Posts tagged with "London"

Thandiwe Newton illustration by Heather Skovlund for 360 Magazine

Thandie × Thandiwe

Thandiwe (Thandie) Newton is Reclaiming Her Name

After being miscredited as “Thandie” in her first project—a mistake that has continued for the rest of her career—actress Thandiwe Newton is insisting people use her whole name. All of her future films will be credited with her full name, Thandiwe, which means beloved in Shona.

“That’s my name. It’s always been my name. I’m taking back what’s mine,” Newton said in her May cover story for British Vogue.

Newton also spoke about her experiences with abuse in the film industry, which started when she was sexually abused by director John Duigan at the age of 16 while shooting her very first film, Flirting.

“There’s a moment where the ghost of me changed, you know, and it was then, it was 16. He derailed me from myself utterly. I was traumatized. It was a kind of PTSD for sure. I was so distraught and appalled that a director had abused a young actress, and that it was happening elsewhere, minors getting abused and how fucked up it was. I was basically waiting for someone to come along and say, ‘Well, what shall we do about this?’’’

Although Newton faced a great deal of backlash when she first came forward with her story of abuse, soon the #MeToo movement led to countless more women within Hollywood sharing their own stories of abuse and assault.

To continue reading this Jezebel article, click here

Amber Van Day and Ilira "See You in Tears" single artwork shot by Roisino & Manuela Hall for use by 360 Magazine

AMBER VAN DAY × ILIRA – SEE YOU IN TEARS

RETURNS WITH FIREY NEW TRACK “SEE YOU IN TEARS” FEAT. ILIRA

LISTEN TO THE SONG HERE

Following her global Shazam success, Amber Van Day teams up with Ilira for the girl boss anthem “See You In Tears” After her debut single “Kids In The Corner” was featured in the epic opening scene of the No. 1 Netflix series “Fate: The Winx Saga” a few weeks ago, Amber Van Day has conquered the Global Shazam Charts. With the next highlight already on the way, Amber Van Day has teamed up with singer and songwriter Ilira to write and record the catchy pop anthem “See You In Tears” in the midst of the lockdown. But beware: these two ladies did not come to play. Listen HERE.

Amber Van Day and Ilira, a native of Switzerland with Kosovo-Albanian roots, have a clear statement to girls who make a pass at their boyfriends. Looking at him is kind of where they draw the line: “Like a puppy/in the window/he’s irresistible/so you want him/like I want him/but you’re delusional” The collab came to life after Amber Van Day and Ilira realized that they are big fans and have been following each other on Instagram for some time now.

Amber Van said, “I absolutely loved working with Ilira. We wrote a couple of songs together over lockdown and “See You In Tears” just felt like the song with the most sass! Ilira is such a great writer and I’m obsessed with her voice too. You could say we’re both a bit “out there” and not afraid of pushing boundaries. She’s a SERIOUS boss and empowers me as a female in the industry!”

Ilira continued, “I have been following Amber’s career for a long time. You could say I was a little fan girl of Amber’s. When we had the zoom session, I was in Switzerland at my parent’s house, the other co-writer was in Berlin, and Amber was in London, so it was a very international constellation. I find Amber to be just like me when it comes to perfectionism and passion. I really feel connected to her, especially character-wise. We are both ambitious women in an industry full of men, we just get each other.”

About Amber Van Day

After her debut single “Kids In The Corner” was picked up by the No.1 Netflix show “Fate: The Winx Saga” and featured in the epic opening scene, it immediately triggered hype on Shazam! The song has been searched over 250,000 times worldwide and shot to #17 on the Global Shazam Charts within a few days. In the US and Australia, the single reached #2 on the Shazam Discovery charts and landed some of the most important and influential radio playlists in Germany and other countries.

Cian Ducrot of Darkroom/Interscope Records image shot by Jennifer McCord for use by 360 Magazine

CIAN DUCROT – CROCODILES

RISING IRISH ARTIST: CIAN DUCROT 

NEW SONG “CROCODILES” IS A FAMILIAR TALE OF REEVALUATING FRIENDSHIPS THAT NO LONGER SERVE US. 

