uploaded an informational video “Shtambi Shterminology” where breaks down his everyday slang and Tamil phrases— one of the world’s oldest surviving languages

About Yung Raja:

Named one of NME’s 100 artist of 2021, breakthrough rapper Yung Raja has been dubbed as Southeast Asia’s next avant-garde bilingual hip hop artist. Known for his tasteful unification of English and Tamil culture in his lyrics. He found viral success in Asia after releasing a string of singles including “Poori Gang,” “Mustafa” and “Mad Blessings”  — the latter of which received cosigns by the likes of Lupe Fiasco and M.I.A.. Raja went on to amass over 11 million plays, a record deal with Def Jam SEA and a whirlwind run that saw him play shows across the continent and a stint in India recording for the famous Kollywood industry. His blend of references combined with natural lyrical ability garnered him critical praise with the likes of NME, Hypebeast, ELLE (Singapore), VICE/Noisey, Rolling Stone (India). While his fashion sensibilities and unwavering experimentation with style has landed him the covers of Esquire and ELLE Singapore as well as brand partnerships with BVLGARI, Gucci, Louis Vuitton, and Adidas. Born and raised in Singapore, Yung Raja aims to reinvent societal views in and out of his homeland, inspire the next generation of cultural conservators, and elevate Southeast Asian hip hop to world class stages through his music. Last year, Yung Raja signed to Alamo Records in hopes to continue confronting the industry with his addictive bilingual delivery and amalgamation of cultural references.

Discover more Yung Raja via:

INSTAGRAM | TWITTER | YOUTUBE

Alex Henry Foster illustration by Heather Skovlund for 360 Magazine

Alex Henry Foster

ALEX HENRY FOSTER’S STANDING UNDER BRIGHT LIGHTS IMPACTS BILLBOARD SALES CHARTS WORLDWIDE AMIDST GLOBAL ACCLAIM

Triple-Vinyl / Double-CD, Concert Film Hits No. 4 In Canada,

No. 6 In Australia, No. 13 In The UK, No. 18 Emerging Artists

Rolling Stone, American Songwriter, Montreal Gazette,

Vancouver Sun, Glide Magazine More Praise Album

Alternative, post-rock’s Alex Henry Foster impacts album sales charts worldwide with his live triple-vinyl / double-CD and concert film Standing Under Bright Lights following its release April 16. In its first week available at digital and streaming outlets everywhere from Hopeful Tragedy Records, the recording hit No. 4 in Canada (No. 1 iTunes Top Albums), debuted at No. 6 in Australia and reached No. 13 in the UK. The album also landed at No. 18 on Billboard’s Emerging Artists and No. 31 on its Current Album Sales charts while fans also quickly depleted the vinyl collector’s boxes available at his label’s store.

From Montreal and now residing in the highlands of Virginia, Foster’s full production, 11-piece band concert Standing Under Bright Lights was recorded live in front of a sold out Club Soda (July 2019) while Foster headlined the Montreal International Jazz Festival. The concert was named one of the top five events not to be missed by Canada’s national TV/Radio broadcaster CBC. Originally set to release October 8, 2020, which would have been his late father’s birthday, Foster decided to utilize the extra time the worldwide pandemic would give him to produce the recording and concert film.

With Rolling Stone labeling the album’s lead single, “The Son of Hannah,” “simply fascinating,” and the Montreal Gazette hearing “a remarkable buzz around the world with his challenging alternative rock,” Foster’s Standing Under Bright Lights has garnered acclaim across the globe. Along with an NRT Now “Next Big Thing” podcast interview, Foster has been recently featured by Prog MagazineICI Premiere (CBC), Louder Than WarBrooklynVeganBetween The Grooves, PAN M 360FYI Music NewsTVKRebel NoiseAll RockMr. Vinyl and many more.

