Tech

Preston Lovinggood – Moon Fever

Preston Lovinggood has released “Moon Fever.” CLICK HERE to listen. “Moon Fever is about wanting something that’s always out of reach,” Lovinggood told Glide Magazine, who premiered the new single, “The insatiable desire for one another, for walking into the sunset with the girl of your dreams and waking up and realizing, in fact, that’s all it was, a dream, a mirage in the distance.”

Preston says he drew upon the idea of “beach anxiety” while writing the song. “Wanting to take your shirt off and dive into the ocean. It’s about a fantasy and being afraid to take risks when you have feelings for someone.”

“Moon Fever joins “Everything Will Be Okay” as the second single released from Lovinggood’s forthcoming album Consequences, set for release May 17 via Last Gang Records. Digital pre-order is available now HERE.

“Moon Fever” is arguably the spiritual centerpiece of the album. Managing to conjure a unique soundscape of its own, like sun-kissed, modern pop that pulls off the neat trick of appearing straightforward when, upon further inspection, the music often trails off into subtle psychedelic curls, Lovinggood’s third full-length release, is his most concise, hook-laden album to date. At just under 40 minutes, Consequence, with its rich productions and scrupulous observations peppered through the lyrics begs for repeat listening. “Everything Will Be Okay,” “Taken in the Night,” “Divorce,” and the beautifully orchestrated title-track are breathtaking, sweet, hilarious hallucinatory, and devastating – often all at once.

TWITTER / INSTAGRAM / SPOTIFY

Vaughn Lowery, 360 MAGAZINE

Why you need visibility into invoices

(and how AI can help you get it)

We’ve covered how having visibility into employee expense reports helps organizations catch errors, waste, and fraud, and streamline process so that employees get reimbursed faster. But there’s another area of business spend where visibility might be even more critical: invoices. 

Enterprise AP departments pay thousands of invoices every month. Overworked AP teams may be hard pressed to scrutinize every invoice manually for adherence to contract terms, pricing anomalies, gradual increases in invoice amounts, or patterns that could indicate fraud, such as repeated invoices that fall just below the PO limit. Even worse, criminals can exploit an AP department’s lack of bandwidth by sending invoices for products that were never delivered or services that were never rendered, sometimes from companies that don’t even exist. 

Of course, the vast majority of vendors are trustworthy and want to earn and retain their customers’ trust, but with humans in the payment processing equation, honest mistakes are bound to happen. 

The risk hiding in vendor invoices

We recently reviewed the aggregated, anonymized data from billions of audit transactions across hundreds of customer accounts in a variety of industries, and summarized the results in our quarterly report, The State of AI in Business Spend. We found that, for the average enterprise, invoices comprise 96% of their business spend. (In comparison, employee expenses for travel and entertainment (T&E) make up only 3.7% of spend). The average company processes 60,354 invoices every month, but only audits or reviews at most 10% of them, usually after payment. In other words, most companies only find mistakes after the money is out the door, when clawing it back is expensive and time consuming.

Our report also revealed that 4% of invoices could be considered high risk. These invoices generally fell into three main categories:

•Prices, discounts or terms didn’t match the contract. Procurement teams may work hard to negotiate great terms with vendors, but if AP doesn’t ensure that invoices reflect those terms, that effort is wasted.

•Vendors billed inflated prices compared to the market. Most AP teams don’t have time to see whether better rates are available elsewhere.

•Duplicates. We uncovered double billing that may or may not have been accidental, as well as amounts duplicated on expense reports. 

Why visibility into high-risk invoices is critical

We probably don’t have to work that hard to convince you that incorrect invoices hurt your bottom line. But you might be surprised at how small mistakes, intentional or not, can add up. 

For example, we’ve found that many invoices don’t align with the signed contract, and the most frequent error is net payment terms: A contract may list payment terms as Net 60, but the invoices list Net 15 or Net 30. This difference can have a huge impact on your cash flow…and even profit.

Duplicate charges or payments happen with surprising frequency. Often, after an invoice is held up, an employee may intervene and approve manual payment of the invoice, but when the system clears the hold, the invoice is paid again. Even if the vendor notifies you about the duplicate payment, the time and energy everyone will spend trying to fix the mistake could be better spent elsewhere. 

