Posts tagged with "Time"

Taylor Swift illustration by Heather Skovlund for 360 Magazine

Fearless (Taylor’s Version)

FEARLESS (TAYLOR’S VERSION) BOWS AT #1 IN THE U.S., UK, CANADA, AUSTRALIA & MORE AND BECOMES TAYLOR SWIFT’S 3RD #1 ALBUM IN LESS THAN A YEAR & THE BIGGEST COUNTRY ALBUM DEBUT SINCE 2015
 
BIGGEST FIRST-WEEK DEBUT OF 2021 & BIGGEST FEMALE COUNTRY STREAMING WEEK EVER!

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Returning to #1 around the world and breaking numerous records, Taylor Swift has made history yet again with Fearless (Taylor’s Version). Notably, she’s the first woman with three new No. 1 albums in less than a year. Moving over 1 million units worldwide, Fearless (Taylor’s Version) logged the “biggest first week debut of any album this year,” “the biggest first week debut for a country album since 2015” and “the biggest female country streaming week ever. Fearless (Taylor’s Version) is the only No. 1 album of its kind: a re-recording of an artist’s (own or another’s) previously released album.
 
Generating 50 million-plus streams on release day, it also achieved “the biggest first day streaming debut for any album on Spotify this year” and marked her fourth consecutive album to exceed 50 million Spotify streams in 24 hoursFearless (Taylor’s Version) also becomes the first country album by a female artist to reach #1 on Apple Music’s US Albums chart.
 
In addition to capturing #1 on the Billboard Top 200, #1 on the Billboard Top Album Sales chart and #1 on the Billboard Country Albums chart, it went #1 in the UK, Canada, Australia, New Zealand, and Ireland. It debuted Top 5 in Belgium, Norway and the Netherlands and in Germany it was the biggest debut by a country album in the history of Germany’s album chart. Fearless (Taylor’s Version) charted at #1 on the iTunes Top Overall Albums Chart in 61 countries.
 
Fearless (Taylor’s Version) stands out as Taylor’s 4th #1 album in less than two years with the “3 biggest debuts since July 2020” with folkloreevermore, and Fearless (Taylor’s Version). It also emerges as “the biggest female country album debut since the inception of the Billboard Top 200 album-based conception charts in 2014.” Fearless (Taylor’s Version) is the eleven-time GRAMMY Award-winning, record-breaking superstar’s 9th #1 Album.
 
Taylor entered rarified air across the pond as Fearless (Taylor’s Version) became her 3rd album to chart #1 during its debut week in less than a year in the UK. The Beatles had previously accomplished this incredible feat the fastest in 364 days, but Taylor eclipsed the speed of The Fab Four as she reached this benchmark and accumulated three #1’s in just 259 days—a difference of 105 days.
 
Not only did it become her 7th #1 in the country, but Taylor became “the first and only solo artist ever to claim three UK #1 albums in less than 12 months during the 21st century” and “the first ever international artist and first ever female artist to land three #1 albums in the UK within one year in history.”
 
Physical sales of Fearless (Taylor’s Version) outsold the remaining combined total physical sales of the UK Top 15. The permanent downloads also bested the remaining combined total permanent downloads of the Top 70. She shattered her own record for the second time in the last year as “the first and only female artist to garner 7 #1 studio albums in the UK this century. Additionally, she has gathered “the 3rd Most #1 albums in the UK by a female artist.
 
Down Under, Taylor is now “the first artist to release three #1 albums in a 12-month period in Australia.” Taylor is the first artist to have three different albums top the ARIA Charts in a twelve-month period. She bests her own record of “the shortest span of #1 albums in Australia” with only 17 weeks between evermore and Fearless (Taylor’s Version). Her previous record was 20 weeks between folklore and evermore. With eight total #1 albums in Australia, she is second for “female artist with most #1 albums” only behind Madonna and just behind Eminem for “most consecutive #1 albums.” At radio, “Mr. Perfectly Fine (Taylor’s Version)” bows in the Top 10 on the Airplay Chart.

REVIEWS OF FEARLESS (TAYLOR’S VERSION)

