Posts tagged with "artist"

ALICE + OLIVIA TAPS LAKWENA FOR NEW COLLABORATION

Street Artist’s Signature Messages of Empowerment Come to Life with a Limited-Edition Capsule Collection; Proceeds Will Benefit LifeWay Network’s Mission to Stop Human Trafficking

Alice + Olivia by Stacey Bendet is pleased to announce that the brand has teamed up with London-based artist Lakwena to advance the artist’s bold messages of empowerment in celebration of International Women’s Day 2020 (March 8) and Women’s History Month.

Bendet and Lakwena, both champions of female ambition and empowerment in their own right, have partnered on a
limited-edition collaboration that brings Lakwena’s signature murals to life across a capsule collection of apparel.

As an avid art enthusiast, Bendet is constantly inspired by various artists, bringing their work to life through fashion with her biannual Art Collective series. Past collaborations within the Art Collection landscape include Keith Haring, Domingo Zapata, Jean-Michel Basquiat, and Donald Robertson.

The collection itself puts optimism at the forefront, Lakwena combats the pessimism of our contemporary social and political climate with empowering statements. “RAISE YOUR HOPES”, “LIFT YOU HIGHER”, “POWER” — these are just some of the artist’s large-scale mural works’ bold declarations that designer Bendet has transformed into wearable art with the Alice + Olivia by Stacey Bendet x Lakwena collection.

“I love the positivity and graphic beauty of Lakwena’s artwork,” said Bendet, “each of her works are visual symbols of strength and optimism!”

Combining vivid colours and decorative patterns, Lakwena creates artworks that draw on both her background in graphic design and her own personal history. From London’s Southbank and Shoreditch to Fort Smith Juvenile Detention Centre in Arkansas, America, these messages of hope and affirmation radiate across their urban environments.

“I’ve loved seeing my paintings come to life in a different form through this collaboration with Alice + Olivia,” said Lakwena, “I’m really happy that we’re also able to use this as an opportunity to stand in solidarity with survivors of human trafficking.”

Alice + Olivia by Stacey Bendet is donating 10% of sales to LifeWay Network, an organization fighting to end human trafficking by raising consciousness and providing safe housing and mentorship to survivors.

“Human trafficking is a modern-day epidemic that many do not even realize exists today,” said Nicky HiltonRothschild, “I am so grateful that Alice + Olivia has collaborated with Lawkwena to bring awareness to this global issue. Educating the public is one of the most important things we can continue to do to prevent human trafficking.”

According to the UN, Human trafficking effects every country in the world, but it’s not talked about it enough; Bendet has joined her friend Nicky Hilton-Rothschild in supporting the efforts of LifeWay Network – an organization for which Hilton-Rothschild is an avid supporter. Together, with Lakwena, the trio hope to Stop Human Trafficking this Women’s Month.

The Alice + Olivia by Stacey Bendet x Lakwena capsule collection includes a selection of the artist’s affirmations printed on a ball gown skirt, reversible kimono, and a range of empowering tees. The collection, which is available via the brand’s website, as well as select retailers, retails between $225 for a tee to $595 for a maxi skirt. To launch the collection Bendet, Lakwena, and Hilton co-hosted a Female Empowerment Dinner, dubbed F.E.D. in New York, where they were joined by guests including Chelsea Clinton, at what marked the second dinner in the F.E.D. series launched by Bendet in January 2020. The limited-edition collection is now available at the brand’s retail locations, department and specialty store accounts, and e-commerce.

ABOUT ALICE + OLIVIA BY STACEY BENDET
Launched in 2002, alice + olivia by Stacey Bendet is a brand that allows women to express their personal style. With clothing that juxtaposes the whimsical and flirty with the sexy and sophisticated, a+o epitomizes the personality and perspective of its founder, Stacey Bendet. The brand was born from Stacey’s personal quest to create the perfect pair of pants, and has since grown into a full lifestyle collection including ready-to-wear, gowns, shoes, handbags and accessories. The brand is a Hollywood favorite with celebrity fans including Meghan Markle, Michelle Obama, Beyoncé, Gwyneth Paltrow, Gigi Hadid and Jessica Alba.

alice + olivia by Stacey Bendet is available at the brand’s free-standing boutiques located in New York, Los Angeles, Atlanta, Boston, Chicago, Dallas, East Hampton, Greenwich, Houston, Malibu, Manhasset, Miami, Orange County, Palm Beach, San Francisco, Southampton, Washington D.C., Hong Kong, Tokyo, Kuwait, Dubai, Singapore, Shanghai, Taipei, Macau, Chengdu, Bangkok, and at aliceandolivia.com. alice + olivia is also available at over 800 select department and specialty stores worldwide, including Saks Fifth Avenue, Neiman Marcus, Bergdorf Goodman, Net-a Porter, Lane Crawford, Isetan, Hankyu, Harvey Nichols, Harrods, and Galeries Lafayette.