  • “[Standing Under Bright Lights] captivated concert-goers every second with improv, emotions, darkness, poetry laden lyrics, spoken word vocals and experimental music that transported everyone in attendance to a different plane.” – American Songwriter
  • “This is the kind of live album that used to establish artists…” – Vancouver Sun
  • “An Intimate, Impassioned, Astonishing record.” – Metro UK
  • ★★★★★ – “Standing Under Bright Lights is a deeply spiritual hymn to the warmth and light that burns inside us all.” – 3 Songs & Out
  • ★★★★ 1/2 – “Think Pink Floyd visiting Radiohead…” – Le Devoir
  • ★★★★ 1/2 “…an avalanche of progressive alternative rock music… feverish poetry and progressive impetus which defends our spirit at each listening.” – ARP Media
  • Standing Under Bright Lights is…a mesmerizing experience. …the event feels vibrant, it grips you even…”– Le Soleil
  • “Alex Henry Foster has earned his due and has helped transcend post-rock into a realm of prog possibilities encompassing the world where Steven Wilson and Porcupine Tree meet Godspeed You! Black Emperor.” – Glide Magazine
  • “…this is a release of such absolute quality, such exquisite poise…It is an absolute statement piece that, if there is any justice, will place Alex Foster Henry into a place where he will be rightfully regarded amongst the creme of emerging talent on the world stage.” – Uber Rock
  • “…one of the most dedicated and passionate works of art from a musician in recent memory.” – Interview Under Fire
  • “Just like the crescendo of the song ‘The Son of Hannah,’ there is a raw, cathartic release of tension that is born of anger, but released as hope.” – Montreal Rocks
  • “Rarely are we presented with such raw emotion in music or performance.” – Sound Vapors

Along with lead singles “The Son of Hannah” and “Winter Is Coming In” that have received hundreds of thousands of plays across numerous playlists, Standing Under Bright Lights features every song from Foster’s debut solo album, Windows in the Sky, which hit No. 1 multiple times on the Billboard Canadian Albums chart, staying in the Top 40 on the chart for a full year after its release. The songs from this celebrated album were re-invented for the live recording as the band performed along with a movie projection produced by Foster. Almost 2 hours and 30 minutes long, the concert at which Standing Under Bright Lights was recorded is now considered among the best concerts throughout the 40 years of the Montreal International Jazz Festival.

Playing the new music and fan favorites on tour, Foster and his band are preparing to tour internationally with 23 dates in Europe set to begin next month, pandemic allowing.

For all the latest Alex Henry Foster tour, music news and more, go to WebsiteFacebookYouTubeInstagramTwitterSpotifyApple MusicBandcamp and Hopeful Tragedy Records Store.

MGK “TICKETS TO MY DOWNFALL” Fall 2021 US tour poster via Rogers and Cowan PMK and Interscope Records for use by 360 Magazine

MACHINE GUN KELLY ANNOUNCES TOUR

MACHINE GUN KELLY ANNOUNCES FALL 2021 “TICKETS TO MY DOWNFALL” US TOUR

TICKETS WILL BE ON PRE-SALE TUESDAY, APRIL 27 / PUBLIC ON SALE FRIDAY, APRIL 30

Recording artist Machine Gun Kelly, the award-winning global performer and most recognized rockstar of his generation, will be taking his show on the road this fall. Hitting live concert venues for the first time since the release of his #1 album “Tickets to My Downfall,” fans can expect rocking performances of Platinum hits “bloody valentine,” “my ex’s best friend” and more.

Praise for the artist’s fifth studio album “Tickets to My Downfall” came from both fans and music critics, with Billboard lauding its “dazzlingly effective songs,” Vulture calling it “punk rock excellence,” and NME praising it as “brilliant.” To kick-off 2021, MGK wowed TV viewers from Times Square at Dick Clark’s Rockin’ New Year’s Eve followed by a legendary appearance on Saturday Night LiveET had a glowing review for SNL, saying: “MGK’s second performance really showed the range of his style and substance, as he delivered a remarkably beautiful and emotional performance of his song “lonely” and Rolling Stone praised the “raucous” performance.

