Posts tagged with "Venice"

Glastress illustration done by Kaelen Felix for 360 MAGAZINE

2021 U.S. Premiere of Glasstress

Some of the world’s leading contemporary artists are invited to breathe new life into centuries-old glassmaking in Venice ― maestros of glassblowing from the legendary Berengo Studio residency help artists manifest their visions.

Among the 34 artists: Ai Weiwei, Fred Wilson, Joyce J. Scott, Jimmie Durham, Ugo Rondinone, Fiona Banner, Vik Muniz, Monica Bonvicini, Jake & Dinos Chapman, Laure Prouvost, Renate Bertlmann, Thomas Schütte, Loris Gréaud, and Erwin Wurm.

  • There is every reason this year to have a world view,” says Irvin Lippman, the Boca Raton Museum of Art’s Executive Director, as South Florida boldly ushers in the new year with the national premiere of Glasstress 2021 Boca Raton.
  • Three years in the making, with 2020 being such a challenging year to coordinate an international exhibition of this size and scope, the effort serves as an important reassurance that art is an essential and enduring part of humanity.”
  • “This is also a tribute to the resilience of Venice’s surviving the floods and continuing to make art through the pandemic,” adds Irvin Lippman.

The new exhibition runs January 27 through September 5, 2021 and the Museum will feature online initiatives for virtual viewing. Watch the video here featuring interviews with some of the artists in the new exhibition. The 34 artists in this new, never before seen edition of Glasstress were all invited by Adriano Berengo to work alongside his master glass artisans at the Berengo Studio on the island of Murano in the Venetian lagoon. Most of these works in glass have never been seen elsewhere, and were handpicked by Kathleen Goncharov, the Museum’s Senior Curator who traveled to Italy in 2019.

With incredible energy, the Studio has brought a new vision on how to stimulate today’s leading artists into thinking how the medium of glass can be made into dramatic and provocative works of contemporary art. Most of these artists have, during their careers, been invited to participate in the Venice Biennale. Some of the works were created during the pandemic lockdowns, with artists collaborating remotely via Zoom with their glass artisan partners after initial on-site work at the studio in Venice.

“Unlike the past and the present, what comes next for our world presents itself as constant possibility, always transforming as we move forward in time,” says Adriano Berengo. This concept of transformation has always held an affinity with glass, a medium which – as the name Glasstress suggests – exists in a state of constant tension. Life needs tension, it needs energy, and a vibrant exchange of ideas.”

The exhibition presents 34 new works that explore some of today’s pressing subjects, including human rights, climate change, racial justice, gender issues and politics. The Boca Raton Museum of Art has dedicated more than 6,500 square feet of exhibition space to this collection. A fully illustrated catalogue is also available.

The mission of Glasstress is to restore the visibility and reputation of Murano glass, after decades of closures of ancient, centuries-old glass furnaces. Instead of creating decorative objects with glass, these artists are invited to create original works, often on a massive scale. They collaborate with glass masters whose expertise has been developed over generations in Venice. Most of these artists have never worked with glass, so they unite their artistic ideas with the technical expertise of their skilled collaborators.

The results are breathtaking. The first installation visitors to the Museum will encounter is Sala Longhi by Fred Wilson. He created this series at Berengo Studio after the Biennale exhibited his work about Black residents of Venice from the Renaissance to the present. This installation features an ornate white chandelier with 29 glass panels that mirror 18th-century Venetian artist Pietro Longhi’s paintings. Instead of canvases, Wilson shows the viewer only the whites of the eyes of his Black subjects through cutouts in black reflective glass.

“We have brought Glasstress to countries around the world for ten years, seeking to expand and enliven international awareness of the variety and richness of contemporary artists using glass in their creative practices,” adds Adriano Berengo. “In the past, its place in the art world might have seemed uncertain. But now in this latest edition of Glasstress, the first after a global pandemic, one thing we know for certain: glass endures. Life is fragile, just as glass is fragile, yet in this fragility there is also strength.”

“It is in this spirit of experimentation that Glasstress Boca Raton 2021 explores the limitless potential of glassblowing. “We realize how far we have come as we approach the 60th anniversary of the American studio glass movement that launched in 1962 through the efforts of Harvey Littleton and Dominick Labino,” adds Irvin Lippman. “This presentation of Glasstress is also a tribute to them.”

