Posts tagged with "The Guardian"

DOMi & JD BECK Album "Not Tight" Cover Art via U Music Group for use by 360 MAGAZINE

DOMi & JD BECK – NOT TiGHT

DOMi & JD BECK have released their highly anticipated debut album NOT TiGHT, which is out now on Anderson .Paak‘s new label APESHIT in partnership with Blue Note Records. The duo keyboardist DOMi Louna and drummer JD Beck are joined on the album by a line-up of special guests which includes .PaakSnoop DoggBusta RhymesHerbie HancockThundercatMac DeMarco, and Kurt RosenwinkelNOT TiGHT is available now digitally and on CD, with a vinyl release to follow on November 11.

Following their sold-out shows at the Blue Note Jazz Festival in NYC last month, DOMi & JD BECK will be performing at the Napa Valley festival this weekend. Last week the band made their TV debut on Jimmy Kimmel Live! with an incredible performance of TAKE A CHANCE featuring .Paak. Watch them perform WHATUP live at VEVO, and don’t miss the unforgettable official videos for TAKE CHANCE and SMiLE.

See what the critics have been saying about DOMi & JD BECK:

bold, bizarre, and intriguing just as every great new band ought to be. NME

Ambitious and accessible, fearless and endearingly freaky. The Guardian

a duo of virtuosic post-jazz Zoomers who seem to have leaped out of a cartoon, and whose wow factor is suited to the small screen… Redolent of lounge, 70’s fusion, trip-hop, and breakbeat, this LP offers [a] nonstop dopamine drip…New York Times

Since they first started breaking the internet with their hyperarticulate strain of beat music, DOMi and JD BECK have gradually burrowed their way into the jazz mainstream. Or maybe it’s that the mainstream has sidled up to them? However you want to put it, there’s no doubt that DOMi, the ponytailed keyboard savant born Domitille Degalle and Beck, the mop-headed drum virtuoso are now turning heads beyond the funhouse perimeter of viral stardom. NPR Music

The future is here. DOMi & JD BECK are two jazz prodigies signed to Anderson .Paak‘s Apeshit label, who are starting to build some serious buzz… they infuse child-like fun into complete and utter mastery of their instruments and itߣs them who will surely continue to spread the gospel of real next-level jazz music to future generations. UPROXX

  1. LOUNA’S iNTRO
  2. WHATUP
  3. SMiLE
  4. BOWLiNG (feat. Thundercat)
  5. NOT TiGHT
  6. TWO SHRiMPS (feat. Mac DeMarco)
  7. U DON’T HAVE TO ROB ME
  8. MOON (feat. Herbie Hancock)
  9. DUKE
  10. TAKE A CHANCE (feat. Anderson .Paak)
  11. SPACE MOUNTAiN
  12. PiLOT (feat. Snoop Dogg, Busta Rhymes, Anderson .Paak)
  13. WHOA (feat. Kurt Rosenwinkel)
  14. SNiFF
  15. THANK U

Before now, if you wanted to learn about DOMi & JD BECK the internet’s most hyped jazz duo you had to visit their website, click a rat playing saxophone, and read a story about a 12-year-old physicist (DOMi Louna) and a 6-year-old sheep investigator (JD Beck). Let’s fix that. My philosophy of life is don’t take shit too seriously, says DOMi Louna, born Domitille Degalle. And that’s fair. But the vibrant world she and her collaborator have given us demands exploration.

They would reveal a bit more on their Instagram profiles, via clips of their jams, with JD on a simple drum kit and DOMi Louna on MIDI keys. She favors sounds that evoke ’70s jazz fusion and the colorful blips of 2000s Pokemon soundtracks, while he tunes and plays his snare in ways that can sound electronic, channeling IDM and boom bap. Sometimes they’re stuffed into a bathroom and sometimes the drums are muffled by pretzels stacked on the hi-hat, or toilet paper tossed on the snare. Their music finds both humor and greatness in harmonic complexity and rhythmic shiftiness, abruptly adopting and ditching tempos, toying with time signatures, and sneaking extra beats into bridges.