  • A Rating” – The A.V. Club, Saloni Gajjar
  • “5/5 Stars” – The Daily Telegraph, Neil McCormick
  • “Fearless was always an exceptionally fine album of country-pop songs, detailing the romantic fixations of a wholesome teenage American girl on the verge of adulthood, and guess what? It still is.” – The Daily Telegraph, Neil McCormick
  • “4/5 Stars” – Rolling Stone, Jonathan Bernstein
  • “Her thirtysomething voice is richer, deeper, and more sure of itself.” – Rolling Stone, Jonathan Bernstein
  • “There are the songs that feel more moving now than they did 13 years ago.” – Rolling Stone, Jonathan Bernstein
  • “4/5 Stars” – The Guardian, Alexis Petridis
  • “Fearless is the kind of album in which fans have a genuine emotional investment.” – The Guardian, Alexis Petridis
  • “She’s changed from a talented kid with a guitar to one of today’s biggest superstars.” – USA Today, Hannah Yasharoff
  • “The new album is really well done.” – Entertainment Weekly, Lauren Huff
  • “Fearless (Taylor’s Version)” Is Even More Beautiful Than The Original Album” – Buzzfeed, Ryan Schocket
  • “Taylor’s vocals are undeniably stronger, smoother, and more connected than ever.” – Buzzfeed, Ryan Schocket
  • “The vault songs are making everyone question why the album wasn’t 27 tracks long to begin with.” – Buzzfeed, Ellie Bate
  • “Taylor Swift’s Fearless Re-Recording Is a Thrilling Timewarp.” – SPIN, Bobby Olivier
  • “4/5 Stars” – i Newspaper, Sarah Carson
  • “There are lyrics throughout Taylor Swift’s breakthrough record Fearless that nearly 13 years later, feel prophetic.” – i Newspaper, Sarah Carson
  • “There’s something really special about listening to Taylor sing these songs knowing the huge distance between where she is now and who she was when she wrote them.” – TIME, Annabel Gutterman
  • “I love that this re-recorded album is essentially a love letter to being a teenage girl. The world still dismisses teenage girls as not serious enough, too dramatic, and overall too much. Adolescence is often looked back on with embarrassment and shame. But these songs make me want to give my former 14-year-old self a hug and tell her she was doing just fine.” – TIME, Samantha
  • “It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears.” – Variety, Chris Willman
  • “Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not.” – Variety, Chris Willman
  • “It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close.” – Variety, Chris Willman
  • “4/5 Stars” – NME, Hannah Mylrea
  • “‘Fearless (Taylor’s Version)’ both celebrates and stays true to Swift’s ‘Fearless’-era.” – NME, Hannah Mylrea
  • “Swift never cringes away from her younger self. Instead, she revisits the songs with kindness and affection, celebrating the success of her teenage releases.” – NME, Hannah Mylrea
  • “Taylor Swift’s Fearless album proves her songs were written to last.” – The Independent, Roisin O’Connor
  • “We can’t help but be impressed…” – Evening Standard, David Smyth
  • “Taylor Swift has taken control.” – Forbes, Abigail Freeman
  • “ALBUM OF WEEK: The real treats are the extra tracks, previously unreleased outtakes from the Fearless sessions. Maren Morris duets on the gorgeous You All Over Me, Keith Urban crops up and Mr Perfectly Fine is the banger that should have shown 13 years ago why country alone could never contain Swift’s talent.” – The Sunday Times, Lisa Verrico
  • “I immediately went to the chorus of “Fifteen,” one of my 2000s pop high-water marks, to see if I’d get chills. Good news: I did. Felt that gut punch during “White Horse.” “You Belong With Me” had that crucial air of resignation.” – The New York Times, Jon Caramanica
  • “As she dives back into her past work, it’s another reminder of what she brought to the genre — and what it lost when she moved on.” – The Washington Post, Emily Yahr
  • “The redone tracks from the original release, which make up the album’s first portion, are almost uniformly better than their forebears: warmer, crisper, more clearly enunciated. They sound newer and, at the same time, more lived-in.” – The Washington Post, Allison Stewart
  • “Taylor Swift releases a ‘perfect replica’ of Fearless.” – BBC, Mark Savage
  • “Damn, this album holds up – not only to the hype of its initial release, but despite that, beyond that.” – Consequence of Sound, Katie Moulton
  • “8/10” – The Line of Best Fit, Ross Horton
  • “4/5 Stars” – The Times, Will Hodgkinson
  • “Swifties grab your tissues, the release of Taylor Swift’s Fearless (Taylor’s Version) is finally here in all its nostalgic and emotional glory.” – Wonderland, Staff Writer
  • “8/10” – Clash, Lucy Harbron
  • “Like a restored photograph brightening from black and white into colour, Fearless (Taylor’s Version) is the same, but better.” – Clash, Lucy Harbron
  • “It’s the latest evidence that Swift is not just fearless but also relentless.” – Stereogum, Chris DeVille
  • “8/10” – Gigwise, Kelsey Barnes
  • “Swift is creating a bridge between two worlds; one where she’s merging older, timeless songs with a mature voice and outlook.” – Gigwise, Kelsey Barnes
  • “4/5 Stars” – The Evening Standard, David Smyth
  • “A masterclass in classic Nashville songwriting, from the searing melodrama of Love Story to the breakdown of a relationship in Breathe.” – The Times, Will Hodgkinson
  • “5/5 Stars” – The Sun, Simon Boyle
  • “This is brilliant pop” – The Sun, Simon Boyle

LISTEN TO FEARLESS (TAYLOR’S VERSION) HERE

Phantom Tempus by Rolls Royce for use by 360 Magazine

Rolls-Royce PHANTOM TEMPUS COLLECTION

“The events of the past year have caused many people, not least our clients, to re-evaluate their sense of, and relationship with, Time. At a moment in history when so much in life seems ephemeral, our patrons are seeking solace in the unique timelessness, longevity and permanence offered by a Rolls-Royce motor car.

It is thus the perfect moment for Phantom Tempus Collection – a magnificent incarnation of our pinnacle product, inspired by a mysterious celestial phenomenon and Time, which Albert Einstein, one of the greatest minds in human history, defined as a persistent illusion.

As we all know, Time never stands still, waits for no one. Hence, we manage it, guard it, account for it, weigh and measure it to its smallest fraction. With Phantom Tempus, we have created a space in which those structures no longer apply – as illustrated by the deliberate absence of a clock. Rolls-Royce clients are not bound by Time; the outside world with all its pressures and demands are forgotten.

