Posts tagged with "film"

For The Love of Comic Con 

By: Rodney Ramlochan × Elle Grant × Vaughn Lowery

New York City’s Comic Con is a key annual fan event dedicated to Western comics, graphic novels, anime, manga, video games, movies, television and more. First held in 2006, this classic event was canceled last year due to the Covid-19 pandemic, devastating fans who look forward to this mainstay of popular culture. Yet this year, Comic Con made its triumphant return, though it looked a little different in the attendance of both its exhibitors and fans. 360 MAGAZINE got the full scoop from well-versed fan Rodney Ramlochan on how this event has changed. He offers comments on the good, the bad, the Covid, and the in between for 360 readers. Read Ramlochan’s full testimony below:

To say that I love New York Comic Con is an understatement. For over a decade, as a pop-culture geek, I’ve enjoyed the fantastic guests, panels, original art, unique exhibitors, industry merchants, and one-of-kind exclusives. It has always been one of my favorite events to cover, and as a die-hard fan, I was deeply disappointed that the pandemic caused last year’s convention to go virtual. However, I was thrilled to hear that the event was coming back in person this year. Since much had changed over the past eighteen months, I thought it would be cool to experience the event as a fan rather than cover it as press. I also wanted to test-drive ReedPop’s Metaverse membership for ordering in-person tickets and focus on the overall fan experience, including Covid safety precautions and notable differences between this year and cons from yesteryear. Here are my post-Comic Con impressions. 

I purchased tickets a few months ago in July using the MetaVerse presale process. Of course, this was before the uptick caused by the Delta variant strain. I didn’t expect any issues with purchasing online as I’ve never really had a problem buying 4-day or single-day passes in the past. Still, I was interested in trying out the new Metaverse Membership that gives you first access to NYCC badges, photo ops & autographing tickets. My mission this year was to get both an autograph and photograph with William Shatner, epic space captain of the Starship Enterprise and now a real-life astronaut. In addition to getting first dibs on NYCC in-person tickets, the Superfan membership allows you to buy MCM Comic Con, Emerald City Comic Con, and C2E2 tickets. You can also get paid digital experiences, exclusive access to video content and celebrity panels, access to exclusive NYCC merchandise online. 

The Superfan Membership process was relatively seamless. I signed up at the end of June using the Metaverse Membership email and bought tickets using a dedicated link on my profile page within a few days. I purchased single day passes for each day of the convention, and I was contacted for the opportunity to purchase photo ops and autographs in addition at the end of September. Overall, I’d say the membership was worth it. It’s perfect for the fan who would rather have a more significant window of time to purchase tickets. Outside of remembering to click on the notification reminder emails and follow the presale, photo ops, and autographs links, ordering is straightforward.  There are no worries about getting tickets for the exact days you want to attend. If you are good with the allotted time frame afforded by the standard ordering process, then paying for the Superfan membership may not be beneficial at this time. However, I do wonder what the future holds for purchasing tickets in the future. Suppose the Superfan method of buying in-person tickets becomes more popular. Will it impact the standard order process and make it more challenging to obtain single-day passes post-pandemic?  Only time will tell. 

As far as Covid safety protocols, enforcement, and logistics, the ReedPop and the Javitz Center team did a great job managing this. Before attending, I was uncertain why New York Comic Con needed a partnership with CLEAR Health Pass. Especially since vaccination proof was a requirement for attending and could be validated using vaccine cards and existing apps like the NY Excelsior Pass. In hindsight, standardizing the application that everyone uses for admission was a smart move. At the very least, it streamlined the process and expedited entry for most. I picked up my green ReedPop vaccine wristband at the Javitz Crystal Palace a few nights before opening. It took me less than 5 minutes to show the CLEAR app and retrieve the band, and in many ways, this process foreshadowed the overall feel and attendance for the convention. NYC began requiring proof of vaccinations in early September, and the event was following suit. The mandate may have impacted attendance, as I read many social media comments from individuals that stated they wanted to return or sell their tickets because they didn’t know the vaccine would be mandated before purchasing. But, as a whole, most people in attendance complied with the requirements. I was there all four days and only encountered two individuals not wearing masks on the main floor. I didn’t notice security enforcing the mask mandate, but I did hear that a vendor and few individuals had been removed from the showroom floor for not following the rules.  At my William Shatner autograph and photo ops sessions, plexiglass partitions protected Shatner and the fans. Partitions were used at all reserved signings and photo op sessions. According to ReedPop, 150,000 paid in-person attendees were at the event this past weekend compared to 250,000 in previous years. Even with 100,00 fewer people, this was the largest indoor in-person event held in New York since 2019, showing a great evolution from where things were at the start of the pandemic. It was good to see that all of the proper safety protocols were in place. 

One of the most significant differences between this year’s Comic Con and past shows was the notable absence of large exhibitors like Disney, Marvel, DC, Image, Sony, Amazon, SYFY, and distributors like Funko and Midtown Comics. Of course, it didn’t come as a surprise, as we had been receiving no-show notices practically every week leading up to the event. I’m sure it deterred some folks from attending, but I think it helped provide a unique experience for those who did. It minimized the crowd and offered other smaller exhibitors an opportunity to showcase their properties and spend more time with fans. As a result, I spent a lot more time than I would typically have at smaller booths. For example, I met the great folks at Plunderlings, a boutique toy line presenting a fresh take on fantasy universes from a Caribbean perspective. Although some of the major players weren’t present, there was an excellent turnout for anime fans from Toei Animation, Funimation, VIZ Media, and Tamashii Nations. Without having to compete for floor space, it seemed as if their exhibits doubled in size. If you were a fan of these companies, it was probably the first time in years that you could casually stroll through their exhibits without waiting in line. Although it was less crowded, the show floor did not feel empty. As expected, Saturday and Sunday saw an increase in volume of attendees, but nothing compared to the previous years. 

One of the most extraordinary changes this year was the unveiling of the new Javits Center expansion project. It took a few minutes to figure out exactly where floors 4 and 5 were, but once you found them in the building adjacent to the old center, you were treated to the fantastic skyline and river views on the way up to the panel rooms and the new Empire Stage. There were a few blockbuster live panels, including Ghostbuster and The Boys; however, many panels like Sandman Act II and Wheel of Time were pre-recorded videos. I did sit in on the Sandman panel, but post-viewing, I felt a bit underwhelmed – watching a video of writer Neil Gaiman, audiobook director Dirk Maggs, actor James McCoy (who voices the title character), and actor/filmmaker Kevin Smith (who voices Merv Pumpkinhead) was not the same as seeing them in person. In addition, ReedPop introduced a new reservation system for the larger panels instead of the “badge tap-in” process used in the past. I have mixed feelings about this, as it didn’t appear that anyone’s reservations for the panels were being checked. It may have been because there was excess capacity remaining at the events I attended. However, I will note that the folks at the Tamashii Nations booth to purchase their exclusive Super Saiyan God Super Saiyan Son Goku figure did check for reservations. 