But it’s the big mistakes, like fraud and non-compliance, that can cost your organization not only money but something that’s hard to replace: its reputation. Invoice fraud is real, and even large companies fall victim to it: A Lithuanian man recently bilked Facebook and Google out of more than $100 million by impersonating a vendor with which the tech titans do business.

What’s more, our report found that for every 10,000 invoices, at least one contains a regulatory violation. For example, a regional sales director might funnel payments to a distributor for fake “logistics services” that are actually a bribe to a government official who influences reimbursement policy for your company’s product. In a real-life story that illustrates the potential consequences, a large multinational retailer will have to pay the U.S. government $282 million for violating the Foreign Corrupt Practices Act (FCPA), in part because it failed to institute sufficient internal accounting controls related to third-party payments.

How AI can help

Given the value at risk, many enterprises are embracing AI as a way to get visibility into invoices—before they pay vendors—for errors, fraud, and out-of-compliance spend. Companies that use AI achieve 100% visibility into their invoices; companies that don’t use AI get at most 10% visibility.

AI extracts and analyzes key pieces of information on every invoice to catch duplicate charges, enforce payment terms, identify missing discounts, eliminate overcharges, catch suspicious activity, and flag compliance issues. This frees your AP team to focus on tasks that will add more value to your financial processes—and helps improve your bottom line by stopping unnecessary outflows. 

To understand the magnitude of the issue and see what 100% visibility into business spend means to you, download our latest research report, The State of AI in Business Spend. The findings focus on spend visibility, value at risk in invoices, insights on streamlining the spend audit process, recommendations for finance teams, and more.

Claire Chen is a Business Operations Analyst at AppZen, where she’s passionate about providing simple solutions for complicated data.

J BALVIN, 360 MAGAZINE

J BALVIN × VEVO


WATCH “AZUL” OFFICIAL LIVE PERFORMANCE | VEVO

WATCH “NEGRO” OFFICIAL LIVE PERFORMANCE | VEVO

WATCH “ROJO” OFFICIAL LIVE PERFORMANCE | VEVO

Vevo and J Balvin release the official live performances of “Azul,” “Negro” and “Rojo.” J Balvin’s live performance series was announced last week with the release of “Amarillo.”

Vevo live performances are part of a very special series that connects artists to their audiences at scale. Through close collaboration with the artist, Vevo creates visuals to give fans a unique take on the original songs. Khalid, Future, Karol G and Miley Cyrus have all worked collaboratively with Vevo to produce new and original, visually stunning video content offering fans a different retrospect on their music.

“Azul,” “Negro” and “Rojo” come off J Balvin’s new album Colores. The follow-up to his 2018 full-length Vibras, the new album finds the Reggaeton powerhouse going back to his roots, opting for only two features (Mr. Eazi and frequent producer Sky Rompiendo) to showcase the infectious sounds and flows that have made him a household name. The album also arrives just days after J Balvin made history becoming the Latin Urban artist with the most #1 singles on the Latin airplay charts after “Blanco” took the top spot this week. This title, along with Colores, not only cements his status as a leader of Reggaeton but as a torchbearer of the new state of Urbano, Balvin continually expanding the limits of the genre and paving the way for “la nueva escuela.”

The album continues J Balvin’s reign as one of the biggest stars in the world. 2019 saw him perform in the opening segment of The GRAMMY Awards, named the Premio Lo Nuestro “Artist of the Year” for an unprecedented third consecutive time, collect his fourth LATIN GRAMMY and the “Favorite Latin Artist” American Music Award, and saw him become the first Reggaeton artist on Saturday Night Live. Throughout the year, J Balvin also connected with millions of fans live by taking his stunning “ARCOIRIS” (Rainbow) Tour across the United States and throughout the world, while further etching his name in Urbano music history as the first Reggaeton artist to perform on the mainstage at Coachella, leading EDM festival Tomorrowland, and as the first-ever Latin artist to Headline at Lollapalooza. Most recently, J Balvin performed in the Super Bowl LIV halftime show alongside Jennifer Lopez to perform his hit song “Mi Gente,” notches another #1 single, and appeared on the cover of Billboard.

“Azul,” “Negro” and “Rojo” are now streaming. Keep up with exclusive content from artists all over the world on YouTube.com/Vevo.