Special guests on the tour include carolesdaughter, jxdn and KennyHoopla.

The “Tickets to My Downfall” tour will kick off September 9 in Minneapolis, MN and will conclude December 18 in his hometown of Cleveland, Ohio, playing the city’s largest venue, the Rocket Mortgage Fieldhouse.

Tickets will be available for pre-sale starting Tuesday, April 27, with the public on sale Friday, April 30 in all markets on Machine Gun Kelly’s website.

Tour Dates/Venues (*additional dates and cities to be announced)

09/09   MINNEAPOLIS, MN                     THE ARMORY

09/10   COUNCIL BLUFFS, IA                 WESTFAIR AMPHITHEATER

09/11   INDIANAPOLIS, IN                       TCU AMPHITHEATER

09/13   NEW YORK , NY                          CENTRAL PARK SUMMERSTAGE

09/15   BOSTON, MA                               LEADER BANK PAVILION

09/17   WEST SPRINGFIELD, MA           THE BIG E

09/21   DETROIT, MI                                ARETHA FRANKLIN AMPHITHEATER

09/22   CINCINNATI, OH                          THE ICON FESTIVAL STAGE AT SMALE PARK

09/24   ORLANDO, FL                              REBEL ROCK FESTIVAL

09/25   LOUISVILLE, KY                           LOUDER THAN LIFE

09/28   ST. LOUIS, MO                             ST. LOUIS MUSIC PARK

10/02   ROGERS, AK                                WALMART AMP

10/03   BONNER SPRINGS, KS               PROVIDENCE MEDICAL CENTER AMP

10/05   MILWAUKEE, WI                           EAGLES BALLROOM

10/06   NASHVILLE, TN                            ASCEND AMPHITHEATER

10/09   SACRAMENTO, CA                      AFTERSHOCK FESTIVAL

10/10   SAN FRANCISCO, CA                  THE WARFIELD

10/12   SPOKANE, WA                              SPOKANE PAVILION

10/13   TROUTDALE, OR                          MCMENAMINS EDGEFIELD

10/17   SALT LAKE CITY, UT                    THE COMPLEX

10/18   DENVER, CO                                 RED ROCKS AMPHITHEATER

10/20   LOS ANGELES, CA                        THE SHRINE

10/21   PHOENIX, AZ                                 MESA AMPHITHEATRE

10/24   DALLAS, TX                                   THE PAVILION AT TOYOTA MUSIC FACTORY

10/27   CHARLOTTE, NC                          METRO CREDIT UNION AMPHITHEATER

10/28   RICHMOND, VA                            VIRGINIA CREDIT UNION LIVE!

10/30   PITTSBURGH, PA                         PETERSEN EVENTS CENTER

12/18   CLEVELAND, OH                          ROCKET MORTGAGE FIELDHOUSE

Lil Yachty MICHIGAN BOY BOAT artwork for use by 360 Magazine

LIL YACHTY – MICHIGAN BOY BOAT

LIL YACHTY ANNOUNCES APRIL 23 RELEASE OF MICHIGAN BOY BOAT, REVEALS ARTWORK

WATCH THE TRAILER FOR THE MIXTAPE SPOTLIGHTING MICHIGAN RAPPERS HERE

Today Lil Yachty reveals the artwork and April 23 release date for his highly-anticipated mixtape “Michigan Boy Boat.” Featuring rappers from Detroit and Flint, Yachty unveiled a behind-the-scenes trailer filmed in the Great Lake State.

WATCH HERE.

Lil Yachty has long been collaborating with Michiganders. Since his 2017 Tee Grizzley collaboration “From the D to the A,” Yachty has been featured on songs with Michigan artists Sada BabyYN JayRNC Mike, and Krispylife Kitdd–and these were only primers.