LISTEN HERE | WATCH VIDEO HERE

Irish songwriter, producer, and artist Cian Ducrot releases a brand new song titled “Crocodiles.” The song, a follow up to his recent single “Not Usually Like This” is another prime example of the young, multidisciplinary, stellar songwriting talent. “Crocodiles,” produced by Cian and co-written with collaborator Bill Maybury, proves to be an instant fan favorite with its anthemic chorus and Cian’s cunning melody play that will keep the listener engaged all the way to the end. Speaking on the song’s meaning, Cian had this to share:  

“‘Crocodiles’ is a song I wrote after I experienced being let down by my closest friends when I needed them the most. Coming to terms with the idea that those you’d do anything for [those who] wouldn’t do the same for you hit me extremely hard.” – Cian Ducrot.

“Crocodiles” marks the second release off of Cian’s upcoming EP–his first with U.S. label Darkroom/Interscope Records. His previous single “Not Usually Like This” has already amassed over three million plays across DSPs, not including the very special performance that Cian treated fans with on Mahogany Sessions, which has over 320,000 views. Watch the incredible live session here.

About Cian Ducrot

Raised in Cork and based in London, but just as likely to be found recording in LA, Cian Ducrot takes a nomadic approach to pop music. Home for this 23-year-old singer, songwriter, producer and classically-trained multi-instrumentalist is wherever he happens to find his laptop and guitar–no matter where he is. Growing up in a broken home, Cian sought relief in music, listening to his Mum playing everything from Bach to Chopin­–often finding that music was a way to escape the trials of abuse, a turbulent family dynamic and more. It’s no surprise that he went on to focus on music in schoo, joining musicals and drama clubs, mastering different instruments and performing from a young age. Cian will eventually win a full scholarship to study classical flute at the Royal Academy of Music­–one of the most prestigious performing arts schools in the world. Around the same time, Cian knew that in order to create original music, he would have to teach himself how to produce. And so he did.

A couple of years into his schooling, Cian took a short trip to Los Angeles, CA–a trip that inspired him to pursue his dream of becoming a pop artist instead of a classical flautist. He decided to take a risk leaving his schooling (and the full ride scholarship that came with it) and moved back to Ireland to plan for his new dream. Cian was steadfast in his new writing journey, with money being tight he would often couch surf between London and L.A. The product of these experiences was his debut release, started in college (2020)–a mixtape that chronicles his unconventional road into the music industry. The risk ended up paying off when he was discovered by Darkroom/Interscope Records last Summer; promptly signed him to the label. Capitalizing on his natural talent and years of dedication, the Irish songwriter/producer and artist is at work on a new project and aims to showcase his diverse talents while exploring issues of love, loss, masculinity and frustration. Cian wishes to create music that listeners can relate to and find solace in­–not unlike how a young Cian once did.

Art Exhibition illustration by Heather Skovlund for 360 Magazine

Loribelle Spirovski Exhibition

In what is set to be the highlight of their Summer 2021 calendar, HOFA Gallery, London, will host ‘Coronation‘, a solo exhibition by prolific contemporary figurative painter Loribelle Spirovski, between the 2– 16 June this year. The upcoming exhibition, comprised entirely of new artworks created during the 2020 lockdown, delves into the effects of recent international epoch-making events on private life as distilled through the lens of the artist’s mind.         

‘Coronation’ builds on many of the themes and motifs audiences have seen in her past critically acclaimed collections like ‘Hommes’ and ‘Memento Mori’. It is also a potent play on words whose double meaning points to the Covid-19 pandemic as well as the political power shifts and significant moments occurring simultaneously which continue to exert mammoth influences on the external and internal lives of people everywhere. 

In her new collection, Loribelle explores familiar and poignant themes with an urgency that speaks to the moment, employing her signature line technique to delineate eyes, faces and human forms entangled and abstracted into the minimalist geometric background which represents the room of the mind. She notes that “With the pandemic reducing the worlds of many to the confines of their phone screen, [the] ‘room’ motif seems more pertinent than ever…as a metaphor for the mind and the characters and scenes inhabiting it, signifying the external world filtered into the subconscious.”