RCA RECORDS, ISAAC DUNBAR, 360 MAGAZINE

ISAAC DUNBAR – comme des garçons

Trailblazing new artist Isaac Dunbar releases his new track “comme des garçons (like the boys)” via RCA Records. The song is written by Isaac and Rory Adams and produced by Isaac. Listen HERE. His forthcoming EP isaac’s insect’s is set to be released next Thursday, April 9th.

E! News included Isaac in their Next-Gen of Pop article calling him an artist you need to know and he was included in Idolator’s 40 Artists To Watch In 2020. “comme des garçons (like the boys)” follows Isaac’s previously released tracks “scorton’s creek” which Idolator called “His Best Single Yet”, “makeup drawer” which PAPER exclusively premiered the video, “isaac’s insects” where Billboard called him “the real deal”, “onion boy”  and “body” which led TIME magazine to call his voice “lovely” and stated that he has “a keen ear — and intuition — for turning pop into relatable confessions.”

About Isaac Dunbar

The 17-year-old budding artist supported girl in red on her North American and European run of show dates last fall and released his highly anticipated EP balloons don’t float here last summer. It garnered the attention of notable tastemakers like Zane LoweThe FADEROnes To Watch, and Hillydilly, which stated: “it’s only a matter of time until he gets worldwide recognition.” Hailing from Cape Cod, Massachusetts, Isaac’s EP melds complex sounds and atmospheric, beat-driven production to create melodic and introspective tracks. The unique brand of distorted ballads combined with lush, multilayered dream-pop harmonies and malleable, heady synth drops creates a genre-bending EP. Isaac is looking forward to releasing his new EP under RCA Records this spring and will hit the road on his first headlining tour later this year.

To Buy/Watch/Stream “comme des garçons (like the boys)”:

Multi – https://smarturl.it/commedesgarconsx

Follow Isaac Dunbar at:

Website | Facebook | Twitter | Instagram

(Photo credit: Harshvardhan Shah)

Royce da 5’9″ × Vevo Ctrl

Vevo announces Royce da 5’9″ as the next artist in their Ctrl series with a performance of “Thou Shall” and “Overcomer” premiering today.
Watch “Overcomer” HERE
Watch “Thou Shall” HERE
Vevo’s Ctrl series highlights the work of hard-hitting, cutting-edge musicians making an impact in today’s music scene – both emerging and established. These artists demand attention, and Vevo’s Ctrl shines a deserving spotlight. Shot in Vevo’s Brooklyn studio, Freddie Gibbs’ performance follow sessions from Rick Ross, Common, Rapsody, Fat Joe, Jeezy, Jadakiss, Fabolous, A$AP Ferg and more.
Rapper Royce da 5’9″ became known outside his native Detroit first for his work with Eminem and Dr. Dre, then through unexpected pop success, prolific solo output, and his roles in the group’s Slaughterhouse and PRhyme. His raw persona and talent for intricate lyrical design were on display in nonstop output that included frequent mixtapes, collaborations, and solo albums like his 2002 debut, Rock City.
His first major recorded appearance was on “Bad Meets Evil,” a track off The Slim Shady LP, Eminem’s multi-platinum commercial breakthrough released in 1999. Later in the year, Royce and Eminem released “Nuttin’ to Do” as Bad Meets Evil, and Royce debuted as a solo artist with the Alchemist-produced “I’m the King.” Additionally, Royce co-wrote “The Message,” the closing track of Dr. Dre’s 2001. Dre had previously offered an Aftermath label deal to Royce, who briefly went with Tommy Boy prior to landing with Game Recordings.
Early the next decade, Royce scored the first in a string of charting solo singles with “Boom,” a collaboration with DJ Premier that began a long-term affiliation. Rock City, his full-length debut, was released in 2002, but bootlegging of its contents prompted the rapper to decamp to Koch, where he issued Rock City (Version 2.0) and followed up in 2004 with Death Is Certain. Among the tracks on which he appeared during the next couple years was on Joe Budden’s “Slaughterhouse,” which led to group recordings of the same name. Royce, Budden, Joell Ortiz, and Crooked I released a self-titled album that debuted at number 25 on the Billboard 200. Within a matter of weeks, through another independent label deal, Royce’s fourth solo album, Street Hop, was on shelves.
Royce enjoyed even greater commercial success during the 2010s, a period during which his high critical stature as a sharp lyricist likewise escalated. In 2011, he and Eminem reconvened for Hell: The Sequel. The EP topped the Billboard 200 and was trailed shortly thereafter by the release of solo album five, Success Is Certain, a Top 30 hit itself. The year 2012 was especially significant for Royce, not only for the warm reception to Slaughterhouse’s Welcome To: Our House, but also for his sobriety date that September. Alcoholism had plagued his life for several years, notably related on “Shake This,” and had led to a handful of drunken driving offenses, a prison sentence, and the deterioration of his family life.
Royce went through a protracted period of writer’s block, but his career resumed in full force in 2014, when he appeared on benefactor Eminem’s posse cut “Detroit vs. Everybody” and released his first album with DJ Premier as PRhyme. Another solo album, Layers, was out by the end of 2016. PRhyme 2, along with seventh solo full-length Book of Ryan, materialized in 2018. He continued his long history of Eminem collaborations with both the song “Caterpillar” on Book of Ryan and a spot on Eminem’s 2018 surprise-released Kamikaze album. Royce’s eighth 22-track album, The Allegory, includes cameos from Westside Gunn, YBN Cordae, Benny the Butcher, and many others.
“Thou Shall” and “Overcomer” are now streaming on all platforms. Keep up with exclusive content from artists all over the world on YouTube.com/Vevo.
ABOUT VEVO: Vevo is the world’s largest all-premium music video provider, offering artists a global platform with enormous scale through its distribution partners. Vevo connects artists with their audience globally via music videos and original content, working directly with them to find unique ways to bring their music to life visually. Vevo also works with emerging artists, providing them with a platform of global scale and reach, to find and grow their audience. Reaching 26 billion monthly views globally, Vevo has over 450,000 music videos in its catalog.
360 MAGAZINE, illustration