Overall, expanding the panels to the new venue resulted in two significant outcomes. First, it allowed more space to return to smaller fan-focused panels, which featured creators interacting with their fandom instead of pitching major studio events.  Second, moving the panels out of the main building allowed for Artist Alley to take back a prominent role I felt it had lost over the past few years. This year, the Alley was front and center, featuring principal mainstays like Fabian Nicieza, Chris Claremont, Rob Leifeld, and Scott Synder amongst many others. I especially enjoyed chatting with Ben Bishop, one of the key artists on TMNT’s The Last Ronin. 

Undoubtedly, many of this year’s Comic Con changes resulted from how best to host an event during a pandemic, but many of the changes also focused on improving the fan experience. As a result, NYCC 2021 felt more like the NYCC of 2011, but with a few notable improvements. Creators were able to connect more with their fandoms, fans were able to stop and appreciate exhibitors and artists more, and ReedPop unveiled a few new processes to streamline crowd control and help fans maximize their time at the event. It wasn’t perfect, but as a fan, it exceeded my expectations, and I’m even more looking forward to a pandemic-free NYCC next year. 

360 MAGAZINE covers NYCC
360 MAGAZINE covers NYCC
360 MAGAZINE covers NYCC.
Rodney Ramlochan attends NYCC on behalf of 360 MAGAZINE and meets William Shatner.
Marijuana illustration by Heather Skovlund for 360 Magazine

Five Cannabis-related Films Loved By The Industry

Are you a weed lover looking for some entertainment and want to know what movies are out there that might be of interest to you? Are you looking for a fun cannabis-related film but don’t know what to choose?

The cannabis industry has quickly become one of the fastest-growing industries in the world, with recent legalizations being made. New strains are coming to the market, and even newer products are making it better to consume them. Marijuana consumption devices have come a long way since the days of smoking a regular joint. Today, there are cannabis consumption devices in all shapes and sizes imaginable, especially in online head shops like DankStop, from pipes to dabs, e-rigs, and bongs. These days, the stigma behind cannabis is almost nonexistent, which means that people won’t mind making movies about it. However, these movies take us back to a time when weed was frowned upon and portrayed the herb as a bad influence – sometimes. Here are 5 cannabis-related films loved by the industry.

Cheech and Chong: Up in Smoke

At the very top of our list of cannabis-related movies that are a must-see, is Cheech and Chong: Up in Smoke. The first in a trilogy of stoner movies, up in smoke paved the way for stoner movies everywhere. This film was set back in the 1970s and is still hitting hard in the marijuana industry.

Cannabis lovers and stoners will appreciate the oversized joints and the hazy clouds that seem to follow the two lead characters, Cheech Marin and Tommy Chong. Although it was not the first film about stoners, it was definitely one that played out the way for just about every other comedy stoner film and put out the formula for it.

This might have been where the stigma of lazy stoners came from, but it is nothing but comedy and entertainment.

Harold and Kumar Go to White Castle

Released in 2004, Harold and Kumar go to White Castle, is quickly approaching its 20th anniversary. This fantastic film is the epitome of stoners in film. The plot revolves around two men on a quest to find the best burger possible.

With a cameo from Neil Patrick Harris as an ecstasy addict and the two leads being stoners, it’s no wonder that the first question they asked is something that any stoner might have asked once before; didn’t we come here on a cheetah?

This is yet another hysterically comedic film that follows the outline of stereotypical potheads. It is comical and very enjoyable for those looking for a good laugh.

Half Baked

Moving on down the list, next in line we have the film Half Baked, which can be seen as a play on words as when someone is high it can colloquially be referred to as being baked. This 90s stoner comedy is a must-see if you are looking for a good laugh.

Although this film is close to reaching 23 years, it is said to have predicted the future trends in marijuana for the next 20 years very accurately. This film shows the more innocent side of stoners.

Back in 1998, people had a much different perception of marijuana, however, this film shows it in both its medicinal and recreational capacity, and puts it in a good light for both the users and even the haters.

How High

Next up we have the film, How High. Which is yet another play on words. It is quite fun to see how all of these films have had some or other play on words. The film’s plot follows two young men as they make their way to Harvard after finding a way to make themselves a genius. This genius was not discovered through books, not through learning, but rather through a secret.

Their secret being the fact that they used the ashes of their dead friend to fertilize and maintain their weed crop. This hilarious and outlandish stoner comedy is definitely something to watch if you are looking for a good laugh.

Pineapple Express

Last but not least, we have the ever-popular Pineapple Express, starring Seth Rogan and James Franco. This film is about a newly discovered strain of marijuana called Pineapple express which is considered rare and said to be something amazing.

Through many adventures throughout the film, we have laughs and tears, making it definitely well worth the watch.

Jaguar XF Chases Across London

JAGUAR XF EMBARKS ON A THRILLING CHASE ACROSS LONDON TO CELEBRATE THE RELEASE OF NO TIME TO DIE

The hottest ticket in town: Jaguar Racing’s Mitch Evans embarks on a race across London to be amongst the first to see the eagerly anticipated James Bond film, No Time To Die, released in the UK on September 30, 2021

The thrill of the chase: Behind the wheel of Jaguar’s latest XF Saloon, Evans is pursued across the British capital by renowned free runner and Parkour athlete Lynn Jung

Serenity in the city: The XFs luxurious cabin featuring Active Noise Cancellation and Cabin Air Ionisation technology provides a tranquil sanctuary for Mitch Evans as Lynn tackles the busy streets on foot

Agility and composure: Jaguar’s all-wheel-drive system with Intelligent Driveline Dynamics, and lightweight aluminum-intensive architecture deliver exceptional handling and agility together with the outstanding ride, comfort, and refinement for the drive across town

No Time To Die XF film debut: Two Jaguar XFs make their Bond debut in No Time To Die

Watch the Jaguar London chase film here

To mark the eagerly anticipated release of No Time To Die, Jaguar’s latest XF Saloon found itself involved in a thrilling chase across London, as Jaguar Racing’s Formula E driver Mitch Evans aimed to be amongst the very first to see the film.

The action is set against some of the capital’s most iconic landmarks including the Shard, Tower Bridge, City Hall, and Millennium Bridge. Mitch, who is at the wheel of the Santorini Black XF R-Dynamic HSE, is unaware he is being pursued by free runner and Parkour athlete Lynn Jung. The reason for their chase? He has unwittingly dropped his tickets to the screening and Lynn is determined to ensure his wait to see No Time To Die is over.

The six-mile chase starts in Laffone Street, close to Tower Bridge, and weaves its way across the city with Lynn running, jumping, and somersaulting in pursuit of Mitch, who is enjoying the XF’s luxury, comfort, and serenity thanks to its Active Noise Cancellation and Cabin Air Ionisation technology. Distanced from the noise and chaos of the city around him, Mitch focuses on the drive, making the most of the XF’s precise, intuitive steering – and the responsive, refined performance of its 300PS Ingenium engine. The action concludes in London’s famous Baker Street, where the tickets are returned in spectacular style, allowing Mitch to finally enjoy No Time to Die.