The collaboration began under silly circumstances. DOMi Louna was a teen proteg at Berklee by way of the Paris Conservatory; JD, four years her junior, had gigged since grade school around his hometown, Dallas first in producer Jah-Born’s band where he duetted with MPC beatmakers and DJs spinning Dilla. In 2018, they were both invited to join an ensemble performing at the National Association of Music Merchants (NAMM) trade show and played in a room full of blaring instrumental demos, surrounded by a chaotic din. It was so bad, we couldn’t hear anything, JD laughs. They bonded over gauche keyboard effects and mom jokes, and a more audible jam that night sparked interest in working more.

Along the ride, DOMi & JD BECK have sat in with Herbie Hancock and backed Thundercat, Ariana Grande, Mac DeMarco, Eric Andre, and more. They also co-wrote Skate on .Paak’s GRAMMY-winning album with Bruno Mars as Silk Sonic. Neither can believe what’s happening, but leave it to them to skewer the moment. When JD suggests people might hate the new album, DOMi Louna says, That would be sick! Booo. They suck!

Fletcher New Single "Becky's So Hot" via Capitol Music Group for use by 360 MAGAZINE

FLETCHER – NEW SINGLE

Critically acclaimed queer icon FLETCHER shares her new single Becky’s So Hot; a thrillingly intimate portrait of lusting after her ex’s new girlfriend. The track is the latest single from her forthcoming debut album Girl Of My Dreams, due out via Capitol Records on September 16. Download/stream Becky’s So Hot HERE.

Built on a feverish vocal performance from FLETCHERBecky’s So Hot explores a particularly complex form of passion.

Says FLETCHER, I wrote Becky’s So Hot a couple years ago after I was creeping on my ex’s new girlfriend’s Instagram while I was in the studio. I accidentally liked a picture of her wearing a vintage t-shirt of my ex’s, one that I’ve worn before. The complexities of moving on were something I wanted to explore and it felt more interesting to me to write something from the perspective of being in awe of her; sort of like damn it kinda stings that she’s so hot, but I can’t even be mad about it because I get it, she’s hot. Girl Of My Dreams picks up where THE S(EX) TAPES leaves off and weaves through my dreams, fears, fantasies, messy moments, and all the fleeting feelings in between. It paints a picture of how pain can evolve and so can you.

Becky’s So Hot sets FLETCHER‘s expression of desire to an intense sonic backdrop (scorching guitar work, trembling rhythms, fiercely pounding drums) with production by long-time collaborator One Love and newcomer Pink Slip. With its dizzying collision of longing and frustration, jealousy and pleasure, the track affirms FLETCHER‘s gift for bringing the most nuanced emotions to wildly dazzling life (from the chorus: Are you in love like we were?/If I were you I’d probably keep her/Makes me wanna hit her when I see her/Cause Becky’s so hot in your vintage T-shirt.

The second song released from Girl Of My DreamsBecky’s So Hot arrives as the follow-up to Her Body Is Bible (a June release praised by EUPHORIA as a sexy yet emotional single that shows the tenderness of a WLW relationship using religious themes that she manages to give a complete 180-turn to). Executive-produced by Malay (Frank Ocean, Lorde) who also helmed FLETCHER‘s you ruined new york city for me and THE S(EX) TAPES, a 2020 EP that hit No. 1 on iTunes across all genres Girl Of My Dreams reveals her inner world more fearlessly than ever before, documenting the deeply transformative experiences on her way to self-discovery. Fans can pre-order the album HERE and watch the album trailer HERE.

FLETCHER has become known for her magnetic live show, with nearly 100,000 tickets sold globally this year.

FLETCHER will hit the road this fall for the Girl Of My Dreams Tour, a 25-date headlining run of North America. Kicking off on October 10 at House of Blues Orlando, the tour will continue through November 18 at the Hollywood Palladium in Los Angeles, with sold-out stops at legendary venues like the Hammerstein Ballroom in New York City. All tickets are on sale now; go HERE for more info, and check out the tour trailer HERE.