aliceandolivia.com
instagram.com/aliceandolivia

ABOUT LAKWENA
Lakwena’s iconic, kaleidoscopic work is informed by the use of decoration as a means of communication.
As a form of expression within a political world, Lakwena explores how the use of adornment in worship and mythmaking translates into contemporary popular culture. Central to her practice are words, used as both images and
anchors of meaning, borrowing from the techniques and conventions of traditional sign-writing and contemporary
graphic design. With an aesthetic that references her childhood spent between East Africa and London, Lakwena
creates epic outdoor murals carrying bold messages of hope in urban landscapes.

www.lakwena.com
instagram.com/lakwena

ABOUT LIFEWAY NETWORK
LifeWay Network envisions a world in which human trafficking is abolished and every survivor is strong, connected and free. LifeWay Network joins the global movement against human trafficking by providing safe housing for women who have been trafficked and offering education about trafficking to the general public. LifeWay Network confronts the reality of human trafficking every day by changing the future for women survivors through its Safe Housing Program and increasing awareness and engagement through its Education Program. Since its founding in 2007, LifeWay Network has emphasized the power of collaboration in creating the slavery-free future we all envision. LifeWay believes in bringing people together to form community and address a global issue with significant local impact. Human trafficking occurs around us. It affects people in our neighborhoods. We must join together to end slavery today and empower survivors to reclaim a life of freedom.
lifewaynetwork.org

Alice + Olivia, Stacey Bendet, Lakwena, Vaughn Lowery, Sam Berman, 360 Magazine, Alice + Olivia, Stacey Bendet, Lakwena, Vaughn Lowery, 360 Magazine,

360 Magazine,art,artist,Brooklyn,design,Forbes,graphic,JENNA MORELLO,Macy’s,muralist,murals,New Jersey,sculpture,Super Bowl,The New York Times,The Ritz-Carlton,Universal Music Group,Vaughn Lowery,World Trade Center, NYC

JENNA MORELLO

Jenna Morello is a multi-disciplinary artist from Brooklyn. At home, she creates large-scale bold, expressive walls as well as meticulously crafted sculptures. She mixes and matches multiple mediums to create nature-based, sometimes anatomical art which speaks for itself. Her work is internationally sold; and her murals can be seen around the world. She has completed projects for The Ritz-Carlton, the World Trade Center, Universal Music Group, Macy’s and the Super Bowl. As of late, she’s been featured in both The New York Times and Forbes.

http://www.jennamorello.com/

african, art, spiritual, museum, exhibition, Phyllis Galembo, rituals,

African Masquerade Exhibition

Major photography exhibition (Now on view until May 31). Meet the artist on May 17 at 3:00 p.m. at the Museum for a special appearance (lecture and book signing)

Museum goers will be spellbound by the transformative power of the African masquerade, as the Boca Raton Museum of Art presents Phyllis Galembo:Maske. Her striking photographic series of contemporary mask rituals has drawn national and international critical acclaim. These large-scale images are nearly life-size and explore spiritual realms with brilliant, mesmerizing colors.For more than 30 years, the artist has traveled around the world to photograph participants in contemporary masquerade events that range from traditional, religious ceremonies to secular celebrations.

The exhibition is now on view through May 31. Galembo will visit the museum on May 17 at 3:00 p.m. to share personal stories about her work and her travels, the ritual mask ceremonies, and will sign two of her books at this personal appearance–Maske (published by Aperture), and Mexico, Masks and Rituals (by Radius Books and DAP). Her portraits are celebrated by the world’s leading fine art photography editors for their stunning resonance, setting her work apart from documentary and anthropological studies.

Galembo’s Art Work:

Otoghe-Toghe, by Phyllis Galembo. Aromgba Village, Nigeria, (2005), Ilfochrome

Awo-O-Dudu (A Spirit They Saw), by Phyllis Galembo. Freetown, Sierra Leone, (2008), Ilfochrome.

Akata Dance Masquerade, by Phyllis Galembo. Cross River, Nigeria (2004), Ilfochrome

They will be shown in concert with the Museum’s historical collection of more than 40 African tribal artifacts and indigenous masks in the gallery across from Galembo’s show, for a complementary perspective.

Through her lens, the viewer gains special access to the rarely seen other-worlds, as she captures the raw and sometimes frightening aspects of ceremonial garb. Masking is a complex, mysterious and profound tradition in which the participants transcend the physical world and enter the spiritual realm.