Phantom Tempus is a motor car for those who shape the world as they seek their own place in the universe. They understand that whatever our individual gifts, talents and opportunities, we’re all given Time – and it is up to us to make the most of every moment.”

Torsten Müller-Ötvös, Chief Executive, Rolls-Royce Motor Cars

Rolls-Royce Phantom, the marque’s pinnacle product, which resides at the apex of the luxury world, has today become the subject of an exclusive and rare collection, the Phantom Tempus Collection. This arresting new iteration of Phantom is inspired by Time – how it passes, and how it can be made to seemingly stand still.  The Collection is strictly limited to just 20 examples, all of which have already been allocated to clients.

The design of the Phantom Tempus Collection encompasses various aesthetic and intellectual themes relating to time and the cosmos. A key component is a rare astronomical phenomenon, the pulsar, unknown until 1967 and found only in the deepest reaches of space (the nearest yet discovered is 280 light years, or 1,680 trillion miles, from Earth). These very dense, white-hot stars emit electromagnetic radiation in extremely regular pulses, making them some of the most accurate clocks in the universe.

In Phantom Tempus, this remarkable force of nature is rendered as a center piece in a Bespoke Starlight Headliner consisting of fibre-optic lighting and intricate Bespoke embroidery, creating the unique and beautiful Pulsar Headliner.

Another aspect of time – the illusion of its standing still – is captured in the ‘Frozen Flow of Time’ Gallery. This unique artwork is housed in the fascia from which the clock is deliberately omitted to signify patrons’ freedom from time and its limitations. A single billet of aluminum is milled to form 100 individually contoured columns, representing the 100-million-year period of a rotational spin of a pulsar star. Each column is black-anodized and hand-polished to reflect the light. As the eye travels along it, the whole structure, though entirely solid, appears to ripple and flex.

A description of the Gallery can be found on an engraved plaque in the glove compartment, together with a quotation from Albert Einstein, “The distinction between past, present, and future is only a stubbornly persistent illusion“.

A swirling, twisting pattern of stars is presented on the interior of the doors. Created by hundreds of illuminated perforations, additional perforations in contrasting leather add a greater depth and detail to the effect, providing an atmospheric aura even when not illuminated.

The exterior of the Phantom Tempus Collection is presented in a new Bespoke paint finish, Kairos Blue, created to embody the darkness and mystery of space. The paint incorporates jewel-like blue mica flakes, which glitter and glint as they catch the light, representing the stars. This effect is highlighted by black exterior detailing.

Gracing the bonnet of Phantom Tempus is the Spirit of Ecstasy, now in her 110th year, personalized with a unique date and location of particular significance to the client. A marriage, the birth of a child or even a major business success, can be engraved as a timeless reminder on the base of the iconic figurine.

As a finishing flourish, a unique accessory has been developed to accompany the Collection. Based on the widely acclaimed Rolls-Royce Champagne Chest, the Tempus Champagne Chest incorporates a distinctive element of the Collection. A pulsar artwork is hand-painted onto the table, below which, the perfectly appointed chest houses thermal flasks for chilling both champagne and caviar, four hand-blown crystal champagne flutes arranged to evoke the cylinders of a V12 engine and a fine mother-of-pearl caviar spoon.

In response to continuing travel restrictions and limitations on face-to-face interactions in dealerships, Rolls-Royce has created a Virtual Reality presentation for Phantom Tempus, accessible via the Google Cardboard app. Providing patrons with a fully immersive, 360° walkaround of the Collection’s interior and exterior, clients are able to relish Phantom Tempus’ extraordinary presence at a time to suit them, wherever they are in the world.

Torsten Müller-Ötvös, CEO, Rolls-Royce Motor Cars, concludes, “Phantom is our pinnacle product, so producing a Collection Car is always a supremely important moment for us and our clients. With Phantom Tempus, our sources of inspiration are on appropriately grand scale: time, deep space, and a theoretical physicist who changed the way we see the universe and our place within it. That all 20 cars have already been reserved indicates that these are themes that truly resonate with our patrons around the world.”

Phantom Tempus by Rolls Royce for use by 360 MagazinePhantom Tempus by Rolls Royce for use by 360 Magazine

Rolls-Royce Motor Cars is also pioneering and celebrating the return of the radical Rolls-Royce VISION NEXT 100 – codenamed 103EX – to the Home of Rolls-Royce at Goodwood – the latest stop on a world tour for the marque’s revolutionary electric motor car. This groundbreaking all-electric Rolls-Royce experimental model comes home to Goodwood after touring the globe for almost four years. The Car will be displayed at the company’s headquarters to underline marque’s commitment to future developments in electric power.

103EX by Rolls Royce for 360 Magazine103EX by Rolls Royce for 360 Magazine103EX by Rolls Royce for 360 Magazine

TWICE Perform “DEPEND ON YOU” for TIME 100 Talks

Global K-pop hit-makers, TWICE, started the New Year with an angelic performance of their track “DEPEND ON YOU” for the prestigious TIME 100 Talks. Off the group’s recent chart topping sophomore full-length album Eyes wide open, TWICE rehearsed and shot this extraordinary stripped down and first-time performance of “DEPEND ON YOU” from Seoul, and chose the track specifically to inspire hope, as the world continues to face a worldwide pandemic. Watch the exclusive TIME100 performance HERE.