About FLETCHER

Praised by leading outlets likeTIME, Wonderland, Harper’s Bazaar, Interview Magazine, GQ, NME, The Guardian, and more, acclaimed singer/songwriter FLETCHER hails from Asbury Park, New Jersey, where she cultivated her passion for music and her unforgettably candid storytelling. In 2019 she released her debut you ruined new york city for me. The widely lauded EP features her breakthrough hit Undrunk, a track that spent several weeks on the Billboard Hot 100, scored the #1 spot on Spotify’s Viral Chart, and emerged as the fastest-rising song at pop radio from a new artist in the past five years. Released in September 2020, FLETCHER’s THE S(EX) TAPES hit No. 1 on iTunes across all genres and drew praise from outlets likeTeen Vogue, SPIN, PAPER, GQ, and more, with the EP’s gold-certified lead single Bitter fast approaching 200 million global streams. FLETCHER continued her triumphant run with recent singles girls girls girls a bold reimagining of Katy Perry’s iconic I Kissed a Girl (released with Perry’s early stamp of approval) and Cherry featuring trailblazing pop star Hayley Kiyoko. FLETCHER was also nominated for a GLAAD Media Award for Outstanding Breakthrough Music Artist and landed on Forbes 30 Under 30 list for 2022. FLETCHER‘s music as amassed over one billion combined streams worldwide. She will release her debut album Girl Of My Dreams via Capitol Records on September 16 and her new single Becky’s So Hot is out now.

Gaming illustration by Gabrielle Marchan for 360 Magazine

How Graphic Design is Used for Online Gaming

When most individuals are asked what graphic designers do, they are likely to say they create logos, business cards, t-shirts, or other 2D images. Even though we engage with visual designers’ work every time we choose which games to play online, few people will mention their importance in game design. 

However, graphic design has taken on new dimensions in the twenty-first century, and with the growing online digital environment, it now plays a more critical function than ever before. Graphic design may be seen everywhere on the digital screen, from building web interfaces to online marketing, social media to online games.

The gaming industry is perhaps one of the most challenging fields in digital design. Of course, you need motion graphics, but you also need to pay attention to detail for credible elements and gaming instructions. Nevertheless, it’s safe to conclude that the gaming industry has progressed significantly. This article will look at how graphic design is vital in online gaming.

Marketing

Because many graphic designers work in marketing, their ability to create appealing visuals could benefit video games. Design specialists will capture people’s attention and enhance revenue long term by developing gorgeous banners. As users’ attention spans have shrunk dramatically in recent years, a visual approach gradually takes over written content.

User Interface

A graphic designer creates a game’s user interface (UI). The user interface is a collection of visual elements that allow the player to interact with the game and access various tools and settings. Several user interfaces are frequently found in a single game. When you initially start a game, the first UI you see is usually the launch screen, which sends you to the Menu, which is another UI. Each menu item opens to its own UI, which uses components like volume sliders and mouse sensitivity to assist you in navigating through each setting.

A graphic designer is responsible for selecting where all of these visual components and text should be placed so that they do not obstruct the player’s main view. Therefore, an excellent understanding of visual hierarchy is one of the most crucial skills a graphic designer possesses.

Gaming

So far, we’ve looked at how graphics are utilized in online games to attract attention and convey instructions, but what about the game itself? The motion graphics are well-articulated to guarantee that they achieve their full potential in terms of authenticity. Because online games are frequently adaptations of real-life games, such as casino games, getting them as similar to the real thing as possible is critical to ensure the gamer has a good time. Some of the most well-known gaming studios have reaped the benefits of advances in graphic design and computer technology, producing games that are as immersive as they come.

Video games are multi-faceted bodies with a semiotic landscape as one of them. Signs, display panels, visual announcements, and various other features distinguish games. These graphic objects are frequently employed in real life, such as in ads and the in-game world. As a result, it’s critical to pay close attention to them, enlisting a graphic designer’s help.

Graphic designers’ responsibilities do not end with the elements mentioned above. These designers will always be in demand for a variety of projects. In addition, graphic design is an integral part of gaming since it allows you to fully immerse yourself in the experience. We may take the technology employed in the graphical design component of games for granted, still, it has taken a long road of experimentation in line with general advances in computer technology to get to where we are now.

Overall, graphic design has become an essential part of many industries. It has been established via the study of online gaming that graphic design is critical to the success of the digital game. Consider this: without design in marketing, fewer people will be drawn to the game; without design in instructions, people may be confused about how the game works; and without design in the game itself, people may be dissatisfied with the game they have played.

Bomani Jones HBO series in 360 MAGAZINE

GAME THEORY F/ BOMANI JONES

GAME THEORY WITH BOMANI JONES continues its first season SUNDAY, APRIL 3 (11:30 p.m.-12:00 a.m. ET/PT). New episodes debut each Sunday on HBO and will be available to stream on HBO Max.