In her vibrant images, Galembo exposes an ornate code of political, artistic, theatrical, social, and religious symbolism and commentary. She has made over twenty trips to sites of ritual masquerades, capturing cultural performances with a subterranean political edge. Her photographs depict the physical character, costumes, and rituals of African religious practices and their diasporic manifestations in the Caribbean and Mexico. Galembo’s images reflect both the modern and ancient worlds.The fifteen portraits by Galembo that were selected for this exhibition reveal the meticulous detail and creative imagination of mask-making.

Affianwan, by Phyllis Galembo. Calibar South, Nigeria, (2005), Ilfochrome

“The tradition of masquerading is universal and timeless, and continues today in most cultures, including western societies,” says Irvin Lippman, the Executive Director of the Boca Raton Museum of Art.

“Bringing together the Galembo photographs and masks from the Museum’s African collection underscores the cross-cultural complexity of meaning and purpose. However, what they have in common is their vitality, power, and boldness of humanity.”

Aye Loja (The World is a Market Place that we Visit), Gelede Masquerade, by Phyllis Galembo. Agonli Village, Benin, (2006)

The costumes in Galembo’s photographs are worn in several types of modern-day rituals. They are created to summon ancestral spirits and deities during a range of events, including agricultural hardships,
land disputes, rites of passage, funerals, harvests, moments of gratitude and celebration. Galembo’s large-scale portraits in this exhibition capture the mask-oriented cultural traditions of Nigeria, Benin, Ghana and Sierra Leone.

Banana Leaf Masquerade, EkongIkon Ukom, by Phyllis Galembo. Calabar, Nigeria (2005), Ilfochrome

While traveling and embedding herself for long periods in these societies, Galembo works with local assistants and translators.They negotiate the terms with elders, so that she may be granted permission
to make photos of these masqueraders.

“The translators often find that gaining permission from community leaders can sometimes be quite helpful during these painstaking negotiations,”says Galembo. “Once an agreement has been struck, I set my own lighting and place the subjects in front of a neutral backdrop that enables the eye to focus on the diversity of materials in each costume.”

Two in a Fancy Dress, Red Cross Masquerade Group, by Phyllis Galembo. Winneba, Ghana, (2010), Ilfochrome

The masks and costumes in these photographs are made from a wide variety of surprising materials ─ leaves, grass, patterned fabrics, burlap sacks, full-bodied crocheted yarns, colored raffia, quills, shells, and even lizard excrement. All of her photographs are shot as portraits rather than during the act of ritual. She is allowed to photograph her subjects at the very moment right before their rituals and festivities commence. Galembo prefers her colors to be brightly saturated, enhancing the spiritual and transformative powers of these garments. “I never see my subjects out of costume, although the masqueraders are always men, often paying homage to women,” adds Galembo.

Ekpeyong Edet Dance Group, by Phyllis Galembo. Etikpe Village, Nigeria, (2005), Ilfochrome

Despite secularization and fading traditions, masquerading in Africa is abundant, robust, and far from disappearing. Most of the photographs in this exhibition reflect sacred rituals, the spiritual aspect of masquerading rather than secular celebrations.By donning garments, the masqueraders gain access to traditional knowledge, enabling them to relay critical messages to the community.

Egungun, by Phyllis Galembo. Adandokpodji Village, Benin, (2006), Ilfochrome

“I like the way viewers can grasp the real stories behind each image. Every mask, costume and fiber of material can represent so much to the people in these portraits. Many of these subjects created these ritual costumes because a spirit inspired them. These are people who make masks and costumes that are very spiritually motivated,” says Galembo. The modern world also finds its way into these costumes and masks with the usage of plastic bags, cardboard, and found objects.

Ringo (Big Deer) Masquerade, by Phyllis Galembo. Kroo Bay, Sierra Leone,(2008)

Awo-O-dudu (A Spirit They Saw) reveals a ghost- like shape summoning ancestral spirits during the dry months or times of crisis, when spirits are called to bless the deceased and entire villages.Ko S’Ogbon L’Ate (You Can’t Buy Wisdom at the Market) is a tribute to mothers, goddesses and ancestors. The wooden headpieces represent an animal and a human, each sings a different song during the ritual. Affianwan (“white cat woman”) represents spirit and transparency. The stunning headdress of this work is crocheted from one long flowing piece of fabric. Two in a Fancy Dress and Rasta illustrates the cross of African and European traditions (fancy dress).