The tenuousness of a reality mediated by technology and social media distortions is yet another strong theme of ‘Coronation’. However, the overarching theme is undoubtedly the inescapable reckoning all must face with history. As power shifts in the US reverberate around the world, ‘Coronation’ compels viewers to interrogate the things that hold sovereign power in their lives, prefaced on the recognition that there is need for a re-orientation, repudiation, or re-affirmation of individual commitments.

By her own account, Loribelle was no stranger to the emotional turmoil many experienced during lockdown. The pressures of living with restricted access to family, friends, and the outdoors while news of Covid-19 casualties trickled in forced the artist to take a stand against looming mortality by rediscovering and reaffirming the purpose of her art as a medium for self-expression and for exhuming the hidden contentions of the mind. ‘Coronation’ is an outcome of this defiance and the show will run at HOFA’s flagship gallery in Mayfair for 2 weeks from 2 to 16 as both an in-gallery show and a virtual exhibition, for all to enjoy.

Coronation‘ opens at HOFA Gallery, London on 2 June and runs for two weeks until 16 June 2021. 

A parallel virtual show will also be accessible to all online via a secure weblink.

In compliance with Covid-19 safety protocols, all visits to the gallery will be strictly on RSVP basis.

HOFA Gallery Website

Instagram

Photo courtesy of artist
Photo courtesy of artist
Book illustration by Heather Skovlund for 360 Magazine

Idris Elba × HarperCollins

Iconic and multi-award-winning actor, musician, filmmaker, and activist Idris Elba has signed a global multi-book deal with HarperCollins to publish a range of children’s books launching in 2022.

In a major UK/US co-publication deal, world rights were acquired by Ann-Janine Murtagh, Executive Publisher, HCCB UK, and Suzanne Murphy, President, and Publisher, HCCB US, from Crystal Mahey-Morgan at OWN IT! Entertainment Ltd.

Publishing will include picture books and fiction featuring a character and world imagined and developed by Idris and his writing partner Robyn Charteris, who has written numerous live-action drama, pre-school and animation programs for BBC, Channel 4, the Jim Henson Company, and Endemol as well as educational theatre for schools. Idris Elba said, “I feel privileged to have the opportunity to bring stories inspired by my daughter to life with my incredible partner Robyn Charteris, and the powerhouse team at HarperCollins.”

Executive Publisher HCCB UK, Ann-Janine Murtagh said, “Idris Elba is one of the most iconic and multi-talented creatives of his generation and I am delighted that he is joining the HarperCollins Children’s Books list. From the outset, Idris had a very clear vision of the characters and stories he has imagined and is passionate about creating books that will appeal to all children. Robyn Charteris has a fantastic track record in writing for children, working with some of the biggest producers of children’s entertainment, and I am hugely excited to also welcome her to the world of children’s books. I feel privileged that Idris has entrusted us to bring his stories to life and I cannot wait to share them with children across the globe.”

President and Publisher HCCB US, Suzanne Murphy said, “Idris Elba is a creative force, who has many wonderful stories to tell. We are honored to be working with him and with Robyn Charteris to bring Idris’s rich and imaginative storytelling to the world of children’s books, and we are thrilled to welcome them to the HarperCollins family.”

IDRIS ELBA

Golden Globe and SAG winning Idris Elba captivates audiences as an actor, producer, and director, and continually secures his position as the one to watch in Hollywood. He is the first actor to receive dual SAG awards in one evening.

Idris’s career skyrocketed on the small screen in some of the UK’s top-rated shows. Soon after, he landed the role of Stringer Bell in HBO’s critically acclaimed series The Wire (NAACP Image Award nomination). In 2010, Idris landed the title role on the BBC mini-series Luther, which earned him a Golden Globe, SAG Award, and four Emmy nominations. In 2005, he began his film career; his credits include American Gangster (Golden Globe nomination), Mandela: The Long Walk to Freedom (Golden Globe nomination), Beasts of No Nation (SAG Award, Golden Globe nomination), and the Oscar-nominated film Molly’s Game.  He can be seen this April in the Netflix film Concrete Cowboy, which he also produced, and this summer will be starring in The Suicide Squad 2.  Other upcoming films include The Harder They Fall and Three Thousand Years of Longing.