“Yachty’s upcoming mixtape, Michigan Boy Boat, is an ode to the state where a new crop of MCs is currently restitching the fabric of modern hip-hop. It’s also a testament to one of the 23-year-old rapper’s greatest gifts: his ear for talent,” states Rolling Stone.

In February, Lil Yachty released a video for his song, “Royal Rumble,” which features six MCs from Michigan’s vibrant rap scenes. Along with Yachty, the song boasts Krispylife Kid, RMC Mike, Babyface Ray, Rio Da Yung OG and Icewear Vezzo.

Stereogum wrote of the song/video: “For the past few years, the Atlanta rap star Lil Yachty has been making tracks with the best rappers that the thriving Michigan underground has to offer. Yachty was arguably the first mainstream rapper to recognize the talent of people like Sada Baby and Rio Da Yung OG, and when he records tracks with guys like that, it usually brings out the best in him.” Pitchfork stated Yachty “always holds his own and makes everyone around him sound more motivated than usual.”

Lil Yachty has been busy. In between developing a heist movie based on the card game Uno, a series for HBO Max, diving into crypto currency, partnering with Reese’s Puffs cerealremixing the Saved by the Bell theme song, and becoming a favorite on TikTok, “hes a mentor and a mogul…”he’s become an elder statesman of a certain brand of young superstar — and something like the Gen Z answer to Diddy” (Rolling Stone).

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Do You Turn Red? (Reimagined) by Peter Manos and Kindness artwork via Capitol Records

PETER MANOS × KINDNESS – DO YOU TURN RED? (REIMAGINED)

Reworked EP out April 22 via Capitol Records

Manos’ debut single “In My Head” is now RIAA Certified Gold

Los Angeles-based singer, songwriter, and multi-instrumentalist Peter Manos announces “Do You Turn Red? (Reimagined),” a reworking of his 2020 debut EP, out April 22 via Capitol Records. Made alongside GRAMMY-winning British artist and producer Kindness, the new EP spotlights Manos‘ soulful, brooding vocals with a deliberate, textured new take on his intimate R&B. Watch the visualizer for first single “In My Head (Reimagined)” HERE. The EP is available for pre-order HERE.

“In My Head (Reimagined)” is a stark new version of Manos‘ breakthrough track, which was named a Song You Need to Know by Rolling Stone shortly after its release in 2019. Since then, the dorm-room-crafted hit has garnered 333 million streams globally, been certified gold by the RIAA, and appeared on the soundtrack to the Netflix film “To All the Boys: Always and Forever.” Rolling Stone hailed “In My Head” as a song that “proves that ballads can still surprise,” and this new version is similarly revelatory, setting the mood with glassy strings and a barely perceptible beat, and placing Manos‘ raw tangle of post-breakup regrets at its emotional core.

Manos, hailed as “your favorite new R&B singer” by Flaunt, has long been a fan of Kindness, the project of artist, producer, and arranger Adam Bainbridge. While Kindness has worked with artists as varied as Solange, Robyn, Kelela, and Blood Orange, Do You Turn Red? (Reimagined) marks the first time that the fiercely solo Manos has brought in an outside collaborator. The project has opened up his work in unexpected ways.

“I love these new versions because they are interpretations of these songs that I would have never come up with on my own,” says Manos. “The arrangements, the playing, the way that Kindness emphasized my vocals–there are so many different things I love about them.”

“Do You Turn Red? (Reimagined)” reinvents each track from Manos‘ debut EP, including a gently up-tempo rework of ”You Don’t Know Me” and a shimmering update of ”Tennessee,” which The New York Times said encapsulated “pure male angst.” Kindness’ arrangements further uncover the soul that lives at the heart of Manos‘ music. “From the beginning, we had the idea of working with Kindness and this was the perfect opportunity,” says Manos. “Adam’s work brought me into a different world that I wasn’t as familiar with. It has changed the way I view a lot of music.” The EP presents exciting new possibilities about the future of Manos’ music–new worlds to explore, and new emotions to share.