This show also unveils the Museum’s new acquisition for its collection, created in the Berengo Studio – Glass Big Brother, a sculpture by Song Dong, one of contemporary Chinese art’s leading figures. The large-scale ceiling installation is 11 feet long and reaches all the way to the floor. Thirty surveillance cameras are ensconced from top to bottom, looking out at all directions around the chandelier.

The installation Rosemarie’s Divorce, by Renate Bertlmann, unites aspects from Rosemarie’s Baby (1983), her multi-part installation about the ambivalent relationship between mother and child, and Discordo Ergo Sum, a field of knife-roses she exhibited at the Venice Biennale in 2019. The monstrously enlarged glass pacifier is an image she has used since the mid-1970s referencing sexuality and motherhood. It is flanked by two knife-roses made of deep black glass.

The Italian artist Monica Bonvicini’s deeply psychological work addresses themes of sexuality, power, and relationships in male-oriented domains. Her visits to sadomasochist nightclubs with Gay male friends are the inspiration for Bonded. She won the prestigious Golden Lion award at the 1999 Venice Biennale. DNA HAS NO COLOR is a new statement from Nancy Burson that is a powerful work about the illegitimacy of racism. This is a continuation of the project that Zaha Hadid commissioned Burson to develop for the London Millennium Dome. Burson is known for biology-related work, including her use of cutting edge facial morphing technology for art that shows what individuals would look like as a different race.

The Pandemic Oculus, (2020), by Tim Tate, whose work explores the worlds of loss, memory, recovery, and hope. As an HIV-positive man, he lived through the worst of the AIDS epidemic during the 1980s and 1990s, and now through the current pandemic. In the Museum’s exhibition catalogue, the artist states that Pandemic Oculus also honors the many unsung heroes around the world: nurses, teachers, essential employees, grandparents caring for children so that parents can work, and so many more. Tate is the co-founder of the Washington Glass Studio in Washington, DC. He is also the co-moderator, along with William Warmus, of the 21st Century Glass group on Facebook, which has shared and discussed over 10,000 images of sculptural glass from around the world.

Erwin Wurm’s wry sense of humor permeates his most famous works and has served him well in creating a poignant cultural commentary throughout his career. Wurm produced this triad in cold hard glass at the Berengo Studio. They are smaller versions of the massive bronze sculpture of a hot water bottle with legs, Big Mutter, that he created for the Venice Biennale in 2020. In the exhibition catalogue, the show’s curator Kathleen Goncharov describes these “mothers” as neither warm nor comforting . . . their stubby little legs imply flight when called upon to be caregivers.

At the Berengo Studio, Jimmie Durham created a series of eight giant cougar heads suspended on metal armatures. Caught in suspension as they gaze at one another, their collective roar remains frozen between them. The cougar is one of the most sacred animals in Cherokee mythology, and the influence of Native-American culture vs. Western rationalism is evident in his work. The artist’s long trajectory includes his work during the civil rights movement and as a political organizer for the American Indian Movement. In 2019, Durham was the recipient of the Golden Lion for Lifetime Achievement award at the 58th Venice Biennale.

In the Museum’s exhibition catalogue, curator Kathleen Goncharov describes Prune Nourry as no stranger to illness . . . her work always dealing with science and bioethics from a feminist perspective, a focus that has intensified since her breast cancer diagnosis in 2018. At the Berengo Studio, she created River Woman, a transparent skeletal sculpture based on an anatomical drawing of the human vascular system. While its form may be human, the arteries resemble rivers, streams and trees that suffer in their own way too, from human abuse rather than disease.

Ugo Rondinone represented his home country in the Swiss Pavilion at the 52nd Venice Biennale (2007). In this work, the twelve glass horses cast in beautiful shades of blue all face different directions, creating delicate light games with their reflections and shadows in continuous motion. In the context of this installation, the reappearing motif of a horse (which has a long tradition in the history of art), evokes alienation and a subversive twist emblematic of Rondinone’s works.

Ai Weiwei's

DNA HAS NO COLOR, Nancy Burson (2019) for 360 Magazine

Purchase our Glasstress issue HERE.

The Concord Hotel, 360 MAGAZINE, New Hampshire, four diamond, aaa

Venice’s Hotel Ca’ di Dio May 2021

Venice’s newest 5-star hotel, Ca’ di Dio, will be born in May 2021. The hotel sits within a transformed ecclesiastical compound dating from 1272 that has hosted Crusaders, pilgrims and tourists for more than eight centuries.