Throughout the race across town, 007 fans will spot a few familiar faces along the route, including a bullet-holed XF from No Time to Die as well as notable Jaguar models that appeared in past films, including the C-X75 from Spectre (2015) and the XKR Convertible from Die Another Day (2002).

Anna Gallagher, Jaguar Brand Director, said:

“The Jaguar XF is a car designed to tackle any journey with an unrivaled balance of luxury, comfort, and refinement. Whether it’s a high-speed pursuit through twisting streets and piazzas of Matera where the car filmed its No Time To Die chase sequences or the bustling streets of London – the XF really is a car for every occasion”.

Watch the Jaguar London chase film here

The Jaguar XF saloon is priced from £33,975 in the UK. To configure and order yours online or book a test drive, visit here

filmfest via Gabrielle Archuletta for use by 360 Magazine

Why would Anyone Leave Hollywood?

Why would anyone leave working on movies with Marlon Brando, Johnny Depp, Jim Carrey, or the voice of Marge on the Simpsons?

Why would anyone leave behind working on music videos with Madonna, R.E.M, Randy Travis, and The Rolling Stones?

Why would anyone leave behind “hobnobbing” at the homes of Sting, Roseanne Barr, or Joan Rivers?

The sheer romance of Hollywood, and hype, the luscious frivolity and gorgeous glamor, all ensconced like a movie within a movie—the Southern California of it all. Like Icarus flying high above the drudge and turmoil of everyday life, just knowing your wings would never melt. The rubbing elbows with the insanely famous, or very famous, or just famous movie stars. Crashing the ubiquitous Oscar parties strewn all over “the strip”—the famous Sunset Boulevard.  The bright lights that draw you to it like a moth to a flame.

I worked on it all. I worked on the movies and the music videos.  And the TV shows, the MOW’s (movies of the week), and the pilot shows during pilot season.  I worked on food commercials, car commercials, and clothing commercials.  I worked low-budget, no-budget, and dream budget shows. My job?  The art department. I was a set dresser, lead man, painter, prop guy, and even drove the 5-ton trucks because I had a CDL (commercial driver’s license).  (My credit nickname on some of my IMDB credits is “Big Ton.”)

My entre to Hollywood was the world-renowned UCLA film school, where I studied screenwriting, directing, and producing with my fellow students, Academy Award-winning directors Gore Verbinski and Alexander Payne, director Shane Black and noted television producer Jeffrey Bell.  Friends of mine who work “below the line” (in the art department, or as grips, gaffers, painters, transportation, etc.) all have IMDB credits a mile long.

There are two ways to enter Hollywood from film school—from the top or from the bottom. From the top means your film or script hyperjumps you directly into an “above the line” directing gig, or screenwriting offer, or both.

But if you’re like the majority of film school grads, you start again at the bottom. You work on every low-budget film, TV show, and commercial you can get your hands on. And you don’t let them know you graduated from film school. No, siree. Not unless you wanted yourself laughed out of work.  Because the real work is learning the craft of making films. The very long hours (minimum 12 hours a day). Learning who all the behind-the-scenes players are and who knows what, when, and where.  Learning from the old-timers all of the million tricks that go on to a screen and the politics behind the scenes. Learning how to segue from show to show, so that you can continue to work.

Then the magic moment arrives.  All the grunt work and long hours finally pays off.  You are handed that obscenely rare gold Willy-Wonka ticket to Wonkaland—the ultimate movie pass of all time to anyone who wants to work Hollywood—the Motion Picture Union Card.  And the only way to get is by working on a film that goes from non-union to union.  Even the stars can’t wheedle their offspring into this part of “the industry.”  You earn this one with a lot of sweat, grit, and determination.  Then you begin to make real money.  And work on the “big” films—the big features.  Or work at the studios, on a hit TV show, or endless pilots.  Great medical, retirement, benefits up the ying-yang.  You are now part of the legacy and lottery that is the Hollywood film family.  You truly have made it to the land of the silver screen.

Was it great? Was it fun? Was it wild? Yes, and yes, and yes.

But something was amiss in the land of forever happiness. I began to notice cracks in the gold façade. I saw hidden hints of unhappiness I hadn’t noticed before. I began to understand how easily the golden handcuffs of money and prestige could be so easily slipped on over one’s wrist until one day you realize that the dreaming is over, and now you are locked into the Hollywood grind.

How fleeting the luscious frivolity and gorgeous glamor. The elbow-rubbing with all that famous fame and fortune.  The seductiveness of being the insider in star land. That thirty years later you would wake up from the dream and realize it was all spent in dreamland. That’s the writing I saw upon the wall.

But as with all good screenplays, there arrives the pivotal moment upon which the destiny of the entire universe resides in the action of one person.

One day a friend of mine at Universal Studios, a guy who had worked on sets for a million years, a guy whose stories about the business were endless and fascinating—I asked him. “Was it all worth it?” Well, that was the million-dollar question you never ask because the answer did not fill you with awe.  It scared the living bejesus out of you.  “Nope. I never saw my kids grow up. I divorced twice. I made a lot of money. I owned a lot of toys.  But what do I have to show for it after 35 years? My kids barely talk to me.  I’m mostly alone and I’ll retire alone.”

Crap and wow. That’s when the Hollywood dreamed ended for me.  That was THE wake-up call of wake-up calls.  That’s when I knew it was time to get out. I was only five years in. I did not want to end up with the self-chosen burden of unhappiness to haunt me in Hollywood for the rest of my life.

That’s when I took to the road and headed west. Not to actual west of the Pacific Ocean but the west of America, where people lose themselves to find themselves.  And that’s what I did.  A “drive-about.” Where one can meditate upon endless miles of blacktop, the engine purring a constant tone poem like the drone of a Tibetan chant. This blue-highway contemplation forcing the quintessential questions of mortality—why am I here and what is my purpose?

After a few thousand miles, I ended up in a 3-bar town on the Arizona/Mexican border.  I asked for work and the universe handed it to me in the guise of a local cowboy.  My new job? Putting up a fence on a nearby ranch—a barbed-wire fence.  Hammering in fence poles with a pole pounder for as far as the eye could see.  When I was done, he’d come out and we’d string up wire. How fitting. Having been raised around ranches as a kid, I had returned to my roots.

My home was the back of my pickup truck. My shower, an old horse trough filled with water. I cooked by camp stove and ate by campfire.  The stars were brilliant and there was not a human light to be seen.   This was my new existence. I couldn’t imagine going back and was terrified at going forward.   It was here, amidst this desolation and aloneness, I had truly leapt off the cliff of Hollywood, into the great abyss of the west, praying for the universe to somehow catch me. And it did.

A slow miracle appeared. An idea that was born of this life transition. I picked up the pen again, and the pen roared back to life.