The (Predictable) Rise of Internet Crimes During the Coronavirus Lockdown

Everyone be careful! Don’t let the boredom of home-sheltering entice you to commit a fatal mistake. Don’t use your computing device (computer, tablets, phone etc.) to engage in criminal activity. Don’t access your spouse’s phone or email without permission, don’t let frustration or anger cause you to send harassing or threatening messages to others, don’t think online sports betting is legal, and most certainly, let the draconian penalties of incarceration for accessing child pornography sites or illegally infringing copyrighted materials be strident warnings to stay clear.

We are speaking about Internet crimes today with renowned federal criminal defense attorney Dr. Nick Oberheiden. Attorney Oberheiden represents clients who are facing investigations for alleged Internet crimes conducted by the Federal Bureau of Investigation (FBI), the U.S. Justice Department (DOJ), the U.S. Department of Homeland Security (DHS) and other federal agencies in cases across the United States.

Q. Dr. Oberheiden, just to start easy, what exactly are Internet crimes?

A. The concept of online crimes (or Internet crimes) has changed over time. Originally, Internet offenses were considered those that could only be committed with the help of a computer such as hacking someone else’s computer system. Today, the general definition of online crimes has broadened to include any offense that was committed with the help of a computer irrespective of whether a computing device was essential or not. Drug trafficking and prostitution are two such examples. Technically, in order to sell drugs or to agree to illegal prostitution, you don’t necessarily need a computer. People have dealt with drugs and engaged in prostitution forever face-to-face on the street. However, nowadays an increasing number of these types of offenses and transaction also include the utilization of cell phones and computing devices when it comes to organizing deals and selecting people for criminal conspiracies, which can add more severe penalties at sentencing. When computing devices are a platform to commit a crime, you can consider the underlying offense an Internet crime.

Q. So, under this definition, blackmailing and extortion or electronic harassment would also count as Internet crimes?

A. Yes, that’s correct. Anytime someone uses a computer to do something illegally, that’s considered on online offense. To be clear, to use these verbal attack offenses, we all enjoy the freedom of speech under the First Amendment; however, the First Amendment does not protect any and all types of speech. Hate speech, intentional harassment, and using speech for extortion or blackmailing do not enjoy constitutional protection and can be prosecuted as felonies. So, for example, if you write an email or post something on the Internet that has the potential to be interpreted as a threat towards someone else, announce or insinuate violence, request money or anything else of value if one of your conditions is not met, or you call a person names— your behavior may fall quickly within the scope of unlawful conduct. So, when emotions are broiling, don’t use the Internet to express your anger and don’t attack the dignity or safety of another person in any electronic (or non-electronic) format.