TWICE’s 2020 chart-topping albums, MORE & MORE and Eyes wide open, were included in TIME, Billboard, Teen Vogue, PAPER and BuzzFeed’s roundup of top albums of the year. Eyes wide open continues on an upward climb on the Billboard Top 200 album chart, where it currently sits in the top 100. The group recently performed “I CAN’T STOP ME” for The Late Show with Stephen Colbert’s #PLAYATHOME YouTube series. Upon its premiere, the video attracted 45K fans and shot to 1M views within the first 12 hours. Watch the performance HERE.

Throughout the last six years, TWICE has become globally renowned phenomenon’s, rapidly taking the U.S. and beyond by storm. Catching notice from Rolling Stone, the outlet recorded that TWICE’s streams rose 120% in 2020 from 2019, with K-pop up 31% overall. Having graced Allure Magazine’s May 2020 cover, the group have been praised by the likes of Harper’s Bazaar, TIME, Billboard, MTV, Forbes, Teen Vogue, Elle and BuzzFeed to name a few. 2020 marked the first time TWICE have been included in Billboard’s Artist 100 and Billboard 200 lists with their album MORE & MORE, becoming the fifth all-female musical act from their country to rank on the 200 chart. In addition, their second album last year, Eyes wide open, hit the top five slot on the all-genre iTunes US Album Sales Chart and debuted at No. 8 on Billboard’s World Albums chart; and the album’s lead single debuted in the top 10 of the all-genre iTunes US Song Sales Chart.

ABOUT TWICE

Formed under K-pop powerhouse, JYP Entertainment in 2015, TWICE is one of the best-selling K-pop girl groups of all time regarding physical album sales. The group first rose to prominence with their debut title song “Like OOH-AHH”, and 2016 breakthrough single “CHEER UP” which went on to top multiple Korean pop charts and won ‘Song of the Year’ at the Melon Music Awards and Mnet Asian Music Awards. The group were also included in Variety’s Youth Impact Report as the only K-pop group included in the list. The group was included in Forbes Korea Power Celebrity issue in both 2019 and 2017; and were also included in 18th place and as the only Asian act in Billboard’s 21 Under 21 2017: Music’s Next Generation issue. In 2019, the group successfully completed their World Tour, TWICELIGHTS, which included sold-out shows in the U.S. at The Forum in Los Angeles, the Prudential Center in Newark (where they performed in front of 11,000 fans), and a show at the Wintrust Arena in Chicago. Last year, TWICE’s album MORE & MORE made its first ranking on the Artist 100 and Billboard 200 lists. Their second 2020 album, Eyes wide open, hit the top five slot on the all-genre iTunes US Album Sales Chart and debuted at No. 8 on Billboard’s World Albums chart; and the album’s lead single debuted in the top 10 of the all-genre iTunes US Song Sales Chart. Since 2015, the 9-member group have maintained the reins of K-pop super stars, having released a number of consecutive hits including “TT”, “KNOCK KNOCK”, “SIGNAL”, “LIKEY”, “Heart Shaker,” “FANCY”, “Feel Special”, “MORE & MORE,” and “I CAN’T STOP ME.”

CONNECT WITH TWICE

Twitter: @JYPETWICE
Facebook: @JYPETWICE
Instagram: @TWICETAGRAM
YouTube: TWICE

Madison Beer – BOYSHIT

Today sees Madison Beer release her latest single “BOYSHIT” via Epic Records.With the release comes Madison’s Vevo LIFT campaign, which features a performance of the single, along with “Selfish”, her fastest ever US certified gold record, and a short film on the artist titled “Becoming”. “BOYSHIT” is taken from Madison’s forthcoming debut album, Life Support, out 26th February 2021.

“’BOYSHIT’ is one of the last songs I recorded for my album, and it was just kind of a build up after this really long year.” says Madison. “It’s simply about knowing your worth and when to leave a situation. With the play on “bullshit” I figured it was the perfect time to use the age old saying about an immature or disrespectful boyfriend, ‘he’s not a man, he’s a boy,’ but it then flourished into more. This isn’t as simple as a childish man, it’s deeper than that. Anyone can behave in a “BOYSHIT” manner and I think there’s something to be said about knowing when enough is enough and when you’re truly just feeding into nonsense, I think a lot of that is knowing your worth. This song is meant to uplift and inspire people, of all genders, to know when it’s time to stop putting up with boyshit.”

“BOYSHIT” is the latest single from Madison’s highly anticipated debut album, Life Support, out 26th February 2021. The album is a strong personal and artistic statement that sees Madison where she thrives – commanding creative control through writing her own songs, producing and creating her own visuals. Life Support features previous releases “Good In Goodbye”,“Selfish”, “Stained Glass” and “Baby” which have a combined total stream count of over 442 million. Globally, Madison has nearly 3 billion streams across her catalogue.

“Writing songs is like therapy for me.” says Madison. “That’s why this album is called Life Support. It helped me get rid of the darkness and see the light. My inspirations sonically are really diverse. I guess I’m not an easy artist to pigeonhole, and a lot of these songs are like nothing I’ve ever attempted before. All of me is laid bare on this album; it’s been a really fulfilling experience to create something that feels so true to myself. I’m grateful to my fans who have stuck by me since the beginning. Life Support has been a long time coming, and I’m just so excited for them to see what I’ve been working on.”