After having published in my early twenties, I had not written a book in years. Now I began to write as if my life depended on it.  The premise?  A father who would never live to see his kids, leaves behind a compendium of practical, moral, and spiritual letters that would eventually be a guidebook to life.  How fitting that the universe brought me here, writing on the back of my pickup by lantern light, to begin my real life’s work.

But the book, to eventually be called, The Legacy Letters, and its awards, were still years in the future. Now I would have to finish the fence. And then work as a cowboy on a small nearby ranch. And then meet my wife-to-be, while working as a wrangler for a friend of mine. And then get married at the ranch. And have a son together. And all the while, in this Walden Pond time of life, I would continue to write and ride, and ride and write until I finished the book.

Now far from the delusions of glitz and glamor, fame and fortune that would have beguiled me into a life of golden unhappiness. What an amazing and strange journey to happiness and contentment.

I remember reading many years ago about a prayer the Buddhist monks would intone, and that in my spiritual infancy, I could never quite understand. “Please Lord Buddha, give me a problem so that I may overcome it.”  Finally, I’ve grown up enough to understand why anyone would want a problem to overcome.  And why we must leave to find out how to return.

ABOUT CAREW PAPRITZ

Carew truly lives the central message of The Legacy Letters to “live life to the fullest,” creating such innovative and adventurous one-of-kind events as his “First-Ever Book Signings”–on top of Mt. St. Helens in Washington State, the Mendenhall Glacier in Alaska, and on horseback at a Barnes & Noble in Tucson, Arizona (amongst many others).  Before Amazon, Carew’s First-Ever Delivery of a Book by Drone made headline news.  Carew’s YouTube “I Love to Read” series and his annual literacy-driven charity event, “The Great Book Balloon Launch,” inspire kids and adults to rediscover the joy of reading!  And to inspire more kindness and civility in the world, Carew started National Thank You Letter Day–Nov.14th, in which he created the world’s largest handwritten thank you letter, stamp, and envelope–the size of a high school gym–to help spread the word about writing thank you letters!

Women is Losers x Latino International Film Festival for use by 360 Magazine

Marcel Spears × The Neighboorhood

Marcel Spears stars as Cedric the Entertainer’s son “Marty” in the CBS hit-comedy The Neighborhood. The popular series is currently in production for season 4, and will return on September 20th.

The Neighborhood continues to use its platform to address systemic racism in the U.S., beginning this season by confronting the federal government’s promise to give reparations to its oppressed citizens. The show gives audiences a feeling of community but also addresses these heavier, sometimes uncomfortable, topics, with a creative delivery utilizing comic relief to provoke discourse in people’s homes. Marcel’s character “Marty” will return home this season with a variety of circumstances that audiences are excited to unpack.

In addition to The Neighborhood, you may have seen Marcel as the scene-stealing “T.K. Clifton” on the ABC comedy The Mayor and co-starring in the BET film Always a Bridesmaid, on Netflix.

Marcel was forced out of his hometown of New Orleans by the devastation Hurricane Katrina brought to his beloved city. To this day, his strong affinity for New Orleans remains along with his second home, New York City, where he attended and received a Master of Fine Arts in acting at Columbia University. Marcel spent many years delving into meaty theater roles, including the title role of the Classic Stage Company’s production of Shakespeare’s Othello,  A Midsummer Night’s Dream directed by Tyne Rafaeli, for which he was awarded the Rosemarie Tichler Fund Grant for his performance, and a prominent role in an adaptation of August Wilson’s ‘Ma Rainey’s Black Bottom’.

Lebron Illustration created by Rumnik Ghuma from 360 Magazine for use by 360 Magazine

Lebron James × Youtube Originals – I PROMISE

Youtube Originals Announces new documentary “I Promise” from Ledbron James’ The Springhill Company chronicling year one at his groundbreaking, public I Promise school, both a film and an educational resource, “I Promise” provides an inside look at a new model for urban, public education, the film debuts September 28 onlu on Youtube, and watch the official trailer HERE  

YouTube Originals today announced “I Promise,” a feature documentary film from award-winning director, Marc Levin, that tells the story of LeBron James’ efforts to close the achievement gap in his hometown of Akron, Ohio through the eyes of the inspiring students who are resetting expectations of their futures. The film premieres Thursday, September 28 at 12 pm ET / 9 am PT on the YouTube Originals channel. 

The documentary, which premiered at the 2021 Tribeca Festival, features an in-depth look at the first academic year inside the groundbreaking I Promise School, which opened in 2018. Viewers will get to explore the day-to-day trials, triumphs, and life-changing impact of the school staff, students, and families working together in a unique, family-first educational environment that embraces the trauma and challenges many faces in Akron. The film offers an intimate look at the school’s blueprint for a new model for urban, public education – a holistic, STEM-focused approach led by love and Social-Emotional Learning infused with the LeBron James Family Foundation’s “We Are Family” philosophy. In opening the doors to the I PROMISE School’s early challenges and learnings, the film exists to provide insights and tools that students and educators in every community across the country can implement in their classrooms and beyond.  

“I Promise” is directed by Marc Levin with executive producers LeBron James, Maverick Carter, Jamal Henderson, Philip Byron, Nicholas Lopez, Marc Levin, Dan Levin, Catherine Cyr, and Josh Gold. LeBron James and Maverick Carter will serve as executive producers on the documentary with their empowerment-led media conglomerate The SpringHill Company. “I Promise” director Marc Levin will also executive produce alongside Jamal Henderson, Philip Byron, Nicholas Lopez, Daniel B. Levin, Catherine Cyr, and Josh Gold. The film is a Blowback Pictures Production in association with RYOT Lab and LeBron James Family Foundation. Susanne Daniels is Global Head of Original Content for YouTube. Nadine Zylstra serves as Head of Family, Learning, and Impact for YouTube Originals, with Zoe Di Stefano also overseeing “I Promise” for YouTube Originals. 360 Magazine is amazed to see such good work being done for the community. Many people are giving back to the community especially because of the time period we are in. 

“I Promise” joins a growing slate of learning and impact projects including the upcoming new slate of sustainability-focused programming: “Seat at the Table,” with David Attenborough and creator Jack Harries, “Stay Wild” (working title) from Brave Wilderness in partnership with Appian Way and Madica Productions, “Shut It Off ASAP” (working title) from AsapSCIENCE and B17 Entertainment; in addition to launched projects from the #YouTubeBlack Voices Fund aimed to invest with intention with programming like “Bear Witness, Take Action 2,” which continued the movement on racial justice to evoke change and protect Black lives; “Resist,” a documentary series from Black Lives Matter co-founder Patrisse Cullors; and “Barbershop Medicine” aiming to put the “public” back in Public Health and explore the impact race and socioeconomic status have on healthcare and longevity. Additional learning YouTube Originals include Emmy Award-winning mini-series “Create Together,” a Joseph Gordon-Levitt hosted series featuring the creations of everyday people collaborating to make art; Daytime Emmy Award-winning special “Creators for Change on Girls’ Education with Michelle Obama” where YouTube creators, such as Liza Koshy, sit down with Former First Lady Michelle Obama and the Obama Foundation to discuss the state of girls’ education around the world; Emmy-nominated “Glad You Asked” that explores topics driven by our curiosity about the world around us; and “Retro Tech” the Emmy-nominated series that explores the technological promises of the past.