More About the Artist: Phyllis Galembo

Phyllis Galembo’s photographs are included in numerous public and private collections including the Metropolitan Museum of Art and the New York Public Library. She is represented by Axis Gallery. She was born 1952 in New York, where she continues to live and work. Galembo graduated with a Master of Fine Arts from University of Wisconsin at Madison in 1977 and has been a Professor Emeritus at Albany, State University of New York since 1978. Using a direct, unaffected portrait style, she captures her subjects informally posed but often beautifully attired in traditional and ritualistic dress.

Attuned to a moment’s collision of past, present and future, Phyllis Galembo is recognized for her ability to find the timeless elegance and dignity of her subjects.She highlights the creativity of the individuals morphing into a fantastical representation of themselves, having cobbled together materials gathered from the immediate environment to idealize their vision of mythical figures.

While still pronounced in their personal identity, the subject’s intentions are rooted in the larger dynamics of religious, political and cultural affiliation. Establishing these connections is the artist’s hallmark. Her work has appeared in Tar Magazine, Damn Magazine, Photograph and Harpers. She has been profiled on CNN, NPR Radio and NBC Today.

Other collections that feature her work include: Oceania and the Americas, Photography Study Collection (New York); the Philadelphia Museum of Art; the Houston Museum of Art; the International Center for Photography(New York); the British Art Museum, Yale University; Schomburg Center for Research in Black Culture, New York Public Library; Polaroid Corporation (Boston); and the Rockefeller Foundation, among many others.

MORE ABOUT THE MUSEUM’S AFRICAN COLLECTION

Complementing Galembo’s exhibition are more than 40 African tribal artifacts from the Museum’s collection, including headdresses and masks, each pertaining to masquerades and ceremonies. These are exhibited in an adjacent gallery, across from the Galembo show.

Pictured above are some of the historic African masks from the Museum’s collection that complement Galembo’s contemporary photographs. More than 40 African tribal artifacts will be shown in an adjacent gallery across from Galembo’s exhibition.

The two Kuba masks in the collection (Kuba Bwoom Mask and Kuba Ngaady-A Mwash Mask) are both from the Democratic Republic of Congo, recreating the Kuba dynastic history.

Another work in the museum’s African collection, a Bamana Headdress (Chiwara), represents a mythical character who taught humans to turn wild grasses into grain.

A Mossi Nakomse Headdress (Zazaido), is used in secular and religious rituals by young men. The Zazaido masquerade honors male and female elders at funeral ceremonies, and blesses survivors.

A Yoruba Crown from Nigeria is worn on state occasions, and reflects the spiritual connections of the ruler. The face represents his royal lineage and ultimately the god Oduduwa, who remained on earth and became their first king.

The collection also includes a Dan mask (Deangle), an Ogoni Mask (Nigeria), a Toma Mask (Landai), a Senufo Mask (Kpelie), a Guru Mask (Gu), an Igbo Crest Mask (Nigeria), and a Yoruba Oro Efe Gelede Mask (Nigeria/Republic of Benin).

ABOUT THE BOCA RATON MUSEUM OF ART

Celebrating our 70th anniversary in 2020, the Boca Raton Museum of Art
encompasses a creative campus that includes the Museum in Mizner Park,
Art School, and an Artists Guild. As the “Official Art Museum of the City of
Boca Raton, “the Museum has provided seven decades of cultural and artistic service to the community, and to many visitors from around the world. Open–10:00 a.m.-5:00 p.m. on Tuesdays, Wednesdays, and Fridays; 10:00 a.m.-8:00 p.m. on Thursdays; and 12:00-5:00 p.m. on Saturdays and Sundays.

Visit HERE for more information.

African, Art, Museum, Phyllis Galembo, Spiritual, Realm, tradition, African, Art, Museum, Phyllis Galembo, Spiritual, Realm, tradition,

Kusama, NYBG, Cosmic Nature, Vaughn Lowery, 360 Magazine

Yayoi Kusama x New York Botanical Garden

New Work by Celebrated Japanese Artist Yayoi Kusama  The New York Botanical Garden Announces Highlights of 2020 Exhibition

KUSAMA: Cosmic Nature, Featuring New Work by Celebrated Japanese Artist Yayoi Kusama

On view May 9‒November 1, 2020. Tickets go on sale February 26, at nybg.org/kusama 

The New York Botanical Garden (NYBG) has announced highlights of its expansive 2020 exhibition KUSAMA: Cosmic Nature, featuring work by internationally celebrated Japanese artist Yayoi Kusama (b. 1929), including new experiences and immersive installations, four of which will debut at the Botanical Garden. NYBG is the exclusive venue for KUSAMA: Cosmic Nature. On view May 9 through November 1, 2020, the exhibition will be installed in and around the Enid A. Haupt Conservatory, across the Garden’s 250 acres, and in the LuEsther T. Mertz Library Building.