Behind the camera, Idris made his feature-film directorial debut at the 2018 Sundance Film Festival with Yardie. In 2013, he founded his production company, Green Door Pictures, to champion diversity of thought. With Green Door, Idris released the documentary Mandela, My Dad and Me, produced the TV mini-series Guerrilla for Showtime, and created, produced, and appears in the Sky comedy series In the Long Run. He also created, produced, and starred in the Netflix comedy series Turn Up Charlie.

ROBYN CHARTERIS

Robyn began her career writing educational theatre for schools and charitable organizations internationally before graduating to television. For television she has written on numerous live-action drama, pre-school, and animation programs for the BBC, Channel 4, the Jim Henson Company, Channel 5, Initial Kids (Endemol), Carlton TV, Gullane, Hit Entertainment, Granada, SABC, Urban Brew, Disney, and M-Net.

Her credits include a BAFTA-winning children’s drama series for CBBC, creating and writing one of the first original 52-episode pre-school series for the launch of the digital channel CBeebies, creative consultancy for Mattel Toys and Lego, and a master’s degree in Playwriting.

ABOUT HARPERCOLLINS
HarperCollins UK is a division of HarperCollinsPublishers, the second-largest consumer book publisher in the world, with operations in 17 countries, and was named Publisher of the Year at the British Book Awards 2018. With over two hundred years of history and more than 120 unique imprints around the world, HarperCollins publishes approximately 10,000 new books every year, in 16 languages, and has a print and digital catalog of more than 200,000 titles. Writing across dozens of genres, HarperCollins authors include winners of the Nobel Prize, the Pulitzer Prize, the National Book Award, the Newbery and Caldecott Medals, and the Man Booker Prize. HarperCollins UK has offices in London, Glasgow, Honley, and Manchester and can be found online.

HARPERCOLLINS CHILDREN’S BOOKS, UK 

HarperCollins Children’s Books, unprecedented three times winner of Children’s Publisher of the Year (2014, 2015, 2016), is one of the leading publishers of children’s books, recognized for nurturing new talent as well as boasting a reputable list of established bestselling authors. Respected worldwide for its tradition of publishing quality, award-winning books for young readers, HarperCollins is home to many children’s classics, including The Chronicles of Narnia, Mary Poppins, the Paddington stories, The Cat in the Hat, and The Tiger Who Came to Tea, and to some of the biggest names in children’s literature past and present, including Judith Kerr, David Walliams, Lauren Child, David Baddiel, Oliver Jeffers, and Michael Morpurgo.

HARPERCOLLINS CHILDREN’S BOOKS, US: 

HarperCollins Children’s Books is one of the leading publishers of children’s and teen books. Respected worldwide for its tradition of publishing quality, award-winning books for young readers, HarperCollins is home to many timeless treasures and bestsellers such as Charlotte’s Web, Goodnight Moon, Where the Sidewalk Ends, Where the Wild Things Are and The Hate U Give; series including the Chronicles of Narnia, Ramona, Warriors, A Series of Unfortunate Events, Pete the Cat, Fancy Nancy, Divergent and Red Queen; and graphic and illustrated novels such as Nimona, Invisible Emmie and New Kid. Consistently at the forefront of digital innovation, HarperCollins Children’s Books delights readers through engaging storytelling across a variety of formats and platforms, including the largest young adult (YA) book community, Epic Reads. HarperCollins Children’s Books is a division of HarperCollinsPublishers, which is the second-largest consumer book publisher in the world, has operations in 17 countries, and is a subsidiary of News Corp.

You can visit HarperCollins Children’s Books at HarperCollins Children, Epic Reads, and at HarperCollinsPublishers.