The episode features topical commentary on this week’s most-talked about issues in sports, a one-on-one interview with actor and comedian Tracy Morgan and a deep dive into the Master’s Tournament.

Praised by The Guardian as “a sports savant and a sharp cultural critique” who is also “thoroughly engaging,” the Emmy®-winning Jones shares his satirical takes on the intersection of sports and culture through topical monologues, sketches and deep dives. Jones has been regarded by GQ as a “star with something to say” and “the most insightful sports commentator on television.”

About Bomani Jones:

Jones is currently a contributor on HBO’s “Back on The Record with Bob Costas” and has made appearances in HBO Sports documentaries “The Battle for Tobacco Road: Duke vs. Carolina” and “Runnin’ Rebels.” As the co-host of ESPN’s “Highly Questionable” and “High Noon” and host of the podcast “The Right Time with Bomani Jones,” Jones has enriched sports commentary with his own unique style.

GAME THEORY WITH BOMANI JONES is executive produced by Bomani Jones, Adam McKay and Todd Schulman from Hyperobject Industries, Stuart Miller, Morgan Murphy and James Davis.

Opera illustration by Alex Bogdan at 360 Magazine for use by 360 Magazine

Maometto Secondo and La Sonnambula

Teatro Nuovo, the innovative young company that brought New York its first opera performances since the pandemic shutdown, announced its return to full indoor activity in July 2022 with Rossini‘s towering Maometto Secondo and Bellini‘s beloved La Sonnambula. The pair of operas will be performed July 9 and 10 at Montclair State University (New Jersey) and July 13 and 14 at Jazz at Lincoln Center‘s Rose Theater.  

The company will also resume its renowned training program, giving an immersive course in Bel Canto style and technique to 22 elite young singers who will serve as the understudies and chorus of the two operas. As before, the performances will be accompanied by Teatro Nuovo’s own hand-picked orchestra of period-instrument players, with its groundbreaking restoration of the performance setup used in the Bel Canto era. 

“Our approach was radical but unproven when we rolled it out in 2018,” said Artistic Director Will Crutchfield in announcing the new season, “and I’m thrilled to say the results were even more exciting than we could have hoped. We have spent the whole pandemic period working together to take it to the next level, and we can’t wait to share it again with the public.” 

Maometto (1820) depicts the Siege of Negroponte by the Ottoman Sultan Mehmed II, a tale of doomed valor, forbidden love, and heroic self-sacrifice under the shadow of war. Sonnambula (1831) is a story of village life and wedding bells, whose joyous finale is postponed by the frisson of a sleepwalking bride mistaken for a ghost. 

The headliners of the Maometto cast will be three returning artists—bass Hans Tashjian in the title role, mezzo Hannah Ludwig as Calbo, and tenor Nicholas Simpson as Paolo Erisso – who won accolades last summer as Figaro, Rosina, and Almaviva in The Barber of Seville. They are joined by the brilliant Canadian mezzo Simone McIntosh in her Teatro Nuovo debut as Anna Erisso. 

The Sonnambula cast is led by soprano Teresa Castillo as the titular sleepwalker, returning after her debut as Creusa in Medea in Corinto in Teatro Nuovo’s first season in 2018. Elvino will be sung by the Mexican tenor Enrique Guzmán in his New York debut, and returning artists Dorian McCall (bass-baritone), Meagan Sill (soprano), and Allison Gish (mezzo-soprano) will be heard as Rodolfo, Lisa, and Teresa. 

Associate Artistic Director Jakob Lehmann emphasized the significance of Maometto, one of the nine serious operas composed by Rossini for the Teatro San Carlo of Naples, and the first one in Teatro Nuovo’s repertory: “We all know the pure delight of Rossini,” he said, “with his melodies, his brilliant orchestral colors, his virtuosity, his strokes of drama. And the farther you get into his mature operas, the more you stand in awe of the architecture. He pushed his blueprints to their limits—the structures grow until they reach as far as the eye can see, but they never bend or break.”

Crutchfield spoke of a complementary quality in La sonnambula: “Bellini never had to invent a musical form in his life—Rossini had done it all. So, he could take that inheritance and fill it to the brim with his unique gift, which was a kind of melody the world had never heard before. People found it hypnotic. Even supposed opposites like Verdi and Wagner were under Bellini’s spell.” 