Tickets for the landmark presentation go on sale February 26, 2020, at nybg.org/kusama. Visitors to New York can easily reach the exhibit in 20 minutes from Grand Central Terminal in Midtown via Metro North to the Botanical Garden Station. They can also take advantage of the Exclusive Grand Hyatt New York Hotel & Ticket Package. The property is located next to Grand Central and visitors can book online at grandhyattnewyork.com, using the code NYBG. They’ll receive 10% off the nightly room rate at Grand Hyatt New York, two round-trip Metro-North Railroad tickets to NYBG and two KUSAMA All-Garden Pass tickets.

New Kusama Works Debut

The exhibition reveals Kusama’s lifelong fascination with the natural world beginning in her childhood spent in the greenhouses and fields of her family’s Nakatsutaya seed nursery. Multiple installations will be on view, including her signature mirrored environments and organic forms, colossal polka-dotted sculptures of flora, and mesmerizing paintings of plants and flowers and their diversity of colors and patterns. Several of these works are newly completed and will be shown along with archival works that have never been publicly exhibited, and more that will be on view for the first time in the United States.

Among the new works debuting are: Flower Obsession (2020), Kusama’s first-ever obliteration greenhouse where visitors apply coral flower stickers throughout the interior; Dancing Pumpkin (2020), a monumental, 16-foot-high sculpture presented on the Haupt Conservatory Lawn; Infinity Mirrored Room—Illusion Inside the Heart (2020), an immersive outdoor installation responding to changing light throughout the day and seasons; and, I Want to Fly to the Universe (2020), a brightly colored, 13-foot-high biomorphic form with a yellow face and polka dots.

Complementing the artworks on view, Garden horticulturists will create spectacular in- and outdoor displays through the seasons. Glorious displays of tulips and irises in spring transform into masses of pumpkins and autumnal flowers in fall. Kusama’s plant-inspired polka-dotted sculptures will be installed across the Garden in dialogue with meadow grasses, bellflowers, water lilies, and other plantings. In the Conservatory, stunning floral presentations will bring one of Kusama’s paintings on view in the Library Building to life through a seasonal progression of violas, salvias, zinnias, chrysanthemums, and other colorful annuals. In fall, displays of meticulously trained kiku (Japanese for “chrysanthemum” and one of the country’s most heralded fall-flowering plants) will create a dramatic finale for the exhibition.

Sketchbooks, Paintings & Polka Dots

The Exhibition will include works from throughout Kusama’s prolific career and multifaceted practice. On display in the Mertz Library Building, her sketchbooks from adolescence signal the beginning of Kusama’s connection with the natural world that has inspired her aesthetic and practice across mediums. This early work also portends avant-garde ideas she developed while living in New York between 1958 and 1973, as a contemporary of Joseph Cornell, Eva Hesse, Donald Judd, and Claes Oldenburg, and continues to explore rigorously today. The Library Building presentation will also feature examples of her botanical sketches, paintings, works on paper, biomorphic collages, assemblages, and recent soft sculpture and canvas works depicting flora and their limitless variety of patterns. Life (2015) provides an immersive experience as visitors navigate a circular space enclosing polka-dotted forms with mosaic surfaces. Pumpkins Screaming About Love Beyond Infinity (2017) comprises a mirrored cube reflecting an infinity of polka-dotted pumpkins. It is accompanied by a statement by the artist that reads, in part, “My pumpkins, beloved of all the plants in the world. When I see pumpkins, I cannot efface the joy of them being my everything, nor the awe I hold them in.”

Public Programs   

KUSAMA: Cosmic Nature will be accompanied by a roster of public programs for all ages, including lectures; film screenings of Kusama Infinity (2018) and Kusama’s Self-Obliteration (1967); fun-filled Polka Dot Picnics in spring; and Pumpkin Power Weekends in October with activities amid thousands of pumpkins of myriad shapes and sizes. Artist-designed merchandise will be available for purchase at NYBG Shop and there will be special Kusama- inspired menu items offered in the Hudson Garden Grill and Pine Tree Café. The KUSAMA All-Garden Pass ticket includes access to the LuEsther T. Mertz Library Building, Enid A. Haupt Conservatory, Flower Obsession (2020) obliteration greenhouse, and garden features, including the Rock Garden, Tram Tour, Everett Children’s Adventure Garden, and grounds. The KUSAMA All-Garden Pass + Infinity Mirrored Room ticket includes KUSAMA All-Garden Pass access, plus timed entry to the Infinity Mirrored Room—Illusion Inside the Heart immersive outdoor installation. Tickets go on sale for NYBG Patrons and Members on February 19, 2020, and to the general public on February 26, 2020.