Vevo has tapped Madison for their coveted LIFT campaign, out now. The 3-part series features a performance of “BOYSHIT”and “Selfish” alongside a short film titled “Becoming”. The campaign takes viewers further into the mind of the artist with striking visuals and gripping storytelling, and further cements Madison as an artist to watch for 2021. Vevo LIFT alumni include Billie Eilish, Halsey, Jorja Smith, and SZA.

Prior to signing with Epic Records late last year, Madison Beer achieved unprecedented success as an independent artist with her partner First Access Entertainment, having sold over 1 million records in the UK alone. Her debut EP As She Pleases made her the first independent female solo artist to break into the Top 20 radio charts, after having debuted in the Top 5 on iTunes in 18 countries and in the Top 10 in 42 countries worldwide. Following the release of As She Pleases Madison featured on Platinum Certified UK Top 10 hit “All Day and Night” by Europa and “Pop/Stars” by K/DA which topped Billboard’s world digital song sales chart. She’s attracted the endorsement of Time, NME, Complex, The Guardian, Billboard who named her among its coveted “21 Under 21” list and Rolling Stone who hailed her as a “rising pop star”.

LISTEN TO/ SHARE MADISON BEER’S “BOYSHIT” HERE

WATCH/ SHARE MADISON’S VEVO LIFT CAMPAIGN LATER TODAY HERE

FOLLOW MADISON BEER HERE:

Website

Twitter

Instagram

Facebook

TikTok

Kael Felix illustrates Joe Biden for 360 Magazine

BIDEN WINS

By Payton Saso

THE OVERWHELMING UNCERTAINTIES

As four years of uncertainty may be coming to a close, there is not the expected sigh of relief we could hope for. As election day takes way, it is hard to ignore all the uncertainties that still loom over America. 

The nation we are living in is something many young voters have not seen before. As big cities board up businesses in preparation for the salient threat of riots and protests following election results, COVID-19 cases are on the rise and the fear amongst Americans is palpable.

Reuters analysis of state and county reports showed that COVID cases have risen 18% and deaths have risen 3%. While 3% may not seem exponential, “Nationally, nearly 5,800 people died of the virus in the seven days ended Nov. 1,” they reported.

The election follows the week in which Amy Coney Barrett [ACB] was confirmed to serve her life-long term on the Supreme Court, making some voters even more concerned regarding the outcome of the election and the fate of their human rights.

In its first hearing since ACB was confirmed, the Court will start its hearings in a case regarding the Catholic Social Services in Pennsylvania. The case follows the suing of the City of Philadelphia by the CSS for not allowing children to be placed in foster care with organizations like the CSS who exclude same-sex couples from being fosters, according to the local news stations NBC 10 Philadelphia.

Originally facing the Supreme Court’s docket when the late Justice Ginsburg still served, the new outcome of the case is truly up in the air. With the addition of ACB, who is conservatively Catholic, it is unclear whether she will side with the Archdiocese of Philadelphia in their claims that their First Amendment rights are being violated. 

It is clear that how ACB votes on this case, will set the precedent for her term and quite frankly how she will vote if President Trump objects to the outcome of the election. 

Which is an evident possibility, seeing that the G.O.P. in Texas has already attempted to get 127,000 votes from Harris County. The county, which is largely Democratic, instilled drive-through ballot drop locations throughout by Harris County clerk, Chris Hollins, the New York Times stated.

Though the case was rejected by the Texas Supreme Court, those in the lawsuit claimed that the locations were illegal and favored Democrats. However, it seems that this is a tactic of voter suppression in hopes to throw out Democratic votes. 

Similarly in Pennsylvania, the Supreme Court ruled last month to reject “Republican request for a stay on a Pennsylvania Supreme Court decision that would allow ballots to be counted up to three days after Election Day,” Politico reported.

This attempted block is another attempt to threaten the validity of mail-in votes to which President Trump has been very vocal about opposing. The use of these absentee ballots; however, are just to yield some relief on the growing pandemic numbers to ease traffic at the polls today.

As of 12:17 EST, the US Elections Project gathered data that 100,611,070 Americans have voted early. With a mass number of votes already cast, it is clear this election will be historical in every way.

BIDEN CAMPAIGN WON’T STOP

Regularly dressed to the nines with his signature Aviator sunglasses, Biden has had to add another signature accessory to this fit, a mask. But that hasn’t stopped him from emanating the vibe of the cool Uncle Joe. His recent Twitter post for one of his campaign videos shows that.

Using the iconic Eminem song “Lose Yourself” from the “Eight Mile” soundtrack, the black and white video was Tweeted alongside the words by Biden, “ We have one shot. One Opportunity. One moment. Don’t miss the chance — vote.”

Appealing to those of all ages, “Lose Yourself” has become a song of triumph relished by sports teams, boxers and just the average joe in need of a confidence boots. The Grammy Award winning song was licensed to the Biden-Harris campaign which, Variety says, is a song rarely allowed by Eminem to be used.

It is no surprise that Eminem is one of the celebrities endorsing the Biden-Harris ticket. In 2017, he rapped a freestyle for the BET Awards that tore into Trump as president and as a human. He then released an album entitled “Revival” that year in which he continued to criticize Trump more. His song “Framed” on the track led the Secret Service to investigate the rapper.

While the Secret Service would not confirm this, “documents obtained through a Freedom of Information Act request confirmed that they did,” Rolling Stone claimed.