Teatro Nuovo’s orchestra, like those of Italy in the age of Bel Canto, is led jointly by a violinist and a keyboardist, without a standup conductor. In 2022, Crutchfield will serve as maestro al cembalo (keyboard director) for the Bellini opera and Lehmann as primo violino e capo d’orchestra (violinist-director) for the Rossini. They will be joined by two musical directors and co-directors, making Teatro Nuovo debuts: Australian violinist Rachael Beesley in La sonnambula and Lucy Tucker Yates, the company’s Director of Language Studies, as keyboard leader for Maometto. Biographies of these two and the singers mentioned above can be found HERE.

Audiences and critics have been quick to recognize what a difference this makes. At Teatro Nuovo’s debut in 2018, Heidi Waleson reported in The Wall Street Journal that “the effect is transformative.” The following year she returned to observe “an unusually flexible sense of pacing… remarkably different from conventional performances of these operas.” In 2019, James Jorden in The Observer called it “revelatory…the orchestra seemed to beat with a single heart.”

In 2021, Anthony Tommasini in The New York Times wrote of “a fresh, lively performance full of ideas and rich in subtleties” by performers emboldened “to start from scratch and think for themselves.” Philip Pierce, the company’s Executive Director, underlined the ensemble nature of the experience: “Last summer we faced the extreme challenges of the pandemic, with strict health protocols and a fifty-plus company living more or less in a Covid bubble—and never have I seen such discipline and esprit de corps. The joy of making music together in this group is irresistible.”

Neneh Cherry Buffalo Stance Artwork via Republic Records for use by 360 Magazine

Robyn × Mapei – Buffalo Stance

Neneh Cherry graced us with “Buffalo Stance” in the late 80s, a generation-defining song about inner city life that turned music on its head. Paired with her ferocious energy and a punk attitude like no other, the genre-defying track dominated the world, reaching No.3 in the UK and the US, where it went Gold. It took the No.1 spot in Neneh’s native Sweden and The Netherlands plus Top 5 in Belgium, Canada, Finland, Greece, Norway, Switzerland and more. “Buffalo Stance” switched up the game not only in music but in culture and fashion too and we’ve not looked back since, until now via Republic Records

An artist that’s ever evolving, exploring and collaborating, Neneh hands the creative reins over to long-time friend, one of pop’s treasured musical geniuses and woman behind some of the most memorable songs of recent decades, Robyn, for a new version of her seminal track. It’s the first single from the Grammy-nominated artist since the release of her acclaimed album Honey, and is the product of one Swedish icon passing the baton on to another. In true Robyn fashion, “Buffalo Stance” has been transformed into a slinky, scandipop song—slowed down and stripped back with electronic shimmers and layered vocals. It’s an intoxicating re-imagining. Robyn also enlists polymath musician Dev Hynes to add his special touch on the production and Mapei for a fresh take of iconic rap. Listen to “Buffalo Stance” HERE.

Neneh says: “I love that I could write an essay with all the things I could say about Robyn and I love that she leaves me speechless at the same time. Her talent is soulful because she leads with her heart and spirit. She is absolutely there, ever present with honest intensity in her offerings which leave me blubbering with hairs standing erect on my arms and legs, dancing on my own, talking to myself, with a feeling that everything is going to be alright. The first time I saw Robyn live in Stockholm with my daughter Mabel (then a young struggling teenager) she only said two things that night: ‘Hej Stockholm’ and in the middle of a song shouted out ‘MABEL!’”…she stole my heart. I’ve known Robyn for 3 decades, she is my sister, my friend, my family, a creative inspiration. So to have Robyn doing her version of a new life interpretation of ‘Buffalo Stance’ is an absolute honor…and with Dev Hynes and Mapei, this is what dreams are made of!” 

Robyn‘s new take on “Buffalo Stance” marks the start of an exciting new chapter for Neneh and is the first release from a forthcoming collaboration album out later this year.

Last night, Neneh Cherry received the honorary Icon Award at the NME Awards 2022, following previous winners Courtney Love and Shirley Manson, in celebration of her continual contribution to music and unmatched individuality over the past three decades. The award was presented to her by UK top 10 charting artist, BRIT Award winner and Neneh‘s daughter, Mabel, an iconic moment within itself.