Meghan Markle and Oprah Winfrey article Photo by Harpo Productions/Joe Pugliese via Getty Images for 360 Magazine

Harry and Meghan’s Oprah Interview Was One for the Royal History Books

Kelly Faircloth

In 1995, the BBC documentary program Panorama aired a sensational interview with Diana, Princess of Wales, in which she uttered the immortal line, “Well, there were three of us in this marriage, so it was a bit crowded.” The fallout for the monarchy and Diana herself was immense. That interview now looks like a friendly round of Carpool Karaoke with James Corden in comparison to the primetime special event that was Oprah Winfrey’s interview with Harry and Meghan, the Duke and Duchess of Sussex.

In the course of the two-hour program, Meghan and Harry lodged bombshell after bombshell, guided all the while by an absolutely legendary interviewer at the very top of her game. The interview was just getting started when Meghan replied to longstanding rumors that she and Kate had had a blowup over the bridesmaids’ dresses in the runup to Meghan’s wedding—by confirming that it had indeed happened and saying that, contrary to the stories circulating, Kate had actually made Meghan cry. She insisted that she didn’t want to share the details because Kate had apologized and she’d forgiven her, but said it was an important turning point in their relationship with the institution, which didn’t refute the story.

This was a theme Meghan returned to over and over again: the lack of support from the institution. “Not only was I not being protected,” she said, “but that they were willing to lie to protect other members of the family, but they weren’t willing to tell the truth to protect me and my husband.” And she was still just getting warmed up.

One of the most shocking moments came when Meghan talked about the depths of the depression she was suffering while pregnant with Archie, under intense media scrutiny and facing a barrage of criticism. She said she was struggling to the point of having suicidal thoughts: “I just didn’t want to be alive anymore. And that was a very clear and real and frightening constant thought.” Even worse, she added that she approached a senior member of the family about getting care for her depression, and was told it “wouldn’t be good for the institution.” She didn’t have her car keys or her passport, at that point, and—as she pointed out—couldn’t exactly call an Uber. It’s worth noting, here, that “mental health” is supposed to be a big philanthropic cause for the Duke and Duchess of Cambridge, who recently did a virtual appearance to promote a mental health hotline.

She said she then went to HR—“in my old job there was a union,” she noted—but they couldn’t help her because she wasn’t on staff, she said. (Sounds like the only thing everybody can agree on inside the Palace is that their HR department isn’t much use at all!)

Some of the most radioactive allegations were—unsurprisingly—about race. Meghan said that a family member at one point raised the issue to Harry of just how dark their child’s skin would be; when Harry joined the interview, he refused to divulge just who, exactly, had said it. Meghan also suggested that their children’s race was a factor in their not receiving titles (which aren’t automatic for the monarch’s great-grandchildren and have to be granted); her main concern, she said, was that Archie—the first royal with a biracial mother, at the center of a publicity storm—therefore wouldn’t automatically have security protection. Not a great series of revelations for a royal family that would like to continue their connection with the very diverse Commonwealth.

Elsewhere in the interview, Harry said that his father at one point stopped taking his calls during the negotiations over their potentially leaving the ranks of working royals. He was surprisingly frank about his family, in fact: “I’m acutely aware of where my family stand and how scared they are of the tabloids turning on them,” Harry said, adding that he had been “trapped within the institution like the rest of my family are,” specifically his father and his brother, and that he has compassion for them. He said that currently he and William are giving each other “space,” and that there’s a lot of healing to be done in his relationship with Charles. He also revealed that his family cut him off financially, including his security. Apparently, Tyler Perry stepped in and offered them not just a place to stay in the U.S. while they figured out their housing situation, but also covered their security.

The couple also revealed that they were actually married three days before their highly public wedding in a private ceremony with the Archbishop of Canterbury; that they’re having a daughter; and that they’ve started keeping chickens.

The interview generally did a good job of shredding the princess mythos; Meghan painted a picture of being cooped up inside her home, unable to leave because she was already “overexposed,” basically living on lockdown before anybody had ever heard of covid. At one point, she compared it to The Little Mermaid, in which Ariel literally gives up her voice upon falling in love with the prince. But she closed out the interview by saying their story was “greater than any fairy tale.”