However, “One Shot,” regardless of the artist’s own personal hits at the President, encompasses the feeling of the American people in this time. The video depicts everyday people, our essential workers, nurses, doctors, those waiting in the long lines of the polls, and every other demographic Biden says he will work for. 

The power and importance of this election reigns true with the words ‘we only got one shot’ to make a promising change in America.

TRUMP PROMOTES THE AMERICAN DREAM

With the final push for votes occurring, both candidates are Tweeting out new campaign videos in hopes to still appeal to undecided voters.

President Trump Tweeted today a video that appeals to the masses who are patriotic and believe American is the greatest country. Playing to the idea of the American Dream, which he has made a prominent stance on, the video shows masses of Americans rallying together waving Trump flags and signs.

The images of American Flag sliced into images of the Armed Forces cheering and standing at attention, are overlaid with the words of President Trump. “America is the place where anything can happen. America is the place anyone can rise,” Trump asserts. 

The immensely patriotic video comes the day after President Trump announced his American Dream Plan. “President Trump recently released the American Dream Plan to reaffirm his commitment to fight for Hispanic prosperity and opportunity for all to achieve the American Dream,” The White House announced.

This final appeal to voters goes along with Trump’s campaign slogan, “Make America Great Again” where he says he will create a country completely independent of China, create job opportunities and create an environment where the American Dream can be accomplished. 

This video is in contrast to his opponent’s, Joe Biden, recent campaign video by using B-roll and music that is simple and might appeal to older voters, while Biden’s campaign used music and video editing that might appeal better to younger voters. 

Regardless of who the candidates are trying to appeal to, hopefully these campaign videos help some undecided voters to choose who they believe is best for our country.

ELECTION PREDICTIONS

The results of this election are being awaited anxiously by Americans everywhere. Because of so many people using mail-in ballots, the final results may take longer than usual to be confirmed. Many predictions have been made about who the winner may be.

Primary Model predicts that Trump will take the win and gives him a 91% chance of doing so. They predict Trump will get 362 electoral votes while Biden will only get 176. Since Primary Model was created in 1996, they have correctly predicted all but one presidential election.

It is predicted that voter turnout will surge this year. “The intensity of the electorate is without recent precedent,” Tom Bonier, the CEO of TargetSmart, a Democratic political-data firm, said in The Atlantic. It was predicted last year that 150 million Americans would vote this fall.

A historian and professor at American University, Allan Litchman, has predicted every presidential election correctly since 1984. Litchman explained on Fox News his prediction model called “The 13 Keys to the White House.” He explained Trump was in the lead to win until the coronavirus pandemic hit America.

“My prediction is that Donald Trump will become the first sitting president since George H. W. Bush in 1992 to lose a reelection bid, and Joe Biden will become the next president of the United States,” said Litchman.

Henry Olson also gave his prediction in The Washington Post. He predicted that Biden would win the popular vote with 52.5% of votes. He believes Biden will conclude with 350 electoral college votes while Trump will conclude with only 188.

AFTER ELECTION NIGHT

It is no surprise that results for this election are taking longer to finalize. With more early and mail-in votes due to the pandemic, some states are still counting ballots on November 4.

As of 3 pm on November 4, Biden is in the lead with 237 electoral college votes compared to the 213 Trump has. Six states are still undecided including Alaska, Nevada, Michigan, Pennsylvania, North Carolina and Georgia. Michigan and Nevada are currently leaning blue while the other remaining states lean red.

President Donald Trump seems dissatisfied with the fact that ballots are still being counted. “We are up BIG, but they are trying to STEAL the Election. We will never let them do it. Votes cannot be cast after the Polls are closed!” tweeted Trump at 12:49 am on November 4.

He also tweeted, “They are finding Biden votes all over the place — in Pennsylvania, Wisconsin, and Michigan. So bad for our Country!” The Trump campaign has also filed a lawsuit to stop vote counting in Michigan.

Candidate Joe Biden has been more positive on his Twitter account. At 1:03 am on November 4 he tweeted, “We feel good about where we are. We believe we are on track to win this election.”

THE WAIT FOR A WINNER

As of Friday morning, Biden has taken over Georgia and Pennsylvania. Georgia is 99% reporting and Biden is winning with just over 1,000 votes. Pennsylvania is 98% reporting and Biden has a slightly greater advantage than in Georgia.

The last time a Democrat won Georgia was almost 30 years ago when Bill Clinton won over his opponent George H.W. Bush in 1992. Georgia’s secretary of state, Brad Raffensperger, has already announced there would be a recount due to the small margin.

Nevada is at 84% reporting and Biden remains in the lead. Trump is leading in North Carolina and Alaska.

The Trump campaign continues to protest the results. They plan to sue in Nevada and claim that votes are being counted for people that have moved or died. According to Daily Mail, Trump plans to sue every battleground state that Biden has won.

This election is being compared to the 2000 election where George W. Bush and Al Gore had an incredibly tight race. This election lead to the supreme court decision to stop the recount known as Bush v. Gore. Bush ended up winning Florida by only 537 votes. In 2000 the winner wasn’t determined until December 12th and Americans everywhere are strapping in for what could be another long battle for the election results.

Joe Biden has passed 270 votes as of Saturday morning. Vice Presidential candidate Kamala Harris posted on her Twitter in celebration.