Do You Turn Red? (Reimagined) TRACKLIST:

  1. My Mind (Reimagined)
  2. You Don’t Know Me (Reimagined)
  3. At Night (Reimagined)
  4. Tennessee (Reimagined)
  5. Zach’s Ballad (Reimagined)
  6. Do You Turn Red (Reimagined)
  7. In My Head (Reimagined)

8. Zach’s Ballad (Chopped & Screwed)

About Peter Manos

Despite being intensely private, Peter Manos is extremely good at introductions. When he shared his first song in 2017–”In My Head,” that heartrending slab of eerie soul recorded in a dorm room– he turned ears and stoked fascination: Who was this master of catharsis and vibe, always obscuring his face in photos? Everything that’s come since has slowly opened a window onto his wild mind, while also somehow deepening the intrigue. Consider his second song, “Out of Love,” a mercurial mix of alt-pop, indie R&B, and intimate folk. Or his third track–the title of which being “You Don’t Know Me”– says it all, as the track’s live video shows five differently dressed Manoses, playing five different instruments. The Dallas-to-Los Angeles transplant is a one-stop-shop singer, songwriter, guitarist, pianist, and producer. As he puts it, “I’m completely obsessive about making music and getting it right.” And it shows. The man packs a lot into his songs. Memories, realizations, and conversations with himself. Loss, warmth, hope, and loneliness. He has a knack for creating his own space within the familiar, and it’s safe to assume this auteur will soon craft an entire world for us to explore.

About Kindness

Kindness (Adam Bainbridge) is an Asian British producer, DJ, documentary maker, radio host, and recording artist. Their solo works include albums World You Need A Change of Mind (2012) and Otherness (2014). As a producer, they lend a distinct and recognizable sound, with projects including work on Freetown Sound and Negro Swan by Blood Orange and A Seat at the Table by Solange Knowles (for which they won a GRAMMY), as well as production and songwriting on Robyn’s record Honey and writing and production for Jessie Ware’s What’s Your Pleasure. Kindness returned in 2019 with a string of new singles featuring a wide range of collaborations including Jazmine Sullivan, Robyn, Seinabo Sey, and many others. Kindness’ 2019 album Something Like A War chronicled a long journey of reflection and personal dedication. The record is a life-affirmed exploration of new beginnings, and continuing joy in music and collaboration, heavily emphasizing themes of femininity and the role of femmes in community and art, and the sensuality that comes from vulnerability and longing. Celebrated with a wide range of collaborations, it is Kindness’ most ambitious and well-rounded work to date.

Music Notes by Mina Tocalini for 360 Magazine

PAUL × LINDA MCCARTNEY – RAM

50th Anniversary Limited Edition Vinyl Release

to be made available on May 14, 2021

To celebrate the 50th anniversary of Paul and Linda McCartney’s 1971 masterpiece RAM, the album will be reissued May 14, 2021, as a limited-edition half-speed mastered vinyl pressing via UMe.

Paul‘s most recent release, the #1 album McCartney III, recorded in “Rockdown” last year, saw a return to the homespun, lo-fi style of the earliest days of his solo career.  The eclectic charm and intimacy of 1970’s McCartney and 1971’s RAM found Paul redefining his post-Beatles creative identity, while unconsciously rewriting the rules of pop music and creating new genres along the way—or as Pitchfork would later describe RAM‘s sustained influence on generations of fans and musicians alike, “inventing an approach to pop music that would eventually become someone else’s indie-pop.”

The only album to be credited to both Paul and Linda McCartney, RAM was created mostly at Paul and Linda’s farm in Scotland (following initial, more traditional studio sessions in New York).  Unlike the completely solo sessions that resulted in Paul’s eponymous debut album, the recording of RAM found Paul and Linda enlisting a number of musicians, including Denny Seiwell, who would become a founding member of Wings, Paul’s next musical adventure.