Aston Martin image from sassy films for 360 MAGAZINE article

ASTON MARTIN COGNIZANT FORMULA ONE™ TEAM LAUNCHES THE AMR21

Team launches first Aston Martin Grand Prix car in 61 years, in high-tech virtual live event watched by fans all over the world

The Aston Martin Cognizant Formula One™ Team has today revealed to the world its 2021 Formula One World Championship competitor, the new AMR21, in a virtual live event.

One of the most anticipated Formula One car launches in recent years took place in The Vault, an immersive virtual experience that played host to the historic moment when Aston Martin unveiled its first Grand Prix car since the DBR5 which was raced by Roy Salvadori and Maurice Trintignant in the 1960 British Grand Prix. 

The AMR21 was revealed in a striking green livery in recognition of the brand’s traditional racing colours, carrying prominent branding from title partner, Cognizant, the IT giant helping lead the team’s digital transformation journey towards future success.

The recent influx of new partners ensured that the AMR21 was presented with logos from a host of global brands alongside Cognizant, including Peroni, Crypto.com, SentinelOne, EPOS, NetApp, Girard-Perregaux and Replay. The long-standing support of BWT continues with the addition of a delicate magenta stripe down each side of the chassis. Ravenol, JCB, Bombardier and Pirelli all continue their partnerships into the new era. 

Aston Martin Lagonda’s Executive Chairman, Lawrence Stroll, opened today’s event and welcomed fans, media, colleagues and partners who were enjoying the show virtually from all around the world. He was joined by Tobias Moers, CEO of Aston Martin Lagonda; Otmar Szafnauer, CEO and Team Principal of Aston Martin Cognizant Formula One™ Team; and, by video link, Brian Humphries, CEO of Cognizant, who all spoke of the great significance of seeing the Aston Martin name back on the Formula One grid.

The new driver pairing of Sebastian Vettel and Lance Stroll were also prominent in the presentation, as well as Aston Martin Cognizant Formula One™ Team Technical Director, Andrew Green. 

Lawrence Stroll, Executive Chairman, Aston Martin, commented: 

“I have dreamed about this day for a very long time. I have always been a car guy, since I was a child. I have always loved racing, too. My first dream was to own a Formula One team. My second dream was to acquire a significant shareholding in Aston Martin Lagonda. Today is about the merging of those two dreams. So, as I say, today is all about dreams, and it shows that dreams really can come true, in the shape of our new AMR21.” 

Sebastian Vettel, Driver, Aston Martin Cognizant Formula One™ Team, said: 

“Even though I have raced for four Formula One teams and for many years, starting a new season with a new team still gives me a sense of excitement.

“As a driver, I have always kept my eye on the competition and this team has consistently impressed me with what they have been able to do without the biggest of budgets. So, when Lawrence [Stroll] and Otmar [Szafnauer] approached me last year, and explained what their ambitions were, I was immediately very motivated to join the team.” 

Lance Stroll, Driver, Aston Martin Cognizant Formula One™ Team, added: 

“This is such an exciting time of the year. The car launch is when everything starts to feel real again, especially this year with our new identity as Aston Martin Cognizant Formula One™ Team. The new name is exciting for everyone and there is a massive buzz around the factory.” 

Now that the new Aston Martin Cognizant Formula One™ Team car has been revealed to the world, tomorrow marks the exciting and much anticipated track debut of the AMR21, before it makes its journey to Bahrain for testing next week (March 12th-14th) ahead of the Bahrain Grand Prix on March 28th. 

Muse by Rolls-Royce, Emma Rickett Rolls-Royce Motor Cars,for 360 Magazine

ROLLS-ROYCE DREAM COMMISSION CONCEPT ARTWORKS

“We are delighted to present the four shortlisted artworks of MUSE, The Rolls-Royce Art Programme’s inaugural Dream Commission at the Fondation Beyeler in Basel, Switzerland and the Serpentine, London. To be providing a vital platform for moving-image art at this critical time for the industry is befitting in the 110th year of our very own muse, the Spirit of Ecstasy. The concept artworks are compelling yet diverse; we look forward to the Jury’s decision as to who will be awarded the very first, Rolls-Royce Dream Commission.”
Torsten Müller-Ötvös, Chief Executive, Rolls-Royce Motor Cars

The Dream Commission is Rolls-Royce’s biennial prize, awarded to inspire greatness and foster creativity in the media of moving-image art. Artists Sondra Perry (USA), Beatriz Santiago Muñoz (Puerto Rico), Martine Syms (USA) and Zhou Tao (China) were selected by an international Jury of leading art world individuals, having been nominated by a panel of art industry figureheads, over the course of 2020.