“We are honored to have been asked to represent the Ca’ di dio,” says Geoffrey Weill, “particularly at this moment in history when revolutionary vaccines are combatting a pandemic that has crippled the travel business in Venice and throughout the world.”

Located on the Riva Ca’ di Dio, the hotel overlooks Venice’s legendary lagoon, and is located adjacent to the Arsenale and the gardens that house the city’s Biennale, one of the world’s most iconic art festivals and exhibitions. The Ca’ di Dio is an easy stroll along the waterfront from bustling St. Mark’s Square.

The 66-key Ca’ di Dio (pronounced Ka-di-dio) is one of a new class of properties managed by Italy’s VOI Hotels, to be known as V-Retreats. The Ca ‘di Dio, like all V-Retreats, is set to be an oasis of peace, a palace of timeless beauty imbued with the finesse and warmth of Italian hospitality. The hotel’s general manager, Christophe Mercier, has a rich history of managing some of Venice’s finest properties.

The creation of the Hotel Ca’ di Dio was entrusted to the studio of the internationally renowned Spanish architect Patricia Urquiola. “My goal was to create an original and distinctive concept,” says Urquiola, “a Venetian ‘mansion,’ deeply linked to the history of the city with fine woods, rich textiles, colors, finishes and Murano glass; each decorative, architectural and lighting element is the result of the skillful hands of skilled craftsmen who combine the passion for their work with the secrets and techniques of Venetian tradition.”

The Ca’ di Dio’s accommodations comprise 57 suites and nine Deluxe rooms, spread over three floors. Ten suites have a unique view of the lagoon and San Giorgio Maggiore Island; two of the suites have a large roof terrace overlooking the San Marco Basin.

Two internal courtyards are home to the hotel’s Alchemia Bar and the Essentia Restaurant, whose design combines Venetian tradition with Urquiola’s contemporary signature. The hotel’s indoor-outdoor VE-RO Restaurant overlooks the breathtaking Venetian lagoon. Named for its Venetian roots, its cuisine is inspired by traditional dishes of the Veneto, reset in contemporary tones, respecting the seasonality of fish and produce. Many of the ingredients will come from the Ca’ di Dio’s vegetable garden secreted within yet another internal courtyard.

The Ca’ di Dio will offer a state-of-the-art wellness program in its Spa Pura, and will welcome small meetings and events. The colors and comfort of the reading room provide the ideal location for contemplation. The hotel’s elegant boutique will offer a selection of Murano glass produced exclusively for the Ca ‘di Dio. The hotel’s side canal entrance provides direct docking for water taxis and the hotel’s water-transfer cruisers.

The opening of the Ca’ di Dio coincides with a new reclaimed future for the city of Venice. “I was in the city in October when the Acqua Alta threatened the customary flooding of the city,” says Weill, “and for the first time, the lagoon’s new high-tech water barriers were set in motion, saving the city’s treasures from the customary flooding.”

The Venice Biennale 2021 has been postponed to 2022 because of Covid-19. The Venice Architecture Biennale, is now slated for May 22, 2021 to November 22, 2021.
Full details of the new Hotel Ca’ di Dio are at https://www.lifestyle-voihotels.com/en/ca-di-dio/and will be expanded in coming weeks.

Goldkimono – To Tomorrow

VENICE BEACH MEETS AMSTERDAM – NEW ARTIST GOLDKIMONO LAUNCHES DEBUT SINGLE ‘TO TOMORROW’

STREAM ‘TO TOMORROW’ AND WATCH THE OFFICIAL VIDEO NOW
The story of Goldkimono begins in Venice, California in a short-term lease just steps from the beach. With a rental guitar and his laptop in tow, Dutch songwriter and producer, Tienus Konijnenburg developed his eclectic sound inspired by the California coastline. His debut single, “To Tomorrow” encompasses a laid-back story filled with punchy beat textures and wavy acoustics to keep you hopeful for days to come.

Available today on all streaming platforms, the introductory single is accompanied by a vibrant official music video that transports listeners to a carefree sunny day on the West Coast, soaking up the sunshine. “To Tomorrow” is a testament to time and how it just keeps flowing. It’s this ever-evolving thing that changes us, but time makes us who we are and gives us opportunities to grow.