The RAM sessions were completed in early 1971, also yielding the standalone single Another Day“, a worldwide hit that preceded RAM‘s May 1971 release.

RAM‘s singular sonic palette was unlike its predecessor—or anything else for that matter—and has grown exponentially in stature and influence over the decades. Critically polarizing at the time, the album was instantly beloved by fans, hitting #1 in the UK and giving Paul his first post-Beatles American #1 single, the GRAMMY-winning Uncle Albert/Admiral Halsey.  In recent years the record has continued to solidify its standing as one of the most loved in Paul’s unparalleled output. Fans and critics alike continue to sing its praises: Rolling Stone has hailed the album as a “masterpiece” and “a grand psychedelic ramble full of divine melodies,” Pitchfork has praised it as “a domestic-bliss album, one of the weirdest, earthiest, and most honest ever made,” and Mojo, perhaps most accurately of all, has deemed RAM “quintessentially McCartney.”

Elle King and Miranda Lambert "Drunk" PR image for Sony music by Kimberly Manfre, uploaded by Sarah Weinstein Dennison, for use by 360 Magazine

ELLE KING × MIRANDA LAMBERT – “DRUNK (AND I DON’T WANNA GO HOME)”

ELLE KING AND MIRANDA LAMBERT’S “DRUNK (AND I DON’T WANNA GO HOME)” CRASHES INTO THE #1 SPOT ON BOTH THE BILLBOARD ROCK AND COUNTRY DIGITAL SONG CHARTS THIS WEEK.

Listen/Watch HERE

Elle King and Miranda Lambert’s brand new collaboration “Drunk (And I Don’t Wanna Go Home)” is clearly the party everyone has been missing. The single debuted at #1 on Billboard’s Country Digital Song Sales Chart and #1 on the Rock Digital Sales Chart. Listen/Watch the Video HERE.

The song was co-written by Elle King with Martin Johnson, who also produced the track, and was recorded in Nashville and New York pre-pandemic.

This is the second time the two female powerhouse performers have recorded together with their first release “Fooled Around and Fell in Love” (along with Maren Morris, Ashley McBryde, Tenille Townes and Caylee Hammack) going on to win the 2020 ACM Award for “Music Event of The Year.”  Elle also was a special guest on Miranda’s 2019 Roadside Bars & Pink Guitars tour.

To accompany the track, the pair met up in Nashville to film an 80s-inspired wedding video starring Elle as the bride and Miranda as her Maid of Honor complete with a cameo from Elle’s real-life fiancé as the groom. The video was shot in January by directing duo Running Bear using strict COVID protocols.

Watch the video HERE.

Check out what the press is saying about “Drunk”:

“’Drunk’ is a fist-pump, feel good, girl-power anthem from these two country power houses, with a nostalgic, pastel music video to match.”

360 Magazine

“This may be end up being a top-10 pop song, country song, and rock song of 2021.”

“Brilliant stuff here at the intersection King’s sassy roots-rock shtick, Lambert’s sassy country shtick, and the Nashville mainstream’s constant drift toward arena rock.”

Stereogum

“…a euphoric collaboration…exhilarating new duet.”
“When the chorus hits, it’s neon-spattered, banjo-flecked euphoria that fits perfectly with the idea of blowing off steam well into the wee hours.”

Rolling Stone

“Firebrands King and Lambert hit one out of the bar with this singalong ode to handing your keys to the bartender and drinking all night because you don’t want to go home. The song will fuel a thousand karaoke nights and a million bridal parties, but it’s the cotton candy-colored video that really sells it, with King as a feisty bride and Lambert as the maid of honor who’s the first to spike the punch.”

“… an enjoyable glass-raising anthem, but it’s the way that the ‘Ex’s and Oh’s’ singer and country veteran complement one another on the track that denotes a longstanding bond, and an opportunity to listen in on their fun.”