Each artist has created a moving-image concept artwork, exploring the notion of ‘Dreams’, which will premiere on the websites of the Fondation Beyeler and Serpentine from 26th  February, 2021.

  • Lineage for a Phantom Zone by Sondra Perry, a meditation on lineage, longing, and memory using personal and online archival footage.
  • The Source by Beatriz Santiago Muñoz, which takes place against the backdrop of Puerto Rico, bringing the rich history and culture of the country to light.
  • SLIP by Martine Syms, which introduces viewers into the artist’s personal mythology; equal parts biological, psychological and sociological.
  • Three Hundred Miles Southwest by Zhou Tao, in which the artist moves the gaze of his lens from densely populated areas to a remote and almost mythological setting.

The works act as a proof of concept for consideration by the Jury, leading to one artist being awarded the Rolls-Royce Dream Commission in March 2021. The final artwork will be presented at the Fondation Beyeler in Autumn 2021.

“The last months have shown us how crucial the contribution of artists and the arts is to both society and our wellbeing. Supporting artists is more important than ever. It’s particularly difficult for artists in the field of media art to find the funds and resources to realize their work. The Dream Commission makes a very valuable contribution in this field. The concepts of the four shortlisted artists are a great first achievement and we are happy to present them online on our website.”
Sam Keller, Director, Fondation Beyeler

“Now more than ever, we should be listening to artists – it is often they who have the most important and prescient ideas about how one can act in times of crisis. All of our shortlisted artists address urgent issues of our time with remarkable vision and commitment. Their work is generous, engaged and empathetic. These artists all show us that, in the words of poet Etel Adnan, “the world needs togetherness not separation, love not suspicion. A common future, not isolation”. It has been a great pleasure to work with Rolls-Royce, Fondation Beyeler and my wonderful jury colleagues to support and highlight these important artists.”
Hans Ulrich Obrist, Artistic Director, Serpentine

Click here to view the concept works: Fondation BeyelerSerpentine. Please be aware that some of the content includes strong language.

To stay up-to-date with exclusive content relating to Muse and the Dream Commission follow the Rolls Royce Muse Instagram. Discover Dream Commission content here.

Paolo Canevari, ThANKS (2009) e J.M.B. (2007), installation view at Cardi Gallery London for use by 360 Magazine

PAOLO CANEVARI SELF-PORTRAIT

PAOLO CANEVARI
SELF-PORTRAIT / AUTORITRATTO

22nd February – 17th April, 2021

While the London venue is currently under lockdown in keeping with current government regulations, we recommend you the video tours of Paolo Canevari’s exhibition.

Cardi Gallery London

22 Grafton Street | London W1S 4EX

Italian contemporary artist Paolo Canevari is best known for transforming everyday materials and icons into large-scale sculptures that confront his audience with stark, political and philosophical commentary. Throughout his career, Canevari has worked in a variety of media, most notably tyres and inner tubes, painting, drawing, performance, animation and film.

The provocative nature of his works, his connections to contemporary scene, and his active role within the art scene in New York–where he lived and worked for many years–has kept Canevari in the spotlight of both American and Italian media.

Cardi Gallery is proud to present the first major solo show of Canevari’s work in the UK, an extensive survey exploring thirty years of the artist’s practice, the culmination of a decades-long collaboration with the gallery. A museum-scale exhibition occupying four floors at Cardi London in Mayfair, ‘Self-portrait / Autoritratto’ brings together over 30 works including sculptures, drawings and installation that range from the artist’s notorious 1990s rubber sculptures through to his most recent ongoing series ‘Monuments of the Memory: Landscape’ and ‘Constellations’. Many of the exhibits are shown here for the first time.