Tienus’ animated lyric composition offers hints of 90s hip-hop blended with an island pop style, with a crunch of a Dutch stroopwafel. Known for writing the iconic Kygo single, “Firestone”, Goldkimono describes his sound a lot like his clothing style, “Take a handful of sunshine and throw it into a boardwalk thrift shop, walk out with some comfy colorful pants and a LEVI’s Sherpa jacket and don’t turn back.”

“To Tomorrow” describes the feeling of carrying on the careless feeling you had when you were young on to the next day and into the future. It’s about being present when you feel the sunlight shine down on your life, and bringing that feeling into tomorrow.

With warmer weather and brighter days on the horizon, there’s no better time to stream Goldkimono’s “To Tomorrow” on your favorite streaming platform.

Camille Hannah, Olsen Gruin, art, design, 360 MAGAZINE, Australia

Camille Hannah

Olsen Gruin is pleased to present The Sixteen Pleasures, a solo exhibition by Australian artist Camille HannahThe Sixteen Pleasures will be on view at Olsen Gruin from October 9 – November 9, 2019. The exhibition design leads viewers with subtle intensity through a dynamic installation of variously scaled paintings and mirrors. During this journey, reflected glimpses of the self coalesce with Hannah’s paintings, creating spillage between the territories that define body and artwork. Enveloped and embraced within these abstract landscapes, viewers experience a bodily extension: a potent sensation which exceeds rational grasp.

By traversing this alluring amalgamation of imagery, the viewer becomes both witness and participant in the creation of these compelling ‘virtual’ paintings. These seductive, enigmatic images of desire echo the artist’s ongoing explorations around the expansive, unbounded nature of female desire and of the carnal disruption inherent to perceptual experience in the digital realm.

The Sixteen Pleasures also evokes the sensory experience of film, video and the mesmerizing back-lit screens that saturate our modern world. It is richly infused with the artist’s extensive enquiries into art history, philosophy, poetry, sexuality and contemporary culture, filtered through the personal narrative of each individual viewer. With this exhibition Hannah aims to create a boundless, all-encompassing landscape in which the viewer is captivated by an exhilarating and thought-provoking, physiological experience.

Camille Hannah attained a Masters of Fine Art by Research in 2013 and a Bachelor of Arts (Honours) degree in 2010, at the Victorian College of the Arts, University of Melbourne, Australia where she was the recipient of an Australian Postgraduate Scholarship Award. In 2018 she won the Wyndham Art Prize, and in 2017 was selected as a finalist for the Arte Laguna Prize, Nappa Arsenale, Venice, Italy and as winner of the Special Exhibition Prize of a solo exhibition at Galerie Isabelle Lesmeister, Regensburg, Germany in 2018. In 2015 she was selected by an international jury to win the T.I.N.A. Art Prize, Maurizio Caldirola Arte Contemporanea, Milan, Italy, and was a finalist & winner of the People’s Choice Award in the Gold Coast Art Prize, Qld, Australia. Hannah was shortlisted in 2014 for Contemporary Visions V, Beers Contemporary Gallery, London, and in 2012 she won the Kozica-O’Callaghan Award for Painting. Other awards include the Premio Ora Art Prize, Italy 2013 International Catalogue and being shortlisted for the Arte Laguna Art Prize, Venice Arsenale, Italy and the Wynne Prize, Art Gallery of NSW, 2012.

SAN CLEMENTE PALACE KEMPINSKI × ART

SAN CLEMENTE PALACE KEMPINSKI UNVEILS ART EXHIBITS AROUND VENICE BIENNALE

Betty Boop by Joana Vasconcelos

San Clemente Palace Kempinski Venice, the luxury resort located on its own private island in the Venetian lagoon, just eight minutes away from St. Mark’s Square, has launched two new exhibits in honor of the 58th Venice Biennale. Sculptures by English artist Tony Cragg and Portuguese artist Joana Vasconcelos are both currently on display around the resort’s historic gardens.

Tony Cragg’s four sculptures are currently on display at San Clemente Palace: his works Caught Dreaming, Runner and We are exhibited in the main garden, while his work Pair is on display in the hotel’s lobby. These artworks will be on display until November 17, 2019. Cragg currently lives in Wuppertal, Germany, and is known for creating sculptures that reference nature.