Billboard
“Elle King and Miranda Lambert’s Duet ‘Drunk’ Is an ‘All-In’ Party of an Event”

“Drunk” is a memorable, feel-good anthem.”

CMT

“…a rip-roarin’ good time!”
“…this catchy tribute to a blackout night, complete with a fun-filled, wedding-themed music video…”

“Go Behind the Scenes of Their Gender-Bending Music Video (Exclusive)

Miranda Lambert and Elle King’s ‘Drunk’”- Watch HERE

Entertainment Tonight

“…hilarious music video…”
People

“Country superstar Miranda Lambert and rocker Elle King let loose for a wild-night duet …up-tempo anthem…features a driving rhythmic stomp and maxed out country-rock edge, mixing rolling banjos with party-all-night vocals. Lambert leads the rebellious second verse and also blends her vocal in with King’s gritty delivery throughout, and King says track’s devil-may-care attitude suits them both well.”
Sounds Like Nashville

“It’s a wild wedding — and Miranda and Elle are there to party.”
The Boot

“the badassery levels are off the charts. Co-written by King and Martin Johnson, it’s a fun tribute to staying out till dawn and drinking the night away (remember that?).”

Whiskey Riff

“…unapologetic anthem…a first pumping, banjo-led party song to rule any dance floor.”

“’Drunk’ is coasting at the top of the charts right now because the track crosses any sort of existing genre barriers – the long hailing queen of country revenge tales and the rock/pop King belting out how they’re both not ready to leave the cash bar just yet. It’s a wedding party we all want to be a part of.”

Earmilk

“…a dizzying new party anthem”

“One-time tourmates Miranda Lambert and Elle King join forces once again for the genre-bending party banger…”

ABC Radio News

“Fun, upbeat…Exhilarating…a party anthem all about living your best life on the spur of the moment.”

iHeart Radio

Lil Baby illustrated by Heather Skovlund for 360 Magazine

Lil Baby Performing at Grammy’s

PERFORMING ON THE 63rd ANNUAL GRAMMY’S

AIRING SUNDAY, MARCH 14, 8 PM ET / 5 PM PT ON CBS

NOMINATED FOR TWO GRAMMY AWARDS:

BEST RAP SONG AND BEST RAP PERFORMANCE FOR THE BIGGER

The Recording Academy announced that Lil Baby will perform at the 63rd Annual Grammy Awards. The Awards will air on Sunday, March 14th, at 8 p.m. ET / 5 p.m. PT on CBS Television Network from the Los Angeles Convention Center in downtown LA.

Lil Baby has been one of the most dominant and critically acclaimed names in rap since his first release in 2017. In February 2020, he released My Turn, which entered The Billboard 200 at #1, hovered in the Top 5 for 14 weeks, and then returned to the #1 selling album of any genre in 2020.

Lil Baby is as authentic as they come. At just 26 years old, he is unapologetically himself, speaking his truth in his lyrics and that connects him to listeners like no other. Last June as the nation protested, Lil Baby dropped a powerful record “The Bigger Picture”; articulating frustration, confusion, and a call to stand up for something much bigger than himself.

My Turn held 14 records simultaneously on The Billboard Hot 100 and Lil Baby has recently surpassed musical titans Prince and Paul McCartney among others in Billboard Hot 100 hits in his young 3-year career. To date, Baby’s catalog reached 22 billion global streams, scored 8 #1 songs at Urban Radio, won the BET Award for Best New Artist, named Vevo’s Top Performing Hip-Hop Artist of 2020, named MVP on Rap Caviar, and won the top award of Global Artist of the Year at the Apple Music Awards. The Bigger Picture was nominated for two Grammy’s (Best Rap Performance and Best Rap Song). He has seen widespread critical acclaim from the likes of GQ and Vanity Fair and has graced the covers of Rolling Stone and NME. With such a rapid rise and a relentless stream of critical and commercial hits, it’s clear that Lil Baby is one of the greatest modern success stories in hip-hop.