Q. Is there a heightened risk of committing Internet offenses during this Covid-19 pandemic when we are sheltered at home?

A. I think so. When in-person interactions vanish, online offenses will rise. Keep in mind that many Internet crimes occur in the context of social tensions like divorces and family unrest. Spouses sometimes think that accessing their husband’s or wife’s computer or phone to take a quick peak if they can find evidence of an affair or hidden financial details is legitimate detective work. It is not! The fact that you are married makes no difference because being married does not include an implicit or explicit permission to invade your partner’s privacy. Similarly, some people may feel tempted to turn a blind eye to legal boundaries because they think that Internet crimes are “invisible” and thus not detectable. Almost every convicted child pornography offender started with that mindset. The truth is, the FBI has specialized task forces that can trace pretty much any of your visits to any website no matter what codename you use and no matter where you are. Just recently, to give you an example, I represented a client a huge international bitcoin fraud case spanning virtually every state within the United States as well as offshore islands. Admittedly, it took law enforcement months to link all the pieces and actors, but, in the end, the case resulted in a dozen of arrests and a plethora of criminal charges. Don’t put yourself into such a position. Don’t be naïve. I always tell clients: whether online or offline, assume that an FBI agent and your parents are watching what you are up to—so, act accordingly.

Q. In addition, what are some of the most common Internet crimes you see the FBI and the Department of Justice are prosecuting?

A. Chief focus of federal authorities are two types of Internet crimes: crimes committed for commercial gain or to cause corporate harm, and, in a category of its own, child pornography. To give you an example in the first category. I recently represented an individual who out of frustration of being fired accessed his former employer’s data system and literally erased the entire company network files—from his living room. Federal prosecutors don’t like when someone use access information or technology skills to cause harm. Whether it is hacking, phishing, spoofing or wagering on sports events over the Internet, I know from countless criminal defense cases that the Justice Department is very determined to take you down especially when there are real victims like in the case of defrauding and obtaining money through false or fraudulent pretenses. If you use the Internet to defraud seniors or create some form of a crime scheme, the FBI might very well knock at your door in the near future. This is particularly true when it comes to protecting minors. Federal prosecutors and federal agents are absolutely relentless when it comes to child pornography and prostitution involving minors. In fact, child pornography cases represent approximately twenty percent of all federal prosecutions. If you stand convicted for inducing, let alone, coercing a juvenile to engage in sexual conduct, don’t expect mercy.

Q. What are the penalties for Internet crimes?

A. Unlike some other countries, U.S. penal codes do not recognize “one” online crime. The penalties depend on the alleged offense someone commits. So, for example, if you access your wife’s cell phone without her or against her permission, you could be charged as a felon under 18 U.S.C. 1030. The exact outcome would depend on many factors such as the frequency, how you would use the accessed information, your criminal background and much more. Even if you escape imprisonment, you should wonder yourself if it is worth risking being a “felon” for acting stupidly in this one hot moment. Contrast this to, for instance, child pornography. The most lenient outcome in child pornography cases, that is any form of child sexual exploitation, you can expect is five years in federal prison with sentencing outcomes routinely reaching twenty years and more of incarceration.  

Q. Despite these extreme penalties, why do Internet offenses continue to rise?

A. I think it is the idea that because you act in seemingly protected anonymity, you are not in the public but in a private area without any witnesses, no one can find or identify you. Of course, that’s only partially true. It is correct that Internet offenses typically don’t have any witnesses especially when compared to, let’s say, a bank robbery or other offenses that are predicated on human visibility. However, every time you use the Internet whether you are searching for something or whether you are visiting a website, you leave traces. Specialized detectives and computer crime experts from the FBI absolutely have the ability to identify you—perhaps not always right away, but if you are in the United States and the FBI is pursuing your case, chances are high that you will get caught eventually.

Even though each of the 50 U.S. states have some version of online crimes in their penal codes, almost all prosecutions involving Internet crimes and computer offenses are federal in nature. That means the Federal Bureau of Investigation (FBI) and the U.S. Department of Justice are leading the prosecutions, often in connection with the investigators from the U.S. Department of Homeland Security and other agencies. In general, penalties for federal felony violations are not just more severe, but, also, if you are convicted, you don’t have the option of parole. In other words, if a federal judge orders you to 10 years in federal prison, you can’t expect to be released after half or two-third of the time; parole does not exist under federal law. Typically, in the federal justice system, ten years means serving ten years.