Meanwhile, San Clemente Palace is also exhibiting works by renowned Portuguese artist Joana Vasconcelos in a new exhibit curated by Nina Moaddel titled, What are you hiding? May you find what you are looking for. To create this exhibit, Vasconcelos was inspired by the 58th Venice Biennale’s theme, May you live in interesting times, with artworks referencing Portuguese pop culture, while reinterpreting contemporary art. Vasconcelos’ works play with the viewers’ perception through a sharp sense of humor that shuns dogmatism and at the same time explores issues of identity, migration and the exploitation of women.

On display in San Clemente Palace’s 12th-century church is Vasconcelos’ large-scale sculpture, called Madragoa (2015-2019), inspired by Lisbon’s façades, and exploring the intersections of art and architecture. In the gardens of San Clemente Palace is a piece titled, I’ll be Your Mirror #1 (2019), a giant Venetian carnival mask made of mirrors, which has previously been exhibited in the Guggenheim Museum Bilbao. Viewers can look through the mask from any angle without ever losing sight of their own reflection. Also featured in the gardens is Betty Boop PA (2019), Vasconcelos’ most iconic work and part of the artist’s famous shoes series. The high-heeled shoe is crafted out of saucepans and questions the meaning of the word “feminine” in today’s world. Vasconcelos first became known internationally after her participation in the 51st Venice Biennale in 2005; and in 2012, she became the first woman (and the youngest artist) to exhibit at the Palace of Versailles.

For more information about San Clemente Palace Kempinski Venice, please visit: http://www.kempinski.com/en/venice/san-clemente-palace-kempinski

ABOUT SAN CLEMENTE PALACE KEMPINSKI VENICE:

The resort hotel has an impressive heritage and is uniquely situated on San Clemente Island in the Lagoon of Venice. Set among a centuries-old park, antique courtyards and a 12th-century church, the hotel provides the perfect setting for total relaxation, just minutes from St. Mark’s Square. All 190 rooms and suites provide a stunning view of Venice, the lagoon, the gardens or the inner courtyards. The hotel also offers six convention rooms for up to 450 people, and together with the whole complex and its surrounding grounds, it is the ideal place for weddings and other events, with the historic scenery providing an unforgettable setting.

VENICE’S SAN CLEMENTE PALACE KEMPINSKI REOPENS FOR ITS 2019 SEASON

San Clemente Palace Kempinski, the Venetian luxury resort uniquely located on its own private island eight minutes away from St. Mark’s Square, will open for its fourth season on March 20, 2019.

Just minutes from the bustle of Venice and set among a centuries-old park, antique courtyards and monastery buildings, the 190-room resort has its own pitch & putt golf course, a tennis court, spa, heated outdoor pool and outdoor jogging trails, as well as a kids’ club for younger guests. Last year, the resort unveiled Al Bacaro, an outdoor lounge serving cichetti (Venetian tapas) and cocktails, overlooking the Venetian lagoon and skyline.

Throughout the 2019 season, San Clemente Palace will offer a number of unique offerings for Easter, Spring Break, the Venice Biennale and beyond. During Easter weekend, the resort will offer a special “Kids Stay for Free” package, along with celebratory chocolate egg-decorating workshops and Easter Brunch for the whole family. To commemorate the 58th Venice Biennale, from May 11 through November 4, 2019, San Clemente Palace will also offer a special dedicated package, including exclusive tickets to the Biennale.

San Clemente Palace is also poised to become a true foodie destination this year, as the resort will welcome four top Michelin-starred guest chefs to cook alongside Executive Chef Giorgio Schifferegger for a special event called “Cena a Quattro Mani” (“Four-Hands Dinner”). San Clemente Palace will also be home to a number of other special F&B events, including a Wine & Beer pairing menu with local craft beer and wine, and a pizza-tasting event welcoming Pizza World Champion Gianni Calaon.

In honor of the resort’s opening, San Clemente Palace is offering a discount of up to 40% on all suites for stays between March 20 and April 30, 2019.

For more information about the San Clemente Palace Kempinski, please visit

http://www.kempinski.com/en/venice/san-clemente-palace-kempinski/special-offers/.

Q&A With Todd Schireson, Abell Auction Co.

Vice President of Abell Auction Company, Todd Schireson, gives a one-on-one personal interview regarding his business as well as his family’s legacy.

Q: How does one become a curator for an auction?