Holiday Gift Guide and round-up article illustration by Gabrielle Archuleta for 360 MAGAZINE

Holiday Gifts That Are on Everyone’s Wish List

Now that it’s fall, it’s officially that time of the year. The holidays are still a way’s away, but the must-have items are coming out earlier and earlier and your list seems to get longer and longer. It’s never too early to start shopping for the best Christmas gifts of 2021! Whether you’re looking for the latest toys, present for your wife, your kids, or even your boss, this 360 MAGAZINE list will be your one stop shop to find the coolest gift ideas.

Check out our favorites below, and we hope you pick out something nice for yourself as well!

Leica Q2 ‘007 Edition’

Leica Camera has unveiled a new Leica Q2 ‘007 Edition’ to celebrate the release of the 25th Bond adventure, No Time to Die.  Limited to 250 pieces only, the camera exudes understated elegance – just like James Bond – marked by Leica’s signature minimalist design.

The new camera features the iconic 007 logo on the deck cap and the famous Bond gun barrel design on the lens cap. Each of the limited-edition cameras will be individually numbered, making the “007” camera a sought-after collectable. The camera comes in a customized and handcrafted case designed by the British luxury suitcase brand, Globe-Trotter. Inspired by the bespoke cases that are featured in No Time To Die film, both the camera case and camera are finished in the same ocean green leather colorway.

A combination of both photography and cinema, this makes a perfect gift for anyone who is a film major or enthusiast! Available for purchase on the official Leica website.

leica q2 007 for use by 360 magazine

Oakley × Patrick Mahomes

Patrick Mahomes II and Oakley has released the second iteration of the MVP quarterback’s Signature Series, Contrail. The new eyewear is inspired by the MVP’s limitless talent and includes features that honor the Super Bowl LIV Champion.

The Signature Series Collection launched in early 2021 with the bold design of Oakley’s Sutro Lite frame. Ahead of the brand’s third season partnership with the NFL, Oakley is adding Contrail to the collection, a modern design available in matte black with metallic gold icons to celebrate the unconventional success of the Kansas City Chief’s player. The frame features a lightweight, durable C-5 alloy frame and Prizm lens technology engineered to enhance color and contrast while discoverable Mahomes details on the Contrail include an etched lens with II for Mahomes and a signed microbag.

Modern yet timeless, the Patrick Mahomes Signature Series is available on Oakley.com and in Oakley retail stores.

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Casio EDIFICE × Scuderia AlphaTauri Racing

Super-charge your speed and precision with this special Casio EDIFICE watch designed in collaboration with the F1™ team Scuderia AlphaTauri.

Made with the same type of 6K carbon fiber used in the floor and wings of the Scuderia AlphaTauri racing machine, the EFR571AT-1A puts the latest motorsports technology right on your wrist. Fluorescent yellow — the color that crew mechanics use at the track for safety — highlights key components, providing the stand-out visibility required by racing teams who have to make every second count. The yellow stopwatch button and second hand ensure easy, no-fumble timing. The last 15 seconds on the dial are also highlighted, in a nod to the F1 rule that crewmembers must leave the grid 15 seconds before the formation lap starts.

This special EDIFICE delivers what you need to manage your day with the confidence of an F1 driver. Available for purchase here.

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Lids × Chris Godwin

Tampa Bay Buccaneers Pro Bowler and Super Bowl LV Champion Wide Receiver, Chris Godwin, has partnered with Lids and is not the retailer’s newest brand partner.

Godwin has created seven custom embroidery designs exclusively with Lids. Along with his signature and a #14 jersey number available in a variety of design options, these exclusive designs will also include a ‘World Champion’ badge as a nod to the Bucs fanbase following their 2021 Super Bowl LV win.

Fans can embroider any one of the designs on a hat or jersey of their choice at hundreds of Lids locations across the country starting today (available at any location that offers on-site custom embroidery). Through this partnership, Lids contributed a flat donation to Godwin’s charitable foundation, Team Godwin Foundation, which provides at-risk animals a second chance through advocacy and financial support.

More information here.

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THE COMFY

Nothing keeps you cozy on chilly fall mornings like the wearable blanket that started it all! The Comfy Teddy Bear Quarter Zip is everything you love about The Comfy Teddy Bear, but with the added flexibility and style of a zip.

Fun, cozy, and will keep you warm while couch surfing on a cool night. It is unisex and stylish enough for all your needs, from sitting on the porch or a quick trip to the store. Luscious, high-quality sherpa wraps you in a giant hug while the quarter zip gives you flexibility, you’ll never want to take it off.

Available in a variety of colors and patterns here.

The Comfy image by Leah Cybulski for use by 360 Magazine

LOL Cartel

Recording artist and MTV’s Ridiculousness host Chanel West Coast has announced the release of her new LOL Cartel unisex capsule collection. Conceptualized and designed by Chanel herself, the new streetwear line showcases fun, expressive lifestyle apparel that speaks to the laidback and feel good vibes of the West Coast. 

The new drop features a wide array of classic silhouettes such as sweatpants, sweaters, hats, shirts, t-shirts and more in custom-dyed designs and bold color combinations, emphasizing the young and vibrant inspiration throughout. Each piece has been designed with high quality fabrics and materials, and was crafted to be unisex, ensuring a mix-and-match capsule collection that can be enjoyed by people of all genders.  

Shop here.

happy tee product image by lol cartel for ue by 360 magazine

Tenacious Toys

Tenacious Toys is the premier online retailer specializing in limited edition art toys in vinylresin and PVC, as well as imported action figures and one-off custom toys.

Started in 2004 in New York City, Tenacious Toys services thousands of customers worldwide each year with the most reliable fulfillment of bullet-proof packages. Tenacious Toys offers customers a robust program of rewards and freebies, as well as multiple payment options during checkout.

Perfect holiday gift for a friend or partner who loves to collect! Shop Tenacious Toys’ latest collection here.

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EATABLE

Celebrate flavors worthy of your everyday celebrations with the 100% natural, delightfully grown-up popcorn from EATABLE.

Inspired by the flavors of happy hour, each bag features the sophisticated notes of your favorite cocktails without the alcohol. They start with non-GMO corn kernels that are air popped to perfection, imbue them with a sweet candy or caramel spirit infused coating, and then painstakingly hand-sift each batch to ensure those hard unpopped kernels never make it to your mouth. 

Give your movie night a sophisticated twist, upgrade your book club’s charcuterie board, or toast Team USA with the mixed pop of your choice.

EATABLE Highlights:

• Crafted from locally sourced, non-GMO corn kernels

• Twice baked recipe creates the perfect crunchy texture

• Grab and go bags are ideal for snacking, picnics, barbecues, and more!