360 MAGAZINE, illustration

High-Performance Managed Website Services

With the advent of high-speed internet technology becoming available to a wide range of users. Websites have become an essential tool or platform for businesses to survive and thrive in a global marketplace. Merely having a website does not guarantee the success of your enterprise. It should also be fine-tuned to quickly and clearly convey the importance of your product or service to any visitors to your website. 

High-Performance Websites

The internet has become a major source of information for most people. Because of this, a great number of businesses have websites announcing their products or services to whoever should find this online address. For a website to be easily found amidst the multitude of online platforms, it should be connected to Managed Website Services that will increase its online traffic. Internet users have become very picky so if your website is not managed very well then it will be relegated to the sidelines of the virtual landscape.

High-performance websites should be elegant and efficient, reflecting an appealing aesthetic while also clearly conveying important information to visitors. They provide customers and clients with a unique experience from the first moment that they connect to the website. Keep in mind that laptops and personal computers are not the only ways to connect to the web anymore, mobile phones and tablets have become the most widespread means of connecting to the internet in the last few years.

One quality that can make or break a website’s online traffic is the speed in which it can load and share information with the user. This means that a high-performance website has speed-focused coding and image optimization integrated into its systems. Many internet users now do not have much patience and want the websites they visit to load very quickly, that is why speed is of the essence.

Website Security

A website must be secure both for the sake of the clients and for the business owner. Sensitive information is necessary for business especially when it comes to account details used for paying online transactions. Passwords and other personal information should be protected. Today, hackers or identity thieves are everywhere, this is the most complicated but must priority first. These kinds of information must be well protected in order to keep visitors to the website safe. If not, customers are not going to trust the website anymore. However, this can translate to a website having encryption on a virtual private server. 

The virtual private server should be backed-up regularly so that information will not be lost. A private server means that the resources of a server are dedicated to the website. It also means that it is protected by a firewall as well as having systems in place to protect the website from brute force attacks or hacking methods of stealing data.

The virtual landscape is not so different from the real one in the sense that dangers and opportunities exist within them. High-performance website management ensures that your online platform is not only well-protected but also much visited. For those who have a website or are thinking of starting one, become aware of high-performance options so that your virtual presence is a strong one.

Peter Hollens, 360 MAGAZINE

EPIC HAND WASHING SONG

☝Enter YouTube Star and #1 Billboard-charting artist Peter Hollens, a self-made influencer whose beloved music vids are filmed in a studio behind his house. His new, highly-polished EPIC HAND WASHING SONG is already going viral, and 100% of the proceeds are going to fight coronavirus with the slogan “Share the Video, not the Germs”.  

☝Watch EPIC HAND WASHING SONG: https://www.youtube.com/watch?v=-gfOHEaHdjo 

☝PRESS release: https://peterhollens.com/press/

Kygo – Like It Is ft. Tyga and Zara Larsson

KYGO DEBUTS NEW SINGLE AND VIDEO “LIKE IT IS” FT. TYGA AND ZARA LARSSON

Global superstar, producer and DJ, Kyrre Gørvell-Dahll – a.k.a. Kygo, releases new single and video for “Like It Is” ft. Tyga and Zara Larsson today. Click HERE to listen and HERE to watch. It is the first single off Kygo’s upcoming third album Golden Hour out via Sony Music International/Ultra Records/RCA Records. “Like It Is” follows the release of Kygo’s “Higher Love” with Whitney Houston. The song has accumulated 651 million audio and video streams combined and charted at Top 40 radio. “Higher Love” is a cover of the 1986 Steve Winwood classic. The Whitney Houston estate presented Kygo with the archival recording of Whitney’s version, which was previously released as a Japan-only bonus track on her I’m Your Baby Tonight physical album in 1990. Upon hearing the Whitney track, Kygo raced into the studio, thrilled to be given the opportunity to make music with one of the greatest female vocalists of all time. “Higher Love” was written by Steve Winwood, Will Jennings and produced by Kyrre Gørvell-Dahll and Narada Michael Walden.  Stay tuned for more from Kygo very soon.