A: Although I have a BA Degree in Business/Economics, I grew up surrounded by antiques and fine art through the family business. I started taking an interest in design, and knew that I wanted to work in the art world.

Q: When did you realize that you wanted to continue your family’s legacy?

A: I was working in high-end residential management and was fortunate enough to work closely with some of the most important interior designers of the day. I became increasingly passionate about art and design, and started taking more of an interest in the auction business. My grandfather and father were both co-owners of the family auction house and it was a natural step to take in my mid-twenties.

Q: What type of research have you conducted in order to keep your pulse on the millennial consumer?

A: My research comes from years of experience as an auctioneer watching what different age groups are buying. We have changed our business format to encompass more millennial buyers. We hold specialty auctions, especially featuring more mid-century and luxury goods to accommodate that market.

Q: Do you consider yourself a philanthropist? Does any of your proceeds at your auction go towards any humanitarian efforts?

A: All of the auctioneers at Abell including myself donate our time to doing charitable auction events. I recently served as an auctioneer for the Jane Goodall foundation charity auction, and have done cancer foundation auctions as well.

Q: Describe your most eclectic find for this youthful market segment?

A: Every so often we come across really fun estates in Southern California. One estate that a youthful market responded well to was a single-owner men’s sneaker collection. We sold more than 200 pairs of collectible, new, in-box sneakers.

Q: How do you select a location for your pop-up engagements?

A: We selected a location based off of a diverse, younger, affluent market. We typically use the Venice area for its walkable neighborhood and the educated art community present.

Q: What advice would you give to someone aspiring to be an auctioneer?

A: The main facets of being an auctioneer are obtaining merchandise and selling merchandise. For both you have to know your customer base, know what look is selling, and be educated about any piece that could come across an auction house.

Q: Is there anything you wish us to know about your next endeavors?

A: We are taking a 102-year-old business and bring it into the 21st century by becoming more accessible online, to reach an audience that can’t necessarily be here in person.

Q: Are you tackling other markets besides LA? National? International?

A: We have a solid base in Southern California, but have expanded into Palm Springs, Northern California and Las Vegas. We are an internationally and nationally recognized auction house; our expansion into the international markets has been a result of expanding online.

The Leeu Collection invest in Alajmo S.P.A

Luxury hotel group Leeu Collection (www.leeucollection.com) has taken a 10% stake in Alajmo S.P.A (www.alajmo.it), the Italian family business established by brothers Massimiliano (Max) Alajmo, the world’s youngest three-star Michelin chef, and Raffaele (Raf), the company’s Chief Executive and maître des lieux.

The purchase mirrors previous investments made by Analjit (BAS) Singh, the owner of Leeu Collection, all of which have a family focus; companies such as South African Mullineux & Leeu Family Wines and Indian chef Ritu Dalmia’s Riga Foods and Mamagoto.

Alajmo S.p.A. operates four fine-dining restaurants and six café-bistros, including Le Calandre and La Montecchia restaurants in Padua, Caffè Stern in Paris and Grancaffè & Ristorante Quadri in St. Mark’s Square, Venice, as well as a line of food products and a special events business, all overseen by Max from Le Calandre, his vibrant culinary laboratory, which has held three Michelin stars since 2003.

Leeu Collection currently has three properties (Leeu Estates, Leeu House and Le Quartier Français) in Franschhoek, South Africa, with Linthwaite House in the Lake District due to re-open following a year-long refurbishment in June 2018. Two further hotels are under construction in London and Florence.

Said Raf Alajmo, CEO of Alajmo S.p.A., “Having, last year, bought back the shares once owned by Italian investment firm Palladio Finanziaria, my brother and I decided to open our doors to a foreign shareholder. A chance meeting with BAS in Milan has led to him purchasing a share of Alajmo S.p.A., in what we sincerely hope will be the first step towards a strong alliance between our two companies.”

In response, Analjit Singh said, “I am always attracted to invest in family businesses that share a similar vision to mine and, because there are a lot of synergies between Leeu and Alajmo, I feel sure that the results of this partnership will be seen for years to come.”

WONTAG WATCHES

Q×A w/ Robert Navarro

What is the inspiration behind creating this project?

I sought out to create Wontag Watches because of my passion for timepieces and desire to one day possess my own brand. It’s frustrating when one pays hundreds of dollars for name brand watches, knowing they only cost a fraction of the price to fabricate. I have spent a lot of time (days and nights) preparing for this moment; and finally, I came up with an affordable, stylish looking collection which I know everyone will love.