• Comes in a resealable bag for freshness you can taste

• NO artificial colors, flavors, or preservatives

• Flavors include:

• Whisky on the Pops

• Pop the Champagne

• Pop the Salt & Tequila

• Pop Goes Sangria

• Poppy Caesar

•Poppin’ Rosé all Day 

EATABLE image for use by 360 magazine

Sea Witch Botanicals

Sea Witch Botanicals is committed to being a role model in the shift toward sustainability and ethical business, and transparently dedicated to environmental justice. We are a small, tenacious team that believes you don’t need sinister synthetics or animal byproducts to have a clean home, a beautiful smelling space, or luxurious self-care. All of our products are crafted with only plant-based ingredients and packaged for optimum waste-reduction. 

Sea Witch Botanicals aims to keep the world’s water healthy by providing natural home and body products that are good for you, and the environment. With a huge range of scents and products, find your match of incense and candles here.

Sea Witch Botanicals Sample image by Armon Hayes for use by 360 Magazine

N.Peal Cashmere Knitwear

Know a Bond fan? These gifts would be right up their alley. Exclusive cashmere knitwear brand N.Peal is launching its Navy Ribbed Army Sweater and 007 Combat Trousers as worn by 007 in the upcoming James Bond film, No Time To Die, releasing in theaters October 8, 2021.

Available in a blend of 90 per cent superfine Merino wool and 10 per cent cashmere, the Navy Ribbed Army Sweater  features canvas patches on the shoulders, cuffs and elbow and is augmented by a drawstring neck. The 007 combat trouser is made from 100% Cotton, features-Gun metal zips and poppers- 3 pockets, two zipped and one poppered – Epitomises the modern and informal utility look and marries perfectly with the N.Peal commando sweater.

Modelling its design on British Military Commando sweaters & Combat Trousers, N.Peal developed these pieces with No Time To Die costume designer Suttirat Anne Larlarb.

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CASIO G-SHOCK

As the most nostalgic time of the year nears, what’s a better way to remember your childhood than to purchase old trinkets? Casio has released a few timepieces that are reminiscent of the 90s, and will surely bring you back in time.

Based on the larger men’s style, the GMAS120SR-7A is a compact G-SHOCK model in the transparent style that became popular back in the ‘90s. This model features a rose-gold metallic finish with a design that makes it the perfect accessory for work and play. 

The square design of the GMS5600PG-1 is reminiscent of the classic G-SHOCK 5600. This model has a metal covered bezel and incorporates standard G-SHOCK shock resistance in a small, lightweight watch that is comfortable to wear. The mirror finish of the case and bezel add a touch of elegance to the watch’s casual look. 

The BG169G-4B offers the nostalgic BABY-G style in an eye-catching pink band and face. Featuring 200-meter water resistance, this model has an ion-plated metal ring and with a face protector, creating a face that is dynamic, yet classically BABY-G. The wire face protectors on the case allow for worry-free wear at the beach, pool, or in other high-activity areas.

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Pureaty Naturals – Biotin Hair Serum

One of those products that went viral over quarantine, none other than this biotin hair serum from Pureaty Naturals.

According to more than 5,000 five-star Amazon ratings awarded for its ability to regrow hair even in nearly bald spots after a month of use. Shoppers say it makes a huge difference in their hair’s strength and thickness, rescuing thinning hairlines from intense shedding and encouraging growth like a “miracle serum.” 

Prior to trying the Pureauty formula, one person says that nothing seemed to help their drain-clogging hair loss. Within two weeks, the cycle turned around: “The results are AMAZING! I legit only had like two strands fall out per shower.” They continue, “The only downside: I didn’t find this product sooner. I could not be happier. Thank you so much to whoever made this. You literally saved my depressed soul from losing my hair.”

Another person “desperate” to reverse their chemo-thinned hair says their hair loss is now so minimal, the results are “hard to believe.” But by all accounts it doesn’t much matter what’s behind the hair loss — the Pureauty’s hydrators, including the glycerin and squalane mentioned above, keep your scalp optimally moisturized regardless. As the last person concludes: “Thank you, little bottle of serum.” 

Shop Pureauty here.

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Tubble Royale Inflatable Bathtub

Give the gift of a portable tub, Tubble! Imagine taking a private hot bath in the snow after skiing or on your balcony over looking the city! Tubble was designed for urban living but is also great for outside adventures (veranda, porch, balcony, living room, cabin, glamping, RV). With the Tubble, you can take a bath anywhere-anytime. You just need a water source! Tubble is great for contrast therapeutic bath (hot to cold and vice versa) any type of therapeutic bath is an option. Fits a 6’ tall person or two people very comfortably! Quality materials (like a yoga mat) makes it more comfortable than a regular bath. Lightweight when empty, travels easy, and holds 60 gallons of water when full. Perfect for the holidays.

Available on Tubble and Amazon.

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nutpods

You know the holidays are near when you see Pumpkin Spice on the shelves again. Keep the good times pouring with nutpods unsweetened Winter Collection flavors; Pumpkin Spice, Peppermint Mocha and Holiday Nog. The party goes on to the last drop. All three are creamy, foamy, and free of dairy and sugar.

Shop here.

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Cornbread Hemp

The CBD industry has become an oversaturated $2.1 billion market notorious for a lack of consumer awareness, large corporations, and countless athletes/celebrities fronting brands (without any real involvement in the company). However, a few smaller CBD brands are setting themselves apart through a purpose-driven mission and commitment to product quality.

Cornbread Hemp is one of the rare few that has been able to gain market share as an underdog, in large part due to its signature Flower-Only™, full spectrum, and USDA-certified organic hemp. They are going down a different path, not cutting corners, and offering a product that is light years ahead of what you see at your local convenience store.

The founders at Cornbread Hemp have made taking on corporate CBD as one of their causes to ensure that consumers know what is in the product they are ingesting or rubbing on their bodies. Co-founder Jim Higdon has said that “what most consumers don’t know is that corporate hemp manufacturers produce substandard products, only to dress them up with the term ‘Whole Plant.'”

Shop Cornbread Hemp here.

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ZAGG

Know someone that got the new iPhone? Here’s a quick gift idea. ZAGG, the global leader in accessories and technologies that empower mobile lifestyles, introduced screen protection and protective case solutions for the new Apple iPhone 13 miniiPhone 13iPhone 13 Pro, and iPhone 13 Pro Max. ZAGG also announced screen protection for the Apple Watch Series 7 and iPad mini (6th gen).  

ZAGG accessories for these Apple devices are available beginning today on ZAGG.com with some products arriving in the coming weeks. Consumers may find ZAGG InvisibleShield and ZAGG Gear4 products at Verizon, T-Mobile, AT&T, Best Buy, and Walmart stores nationwide.