Neneh Cherry has continued to define and redefine culture, style and music, releasing five studio albums, including 2018’s Broken Politics, produced by Four Tet, which was met with critical acclaim by the likes of The Guardian, Rolling Stone, The Times, Q, and Pitchfork. 2020 saw her reissue her radically influential debut album Raw Like Sushi to celebrate its 30th anniversary.

Shenseea via Darren Craig and edited by Vaughn Lowery for use by 360 Magazine

Shenseea × 21 Savage – R U That

It’s a big week for rising global artist Shenseea. On the heels of her debut album release, the young artist and songwriter has shared a new offering featuring 21 Savage titled “R U That.” The track, which showcases Shenseea’s pension for hip hop, follows the release of her earlier single ”Lick“ featuring Megan Thee Stallion (over 7 million views on Youtube). Both tracks will appear on Shenseea’s upcoming project titled ALPHA, out March 11th, which is now available for pre-order HERE

In addition to the new track dropping, Shenseea was also crowned as iHeart Radio’s “On The Verge” and Apple Music’s “Up Next” artist this week. In her “Up Next” short, Shenseea opens up about her late mother, the ambition that was instilled in her by the women who raised her, and the motivation that keeps her going: her son Rajeiro. To watch the full short, click HERE, and to listen to her Apple Music radio interview with Nadeska, click HERE.

About Shenseea

Shenseea has ascended through Jamaica’s dancehall ranks to become one of the genre’s most sought-after artists. She broke through the scene with her viral single “Loodi” feat. Vybez Kartel; the following year, Shenseea toured Europe with dancehall superstar Sean Paul. In 2019, Shenseea signed with Interscope Records (under Rick Immigrants Records) and released her first label single “Blessed” featuring Tyga (now with over 57M views on Youtube). The track which came with a music video was praised by the likes of Hypebeast, FADER, PAPER Magazine, VIBE, and more; it quickly racked up over 1,000,000 views overnight. While at work on her debut album, Shenseea has been feeding her fans with one-off singles like “Bad Habit,”, “Good Comfort,” “Sidechick Song” and more, racking millions of plays across DSPs and Youtube. In 2021, she rose up the ranks further being tapped by Kanye West to add her rap and vocal stylings to two different songs on the Grammy-nominated DONDA (“Ok Ok Pt 2” and “Pure Souls”) as well as playing her first-ever U.S. festivals with Rolling Loud in Miami and New York. With a Billboard “Up Next” title under her belt, and “rising” profile by the FADER, New York Times, The Guardian, and more, Shenseea is rapidly proving that she is a true artist to watch on an international scale.

GRETA VAN FLEET POSTER IMAGE by Republic Records for use by 360 Magazine

DREAMS IN GOLD TOUR – GRETA VAN FLEET

GRETA VAN FLEET ANNOUNCE DREAMS IN GOLD TOUR 2022

TICKETS ON SALE THIS FRIDAY, NOVEMBER 12 AT 10 A.M. LOCAL TIME

CRITICALLY ACCLAIMED SOPHOMORE ALBUM THE BATTLE AT GARDEN’S GATE OUT NOW

Following this year’s sold-out headline events and a #1 Billboard Rock Album, Grammy-winning rock band Greta Van Fleet are confirmed for their forthcoming Dreams in Gold tour, which kicks off March 10 with the band making a triumphant return to their original stomping grounds in Michigan for a string of arena shows followed by Midwest dates and international shows in Mexico, Europe and the UK. Grammy-nominated group Rival Sons and critically acclaimed rising artist The Velveteers will support the North American shows. Tickets are on sale this Friday, November 12 at 10am local time at LiveNation.com. There will be a Fan Presale on November 10, and a Local Venue Presale on November 11. Strange Horizons, the band’s specialty events in 2021, saw sold-out shows in Nashville, Bridgeport, Chicago and Los Angeles. The group’s critically acclaimed album The Battle at Garden’s Gate was released earlier this year to extensive chart success and fanfare, debuting at #1 Billboard Rock Album, #1 Billboard Hard Rock Album, #1 Billboard Vinyl Album, #2 Billboard Top Album Sales and in the Top 10 on the Billboard 200.