‘Self-portrait / Autoritratto’ aims to illustrate Canevari’s worldview through the artist’s deeply introspective creative process. It brings to the fore not only a reflection on the self but also, in the artist’s words “…a political reading of making art, intended to measure what Pasolini had defined “the injustice of the world”.

“Art is a democratic, progressive force, so it should ideally serve society, not the powers that be. In my work, the use of icons, symbols, and forms from various cultures is a way of drawing attention to their true meaning, tied to dogmas or other forms of power; they’re a way to open up a dialogue with the viewer and stimulate a reaction.
[…] The “political” character of my work is just one of many possible interpretations of what I do.”

“What I wish to express is a radical, subversive attitude towards art and the idea of art as it has been conceived and conveyed by globalised consumeristic society, therefore raising the level of moral and ethical perception of the world.”

The ambiguity of Canevari’s artworks, suspended in their brutalist aesthetic between irony and disquiet, is a successful result of both conceptual and formal transformation of industrial materials. Oil and its applications (synthetic rubber, exhaust motor oil, etc) are at the heart of his vocabulary; in his hands they become ambiguous symbols of the systemic violence that permeates today’s declining world where the threat of war–whether in the name of spiritual or monetary values–is constant, and humankind’s memory is tragically too short.

“To me, an artwork is profoundly important when it does not recoil into a one-way structure­–whether ideological or technical–but when it opens up to different perspectives for the viewer, therefore broadening their thought.”
-Paolo Canevari

“Cardi Gallery believes that art and culture are key for a healthy society and a ray of hope in these tragic times. I am absolutely delighted to bring to London these incredible works by Paolo Canevari, opening an exciting exhibition season for the gallery.”
-Nicolo Cardi

The exhibition is accompanied by a catalogue with an essay by the eminent American curator Robert Storr; an interview with Iranian artist Shirin Neshat and a homage to Canevari by the acclaimed Italian novelist, Andrea Camilleri. A series of artist talks, and exhibition tours will be held in conjunction with the show.

Open: Monday – Friday 10am – 6pm & Saturday 11am – 5pm

SHEPPARD x “KALEIDOSCOPE EYES”

The band celebrates the release of their third studio album streamed worldwide from Brisbane this February!

Just 2 weeks away from the release of their highly anticipated album “Kaleidoscope Eyes”, Australian pop-powerhouse Sheppard have unveiled plans to broadcast their very special one-off live show in their hometown of Brisbane, to celebrate their third full length release!

Under strict Covid restrictions, a live audience of only a 1000 will share in this magical live experience. For fans around the world, from Tokyo to Los Angeles, London to Berlin and all of Australia who are unable to see the show live-and-in-person, Sheppard have unveiled details on where you can tune in and see the one-off performance in its entirety, from the comfort of your couch!

Thanks to the genius minds at Youtube, fans around the world will be able to tune in and see the new album in its entirety live at the following times:

Brisbane – 13.00  Saturday 27th Feb
New Zealand – 16.00 Saturday 27th Feb
Philippines – Saturday 10.00 am Feb 27th
Tokyo – 12.00   Saturday Feb 27th.
Los Angeles – 19.00 Friday 26th Feb
New York- 22.00 Friday 26th Feb
London –03.00 Saturday 27th Feb
Europe Central Time – 04.00 Saturday 27th Feb
South America – 12 midnight Friday 26th Feb

We didn’t want anyone to miss out on the show, so we’re going to be streaming the entire performance online for anyone in another state or country! As it is our only live show, we have built an amazing production”

– George Sheppard

The release of “Kaleidoscope Eyes”–which officially drops on Friday, February 26th, comes off the back of a rollercoaster of a year; one that included a global pandemic, a performance to millions at the AFL Grand Final and an entire year’s worth of singles and music videos landing each month for Sheppard’s fans.

Supported by Mason Watts
THE FORTITUDE MUSIC HALL | FRIDAY 26 FEBRUARY, 2021

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Thought, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives, Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, XO, Young Money, among others. Republic also maintains a long-standing strategic alliance with Universal Music Latin Entertainment (J Balvin and Karol G). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. Its first production was the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.