Visit nybg.org/kusama for additional ticketing information and pricing and to sign up for e-mail alerts on the exhibition.  The New York Botanical Garden is a museum of plants located at Bronx River Parkway (Exit 7W) and Fordham Road. It is easy to reach by Metro-North Railroad, bus, or subway. The Garden is open year- round, Tuesday through Sunday and Monday federal holidays, from 10 a.m. to 6 p.m. For more information, please call 718.817.8700 or visit nybg.org The New York Botanical Garden, 2900 Southern Boulevard, Bronx, New York 10458

Kanye West Statue Unveiled at Sneakertopia

By Chris Gates x Sam Berman
David Weeks NYC has been a a transcending designer and star in the art world. Recently, he unveiled his latest creation: a 5-foot-tall of Kanye West, showcasing his 4 sides of emotions.
Mr. weeks is the youngest innovative style award recipient and the leader
of a new wave of art. With his new series “Modern day Mount Rushmore”, the artist seeks to bring awareness to cultural legends in the black community who’ve helped shift the culture and provide a path for wealth, success and advocacy. The first in his series is a massive statue of his favorite artist Kanye West. The name of statue is perfect for its four-faced appearance: N.S.E.West.
The statue is now on display at Sneakertopiaa pop-up exhibit and store at HHLA. Inside, you see the restricted sneaker display and will be surrounded by a widespread variety of pricey kicks and very big street art pieces.

Average price to get a view is $20 a person, and you can grab your tickets here. The pop up shoe museum will be on full display with David Weeks NYC’s N.S.E.WEST masterpiece in Los Angeles thru Mar 1st, then will go on to hit other places around the globe.

Alexander Mijares, Sunreef Yatchts, wynwood, 360 MAGAZINE, Miami, 360, art, design

Sunreef Yachts × Alexander Mijares

Sunreef Yachts celebrated their collaboration with Miami-based artist Alexander Mijares at Mijares Gallery in Wynwood with a cocktail party followed by a private champagne cruise on the wrapped $3.2 million dollar 70 foot Marquis in Brickell Bay. Sunreef Yachts, the world’s leading designer and manufacturer of luxury sailing and power multihulls, was showcased at the Fontainebleau Marina with Mijares’ “Pieces of Me” wrapped around the hull of the 70’ Sunreef Power catamaran from Wednesday, December 4th to Sunday, December 8th. This legendary and custom-made model is designed in detail for the most demanding customers and delivers the best in comfort, style and safety. She boasts luxurious accommodations, vast living spaces, extravagant and innovative design features. This sounds similar to services like bvi yacht charters.
 
“Pieces of me is a painting inspired by feeling protected, as if a guardian angel is with me along my journey” says Mijares. .
 
Miami-born and internationally acclaimed artist Alexander Mijares brings a colorful perspective and injects new life into the art world with his myriad of vibrant works. As a self-taught artist, Mijares finds inspiration in the dynamic energy of both his city of Miami and his Cuban and Spanish roots and creates pieces that are rich in culture. His vision has been recognized both nationally and internationally by some of the most discerning art collectors across the globe. Both Forbes and Elite Daily named Mijares “One of the Top 10 Most Influential Artists” in the US. Mijares has also found inspiration in music; the rising artist collaborated with Pitbull in 2014 during the World Cup, painted the iHeart Radio Station Studio and has created custom pieces for artists like Justin Bieber, Tori Kelly, Pharrell, and Alejandro Sanz; to name a few.

*Photo courtesy of Between Two Yetis

DNA PhotographersZeitz MOCAA, Cape Town, KEMANG WA LEHULERE, ARTIST, South Africa, 360 MAGAZINE

LAYING BARE

KEMANG WA LEHULERE
19 DECEMBER 2019 – 10 MAY 2020 I LEVEL 2 

ARTIST STUDIO RESIDENCY 

Come and experience Laying Bare, a site-specific, process-based project by South African artist Kemang Wa Lehulere at Zeitz MOCAA.

Wa Lehulere will take up occupation in a multi-gallery area on the institution’s second level for a period of six months, turning the museum into a studio space. The studio, usually a private working space, will be accessible to the public to observe and engage whilst the artist makes new works, conducts research, and develops ideas for future projects. 

Working across media such as performance, sculpture, drawing and video, the artist will lay bare the essence of a thinking and making process – revealing inspirations, ways of working and a fascination with materials. 

The studio will be supported by ongoing performances and activations, as part of an open process of exploration of germination, experimentation, and collaboration. These will be broadcast on Zeitz MOCAA social media channels.