Kygo is a Norwegian-born, world-renowned producer, songwriter, DJ and music marvel who has turned himself into an international sensation in unprecedented time. The musical prodigy and producer/DJ has amassed over 14.6 billion combined audio and video streams worldwide and 3.3 billion total YouTube views to date. He was crowned Spotify’s Breakout Artist of 2015, as songs including “Firestone (feat. Conrad Sewell)” and “Stole The Show (feat. Parson James)”, which was certified gold or platinum in sixteen countries, helped him become the fastest artist to reach 1 billion streams on Spotify. Kygo’s first album, Cloud Nine, debuted at #1 on iTunes Dance Albums Chart and at #1 on Nielsen Soundscan’s Electronic Albums chart. The album received tons of positive attention from critics, in which Rolling Stone called it “unfailingly gorgeous”. Kygo made his U.S. television debut on The Late Late Show with James Corden where he performed an acoustic version of “Stole The Show (feat. Parson James)”. He has also performed on Good Morning America, The Tonight Show Starring Jimmy Fallon, and The Ellen DeGeneres Show.

In 2016, Kygo landed on the cover of Billboard Magazine surrounding his colossal success. Later that year, he performed “Carry Me” at the Rio Olympic Closing Ceremony with singer-songwriter Julia Michaels; calling it “one of the biggest performances of his career.” Continuing his success, Kygo released “It Ain’t Me” with Selena Gomez which reached Top 10 on the Billboard Hot 100 and amassed over 949 million Spotify streams to date with USA Today declaring the song one of 2017’s most potent contenders for the official song of the summer, explaining that the tropical house-flavored beats “scream summer.” Kygo continued to take over 2017 by releasing his EP Stargazing following his sophomore studio album, Kids In Love, an eight-track body of work, adding on his global Kids In Love tour starting in Helsinki, Finland and ending in Boston, MA. He also released “First Time” with Ellie Goulding which charted at #1 on iTunes in 14 countries and debuted at #9 on the Billboard Hot Dance/Electronic Songs chart, and the music video has garnered over 96 million YouTube views. His follow up single “Remind Me To Forget” featuring Miguel saw major success with over 812 million total combined streams and the video has garnered over 74 million YouTube views, along with his release “Born To Be Yours” with Imagine Dragons, which has over 379 million Spotify streams.

INSTAGRAM / TWITTER

Tyga, Instagram, Tiktok, Columbia Records, 360 MAGAZINE

TYGA – BORED IN THE HOUSE

GRAMMY® Award-nominated multiplatinum modern hip-hop icon Tyga releases his new single “Bored in the House” featuring Curtis Roach. Get it HERE.

The track, produced by Pliznaya, comes a week after Tyga posted his now viral TikTok lip-syncing Curtis Roach’s original rap. Tyga’s 10-second take on being bored in his house has garnered more than 35 million views and over 4.5 million likes in just 7 days.

“Bored in the House” arrives hot on the heels of Tyga’s red-hot collaboration with Megan Thee Stallion “Freak” and his previous viral smash “Ayy Macarena”, which has totaled nearly a-quarter-of-a-billion streams and counting. Tyga also dropped a remix of “Ayy Macarena” featuring Latin superstar Ozuna. About this version, Billboard wrote, Ozuna’s 30-second rap verse is about a man who makes the ladies swoon with his luxurious lifestyle.” The animated clip already cracked 6 million views and counting. View it HERE.

ABOUT TYGA:
As a rapper, entrepreneur, and influential force, Tyga maintains his place at the forefront of hip-hop and the culture. Since emerging in 2008, his influence consistently grew year after year to affect nearly every facet of the mainstream. Throughout his career, he earned dozens of multiplatinum certifications around the world, including the quadruple-platinum “Rack City,” triple-platinum “Faded,” and double-platinum “Ayo” with Chris Brown, to name a few. In 2018, he turned up with his most successful single to date “Taste” [feat. Offset]. Not only did it go six-times platinum and clinch #8 on the Billboard Hot 100, but it generated over 1 billion cumulative streams. It also paved the way for his 2019 opus, Legendary, released via his own Last Kings Records / Empire Distribution. Legendary crashed the Top 20 on the Top 200 chart, scored a gold certification release week, and accumulated 5 billion streams in under a year. Tyga perennially holds a place in the Top 30 of the “Most Streamed Artists on Spotify.” His influence continues to grow with each subsequent album.