Cravity Illustration by Heather Skovlund for 360 Magazine

K-Pop Cravity × “Bad Habits” Release

K-POP GROUP, CRAVITY, RELEASE

PERFORMANCE VIDEO FOR BAD HABITS

OFF THEIR 3RD ALBUM, SEASON3. [HIDEOUT: BE OUR VOICE]

K-Pop boy band, CRAVITY, has released their highly anticipated performance video for “Bad Habits” today. The B-side track is off their 3rd album, SEASON3. [HIDEOUT: BE OUR VOICE], released earlier this year. With an ambitious drive to turn the year 2021 into CRAVITY’s, the members wasted no time speaking to places like Good Day New YorkiHeartET CanadaRadio.com, and many more, about their success thus far and the creative process behind the album.

“We shot the performance video for “Bad Habits” using many new techniques we haven’t tried before, for example, shooting with night vision or lip-syncing to a lower angle camera through a glass pane. The dance routine was really fun to perform and suits the mood of the song really well,” says Rapper Allen. The leader of the group, Serim, adds “We had a very short time to prepare for our B-side track promotion, but we’ve worked super hard to complete it in success.” 

The main theme for the performance video of “Bad Habits” is ‘Nocturnal,’ and viewers can see the members’ dynamic moves and performance on the night of the full moon. They’ve turned into bad boys with funky visuals and will draw full attention by showing more matured and developed skills. The song “Bad Habits” is meant to showcase a different side of the CRAVITY members with a more rough and tough persona. The lyrics tell a story of 9 members who will not collapse in this world but will clearly show their own way to survive through it. EXY from K-Pop Group Cosmic Girls (WJSN) participated as a lyricist on this track with underground trap beats. In addition, 3 CRAVITY members [Taeyoung, Allen, and Hyeongjun] participated in the draft version of the “Bad Habits” choreography, further showing their artistic abilities.

MORE INFO:

CRAVITY’s debut album, released in April 2020, SEASON1. [HIDEOUT: REMEMBER WHO WE ARE] caused a wave of intrigue and excitement here in the states, with mentions in PAPER MagazineAccessiHeartJ-14MTV NewsEarmilkTeen Vogueand Rolling Stonewho referred to their title track as “An anthemic track from the K-pop rookies that combines 808-style riffs with the melodic sensibilities of early-2000s boybands (extended dance break included).” In addition to that, CRAVITY made a splash on social media, debuting at No. 12 on Billboard’s Social 50 chart for the week dated April 25.

CRAVITY has also garnered the title “Super Rookie” over in Korea due to their debut album’s success, which hit No. 1 on the U.S. @iTunes Top K-Pop Albums chart, making them the first #Kpop rookie group to debut in 2020 to earn this achievement. CRAVITY has marked their relentless movement, sweeping the rookie of the year awards at various music awards ceremonies in Korea. Even after releasing only two albums, their achievements were more than enough to show their presence in the K-pop scene, giving them the title ‘2020 super rookie.’

The inspiration behind the name, CRAVITY, came to fruition through the combination of “Creativity” and “Gravity,” Starship Entertainment’s new boy band for the first time in five years since Monsta X. Consisting of nine members, [Serim, Allen, Jungmo, Woobin, Wonjin, Minhee, Hyeongjun, Taeyoung, and Seongmin], CRAVITY, which is also an acronym for “Center of Gravity,” is meant to attract/gravitate listeners into their unique universe, by pulling them in with their creativity, charm, and pure talent. As humans, we all have our own “first experiences,”; whether that be in school, society, or in a relationship. When encountering new relationships, we sometimes prepare ourselves by running from the starting line at full speed, hearts racing, butterflies in our stomach, but at the same time, we are afraid. We are hopeful, but we also experience despair.

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