On view: 19 December 2019 – 10 May 2020

*Photo courtesy of DNA Photographers

Viktoria Modesta, Rolls-Royce, Black Badge, luxury, bespoke, entrepreneur, millennial, art, design, bionic, 360 MAGAZINE, the360mag, 360 MAG

ROLLS-ROYCE × VIKTORIA MODESTA

BIONIC PERFORMING ARTIST VIKTORIA MODESTA EMBODIES ROLLS-ROYCE BLACK BADGE

  • Extraordinary creative team interpret Rolls-Royce’s boldest expression of luxury
  • Black Badge attitude shaped by futurist and bionic artist, Viktoria Modesta
  • ‘Jacob’s Ladder’ prosthetic created in collaboration with Rolls-Royce for short film

In March 2016 Rolls-Royce Motor Cars presented Black Badge; a permanent Bespoke family of motor cars that respond to the taste patterns of the marque’s most daring and disruptive clients. Since its introduction, Black Badge has become the most commanding presence on the super-luxury landscape and has done much to attract a new generation of Rolls-Royce customers to the marque. The time is now right to delve further into its extraordinary allure.

“Black Badge began as an alter-ego of Rolls-Royce Motor Cars but has grown to define an attitude that exists among a new breed of entrepreneurs. These remarkable people are confident, assertive and willfully disruptive. They respond to the notion of reimagined rules. This film is a tribute to their philosophy and the ongoing success of this truly transformative expression of luxury.” – Torstein Müller-Ötvös, Chief Executive Officer, Rolls-Royce Motor Cars

In this spirit, the marque called upon a collective of globally recognized creatives to express the soul of Black Badge. At the center of the work is bionic performance artist and art director Viktoria Modesta, celebrated for her innovative and futuristic approach and famed for her fearless performances at the Paralympic Games Closing Ceremony, Art Basel, and Fashion Weeks worldwide.

Among the items created for this performance art piece was a prosthetic limb wrought from Black Badge carbon fiber that the designer created in collaboration with Joe Dip Rima at ArcAttack, the Alternative Limb Project and the Rolls-Royce Bespoke Collective of craftspeople, designers and engineers. A Tesla coil is incorporated into the heel and activates under pressure to create a ‘Jacob’s Ladder’ effect, illuminating the glass area of the limb with a continuous train of large sparks on demand. It is the first wearable ‘Jacob’s Ladder’ of its kind. The colored area of the prosthetic is finished in the marque’s hallmark Black paint and detailed with a 3D printed and electroplated Rolls-Royce grill motif.

Modesta says, “There are many parallels between the Black Badge philosophy and my work, chiefly maximizing your potential and becoming a hyper version of yourself.  I really wanted to capture the Black Badge attitude and fierce spirit, by embodying that through body art, it felt totally wild. Pushing the boundaries to the extreme we explored the allure of a darker, bolder expression, a place where your senses are heightened, where you are the bravest and most free.”

Key to expressing Modesto’s character through the prism of Black Badge was an international team of tech and fashion designers. Anouk Wipprecht, the ‘FashionTech’ pioneer collaborated with Rolls-Royce to build items that apply Wipprecht’s hallmark aesthetic of fashion design, engineering, science and user experience to the pieces.

Wipprecht, alongside Modesta and the Bespoke Collective also tailored a Black Badge carbon fiber bodice to the bionic artist. The artist’s silhouette was digitized using a high-resolution body scan while the bodice itself was created using a SLS powder-based 3D printing technique to form the extra-lightweight wearable before it was veneered with carbon fiber.

Wipprecht says, “Like the Black Badge motor cars we are expressing, Viktoria is badass. She’s not scared of anything. Creating my aesthetic overlay in collaboration with the Rolls-Royce Bespoke Collective merged technology and fashion in a way that truly captured the spirit of Black Badge.”

The visionary tasked with creating a cohesive narrative was director, Jora Frantzis. Her work articulating the visual backdrop of subversive contemporary recording artists, including Cardi B and IV Jay, prepared her to interpret the dark world of Black Badge with Modesta at its center.

“Viktoria as an embodiment of power symbolized through the electricity of the prosthetic. She can shift time and space, shape worlds and push them in any direction she deems fit. Modesta’s subversive style worked so well with Rolls-Royce Black Badge. I’m pleased to say that we’ve created something really unique.”

The short film can be viewed online at rolls-roycemotorcars.com 

Camille Hannah, Olsen Gruin, art, design, 360 MAGAZINE, Australia

Camille Hannah

Olsen Gruin is pleased to present The Sixteen Pleasures, a solo exhibition by Australian artist Camille HannahThe Sixteen Pleasures will be on view at Olsen Gruin from October 9 – November 9, 2019. The exhibition design leads viewers with subtle intensity through a dynamic installation of variously scaled paintings and mirrors. During this journey, reflected glimpses of the self coalesce with Hannah’s paintings, creating spillage between the territories that define body and artwork. Enveloped and embraced within these abstract landscapes, viewers experience a bodily extension: a potent sensation which exceeds rational grasp.