To keep up with the most recent election results click here.

Free live election coverage can be watched through The Roku Channel

Track election results here

G-SHOCK x New Era

Casio announced that it joined with longtime collaborator New Era Wednesday for a brand new timepiece.

The GM110NE-1A is a celebration of New Era’s 100th anniversary and includes the classic headwear brand’s flag logo at the 3 o’clock position on the watch’s face.

The gold accents work in conjunction with an engraved gold IP case back that features inscriptions reading “100 1920-2020,” a tribute to New Era’s long and storied history.

While carrying the design of the G-SHOCK GM110, the GM110NE-1A has a dark gray metal-forged and polished IP bezel.

The GM110NE-1A also comes with two bands.

One is a black cloth band lined with green, similar to New Era’s famous 59FIFTY hat. It also has a gold buckle and band keepers on the underside, a nod to the sought after 59FIFTY cap, gold buckle, band keepers, an embroidered New Era logo and a gold-speckled back.

The other is a gold-speckled black urethane band with a stainless-steel keeper.

G-SHOCK released a video for everyone to see all the features of their new design. You can see it by clicking right here.

The GM110NE-1A comes with signature G-SHOCK technology like:

-200M Water Resistance

-Shock Resistance

-Magnetic Resistance

-Super Illuminator Auto LED Light

-3-year battery

-5 Multi-Function Alarms with 1 Snooze Alarm

-World Time (31 Time Zones + UTC / 48 Cities)

-1/100th Sec. Stopwatch (24Hr)

-Countdown Timer (1Sec., 24Hr)

-12/24 Hr. Time Formats

-Full Auto Calendar

It is available in Nov. and will retail for $340. It can be purchased through select G-SHOCK retailers, the G-SHOCK Soho Store and online on G-SHOCK’s website.

Twice – Eyes wide open

Twice released a brand new album Monday titled “Eyes wide open.”

It is their second studio album, and it is streaming now on all platforms. You can listen to it by clicking right here.

With this album, the superstar K-pop group set out to show transition and growth, both in maturity and in musical style.

Twice uses inspiration from 80s synths for the 13-track album, which offers a little something for everyone, including new fans as well as old.

“I CAN’T STOP ME,” the first song on the album, is a tone-setter, showing listeners that the album is about to step outside the box and encouraging them to do the same. You can see the music video for the song by clicking right here.

The album was made with the help of some of the music industry’s biggest stars. Dua Lipa worked with the band for “BEHIND THE MASK,” a song written by Heize. Twice is also coming off a YouTube Special Live showcase for “Eyes wide open” that has pulled in more than 2 million viewers. You can see it by clicking right here.

The band debuted in 2015 and found rapid success, gaining popularity in the United States and beyond. They were featured on the cover of Allure Magazine in May.

They’ve also received praise from Harper’s Bazaar, TIME, Billboard, MTV, Forbes, Teen Vogue, Elle and BuzzFeed.

They spent 2019 touring the world on their TWICELIGHTS tour, which sold out The Forum in Los Angeles, the Prudential Center in Newark and the Wintrust Arena in Chicago.

Next they will release a song titled “I’LL SHOW YOU” for Riot Games.

The entire track list for the album is as follows:

1. I CAN’T STOP ME

2. HELL IN HEAVEN

3. UP NO MORE

4. DO WHAT WE LIKE

5. BRING IT BACK

6. BELIEVER

7. QUEEN

8. GO HARD

9. SHOT CLOCK

10. HANDLE IT

11. DEPEND ON YOU

12. SAY SOMETHING

13. BEHIND THE MASK

You can follow Twice on Facebook, Instagram and Twitter.

NF – Chasing_(Demo)

NF released a brand new song Monday titled “Chasing_(Demo).” You can hear it by clicking right here.

The song features Mikayla Sippel, a 15-year-old Australian fan of NF’s. NF said he posted a clip of the song and was surprised by the positive response, which included a cover by a fan.

“Long story short, my producer Tommee and I took her audio and ended up finishing it for you guys! Thank you Mikayla Sippel for letting us use your amazing voice and inspiring me to actually release it,” NF said.

Using piano, violins and classic NF lyrics, the song describes his search for answers to questions about his emotions. He seeks a place where his thoughts are embraced, both by himself and others, and the pain he feels can subside through internal and external acceptance.

“I just wanna run away and find somewhere that feels safe; find somewhere the bad days don’t come as often in this sad phase,” he and Sippel sing.

The released song has a more polished sound to it than the version in the original post, which you can see by clicking right here.

The comment section is full of fans who asked NF to officially release the song, so to release it and feature a fan shows the artistic and emotional connection he has to his fans.

Hailing from Michigan, NF most recently released the 2019 album “The Search,” which featured songs like “Time,” “Like This” and “When I Grow Up.”

This is his first release of 2020.

Isaac Dunbar – miss america

“The teen indie-pop star on the rise makes music that’s achingly vulnerable and cuts straight to the core” TIME

“…the real deal…”BILLBOARD

“We have no choice but to stan” E! NEWS 

“Isaac Dunbar simply cannot miss” ONES TO WATCH 

Trailblazing new artist Isaac Dunbar releases the music video for “miss america”via RCA Records. Watch HERE. The video is directed by Griffin Stoddard. “miss america” released last week and was declared a “…soaring, powerful ballad…” by The Interns.