ZAGG backs its mobile accessories with an industry-leading limited lifetime warranty and will replace the product if it ever gets worn or damaged for the life of the device. With more than 250 million screen protectors sold worldwide, ZAGG InvisibleShield is the #1 selling brand for smartphone screen protection in the U.S. and has set the industry standard for screen protection. Shop here.

iphone 13 case by ZAGG for use by 360 Magazine

Oakley Coyote Boot

Born more than 20 years ago, the Coyote boot was built to function like a sneaker while still offering an iconic combat-inspired product. The boot is not meant to be just for anyone, it was created for a purpose with a will to run alone and to run with the pack.

Designed to take on any adventure whether in the city or in the wild, the Coyote boot itself features an EVA midsole and slip-resistant rubber outsole which moves naturally with your foot, while providing plush shock absorption. The lightweight material and genuine leather offers ventilated comfort while the rugged nylon laces stand to rough wear to complete this durable, everyday boot. In addition to the regular colorways, The Coyote Boot will also offer three new limited-edition colorways featuring vibrant, neon soles: black/neon green, coyote/neon orange, and sage/neon light blue. 

A gift made for any adventurous friends or partners, the Coyote Boot is available in select stores and online here.

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PUMA

The second PUMA collaboration with Black Fives collection celebrates the way teams in the Black Fives Era expanded their reach beyond neighborhoods where they began, into cities and towns throughout the United States. This seven-piece collection encompasses vintage-inspired designs with historical graphics and authentic logos maintained by the Foundation. Banner graphics showcase Black Fives teams along with cities they played in across the U.S. from Los Angeles to New York.

The Black Fives Foundation’s mission is to research, preserve, showcase, teach and honor the pre-NBA history of African Americans in basketball. Items in the collection include multi-colored hoodie and sweatpants, shorts, T-shirt, long-sleeved T-shirt, cardigan, and a black Suede Mid Black Fives, which includes a pop of color on the sole and team logos on the formstrip.

The collection launches globally October 8 in stores and online.

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Affirmicious

Has this last year taken a toll on your friends’ spirits? Are you on the lookout for a gift that inspires change and growth There’s nothing like the holiday season to spread a little cheer, and with Affirmicious and their uplifting Zodiac Affirmation Card Decks you can help nip negativity in the bud.

Each deck of fun and focusing cards is tailored to the personality of a specific Zodiac sign, offering positive statements and reminders to help change the flow of your thoughts the more you practice them. 

  • Features 100 personalized affirmation cards per set
  • Cards are based on the unique traits, needs, and energy of each Zodiac sign
  • Reinforces and emphasizes your positive traits
  • Helps put an end to negative self-talk
  • Fun for Zodiac believers and dabblers alike!
  • Available for all 12 Zodiac signs

Shop here.

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spermidineLIFE®

This holiday season, give the gift of natural cell renewal from the inside that supports health and beauty from the outside. Cell health affects growth of our hair and nails, and the appearance of our skin.

A new supplement, spermidineLIFE® by Longevity Labs, is the world’s first natural spermidine-rich wheat germ extract dietary supplement that supports our bodies rejuvenation and renewal of cells from the inside, which supports health and beauty health from the outside.

spermidineLIFE® is an all-natural, clinically tested supplement that supports brain, heart and organ function, helps reduce inflammation, improve immunity, detain the effects of aging, improve the growth and appearance of nails and hair, and support skin firmness. MSRP: $99 (subscription price $89)

Support cellular renewal through spermidine supplementation with a simple two-capsules per day dose.

  • Suitable for vegans and vegetarians
  • Free of artificial colors or flavors
  • Free of lactose, nuts, and caffeine
  • 100% GMO-free product
  • Available in a convenient monthly package

Shop here.

spermidineLIFE Product Image for use by 360 magazine
Tree illustration done by Mina Tocalini of 360 MAGAZINE.

YouTube Originals – Laudato Si

YouTube Originals has ordered “Laudato Si’,” a feature-length documentary from the BAFTA and OSCAR®-winning production company Off The Fence, (My Octopus Teacher) produced in partnership with the Laudato Si’ Movement and in collaboration with the Vatican. Set to debut on YouTube in early 2022, “Laudato Si’ is based on Pope Francis’s second encyclical and provides an urgent call to action on protecting our planet and each other. 

“Sustainability and climate action are key areas of focus for our YouTube Originals programming,” said Nadine Zylstra Head of Family, Learning and Impact for YouTube Originals, “Off the Fence’s expertise in this space makes them the perfect fit to bring Pope Francis’ critical message to our global audience.” 

“We are thrilled to be partnering with YouTube on this incredible project. Their reach will ensure everybody has access to the film and their creativity in content and form means a whole generation will be engaged with Laudato Si’’s important message,” said Leila Monks, Off the Fence’s Head of Commissioning.

 The documentary offers a breathtaking wake-up call and a humbling reminder of our responsibility as a society to come together in solidarity for the preservation of our planet. Following the personal stories of several characters deeply connected to the climate crisis, “Laudato Si’” calls on communities and individuals to lead change on the local, national, and international levels. 

Currently in production, “Laudato Si’” is written and directed by Nicolas Brown, produced by Sam Barton-Humphreys and Off The Fence Co-CEO Ellen Windemuth, and executive produced by Off The Fence Co-CEO Bo Stehmeier and Tomás Insua. Susanne Daniels is Global Head of Original Content for YouTube. Nadine Zylstra, Head of Family, Learning and Impact for YouTube Originals and Lauren Vrazilek and Amina Wilson on the Learning and Impact development team oversee “Laudato Si’” for YouTube Originals.  

“Laudato Si’’” producer and Co-CEO of Off The Fence Ellen Windemuth also added, “This film is the place where people of many faiths convene with scientists to embrace Pope Francis’s vision for the future of our planet. Our film will adapt this important message into a beautiful character-driven story, shot all over the world.” 

“Laudato Si’” is the latest addition to the YouTube Originals slate of sustainability programming which includes previously announced series: “Seat at the Table,” which sends creator Jack Harries on a global challenge to give people around the world a seat at the table in the climate conversation ahead of the UN’s Climate Change Conference (COP 26), “Brave Mission: Rewild the Planet” (previously titled “Stay Wild”) where Brave Wilderness will transport viewers directly to the front lines of nature where the effects of climate change can be witnessed first-hand by their impact on wildlife and humanity, and “Shut It Off ASAP,” where YouTube creators AsapSCIENCE leave their comfort zone in the city and head to a remote farm in the country to try their hand at going green, regenerative farming, and building a sustainable lifestyle.

Squirrel Me Bad via Daniel Robert Cohn for use by 360 Magazine

The World’s Gone Nuts

The World’s Gone Nutz” is an award-winning, zany, yet socially topical music video and song, created by multi-hyphenate artist Daniel Robert Cohn. This fun parody, starring a cast of only squirrels and inspired by the chaos of 2020, will screen at the Dances with Films Festival (DWF 24), 2:00PM Friday, September 10 in Los Angeles at the TCL Chinese Theater.