“An hour of rock music that touches on their familiar themes of war, grief, and spirituality…it contains plenty of the intellectual flights that inspired an active subreddit of superfans who devote serious brainpower to textual interpretation of their lyrics. But mercifully, it’s genuinely enjoyable outside of those contexts too.” – Vanity Fair

“There’s something winning about the members’ earnest intentions, as well as their unwavering commitment to them. Their sincere love for the history of rock shows in the depth of their knowledge about it.” – The Guardian

“aim to bust down old walls.” – Rolling Stone

“one of the best straight-up rock albums to come down the pike in many moons” – Variety

The Battle at Garden’s Gate explores the boundaries of the group’s artistry and reflects heavily on the individual members’ personal and spiritual growth during their rapid rise. “There was a lot of self-evolution happening during the writing of this album that was prompted by experiences I had, experiences we all had,” explains vocalist Josh Kiszka. “It’s reflecting a lot of the world that we’ve seen, and I think that it’s reflecting a lot of personal truth,” says guitarist Jake Kiszka.

Forming in Frankenmuth, Michigan back in 2012, Greta Van Fleet consists of three brothers, vocalist Josh Kiszka, guitarist Jake Kiszka, bassist/keyboardist Sam Kiszka, as well as drummer Danny Wagner. Together they have performed across multiple continents, sold over two million albums worldwide, performed on late night television shows, topped the Billboard U.S. Mainstream Rock and Active Rock charts and won the Grammy Award for Best Rock Album in 2019.

GRETA VAN FLEET DREAMS IN GOLD TOUR DATES

March 10—Kalamazoo, MI @ Wings Event Center

March 12—Grand Rapids, MI @ The DeltaPlex Arena

March 13—Saginaw, MI @ Dow Event Center

March 16—Flint, MI @ Dort Financial Center

March 17—Ypsilanti, MI @ EMU Convocation Center

March 19—Huntington, WV @ Mountain Health Arena

March 22—Madison, WI @ Kohl Center

March 23—Green Bay, WI @ Resch Center

March 25—Omaha, NE @ CHI Health Center Omaha

March 26—Peoria, IL @ Peoria Civic Center

March 29—Cincinnati, OH @ Heritage Bank Center

March 30—Hershey, PA @ GIANT Center

April 1—Atlantic City, NJ @ Hard Rock Live at Etess Arena

April 2—Atlantic City, NJ @ Hard Rock Live at Etess Arena

May 3—Rio de Janeiro, Brazil @ Qualistage 

May 16—Mexico City, Mexico @ Pepsi Center

June 5—Stockholm, Sweden @ Grona Lund

June 11—Vienne, France @ Theatre Antique de Vienne

June 14—Cologne, Germany @ Tanzbrunnen

June 15—Frankfurt, Germany @ Jarhunderthalle

June 23—Dublin, Ireland @ Fairview

June 25—London, UK @ Alexandra Palace

June 28—Manchester, UK @ O2 Apollo

June 29—Manchester, UK @ O2 Apollo

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G).  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Moonchild Sanelly via PIAS America for use by 360 Magazine

Moonchild Sanelly – Undumpable

Moonchild Sanelly shares her new addictive single “Undumpable, out today via Transgressive Records / [PIAS]. The track, produced by her label mate Debruit (KOKOKO!), follows the release of her highly acclaimed single “Yebo Teacher,” which garnered international praise for her refreshing and unapologetic take on female desire and sexuality.

On “Undumpable,” Moonchildmusi Sanelly muses on relationships and self-assuredness. An infectious beat accompanies Sanelly’s confident and plucky lyrics while playful vocals bring it all together. “Undumpable” is a jam through and through, destined to get you out of your seat and dancing.

On the track, Moonchild Sanelly shares: “Undumpable is a jam about a relationship where the couples’ tempers are frayed in lockdown, in a super intense atmosphere. They’re fighting but they each feel like they’ve invested too much to be easily dumped.” Sanelly, who has earned a reputation for female empowerment, defiantly sings, “You’re not gonna dump me/ I won’t let you dump me / Oh bitch / You’re gonna fix this”.

About Moonchild Sanelly

Moonchild Sanelly is South Africa’s “Queen of Gqom,” a superstar with a flow so unique it’s earned her recent collaborations with Beyonce, Ghetts, Die Antwood, Gorillaz, Diplo, and Wizkid.

Her iconic personal style combined with her outspoken approach to female sexual desire has earned her collaborations with the aforementioned Beyonce and Gorillaz as well as the likes of Diplo and Wizkid and built her a devoted fanbase. She is “a global superstar waiting to happen,” according to Damon Albarn.