Why is Wontag better than any other watch on the market?

Because you don’t want to pay for
branding, marketing, logos, designer
names, etc …. you want to pay for high quality material and craftsmanship. You want the value on your watch, you want a watch reflecting the money you spent on it. So when designing this watch collection, I made sure to include the following details:

1. A minimalist look that could be worn in a casual or professional
setting.

2. The highest quality materials.

3. Automatic movement watches at an affordable price.

ABOUT US

Founded in 2017,Wontag Watches was inspired by Venice, the Italian
coastal town from which we borrow a warm spirit and a minimalist
mindset.

We create watches, always driven by our guiding principle: good design for a better living. The key, as we see it, is simplicity—capturing only what’s truly essential in an uncomplicated, great-looking way. Our understated products look right any time of day, anywhere in the world, now or 10 years from now. Simplicity isn’t just beautiful. It’s versatile.

Kickstart Wontag

ONE YEAR OF RESISTANCE

Critically acclaimed exhibition ONE YEAR OF RESISTANCE returns this April with a benefit auction hosted by ARTSY. Celebrate art for activism with works by more than 65 emerging and mid-career artists including Ann Lewis, Grace Graupe-Pillard, Rebecca Leveille, Michelle Pred, Indira Cesarine, Signe Pierce and Parker Day, among many others. Every work sold goes toward supporting the American Civil Liberties Union (ACLU) and its mission to defend and preserve the rights and liberties guaranteed by the constitution of the United States. 

The ARTSY benefit auction features artwork across all mediums addressing the issues our society has been confronted with such as immigration rights, health care, reproductive rights, climate change, transgender rights, white supremacy, gender equality, gun control and more. It will additionally feature many new works by artists of the ONE YEAR OF RESISTANCE exhibition.

Bidding opened today at 12 noon and will close on April 19th at 5pm! Head over now to bid and help raise funds for the ALCU. 

ONE YEAR OF RESISTANCE BENEFIT AUCTION ARTISTS: 

Alexandra Rubinstein, Alyson Provax, Ann Lewis, Anna Rindos, Annika Connor, Anya Rubin, Bradford Scott Stringfield, Cabell Molina, Camilla Marie Dahl, Danielle Siegelbaum, Daryl Daniels, Desdemonda Dallas, Desire Moheb Zandi, Dessie Jackson, Diana Casanova, Dolly Faibyshev, Domenica Bucalo, Eleni Giannopoulou, Elisa Garcia de la Huerta, Elise Vazelakis, Erin Victoria Axtell, Fahren Feingold, Gabriela Handal, Grace Graupe Pillard, Hannah Stahl, Indira Cesarine, James Hsieh, Jamia Weir, Jamie Martinez, Jen Dwyer, Joanne Leah, Joel Tretin,Kate Hush, Katya Kan, Kristin Malin, Kristin O’Connor, Leah Schrager, Leslie Kerby, Leslie Sheryll, Lola Jiblazee, Lola Ogbara, Manju Shandler, Marne Lucas, Mary Tooley Parker, Michael Reece, Michele Pred, Miss Meatface, Nichole Washington, Olga Filippova, Olive Allen, Panteha Abareshi, Parker Day, Rada Yakova, Rebecca Leveille, Rosary Solimanto, Rosemary Meza-DesPlas, Rute Ventura, Sarah Dillon, Signe Pierce, Stephanie Hanes, Tatana Kellner, Tommy Mitchell, Touba Alipour, Valerie Carmet, Valery Estabrook, Vanessa Teran, Yuri Murphy

VIEW AUCTION CATALOGUE

BID NOW ON ARTWORKS

 

 SELECT PRESS ON
“ONE YEAR OF RESISTANCE”

Vogue 
“The Untitled Space Gallery Checks In With Nasty Women, One Year Later

CNN
“Artists mark Trump’s inauguration anniversary with day of protest art”

The Guardian
“One Year of Resistance: the exhibit chronicling the year in anti-Trump art” 

INTERVIEW
“What One Year Of Resistance Looks Like In The Art World”

New York Daily News
“Trump’s America reflected in ‘One Year of Resistance’ art show” 

Good Trouble
“White Lies: One Year of Resistance”

Metro News
“80+ artists commemorate ‘One Year of Resistance’”