Isaac says, “The video for “miss america” is inspired by the novella “le petit prince” by Antoine de Saint-Exupéry, with a twist. I’m the prince in the video, and I’m on the moon far far away from earth, reminiscing of the good things i experienced and creating a civilization of my own. this is metaphorical of me wanting a society where people can live equally and freely. when i first made the song, i had this whole visual of being in space in my head and i think it translated well”

To Buy/Stream/Watch “miss america”

Follow Isaac Dunbar at:

Official Website | Facebook | Twitter | Instagram

Queen & Slim Soundtrack Out Now

Motown Records released Queen & Slim: The Soundtrack on vinyl for the first time. The two-LP limited edition of the acclaimed soundtrack is now available at participating independent record stores in conjunction with the Record Store Day’s RSD Drops 2020 program. Visit here for further details. Queen & Slim: The Soundtrack merchandise is available HERE.

Starring Oscar nominee Daniel Kaluuya (Get Out), Queen & Slim is a powerful, consciousness-raising love story that confronts the staggering human toll of racism and the life-shattering price of violence. The film, from GRAMMYwinning director Melina Matsoukas and Emmy winning writer Lena Waithe, has won numerous awards including Best Movie at the BET Awards 20.

The music in the film serves as an additional voice and showcases the range of talent across Black artists with a compelling blend of genres. The 16-song soundtrack features new tracks by Ms. Lauryn Hill, Megan Thee Stallion x VickeeLo, Lil Baby, Vince Staples featuring 6lack X Mereba, Tiana Major 9 & EARTHGANG, Coast Contra; featuring BJ The Chicago Kidand Syd, plus classic songs byRoy Ayers, Bilal, Mike Jones and others. Blood Orange composed the film’s score and is featured on the soundtrack. See below for track listing.

Queen & Slim: The Soundtrack has received numerous award nominations, including an NAACP Image Awards nod for Outstanding Soundtrack/Compilation. Collide by Tiana Major9 and EARTHGANG took Outstanding Original Song honors at the Black Reel Awards earlier this year and was named one of the best R&B songs of 2019 by VIBE.

Motown Records President Ethiopia Habtemariam, Waithe and Matsoukas served as executive soundtrack producers. AP said, “Together they’re like the perfect aux-cord DJs. They hit play, and they don’t miss.” The Atlantic noted, “The Best Part of Queen & Slim is the Soundtrack Music is woven throughout with an impressive ear for black American artists’complex relationships to the country they inhabit, and to other black people.”

TIME hailed the soundtrack as “an astounding collage of sound an ode to the past, present and future of black music.” NYLON predicted that Ride or Die from Megan Thee Stallion x VickeeLo “will be bumping in the club for months.” Pitchfork praised Vince Staples’ “Yo Love” feat. 6lack & Mereba as “a charming swerve from Staples that’s only further proof of the rapper’s chameleonic talents.” Rolling Stone said, “Guarding the Gates is an immersive and sprawling ballad as [Ms. Lauryn] Hill delivers a mesmerizing vocal performance.”

While on a forgettable first date together in Ohio, a black man (Kaluuya) and a black woman (Jodie Turner-Smith), are pulled over for a minor traffic infraction. The situation escalates, with sudden and tragic results, when the man kills the police officer in self-defense. Terrified and in fear for their lives, the man, a retail employee, and the woman, a criminal defense lawyer, are forced to go on the run. But the incident is captured on video and goes viral, and the couple unwittingly become a symbol of trauma, terror, grief and pain for people across the country.

As they drive, these two unlikely fugitives will discover themselves and each other in the most dire and desperate of circumstances and will forge a deep and powerful love that will reveal their shared humanity and shape the rest of their lives.

Waithe wrote the screenplay forQueen & Slim from a story by herself and bestselling author James Frey (A Million Little Pieces, Katerina). The film is produced by Frey, Waithe, Matsoukas, Michelle Knudsen, Andrew Coles, Brad Weston and Pamela Abdy. The executive producers are Pamela Hirsch, Kaluuya, Aaron L. Gilbert and Jason Cloth. Universal Pictures and Makeready present Queen & Slim in association with 3BlackDot and Bron Creative, a Makeready/De La Revoluci, Films/Hillman Grad/3BlackDot production.

Track Listing Queen & Slim: The Soundtrack

LP1 / SIDE

  1. Megan Thee Stallion feat. VickeeLo, Ride Or Die
  2. Bilal feat. Raphael Saadiq, Soul Sista (Remix)
  3. Vince Staples Feat. 6lack & Mereba, Yo Love
  4. Tiana Major9 & EARTHGANG, Collide

LP1 / SIDE B

  1. Syd, Getting Late
  2. Mike Jones feat. Slim Thug & Paul Wall, Still Tippin’
  3. Coast Contra feat. BJ The Chicago Kid, Queen x Slim
  4. Choker, Frame

LP2 / SIDE A

  1. Lil Baby, Catch The Sun
  2. Roy Ayers, Searching
  3. Ms. Lauryn Hill, Guarding The Gates
  4. Burna Boy, My Money, My Baby

LP2 / SIDE B

  1. Cedes Benz, The-Dream
  2. Little Freddie King, Standin’ At Yo Door (Live)
  3. Blood Orange feat. Ian Isiah & Jason Arce, Runnin’ Away
  4. Moses Sumney, Doomed