With her recent releases, we see Moonchild Sanelly embark on a new and exciting chapter with a global spotlight on her. Praised for her electrifying music and unique style, she’s seen international praise everywhere from the Evening Standard, The Guardian, and Conde Nast, to The Observer, DIY, Complex, COLORS, and more.

Fearless, inclusive, and a whole lot of fun, Sanelly is just getting started.

Music note illustration by Heather Skovlund for 360 Magazine

JIMMY JAM & TERRY LEWIS – JAM & LEWIS VOLUME 1

Jimmy Jam & Terry Lewis are no strangers to the top of the charts. However, this time they’ve returned as artists for the first time in their storied career!

This past weekend, the Grammy-Award winning legendary production duo recently turned artists took over Apple Music when their anxiously awaited debut album, Jam & Lewis Volume One [BMG], captured #1 on the Apple Music Overall Top Albums Chart. It is available here. The record is also on track for an impressive debut on multiple Billboard charts.

At the same time, the latest single “Somewhat Loved (There You Go Breakin’ My Heart),” [with the multi-platinum, multiple Grammy award winning, New York Times #1 Best Selling author and global superstar Mariah Carey] has risen to #16 at radio, according to Mediabase. Of the latter, Billboard wrote, “A subtle piano vibe before a heartbeat and finger-snap beat bubbles up. By the time the chorus kicks in, the song fattens up with a ticking, bass-heavy thump as Carey croons.” It followed on the heels of “He Don’t Know Nothin’ Bout It” [with Babyface], which held a spot in the Top 5 of the Billboard Top R&B Songs Chart for a staggering 16 weeks and has spent nearly a half year in the top 10.

Songs from the album have notably gathered 5 million-plus cumulative streams and counting thus far. Among its blockbuster guest list, Volume 1 also includes Mary J. Blige, Boyz II Men, Toni Braxton, Usher, and more.

Inciting unanimous critical applause, The New York Times attested, “Jam & Lewis Shaped Pop History. They’re Working on Its Future, Too,” and Variety claimed, “This first volume boldly takes the pair all the way back to their flashy, funky time with the Time in its use of Morris Day and Jerome Benton, as well as presenting Mariah Carey, Toni Braxton, Usher and Mary J. Blige in the most dramatic and elegantly soulful settings.” In a four-star review, The Guardian summed it up best as “worth the 40-year wait.”

In other chart news, Jam & Lewis currently hold four entries in the Top 20. As co-writers with H.E.R. on the Double Platinum “Damage.” from her recent #1 album Back Of My Mind, as well as the #8 song on the chart, “Cascade,” with former Mint Condition front man Stokley. Mariah Carey, Babyface, and Stokley’s songs are all affiliated with Jam & Lewis’ Flytetyme/ Perspective label, marking two songs in the Top 10 and three in the Top 20 of the Billboard Adult R&B chart.

Jimmy Jam & Terry Lewis have had an unprecedented career as producers, with five GRAMMY Awards, over 100 Platinum certifications, and 16 Billboard Hot 100 Number Ones. They’ve worked with legendary artists including Elton John, Lionel Richie, and Patti LaBelle, composed music for TBS and TNT networks’ NBA basketball broadcasts, as well as the theme to the opening ceremonies of the 1996 Summer Olympic Games. The duo has been inducted into the Songwriters Hall of Fame, received an NAACP Image Award, star on the Hollywood Walk Of Fame and were recently nominated for a Primetime EMMY Award in “Outstanding Music Direction.”

After 40 years, Jam & Lewis are just getting started!

JAM & LEWIS VOLUME ONE TRACK LIST:

  1. ‘Til I Found You (Ft. Ann Nesby, James “Big Jim” Wright, Lauren Evans & Sounds Of Blackness)
  2. Spinnin (Ft. Mary J. Blige)
  3. The Next Best Day (Ft. Boyz II Men)
  4. Somewhat Loved (There You Go Breakin’ My Heart) (Ft. Mariah Carey)
  5. He Don’t Know Nothin’ Bout It (Ft. Babyface)
  6. Happily Unhappy (Ft. Toni Braxton)
  7. Maybe I’ve Changed (Or Did You) (Ft. Heather Headley)
  8. Do What I Do (Ft. Charlie Wilson)
  9. Do It Yourself (Ft. Usher)
  10. Babylove (Ft. Morris Day, Jerome, & The Roots)

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