By traversing this alluring amalgamation of imagery, the viewer becomes both witness and participant in the creation of these compelling ‘virtual’ paintings. These seductive, enigmatic images of desire echo the artist’s ongoing explorations around the expansive, unbounded nature of female desire and of the carnal disruption inherent to perceptual experience in the digital realm.

The Sixteen Pleasures also evokes the sensory experience of film, video and the mesmerizing back-lit screens that saturate our modern world. It is richly infused with the artist’s extensive enquiries into art history, philosophy, poetry, sexuality and contemporary culture, filtered through the personal narrative of each individual viewer. With this exhibition Hannah aims to create a boundless, all-encompassing landscape in which the viewer is captivated by an exhilarating and thought-provoking, physiological experience.

Camille Hannah attained a Masters of Fine Art by Research in 2013 and a Bachelor of Arts (Honours) degree in 2010, at the Victorian College of the Arts, University of Melbourne, Australia where she was the recipient of an Australian Postgraduate Scholarship Award. In 2018 she won the Wyndham Art Prize, and in 2017 was selected as a finalist for the Arte Laguna Prize, Nappa Arsenale, Venice, Italy and as winner of the Special Exhibition Prize of a solo exhibition at Galerie Isabelle Lesmeister, Regensburg, Germany in 2018. In 2015 she was selected by an international jury to win the T.I.N.A. Art Prize, Maurizio Caldirola Arte Contemporanea, Milan, Italy, and was a finalist & winner of the People’s Choice Award in the Gold Coast Art Prize, Qld, Australia. Hannah was shortlisted in 2014 for Contemporary Visions V, Beers Contemporary Gallery, London, and in 2012 she won the Kozica-O’Callaghan Award for Painting. Other awards include the Premio Ora Art Prize, Italy 2013 International Catalogue and being shortlisted for the Arte Laguna Art Prize, Venice Arsenale, Italy and the Wynne Prize, Art Gallery of NSW, 2012.

Black Line Crazy Launches New Limited Edition Art Bags Line

Mary van de Wiel (aka Van), founder of Black Line Crazy (BLC), has announced the launch of her line of the same name, which includes limited edition bags and one-of-a-kind, hand-woven rugs and wall hangings featuring her paintings. Additionally, van de Wiel’s work was selected for an installation on Avenue of the Americas in New York City by And Partners which acts as ‘co-curators’ on behalf of its clients.

A former chief creative officer of her own award-winning branding agency with offices in New York and Sydney, Australia, van de Wiel has worked with countless Fortune 500 clients. At the same time, she realized she relished walking outside the line with her bold black and white graphic designs born from her love of doodling. One day in the middle of Mexico, van de Wiel picked up a brush and can of black house paint and started painting murals, collages and gallery windows—floor to ceiling. In 2015, she had her first successful exhibition at the Saint Cloche Gallery in Sydney. A year later, she was invited to be part of a group show at Galeria Manuk in San Miguel de Allende, Mexico.

Later moving to Mexico, van de Wiel started to create messenger bags that feature her paintings and signature and expanded her line to currently include totes and zippered sleeves as well as a hand-woven collection of rugs and wall hangings. Anyone purchasing items from her line instantly becomes a collector of a one-of-a-kind or limited edition piece which makes the work truly unique.

“I believe that art has a pulse and belongs in everyday life—not just on walls,” said Mary van de Wiel, founder of BLC. “It’s designed to be worn, carried and integrated with the personality of the owner as a means of self-expression.”

The new Black Line Crazy line can be viewed here.

About Black Line Crazy

BLC Collections, both form and function, are an invitation to walk outside the line. It’s art at the intersection of fashion, home and everyday life. Because sustainability is a must, BLC works very closely with makers and artisans, researching organizations that repurpose vinyl for a circular economy, rather than sending it to landfill. Additionally, BLC purposely chose master weavers who source their 100% wool from the state of Guanajuato—from a small group of farmers that have been tending to their animals’ welfare and the environment for decades. By

About And Partners

Based in New York City, And Partners helps clients build and differentiate their brands, drive sales and command a premium in the market place. The agency blends curiosity and creativity to uncover unique and authentic stories that elevates brands, helps solve business problems, and provides a meaningful launching pad for deeper conversations with diverse audiences. If you would like more information, visit their website.