Cohn wrote, performed, shot, and animated the video throughout quarantine, motivated by the thrilling challenge of creating a hybrid live-action/animation project where every element on screen had to be created from scratch. “It brought back all the creativity and imagination that I had as a child,” says Cohn. “I was building human sized squirrel hands with materials from craft shops, and compositing them onto the squirrels. Every day was a new challenge and a new adventure.”

When the pandemic hit and productions shut down, filmmaker, musician, animator, and photographer Cohn looked to his immediate home environment for inspiration. With no work, no actors, no crews, no locations and a world that seemed to have gone nuts, he found the ultimate authority on nuts…squirrels! Cohn wrote a rock anthem and directed an epic music video with the energetic, comical cast of characters found in his own backyard. Cohn wanted to bring light into the world at a time when it was most needed, tackling real turmoil in a lighthearted way. The visuals and lyrics for the song feature references from politics and pop culture, like the U.S. presidential election and the rise of new media conglomerates like Twitter and Amazon, highlighting the surreal hilarity of the collective experience of the year 2020. The lyrics feature lines such as, “I think the brink of sanity’s been left behind/Bitcoin, Big Con, Stock Exchange/Fake News, Fox News, Climate Change/Do the laws of science need to be explained?/I think it may be time for Dr. Strange” and “Time’s Up, Time to rise/No more lies, Hear the cries.”

Green screens and digital compositing software create a world that uncannily reflects our current nutty times, and most importantly, gives a much-needed laugh. “One of my favorite things about filmmaking is the magic of it all and how you can find a way to literally tell any story that you can imagine,” says Cohn. “My mission as a filmmaker is to take intangible concepts and make them tangible.” The flagship video “The World’s Gone Nutz,” is one of many made with this cast, including “The Squirrelette,” Halloween, Passover, Hanukkah, Thanksgiving, and Christmas—with more content on the way, including behind-the-scenes photos and trading cards. A portion of all profits from Squirrel Me Bad merchandise is donated to the important non-profit organization, Empowered by Light, that invests in communities on the front lines of climate change, loss of wildlife, and environmental devastation.

A highlight of Dances With Films, Cohn’s entertaining video will bring joy to big screen viewers. As a festival favorite, “The World’s Gone Nutz” has screened at the World London Film Festival, Prague Indie International Film Festival, the Emberlight Festival in Michigan and the Holiday 365 Film Festival. It just won “Best Micro Short” at the Antolia International Film Festival in Turkey, and is on its way to the Indigo Moon Film Festival in North Carolina, and the International Thai Film Festival. Can’t make it to Thailand? Or Hollywood? Screen from the comfort of your own home, available on YouTube.

Dita Von Teese image shot by Albert Sanchez from Chloe Walsh at The Oriel for use by 360 Magazine

Night of the Teese

Streaming Friday, October 1st – Sunday, October 3rd Directed by Quinn Wilson, Produced by Driift, and Featuring Stunning Performances By Burlesque Artists Dita Von Teese, Dirty Martini, Perle Noire, Jett Adore, Marawa, Frankie Fictitious, and Vontourage

Feature Length Revue Show Filmed at The Orpheum Theater In Los Angeles, Will Be Streamable For One Weekend Only, Special Master Classes and Meet & Greet VIP Packages Available

Night Of The Teese, A Cinematic Special is a completely unique, multi-artist revue show created by the world’s most renowned burlesque star, Dita Von Teese. Taking audiences on a journey into fantasy and spectacle, Dita is famed for her ornate sets and dazzling haute-couture performance costumes. For this, her very first filmed special, she handpicked some of the most impressive talents from the thriving US burlesque community and flew them to Los Angeles to perform with her at the historic Orpheum Theater in downtown Los Angeles. Working closely with the acclaimed young director, Quinn Wilson, Dita has created a visually stunning, endlessly titillating, and entirely enchanting film available to stream repeatedly over the weekend. Even if you’ve seen the show before, you’ve never seen it quite like this!

Fans can choose to stream the premieres of Night Of The Teese, A Cinematic Special at any of the following times on Friday, October 1st, with tickets to all streams available for purchase by fans anywhere in the world:

Australia, New Zealand & Asia: 8pm AEST, 11pm NZDT, 7pm JST

UK, Ireland & Europe: 8 pm BST, 9 pm CEST

East Coast USA & Canada: 8 pm EDT

West Coast USA, Canada: 8 pm PDT

Tickets will be available from 8:45 am ET /13:45 pm BST 

After the last stream finishes, the whole show will then be available to watch on-demand for 48 hours over the weekend of October 2nd & 3rd with tickets to all streams granting unlimited, on-demand access during that time. A number of special Night Of The Teese VIP Packages will also be available to ticket purchasers, including a strictly limited virtual Meet & Greet with Dita, personalized handwritten love letters from Dita, and personalized “Ask Dita” videos, as well as Tassel Twirling, Striptease, and Hair & Makeup video masterclasses & an exclusive event poster. The show includes performances from Dita Von Teese, Dirty Martini, Perle Noire, Jett Adore, Marawa, and Frankie Fictitious, as well as Dita’s backup dancers, Vontourage. Many including Dita, have never before released a video of their routines.

Overjoyed to be able to perform again, after months of lockdown, Dita says, “There’s nothing quite like the experience of a live performance, so I’m often apprehensive about filming the show but with director Quinn Wilson’s enthusiasm for burlesque she truly captures the thrill of a live event, shining her distinctive, dazzling spotlight on each of the performers. It’s been 18 months since we last performed, and I’m thrilled to share this historic, immersive moment and have everyone around the world experience the beauty, talent, and diversity of the burlesque community.

Director, Quinn Wilson adds, “Dita is a legend and as the best legends do, she created a stage for not only herself but the immense and powerful talent within the burlesque community. As a director, you can only hope to work with a visionary like Dita Von Teese and the performers she introduced me to. This has been one of my favorite experiences as a director.”

Performing striptease since 1992, Dita is the biggest name in burlesque since Gypsy Rose Lee and is credited with bringing the art form back into the spotlight with a new sense of elegance and sophistication. Dita’s four full-length revues Strip, Strip, Hooray!, The Art of the Teese, Dita Von Teese, and the Copper Coupe, and Galmonatrix are the biggest burlesque shows in history, showcasing a diverse cast of neo-burlesque performers of all genders, hailing from all over the world. Along with these increasingly popular touring shows, each New Year’s Eve Dita produces an opulent gala show at The Orpheum Theatre in Los Angeles, selling out the palatial Golden Age vaudeville theatre to an audience that loves to dress to the nines in vintage style, creating an unforgettable atmosphere of glamour. It made perfect sense for Dita to choose the Orpheum as the home for her cinematic special. 360 Magazine is excited to see this cinematic entertainment this October whether that be in theaters or at the comfort of our homes. 

The global stream is produced by Driift, the pioneering UK-based business behind acclaimed online ticketed events for Nick Cave, Niall Horan, Laura Marling, Sheryl Crow, Dermot Kennedy, Andrea Boccelli, Kylie Minogue, and James Bay.